#which is where i assume the game portrayal is pulling from

[skylordhorus]

something that’s interesting to me abt okami is that it’s obviously a huge love letter to japanese myths and legends, but it also represents the ainu, or at least their obvious stand ins, as having their own ancestral land with their own culture, mythos, and language- i think every name throughout kamui barring ezofuji is ainu language based

and this game was released in 2006; the ainu were not recognised by the japanese government as indigenous people until 2019, and the parliament’s resolution calling for their recognition didn’t happen until 2008

#*deep space noises* #like obviously i cannot speak the accuracy or sensitivity of their representation #i know the fact that the oina can shapeshift into wolves is a point of contention #what with indigenous peoples often being portrayed as more animalistic #plus dog i think being a common slur for the ainu in japan #but upon research i did find an ainu creation myth involving the wolf god horkew kamuy #and it was from his coupling with a goddess that the ainu people were born #which is where i assume the game portrayal is pulling from

[veliseraptor]

I'm interested in your thoughts about the different way the show vs the novel cuts the timeline, and specifically in terms of how Jin Guangyao is framed. With the show, we're first introduced to Meng Yao as a young man making heart eyes at Zewu-jun and there's a very slow build up of suspicion over time, which allows viewers to get to know and like him more at first before...*ahem*... putting the villain hat on him. In the novel on the other hand (assuming I'm remembering this correctly), we're basically presented with Jin Guangyao as the antagonist almost from the beginning, setting him up for the reader's suspicion and dislike. On the other hand, there's a much more nuanced portrayal of his crimes (e.g. he's not responsible for Every Bad Thing Ever like in Untamed) and the reasons behind them, and an even more clear parallel with WWX as the protagonist. What are your thoughts?

Ohhh this is a super interesting ask and I actually found it an interesting counter to the prevailing Jin Guangyao narrative about his framing in the drama, which holds that he is straightforwardly being painted as The Villain, and while I don't think that's incorrect I do think in some ways it overstates its point. however, I actually think that something specifically about narrative framing (as in, not taking any content changes in mind) here might, perhaps unintuitively, contribute to why the Jin Guangyao of the novel is a more sympathetic figure than The Untamed (tries to) make him.

(once again I came out of CQL like Jin Guangyao Made Many Valid Points, Was If Not Right At Least 75% Justified so like. I actually don't think The Untamed was as good at making Jin Guangyao a Straight Up Villain as it was trying to be. I have thoughts about Zhu Zanjin actively acting against script and how you can feel him pulling against the prevailing narrative and I have thoughts about how that actually interacts very nicely with the way Jin Guangyao in every version of the story is pulling against a prevailing narrative that wants to relegate him to the margins in one way or another. but that's a major sidebar.)

holy hell I wrote an essay so putting the rest of this under a read more.

The point is that I think there's a few things happening here - I will note, first of all, that I don't think we actually are introduced to Jin Guangyao as a villain in MDZS. I believe the first mentions we get of him are actually fairly positive. I went back and checked, and he's mentioned a couple times early on just to note his position as Chief Cultivator (in pretty neutral to positive terms), then identified as the person who gave Jin Ling Fairy, and a few other times including the explanation that he executed Xue Yang to "show that things were going to be different." Pretty shortly after that is the scene where Wei Wuxian finds the kids playing Sunshot Campaign to see how Jin Guangyao is portrayed there (because that's a solid proxy for perception more broadly) and it's pretty complimentary!

"In these types of games, the role of the now-grand-beyond-measure Chief Cultivator, Lianfang-zun, was naturally very popular. Though he had come from a background that most people found too embarrassing to even mention, it was for this very reason that they sighed in admiration over how he'd succeeded in climbing to the top of the cultivation world. [...] He fully deserved the title, and could even be considered a legend of his time. If Wei Wuxian had been playing this game, he also would have wanted to try being Jin Guangyao." (Dew, Part 5)

I do think that's worth remembering, that it's not an immediate jump into "Jin Guangyao bad"; it happens pretty fast but not immediately.

However, it is true that by the time we actually meet Jin Guangyao on page he is under pretty heavy suspicion, and pretty shortly after that is the Empathy sequence, which involves a lot of heavy judgment on Wei Wuxian's part (a very unbiased narrator! of course!) of Jin Guangyao's badness. though that's also the sequence that reveals Jin Guangyao's involvement in saving Lan Xichen, his maltreatment by cultivators in general and Nie Mingjue in particular. So it's...complicated.

But in general, this kind of arc (starting with a character who seems fishy/suspicious or even evil, gradually revealing later on the more sympathetic aspects and drawing a fuller, more nuanced picture of them that's very far from a blanket condemnation and also gets a lot of sympathy from the narrative) is very characteristic of MXTX. She does it all the time, in all three of her books, with pretty much all her antagonists.

(SPOILERS FOLLOW: Shen Qingqiu in SVSSS starts out as a lecherous scum villain who deserves his horrible death and ends as a decidedly tragic and fairly miserable figure that even his #1 hater feels pity for, Tianlang-jun in same is an all-powerful demon lord, terror of the cultivation world -- and he was wrongly accused because the Old Palace Master coveted Su Xiyan. Xue Yang is introduced as a mass murderer and closes as a hand clutching a treasured candy. Jun Wu in TGCF receives the bamboo hat after Xie Lian's beaten him in a truly remarkable gesture of compassion.

Wei Wuxian himself, who is introduced in the first lines of the novel as a terrible evil that has been defeated - this one gets quickly overturned but the fact that it begins there is still significant. I could keep going.)

and while I feel like that's led to some problems in the discourse (namely, people make up their mind about who Jin Guangyao is right off the bat and then dismiss anything that doesn't suit that initial assumption as either false or irrelevant), I also think it's a pretty compelling way to lay out her characters, and does some very interesting things in terms of...challenging the reader to be willing to overwrite some of those early assumptions, being willing to make that change in how they assess a character (or person). I mean, that's a big part of the plot of SVSSS, actually: many of the problems are caused by Shen Qingqiu's unwillingness or inability to see that Luo Binghe is not the character he knew him as from PIDW - that Luo Binghe has changed because of Shen Yuan's decisions. The misunderstandings after Luo Binghe's plunge into the Abyss stem, in a lot of ways, from Shen Qingqiu continuing to assume that Luo Binghe is thinking and acting exactly as his counterpart would, instead of looking at the person who is actually in front of him.

So too, I think the reader is meant to do those same kinds of reassessments in MDZS as character details are parceled out. Notably, the information about Sisi and the Guanyin Temple statue is only revealed after Jin Guangyao is already dead. Everything has already happened, so why put that information in the text? It's one more signpost that says you thought you knew everything but there's still more to complicate the picture and make this even more of a tragedy. You see the same thing with Jiang Cheng and the golden core reveal at the very end - everything has already happened, the great confrontation has already gone down, but here's one more thing. Maybe it doesn't change anything in terms of the narrative, but it's there, it's important.

Now, the problem comes, I think, when people are unwilling to flex on that initial unfavorable impression, and I feel like particularly right now in general a lot of people are unwilling to...change their minds? on things? or to admit they were wrong or maybe making a judgment prematurely? And most obviously this is an issue irl all over the place but I think it happens in fiction, too. The irony here is, of course, that it's replicating exactly how cultivation society in-text responds to Jin Guangyao, namely by taking one thing about him and deciding that says everything about him, regardless of what he does.

To turn to CQL, now...I'm going to be talking about narrative structure from an Anglophone perspective because that's what I know, and that's the part of fandom I primarily engage with, recognizing that what I'm going to say about story patterns may not hold true in Chinese literature; I've read too little of it to say.

I actually think it's interesting that I actually think, while CQL is on the face of it presenting a more sympathetic look at Jin Guangyao to begin with, by putting it in a linear order where the viewer more or less knows what's going on with him through the course of the whole story in chronological order is actually in some ways a villain edit in and of itself without the extra dumping of all the bad things ever being his fault. I say that because that's actually, as a narrative arc, a very familiar one in terms of the path it follows. "Innocent young man falls into villainy" is a classic villain creation trope - and while often it can make for a sympathetic villain it is very much a story that arcs from good > bad > dead.

When it's set up in that linear sort of way, aligned with that sort of familiar path, the reader (viewer) is almost set up to expect what comes; as soon as episode 10 rolls around and Jin Guangyao does something questionable, there's an easy and immediate jump to "oh, so he's going to be one of those" and from there everything he does must be, by the logic of that familiar story, part of that path. He can't get better from there; that's not how it works. He can have a redemptive moment before death, perhaps, but overall once that downward arc begins, the expectation isn't that it'll reverse, and it's a challenge to convince people not to view the rest of the character's story - and potentially back-read into their previous actions - in a suspicious light at best or an actively hostile one at worst.

(Interestingly, I have thoughts/feelings on the way that Wei Wuxian's arc interacts with that sort of story path, which is to say as I've talked about before Wei Wuxian's first life is classic villain origin story. "A smart, clever young man with a healthy dose of hubris acquires sinister powers, gradually gets more unstable and separated from society, and ultimately goes full villain" is the basic outline of Wei Wuxian's story before his resurrection, and that is, I want to emphasize, a villain story. Obviously it doesn't end up framed that way, but viewed from outside that's what it is. The fact that he's extricated from it and gets another chance doesn't actually unwrite that - it gives him another chance.)

So CQL!Jin Guangyao might start out as a more sympathetic-seeming figure than MDZS!Jin Guangyao does, but by virtue of the linearity of his arc on screen (following a familiar narrative path to an inevitable end), I think he's pre-set up to be intractably cast in the villain role, where MDZS!Jin Guangyao, because the reveals of information about him are non-linear, wobbles more. Because the reader doesn't have all the information it (potentially) forestalls making final judgment, or at least calls for a reexamination of judgment. That interrupted arc, with its side trips and detours and glimpses of another story in which Jin Guangyao could've been the protagonist (the brothel flashback occurs to me), makes it potentially a little less easy to mark Jin Guangyao in the villain box and keep him there for forty episodes.

I would say, in general, that the novel encourages a more sympathetic read of Jin Guangyao. But I do think what you've noted here is worth remembering: CQL doesn't present him as a villain or even as sketchy from the start, and the difference is clear in the form of two characters who project "I'm a bad person!" in every scene they're in from the beginning: Wen Ruohan, and to a lesser extent Jin Guangshan.

#conversating #flamingwell #jin guangyao #lise does meta #the sad queer cultivators show #thanks for giving me the opportunity to spend FAR too long writing this and looking up quotes and shit #much appreciated way to spend my afternoon #instead of working

[danceofthephilos]

Miya Chinen + Hiromi Higa Character Intros & Takuma Nagatsuka Interview (spoon.2Di vol.71)

"I want to hear the ding of leveling up for the first time in a while. You're fine with it, right?" / "Which of you will skate? I won't mind both of you at once!"

Miya Chinen

"S" Name: MIYA Birthday: February 22nd A middle school first year and a hopeful for the Japanese national skateboarding team. He's a talented skater who can easily pull off high-level tricks. He has a cheeky personality and loves video games.

Hiromi Higa

"S" Name: Shadow Birthday: September 14th The self-proclaimed Dynamite Flower blooming at "S". He uses every dirty trick in the book to toy with his opponents. His public face is that of a mild-mannered florist.

Takuma Nagatsuka Interview

—When you were playing MIYA, what sort of direction did you receive from the staff? What did you consider important to your portrayal?

They told me not to forget that even though he acts prickly, Reki and Langa and the others are precious friends to him, and that left a lasting impression on me. Even at times where he talks like he's keeping his distance and pushing them away, those aren't his true feelings. I was very conscious of trying to convey that contradictory nuance.

—MIYA really gave his all in the BEEF in episode 3. Could you give us your impressions from when you were performing, and tell us your feelings about what Reki and Langa are to MIYA?

Honestly, seeing him lose to Langa, who could still barely skateboard (he's more experienced than MIYA at snowboarding) was devastating to me, and not just as the person playing MIYA! I think for him, who'd lost his friends and is living totally dependent on his skills as a national team hopeful, it's a tremendous humiliation. But because he experiences losing to Langa, he's able to tone down his conceit for others, and thanks to Reki he's able to realize the importance of having friends to free you from despair. I think Reki and Langa become irreplaceable friends and rivals to MIYA.

—Do you have any stories from recording with Reki and Langa's voice actors, Hatanaka-san and Kobayashi-san?

Because of the situation with production, we often recorded in different booths, and being surrounded by our seniors, the atmosphere was tense and we were focused on the work, so I don't have much I could call stories, but it seems that Tasuku likes the same "salt crystal" toothpaste as Reki. (laughter) Oh, and I bought a skateboard recently, so Chiaki-kun and I made a three-person group chat on LINE with him right away and we've been talking about going to skate together.

—In episode 6, enjoying the beach and the hot springs with Reki and the others and get covered in mud, we were able to see the real MIYA. In particular, when he called Joe "papa" and all that, that cheekiness and charm felt so MIYA-like. What were your impressions and memories from recording?

Personally, episode 6 is one of my favorite episodes. Up until now there's been so many developments that there's barely been time to catch our breath, so you could say we finally had a chance to take a break. (laughter) I was happy to see MIYA getting to act like a mischievous middle schooler when he was calling Joe "papa". Maybe he's overcompensating for having lost his friends before, but he's actually a real attention-seeker. He's like a needy cat who can't be left alone, that MIYA. (laughter)

—Are there any other characters in the work you like, or think we should pay particular attention to?

Of course, as the one playing him, I think you should pay attention to MIYA. (laughter) But my favorite character is Joe. I always end up liking muscular characters. He's got that adult charm and manliness. I guess what I want is the things I don't have? (laughter)

—Is there anything coming up in the story that you thing we should pay close attention to?

I assume since watching episode 6, everyone's understanding and appreciation for the characters has gotten even deeper. Episode 7 is past a turning point, so the story's going to pick up the pace and get even more intense from here on out. I'm sure it'll be more exciting and move your heart even more than the first half... Hang on tight so you don't get shaken off!

—Finally, please send a message to all our readers.

The pain of thinking you have no talent. The struggles that come from having talent. The things you lose by having too much talent. This story is born from each and every character's feelings clashing and conflicting. Isn't there at least one character you sympathize with so much it hurts? Through this work, I hope I can convey through MIYA how to face that pain and find a path to overcoming it. Thank you, and please enjoy and support us until the end!

(from spoon.2Di, volume 71 - February 2021)

#sk8 #sk8 the infinity #miya chinen #hiromi higa #takuma nagatsuka #translation #spoon.2Di

[sillyandquiteawkward]

okay WHAT is limbus company. you have intrigued me with the silly clock person

ok so. its a gacha game where you are dante, the said clock person, and you have amnesia because your head is missing and all you have is that clock. and you are coerced enlisted into working for the limbus company as its executive manager. who is the limbus company? why does this world seem so apocalyptic? fuck if you know, and no one really wants to explain it to you !

you have 12 coworkers (the sinners) who are yours and each others soulmates and they WILL die for you. and they are all idiots (and based off popular literary ppl) but they are unfortunately Your idiots and youve gotta try to make sure they dont die too badly if you want to get your head back.

gameplay consists of strategy battles where your sinners fight waves of enemies in a turn based system after you issue them orders. every sinner has different stats and attacks so you have to team build and figure out synergies. all of the sinners can also become alternate versions of themselves with different abilities and such from the life theyd lived. thats basically what you Pull for in this game. so like mr gregor samsa has his normal identity where hes like this dad type dude, but he also has an identity where he is a very bad chef who is pulling a sweeney todd. that sort of thing.

tw for the game is lots and lots of blood, death, and body horror so if youre not a fan, it might not be the one for you. theres also an uncomfortable stereotypical portrayal of mexican people in the second chapter, so again, another warning for that in particular. theres lots of discussions of dehumanization, war, class disparity, general horrors of capitalism, and utopias/dystopias.

its for mobile and steam, its free to play and its super easy to not spend money on the game. as far as monetization goes this gacha kinda sucks at making the player pay out (which is a good thing. to me.) i play on my phone but i think the optimal version would be the steam version bc this game can sometimes get. long. esp reading through lots and lots and lots of story. also the controls on phone are kinda finicky and i have to assume its easier to navigate with a mouse.

[haikyuupaladin]

TLDR; Flashing lights as a trigger is common knowledge, even if most people choose not to acknowledge that or a few people genuinely aren’t aware, and we need to stop pretending that it’s not.

Something I’m tired of seeing, both in the context of excusing large companies and in the context of talking about individuals who have made mistakes along these lines is the claim that flashing lights are not a common knowledge trigger. People may not realize how many people it affects, or think it’s not that big of deal, or may be choosing to be ignorant, and a relatively small amount of people may genuinely not know, but claiming it’s not common knowledge that it’s a trigger just because a majority of people don’t act like it has an impact is extremely frustrating.

Anyone who has ever played a video game has seen the photosensitivity warning, which outlines that flashing lights and other patterns in games can trigger seizures. That alone is a huge population of people. And yes, I understand that not everybody actually reads the warnings, but I also find it hard to believe that a warning that’s in every insert, on every startup screen, and before every game itself, that’s about 3 sentences long, has gone completely unread to the extent that this could be considered “obscure knowledge”

And that’s not taking into account the amount of ableist portrayals that either turn photosensitive epilepsy into a joke or something to be gawked at. Almost every adult cartoon, including the Simpsons, (which I single out because I know most other adult cartoons will get a response of “well nobody should be watching that show anyway so you can’t call it common knowledge”, though I will still point out that a lot of people do still watch those shows as well), includes an episode making fun of the incident where an episode of Pokémon caused seizures all over Japan because of the flashing lights. Medical dramas almost always have an episode where photosensitive epilepsy is a plot point. The portrayals being ableist does not mean that people aren’t aware that it’s a trigger because of them.

It’s also made the news multiple times, such as when Incredibles 2 issued a warning after the fact, when the Weeknd had a music video pulled from showing before Suicide Squad in theaters, when Cyberpunk 2077 came out, or the aforementioned Pokémon incident. (Granted the Pokémon incident happened decades ago, but also it’s a pretty well known piece of trivia about Pokémon even if you’ve managed to avoid media references to it, as a lot of people talk about the banned episodes and why they were banned).

These were all just examples I could think of in roughly 30 seconds. And they’re all prevalent enough to make the topic count as somewhat common knowledge on their own, but when put together, I’d say it’s fairly clear that this is common knowledge.

And to address my earlier statement that someone not knowing doesn’t mean that it’s not common knowledge, plenty of people learn new common knowledge things every day. And not just children or people who have a specific reason not to know. But people who have just somehow managed to never come across information like how to pronounce certain common words in their native language. That doesn’t make the knowledge obscure, it just means that that person hasn’t had the opportunity to learn it yet.

1 in 26 people have epilepsy and have most likely been warned that flashing lights are a possible trigger. Let’s assume that epilepsy was the only condition that was triggered by flashing lights (which it’s not) and that on average they only shared that information with 1 person. That alone brings the number to 1 in 13, almost 10% of people. And sharing that information with 1 person on average is probably significantly lowballing it. While that might not be enough to call it common knowledge on its own, that’s just an estimate that excludes other conditions and other means of people finding out, and 10% is a significant portion of the population to find out just from having epilepsy or knowing someone with epilepsy, and again, I was lowballing it.

I am addressing this from an epilepsy perspective because I am epileptic myself, and that’s why my examples are heavily epilepsy focused, but the fact that I can name so many ways people could have found out and I’m only speaking off the top of my head about examples that are epilepsy related also means that this is even more common knowledge than the examples in this post imply.

#epilepsy #actually epileptic #photosensitivity #disability

[crusherthedoctor]

One strawman I like is when people claim we must hate emotion in Sonic stories when, if anything, glurge cheapens whatever genuine emotion may have been there had it not been obvious that the media in question just wants to pull at the audience's heartstrings without putting in the hard work to do it effectively.

I've already seen people insist that since Prime's models are more expressive than the games, that means they're excellent by default, and anyone who complains about Prime's animation is being silly because "How is more animation bad???"

Not taking into account that the specific expressiveness might not fit the specific character. Though that's an extension of fans not understanding Sonic the character in general, and by proxy the other characters.

Or that the stretchy bobbing only works for in-between action shots that you're not meant to notice unless you pause at a convenient moment, and doesn't work quite as well in scenes where all they're doing is talking. Eggman can sort of get away with it since his animations have always been up to eleven, but for the other characters, it's like watching Han dislocate his neck to dodge Greedo shooting first, and since Sonic's portrayal is already that of an OoC airhead, the play-doh animation has an added effect on that... which I guess the fandom has latched onto, if their "uwu such a dumb brimblo <3 <3 <3" commentary is of any indication, because they'll forget all those years of crying about Sonic's alleged character assassination in a moment's notice when the right non-game product comes along.

Or that the characters just plain look weird half the time. When their faces aren't caving in on themselves (Rouge's sucked in cheeks in that one screenshot), they're jittery and bugging out in a way not unlike a Phantom Ruby clone. I've seen so many graphical hiccups in gifs of the show that I've initially assumed to be a glitch that resulted from the making of the gif, only for it to turn out that no, that's actually how the show is.

This is the latest edition of the fandom's long history of white knighting a Sonic thing solely because it reminds them of, or deliberately apes, something else instead of Sonic. Prime gets white knighted cause it's like Current Year Disney. Frontiers gets white knighted cause it's like Breath of the Wild. IDW gets white knighted cause it's like Steven Universe. The older 3D games get white knighted cause it's like shonen anime. And so on and so forth.

#Crusher's Asks #Opinion #Sonic the Hedgehog #Sonic Prime

[dispatches-from-the-lorecord]

Behind the scenes with The Calling

[January 14, 2023]

{Popia140:}

So I speedran through The Calling [Haji’s old Randomized Platinum fic] and lemme just say how I really love how the gym battle system worked, the dancing and literal physical combat between the Pokémon and the literal trainers themselves

Pepe’s adorable, but that scene in Floaroma when he stops the grunts from the stealing the man’s honey with his creepily calm assertiveness was pretty badass to me, ngl, considering his reluctance to confront and fight

Even though it is old, the mystery surrounding certain locations is pretty good (Old Chateau, the Ravaged Path, that weird pool thing in the Oreburgh Mines) it’s cool to see someone’s interpretation of events different from my own

Also Pepe and Pearl’s relationship was very fun to read! The mystery of Napoleon’s disappearance really piqued my interest, and I was not really sure if he was his older brother in this interpretation (idk if they got separated from birth or something, or just simply not brothers at all) but it’s nice to see that Pearl still cares for him

Another thing that interested me was Pepe’s religious upbringing, with the fossils and all and being raised in some church, before moving to Twinleaf Town- I think it really gave his character good background and depth, which also ties into his peacemaking pacifist-like mindset

But anyways that’s all I have to say about Haji’s The Calling series, hope you don’t mind my rambling review @Haji

{Haji:}

I don't mind at all! You're making me blush :AYAYA:

I really enjoy the battle system. I've been trying to study different dance styles to make each one unique in how it functions.

I would normally be all like "shhh spoilers" but considering the story hasn't had an update in like five years, it seems silly to ask you to wait. It's a separated at birth situation. Why though is because I play a lot with destiny in the TPP universe especially having a single timeline in a seemingly cyclonic world

Timeline wise as you may have noticed while reading, this is actually before original Platinum

{Popia140:}

oooh! Did not know that! :Begwan:

So I was right with the separated at birth theory!

{Haji:}

Yeeeaaah.... [Pepe’s religious background] was one of the factors in my nervousness. At the time I preceded every Author Note basically going "Look, my lore is weird. Don't eat me" or something because I knew even if that's how it played in my head, I was scared of "going against the grain" with what everyone else was doing. Which mostly was Pepe the Frog memes and artistic snob portrayal

{Popia140:}

Personally, I felt that the artistic snob sort of personality didn’t mesh well with his shyness (in my opinion, it’s just a matter of taste), but I imagine that if he did paint, it would be out of a sort of therapy for his trauma under the voices and the crazy things he experienced in his life… or he just wanted to paint a cute Skitty because he has a weakness for cute things :Begwan:

Could go both ways, imo

Also, who was the girl during the blackout at the Ravaged Path?

{Haji:}

I can see that. In fact, after Ultra events, I like to imagine he does a lot of art for that reason. Still trying to remember things and drawing out memories to make sense of it. His friends can remind him of things they recognize or talk to him about some of the more disturbing images

[The girl in the Ravaged Path] would be Mindy! The Candice replacement in this world. She was a Psychic Trainer and portrayed as a showman, but Fossil wise, I had her with Cover

{Popia140:}

Napoleon is mentioned by Pearl in the story, so I’m assuming they must have met when they were very young- where did Napoleon end up? And did Pepe learn that Napoleon was his older brother in the end, maybe after-game?

{Krizste:}

What if Pepe uses art snobism to cover his shyness. Like he's trying to appear..... Whatever the word is.. not-shy, but It just looks like snobism

{Newbie:}

Confident?

{Krizste:}

Yeah that word!

Tryna pull of confidence but just being really jank about it

{Haji:}

Given what people probably expect of him as Napoleon's brother, I can imagine him putting on that kind of face  at parties :Jebaited:

Napoleon went to stay with Aunt Grace and Richard while all this was going on. Honestly never knew he had a brother until after Ultra events. Which finding out after that just made him worse about the whole... Trying to murder Pepe multiple times while not himself thing. Pepe woke up at the villa after they got back home only to learn it's been months he's been in a coma (time shenanigans. He made sure Leo was able to wake up in the "canon" timeline in order to stop Cyrus but it seems in a weird way, Pepe took his place. Missed everything during the Bill Overlord events and was too injured to do the Unova stuff with Cly, but Leo knew he was okay enough to go with the other S1 hosts)

Pepe on the other hand found out about Napoleon during his journey, so he knew  about it WAY ahead of Leo but they still didn't meet for.... Some time??? Again, Pepe becoming a time traveler at the end of his run makes his lore in my timeline hilariously screwy

{Krizste:}

Oh yeah who was it that lost his head again? Was that pepe

{Haji:}

Yup

{Popia140:}

Ahh thanks for the answers!!

Napoleon completely in the dark about it, lol

Did their mother separate them at birth?

{Haji:}

Sort of. With Forrest's [Gardenia] backstory I was going to get more into the pre-RPlat / pre-Red war stuff that was going on when he was a kid. Gravund [Roark] and the boys would have been too little to remember but Forrest was a little younger than Pepe is now so he's got some scars from it. Basically the family got split up when fleeing the violence so Johanna has Leo with her and thought her husband and other son didn't make it. Pepe was taken to Hearthome like many other war orphans but while it wasn't separated at birth they were both around maybe one or two years old at most

And before you ask about their father, I had an idea and then I wasn't sure but I've been on the fence about things so let's just leave him as a giant question mark

{Popia140:}

Aw, that’s sad for them :BibleThump: the Quinnels never really got to bond as bros

{Haji:}

Yeah... But things are peaceful for next several decades (next Sinnoh run wasn't until Gauntlet), so they've got time. Help out with the others when duty calls, but even many of the other hosts know they can go to Napoleon's palace to get away from things for a while. Cly's mansion is often a nice hang out but it also happens to be the gang's base of operations in secret so there's always some level of alert since Unova isn't as stable as Sinnoh is. (And besides, for Aaaaaall the trauma of Kanto, Johto, and Hoenn seeming to be in a consistent state of peril, Sinnoh is lovingly close by for Leo and Pepe to give a sense of normalcy for the newbies)

{Popia140:}

Aww, a happy ending :Burrito2:

{Haji:}

I love these two so much, but my gosh I feel bad for what I put them through. I feel bad for most of the hosts I wrote for, but good lord did these two need a happy ending

{Popia140:}

They def deserved it, they went through so much

{Haji:}

[cough] can I tell you a secret? |D

{Popia140:}

yea sure

{Haji:}

Even though I stopped writing it, this is the story that has never left my mind. I've actually continued working on it, but never posted and one of my goals is to continue at some point if I ever get my projects in order

Sometimes I'll just be watching a show or something and get reminders of the characters and how much I miss them

[Bonus: a mildly out-of-order side tangent from Haji’s comment about the TPP universe being cyclical]

{Trollkitten:}

In my headcanon, the TPP-verse is cyclical the same way the Zeldaverse is cyclical. All of this has happened before, and it will happen again.

{Haji:}

Yup! Though why is always different in my books partially because the villains have different motives each time (and adds to why they think it would be any different this time because they're not like the last guy who did)

{Newbie:}

i vibe with the idea of the universe just breaking down and getting rebuilt over and over again, reality in smithereens and then being rebuilt from the ground up... or just completely coming up with entirely new plots while disregarding canon :Kappa:

{Mitzi:}

my lore somehow manages to do both. frequently at the same time

{Newbie:}

you and i are like-minded :Keepo:

#twitch plays pokemon #tpp #lorecord archive #loremaker haji #loremaker krizste #loremaker trollkitten #loremaker newbie #loremaker mitzi #randomized platinum run #ultra run #PP #PEE #nqpppnl #pp is the ultra host #timeline cyclicality #fossil gods

[gukyi]

the art of the rom-com | jjk

summary: FILM395, the art of the rom-com, was supposed to be an easy a with one of your favorite professors, but it’s not. it’s actually a sisyphean torture that comes in the form of fellow film student jeon jungkook, who has no problem responding to every one of your discussion posts about the consumerist ideals underlying every romance movie with his own paragraphs on the beauty of love like the hopeless romantic he is. and when the two of you find yourselves partnered up for your final project, which is to create a short film on rom-coms, jungkook decides to take it upon himself to show you what love is really like.

{enemies to lovers!au, college!au}

pairing: film major!jungkook x film major!reader (female) genre: fluff, comedy, slight angst, this is literally a rom-com in fic form word count: 33k warnings: college alcohol consumption, discussion board posts, emotionally constipated characters, film major shenanigans, blonde jungkook who’s also in a hip hop dance troupe, miscommunication, if you hate rom-coms do not read this fic

a/n: i am so so so excited to share this monster of a jungkook fic (tho let’s be real, 30k is pretty standard for me now ;-;) with you all! this is basically rom-com trash, but it’s my rom-com trash, and i hope you all enjoy!

on a sadder, less exciting note: after this fic i will be taking an extended writing hiatus until at least the beginning of may. my semester is picking up and i unfortunately just don’t currently have any upcoming fics planned for you guys. i hope you understand!! maybe i’ll do a couple of ask games here and there to see if anything piques my interest, but other than that please do not expect major works of writing for a while. love you all!

500 Days of Summer is a movie you all have probably seen before. That being said, I encourage you to respond to this discussion board from a film perspective as opposed to a viewer’s perspective. How did 500 Days of Summer alter the classic narrative of boy-meets-girl? Do you think it was a smart move, on the parts of Webb, Neustadter, and Weber, to do so? Why or why not?

Jeon Jungkook on February 12th at 9:53PM

I thought that the change in the boy-meets-girl narrative that had been popularized by rom-coms of the 1990s definitely contributed to his popularity and its attractiveness towards viewers in general. The film makes it clear that the story does not have a so-called happy ending, but despite that, it still brings into discussion the idea of love and soulmates and true connection. And that’s important, because despite the film’s not-so-happy ending, it makes it a point to emphasize that those things are real. That love is real. I thought it was an excellent move on the parts of the writers and director, because they both broke standards in terms of happy endings in rom-coms and they stayed true to the message at hand. 

Y/N Y/L/N on February 12th at 10:29PM

I have to disagree with Jungkook. It’s obvious the movie is not going to have a happy ending because Tom is so obsessed with the version of Summer he has created in his head that he doesn’t even see who the real girl is anymore. It doesn’t have a happy ending not because they weren’t soulmates, or because their love wasn’t right. They break up because what Tom wants and what Summer wants are fundamentally different, and Tom just can’t accept the fact that Summer doesn’t love him the way he wants her to. In a desperate quest to keep her, though, he manifests this version of her and replaces the actual Summer with it, ultimately destroying their relationship. How could viewers ever have faith that Tom would eventually get his happy ending if the only proof of his commitment to relationships they have is him manufacturing a different girl to fall in love with?

When you walk into class, Jeon Jungkook is already there. 

He sits in the front row, the seat closest to the door in your puny little classroom, much too small for twenty-students to fit comfortably, let alone watch movies on the pull-down projector screen above the chalkboard. You’re convinced he’s chosen that seat just so he can grin at you whenever you walk in the room, always later than him because apparently, he has nothing better to do with his time than show up to class early and smirk at you when you arrive. 

As you shuffle past his seat towards your own—second row, middle of the room, centered with the lecturer’s podium—with your usual scowl drawn neatly across your face, Jungkook says, overly bright and cheery, “Good morning, Y/N.”

The sound of his voice alone is enough to make your nose scrunch up in further disgust. “Shut up,” you grumble back, stuffing yourself into your chair and pulling out your laptop. One row in front of you and five seats to the right, you see Jungkook chuckle. 

Glowering, you open up your Notes document for the class and try to avoid staring at Jungkook’s side profile, the way he’s slouching lazily in his seat, and what looks to be a lengthy paragraph on his computer screen, a task that proves to be particularly difficult because he happens to sit in the exact spot you have to look in order to see your professor enter the room. What the hell is he even writing, anyway?

He straightens up the moment she does, cheerful as always as she smiles at everyone. “Good morning, everyone.”

The lot of you respond with halfhearted smiles and waves. 

“I can just feel the enthusiasm radiating throughout the room,” she jokes, clenching her fists together in success. At least that gets a couple of you to laugh. “Which is great, because before we get to anything today, we’re gonna talk about the final project.”

You smile to yourself, immediately pulling up the copy of the syllabus you had downloaded to your desktop, scrolling right down to where she had outlined information about the final project in big, bolded letters. There are a lot of reasons you’ve taken this class, not the least of which is the fact that you have had Professor Pollack three times prior to this and she’s loved you in every class, but the final project was definitely one of the major selling points. 

Pollack pulls up a more detailed final project document on the projector as she steps out from behind the podium. “As you guys know, your final project is a thirty-to-forty minute short film involving rom-coms. You guys have a lot of freedom, it can be a rom-com, it could be a documentary about rom-coms, anything. It just needs to involve the topic of rom-coms somehow. I know a lot of you have actor friends who would be more than happy to have a star-crossed lovers fling or whatever. Go wild. Just keep it PG-13, because I can’t in good faith have nude bodies of your fellow college students on my screen.”

You snort to yourself. Makes you wonder how many times Pollack has seen sex scenes of college students on her screen before. Too many, probably. 

Unintentionally, your eyes drift over to Jungkook. He seems to be working on that hefty paragraph of his, typing something you assume is completely unrelated to the topic at hand and is further proof that Jungkook just doesn’t give a shit about anything involving this class. Whatever. You turn back to Pollack. 

“Good projects not only capture the essence of what a rom-com is, but also put their own twist on the story and bring into question the topics we discuss in class, like truthfulness, realistic portrayals of love, and viewer interpretation,” she continues, and with every word you feel heart beat faster in excitement. “I know you’re all excellent filmmakers. That’s why you’ve taken this class. But what I want you to do is get into the nitty-gritty of the makeup of a rom-com and distill it as much as possible. We’ll be watching them all in class during the last week. Yes, Celia?”

You all turn to look at Celia, who sits in the third row, second seat from the left. “This is a partner project, right?” 

Well. That’s the one downside. As much as you know that cooperation is an important life skill, you would much rather prefer to produce the entire movie yourself. But you love Pollack and you already know you’re on track to get a good grade in this class, so whatever. You’ll deal. 

As long as you can pick your teammate. 

“Yes,” Pollack affirms, “and with that excellent segue, I will now announce your partners.”

Shit. 

Pollack pulls out a folded piece of paper from her back pocket, like she had just come up with the arrangements on the morning train ride to campus, and begins reading. Slowly, as she ticks off names one by one, everyone begins to turn around, locking eyes with their partners and exchanging guess-it’s-us-two-huh? smiles. Everyone except—

“And lastly, Jungkook and Y/N.”

You freeze in place. You look up at your professor, eyes wide and shocked, because nobody knows better than her how much the two of you have been butting heads this entire semester. But when you meet her eyes and she smiles knowingly, shrugging her shoulders, you know you’re doomed. Hesitantly, almost like you’re scared to find out what happens when you do, you shift your gaze towards where Jungkook sits in the front right corner of the room. Only he’s not just sitting. He’s turned a full one hundred-and-eighty degrees just so he can smirk at you from across the room, a glint in his eye. 

Jungkook laughs at your cold-stone, shellshocked reaction. Like he knows how much you’ll hate this, and you know how much he’ll enjoy it. 

From here, you actually have a pretty good view of his laptop screen, brightness turned all the way up because he apparently doesn’t care who reads his screen. Or maybe he just likes showing off how much he writes so he can establish dominance over everyone else. Except you, of course. But when you look a little closer, you notice he’s got the class discussion board for the week up on his Chrome window, two paragraphs typed into the text box. 

Right above is your response to his comment. 

Is that what he was working on? His reply to your reply? Right now? He has the audacity to draft it right here, in front of you, where he knows you can see? He doesn’t even care that you’re blatantly staring at it. In fact, he actually seems to be relishing in it.

You’re so caught off guard by the contents of his computer screen that when you look back up at him on instinct, you catch a wink in your direction. 

Your fists tighten by your side. 

Class is rather uneventful after the whole partner fiasco, as Pollack transitions into your usual dose of a short lecture on the film and then a class discussion that goes absolutely nowhere because everyone is too concerned with the final project to care. Whatever you talk about, you will be hard pressed to know, because you spend the entire rest of the period scowling at the blank page of your Notes document as you try to formulate a way to convince Pollack to change your partner. Would she accept a dozen doughnuts as a bribe? A box is only ten dollars from Dunkin’.

When Pollack finally shuts her laptop screen and begins her weekly goodbye spiel, you are the first one out of the room. Hastily, you stuff your laptop into your bag, zip it up as best as you can (which means that the tops of your water bottle and umbrella are sticking out, but who cares), and shuffle out the room right as Pollack is bidding you all farewell, just so you don’t have to look at Jungkook’s stupid, smug little grin on the way out. 

Faintly, you remember Pollack saying something about getting your partner’s contact information so you can start working, but fuck that. Jungkook knows your name. He can find you. If you must spend the entire semester communicating through Instagram DMs, then so be it. You’ve communicated with men in worse ways. Like through LinkedIn.

There’s a small seating area half a flight down from where your puny little classroom is, a few tables and a bench that wraps around the wall, posters splayed out on the corkboard to the right, staples littering both the board and the floor it rests above. Nobody ever seems to use this, despite the innumerable posters advertising everything from dance troupe shows to financial literacy talks, which makes it the perfect place for you to brood and gather your thoughts. It’s also in the direct opposite direction of the exit. So that’s good.

Taking your anger out on your personal belongings (as opposed to that bitchass smirk on Jungkook’s face), you begin to shove your umbrella and water bottle into the pocket of your backpack, fighting to nestle them amongst your other worldly possessions, like your pencil case and what looks to be a small nest of receipts at the bottom of the back. No wonder it’s so clogged up down there. 

If anything gives you a sense of control, it’s cleaning. One by one, you pluck out the receipts from your bag, nose scrunching up as you try to remember every purchase you’ve made in the past three months. Plus, one of these receipts is from when you bought some dryer sheets from CVS, so that means the five inches of actual information are also accompanied by three feet of coupons that expired two weeks ago. Ugh, what a waste. 

“Don’t look so angry, you’ll have to get used to seeing this face a lot.”

You look up from where you’ve been inspecting an old receipt from a midnight McDonald’s trip to find Jungkook standing in front of you, backpack hanging loosely on his bomber jacket-clad shoulder and that same stupid grin written all over his same stupid face. 

“Can I help you?” You drawl. Great. Now Jungkook can add “saw all her receipts” to the list of embarrassing things he’s caught you doing. 

“Can I help you?” Jungkook fires back with a scoff, blonde hair bouncing as he jerks his head flippantly. “Looks like someone needs to take an Accounting class or something.”

“I’m just doing some spring cleaning,” you sneer. It’s February. “What do you want?”

“What, no ‘Hello, partner’? ‘So excited to be working with you this semester’? I’m hurt,” Jungkook says, placing a hand to his heart as he shakes his head disapprovingly. “I thought we had something good, Y/N. Isn’t that why Pollack paired us up?”

You’re pretty sure she just likes watching the world burn. 

“Don’t flatter yourself,” you chide, knowing that Jungkook already must get enough of a kick out of just seeing the annoyed look on your face. 

“Please, like I even need to. You think I don’t notice the way you stare at me during class? I know you must like what you see,” Jungkook flirts, just to be extra irritating. 

While he’s stroking his own ego, you tear off a piece of that CVS receipt, one of the expired coupons for Three Dollars Off Any Shampoo or Conditioner, and scribble your number on the back. The rest of the receipts you scoop up and dump in the trash can to your right before you zip up your backpack and hike it over your shoulder. 

“Here,” you say gruffly, shoving the paper against his chest as you head towards the stairwell. 

“How forward of you, Y/N, you know you could have just asked—”

Pausing right before you turn the corner and head out the door, you turn back to look at Jungkook, already exhausted from having to interact with him for five minutes. “And when you’re done jerking yourself off,” you say pointedly, “text me.”

You storm out the door.

[February 13th, 1:24PM]

Unknown Number: guess who ;)

You: Wow I have NO idea You: Keanu Reeves?

Unknown Number: haha very funny Unknown Number: it’s jungkook

You: Damn shame You: You done jerking off yet

Maybe: Jungkook: what makes you think i’m not doing that right now ;)))

You: You don’t have the coordination to text me and masturbate at the same time You: What do you want

Jungkook: ouch, harsh Jungkook: can’t i just want to talk to my final project partner? :D

[February 13th, 2:17PM]

Jungkook: alright fine Jungkook: just wanna see when you wanna meet up

You: Guess I don’t have a choice do I

Jungkook: unless you wanna facetime

You: Is that an option?

Jungkook: how about friday at 3 Jungkook: in one of the greene gsrs

You: You think you can manage to reserve one of those?

Jungkook: watch me

[February 13th, 2:21PM]

Jungkook: [screenshot sent] Jungkook: done

You: Do you want a gold star for all that hard work you just did? All that manual labor? You: Fine. See you then.

Jungkook: miss you already <3

Y/N Y/L/N on February 12th at 10:29PM

I have to disagree with Jungkook. It’s obvious the movie is not going to have a happy ending because Tom is so obsessed with the version of Summer he has created in his head that he doesn’t even see who the real girl is anymore. It doesn’t have a happy ending not because they weren’t soulmates, or because their love wasn’t right. They break up because what Tom wants and what Summer wants are fundamentally different, and Tom just can’t accept the fact that Summer doesn’t love him the way he wants her to. In a desperate quest to keep her, though, he manifests this version of her and replaces the actual Summer with it, ultimately destroying their relationship. How could viewers ever have faith that Tom would eventually get his happy ending if the only proof of his commitment to relationships they have is him manufacturing a different girl to fall in love with?

Jeon Jungkook on February 13th at 7:35PM.

You make a good point, Y/N, but I think you missed the whole point of the movie. It’s not about their breakup or the not-so-happy ending or even Tom’s problems. It’s about the journey they go on and what Tom learns in the process. If you watch the trailer then you’d go into the movie knowing they weren’t gonna last. The results of whatever Tom and Summer do to contribute to their eventual breakup should not come as a surprise to the viewer. The whole point of the movie is that they spent five hundred days together and Tom is now recounting those days to anyone who will watch. And you know who’s watching? People who want to hear a story. About love. And loss. And everything in between. Isn’t that the whole reason we watch romance movies anyway?

Sometimes, you wonder if the garishness of Professor Pollack’s shoebox-sized office is the reason not very many students attend her office hours. The walls are lined with movie posters taken from a theater going out of business, the shelves stuffed to the brim with Disney World trinkets and old film memorabilia. She’s installed these thick red velvet curtains along her single window, making the whole room look like some sort of 1950s movie lair. 

In a way, you suppose it kind of is. 

You hear the taps of her Converse shoes as they come down the hallway and round the corner into the office.

“You know, Y/N, I was surprised to see you signed up for my office hours when I logged in this morning,” Pollack says as she enters the room, handing you the coffee in her right hand as she takes a sip out of the one from her left. Last year, the film department bought a Breville coffee maker with the leftover funds from a movie showing fundraiser and it is, in your humble opinion, the best investment the department has ever made.

“Why? I see you all the time,” you ask, eyebrows raised. You and Professor Pollack are not lacking in social connection. She’s written you a letter of recommendation and she knows your coffee order. 

“The very first time we ever spoke outside of class, you sat down at my Starbucks table while I was eating lunch just so you could introduce yourself and ask me about my opinion on the Mamma Mia remake,” she deadpans. “We don’t exactly speak through official forums.”

Well, she’s got you there. 

“I know…” you begin, trailing off awkwardly as you take a sip of your coffee. It’s burning hot and scalds your tongue a little, but it’s nice. It’s been cold recently. “But I just thought we could talk… privately.”

Pollack rolls her eyes as she reclines in her chair, back hitting the padding of the chair with a thud. “Goodness, I wonder what you’re here to talk to me about.”

“Okay, please pardon my French, but what the freak, Professor?” You say, because the words have been sitting hot on your tongue ever since you walked into your office and you didn’t think sending an email that looked like:

To: [email protected] From: y/[email protected] Subject: what the freak

Dear Professor Pollack,

What the freak?????????

Cheers, Y/N

would be very professional on your part. 

Pollack lets out this honk of a laugh, loud and sudden, shaking her head fondly. “Come on, Y/N. You must have known I would have partnered the two of you up.”

“I was hoping you’d let us choose?” You emphasize. 

“And miss out on what very well may be one of the best final projects of the class, produced by my two best students of the semester? Absolutely not,” she says, smiling knowingly at you. 

Even her sudden reveal that you happen to be one her best students this semester isn’t enough to soothe your worries and calm your anger. You’re honored, but you have bigger problems. Problems that start with ‘Jeon’ and end with ‘Jungkook’. 

Pollack looks at your beaten-down expression and leans forward, placing her coffee cup on the wooden desk in front of her. “Listen, Y/N. You’re an excellent student and one of the most talented filmmakers I’ve seen in a long time. Your discussion posts are detailed, well-written, and thought-provoking. I know that the two of you will make a great project.”

You scoff. “We can’t agree on a single thing.”

“Sometimes that happens in life, and you just have to deal with it,” Pollack says sagely. 

“So I can’t change partners?”

“Not unless you’d like to fail the final,” Pollack comments, shrugging. How rude of her to say such a thing, not taking the option to change partners off the table entirely but making it so that if you do, you’ll pretty much be shooting yourself in the foot. Or worse. 

You narrow your eyes at her. “That’s low.”

“That’s life,” she corrects. 

“Ugh.” You get up out of your seat, taking angry sips of your coffee as you desperately try to think of another way to get out of it. Are doughnuts still an option?

“I have full faith that the both of you will come up with an excellent project,” Pollack says like it’s some sort of consolation as she walks you to the door to her office. Yeah, right. You and Jungkook spend your free time making snide responses to each other’s discussion posts like it’s nobody’s business. You’re probably the only two people at your entire university that care enough to make replies to each other’s replies. Like Tinder from hell. “You shouldn’t be worried, Y/N.”

“I’m not worried,” you say, completely worried. “I just—I don’t know how Jungkook and I will get along.”

Pollack grins to herself. Does she know something you don’t? Is she up to something? She looks at you as you linger in the doorway, feeling utterly helpless after a meeting that accomplished absolutely nothing, and she smiles. 

“You’ll find a way.” 

Reserving a group study room in the Greene Library and Collection should not be some gymnastics act that involves a warm-up, practice, a routine, and song and dance. In theory, all you have to do is log onto the library’s homepage, navigate to the reservations tab, enter your name and ID number, pick a date and time, and profit. 

Of course, the demand for the study rooms does tend to outweigh the supply. There are over ten thousand students at your university. And only twenty rooms. 

And still, you have the unfortunate luck of being stuck in one of them for an hour and a half with none other than Jeon Jungkook. 

You see him coming into the library at 3PM sharp through the opposite entrance, a little surprised he didn’t show up ten minutes early like he does in class, just so he would have an excuse to complain about having to wait for you. Feeling a little threatened, you pick up the pace so that you can meet his lengthy stride, keeping an eye on his direction so you know which room he’s aiming for.

You arrive at Greene GSR #18 at the exact same time.

“So nice to see you,” Jungkook says, too cheerful, as you reach out to open the door. 

“Mmm,” you mumble in response as you enter the room, flinging your backpack onto the floor by your chair with a thud as you take a seat. The faster you start, the faster you can get this over with.

Jungkook, not at all outwardly discouraged by your clear disdain for him, rallies on happily. “So, what were you thinking for the project?” But he doesn’t even let you open your mouth to answer before he says, “Oh, wait, let me guess: a social commentary on the consumerist ideals that underline every modern movie and encourage the pursuit of an empty dream by abandoning concrete career and personal goals in favor of romantic fulfillment.”

You scowl at him, even though that’s exactly what you were thinking of doing. You’re almost positive Pollack’s had enough of seeing college students try to engineer the craziest fake dating scenarios they can imagine just for a class project. Why not do something outside of the box? 

“Well, then what do you want to do?” You challenge, already bristling. Like Jungkook has a better idea. 

“Maybe something that doesn’t scream ‘killjoy’ as much as you do,” Jungkook retorts easily. He opens his mouth to spit out something else but then rolls his eyes and shrugs, shaking his head. “Forget it. I shouldn’t have even asked.”

“Don’t pin this on me,” you immediately rebuke, pointing at him. “You’re the one who wants to make some sort of generic rom-com for our final project. Besides, I’m pretty sure every idea you even think of will have been done already.”

“Just because something is cliche doesn’t make it bad,” Jungkook says. “I swear, I don’t think you understand what the word cliche even means. A cliche thing, by default, is something that lots of people like. Therefore, it is largely well-received by the general public.”

“Oh, then that must mean that all rom-coms are deserving of a People’s Choice Award then, right?”

Jungkook frowns, getting exasperated. You aren’t much farther off. “I don’t know why you’re being so—so resistant! You know that romantic comedies are supposed to be fun, right?” 

“They’re not that fun to me,” you comment snidely. 

“That’s because you’re a stick in the mud who takes everything way too seriously,” Jungkook replies like it’s some sort of known fact. “Have you ever even been in a relationship?”

“That’s none of your business,” you tell him firmly. Who does he think he is, going around asking that sort of thing? Especially to you! Like you could care any less about what Jungkook thinks of your love life. Intrusive, much? “Besides, you asking that is exactly my point. Not everything has to be about finding love and searching for your soulmate or whatever bullshit like that. Some people don’t really care that much.”

“You act like wanting to find love and wanting to be successful are mutually exclusive,” Jungkook points out. “You don’t have to abandon all of your life goals just to find love, you know. It doesn’t have to be the most important thing in your life for you to even care about it a little. It’s natural for people to want love.”

“Then I guess I’m just a robot.”

“You sure are acting like one,” Jungkook comments easily. “What, are you about to ask me to pick out all of the pictures with traffic lights?”

“I’m allowed to have my own views on love, just like you,” you say. Isn’t that the whole point of your discussion boards? A forum where you can discuss these sorts of things through an academic lens? A barrier that keeps the two of you from going at each other’s throats when you’re engaging in the class material? It doesn’t take a genius, or even half of one, to know that you and Jungkook can’t seem to agree on anything in your FILM395 class. 

Jungkook scoffs. “What do you mean, ‘your own views on love’? As far as I’m aware, your view on love is that you don’t have one! What do you even think love really is?”

You frown at him. “Does it matter?”

“Yes,” Jungkook says like it’s obvious. “This project is about filming a short romantic comedy, about people falling in love with each other. How do you expect me to do that if we don’t reach a mutual agreement on what love is?”

You scoff. “There is no way in hell I am going to agree with you on anything concerning love.” Jeon Jungkook still thinks love is all rainbows and sunshine. Cries at the end of Love, Actually even though he’s seen it five times already. Believes in soulmates. Believes there are people out there that were built for each other. He flutters from one person to the next like a butterfly, even though he’s more like a moth drawn to any open flame within a five-mile radius. He’s convinced he’ll find his true love here, in college, just like his parents found each other. 

Yeah, right.

“Then what are we supposed to do, huh?” He says with an eyebrow raised. “We have a month to make a movie that’s fifty percent of our grade.”

“The social commentary is still on the table,” you point out. Sure, it’s not at all a romantic comedy, but it’s about them, which Pollack said was totally fine. Besides, she has been teaching you the entire semester, hasn’t she? She should know by now not to expect some cushy lovey-dovey story about two people who were destined to be with each other and can overcome all obstacles with their love. 

Deep down, a part of you wonders if that’s why she paired you up with Jungkook. If she’s had enough of the sappy love stories that Jungkook probably wanted to do, didn’t want to see another cynical commentary on capitalism in Hollywood.

“Wow, what a thrilling idea,” Jungkook deadpans. “Please, tell me more.” His voice is lifeless. 

“Oh, shut up. It’s not like your idea would be any better. Who would we even get to star in a rom-com we filmed? It’s not like the two of us could do it.”

You regret the words the instant they come out of your mouth. In horror, you watch as they sink into Jungkook’s brain, etching themselves into his mind as a lightbulb turns on, a bright idea popping into his thoughts. 

He opens his mouth, but you get there first. “No. Whatever you’re thinking, absolutely not. I am not starring in a rom-com with you.”

That is something you can say with one-hundred percent confidence. Something that you know will never change. 

“Just hear me out,” Jungkook pleads, looking a little desperate as he wrings his hands together, aching to spill the bubbling plan that’s been stewing in his head. 

You narrow your eyes in suspicion but lean back into your chair, a silent signal for him to continue. It’s not as if you have any better idea.s 

“Okay. It’s not a rom-com. It’s a mockumentary,” he says, something that (and you can’t believe you’re saying this) actually piques your interest. Moreso than anything else he’s ever said to you. “You think love is totally manufactured, right? That Hollywood creates the illusion of it to sell to people paying twenty dollars for a movie ticket?”

“Yes.”

“Then let’s do that. Let’s prove it’s manufactured.”

“And how do you plan on doing that?” It’s not like you can walk into a factory and ask them to make the “love” emotion for you. 

“We’ll be the stars.”

He says it like it’s the most obvious thing in the world. Like it’s your best idea by a long shot, the home run of all home runs, your golden ticket to an A.

You scrunch up your nose, hesitant. “Wait, I don’t know—”

“It’s perfect!” Jungkook exclaims, eyes wide with excitement. “Think about it. It’ll be a mockumentary of a stereotypical rom-com. Except it won’t be this big Hollywood production, it’ll be real life. And it won’t be between two paid actors with years of experience under their belt, it’ll be us.” His eyes are practically bulging out of his head, big brown eyes glinting with excitement.

“So what are we gonna do? Act out our own rom-com in an attempt to see if either one of us will fall in love with the other?” You say, an eyebrow raised. 

Jungkook shakes his head. “Not necessarily. It’s a mockumentary, right? So it’s grounded in real life even if it is based upon the stereotypical boy-meets-girl rom-com. It won’t be super scripted or anything. Think of it more like… a chronicle.”

You scoff. “Of what?”

“Of us,” Jungkook says easily. “Of the time we have to spend together to film this damn project anyway. I say that rom-coms are emblematic of the natural human desire for love, and that deep down love is the thing that makes us happy. You say that rom-coms are consumerist propaganda, or whatever it is you think they are—”

“They are, and you can’t change my mind about that,” you interrupt, just for clarity. Can’t have Jungkook thinking he’s going to somehow convince you otherwise.

“—so, with this project, let’s see which one of us is right. If the time we have to spend together, making this mockumentary rom-com, will really change how we feel about each other, or if it won’t.”

How you feel about each other? You almost laugh when Jungkook says it out loud. There’s no room for questioning in your mind when it comes to how you two feel about each other. Two desperate-to-please students with opposite views on the entire structure of a class and three years of experience arguing your points in essays under your belts. 

Jungkook believes in destiny, right? Then he must know that the two of you are destined to never get along.

“You should be a car salesman,” you joke. Jungkook’s certainly excellent at pitches.

“So, you in?”

You narrow your eyes, still a little wary of whatever it is Jungkook’s putting down. But it’s not like you have any better ideas. And the sooner you agree on something, the sooner you can get this goddamn project over with and never have to sit in class with Jeon Jungkook ever again. 

“Only because this’ll finally prove to you that not everything can be solved by finding love,” you say. It’s about as good of a ‘yes’ as he’s going to get out of you. 

Jungkook grins, mischievous as always. There’s certainly something else he’s plotting, you just aren’t sure what. Maybe he’s in cahoots with Pollack. “Or,” he begins, lips curling upwards, “you’ll just fall in love with me.”

You scoff. “Yeah, right.”

“Well, then I guess we’ll just have to see, won’t we?” He holds out his hand, palm facing up as he waits for your response, that devilish glint that you hate twinkling in his eyes. 

As if you’re going to fall in love with Jungkook. For this stupid project? No way. Just because it’s a filmmaking project doesn’t make it any more bearable than your other assignments. It’s a partner project. They are, by their very nature, excruciating. You’ll be surprised if you end this project and you aren’t even more irritated with Jungkook. Does he really think you’ll actually develop some sort of affection for him?

You take his hand on your own, palm pressed against his, and you eye him carefully. Just because Jungkook’s got something up his sleeve doesn’t mean you don’t. Finally, finally, Jungkook will see why love is stupid and manufactured and fake. Why it doesn’t bring people together but instead tears them apart. 

Maybe then he’ll leave you and your discussion posts in peace.

You smile up at him. 

“I guess we will.”

When Ruby Rhodes is not six feet deep in The Princeton Review’s MCAT test prep book, she can usually be found at the small bakery five blocks west and two blocks north of your little campus, a family-owned place passed down through three generations. It’s her favorite place, and yours, too, because the coffee is delicious and the pastries are even better. 

Plus, hardly anyone from your school ever comes here, which means the wifi speed is eons better than the Starbucks inside the main food court. 

She’s halfway through a tiramisu and a rerun of The Bachelor from two seasons ago when you sit down across from her. 

“Any good?” You ask, pulling out your laptop and squeezing it onto the tiny marble table in between the two of you. 

“The food or the show?” Ruby asks over a mouthful of cake. 

“Either.” 

Ruby swallows down the piece sitting on her tongue before responding. “The tiramisu is delicious, and The Bachelor is eh. I’ve seen this episode three times already.”

“Then why are you watching it again?” You ask, laughing. Does Ruby think something different is going to happen?

“Because we’re in between weeks right now and honestly, The Bachelor is kind of dry this season,” Ruby says with a frown. 

“You’ve got some tiramisu on your cheek,” you tell her, pointing to the left side of her face where the bright mascarpone cream sticks out like a sore thumb against her dark skin. 

“It’s just so yummy, I can’t help but stick my whole face in it,” Ruby jokes as she wipes her face with the napkin on her lap. The Bachelor rerun plays on in the background, and you can hear the gasps of the women through Ruby’s discarded headphones. 

You roll your eyes. “Why do you even watch that show still? You know it’s all crap.”

“Just because you think it’s crap doesn’t mean I do,” Ruby insists, playing out an argument the two of you have had plenty of times over the course of your friendship. “Watching it makes me happy. So I do it.”

“But it’s all fake,” you say, frowning in disapproval. “The couples don’t even stay together in the end anyway.”

“It’s a totally pre-constructed show, but it’s not fake in the moment. And I don’t expect the final couple to stay together.” She shrugs nonchalantly. “Believe me, I’ve seen enough Bachelor seasons to know those odds. I just like watching the ride. It’s cute.”

“You say that about everything.”

“That’s because everything is cute,” Ruby says pointedly. “I like seeing the good in people.”

Ruby’s always been the exact opposite of you in terms of worldviews. The embodiment of a real-life fairy. She puts butterfly clips in her hair and buys herself bouquets of daisies and lilies. She sits in cafes with her headphones in and sketches the people she sees outside the window. She’s studying to be a doctor so she can spend the rest of her life helping others. 

And you? 

Well, the Oscars have always been a bit of a long shot. 

The curiosity eating at you, you pose a question to her. “Hypothetically, if there were to exist a mockumentary on rom-coms and love, would you watch it?”

Ruby pauses for a second as she furrows her brows. Then she shrugs and says, “Only if the two leads fell in love at the end. Why?”

“No reason,” you say, looking away. 

There’s no fooling Ruby and her eagle eyes. 

“What is it?” She asks, a grin playing at her lips as she looks at you. “Come on, you don’t just ask me shit like that without a reason.”

“It’s for a final project,” you explain succinctly. No need to go into details. 

“You’re making a rom-com for a final project?” Ruby sounds about as skeptical as you did when you spoke to Jungkook. 

“It’s a mockumentary about rom-coms.”

“But… it’s a rom-com, right? Like, you’re going to be making a rom-com? Where people fall in love?”

Hopefully not. 

“Sort of?”

Ruby squints her eyes, trying to process all the information. You’re not surprised that she has to take a moment to think—you are certainly the last person on earth to ever admit to filming a rom-com. But, as you’ve stated, it’s not a rom-com. It’s a mockumentary about them. That distinction is vital.

“Wait, is this for that class with Pollack?” Ruby asks. “I remember you telling me you were taking it. You said this was a partner project, though, right? So who are you working with?”

Curse Ruby and her knack for remembering things. She’ll make a great doctor, that’s for sure, but right now you wish she would just forget things like everybody else. 

You sigh. “Jungkook.”

Ruby doesn’t need to think twice about who that is. “Wait, seriously? You’re working with him? Isn’t he the guy that responds to all your discussion posts?”

“Yes,” you say, rubbing your temples with your fingertips. You don’t even like thinking about him, let alone saying his name. The fact that he has to occupy any part of your brain at all gives you a headache.

“Damn, that sucks,” Ruby says, not feeling very sorry for you at all. “So you’re filming a rom-com with him?”

“It’s a mockumentary,” you specify, feeling yourself getting irritated. “It is fake.”

“Just like my shows, huh?” Ruby muses to herself, too analytical for her own good. 

“Listen, you don’t need to fall in love to make a mockumentary about it,” you say, refusing to consider any sort of alternative. 

“Don’t you?”

You sneer. “Just shut up and eat your tiramisu.”

Ruby lets out a laugh at that, this wonderful mix between a wheeze and a honk that makes you smile every time you hear it, even if it’s at your own expense. Ruby decides she’s had enough of mentally torturing you with the thought of feeling anything but extreme distaste towards Jungkook and goes back to her show, letting you brood in peace. 

You don’t need to fall in love to make a film about it. Just like you don’t need to be a masterchef to film Gordon Ramsey screaming at someone who undercooked chicken. You’re a filmmaker. You can make a film out of anything. Including love. Even if it is with someone like Jungkook. 

Can’t you?

Jeon Jungkook may be a disillusioned college student in love with the idea of love itself, but at least he’s not too shabby of a filmmaker. 

Funnily enough, it actually sort of surprises you that you’ve never encountered each other before. Especially considering you’re in the same major program at your school, a program that only accepts about fifty students per year at most. You suppose that in whatever general program classes you had to take in freshman and sophomore year you just never crossed paths. Plus, he’s a filmmaking concentration and you’re doing screenwriting, so it’s very possible that you would have just never spoken had the two of you not registered for the same semester of FILM395.

Huh. Imagine that. A life without him. 

Sort of makes you wish you had put this class off for one more semester. 

As the two of you kickstart your project, you both immediately agree that you need a third person’s help. You and Jungkook can do plenty, but you are only two people. And there’s nothing in the final project guidelines that says you can’t enlist other people to partake in the production. But you don’t need help with the filming and editing. You need help with the interviews. 

“Is this bedsheet good enough?” Kim Taehyung, a senior in the film program, asks as he’s Command-stripping a queen-sized black bedsheet to an empty wall in the living room of his tiny one-bedroom apartment. 

“As long as it fits into the frame,” Jungkook responds from where he’s standing behind the camera, set up on a tripod to capture a specific angle. “You’re not going to be in the shot anyway. You’ll just be asking the questions.”

“Good, because I look really ugly right now,” Taehyung says with a grin. You roll your eyes. Taehyung must know he always looks good. Even you can’t deny him of that. 

“This is ridiculous,” you say, seated on the singular couch in his apartment. You’re leaning on your elbow as you watch Taehyung fiddle with the bedsheet and Jungkook futz with the camera, the two of them repositioning themselves over and over again until everything’s perfect. “What are you even gonna ask us?”

“I came up with some… preliminary questions,” Taehyung says suggestively. “But I haven’t told either of you what they are so that your reactions can be more genuine.”

“Great,” you deadpan. 

“Wow, someone’s excited,” Jungkook comments snidely. 

“I know we agreed on periodic interviews for the sake of the mockumentary but I don’t know why we have to be so… so serious about them,” you say with a frown. 

“We have to promise to be honest with what we say, alright? Like, actually honest. This sets a guideline for the rest of our relationship,” Jungkook says like it’s no big deal. Like the foundation of your relationship isn’t the fact that the two of you have been engaged in discussion-board war ever since the semester began. 

“Our ‘relationship’?” You say with a scoff. 

“Do you promise?” Jungkook says. 

You roll your eyes. “Yes, I promise.” Whatever. “What do you even think is going to happen between us in the next few weeks?”

Jungkook smirks. “Guess we’ll just have to wait and see, won’t we?”

You don’t like the sound of that. 

Over the next ten minutes, Taehyung gets the sheet attached to his wall and pulls over two stools from his kitchen counters, old-timey wooden ones he got from a thrift store for five dollars a pop, one for him and one for the poor soul who has to be interviewed. You’ve agreed to do them separately but Taehyung’s apartment is only so big and you are only three people, which means that whoever isn’t being interviewed still has to be behind the camera, listening to the other person. 

Makes you sort of nervous about whatever’s stewing up inside Jungkook’s mind. Wonder what the hell it is he’s plotting up there. 

Once everything is settled, Taehyung looks at the two of you as he asks who’s going first. 

You turn to Jungkook, who’s already grinning. “Ladies first.”

For someone who has spent their whole life watching and making movies, being in front of the camera feels weirdly uncomfortable to you. You’re so used to being behind it instead, directing others as they move around the frame, telling them how to feel and how to act and what to say, that having the spotlight shone on you is like picking through your thoughts with a fine-toothed comb. 

You adjust awkwardly in the bar stool seat as Jungkook stands behind the camera, twisting the lens until he gives you the thumbs-up. Quite frankly, it doesn’t make you feel any better. 

“You ready?” Taehyung asks as he takes a seat opposite you, just out of frame. 

“Well, we’ve gotta start somewhere, right?”

“That’s the spirit. Alright, Jungkook, start whenever you’re good.”

“Okay,” Jungkook chirps up. “Three, two, one—” He points to the both of you. 

“So, Y/N,” Taehyung begins, his voice suddenly much clearer. He sounds sort of like a news anchor. It’s oddly fitting. “Are you excited to begin the filming for this?”

“I don’t really have a choice, do I?” You muse. 

“That didn’t answer my question,” Taehyung points out. Good thing the camera can’t see the way his eyebrows raise. 

“I suppose that there are worse things I could be doing,” you reason, which is about as good of an answer as Taehyung’s going to get. What was he expecting you to say? That you were thrilled to be filming this not-a-rom-com with your class nemesis? That you couldn’t wait to see what would happen?

“Loving the enthusiasm,” Taehyung jokes. You wonder what your classmates will think when they watch this back, hearing this unidentified deep male voice ask you and Jungkook questions about your relationship. “Let me ask you this: what’s your current relationship with Jungkook?”

“Uh…” you begin, nervous. Behind the camera, Jungkook has that same stupid, shit-eating grin plastered all over his face. You sneer. “It’s… it’s professional.”

“Can you explain what you mean by that?” 

“I mean we’re classmates. That’s the relationship.”

“That’s it?” You can hear the skepticism in Taehyung’s voice, almost like he’s egging you on to say something more. 

“We’ve had some personal disagreements on topics discussed in class. But yes, we’re just classmates,” you elaborate slightly. It’s not as if anyone needs reminding of that, anyway. They all see your discussion board posts. 

“And how do you expect that relationship to change over the course of this project?”

“I don’t think it’ll change at all.” It’s the easiest answer so far. Requires no energy nor brain power for you to think about it. 

Taehyung nods his head in intrigue. “And why’s that?”

“Because this is a project for a class, not a life lesson.”

“Who says it can’t be both?”

You frown. “Whose side are you on?”

Five feet away, Jungkook laughs. 

Taehyung chuckles. “Alright, moving on. What do you expect from Jungkook over the next few weeks as you start working on building your relationship?”

“I hope he becomes less unbearable,” you say, though you suppose that’s more of a general life goal than one that’s project-specific. But it would be nice if he became a little more… palatable. Just so you don’t have to feel the urge to sock him in the face every time you speak to each other. 

“‘Less unbearable’, excellent,” Taehyung repeats. “Anything else?”

“Well,” you say with a shrug, not sure what else to say. What do you want from Jungkook? Obviously the two of you are about to embark on your own rom-com adventure, no doubt most of it his doing, but it’s hard to imagine that he himself (or you, for that matter) will change. If anything, the rom-com setting will just exacerbate the worst parts of both your personalities. Like some sort of curse. “I guess I just hope that the project goes smoothly.”

“I hope that it does, too,” Taehyung says with a smile. “Okay, last question.” Thank God. This interview couldn’t have been more than five minutes, but it feels like an eternity to you. “Do you think you and Jungkook will fall in love at the end of this?”

“No.” You don’t leave any room for hesitation. “I don’t.”

“Why not?”

“We’re very different people with very different interests,” you explain succinctly. You’re sure Taehyung will grasp that once Jungkook has his turn and answers all the same questions. “He can try his hardest, but some things are just meant to stay the way they are.”

“Okay, thank you, Y/N, that’s all. I hope you found our conversation illuminating,” Taehyung says, his cue for the camera to stop rolling. You and Taehyung both turn to Jungkook, waiting for his signal, letting out a sigh when Jungkook gives you a thumbs-up. 

“Thank fuck,” you say, hopping off of the barstool happily. You head towards the camera, ready to kick Jungkook off of it, because it’s your turn to stand behind it with an annoying look on your face as you react to every stupid thing Jungkook says. You find that you’re actually sort of looking forward to it. Being behind the camera is where you feel most at home. Making faces at Jungkook is just a bonus. 

Jungkook’s still grinning that same goddamn grin when you approach him, making you narrow your eyes. 

“‘He can try his hardest’?” Jungkook teases, voice all high-pitched to mimic yours. “Sounds like a challenge.”

“Ah yes, my mission in life,” you retort easily. Maybe goading him on isn’t the best course of action, but you’re so confident that you won’t change your mind you find yourself actually anticipating his efforts. “Think you have what it takes?”

“Believe me, I do,” Jungkook says with a devilish glint in his eyes. 

You roll your eyes and kick him off the camera with a shove, pushing him towards Taehyung as he waits diligently on that chair of his. 

“So, Jungkook, same questions,” Taehyung says as Jungkook gets ready in his seat, fixing the blonde strands of hair that curl around the side of his face, framing his cheeks. 

“What? That’s no fair, he got to think about all his answers,” you exclaim, positively indignant. 

“Don’t worry, Y/N,” Jungkook says, voice sickly smooth, honey falling off his lips. “I’ve actually been thinking about the two of us for a long time.”

You pretend to throw up on Taehyung’s hardwood floor. 

As Taehyung promised, he asks Jungkook the same questions. And, as predicted, his answers about as far away from yours as the sun is from Pluto:

“Are you excited to begin the filming for this?”

Jungkook grins. “Yes, definitely. I actually took this class after hearing from a friend that the final project was a lot of fun.”

Taehyung beams. That friend was him. No wonder he was so happy to sign onto helping the two of you. 

“And how would you describe your current relationship with Y/N?”

“We’re soon-to-be-lovers.” 

“How forward of you.”

“Isn’t that my job?”

You have to stop yourself from bursting out into laughter behind the camera and ruining the interview. At least he’s not hiding anything. You’ll give him that. 

“So I suppose you expect the two of you to fall in love over the course of the project?”

“Yes, that’s going to happen.”

“And you seem pretty confident when you say that.”

Jungkook smirks as he turns to the camera. Or, more accurately, you. “Confidence is attractive.” 

You shake your head back at him. 

The rest of the interview falls pretty much into the same vein as the first few questions. Jungkook is so brazenly determined and hopeful and optimistic it actually pains you in a way, watching him make all of these promises both to you and himself that this project is going to turn out the way he hopes it does. His answers remind you of his discussion board posts, always looking on the bright side of every movie you watch, always finding the silver lining, the light at the end of the tunnel. A movie could be total Hollywood crap, filled with cheating scandals and misunderstandings and betrayals, and Jungkook could still find beauty in it. 

It’s strange. 

For the sake of you not actually throwing up in Taehyung’s lovely apartment, you tune out the majority of the middle of the conversation, having zero desire to listen to Jungkook wax poetic about your non-existent relationship like he’s saying his wedding vows. Only when Taehyung finally remarks that they’re on the last question do you finally come to again, ready to turn the camera off as soon as Jungkook finishes his answer. 

“Jungkook, do you think you and Y/N will fall in love at the end of this?”

“I do.” Wow, what a shocker. “I do, because I hope that by the end of this Y/N will have opened her eyes to the beauty of love, and will find joy in the feeling as something that makes her feel happy and warm. I’m going to do everything I can to make sure the things we do together are meaningful. And even if we don’t last, I hope that her memories of us together will be ones she can look back upon fondly and be grateful for.”

You purse your lips together. If only it were that easy. 

“Alright, cut,” you say, voice distant as Jungkook thanks Taehyung for his time and hops off the bar stool. “Thanks, Tae.”

“Anytime, you guys,” Taehyung says with a grin. 

Jungkook comes over to where you’re standing, possibly to grab his camera and tripod but most definitely to rub his obnoxious personality all up in your face. 

“You really think you’re gonna get me to fall in love with you, huh?” You muse, an eyebrow raised as you look up at him. “Just so you can prove a point?”

“Believe it or not, Y/N, but I actually think that all people deserve the chance to experience love and that happens to include you, as well,” Jungkook responds easily. 

The words put a sour taste in your mouth. “You think I deserve it, huh?”

Jungkook nods, face solemn as he looks at you, gazing into your eyes with those big brown ones of his own. It makes you feel something unfamiliar. Like he’s reading right through your chest, into your heart. You don’t like it. “Everyone deserves love.”

“You guys are coming back, right? So I can leave the sheet up?” Taehyung interrupts after he’s moved both of his bar stools back to his kitchen counter. 

“Yeah, we’ll be back,” Jungkook answers quickly. “Thanks for setting everything up, by the way.”

“Of course. Plus, this is a good background for my nudes,” Taehyung says casually, like he’s mentioning what he’s having for dinner. “Looking forward to seeing you guys again.”

“Us, too,” Jungkook says. “Ready to go?”

“Only because it means I don’t have to see you anymore,” you retort pointedly, grabbing your backpack from where it sits on his couch as you head towards the door. 

“Just you wait, Y/N,” Jungkook says as you leave Taehyung’s building, one of those old-timey Victorian houses that was converted into a whole bunch of apartments. “You’re gonna see that I’m right.”

“Really? About what?”

“About us,” Jungkook says. You come to the stoplight, where Jungkook keeps going straight and you turn right. 

“Us?”

Jungkook grins as you turn in the direction of your own apartment. And, just as the light turns green, he says, “Just you wait. We’re gonna fall in love, you and me.”

If he says so. 

“Hey! Y/N!”

You whip your head around at the sound of your name just as you’re opening the door to your local Starbucks, wondering who the hell is calling out to you at nine-thirty in the morning on a Wednesday. 

As it turns out, you don’t have to wonder too much, because the moment your eyes adjust to the blinding sunlight coming from the east side of campus you see Jungkook hurtling towards you, heavy black boots stomping down on the pavement as he rushes to catch up with you. 

“Can I help you?” You ask, thoroughly unimpressed, as you pull open the door, looking at Jungkook heaving beside you as he holds the door open for himself. 

“Just glad I caught you,” Jungkook gasps out between breaths. “Figured this might make a good scene for the movie.”

“It’s a mockumentary,” you remind him easily, getting in the line. 

“Whatever,” Jungkook says. “What do you normally get here? I don’t really go to Starbucks often.”

“Whatever will give me the most caffeine for the least amount of money,” you retort. 

“How efficient,” Jungkook comments. 

“You know that’s how I like to be,” you tell him with a pointed look. 

Jungkook mumbles his acknowledgement as he fumbles around in his backpack, fishing through the large pocket until he whips out his Canon, holding it out in front of him like he’s a dad about to film an embarrassing shot of his child. You look down at the camera just as he pans up to you, a confused frown written across your features. Jungkook laughs. 

“Do you really need to do that here?”

“I’m not even filming,” Jungkook says with a smile, like he just pulled his camera out so he could look at your unimpressed face through a different lens. “Look, you’re up.”

You turn around to find that the woman ahead of you in line has just moved towards the pick-up side of the counter, so you shimmy over towards the barista, ready to get this over with so you can dart out of the Starbucks as soon as possible. 

“Just a grande Americano, please,” you request simply, fingers grasping for the wallet inside your coat pocket. 

“Me too,” Jungkook chirps up from behind you. The closeness of his voice makes you jump, and suddenly you become keenly cognizant of how he’s practically pressed up next to you as he leans over towards the counter. You catch a glimpse of the debit card in his hand. “Here.”

“You don’t have to pay for me, it’s fine,” you quickly say, holding out your own card to the barista. 

“No, it’s okay, I want to. Here.” Jungkook pushes your hand away as he tries to stuff his card into the reader. 

“No, I won’t let you. I’m a big girl, I can pay for my own coffee,” you rebuke, feeling yourself growing oddly defensive. 

Jungkook sighs from behind you. “Oh, come on, you can’t let me do one nice thing for you?”

“Will one of you please pay, you’re holding up the line,” the barista asks in a desperate tone, clearly too overworked and too underpaid to be dealing with two bratty college students like yourselves. 

Jungkook manages to shove his card into the reader before you get the chance to do it yourself, pushing you to the side as he verifies all of his information and takes his receipt. Next to him, you seethe to yourself, feeling a personal loss even though you just got your coffee paid for. It’s not about the money. It’s about your pride. Never in your life have you wanted to so badly pay for an overpriced Starbucks coffee. 

You and Jungkook mosey over to the other side of the counter, waiting for your identical drinks to be made as you try and calculate how much longer you have to stand in the same room and breathe the same air as Jungkook. Seeing him in class, on your discussion board posts, and for your arranged final project meetings apparently isn’t enough, so now he has to invade your personal life, too. 

“What are you doing?” You huff out angrily, turning to Jungkook even as he holds his camera out in front of him, filming the Starbucks. 

“Recording our first meeting, obviously,” Jungkook says like it’s some kind of no-brainer. Like you were in on that from the moment he called your name out on the street. 

“What do you mean, ‘our first meeting’?” You scrunch up your nose in confusion. “We’ve known each other since the semester started.”

“I know, but…” Jungkook trails off unhelpfully, but you pick up what he’s putting down regardless. Right. This is supposed to be a mockumentary rom-com. And rom-coms always start with an introduction. 

The barista behind the counter calls out Jungkook’s name as he places two same-sized cups down at the pick-up station. The cup is burning hot, even with the little cardboard holder wrapped around it like a leg warmer, so you immediately move over to the station up against the wall with all of the sugar packets and napkins and little green splash sticks. Jungkook joins you without question, whether it be due to the fact that he doesn’t come here very often or because he just wants to keep invading your space, you couldn’t say. Grabbing one of the wooden sticks, you tug the plastic lid off of the cup and give the coffee a swirl. Watching you, Jungkook takes the lid off of his as well. 

“Are you just going to copy everything I do?” You deadpan. 

“Not everything…” Jungkook trails off suspiciously, looking down into his coffee like the two of them are conspiring something. 

“What are you talki—”

Without warning, Jungkook slams half of his body into you, and without a lid or one of those little green sticks, the coffee sploshes over the side of his cup and drenches the front of your exposed hoodie, hot liquid burning through the fabric of the hoodie and the t-shirt you have on underneath. You watch in horror as Jungkook plays it off like an accident, feet fumbling around on the hardwood floor like he had just tripped. But he didn’t just trip. He dumped half of his Americano onto the both of your fronts. 

“Jungkook!” You say instantly, resisting the urge to scream because you’re in a public place but feeling your skin go as hot as the coffee against your torso as you look up at him, fuming. 

“Oh my God, I’m so sorry, I’m such a klutz,” Jungkook says, somehow able to regain his balance, hold his coffee cup, and film the whole adventure all at the same time. “That was totally my fault, let me help you with that.” 

The camera is from his perspective, which you suppose is about as real as it gets for something grounded in reality like a mockumentary, but in this position he’s able to make conversation with his eyes, big brown ones wide as he tries to signify what exactly he means when he purposely spills coffee all over the two of you. 

You get it. You’ve seen enough rom-coms to know why he just did what he did, but you still find your mouth agape as you stare up at him, smoldering and angry and a little shocked he would dare be so bold, especially in the middle of a Starbucks coffee shop. 

“For God’s sake,” you say with an exhausted sigh despite it not even being ten in the morning yet. Unable to form any other comprehensible words, you settle for just pulling out napkins from the dispenser and dabbing the front of your hoodie as Jungkook looks at you apologetically. You can’t even tell if he’s truly sorry or just putting on another one of his shows. 

“I feel so bad,” Jungkook says, and you calm yourself down enough to nod. At least he isn’t blatantly laughing. “Can I pay for dry cleaning?”

“You’re really gonna offer to pay for my dry cleaning?” You ask, an eyebrow raised. 

“It was my fault,” Jungkook admits. Now that you can agree on. 

You shake your head. “It’s okay. It’s just an old hoodie, it’s no big deal.”

“I’m still sorry,” Jungkook insists, and the more he says it the more you actually find yourself starting to believe him. Even if he did just spill coffee all over you. “Here, let me give you my jacket—”

“That’s not necessary,” you say as he shrugs off his backpack and begins to remove the bulky denim jacket he’s wearing, fabric worn and soft from years of use. “Seriously, it’s okay, it’s just a hoodie.”

“Yeah, but now you have coffee all over your clothes and you probably have class soon, right?” He says, an apologetic smile lacing his lips. He tugs off his jacket and holds it out towards you. 

“Jungkook, I’m fine, alright? I appreciate your concern, though,” you assure him. You throw away the last of the coffee-stained napkins in your hands and reach down for your backpack, which you had taken off your shoulders somewhere in the chaos. 

Jungkook rolls his eyes, almost as if he was expecting resistance, and leans over you anyway. His arms extend outwards as he wraps his enormous denim jacket over your shoulders, the fabric draping loosely over your body. The damn thing was big on him, so on you it practically eats you up. You stand there, silent, as Jungkook adjusts the jacket on your torso, pulling underneath the hood of your sweatshirt as he makes sure it’s snug across your figure. 

“There,” Jungkook says. 

“Thanks,” you say, a half grin playing on your lips. The gesture makes you wonder if Jungkook really was planning on giving up his jacket this early in the morning for the sake of your movie. “That’s nice of you.”

“I hope it makes up for the fact that you smell like coffee now,” Jungkook says, a hand coming up to rub at the nape of his neck. 

“I appreciate it,” you say. 

“I have class, too, so I have to go,” Jungkook says, hoisting his backpack on his shoulders as he tucks his camera away. “I’m sorry again! See you around?”

Like you even have a choice. 

“Yeah, see you around,” you say as Jungkook darts off just as quickly as he arrived, rushing out the door before you have the chance to change your mind and give him his jacket back. 

When he leaves you, you find yourself at a loss for words. You stand there, lips pursed, coffee cold, as the weight of his jacket rests heavy on your shoulders. 

It smells like him. 

You should have known he would do something like this. Spill coffee all over the two of you, offer you his jacket, dash off like Cinderella at midnight. Like the opening of the world’s worst rom-com. The start of what is no doubt going to be the most unbearable final project you have ever done.

Plus, the other thing it’s ensured is a second meeting. How else is he going to get his jacket back?

And you know what the worst part is?

This is only the beginning.

This time after FILM395 ends lecture for the day, it’s your turn to catch Jungkook lounging around after class. 

He’s lingering around the outside of the building, scrolling through his phone, a heavy leather jacket resting over a flannel that goes down to his knees and a baseball cap sitting firmly on his tuft of blonde hair. He’s obviously not paying attention to any of his surroundings whatsoever, because he doesn’t even notice you exiting out of the door he’s standing by until you say his name. 

“Jungkook,” you say, arriving in front of him. 

“Wha—oh, hi,” Jungkook says, jumping at the suddenness of it all. 

“Here,” you say, holding out his oversized denim jacket in between the two of you. “Thanks for letting me borrow it.”

“Oh, I didn’t know you were going to give it back so soon,” Jungkook says, looking a little surprised and… is he touched? 

“I was going to give it to you a couple days ago but I thought I should give it a wash first,” you admit to him. 

Instinctively, Jungkook brings the jacket up to his nose to sniff it. “Smells like lavender.”

“Yeah, it’s my detergent. Hope you don’t mind. It’s a little wrinkled—I let it air dry since I was worried it might shrink in the dryer.”

“Thanks,” Jungkook says, a genuine smile lacing itself across his features. It’s not one you see too often, and definitely not the kind of smile he usually flashes in your direction. Those are all so obnoxious, so full of himself. This one’s different. It’s appreciative. Kinder. Softer. In a lot of ways. “I was thinking, if you don’t have class now, do you wanna grab some coffee?”

You narrow your eyes. “Only if you promise not to spill it on me this time.”

Jungkook laughs, throwing his head back. “Okay, I got it. I won’t spill it on you.”

“Promise?” You prompt. 

“Promise.”

The walk to Starbucks this time is in relative silence, but neither of you seems to mind it very much. You aren’t dashing to catch up with each other and heaving snarky comments as you catch your breath. Jungkook even notices you shiver in the cool March breeze and wraps his jacket around you again anyway, although this time you make a mental note to make sure he doesn’t leave without it. Even though a lavender scent wafts off of the denim, it still smells a little bit like him. That boyish sort of aroma. You don’t think any detergent would ever be able to get rid of that. 

You and Jungkook both get americanos again because you’re predictable and creatures of habit, and Jungkook actually seems to quite like them. He pays and you don’t spend two minutes standing in front of the barista fighting over it. Jungkook seems so determined to pay the extra four dollars for your drink that you aren’t sure if it’s really worth arguing over it for the sake of pride anymore. What you and Jungkook put into making this project a success is what you’re going to get out of it. 

He picks one of the longer tables in the back of the study space, empty because it’s just after the lunchtime rush and most people have classes now, sets up the camera at one end, and you sit down at the other. 

“So,” you begin, not sure where to start because your coffee is too hot to take a sip from it. 

“So,” Jungkook echoes. 

Silence. 

You purse your lips in that awkward, I-don’t-know-what-to-say kind of way. “What do you want to do?”

Jungkook grins. “This is the part where we get to know each other.” 

“We already know each other.” You frown.

“Do we?” Jungkook poses, an eyebrow raised. “I mean, yeah, I guess we aren’t strangers, but I don’t know anything about you. Other than you’re a film major in a rom-com class who hates rom-coms.”

“I don’t hate rom-coms,” you object. “I just think it’s important to look at them from a critical lens.”

“Okay, whatever,” Jungkook says, shrugging you off. “The point is that we don’t know anything else about each other. Like, what’s your favorite color, for example?”

“Purple.” It’s an easy answer. You wore purple princess dresses when you were five, painted your bedroom lilac when you were ten, and still make sure to keep a purple highlighter in your pencil case now. “What’s yours?”

“Red,” Jungkook responds. 

“Cool,” you say, effectively ending the rest of the conversation.

Jungkook, sensing that same awkward silence, suggests something. “How about you ask me something now? We can go back and forth.”

You shrug. It’s not like you have anything better to do. “Alright.” You think for a moment, but then you have the perfect question. “Why film?”

Jungkook was clearly not expecting something so loaded, because his brows furrow, knitting themselves together as he begins to figure out a good enough answer. “Hmm,” he says, lost deep in thought. “I suppose the standard answer would be that I’ve always been interested in it, but I think I chose film because I want to be able to have the gift to tell other people’s stories. Being a filmmaker doesn’t just mean you stand behind a camera. It means you immerse yourself in the lives of other people to create something new. And… I don’t know. I guess I really like doing that.” 

You nod. 

For once, you understand him. Understand why he chose to major in film, why he chose to be in this tiny little program. Because there is so much out there, so much that you will never know, people you will never meet and things you will never see. And it’s a filmmaker’s job to make them turn into things you will see, people you will meet. Who knows the world better than the people who study it? The people who have devoted their lives to learning all its secrets?

“What about you?”

“Same as you,” you tell him. “Film is an art but it’s more than that to me. It’s a new way to look at the world. It’s several new ways to look at the world, depending on what kind of film you want to create and what kind of story you want to tell. I think it’s important to show people that all of the things they see in the media every day are not always reality. And that real people deserve to have their stories told, too. I don’t know. That’s what I think.”

Jungkook grins, a twinkle in his eyes. “Real people like us?”

“This project is different,” you insist. 

“I don’t think it is,” Jungkook says. “You said it yourself, we’re making this because it’s important to show people that the Hollywood entertainment they consume is not reality. This is. This is reality.”

You frown, kicking yourself in the shin because what was supposed to be a harmless conversation has now turned into an opportunity for Jungkook to try and convince you that you will, in fact, fall in love with him. You’ve dug your own grave and Jungkook was the one who handed you the shovel. 

“You’re not giving up, are you?” You say, shaking your head, flabbergasted. “Reality is the fact that this project is not going to make me fall in love with you. Nothing is.”

“Don’t be so sure about that,” Jungkook warns. “I’ve got a few tricks up my sleeve.”

“You mean like spilling burning hot coffee all over me?” You ask, an eyebrow raised, a grudge still held. 

“We had to start somewhere,” Jungkook defends. “And you seemed to understand what I was doing pretty quickly.”

“It’s not the worst thing someone’s done to me,” you concede, only slightly. “Besides, I hate to be the bearer of bad news, but throwing hot coffee all over me is not really a good way to start off your plan to get me to fall in love with you.”

Jungkook smiles. “All in due time, Y/N. All in due time.”

“I can’t believe Pollack actually paired us up together,” you say with a sigh. “You know she did it on purpose.”

“Of course she did.” It’s not really a surprise to either of you. 

“I met with her right after she announced our partners,” you tell him, “she said it was because she wanted to see what kind of project we would come up with. How we would address our… differing views on love.” That’s one way of putting it. A rather nice way, if you do say so yourself.

“Speaking of which,” Jungkook says, something suddenly flashing through his mind, “what do you really think about love? You know, other than it’s unrealistic and ruins people’s lives.”

“You make me sound like Ebeneezer Scrooge.” You frown at him. 

“I’m serious,” insists Jungkook. “Why are you so pessimistic about it? Have you ever been in love? Have you had bad experiences? You couldn’t have just developed this worldview over time.”

You scowl, feeling yourself getting defensive. “Well, maybe I did. Maybe that’s just what I think. Why do you care?”

“Because people don’t just hate love for no reason,” Jungkook exclaims. “Come on, there must be something.”

Your body stiffens. Who is he to be asking you this sort of shit? Why does he care so much? It’s not like it will have any effect on the outcome of your project. Not like you explaining yourself will change the way either of you look at the world. 

“What’s it to you?” You challenge. “Why do you love love so much? Have you ever fallen in love? Do you think it’s suddenly going to solve all of your problems?”

“I love it because I think it brings people real joy,” Jungkook answers simply. “It makes people happy and it’s beautiful. I love love and I’m not ashamed to say that out loud. I believe in it. I believe in love, and in destiny, and in soulmates. I want that. I think everyone deserves it.”

 You scoff to yourself. “You believe in soulmates?”

“I think we all have our people out there.” Jungkook nods. “Don’t you?”

You roll your eyes, arms crossed over your chest. This conversation has gone nowhere, and Jungkook looks as equally dissatisfied as you do. 

“I think love can make us do stupid things,” you tell him succinctly, if a little jaded. No need to say anything else. Your explanation is right there. “We’re just different, I guess. You and I.”

Jungkook blinks at you, eyes wide and a little desperate. Your conversation has remained stagnant and there’s almost nothing left to say. 

Almost. 

“Don’t you ever want to fall in love?” He asks, like it’s a last-ditch effort to get you to believe. 

You freeze. Let the words sink in for a moment. Before you push them out the door and toss them into the garbage. Just thinking about it gives you a headache. Puts a sour taste in your mouth. 

Quickly, you push yourself out of your chair and stand up, grabbing your coffee with one hand and your backpack with the other. “I have to go, sorry. I just remembered I’m meeting up with a friend to help her with a photography shoot,” you fumble out quickly, the legs of the chair screeching as you scoot them across the hardwood floor. “Oh, here’s your jacket, too. Thanks for giving it to me again. I’ll see you in class.”

You whip around and head towards the exit, and only when you’re outside of the Starbucks and passing by the window do you dare look back. Do you dare let your gaze drift back to Jungkook, who is sitting there like he still doesn’t understand you. Still can’t. 

You and Jungkook are final project partners and maybe, if you’re pushing it, acquaintances-slash-friends. But there are just some things better kept to yourself. 

We’re reaching the halfway point in this semester and, as you all know, I don’t do midterms. That said, I still want you to reflect on what you’ve learned, discovered, and thought about thus far in this class. What portrayal of love did you find the most realistic? The least? How have they changed the way you think about love, both from a personal and a film perspective?

Y/N Y/N on March 3rd at 6:08PM

Purely from a film perspective, I really did enjoy watching Juno. It was funny and raunchy and just the right amount of vulnerable. It certainly felt the most real. So far, no film in this class has topped it for me. 500 Days of Summer, on the other hand, was in my opinion extremely unsatisfying and left no positive impression. The ending was a bore and Tom had absolutely no spine. It was a shame, because the direction and production was actually quite good. 

I guess I’m starting to realize how real love is not pretty. It can make people just as sad as it can make them happy. Why don’t we show the sad sides of love, too? The sides where your room is covered with a pile of clothes because you can’t bring yourself to do the laundry? Where you cannot cook a meal because it reminds you of a breakup? Rom-coms are, obviously, not the most realistic. But why are there not more films that do cover what’s real? How can we love love if all we know is a lie?

Jeon Jungkook on March 3rd at 11:13PM

Of course, I thought The Big Sick did an excellent job of their portrayal of love, adult life, and the problems that plague us all in the twenty-first century. It was also just as emotional and touched on concepts of race, illness, and being in your twenties and having no idea what direction your life is going in. The Princess Bride, on the other hand, as much as I love it, I do think created a more circumstantial kind of love. Westley and Buttercup mostly fall in love because of their situations. But it remains a classic nonetheless. 

I’m satisfied with the way the film industry has produced rom-coms and handles love. The beauty of it is that love is different for every person who goes through it. It can bring the greatest joy and the most painful sorrow. We do not just figure out what love is by what we see on film. We see it in our real lives, in our parents, in our friends, in couples in coffee shops and cars and on sidewalks. We can love love because we want that joy for ourselves. Because we know that true love will be worth any heartbreak we endure. Is it not impossible for the portrayals of love in these rom-coms to not be real? The way everyone experiences it is different. The only way you can know what real love is, and what it is not, is if you fall in love yourself. 

Early on in your project development, you and Jungkook exchanged class schedules to optimize your productivity and skip over that stupid, terrible part of partner projects where you’re just going back and forth trying to pick a time that works for the both of you until you eventually settle on something ridiculous like eleven o’clock at night outside of the McDonald’s two blocks off of campus. 

It’s been working very well. Neither of you have adventurous-enough friends to invite you out on spontaneous picnics and restaurant dates that fuck with your pre-scheduled meeting times, and Jungkook already seems to have mastered the art of screaming your name when he catches you on the sidewalk so that you can film something. 

In fact, you’re actually beginning to wonder why you haven’t done this with all of your long-term partner projects. Send each other your schedules so that you can settle on a time in advance. No muss, no fuss. 

You and Jungkook are supposed to meet up again tonight, after the two of you are finished with all of your classes, to discuss what scenes you should be filming next. Edited down, you’ve already got about ten minutes worth of footage, but it’s mid-March and the project is due at the end of April. So you need to get this show on the road. 

The door slams shut behind you as you exit the business building, your film industry class having just ended a minute ago. You’ve got an hour to kill before your next class, just enough time to dash to the food court in the center of campus and grab something from the Japanese place in the back corner. You might even have time to browse the shelves in the bookstore if you’re fast enough. 

You round the corner to the main pathway through campus when a voice stops you in your tracks. 

“You’re just too good to be true…”

“Can’t take my eyes off of you…”

It’s not Jungkook. Instead, in the middle of the walkway are the Eighth Notes, one of the fifteen-thousand (you don’t know for sure, but if you had to estimate) acapella groups on campus. They’ve got mic stands and a table set up and everything. Maybe they’re promoting an upcoming show…? 

You almost breeze right by when one of them, the one in the middle of the group, points right at you, a lopsided grin lacing his features. You aren’t one to normally stop in the middle of a crowded footpath, but when, one after another, all six of the boys start pointing at you, you have no choice. 

“You’d be like Heaven to touch…”

“I wanna hold you so much…” 

“At long last, love has arrived…”

“And I thank God I’m alive…”

“You’re just too good to be true…”

“Can’t take my eyes off of you…”

Their voices are smooth like honey, warm and deep, romancing you through their mics as each one of them suddenly manifests a rose from behind them. Around you, people are starting to stare, gawking at you as they walk by. There’s even a small crowd starting to gather, and you swear you can see some people filming on their phones. The fact that this is happening in the busiest ten minutes of the day, as half the student body is walking from one class to another, isn’t helping. At all. 

The rest of them singing in the background, each one steps out from behind the set of microphones to hand you the rose, smiling their classic, old-timey smiles like those old jazz singers from the 1960s, until you’ve got half a dozen in your hands as they continue to sing. 

“But if you feel like I feel…”

“Please let me know that it’s real…”

“You’re just too good to be true…”

“Can’t take my eyes off of you…”

And then, suddenly, all of them are shutting their traps and turning to the left, looking down the pathway as the song begins again, but from one-hundred feet away. 

“I love you, baby, and if it’s quite alright, I need you, baby, to warm the lonely night…”

Your mouth drops. At the other end of the walkway is Jungkook, one of those wireless microphones in his hand, grinning as he saunters down the path like a prince at a ball, voice sweet and thick as the words dance off of his lips. 

“I love you, baby, trust in me when I say…”

Your eyes lock from opposite ends of the path, Jungkook stepping closer with every beat the Eighth Notes gives him. It sort of feels like your impending doom and a wedding proposal, all at once. By now a rather substantial audience has gathered, lining the walkway with their phones out, filming Jungkook as he waltzes past them, occasionally turning to capture your gobsmacked expression. 

Every step that Jungkook takes makes your heart race something fierce, cheeks warming in embarrassment, trapped in your least favorite thing in the entire world: a public serenade. You can’t really do anything except look at him in shock, feeling his steady gaze resting firmly on your figure, looking right at you. Into you. 

“Oh, pretty baby, don’t bring me down, I pray…”

Oh, pretty baby, now that I’ve found you, stay…”

Jungkook, on the other hand, is clearly relishing in this. In the spotlight. In the music. Or maybe just in the fact that you’re on the receiving end of his over-the-top advances. His grin is wide as he takes those last few steps, microphone gripped neatly in his hand, the lyrics warm and weighty as they tumble from his lips. 

“And let me love you, baby…”

One final step and he’s right in front of you, staring into your eyes, letting himself bask in the look on your face. He produces a rose himself—cherry red, like his favorite color—and holds it out in between the two of you. In the background, the Eighth Notes go quiet, leaving Jungkook on his own for the final line. 

“Let me love you…”

The words drift above your heads, disappearing into the sky as he lingers on them, on that last note, beaming down at you. He looks at you, so hopeful, so happy, so endeared, and what else can you do? What else, besides taking the rose from his hand and smiling back up at him? Who are you to deny him of that?

The crowd around you cheers when you do, applauding both Jungkook and the Eighth Notes, with whom he is apparently in cahoots, before they all decide that they ought to get on with their day and head to class. No doubt you’ll be on several dozen Instagram stories by nightfall. 

Only after everyone has dispersed do you notice Taehyung, who must have been here since the beginning, because he’s just turning off the camera dangling from his neck. Of course Jungkook got him to film. Other than your project, what else would this be for?

“Is that the best you can do, Jungkook?” You smirk up at him, only saying this because you can’t have him knowing that you actually kind of enjoyed it. 

“You’re still here, aren’t you?” Jungkook responds easily. “Thought I would do something spontaneous.”

“And now you’ve taken up ten minutes of my lunch,” you say, shaking your head to yourself. “How spontaneous, indeed.”

“How was that, Jungkook?”

Behind the two of you, the Eighth Notes are packing up, clearly more than happy to have aided Jungkook on his quest for so-called love and getting to promote their group in the process. 

“Great, thank you so much, Jimin,” Jungkook says to the one in the middle, the very first one to sing when you walked out of the door. 

“Anytime, dude. Glad we could help,” Jimin responds. He waves hi to Taehyung, too, as they store their microphones and go on their way. 

Jungkook bids them goodbye as they head down the path, smiling at all of them before he turns back to you, notices the distant, faraway look in your eyes as you twirl the rose between your fingers, press it to your nose to pick up its scent. 

“You gotta admit, I’m a pretty good singer, eh?” Jungkook says with a nudge to your shoulder. 

“You’re alright.”

Jungkook laughs to himself. “I think that’s the nicest thing you’ve ever said to me.”

“Don’t get a big head,” you warn. 

“Think I’ll have to sing for you more, now, hmm? Since you liked it so much?” He suggests, eyebrows wiggling. 

You roll your eyes. “Only if you can get Jimin and the Eighth Notes to back you up, again. Then maybe I’ll allow it.”

Jungkook grins. He’s far past the point of being deterred by your deadpan comments. If anything, they only encourage him more. But you, for obvious reasons, cannot give in. At least, not yet, anyway. 

“Okay, go eat your lunch,” he says, nodding as you begin to part ways. “I’ll text you later, okay?”

You smile. “Okay. See you.”

“See you, too.”

The moment you get back to your apartment you put all seven roses in an old vase filled with water. They brighten up your bedroom instantly, soft scent freshening up the air. And when you go to bed that night, it is to Jungkook’s sweet, delicate voice, like walking on clouds, like satin and silk, that you fall asleep.

“Good morning, Y/N,” Jungkook greets like always, smiling at you as you walk in the door for FILM395. 

“Good morning, Jungkook,” you say in response. 

Then, you take a seat right next to him. 

It’s an act that clearly catches everyone off guard, if the bewildered looks of your fellow classmates and Jungkook’s confused expression are anything to go by. Even Pollack, when she walks through the door, gets a bit of a shock, eyes widening when she sees the two of you seated next to each other. 

You suppose all the fuss is understandable. After all, you both sort of hate each other. 

Other than the sudden change in seating arrangement, however, the rest of the class goes off without much issue. Pollack lectures for an hour before you move into discussion, at which point it becomes a class participation free-for-all, with you and Jungkook almost definitely in the lead. Just because you’re now sitting next to each other doesn’t mean either of you are suddenly going to stop raising your hands to rebuke each other’s points. Some things never change. 

Sitting next to Jungkook is not as bad as you thought it would be. For one, he is, for the most part, a rather diligent student. Other than his occasional flicks to his email, an essay he’s working on, or your discussion board, he mostly sits and takes notes and doesn’t do anything else. That, you can at least give him credit for. And even though your elbows almost always nearly crash into each other’s when you’re raising your hands to respond to a point Pollack’s made, discussion isn’t so bad either. 

One of the perks of sitting directly beside each other is that whenever he says something stupid, or saccharine, or just overly unrealistic, you don’t have to just roll your eyes from the back of the classroom while you wait to be called on. You also get to kick his foot with your own, nudge your elbow into his side. And he does the same to you. You and Jungkook are like those neighbors in sitcoms that spend all their free time shouting at each other from opposite windows. Just because your seats have gotten closer doesn’t mean your viewpoints have. 

A notification pops up on your laptop.

[March 17th, 11:05AM]

Jungkook: wanna meet at the tables outside after class?

You look over at Jungkook with a frown.

You: Why are you texting me? We’re sitting right next to each other

Jungkook: because we’re in class obvs Jungkook: dont wanna be disruptive

You: Since when has that ever stopped you before?

Jungkook: haha very funny Jungkook: tables sound good?

You: Only since you asked so nicely :)

Jungkook: thoughtful as always i see

After class, you and Jungkook both hang around, waiting for each other to pack up your belongings so you can walk to the tables together. Everyone else seems to sense this weird, uncomfortable tension in the room, because they all book it out of the door much faster than either of you do. You’re almost convinced Jungkook purposely takes extra time to zip his backpack, just because. 

The tables are, as per usual, empty. But you don’t have a pile of receipts to spread out, this time. You and Jungkook take a seat at one of them as you pull out your laptops, ready to outline the rest of the project. 

“We should probably meet with Taehyung a couple more times, too,” you suggest as you begin to brainstorm. 

“Sounds good,” Jungkook agrees. “But we can’t meet at night on weekdays anymore. My dance group’s show is coming up and we have practice then.”

You stop typing and turn to him. “I didn’t know you were in a dance group.”

Jungkook shrugs, like it’s no big deal. “I don’t really talk about it that much.”

“You should.”

He looks up at you at that, eyes wide as he faces you. 

“I don’t know, it seems like something you should be passionate about,” you say. In the same way that you promote the Film Club to every freshman you know, force all your friends to mark that they’re Interested in your event pages on Facebook. Jungkook should want to tell everyone about his dance group. Doesn’t he love it? Isn’t he proud to be in it?

Jungkook doesn’t look like he knows what to say to that. So he doesn’t say anything at all. 

“We can meet on weekends too,” you say, adjusting to his new change of schedule easily. “This project isn’t as all-consuming as I thought it would be.”

“You mean I’m not as all-consuming as you thought I would be,” Jungkook corrects. 

You shake your head. “No, you are.” He laughs. “But yeah, on weekends is fine. You know my schedule. What else should we do, besides talk to Taehyung?”

It’s like a lightbulb goes off above Jungkook’s head. “Let’s go on a date.”

You narrow your eyes at him. “No.”

“What do you mean, “no”? It’s the natural progression of our relationship! It’s the next step in the rom-com! We have to,” Jungkook insists. 

“First of all, it’s a mockumentary, not a rom-com,” you say with a sigh, finding yourself having to correct him rather frequently. “Secondly, we are not in a relationship. I am not dating you and you are not dating me.”

“Okay, but at this point in rom-coms the two leads would definitely go on a date,” Jungkook says, punctuating every word for emphasis. “What’s the harm? It’s not like you’re committing yourself to a future with me.”

“Thank God,” you mutter. 

“Oh, shut up. You probably haven’t been on a date in years, anyway. Why not spend a night out?”

You frown at that. “Who cares if I have or have not been on a date?” Why does Jungkook care so much about the history of your love life? He’s always saying stuff like this, always telling you things as if you’ve never been in a relationship at all, don’t know left from right, black from white. Who is he to be making those assumptions?

“Please, Y/N,” Jungkook begs, looking desperate. “Just one evening. And then if it really goes terribly and you end up hating me again, then we don’t have to do another one.”

You sigh, shoulders slumping. Well, what else are you going to do? You don’t have any other ideas. And you’ve already spent so much time with Jungkook this semester, what���s another evening? Just something else to cross off of your list of things to film. Maybe you can get him to take a cute photo of you to post on social media. 

“Fine,” you concede. “One date. And I still hate you, by the way.”

Jungkook clearly does not believe you. “Really? You still hate me? I’m sure you do.”

“Okay, I don’t hate you. But still,” you relent again. Perhaps you’re just being oddly soft today. Too lenient for your own good. 

Jungkook grins, cheeks little round circles as his lips curve up. “I know you like me. You just can’t admit it to yourself, can you? Can’t take that blow to your dignity.”

“Don’t think so highly of yourself,” you chide. 

“Who knows?” Jungkook tacks on, just to be extra annoying. “Maybe you’re actually starting to fall in love with me.”

You scoff. “You wish.”

“Well, are you?”

Jungkook doesn’t ask the question the same way he’s asked all of the other ones. Doesn’t say it with a shit-eating grin on his face or that glint in his eyes. He’s asking because he’s curious. Curious if what he’s been doing has been working. Curious if this project is really accomplishing anything at all. 

Funnily enough, you find yourself wondering the exact same thing.

Silent, you pausing for a moment to think, chewing on the inside of your lip. Jungkook’s looking back at you, lips curled upwards as he waits for a response. Ugh, you’ll just have to give it up. What else can you say? “I guess…” you begin, hesitating. 

You aren’t sure why you’re so scared to respond. Maybe you’re just worried that things will change if you say something. If you tell him the truth. 

But it’s just Jungkook. He’s sitting in front of you patiently, waiting for your answer. What could happen?

You confess. “I guess you’re not so bad after all.”

Even though this is not the first time you’ve ever been out on a “date” (you’re using that word tentatively), picking out what to wear isn’t any easier than the last time. 

“Is black too, you know, sexy?”

Ruby shrugs on the other end of the video call. Her phone is propped up on her desk as she works on something on her laptop, glancing over every now and then whenever you prompt her to respond. “Well, that depends. Do you wanna fuck?”

“No.”

“Then it might be too sexy,” Ruby says easily. “What are you even doing? I thought you didn’t go out on dates.”

“It’s not a date,” you insist, although you’re not exactly sure which of the two of you you’re trying to convince. 

“You’re asking me what kind of sexy dress to wear for a night out with a guy. It’s a date,” Ruby reminds you, economical as always. “Who are you even going out with, anyway? You just called and asked me to pick between two dresses I have literally never seen you wear before.”

“That’s because I don’t go out on dates, which this is not,” you tell her, even expending the energy to stare into the camera to hammer your point home. “And it’s with Jungkook.”

Ruby shuts her laptop at that. You can hear the sound of her keyboard clacking as the lid hits them. “I’m sorry, what?”

“Do I need to remind you that this is not a date and therefore, you don’t need to be acting like I just told you I’m getting married.” You frown at her. “It’s just for our movie. Jungkook wants me to dress nicely, though.”

“Wear that nice summer dress you have,” Ruby instructs instead, shooing away the two much sexier options you’re currently holding in your hands. “Just put tights on underneath if you’re cold.”

“This one?” You ask, shuffling through your closet until you produce the gingham dress, plaid a pale yellow that matches gold jewelry rather well. 

“Yes, that one. I like that one,” Ruby says with a nod. “You look good in it.”

“I don’t know, I feel like it’s not appropriate.” You hesitate. It’s a cute dress, sure, but it seems too… casual. Too everyday. Jungkook’s taking you out to dinner, and no doubt he’s got something else planned for the rest of the evening. 

“I mean, you did say you had no plans on fucking him tonight,” Ruby reminds you coarsely. 

“I have no plans on fucking him at all,” you reiterate. “This is not a date. It is for our movie.”

“Yeah, yeah.” Ruby brushes you off with a wave of her hand. “Wear whatever you want, but I like your yellow dress the most. It looks really nice on you. And if it’s not a date, then neither you nor Jungkook should care.”

“Ruby—”

“I gotta go. Enjoy your not-date!”

She hangs up. 

You end up wearing the yellow dress. Jungkook knocks on your apartment door just as you’re closing the clasp to your necklace, a gold choker your mother had gifted you for a birthday a couple of years ago. It’s nothing much. You grab a jacket on your way to answer the door, wrapping it around your figure as you twist the knob. 

On the other side is Jungkook, all decked out in black jeans and a clean-cut leather jacket, the black ensemble striking against his warm-toned skin and bleached, blonde hair. You hate to admit it, but he actually does look rather good. For Jeon Jungkook. 

“Hi—whoa,” Jungkook says, doing a little whistle when he sees you, eyes bulging out of their sockets. 

You chuckle. “‘Whoa’ yourself.”

“You, uh…” Jungkook stammers slightly, a hand coming up to rub at the nape of his neck. The movement lifts his arm up just enough for you to see the line of his waist, the seamlessness of his body. He’s always been rather fit. “You look nice.”

“Don’t sound so surprised,” you chide, stepping outside and pulling the door shut behind you. “You don’t look half bad yourself.”

“Cleaned up just for you.” He grins. 

You press a hand to your heart dramatically. “I’m touched.” You begin walking down the hallway of your small apartment building, feeling your hands brushing by your sides due to how skinny the corridor is. At least, that’s what you assume. 

“Where are we going?” You ask as Jungkook opens the door to the passenger side of his car for you. 

He winks, that same gleam in his eye. He grins something wicked. “Don’t you remember?” He asks. “It’s a secret.”

The secret turns out to be a small Italian restaurant on an off-road in the center of town, a family joint with those plaid red tablecloths and dark wooden chairs. You’d never heard of the place before tonight, but Jungkook insists that it’s delicious and says it has a four-and-a-half star rating on Yelp, which is obviously gospel when it comes to restaurants. It’s so empty that he even has room to prop up the camera a couple of tables away to get that wide-angle shot of the both of you, two souls in a tiny little restaurant, enjoying a night out on the town. You’re sure that by the time production and post-production rolls around you’ll edit out most of your dialogue, but you like the idea of keeping in snippets of the audio, overlaying the scene with a soft instrumental. 

From a director’s point of view, of course. No other reason to romanticize your night with him. 

It’s nice. Objectively, it’s definitely one of the more exciting things you’ve done in a while, even if it’s just a dinner out in town, away from campus. It’s new. Adventurous. Jungkook convinces you to try his vodka shrimp linguine and you offer up some of your truffle-flavored gnocchi, which he devours happily. One thing you do learn is that no matter how much time passes, no matter how much food is on his plate, Jungkook eats and eats and eats. He never seems to fill up. This is one of those restaurants that pile your bowls high with pasta, give you at least three servings, send you home with to-go packages that will last you for days, and he still somehow manages to eat every last bite. He even has some of your leftovers. 

Jungkook pays because he insists and says that you shouldn’t fight on camera, which you have no choice but to agree to. However, you do look him up on Venmo and send him twenty dollars to cover your half of the bill, because the idea of him paying for you doesn’t sit right with you. It was fine with the coffee, a small token of repayment after spilling it all over you, but dinner just feels like too much. Like he’s carrying most of the weight and you aren’t shouldering enough. Like he’s putting in all of the effort and you are just bandwagoning off of him. 

And partnerships aren’t supposed to be like that. Jungkook isn’t supposed to do all of the work. You aren’t supposed to do nothing. You and Jungkook may not agree on much but you both know that you are equals. That what you put in is what you get out. 

It’s a lesson you think you learned too late, but you won’t make those mistakes again. You’ll get it right this time. 

“That was nice,” Jungkook says after the dinner. You’re walking through the park just across the street now, the sun having set and the streetlamps illuminating your path. The city has strung up lights along the trees, draped them over the branches like stars, like snowflakes. It’s picturesque. 

“Yeah.” You nod. “Thanks for taking me.”

“Thanks for coming.”

“How did you discover that place?” You ask, just out of curiosity. It’s not exactly the kind of restaurant that would be front and center on Google. 

“I went out on a date in freshman year there,” Jungkook admits, lips pursed awkwardly. “Yeah.”

“Did it at least go well?” You ask, trying to be hopeful. 

“If it did, do you think I’d still be here doing this with you?” Jungkook poses, an eyebrow raised. 

You chuckle to yourself. “You don’t mean that. I’m sure you’ll find your person.”

“You actually believe in that stuff now?” Jungkook asks you, skeptical. 

“I don’t know,” you say, shrugging your shoulders. “You do. I don’t wanna ruin it for you. Your person’s out there somewhere.”

“How do you know I haven’t already found my person?”

You stop in the middle of the path, feet coming to a halt on the pavement. Jungkook looks at you and you look back at him, letting his question sink into your skin, etch itself into your thoughts. He’s asking you because he wants to know. He looks so genuine, so patient, like he’s trying to find an answer somewhere in your eyes but you can’t give him one. 

“Wouldn’t you be able to tell when you did?”

Jungkook sighs. “I don’t know if it always works like that.”

You smile, soft and small. Musing, you say, “well, when you figure it out, let me know.”

“Do you think you’ve found your person?” Jungkook asks you. 

“You know I don’t think about love like that,” you remind him. 

“Well, how do you think about it?”

You gaze up at him once more, that same soft smile playing on your lips. Who is he to be asking you these questions, you wonder to yourself. What would the point be in answering him? It’s better if you just both moved on. Especially since stuff like this has no relevance to your project. 

“I don’t really think about love at all,” you say curtly. 

“I wish you did,” admits Jungkook. 

The look in your eyes is distant. “Yeah.” You wish you did, too.

“How about we do a couple of quick shots, right here?” Jungkook suggests, pulling out the camera. “Just here, the lighting’s nice.” He jogs back a couple of feet, lining himself up with where you stand, kneeling on the pavement with the camera held up to his eye. 

“What do you want me to do?” You call to him, feeling like a fish out of water in front of the lens, thumbs twiddling. 

“Just smile,” Jungkook requests simply. “Say hi to me.”

Sounds easy enough. Under the twinkling lights of the trees, in the haze of their warm yellow glow, you wave to Jungkook, smiling happily. You aren’t exactly sure what the purpose of these shots are, but you suppose you could always use some artistic frames in your movie. Grinning, you keep your eyes trained on him, on the way you can see him smiling back at you even from behind the camera. His eyes are covered, you can’t see those, but you hope they’re smiling too. 

“Okay, my turn,” you say when a little too much time has passed, when it’s just past the point of filming for the sake of a movie and more for the sake of something else. “Get over here.”

“Me?”

“Yes, you idiot.” You scurry over to Jungkook, taking the camera from his hands and pushing in in the general direction of where you were just standing. Situating yourself, you kneel right where Jungkook was, bringing the camera to your eyes. 

Through the lens, you can see the entire width of the pathway, the grass that borders it, the lights decorating the branches of the trees, and Jungkook, front and center. He looks like he has no idea what he’s doing there, waiting awkwardly as he gazes around, eyes drifting everywhere but exactly where you need them: you. He looks good like this, looks much taller, much more romantic. Like a real movie star. Like a model. His clothes make him blend in with the darkness of the night but his eyes are still shimmering, golden flecks twinkling, even from all the way over here. 

You have to admit it. He’s beautiful.

“Smile,” you say, pressing film. 

Jungkook grins your way. 

Afterwards, you give him his camera back and continue walking, turning the corner as you reach the edge of the park, ready to circle around the perimeter.

“How about we hold hands, too?”

“Excuse you?” You say, an eyebrow raised. 

“Come on, just for a second,” Jungkook pleads. “For the artistry. I’ll film us holding hands like all those Los Angeles boys do in YouTube vlogs.”

You look at him suspiciously. Is he sure it’s just for the artistry? “What a great example.”

“Please? Promise I always put hand cream on,” Jungkook asks, bottom lip turned outwards. 

It’s getting harder and harder to say no to him. 

“Fine,” you cave rather easily this time around. “Just for a minute.”

“Excellent.”

Jungkook lifts the camera up to his eye with his right hand as he holds out his left, palm facing the sky as he waits for you to rest your own in his. You narrow your eyes to the camera before your gaze drifts downwards to his open hand, almost like you’re afraid it’s going to jump out and bite at you if you get any closer. But it won’t, because it’s a hand. And it won’t, because it’s just Jungkook. 

The first thing you realize when your fingers intertwine with his is how big his hands are. They are massive. His left one dwarfs your own, wrapping around it securely, enveloping it like a king-sized comforter. The second thing you realize is how soft they are (he must not have been lying about the hand cream). The third thing you realize is the way they send sparks up and down your body, send tingles through your skin, shocks through your veins. You seize up a little bit at the feeling before your body finds it in itself to relax, letting the sensation wash over you like a wave from the ocean. 

It’s new. 

It’s strange. 

You haven’t felt that way in a long time. Felt those sparks, those jolts of energy. Like lightning has struck. 

Jungkook moves so that your hands are held out in front of you, making sure to adjust the lens just so he can get the exact right angle, but all you can focus on is the way your fingers interlock, the way your hand settles into his. 

You wonder what that means. 

The moment Jungkook lowers the camera you pull your hand away, overwhelmed and scared and shocked all at once. Like you’re afraid that if you reach out to him again, your whole body will freeze in place, shake like the wind. 

Jungkook looks at you, concern lacing his features. “You alright?” He asks, genuine and worried. 

You shake your head, willing those thoughts away. “I’m fine, I’m fine. You get the shot?”

“Yeah, I did,” Jungkook says. 

“And how do they look?” You ask because you can’t help yourself. Because you just have to know. 

Jungkook pauses, not sure how to respond. He chews on his lips like he’s running through all the possible answers, trying to figure out which one is right. You almost think he’s not going to reply at all, but then he smiles, and he says this: 

“Magical.”

It feels weird for you to be arriving at Kim Taehyung’s door without Jungkook by your side. Doesn’t sit right in your stomach. 

Of course, Taehyung is as hospitable as always, welcoming you inside with his signature warm grin as he sets up the bar stools by the bedsheet, which you assume he will just not take down until your project’s over. Hopefully he’s getting use out of it otherwise, shooting nudes or whatever it is he said he would do. 

“Thanks for having me,” you say, resting your backpack against the foot of his couch as you set up the tripod, arranging it in just the right spot. It’s not Jungkook’s fancy camera that you’ve got with you, just your own from a couple years ago, but it’ll get the job done. You couldn’t ask Jungkook to borrow his, anyway. You’d pass away before he found out you did this. 

“We might not use this footage,” you warn in advance. “I just figured it’s safer to film everything just in case.”

“Why wouldn’t you use it?” Taehyung asks, genuinely curious. 

“Because I don’t know if this conversation will really have a point,” you say nervously, fingers fidgeting with the settings until everything’s just right. 

“I’m sure it’ll be important,” Taehyung assures you. You’re not so confident. “Ready to get started?”

“Yes, everything’s all set up,” you say, concentrating on your breathing as you make your way to the stool. Inhale, exhale. Inhale, exhale. Why are you so worried?

“So, Y/N, how are you feeling right now?” Taehyung begins. 

You sigh. “Confused.”

“And why is that?”

“I… I don’t really know what direction I’m going in anymore for this project,” you say, letting yourself be candid and honest because it’s just Taehyung, and because you may not even use this footage, and because Jungkook’s not here. He doesn’t know you’ve asked Taehyung to do this for you. He doesn’t need to. 

“And is this because of Jungkook?”

“Yes.” Another easy answer. 

“How are you feeling about him?”

“I’m…” you don’t know where to begin. “I’m not sure. I just know that something’s changed.”

“Your feelings have changed?” Taehyung isn’t reacting, just asking questions in response to your answers and pretending that everything is normal, that this is just another interview. 

“I guess they have,” you admit. Even just saying that feels like a weight off your chest. A small one, five pounds out of a thousand. But it’s a difference. “I… don’t really know how I feel about him anymore.”

“In a good or bad way?”

Taehyung told you he would ask tough questions, but you don’t know if you can answer these anymore. 

“I don’t know,” you say, feeling yourself growing desperate with impatience. “I don’t feel the same things about him that I used to. He’s different to me now.”

“Do you think he’s changed?”

“Something has.”

“Have you considered the possibility that maybe you’ve changed, too?”

You frown, caught off-guard by his question. No, you haven’t. You haven’t thought about that at all. Why would you? Your stance is the same. Your opinions on love haven’t changed. And neither have your convictions about this project, about the way it will end. 

“No,” you say, nose scrunched up. 

“Well, I’m no expert, but I think there might be something between the two of you that wasn’t there before,” Taehyung says, nodding. “I think that the ways the two of you have changed have brought you together.”

“I don’t know about that…” You trail off. You can feel yourself growing hesitant again, pulling back from saying too much because you’ve never been a very good speaker. Because you’ve always preferred being behind the camera to being in front of it. 

“Don’t you think you should tell him how you feel?”

You scoff. At least that’s got an easy answer. A no-brainer. “No,” you say matter-of-factly, obvious because it is, stern because telling him was never an option anyway. Why else does Taehyung think you’re here without him? “Jungkook said he would get me to fall in love with him and I told him I would never. How could I ever let him think he was actually winning?”

Taehyung sighs.

You haven’t seen Jungkook since your class on Wednesday. Granted, it’s only Saturday, but it feels like it’s been a weirdly long time. Like you’re so used to him barging into your life on the daily that there’s something off about even going three days without seeing him. Maybe it’s just because you’re nearing the beginning of April and your project is finally picking up steam. Between the two of you, you almost definitely have more than two hour’s worth of footage, but the hard part will be paring it down and turning it into a forty-five minute documentary. No doubt you and Jungkook will be spending a lot of time together the week before it’s due. 

Just out of curiosity, you text him. Because you have no idea what he’s been getting up to. 

[March 28th, 1:05PM]

You: Hey, do you think we need to get together sometime this weekend?

Jungkook: i don’t think i can Jungkook: it’s my dance group’s show this weekend

You: Really? You: You didn’t tell me

Jungkook: been too busy

You: What time is your show tonight?

Jungkook: 7pm

You: Sounds good, I’ll be there

Jungkook: oh Jungkook: you don’t have to

You: I want to You: I’ll see you there!

That night, you drop by the grocery store beforehand to pick up a bouquet of flowers. You haven’t been a performing arts show for years now, especially not one where you actually know the people performing, but flowers are customary. Or so you’ve heard. 

You don’t know a single soul who has plans on seeing Jungkook’s dance group either, but the theater is a ten-minute walk away from campus and you’re happy to make the trek alone, especially because you know you’ll find someone you know soon enough. Sometimes it’s nice to walk by yourself, letting the streetlamps above your head illuminate your path, a faceless figure passing by others. It brings peace. And it gives you time to sift through your thoughts, organize them into neat little piles and brush away all of the dust. 

Admittedly, you are not much of a connoisseur of the performing arts. You aren’t even much of a consumer. In another universe, under different circumstances, you wouldn’t blink twice if you heard that one of the dance groups on campus was having their show. But this is not another universe, and these are not different circumstances. 

Jungkook will be there. He is taking something he’s worked tirelessly on and presenting it to the world. Now that you think about it, it’s actually a lot like film. And if Jungkook has devoted so much time, put so much energy into this performance, what kind of person would you be if you didn’t go and watch his creation?

You pick a seat in the far back corner, the venue so cozy that even despite being the furthest away you’ve still got an excellent view, sit down, and wait for it to begin. 

[March 28th, 6:58PM]

Jungkook: hey are you here?

You: I guess you’ll just have to wait and see, won’t you?

Jungkook: always such a tease

You roll your eyes at that, turning your phone off and stowing it away in your pocket. Two minutes later, the lights dim. 

The moment Jungkook steps out onto the stage, you recognize him instantly. He’s wearing all black again, but it’s not the same skinny jeans and leather jacket he had on when he took you out to dinner. It’s a loose long-sleeved shirt and sweatpants that hang low on his hips, highlighting the blondeness of his hair, the red in his lips. He’s one of at least a dozen people on stage but he’s the only one you focus on, the only one who your eyes follow. Booming throughout the theater is a Drake song, the beat thick and low, but it’s background noise when compared to the way he moves, the way he twists and turns his body on stage, angles sharp and crisp. 

The whole song goes by so quickly that by the time you find it in yourself to blink the stage is already darkening as they move onto the next song, switching out the performers and changing the spotlight colors to a sultry red. Jungkook disappears for this one, vanishing behind the curtains and forcing you to pay attention to the performance as a whole instead of just him. But you have to hand it to his group: they’re excellent. You’ve been missing out. 

Jungkook returns with the next song, having had just enough time to change into an all-white ensemble. He’s easy to spot even with that ridiculous bucket hat on, blonde hair bouncing with every step he takes, every jerk of his body. You can see it all the way from where you sit, see the way he loses himself in the music, lets the rhythm radiate through his blood, lets his heart match the beat that booms through the speakers. This, all of it, the music, the dancing, the energy—it’s all his. It belongs to him. Jungkook may love film but he is passionate about this. It is something that must bring him all the joy in the world. 

The next hour and a half goes by quickly, the songs jumping from one to another to another, Jungkook dashing on and off stage, each time returning in a different getup than the one prior. Makes you wonder just how many clothes he has. But before you know it the final song is playing and every one, every single member is on stage, jumping and cheering and celebrating a job well done. And they should, because they deserve to. 

When the lights in the theater come on, nobody leaves. Instead, everyone rushes towards the stage to say hello to everybody, congratulate them on their performance and take pictures with their friends. That’s why everyone else is here, isn’t it? Because the people they care about performed tonight. 

Isn’t that why you’re here, too?

Jungkook has plenty of other friends already wrapping their arms around him, giving him high-fives and pats on the back, but you’ve got a bouquet of assorted flowers in your hands and you have no plans on bringing them home. So you squeeze your way through the crowd, push yourself in between bodies, and you shout, 

“Jungkook!”

Jungkook looks up instantly at the call of his name, the round shape of his lips curving upwards into a smile when he sees you. 

“Hey, you made it!” He exclaims happily. He’s so pumped on the adrenaline that he pulls you into a hug without either of you even realizing it, wrapping his arms around your torso and squeezing you tight for a few moments before the two of you remember just exactly who you both are. Quickly, you pull away, chuckling awkwardly. Jungkook scratches at the back of his head. “Thanks for, uh—thanks for coming.”

“Of course,” you say happily. “You were amazing.”

“What can I say, I’m a man of many talents,” Jungkook schmoozes, annoying as always. 

You scoff slightly. “Don’t get ahead of yourself. Here, I brought this for you. It’s traditional, right?” You hold out the bouquet in front of you, pink plastic wrapping crunched up from where your fingers gripped the stems. 

“Wow, thank you,” Jungkook says, in awe as he takes the flowers from you, pressing his face into the petals instinctively. “No one’s ever gotten me flowers before.”

“Really?” You say, genuinely surprised at his admission. He’s never been given flowers before? Not even for a performance? You didn’t know that, either. “Then I’m glad to be the first.”

“You know you didn’t have to do that,” Jungkook says, though he looks grateful nonetheless. 

You shrug, acting casual. “Aren’t we supposed to be falling in love, or something?”

He grins. 

“Did you guys film this? Maybe we could incorporate it into the movie,” you suggest, thinking it might be interesting to add in glimpses into your normal lives, into the things you do when you aren’t trying to one-up each other. 

Jungkook shakes his head. “We did, but I don’t think we need to add it in.”

“Why not?” It seems like a perfect addition. 

Jungkook pulls out a single flower from the bouquet, a pale yellow daisy, and hands it to you. You smile your thanks, twirling the stem in between your fingers. 

“I don’t know,” he says, looking oddly soft, cheeks turning cherry red. He looks at you and it makes your heart flutter, quickens the drum of your chest. “I just think I’d like to keep this moment to ourselves.”

You suppose he’s got a point. You don’t think you’ll forget this night, either. 

The bouquet you gave him sits on Jeon Jungkook’s bedroom windowsill, bathing in the afternoon sun. Taehyung gave him some plant food the morning after you came to his performance, a little bottle that he can spritz into the water whenever the flowers look a little droopy. Jungkook adds some every day, determined to keep them alive for as long as possible. He also makes sure he’s got a rather heavy book or two, something he can use to press one of them when they’ve all shriveled up. 

It was really nice of you to come to his show, he thinks to himself. Jungkook can’t remember the last time someone outside of his group of close friends went to see him perform, not any of his past dates or even that one girl he was seeing semi-seriously for a couple months last year until she told him she wasn’t interested in him anymore. You’re the first one who’s made the effort, who’s told him that you would come and kept that promise. The flowers are just a happy reminder. 

As a celebration for completing their last show, Jungkook and some of the other juniors in his dance crew decide to go out the following weekend, determined to waste away their Saturday nights at a bar just off of campus where they can take as many shots of as many different types of alcohols as they want. The place even has soju, which makes Jungkook’s heart happy. 

Despite the temptation to drink until his brain is empty, however, Jungkook holds off. He’s got a lot of work tomorrow, most of it consisting of editing the footage you have for the project, and doesn’t really feel like staring at a computer for eight hours straight with a headache. So he limits himself. For the most part. 

“Who was that girl that came to the show?” One of his friends, Andrew, asks as he downs another shot of what is undoubtedly vodka, if the smell is anything to go by. “With the flowers?”

“Is she your girlfriend?” Jesse pipes up, red in the face from the alcohol in his system. He’s always been one to turn into a tomato after drinking. 

Jungkook chuckles awkwardly, shaking his head when the bartender offers him another shot glass full of soju. “No,” he says, forcing a laugh. “Just a friend.”

“I don’t know, you guys looked pretty close to me,” Andrew points out, like it wasn’t already obvious enough that Jungkook is head over heels for you. 

“She and I are working on a film project together,” Jungkook explains, though that does absolutely nothing to convince his friends of your completely platonic relationship. 

“Sounds fun,” Jesse says, swallowing another shot and wincing. “It was nice of her to bring you flowers. My girlfriend didn’t do that.”

“Shut up, your girlfriend is studying abroad in Paris right now,” Andrew says, giving Jesse a good-natured shove. “I’m gonna tell her you said that.”

“What, please don’t—”

“She’s not my girlfriend, guys,” Jungkook repeats himself, feeling his cheeks heat up the longer the conversation drags on. He chalks it up to the soju in his system and the fact that it feels like a sauna in here. “Seriously, we’re just friends. People can be friends and bring each other flowers.”

Jesse pumps his fist in the air. “Yeah!” He rounds on Andrew. “Where are my flowers, hey Andrew?”

The two of them start bickering as Jungkook laughs, shaking his head fondly. At least he’s not drunk, so he can remember nights like these, ones where he’s drinking with his stupid idiot friends, celebrating a show well done. 

Jungkook stays at the bar until eleven that night before he makes the executive decision to go home and sleep, because as much as he would like to party until three in the morning, he’s got a pile of work that’s telling him to be a real adult. So he bids his friends goodbye and begins to make the trek back to his apartment, passing by the row of frat houses on his way. 

Even though he’s out on the sidewalk, Jungkook can feel the ground rumble from the music, every frat on the block joining together to make some booming, bass monster. From here he can see the flashing blue and purple lights in the windows, see the brothers standing on the steps of each house and turning away whoever they deem unfit to enter. 

In a weird way, it makes Jungkook nostalgic. Reminiscent of when he was a freshman, when he would group up with all of the people in his hall and parade around the frat row on Saturday nights like they owned the place, getting drunk on shitty tequila and jumping until they sweat out their body fluids. He remembers those nights in flashes, bits and pieces that make up his memory of freshman year as a whole. Remembers kissing other girls, other girls kissing him. Remembers the way he would lock lips with them for a second and then forget about it by the next day. 

Jungkook wonders why he ever thought he would meet his soulmate at a frat party. 

He’s just passing the last frat house now, nodding to the guy on the step when they accidentally meet eyes, when he hears you call his name. 

“Jungkook!”

He whips around to see you on the other side of the road, waving at him excitedly while your friends all laugh, sending smiles Jungkook’s way. 

Jungkook isn’t exactly sure what the protocol is for a scenario like this, so he does what he thinks is right and waves back. 

“Come over here!” You shout at him, loosely gesturing for him to join your group. Jungkook is hesitant, not sure if that’s necessarily the best course of action because even from here he can tell that you’re drunk, leaning over to one side and giggling at nothing. But even if he isn’t sure what will happen he can’t help but fall into the way you’re beaming at him, waving excitedly because you saw him on the street and you wanted to say hello.

He’s never been able to resist you. 

“Hey, what are you doing out here?” He says as he jogs over, greeting the rest of your friends with a patient smile. 

“Went out with my friends,” you say. Jungkook can smell the alcohol on your lips. “And then I saw you, which made me happy!”

You stumble over nothing, shoes skipping as they drag along the pavement, and before any of your friends can react Jungkook is reaching his arms out, catching you before you fall flat on your face. Your hands press against his torso as he lifts you back to your feet, and all Jungkook can do is pray that you can’t hear the way his heart races, beat drumming in his ears. You giggle in his hold, disoriented but not at all uneasy, looking up at him as your eyes sparkle in the glow of the streetlamps. 

“Thanks,” you manage to cough out. 

“Sure,” Jungkook says, breathless. He stands you up and tries to let you go, but you keep your hands tight around his wrists. “I think we need to get you home.”

“Can you come with me?” You ask innocently, eyes wide. 

“Y/N…” One of your friends says, voice hesitant. She places a hand on your shoulder, looking concerned. Jungkook doesn’t take any offense to it, he doesn’t know your friends well and imagines that they would much prefer being the ones to drop you back at your place. 

You shrug her off. “No, it’s okay, Ruby,” you assure your friend, hand inching down Jungkook’s wrist until it rests firmly within his palm. “I’ll go with him.”

Ruby eyes Jungkook suspiciously and her gaze is so intense that it actually makes him doubt his ability to walk you home for a moment. But you seem intent on walking with him, and the sooner you go home the better, so Ruby relents and lifts her hand from your shoulder. “Alright, if you want to.” She keeps her eyes trained on Jungkook. “Text me when you’re back.”

“I will, I will,” you say, brushing her off and waving her away. “Let’s go, Jungkook. I’m sleepy.”

“Okay, come on,” he says. You smile happily at your friends as you say goodbye, cheerful and drunk and tired, all at once, and you begin to walk towards your apartment. 

“I’m glad you’re here,” you tell him, positively filter-less. 

“I’m glad I’m here, too,” Jungkook assures you. “What did you have to drink tonight?”

“Not sure,” you admit happily. “Just a lot.”

“I can tell.” Jungkook nods. “Were you at a frat party?”

“Several,” you correct him. “They weren’t that fun but at least the drinks were free.”

“Why were you at a frat party if you don’t like them?” Jungkook asks you, nose scrunched up. You certainly aren’t the kind of person to hide your distaste for things. That is something that Jungkook is intimately familiar with. 

You shrug. “It’s the cheapest place to get drunk.”

“Why did you want to get drunk?” This is seeming more and more out-of-character for you. Going to a place you despise, taking shots until you can’t walk straight, meandering around campus with Jungkook. All of these are things Jungkook could never in a million years picture you doing out of free will. 

Well, all of them except maybe the last one. You did come to his dance show, after all. 

You sigh. It’s thick and heavy and Jungkook has a feeling you won’t want to divulge any more. “I just wanted to forget.”

But the curiosity is eating at him. 

“Forget what?”

Your grip on his hand tightens. Jungkook fully expects you to dodge the question like you’ve dodged all of the ones prior, say something else to change the topic so you can sweep this discussion under the rug like all of the other ones you’ve had. But you don’t. 

Instead, you say, “You wanna know why I don’t love love the way you do?”

“You don’t have to tell me,” Jungkook quickly assures you. 

“I had better options than this place,” you say, voice hollow and empty. “There were better universities that accepted me. Ones with higher-ranked film programs and bigger scholarships. I could have gone to any one of them and been just as happy. Maybe more.”

“But you didn’t,” Jungkook clarifies. 

“My ex-boyfriend goes to school ten minutes away from here,” you say, words that are most certainly news to Jungkook. You had a boyfriend? “He and I dated all throughout high school. I thought I was gonna marry him.”

The words sound so sad. It sounds like they don’t even belong to you. Like you’re recalling the memories of a different person, someone you’ve killed and buried, someone you were certain you would never have to face again. Yourself. Your past self. 

“And then he broke up with me at the beginning of last year and it was too late to transfer out.” Your words are slurred and garbled, like all you want is to get over with saying them in the first place. It’s not a dramatic revelation. It’s not something you’re crying about, sobbing into Jungkook’s chest as you remember, miserable, a time where you were once happy. You just sound lifeless. 

Jungkook blinks at you expectantly, waiting for you to continue. It doesn’t feel right for him to speak up. Not when you’ve just revealed to him something so personal, so drunk that you probably won’t even remember saying anything when you wake up tomorrow morning. 

What is he supposed to do with this knowledge? What is he supposed to say? To do? It’s not like Jungkook can change your past. It’s not even as if he can change the near future. Your project is almost finished—the semester is almost over. And then you will return to the time where you never even knew each other. 

“You can say something,” you tell him.

“What do you want me to say?” Jungkook says. 

“Something to make me feel better, because now I’m sad,” you request simply. “Seeing you made me happy.”

“Maybe I should just keep my mouth shut and smile, then,” he muses to himself. 

“No, please keep talking,” you plead, leaning into his body with your bottom lip puffed out, eyes big and round and desperate. “Listening to you gets me to stop thinking about this stuff.”

Hearing that, Jungkook says the first thing that comes to mind. And that is, “You don’t have to think about that stuff anymore at all.”

“Hmm?” You murmur into his chest. Jungkook sees your apartment building up ahead. Just another block or so. 

“Well, that was your old love story,” he begins tentatively. Jungkook’s almost fully sober by now but he feels like he won’t ever get another opportunity to say this, and maybe whatever soju is left in his system is enough to get him through this conversation. Enough for him to muster up the confidence to tell you what he’s been wanting to tell you for a while now. 

Even if you forget it by tomorrow. He knows this is his only chance. 

“And it didn’t have a happy ending, but that’s okay. Because ours will.” 

You’re just coming up to your apartment complex, the rusted gold doors of the entrance sticking out against the beige of the building and the sidewalk, shimmering in the light of the streetlamps. You pause right outside, taking cover underneath the red awning above your heads. Looking up at him, you blink expectantly. 

“How do I know you mean that?” You ask. 

He almost does it. 

Jungkook doesn’t really know what washes over him in that moment, what takes his heart and mind prisoner for a split second, grip tight and unforgiving. But he’s staring straight into your watery eyes, glossy and glimmery and glowing, lost in the way you press your lips together, the way you gaze up at him and wait for him to tell you what he’s always wanted to say, and he almost does it. His hands press at your sides, holding you close, like he’s afraid that if he lets you go you’ll vanish without another trace and this night will all have been for naught. 

But he doesn’t. 

He doesn’t for a lot of reasons. You’re drunk. When you wake up tomorrow, you will not remember this conversation. But Jungkook will. And if he does it, if he kisses you, if he presses his lips to yours it will be burned into his thoughts, carved into his heart, and you will be none the wiser. Jungkook can’t do that to himself. And he can’t do that to you, either. He will never take advantage of your company. He never has.

“Because,” Jungkook says instead, having hesitated for far too long. “I promise you.”

It’s good enough for him. 

He tucks you into bed at 12:17AM that night, feet padding along your hardwood floor so he doesn’t wake up your neighbors, guiding you to your bedroom and reminding you to text Ruby that you made it home safely. Jungkook’s never gotten a very good look at your place, and even now it’s hard to make out most things without the main ceiling lights on, but he doesn’t really want to snoop. Even though you invited him in, he still feels like he’s intruding. You’ve always been so private. There were a lot of things said tonight that Jungkook is going to have to reckon with. 

Once you’re curled up beneath your sheets, eyes drooping, Jungkooks turns off the light on your nightstand and nearly, just about nearly, presses his lips to your forehead. He manages to avoid doing that, too. 

Instead, he pulls up your duvet and heads towards the main room, making a beeline for your front door. But before he can leave the room, he hears you mumble out his name. 

“Jungkook?” You call, voice groggy. 

“Yeah?” He looks back at you from where he stands in your door frame, one hand on the knob, ready to pull it closed. 

You smile, eyes fluttering. “Thank you,” you say. 

Jungkook grins. 

The next morning you wake up with a pounding headache and three missed calls from Ruby, which undoubtedly means that something positively terrible happened last night. Unfortunately, you have no idea what happened at all last night, good or terrible, so whatever Ruby has to say will be news to you. 

Rubbing your eyes as you wrack your brain in the hopes of figuring out how you even ended up back at your apartment (when you swear you told Ruby you would stay at hers), you press on Ruby’s contact and call her. 

“Y/N? Hello? Are you there?” Ruby answers on the first ring. 

“I’m here,” you mumble out, words jumped and barely intelligible. You wince as your eyes adjust to the harsh blue light of your phone screen, squinting as you look at the time. 

Shit, it’s 11:43AM and you’re meeting Jungkook for coffee at noon. 

“Good, I called you three times last night after you texted,” Ruby wastes no time diving into her interrogation. 

“Why?” You ask, scrambling out of bed with your phone pressed between your shoulder and your ear. Your head throbs so you quickly take some Ibuprofen, splash your face with water, and start looking for something clean you can put on. 

“Because texting me ‘home’ is not enough!” Ruby exclaims. “Jungkook walked you home last night, I wanted to make sure you were tucked in bed and feeling alright.”

You frown. You don’t remember that. Granted, you don’t remember a lot of things, but you can’t recall Jungkook walking you back. You saw him last night? You didn’t even know. Scratching your head, a part of you vaguely pictures him standing in your apartment in the dark, resting against the door frame to your bedroom in the warm yellow light of the lamp on your nightstand. Can just barely see him tucking you into bed, placing the sheets over your figure and making you text Ruby that you’re home. You thought you were just imagining it at the time, but it must have happened anyway. 

“Jungkook walked me home?”

“Yeah, you insisted,” Ruby says. “You probably don’t remember, though.”

“No,” you say dumbly. 

“Well, I appreciate you texting me that you were home but I would have preferred something more explanatory,” scolds Ruby. “I thought maybe Jungkook was gonna do something.”

“Oh my goodness, no,” you immediately interject, pulling on your shoes and stuffing your laptop into your backpack. Just the thought of Jungkook doing something like that sends your stomach for a whirl. “He would never do that. I trust him.”

“I mean, I see that now,” Ruby points out. “I just wanted to make sure you were okay.”

“I’m fine,” you promise. “Everything’s good.”

“Alright, if you say so,” Ruby says, still sounding a bit like an overprotective mother. You love her, though. You know she just wants the best for you. “Take it easy today, okay? You had a lot to drink last night.”

“I will,” you assure her. “I’m just on my way to meet up with Jungkook now. Getting coffee.”

“Make sure to eat, too,” Ruby reminds you. “And tell Jungkook that I said thanks for walking you home.”

“Anything else, Mom?”

You can practically see Ruby frowning on the other end. “Oh, shut up. I’ll see you, okay?”

She bids you goodbye just as you’re dashing out the door, your usual stride quickening so you make it to the cafe in time, not wanting to keep Jungkook waiting. You make it there in a record five minutes, pulling open the door frantically just as the clock strikes noon. 

Jungkook’s already there, of course, sitting by a little round table in the corner of the room with two americanos on the table. He waves when he sees you standing by the entrance, and the mere sight of him makes you smile, shoulders relaxing. 

“Hey,” you greet, a little out of breath as you settle into the chair across from him. 

“Hey,” Jungkook says back. “How are you feeling?”

“My head is killing me, but other than that I’m alright,” you admit, taking a sip of the drink. It’s piping hot but just the right amount of scalding, warming your insides after a night of filling them with pure poison. 

“Good.” He grins. “It’s nice to see your face.”

“Oh, yeah, speaking of which,” you say while still on the topic, “did you walk me home last night? I can’t remember.”

Jungkook nods. “Yeah, I bumped into you and your friends while I was on my way back from a bar.”

You wince. The fact that you don’t even remember that happening tells you enough. “I was super drunk, wasn’t I?”

Jungkook, nice as always, says, “I’ve seen worse.” It only makes you feel the slightest bit better. 

“Hope I didn’t say anything embarrassing,” you say, knowing you have a tendency to lose your filter almost entirely when you get wasted, letting any sort of mental reasoning fly out the door the moment you down another shot. And the thought of having told Jungkook something deeply humiliating or personal, or even him witnessing something stupid, makes you feel weirdly exposed. 

Jungkook freezes for a split second, almost like he’s buffering, like he’s about to say something but it’s just taking him an extra step to get the words out of his mouth. Then he takes a quick sip of his americano and shakes his head. “No, you didn’t. You were just very drunk. And clingy.”

“I’m so sorry you had to deal with that,” you apologize. You can’t imagine the hell you must have put Jungkook through last night. 

Jungkook laughs. “It’s okay. I’m glad we got you home safe.”

“Me, too.” You nod. You send a grateful smile his way. “Thanks for walking me, by the way. I really appreciate it. Ruby says thanks, too.”

“Anytime,” Jungkook says. It doesn’t sound like something that people say just to say it. The way that people say ‘anytime’ just so they can be friendly and amicable. He says it and he means it, says it genuinely and honestly, like it’s a real promise that he’s making. That he would be happy to walk you home again. No matter the hour. No matter how drunk you are. No matter what he’s doing. 

And that means a lot to you. 

“We should probably wrap up filming soon, huh?” You say, getting onto the topic at hand. Of course, the project is the whole reason you’re even talking to each other in the first place. “It’s due in three weeks.”

“Yeah, I was thinking of another outing? And maybe one more thing with Taehyung?” Jungkook suggests. 

You narrow your eyes suspiciously. “‘Another outing’, Jungkook? What exactly do you have in mind?”

He grins. 

This time, Jungkook is the one with the flowers. 

When you open your front door they’re the first thing you see, an enormous bouquet of an assortment of spring flowers in a variety of colors—pinks and purples and oranges and yellows—gripped neatly in Jungkook’s hand. They stick out against his otherwise rather formal attire, a simple black dress shirt and jeans, nice shoes that compliment his figure. Black truly is the world’s most slimming color, and Jungkook is no exception. He looks good. 

“For you, m’lady,” Jungkook says dramatically as he holds out the bouquet in front of him.

“How thoughtful of you,” you muse to yourself, grinning. You take the flowers and press your whole face into them, breathing in the fresh scent. “The one I gave you wasn’t nearly this big.”

“Go big or go home,” Jungkook teases. “You look nice, by the way.”

“You always sound so surprised when you say that,” you comment snidely, shaking your head as you grab your bag from the shelf next to your door. “What are we doing tonight, Jeon? Gonna keep it a secret from me like last time?”

“That depends,” Jungkook says knowingly. “Do you like secrets?”

“You should know what I like by now,” you remark. 

“Then prepare to be wowed.” He grins, taking your hand in his as he pulls you out the door. 

The restaurant you go to this time does not require a ten minute drive to the center of town. Instead, it’s a five minute walk from campus and actually happens to be a place you’ve been to before. It’s a busy little thing on a Friday night, waiters bustling about with trays in their hands, people laughing and smiling under the dim light of the chandeliers. You’ve only been here once, long ago, for a club dinner paid for by the finance chair, and for good reason. It’s not the kind of place cheap college students looking to get the most food for the least amount of money go to. 

“Isn’t this a bit out of budget for our rom-com?” You ask as the host seats you at your table, a little booth in the middle of the restaurant, lanterns resting on the corners of the seats. 

“I thought this was a mockumentary,” Jungkook jokes. 

“Yeah, yeah,” you say, resisting the smile that fights its way across your face. Trust you to make that sort of blunder in front of him. “I mean it, though. This place is expensive.”

“It’s manageable,” Jungkook promises. “I’ve been saving up. Plus, I thought you deserved a nice night out.”

“How generous of you.”

“Oh, come on, I know you’re excited,” he narrows his eyes at you. “You don’t have to act like a stone-cold robot anymore.”

“Well…” you suppose enough is enough. Jungkook can see right through you anyway, so there’s no point in keeping up this indifferent facade of yours. “Only because you’re treating me so nicely.”

“Just please don’t order the steak,” he requests simply. 

You laugh. “No problem. Maybe we could just share a couple of appetizers?”

Jungkook likes the sound of that. 

Luckily, this is not one of those restaurants where the appetizers cost an arm and a leg and are the size of your pinky finger. You and Jungkook split three different ones, happy to scoop out portions for each of you and indulge in them together. 

Dinner dates—of which this is only sort of one—are always awkward because you spend half of the time shoving food into your mouth, but you and Jungkook don’t seem to mind the silence at all. Only, Jungkook does look sort of like he’s holding back.

“Is this enough food for you?” You ask him halfway through, distantly remembering how he absolutely devoured a whole plate of pasta last time and still having enough room in his stomach to finish yours. 

“What do you mean?” Jungkook asks over a mouthful of vegetables. 

“You ate so much at the Italian place, I just want to make sure you aren’t still hungry,” you point out. 

“Oh.” Jungkook pauses, swallowing down the bite in his mouth. “No, I’m okay. Thanks for thinking of me, though.”

“Yeah, of course,” you say. You hesitate for a moment, not sure if you should say anything else. But what the hell, right? It’s Jungkook. It’s Jungkook and he walked you home when you were drunk, he gave you flowers, he let you borrow his jacket. And you feel as though you must return the favor. “Anytime.”

He smiles. 

Despite the pure ecstasy you both experience when eating delicious food, Jungkook makes sure not to waste this time and grabs a few frames of you eating with his camera. He always seems to have that with him whenever he’s with you, hanging around his neck or stuffed into his backpack or crammed into his pants pocket. Sort of makes you wonder just how much footage the two of you have of each other. 

He insists on paying but you send him some money anyway, just because letting him shoulder the burden of a place as expensive (for college students, at least) as this just doesn’t sit right with you. Whenever he receives the Venmo notification on his phone, Jungkook frowns and says that he’ll send that money back to you, but he never does and you can tell that he really does appreciate it. 

You don’t think you have any plans on stopping that for a while. 

The only downside of going to this restaurant is that there is no gorgeous, light-strung park in the vicinity the two of you can wander around. Just your campus, which you have no doubt walked a thousand times over, and the streets surrounding it, which you have memorized like the back of your hand. 

It almost makes you think that Jungkook is just going to drop you back off at your place and the night will end there, but you know better than to expect something like that from Jungkook. Instead, as you’re walking, you point out the cafe that you and Ruby always go to, see that it’s closing in half-an-hour, and Jungkook decides then and there that it’s your next destination. 

“You’ve never been here before?” You ask when you walk inside, eyes immediately drifting to the display of pastries beside the register. 

“I’m not normally on this side of campus,” Jungkook admits. “You’re the only reason I’m ever here.”

“Then hopefully after finding this place, you’ll have two reasons,” you say cheerfully. The baristas behind the counter know you on a first-name basis, are happy to help you out even though they’ve no doubt been working long hours and are ready to close up shop and go home. 

You split a tiramisu and sit at that same corner table you and Ruby always pick, empty now that it’s so late at night. Other than the employees, you and Jungkook are the only ones in here, a far cry from the hustle and bustle of the restaurant, filled to the brim with people, the smell of cooked food wafting through the air. 

 The tiramisu isn't as fresh as it would be bright and early in the morning, but you suppose that that just means you and Jungkook will have to come back. Besides, Jungkook obviously does not seem to mind, scarfing it down ruthlessly. You’re in and out just as they close up shop, the employees bidding you goodbye like old friends, sending you on your way. There’s not really much else either of you have planned for tonight, and Jungkook isn’t coming up with any new ideas as he checks his phone. Instead, you just begin to head back to your apartment, all wrapped up in each other. You place your hand in his own and feel yourself relax when he squeezes, a silent little reminder that he’s still here, and that so are you.

Funnily enough, holding hands feels natural to you at this point. 

“Tonight was fun,” you comment, breaking the quiet.

“Yeah, glad we could do this,” Jungkook agrees. “Makes me kind of sad to know that this thing is almost over.”

“What, the project?”

Jungkook shrugs. “Yeah. And the class. And the semester. It’s kind of scary. We’ll be seniors next year.”

You chuckle. “Ugh, don’t remind me. I still have no idea what I’m going to do after we graduate.”

“You don’t have to know everything,” Jungkook reassures you. “As long as you’re happy with what you have now.”

“Are you?” You inquire, looking up to meet his eyes. 

Jungkook beams down at you. “I am.”

The walk from the cafe to your apartment is short, just under five minutes, but it feels like it takes you an hour, footsteps slow and languid, like neither of you want the night to end. You hit every red light, round every corner, drawing out the evening for as long as you can. Unfortunately, there is only so much you can do on a five-minute walk, and before you know it, you’re home.

“This is me,” you say, stopping outside the gold doors of your apartment complex. “Thanks again for tonight.”

“Anytime,” Jungkook says, a common thread in your conversations. 

“Really?” You ask, skeptical. “Our project’s almost over.”

“That doesn’t mean we have to stop doing this,” Jungkook says. 

You narrow your eyes. “What are you implying, huh, Jungkook?”

“This.”

Before you know it, he’s wrapping one hand around your waist and pulling you in close to him, your palms splayed out against his broad, toned chest, pressing his lips to yours. You gasp a little into the feeling, somewhat shocked he would dare be so bold even after all this time, but find yourself sinking into the touch. He tastes like coffee and cream, like peppermint from his chapstick, like the wine you shared tonight. You cave into the way he holds you, hands wrapped around your body, palms pressed firmly against your figure. He holds you like he’s afraid to let go, like he’s trying to remind himself that you’re real and here and that you are kissing him back, like he’ll forget once the moment ends. 

But he need not worry about that. 

When you part, you don’t even bother wiping off the stupid smile on your face, kiss-drunk and filled with glee. It’s been a long time since you felt this way. And Jungkook makes you feel things you don’t even think you can explain. 

“How bold of you,” you comment, noses touching, barely an inch away from each other. 

“I figured I’d shoot my shot,” Jungkook says. He shrugs, pretending to be casual, but you can see the way he’s grinning, beaming, down at you. 

“You scored,” you remind him.

“How observant of you,” teases Jungkook in return. You pout a little at his playful mockery, heart fond. “Think we can do it again?”

“Hmm, I would tone down the ego first,” you say, already leaning back in to press your lips against his. 

“Never.” He smiles wickedly. 

It’s a quicker kiss this time, a short peck against his cherry red mouth, but it still makes your heart beat something terribly fierce. 

“See you soon?” You ask when you finally pull away, knowing that as much as you’d like to, you can’t just stand out here kissing each other forever. 

Jungkook nods, cheeks pink and warm to the touch. He looks so sleek in his formal black outfit, crisp button-down and slacks, hair all styled, but the way he’s grinning at you makes him look so young, so sublimely happy. It’s nice. 

“Anytime.”

“There’s my favorite couple!” Taehyung greets excitedly when he swings open the door to his apartment to reveal you and Jungkook standing on the other side. 

“What’s it to you?” You comment snidely as he lets you inside, the black sheet still taped up along his wall. It looks a little more wrinkled than when you last saw it. 

“Oh, nothing,” Taehyung singsongs. He definitely knows a lot more than he cares to tell either you or Jungkook, but whatever. The project’s almost over and he’s almost finished with university entirely. “You guys are just cute together, that’s all.”

“Like you even know the half of it.” You tell him with a roll of your eyes. 

Taehyung wiggles his eyebrows. “Ooh, do tell.” He grins that greasy, comic-book-villain grin of his as he starts moving his bar stools back to where the sheet lines his cream-colored wall. 

“Isn’t that the whole point of this?” Jungkook poses, making you laugh from where you’re seated on the couch, watching Jungkook set up his tripod in exactly the place he wants it. You smile at him as you recline against Taehyung’s poor old leather couch, so worn-down from use that the back cushions fold in when you press against them, and Jungkook peers out from behind the camera to blow you a kiss. 

You send him one back without even needing to think. 

Taehyung misses the whole scene, but no doubt he’ll be putting two and two together pretty soon. You and Jungkook agreed that for the last interview you would be questioned together, long before Jungkook actually managed to romance you off your feet, and there’s not a doubt in your mind that the two of you being interviewed side-by-side will make things much more interesting. 

Nevertheless, Jungkook sets up the camera and sends a thumbs-up your way when he’s ready, Taehyung sitting on the bar stool just outside of the frame with a couple of index cards in his hand. 

“Let’s do this,” you say, hauling yourself onto the seat. Jungkook does the same shortly after, scooching onto the one next to you as you stare at Taehyung, waiting for him to start. 

“Looking forward to this one?” Taehyung asks knowingly. 

You shrug nonchalantly. “Just a little.”

“Excellent. Shall we begin?”

You and Jungkook nod. 

“Alright. Well, this is presumably the last thing the two of you will be filming for your project. How are you feeling about it?”

“It turned out better than I thought it would,” you admit. It will come as a shock to no one that you did not have very high hopes for this project when it was first assigned. 

“Of course it did, I’m your partner,” Jungkook teases, poking you in your side. “Would you ever doubt me?”

“Always,” you say.

Taehyung chuckles. “Sounds like it’s been good so far. Did you enjoy filming it?”

You nod. “Yeah, it was actually kind of fun. Except for when Jungkook spilled coffee all over me, that was not cool.” You turn to face Jungkook directly, and all he does when you say his name is wink and point at you. 

“It was for the rom-com, I don’t know what you expected,” Jungkook said. “I gave you my jacket, too.”

“How gentlemanly.”

Taehyung chuckles, warm and low. “I’m sure Jungkook learned his lesson,” he muses. “What was your favorite thing to film?”

Not when I randomly texted you five minutes before I showed up at your door to make you ask me questions about how I feel, you think to yourself. Jungkook still doesn’t know, but you think you’ll put it into the movie just for the hell of it, so he’ll find out then. Find out that you were grappling with your feelings for him long before you ever let on.

“The serenade was a blast, a special shoutout to the Eighth Notes for doing that for me,” Jungkook says immediately. Obviously that is at the top of his list. “Plus, I just like seeing Y/N all flustered.”

“Shut up, you’re so annoying,” you chide. “I guess the serenade was kind of cute. I liked going out together, though. On our not-date.”

Jungkook objects to that instantly. “It was a date, Y/N!”

You look back at him, equally as scandalized as he. “Whose turn is it to talk?”

“Mine, actually,” Taehyung interjects. “Did you like going out together?”

You sigh a little, wondering if you’re really about to turn into a softie in front of a camera for a movie to be shown to your twenty classmates and professor. “Yeah,” you say, real and true because that’s what you agreed on, you and Jungkook. To be candid. To be honest. To say how you felt. Really. “It was really nice. I hadn’t gone out with someone like that in a long time.”

“And were you happy because of the project, or because of Jungkook?”

“Well,” you begin, not exactly sure where to start. “I guess, it’s like… you know, I didn’t even know Jungkook before this project. I mean, I knew who he was, he would always respond to my discussion board posts and object to everything I said in class. But I didn’t know him as a person. But as we worked on this project together, planning and filming and editing, I started to. And we did so many things together. And I guess I just really enjoyed the time we did spend as a pair.”

“Would you say the same, Jungkook?”

“Yes,” Jungkook says easily. “That’s what I wanted. To get to know Y/N, to spend time with her. I was glad we had this project. Otherwise, we might never have done something like this.”

“You both seem very happy.”

“I think we are. This project was actually sort of a blessing in disguise. I know him a lot better, now,” you say. “I’m glad that I do. He makes me smile, and laugh, and I always feel happy when he’s around. I don’t know. He did it, somehow.”

“Jungkook?”

“It wasn’t just me. Y/N and I did this together. We made this. This project. Us. It wasn’t just her, or just me. It’s ours.” Jungkook grins.

“Are you glad you did this project?”

Of course. It was fun, and I liked filming it, and I feel like I got something really important out of it. I know it’s just a short rom-com mockumentary, but it really feels like there was a happy ending, you know? A happily ever after.”

“You seem really certain about that.”

“Well,” Jungkook says with a little scoff, “what else would you call it?”

“As you can see, obviously Y/N fell head over heels in love with me thanks to this wonderful project—”

“Why are you always so full of yourself—?”

“Hey, you’re ruining the voiceover! As I said, as you can see, Y/N fell head over heels in love with me, but that wasn’t just because of my dashing good looks and amazing singing skills.”

“The ends of your hair look like hay—”

“It was because we were honest with each other, and because we spent meaningful moments together, and because we kept our hearts open. And I guess that’s the truth of it all, isn’t it? Love, romance, relationships? If you close yourself off, you’ll never get to experience them. But if you take every opportunity with an open mind, then you never know what might happen. Like falling in love with your discussion board nemesis.”

“Who, me?”

“Just let me finish, come on. There’s like one paragraph left. I know this was a mockumentary, not a scripted rom-com with professional actors and screenwriters and a whole team of editors. But that was the whole point. To make it real. And to make it between two people who aren’t just characters on a screen. We’re real people, and this happened to us. And it makes us happy. And it can happen to you, too. I think we all learn something every time we watch a new movie. Whether it be about loss, or promises, or other people. This time, we learned about love. Real love. How it can be rocky and strange and come straight out of left field. But also how happy endings aren’t just for movies and fairytales. We all deserve them. And Y/N and I found our own.”

“Are you gonna say it?”

“And so… they lived happily ever after.”

You look up at the screen, expecting to see the credits roll, but instead it’s a shot of the two of you kissing outside of your apartment building, a shot of you wrapping your arms around him as you press your lips to his. It lasts for only a few seconds, but you find yourself entranced in the moment, shocked that Jungkook somehow managed to capture it on film. He didn’t even have his camera with him that night. 

Pollack turns on the lights in your classroom as your fellow classmates applaud, all of them looking genuinely pleased that your rom-com had such a wonderful ending. Pollack herself looks rather proud, nodding to herself as she smiles at the two of you. 

“You filmed us kissing?” You hiss to Jungkook as your classmates clap, hoping the sound of it will drown out your conversation. 

“I got Taehyung to,” Jungkook whispers back. “Why?”

“I just… I thought that night was just for us.”

“The rest of it is. But I thought the kiss would be a cute way to end it. You know, happy ending and everything.”

Alright, if Jungkook insists. You nod, tensing up slightly. You hadn’t even noticed Taehyung down the street, standing behind some utility pole with the camera raised to his eye. Had Jungkook texted him in secret? Asked him to meet you outside of your apartment? Was he planning on kissing you from the very beginning?

You shake your head, willing away the thoughts as Pollack commends the two of you for a job well done. Jungkook and you stand at the front of the room for a few more seconds, getting stared down by your fellow classmates while Pollack speaks. The period ends just as she finishes up, the minutes changing the moment she closes her mouth. Within a minute or so, the whole class has emptied out, some of them congratulating you and Jungkook on the way out. 

“I’ll meet you outside, okay?” Jungkook says, eyes bright and filled with that same wonder he’s always got. 

“Yeah,” you say distantly, nodding to him as he disappears out the door. 

“You did an excellent job, Y/N,” Pollack praises, and it goes right to your head, if you’re being honest. “It was brilliant.”

“Thanks,” you say, suddenly rather shy. “That means a lot.”

“Don’t tell anyone else this,” she says, voice quiet, “but I was secretly hoping the two of you would fall in love.”

“Pollack!”

She laughs. “What? I thought you’d make a cute couple. And you do, so clearly it all worked out anyway.”

“I’m pretty sure that’s against the code of conduct,” you say, even though you know you can’t be too mad at her. After all, you wouldn’t have Jungkook if it weren’t for her. 

“Y/N, I’m tenured. I don’t care.”

“Wait…” you pause, eyes narrowing, “how many of your students have you set up with each other?”

Pollack grins. “I never reveal my secrets.”

Your mouth drops open. 

She chuckles, shooing you out the door. “Go on, go be with your boyfriend. You can tell him you both get A pluses for your project. It was excellent. One of the best I’ve seen in a very long time.”

“Thanks, Pollack,” you say, smiling gratefully. “You’re the best.”

She points at you proudly as you head out the door. “So are you.”

Jungkook is waiting by the tables where you always sit, half a flight down from your classroom. He’s leaning against the edge of them as he scrolls mindlessly through his phone, so engrossed in the Instagram explore page that he doesn’t see you walk up. 

“Guess what,” you say, getting all up in his face, just because you can. 

“What,” Jungkook says, an eyebrow raised. 

“We got an A plus on our project!” You exclaim happily, cheering. Jungkook laughs at your exuberant reaction, watches as you jump around, clapping loudly. 

“Hell yeah, we did that!” Jungkook holds his hand up for a high five, one you gladly take. Your palms smack together and the sound reverberates around the hallway. 

“You know, you and I—” you begin, placing your palms on his cheeks as you pull yourself in for a kiss, “we make a pretty good team.”

“Only because you’re so good at editing,” Jungkook says. You’re both not too bad, if you do say so yourself, but since Jungkook did so much of the filming you thought it would be better if you carried more of the weight when it came to post-production. 

“Says you,” you tease, pressing your lips to his button nose. “The happy ending thing was a nice touch, I liked it. Makes me feel like I’m in a fairy tale.”

“I’m glad,” Jungkook says with a chuckle, admiring the way you beam at him. “You know, I was really worried that you might think we didn’t have a happy ending after all, especially after everything.”

“What do you mean?” You look at him curiously. 

“Well, I just really wanted to make sure that we had a happy ending, because you’ve been through so much.”

You pause in place, eyebrows furrowing as you look up at him. Been through so much? Does Jungkook know something you don’t? Wait, no, did you… did you tell him—?

“You knew?” You ask, the realization piercing you like an arrow. “All this time, and you never said anything?”

Jungkook’s eyes widen. 

“How long have you known?”

He winces. “Since I walked you home when you were drunk. You told me.”

You did?

Shit.

“And you didn’t think that maybe you should have told me that you knew? Especially when I asked you if I had said anything embarrassing?” You cry out, indignant. “What, were you just planning on never telling me?”

“I was going to, but I wasn’t sure if you wanted to know that you had admitted all those things to me,” Jungkook admits, growing desperate. “They were really personal things, I thought you might react badly.”

“Oh, so you just decided to keep it a secret instead? Look how well that worked out.”

“What was I supposed to do, Y/N? I know you would have been upset.”

“Tell me!” You exclaim. “I asked you if I had said something embarrassing that night and you said I hadn’t. And I believed you. Better to have known then than now!”

“I’m sorry,” Jungkook says.

“I can’t believe you wouldn’t just tell me. Didn’t we say we would be honest with each other? But instead, you just let me assume that all of the nice things you did for me were because you actually cared, and not because you felt bad for me?”

“I don’t feel bad for you!” Jungkook shouts. “I mean, I do, but that’s not why I took you out on dates and gave you flowers and held your hand. I do care about you.”

“Oh, so filming us kissing was just because you actually cared, too, right?”

“I don’t know why you’re so hung up about that,” Jungkook points out. 

“Because I thought it was a private moment,” you remind him. “You hadn’t filmed anything the whole night. I thought we were just going out on a date like two people who cared about each other did. Us kissing was personal. But you texted Taehyung and told him to show up with his camera anyway, right? Because you were planning on kissing me from the very beginning. Because you knew, Jungkook. You knew and you had absolutely no intention of telling me.”

“Y/N, wait, I didn’t do those things just because I pitied you,” Jungkook says, reaching out for your hand. 

You pull away. “You didn’t? Then why did you film us kissing, then?”

“Because…” he flounders. You aren’t at all surprised. “Because—”

“Enough, Jungkook. I get it,” you stop him, shaking your head. “Everything we’ve done since that first date we had, when we went to the Italian place, everything since then—it was all played up. Because you felt bad for me. I had a shitty experience with love and you wanted to make me feel better. Whatever.”

“Y/N, it wasn’t like that,” Jungkook chases after you as you begin to walk down the stairs, towards the exit. “I didn’t pity you. I still don’t. I did those things because I care about you, and I wanted you to be happy.”

“Well, you got what you wanted,” you say, arms crossed over your shoulders as you push your way out the door. “I was so happy when I was with you.”

“Wait, Y/N—”

“Bye, Jungkook.”

The door slams shut behind you. 

“How many finals do you still have left? You finished your movie, right?”

Ruby is stirring herself a cup of earl grey tea as she sits down on the couch next to you, where you’re very obviously sulking as you scroll through the Feel Good Rom-Coms category on Netflix. 

“I just have a couple essays and a presentation,” you mumble out. “You?”

“Ugh, I still have all of my final exams to take,” Ruby tells you with a thick, heavy sigh. Clearly, she doesn't feel like talking about them now. Or at all. “The life of a biology major.”

“Hey, you’re the one who wants to be a doctor, not me,” you remind her crudely. “You better know your shit, or I’m never taking my kids to your practice.”

“Rude,” Ruby says. “There goes my family and friends discount offer.”

You laugh to yourself, a small smile inching its way across your lips. Ruby’s always known how to brighten your day, even when you feel like absolute shit. 

“What are we watching, hmm? I’m cool with anything.”

“I don’t know.” You shrug, flicking through all of the rom-com options and feeling very unhappy with all of them. “I feel like you’ve seen all of these.”

“Yeah,” Ruby says. “Whenever I’m not studying, I’m watching Netflix or The Bachelor.”

You nod. Maybe you’ll just settle on some old NCIS reruns and call it a night. 

“Oh!” Ruby exclaims suddenly, a lightbulb going off above her head. “How about we watch your movie? The rom-com you did with Jungkook! I haven’t seen it yet.”

“I don’t know…” You begin, the mere thought putting a bad taste in your mouth. For obvious reasons. 

“Come on, please? I really want to see it, you were so excited about it,” Ruby begs, getting all antsy as she climbs all over you, literally pulling your arm to get you to cave in. “It’s short, too, isn’t it? Like forty-five minutes long? We can watch whatever you want afterwards. Please.”

You huff out a breath. If it were up to you, you would move that film onto a flash drive and toss it into a dumpster on fire. But it’s not just up to you. Ruby has been asking you about it since the day you told her you were filming it, and now all she wants to do is see the final result. And it’s only forty-five minutes long. What’s that when compared to the rest of your life?

“Fine,” you relent, not wanting to fight about it any longer. “Let me get my computer.”

Ruby cheers. 

You bring your laptop over to your coffee table, turning off the ceiling lights as Ruby tucks herself underneath a blanket, hands warmed by her steaming cup of tea. You pull up the movie file and, taking a deep breath, press play. 

It opens with your first interview with Taehyung, a muted, royalty-free lo-fi hip-hop song playing in the background. You had edited it so that it would jump back and forth between your answer and Jungkook’s, highlighting the contrast between the two of you. It was mostly for comedic purposes, just because seeing you deadpan about how love doesn’t exist and then quickly switching to Jungkook wax poetic about it is amusing, but watching it now just makes you want to curl into yourself. 

You should have known that this would have never worked out. Should have kept that same jaded attitude. You let your guard down for one second and look at what’s happened to you.

The next scene that Jungkook shows is, of course, the moment he spills burning hot coffee all over you in the middle of the Starbucks, comedically panning up to your positively-flabbergasted face just to add to the shock factor. Next to you, Ruby laughs at the mishap, obviously amused by the fact that the two of you are now drenched in coffee and scrambling to clean up the mess. You try to focus your energy on how peeved you were at Jungkook after he did that, but get distracted the moment he films himself wrapping his denim jacket around you, placing it over your shoulders and making sure it’s just right. 

He didn’t have to do that, and the two of you both knew it. But still, he sent you off your class all bundled up in a jacket that smelled like him, smelled of that boyish aroma that you couldn’t get rid of, even when you put it in the wash with your lavender detergent. All of Jungkook’s clothes smelt like that no matter how much cologne he put on, always smelt woody and thick. It would consume you, that scent, a cloud surrounding your figure whenever you were near him. 

The movie keeps playing, and you keep thinking about how much of a fool you must look like in it now, all giggles and smiles as Jungkook sings Frankie Valli to you while he hands you a rose, that same sly little smile dotting his features. Hearing the song again makes you feel like you’re choking, like something’s smothering you, and you’re not sure what it is until you realize that it’s the sound of Jungkook’s voice. 

You haven’t heard him sing since he serenaded you. 

Then it’s your first date, the one Ruby told you to wear the yellow dress to (“Hey, I told you you looked amazing in it! Wow!” Ruby exclaims when she sees you). You remember when you edited this, putting the clips together of you eating at the restaurant, wandering around the park, posing underneath the trees, holding hands. You were smiling so hard your cheeks hurt while you were editing, grinning from ear to ear at all of the things the two of you did together. They were so picturesque, those scenes, so perfectly shot, so romantici—t did a fine job of convincing you that it was all real. 

You even put in the little clip of you and Taehyung talking. A mistake, now that you look back on it, of course. It was so vulnerable, so real, so candid and honest like you said you would be, and now it’s all blown up in your face. You must have looked like such an idiot to Jungkook when he saw this scene for the first time in class. You remember the wide-eyed look on his face when it popped up. Like he couldn’t even believe you had done this in the first place. 

Scoffing, you shake your head. You either. 

The rest of it you can hardly bear to watch. Just a wrap-up of your relationship, a compilation of all of the small moments you shared when you didn’t realize that Jungkook was filming, when you dared whip out your camera to shoot for a second or two. Little clips that jump from scene to scene, shots of you laughing and eating and skipping along campus as you held hands. It’s hard to reconcile the fact that it’s all over. 

You don’t even listen to the final interview, not bothering to pay attention to what you or Jungkook have to say when you were there, when you can recall every word he’s ever spoken to you at the drop of a hat. 

The truth is, you were always a goner for him. 

And look how well that played out. 

By the time the kissing scene comes up once more, you’re ready to set your whole laptop alight. 

The screen turns black as it ends, fading away into nothingness, the instrumental slowly disappearing alongside the image. You shut your laptop when it’s all over, a little too angry for your own good, but you wrestle the scowl off your face as you take a drink of water from the glass sitting on the table. 

“Wow,” Ruby says, speechless. She blinks at your closed laptop. 

“Did you like it?”

“I—I don’t even know what to say,” Ruby says, which is a first. “It was amazing, Y/N. Seriously. Gorgeous. Like, cinematographically? Stunning. The shit on Netflix isn’t even as good as that.”

Even if you did have to sit through your stupid movie one more time, the compliments make you feel a bit better. “Thanks,” you murmur. 

Ruby nods enthusiastically. “It was incredible. I’m just—I’m in awe. You and Jungkook have a gift, dude. It was seriously one of the best things I’ve watched in a really long time. And, like, not even in a cheesy, yucky rom-com kind of way. It was so… so genuine. So real. Wow.”

“I’m glad you liked it.”

“You’ll have to tell Jungkook, too,” Ruby says. “He did really well.”

“Yeah, he’s a great actor,” you say, a little too bitterly for your own good. 

“What do you mean?” Ruby raises an eyebrow your way. “I didn’t think he was acting at all. It looked pretty real to me.”

You frown. “It did?”

“I mean, yeah,” Ruby says with an honest nod. “I mean, you did tell me it was a mockumentary and not just a run-of-the-mill rom-com. So wasn’t everything supposed to be real, anyway?”

“Yes…” you trail off, unsure of the direction of this conversation.

“Well, if you ask me,” Ruby says, all matter-of-factly, “I’d say he definitely fell in love with you.”

Something rushes through you. Something warm and bright and full of energy. 

Hope. 

Even though you have finished one of your finals early, finals week is still just as much of a slog as it always is. Three essays and two presentations deep, you aren’t finished any of them and the due dates are slowly creeping up on you, ready to pounce the moment the clock strikes twelve. 

Eh, it could be worse. You could be Ruby and have six timed, proctored final exams on biology, anatomy, and chemistry. So you suppose you can’t complain too much. 

Finals week sees you all holed up in your apartment like always, but more so this semester than any previous ones because you don’t feel like going to the library and risking seeing Jungkook there. Or anywhere, really. Since you presented on the last day of classes, you haven’t spoken since, and hopefully you can keep that streak going forever. You had made it until this semester without ever crossing paths despite being in the same major, so hopefully that luck will follow you. 

It’s almost midnight when you finally decide to call it quits for the night, having at least gotten mostly through two of your essays (just have to edit and proofread!) and worked on about half of your two presentations. Sighing, you get up from your couch and stretch, feeling your bones crack from sitting in the same place for hours on end. 

You lean over to the floor lamp by the edge of the couch, ready to flick it off and head to bed, when you hear something outside. 

“You’re just too good to be true…”

“Can’t take my eyes off of you…”

You freeze.

The voice is soft and mellow, a little muted because it’s making its way through your wooden door before it reaches your ears, but it is unrecognizable. Even without the acoustics of the Eighth Notes, you know who’s on the other side. 

“You’d be like Heaven to touch…”

“I wanna hold you so much…”

“At long last, love has arrived…”

“And I thank God I’m alive…”

Unable to resist, you wander to your front door, basking in the sound of him, in the way the notes float through the air as if on clouds, dancing along the walls as they sink into your brain. He sounds so sweet, voice warm like tea on a cold night, just singing his song on this empty, lonely night. But it’s not just his song, is it? 

It’s yours, too.

You pull open the door. 

“You’re just too good to be true,” Jungkook sings, a honeyed melody that calms the waves of your stormy heart, “can’t take my eyes off of you…”

But just because he’s here, serenading you once more, doesn’t mean he’s going to get it any easier from you. You fight to keep the smile off your face, pressing your lips together as you narrow your eyes at him. 

“I love you, baby, and if it’s quite alright, I need you, baby, to warm the lonely night…”

“I love you, baby, trust in me when I say…”

He meets your eyes with his own, and they aren’t glinting in the way they normally do, the way that they do when he knows he’s doing something to grind your gears, when he’s got a trick up his sleep. They gleam like pearls as the dim glow of your apartment lights up his figure, warm yellow mixing with the caramel in his irises.

“Oh, pretty baby, don’t bring me down, I pray…”

Oh, pretty baby, now that I’ve found you, stay…”

“And let me love you, baby…”

From behind him, Jungkook brings out a single red rose, twirling it between his fingers as he holds it out to you. 

“Let me love you…” He trails off there, voice delicate as vanishes into the chilly night air, disappearing between the two of you. 

You can’t help but take the flower from his hand. What else are you supposed to do?

“So?” Jungkook asks, hopeful. 

“Don’t think you can just show up at my apartment and woo me back by singing to me,” you chide, even though he definitely can. 

“I’m sorry,” Jungkook says simply, because there really is nothing else to say. “I should have told you.”

“I watched our rom-com again,” you tell him. “I should have believed you when you said you cared about me.”

“I always did,” Jungkook says. “I just wanted you to know that love was real, and that it was there for you.”

“I should have known,” you agree. You look up at Jungkook through lidded eyes, musing to yourself. “You know what I learned?”

Jungkook tilts his head in curiosity. “What?”

“That love isn’t a feeling. It’s a person,” you explain, sighing pleasantly. “Love comes to us through the things we share with other people. That’s what it is.” Your thumbs twiddle in front of you, the pads of your fingers rubbing at the stem of the rose.

He takes a single step forward, reaching out to take your hand in his own. “And are you pleased with who you’ve found?”

You roll your eyes. “Just shut up and kiss me already, you idiot.”

Jungkook obliges without a second thought. 

There is no one to film you this time, no project to work on. There is only you, and there is only him. And there is only a lifetime that the two of you share, a story that you have told together, piece by piece, frame by frame. Your movie didn’t end once you finished editing. Nor did it end the moment the screen went black in Pollack’s class. It wasn’t even over when you watched it a second time with Ruby. 

No, it continues on. Forever and ever, so long as you are with him. There will always be something new to capture, to burn into a disk so you’ll have it for eternity.

He pulls you in for a kiss and it’s not the end of the film. It’s the beginning of a brand new part, a new installment in the series that is your life with him. That is the relationship you have created together. His lips aren’t the fireworks as the credits roll. They are the scene where the two characters meet for the very first time and know that they were meant to be. The scene that sets all of the other ones in motion. That is who Jungkook is. That is what you are sharing, right now. 

A brand new frame. 

When you part, you press your forehead against his, soft blonde locks framing his face as they tickle your face, dancing along the skin of your cheeks.

“You called it a rom-com,” Jungkook points out randomly, just remembering now. 

“Well, isn’t it?”

“I don’t know…” Jungkook says, pretending to think about it as he rocks on the back of his feet. “Did it have a happy ending?”

You bring your lips to his once more, arms wrapped around his neck as you clasp the rose between your fingers. You make a mental note to press it later. Something else to remember him by. Something other than your movie. 

Jungkook pulls you into him once more, hands resting firmly on your waist, letting his body press against yours as you stand there in the muted light of your apartment’s living room, letting the cool spring breeze wash over you. You smile against his lips, feeling your heart race when he grins back. 

“Yes,” you declare proudly. 

And so, they lived happily ever after. 

↳ thanks for reading! don’t forget to let me know if you enjoyed it!

#jungkook fluff #jungkook angst #bts fluff #bts angst #bts scenario #jungkook scenario #bts imagine #jungkook imagine #bts au #jungkook au #jungkook college au #jungkook x reader #bts x reader #w: the art of the rom com #dudes this fic is so long my keyboard is lagging HAHAHA

[writingwithcolor]

Dark-skinned SA-coded mixed female: Strained relationship with Desi-coded mother, wants to be closer to white father

@sunshineladybugsawake asked:

Hi again! Still asking about my story set in the far-future with monsters, but first, I apologize for the rubber stamp question last time. I should have thought more carefully. Now I have two specific concerns: 1) I'm worried that my dark-skinned South Asian-coded character who at first desires a closer relationship with her white father and has a strained one with her dark-skinned mother would be off putting to readers. Her father is eventually ousted as villainous and she must face him for fate of the world, but I’m thinking I should have her reconcile with her mother as well. 2) Her mother does not want her to play a magic sport, not because she would rather her child go into academics, but because she thinks the game is a waste of magic. Would this be too close to the “overbearing Asian mother” stereotype? The girl herself is both athletic and academically gifted. Thanks again! 

PSA: As always, we ask our askers to be more specific about what region and time period of South Asia you are pulling your information from for your coding. To simply tell us you are using an South-Asian coded character is much too vague and also indicates that our askers have not reviewed our archives as stipulated in the FAQ. If you are new to using any part of South Asia as inspiration for your story, we recommend consulting our naming guide on the region for a brief introduction to South Asian and diversity.

Elaborate on Her Family Life:

Does she have any positive relationship with the South Asian side of her heritage? What is the relationship between her parents like? Is her father as involved in parenting as the mother? What is the mother’s alternate solution to playing the magic sport? Why exactly is her relationship with her mother strained? Is it just the sports bit? Or does she have issues related to identity, to culture, and/or interpersonal matters? As Marika has pointed out below, in my experiences as a South Asian high-schooler, sports/extracurriculars vs academia was never exactly grounds for strain, albeit I did have a very strict upbringing so take my opinion with a grain of salt.

Unless we know this, we cannot possibly assume if a reconciliation would be appropriate or not.

-Mimi

Echoing Mimi, we’d need to know a lot more about her family background, family dynamics and why this imbalance between how she views her parents is necessary for the plot. I think this ask is a good candidate for the Motivations Matters PSA (See the PSA explanation here). Please specifically read part 3 of that post where we explain the necessity of specificity in asks. You are always welcome to contact us again when you have fleshed out the story and characters more thoroughly.

- Marika.

Overdone, but Rarely Well-Portrayed

My opinion is that you should not go in this direction. It’s not that that this should be avoided for falling into a negative trope (To quote Mod Lesya: “Tropes are tools.”). The problem with tropes is almost always in the execution.

Asian parents and children with troubled relationships as a plot device is an old hat and thus not a very interesting one. Furthermore, your reasoning for their strained relationship does not strike me as culturally consistent. In my family, “school versus sports” would not be a reason for strain. It would just mean that until my mother gave me her approval, I would feel very guilty any time I tried to prioritize sports over school, while she would likely be oblivious. In less Western environments, it is the child who bears most of the guilt for having goals that don’t align with what is socially acceptable. The parent is often secure in their judgment. Such guilt might produce tension and strain, but there is a surplus of portrayals of strained S. Asian parent-child relationships by non-S. Asians that fail to convey this nuance.

I’m going to be a little peevish here, but I always thought my Western friends were whining when they complained (From my perspective), ”How dare my family have any opinions besides being completely supportive of my goals!” In my view, as a child, unless I was paying for my own room and board, it was my obligation to fulfill my parents’ expectations.

I think what would be more interesting (and frankly, more realistic) is:

For the mother and daughter to have a close relationship with sources of tension 

For the daughter to over-idealize her father 

For the father to consistently fail to meet the daughter’s expectations.

Thus, the father’s villain reveal is not so much a “gotcha” as the straw that breaks the camel’s back, showing his limitations in stark contrast.

I suggest this because I don’t much like the optics of a dark-skinned child idolizing her white father when, from my perspective, it sounds like her desi-coded mother is doing most of the parenting.

More importantly, I think it would be healthier for mother and daughter to come to a mutual understanding, which is sorely needed in many desi families. For example:

The daughter might realize that her mother’s preference for school is driven by economic concern. This is a common worry that drives many desi parents, especially in low resource settings and periods of economic down-turn.

The mother might realize that the daughter’s emotional health and fulfillment are as important as economic security. This is something many desi parents need to understand and struggle with because often mental health is often not well understood. 

Co-dependence is a real problem for many desi families. Thus, it is crucial that a hopeful story of mother and child resolving their differences is done in a manner that feels culturally resonant to your desi readers.

- Marika.

Calling on our desi followers! Mimi and I were raised in exceedingly traditional households, but we both have parents who, to certain extents, accept our deviations from their preferences. We know the range of parenting experiences is large, so we are soliciting user commentary. Commentary is restricted to desi followers.

Please sound off in the comments using the following format:*

Do your interests/ hobbies differ from your parents’ preferences and why?

Have you managed to communicate with each other with any success?

Regardless of the outcome, what did you want from them and what do you think they want from you?

*Desi experiences are diverse. To best capture common themes, we ask that respondents confine themselves to the above format.

#South Asia #South Asian #South Asian character #South Asian female character #mixed race desi character #mixed race character #female character #Overbearing Asian Parent trope #parent child relationship #WWC #asks

[candied-cae]

Fuck you and your shitty misogynist AND racist Yen headcanons. The actress isn't white, asshole.

Firstly, I'd like to say I love how Anya has played Yen. I haven't gone over it on this account yet, but you will never see me complain about more diversity in media. Anya loves Yennefer and performs her beautifully with such a heartfelt attachment to the character, and I love everything about the performance itself. I don't care that Anya is an Indian actress and Yennefer in other mediums is white, I haven't read the books nor played the games, so they mean very little to me. And it's really good that we get to have an Indian woman playing an undeniably beautiful and powerful character.

I've never criticized Anya's portrayal, only the writing of the show's dialogue and story line. I don't really ever complain about actors, only directors because at the end of the day they decide what goes on the screen and how the actors do their jobs.

Secondly, I'm not entirely sure which take of mine you're referring to Anon, so let's review all of my discussion posts about Yennefer, shall we?

There's this one - where I critically examined Yennefer's character, and how I really want to love her but the writing is making me dislike her. In which I acknowledge several parts of her that I do like, but how overall it's rubbing me the wrong way morally.

There's this one - where I criticize how the writers have set up Geralt and Yennefer's relationship, in which I blame both of them for not having a healthy relationship and now the story is going to have to push the "a child will fix us" narrative which personally irks me as a child who grew up seeing my mom with bad boyfriends.

But I'm assuming most likely it's this post and this one since you bring up racism. Which, I will be the first to admit that no matter how much self education and accountability I do, it's a life long commitment to unlearn the systems of oppression that are taught to us. BUT- to the best of my knowledge- me loving Francesca's line doesn't come from Sexist or Racist unconscious biases.

I feel I explained it rather lengthily, especially in the second post, but my feelings about Yen are about Yen, not Anya. The Continent has shown us no racism nor colorism, except for in the bounds of humans vs. elves and dwarves. In this case, Anya being Indian is not a struggle Yennefer faces, but Yennefer aligns herself as a human, someone at the top of the system of oppression. All of which is canon material I pulled directly from the show, not headcanons. And then tries to manipulate elves into freeing her of consequence in the same way that white people use DNA tests to absolve themselves of racist criticism. Again, I explain this point repeatedly in the posts.

So I do apologize if my message was unclear, but my criticisms of Yennefer's character have everything to do with the show's writing, and nothing to do with Anya's race.

But if there are further complaints about my analysis of The Witcher, feel free to leave me with better hints as to what you disagree with, and I'd be happy to have a conversation or write more detailed explanation about why I think what I think. Personal aggression just distracts from the conversation.

More Witcher

#Cae Answers Y’all’s Asks #anyway #Cae Has Lots of Feelings About The Witcher #I'm always open for a conversation and appreciate other perspectives #There may be fault with how I've written my analysis #I admit I am not perfect #But I will not apologize for how Yennefer makes me feel as an audience member #The Witcher #The Witcher Netflix #TWN #Yennefer #Yennefer of Vengerberg #Yennefer Critical #Yennefer Character Analysis #Witcher Meta #Going to go ahead and tag it anti to be safe #Anti-Yennefer #Yennefer Anti #in case people like to block that tag #but again- I don't really consider myself an anti #I'm just critical of the writing the show is running with

[rosemarydisaster]

So, about Bi Caleb

Warning: very long post, discussing bi representation and biphobia.

*Sorry for spelling errors, English ain’t my firts language.

I can’t believe I have to tell you guys, but anyways: Caleb is bi whether he ends with a male character, a female character on a non binary character. That’s what bi people do, you know? they experience atraction for all genders. Saying that a bi character that ends with someone of the opposite gender is straight and queerbaiting is incredibly biphobic.

Yes, Vax was bisexual. Yes, he ended up with Kiki. Get fucking over it.

Now, I can understand why LGBT+ fans may feel disappointed when they tease a “gay couple” but the “straigth” couple ends up being endgame. Notice the quotation marks because there’s not such thing as a straight or gay couple for a bi person. They are bisexual in both situations, but I can see where the problem comes from. I’ve been queerbaited to hell and back by a lot of shows and it really hurts. It feels like they are laughting at you for caring. But I want those fans (whose feelings are totally valid, don’t get me wrong) to consider a few things when it comes to Critical Role, the first one being: it’s a D&D game.

Let me explain, because I know a lot of CR fans haven’t experienced what D&D is like in real life (and that’s absolutely valid, you don’t need to play D&D to enjoy CR). This is an improvisation game, not an scripted TV show. In a Tv show you can plan ahead of time what ship is going to be endgame, what themes are gonna come up for each character and it’s easier to deeply explore sexuality and gender as different planned arcs. In D&D you character’s sexuality may or may not come up depending on how you play it. Take for instance how other CR character’s have stated their sexuality:

Beau: overtly. Very *In your face* kind of lesbian. Marisha said “fuck it, I really just want to romance girls and be bad ass”

Yasha: openly, but not as in your face. Ashley Jhonson wanted to drink from that WLW cup while also being a shy disaster. Seafood market is her favored terrain.

Caduceus: Our Ace king has never hidden his sexuality, and yet he didn’t mention anything about it until chapter 114. He didn’t had the need to either hide it or state it. He was simply vibing.

I think Liam is going that route with Caleb. He’s flustered by Essek and Edwulf (Come on you guys, he always asks Matthew if he’s still hot). He also had/has a thing for Astrid and a think he might have feels for our favorite Tiefling gal. I know we are all too used to characters being teased as gay/bi only to have execs pull a “haha jk they be straight”. But this is not Sherlock or Supernatural. This is a show that not only has queer rep, but also supports queer organizations and creators. Hell, I’m sure some of the cast members are LGBT (but I’m not here to speculate on real people’s sexuality). If Caleb shows attraction to men he is not just queerbaiting, doing it for fanservicing or tricking the fans in any way shape or form: he’s just portraying a bi character. The thing is, since this is not a TV show, he is not doing it por woke points or to send a message. He’s doing it because he wants to play a bi wizard with depression.

So maybe there will be a point in which he can explores his sexuality more deeply, but remember he is playing a game. And his character is one that has a lot of trouble opening up to his feelings. Caleb is not someone that makes sexual jokes or flirty remarks. He is shy, awkward and has developed a really fucked up sense of love that he is now slowly fixing. Hell, in the same Talks episode Liam explained that Caleb was trained on Honey-pot tactics. Which, for those of you who can’t stand Bond films, means seducing your enemy/target to get information, manipulate them or assassinate them. WHICH IS A REALLY FUCKED UP THING! Let’s remember how he was the one to push Fjord to sleep with Advantica so they could spy on her. That boy has Issues when it comes to relationships. So if we don’t see him being as overtly gay as Beau, Molly or Yasha, well maybe it’s because that’s the way Caleb is. Bi people don’t owe you flamboyance, or dating both guys and gals for your approval. I wouldn’t make a post if it was only that, because I do feel the people who are aching for good bi rep and would love some more explicit confirmation. But Vax exists, so I know we can’t have good things down here.

VAX EXPLICITELY SHOWED ATTRACTION TO GILMORE. AS EXPLICIT AS IT GETS. HE FUCKING KISSED HIM. THEY WERE PRACTICALLY DATING. AND YET SOME OF YOU FUCKERS CALL HIM QUEERBAITING. AND I SAY: NOT ON MY WATCH! NOT ON MY FUCKING WATCH!!

How come a character can have canonically kissed another character in a romantic/sensual context and still be called straight? I know fucking Sherlock traumaticed y’all into having trust issues but believe me when I tell you: I’ts not that deep. This is not a “Haha I love u but in a no homo way bro”. It’s a “full homo darling, but also we’re gonna break up because I like someone else”. This is the opposite of queerbaiting. Instead of keeping a charade he was honest with Gilmore because he valued his feelings and realized that he couldn’t reciprocate them at that moment. And if you try to tell me that Vaxleth was forced and didn’t have a reason to exist except queerbaiting, let me tell you: you are wrong.

Vax saw Gilmore once or twice monthly while he spent a heck ton of time with Kiki. Sure, they didn’t had the kind of camera chemistry Gilmore and Vax had because Keyleth is not charismatic. She’s really awkward, and her relationship with Vax was more on the adorable and dorky side of things. I bring this up because I’m predicting something similar may happen to Shadowgast.

Trust me, I ship the hot wizards as much as any other critter (even though I’m a multishipper). But they haven’t talked to Essek in centuries. I think it may have been almost a month in rol and quite a few outside. And you have to take into account out-rol time to because they are humans (except Tal) playing a game and they forget about stuff (except Marisha and Matt). So Shadowgast may not happen because sure, they had really good chemistry for a month a month ago. People have crushes that die down over time All The Time. So maybe don’t be so butthurt about your ship not being canon that you accuse an ally of homophobia. 

The cast of CR put forward such an amazing representation for the LGBT+ community and it really hurts me that you gets stuck on the one thing that isn’t canon. Matt has created a world in which coming out is not necessary because no one assumes your sexuality. A world in which people respect pronouns and orientations (except Tary’s father, who is a villain). A world in which Cad or Caleb don’t need to explicitly say “I’m ace/bi” unless it comes up in conversation. A world in which his friends can be whatever they want to be without pressure or reprecusions. A world in which they get to explore different gender identities and sexual orientations with full freedom. Let’s not interfere with that (unless there’s missrepresentation), and let them play their game. If you really need mlm or wlw canon couples or more outwardly LGBT+ people you have plenty examples among NPCs and other cast members (Allura and kima, Yasha, Beau, Dairon, Keg, Reani, Tary, Molly and Vax among others).

There’s way worst shows taking LGBT+ cred for barely doing nothing. Fucking Supernatural is the most recent example! Critical Role works towards showing an honest portrayal of LGBT+ folk and accepts valid criticism from their fans on the subject (when they changed J’Mon Sa Ord pronouns from it to they/them). They don’t owe you making your ship canon or portraying their characters the way you want them to (again, unless when it’s constructive criticism). Stop being so Fucking entitled and enjoy the show for what it is

,Respectfully~

*Edit: I´m tagging Caleb’s ships into the post because most hate comes from shipping wars. Most Shadowgast fans are respectful of the cast’s decisions, even if it disappoints them. But since I’ve already seen people accusing Liam of biphobia in that tag and since I’ve already seen this shit with Vaxmore I’m tagging the ship. If you want to read my long ass post do it, if not, ignore it. I’m not forcing you to read it. I’ve also tagged it with biphobia so people can avoid it if it’s triggering. I’m sorry if it makes you mad that your ship is not canon, but that’s not an excuse to be toxic to the cast. Those of you getting mad are the ones that need to read this the most. Like I’ve said in the post: you’re allowed to be disappointed, you are allowed to want more, but you can’t force the cast to give you exactly what you want. And most certainly, you can’t accuse them of  some very serious stuff like biphobia and queerbaiting when it’s not the case..  

#Critical Role #Critical Role Rant #Bi Caleb #Shadowgast #Shadowulf #I swear to good #widofjord #I swear to Melora #Widowjest #Talks Machina #lgbt discourse #Rant #Jesus this is long #Vax #vax'ildan #Vaxmore #I'm so fucking done with this fandom sometimes #Vaxleth #How to be biphobic while asking for bi representation #liam o'brien #trigger warning biphobia #tw biphobia #Critical role discourse #queerbaiting

[naynay5155]

Sometimes I despise C!Tommy, god. Sometimes I remember how shitty of a person he is in canon and I just wanna implode. Because he never really gets punished for regularly being a shitty person.

The punishments he goes through are never because of his bad actions. He never gets it pointed out to him how was and still is, lowkey abusing C!Tubbo. He never gets called out on the general anti-socialness he displays around pretty much everyone. He never gets called out for his frequent mistreatment of Jack or Niki or Fundy. He just... gets away with that.

The "punishments" he does get are never because he's being an asshole and because he needs to become a better person. They are just straight up abuse at the hands of serveral trusted adults in his life. And this abuse doesn't actually help him anyway because it's abuse of course it wouldn't.

So, when he gets put through bad shit, and anyone has anything to say in regards to him being really shitty as a person, the fandom won't understand, because C!Tommy has the Halo Effect after a full year of gaining so many shields.

The First shield is the fact that he's the protagonist in a Action & Adventure story, making it so that the audience automatically wants to root for him.

The Second shield is that he is framed as being the underdog, and has been from the start. This is as a result of the roleplay originally starting as basically a Hamilton Parody, where C!Tommy was framed as this "Spunky and larger than life eager young man". And he still is veiwed like that by the audidence, even when he's grown past that and arguably doesn't count as being and underdog anymore.

The Third shield is him being played by a 16 to 17 year old Minecraft Youtuber, which gives people the excuse to play the age card to handwave all his actions. If Tommy, who is playing him, is 16 or 17, than to a lot of people that's all the reason they need to assume C!Tommy is also 16 to 17. And I can't say I blame them, the timeline is nonexistent.

The Fourth shield is the fact that he is the most popular Content Creator in the entire series, due to the viewer count he gets, the dedicated audience of young people, and the regular spotlight the writing gives him. He is, 100%, the most popular character, with only maybe like, C!Ranboo and C!Wilbur and C!Techno beating him out of that. That is like, three out of the 30+ who canonically exist on the server. When you can pull 630,000 Live Viewers on Twitch.tv of all places over Minecraft, you are fucking huge. That creates a very loyal fanbase.

The Fifth shield is him being an abuse victim. Similar to him because mostly seen in the fandom as a minor and as a result getting away with a lot, C!Tommy being an Abuse Victim and Mentally Ill coded makes it so that his shitty actions can be handwaved away. No matter how severe his shittiness is, or what exactly has happened you can just say, "Well, he's clearly traumatized cut him some slack!" This can be done even when Tommy hasn't properly taken it upon himself to play C!Tommy as traumatized consistently.

The Sixth shield is also, arguably, the fact that C!Tommy is portrayed as a Straight, White, Cis Man. You cannot tell me that if C!Tommy was canonically a girl, that the gaming community wouldn't have dogpiled on her and made fun of her and called her annoying for no reason. Not with the way Niki is treated. The character gets given so much more importance and respect in comparison to some other people, like Eret, Niki, Ponk. And I don't think that's just a coincidence.

The Seventh shield, is that CC!Tommy's entire brand is being funny. To the point where it leaks into his roleplay portrayal, and means that a lot of the shitty things that C!Tommy does end up being framed through the lens of humour. Which means the impact and effect of his bad actions do not hold weight and are taken way less seriously than when something happens to C!Tommy himself. There is a reason why most people don't think much of C!Jack Manifold because being basically just a clown to be mocked.

All this stuff prevents a lot of very obvious stuff in this roleplay from getting talked about. So many people would rather focus on headcanons and made up lore, that when the time actually comes to point the finger at C!Tommy and say "Hey, this guy is a bad person," so many people get confused or up in arms because they weren't thinking that C!Tommy being a bad person was possible.

When it gets to the point where you have people thinking C!Tommy and Ghostbur were totally friends with no issues at all, you know you have a problem. Because C!Tommy canonically treated Ghostbur like shit and was not really treating him well at all. C!Tommy regularly trigger and upset Ghostbur, blaming him for the actions of C!Wilbur even when he knew it was pointless and hurt him. He hung around him a lot, but its obvious he clung to Ghostbur as a way to still maintain the memories of "Good Wilbur" rather than because Ghostbur was good on his own merits. He would regularly guilt trip him, and seemed completely indifferent to how his actions and words hurt Ghostbur for a long while.

This is not good, there were a lotta problems there, and they should be addressed as the problems they are, otherwise you miss out on proper understanding of C!Tommy's character.

And this misinterpretation of Tommy's character is as much a fault of the writing of the DreamSMP as it is the biased Fandom's.

Because how are the audience supposed to know that C!Tommy isn't really a good person, when he never faces narrative consequences, his issues are never handled and talked about, he gets away with everything, and we're too busy focusing on the "Worse" people, like C!Wilbur and C!Dream, to actually talk about C!Tommy?

#dream smp critical #dsmp critical #negative #negativity #dreamsmp #dream smp #dreamsmp roleplay #what the hell dreamsmp writers #c!tommy #criticism #critical dsmp

[vasiktomis]

The Father’s Grooming of Faith Seed

That’s right, it’s an analysis in defence of (the late current) Faith, mostly in her younger years. Please scroll past if you’re not interested in this take. Please also keep in mind that these are personal opinions that I’m pulling based on game backstory and character portrayal, but I’m not without my biases. I wholly support members of the fandom who enjoy Faith being empowered in her evil, but it’s just not for me. I’m writing from the perspective of a former homeless youth, and while most of my thoughts are a personal interpretation of gameplay and conjecture from lazy writing limited information, I believe that I do have some insight into what Rachel may have gone through in terms of her attraction to Joseph and her recruitment into the Project at Eden’s Gate. Warnings under the cut: Mentions of child grooming, drug use and misuse, indoctrination, abuse, religious trauma. It’s Far Cry.

Yes, she’s flawed and she’s an absolute shite of a person. She’s a cultist. She’s a liar. She’s just as forceful and twisted in her indoctrination as Jacob and John are. Her methods are awful, and she’s complicit when it comes to Joseph’s orders and his corruption.  No Seed sibling is anything short of a monster, and Faith is no exception.

At the end of the day, though, she WAS a kid when she was recruited by the cult. Before Joseph found Jacob, he’d already committed atrocities. Before he found John, the lawyer was a corrupt executive and a sadist.  Rachel was a rough-sleeping teenager with one friend. She absolutely grew into the monster that she would become in her 20′s and there’s no excuse for her actions as an adult, but just as Jacob and John’s traumas were used against them in fostering their dependence on Joseph, so was hers.  What makes Joseph’s influence over his adopted sister so much more insidious is that he couldn’t rely on family sentiment in recruiting her initially. Instead, he found a lost child and manipulated her naivety and her desperation for acceptance.

Rachel was a minor who was groomed by a strange man in his 30′s, and no resident adult stepped in to prevent this from happening.

I realise there are many fans who disagree with the point I’m making here about the vulnerability of Rachel’s youth, but your brain has not even developed fully by 25, let alone 17. She was a minor, and no matter the claims that she was happy to go along with the cult from the start, I believe her when she says that she was drugged by Joseph and forced to take on her role as Faith Seed.

The earliest information we have on Faith is tidbits from her teenage years. In-game dialogue from locals like Tracey and Virgil.

Disregarding the argument over whether she is or isn’t Rachel Jessop, Faith’s overall sentiment remains the same: She was a child without a community of adult role models. She and Tracey were drawn to commune-style living in their teen years before the Seed brothers arrived in Hope County. They had both turned to drugs, and were ostracised by the locals. Rachel grew up in absence of a safe space. She had little guidance, and those she could depend on and confide in were, well...pretty much just Tracey.  Neither had healthy guardians to steer them in the right direction. They were on their own, and despite being of an age where (in an optimistic setting) their developmental needs should have been met by responsible adults, they were instead brought up without aid, and without acceptance.

Tracey mentions Rachel’s people-pleasing habits from way back in their childhood, even in the days where they hadn’t started living with the Project. She avoided conflict and wanted to be liked. She didn’t understand that acting as if everything was fine didn’t necessarily make it so.  I applaud Tracey’s scepticism of Joseph, and her ability to see through what was happening early on when the two of them first joined the Project, but I don’t blame Faith for her blindness to it.  She’s not even old enough to graduate high-school at this point. She’s been ostracised from an early age. She’s been swept under the rug. She’s got suicidal ideation and no one in this world loves her. What wisdom is she supposed to have gained? Tracey might be strong enough to carry on with the ‘us against the world’ mantra, but Rachel doesn’t want conflict. She wants a community to take part in, and to be understood and accepted. One day, the enigmatic leader of their church shows up. Everyone in the Project worships him. His importance is in their very scripture. He’s their Prophet. He, of all people, takes a liking to Rachel.  It’s easy to point the finger and judge her naivety, but when you’re a displaced kid and a cool adult takes a shining to you, it’s very fucking difficult to resist keeping away from them. It’s very fucking easy to get star-struck by what appears to be a healthy role model, even if your friend knows better than to buy into it.

I grew up with a lot of friends who dated college guys when we were in high-school, and the argument was pretty similar. Most of us were able to see how insidious it was from the outside, but when you’re the minor in that scenario, it’s not the adult whose attention and affection and praise of you is wrong; it’s the other kids. They don’t understand. They’re jealous. You’re special. You’re mature beyond your years. Smarter than them. That’s why you’re hanging around adults and they aren’t. Reading Rachel’s letters to Tracey at the church, in which she implies Tracey’s envy over her spending more time with the cult than with her, I felt that Rachel’s lens had by this point been entirely clouded by Joseph’s influence. She cared about her friend and wanted to keep her by her side, but she’s entirely unable to compromise the feeling of acceptance that she’s found with Joseph.  He’s all-knowing and all-loving. He understands and forgives. Everyone loves him, and because he puts Rachel on a pedestal, they love her too. Tracey disrupts this. Tracey doesn’t fucking get it. Tracey is the poison. 

Rachel was Joseph’s best prospect for a new Faith. She was a blank slate and she’d obey him in earnest. She wouldn’t doubt him, because she never knew any better. She was legitimately happier in the Project than she was on the outside, and her honest belief helped to quell arguments of corruption and ulterior motive. She was pretty. She could sing and dance, and once they cleaned her up a little, she’d make for a perfect Siren.  Typical of an abuser, Joseph successfully isolated Rachel from her circle. By now, he was likely her only voice of guidance. He and his terrifying older brother who has sworn to protect them no matter the cost, and his charismatic younger brother who gives her pep talks and knows what it feels like to suffer from drug misuse. Joseph helped Jacob bounce back from post-traumatic dissociation. He saved John from self-imposed hell. He could help Rachel, too. I believe that Rachel was invited to take the role of Faith, and instructed to get clean in order to do so. That at some point amongst her attempts to stop using, when she was totally alone and suffering from withdrawal, her invitation wasn’t nearly as loving as it once was. It became an ultimatum.  I believe Rachel was given a heavier dose of scopolamine than Joseph claims they gave her. That in her lowest moments, her role model fed her the fear of banishment should she turn back. With the added aid of a powerful drug that massively affects decision-making and short-term memory, Joseph forced Rachel to destroy her identity and assume the role of Faith Seed. Whether or not she recalls this due to being under the influence at the time, I’m not sure, but the Bliss has set her free, and she’s now the Herald who will help recruits take the same leap she did. She’s in Joseph’s inner circle now. She’s trusted enough to be exposed to the ugly side of the Project, and while the view from the top isn’t nearly so wonderful as it once sounded, Faith Seed has no life to return to. She only has Joseph, and he knows it. She’s just as dependent on him now as his brothers are, and if she doesn’t please him, she won’t just lose that sense of acceptance she’s been chasing since she was a teenager. She’s too close to him now to know that the other Faiths didn’t just quit. They were disposed of. Once upon a time, Rachel wanted to die. Now she’s terrified that she just might.

#*screaming* thats my OPINION #far cry 5 #faith seed #joseph seed #jacob seed #john seed #how obvious is it that i want to break joseph's legs #i hope its obvious #religious trauma #abuse #indoctrination #drugs #drug use #drug misuse #child grooming #long post

[shihalyfie]

Ichijouji Ken, his future, and Kizuna

Having talked about Kizuna’s extremely deep relationship to 02 as a series, it’s only natural that I should probably spend some extra focus on its main central character, Ichijouji Ken. It’s no secret that, although Daisuke was the protagonist of 02, Ken was the central figure to the series itself (after all, the series was founded on the concept of deconstructing the supposed “genius kid”), and so Kizuna having such a deep relationship with 02 means that it does, inevitably, have a deep relationship with Ken in particular.

The last twenty years have been full of a plethora of meta analysis on Ichijouji Ken as a character within 02 to the point I feel anything I could possibly come up with would probably be redundant, so today I’d like to place extra focus on his development after 02 (in terms of both canonical materials and general analysis), and how it leads up to his portrayal in the recently released Kizuna. (Naturally, spoilers for the movie will be below.)

We’ll start this analysis by looking at where Ken left off during the final episode of 02.

Thanks to his interactions with the rest of the 02 crew (especially Daisuke), Ken was slowly putting his life back together, but he still had a long way to go. As late as episode 49, we learned he still had suicidal ideation tendencies in regards to his deeds as the Kaiser, and although the rest of the team did get through to him in the end, it was clear that there was still a huge path ahead of him as far as coming to terms with himself and bonding with the rest of the team went. This was especially because he ended the series with the Dark Seed still in the back of his neck -- supernatural forces may have assisted his initial downfall, but it was going to be entirely on him to make sure that he never went back there again for the rest of his life.

One thing that’s really important to put in perspective is the actual chronology this ordeal took place in. Although the Kaiser saga spanned a little under half of the yearlong series that 02 was, Christmas skewed the schedule a little bit, so a good chunk of the second half of the series actually took place in much more condensed time than the first. Taking into account the official statement that everything before Christmas roughly aligns with the time of the year the relevant episode aired, and given the exact dates in December that we know episodes 38-50 take place in, within the course of 02, Ken’s reformation from being the Kaiser and bonding with the group spanned around only four months. That is not a lot of time, especially compared to the roughly two-year period Ken went through the trauma of his brother’s loss and his transformation into the Kaiser, so in actuality, Ken made a huge amount of progress considering how little time he had to do so.

Before we continue, I should make clear that I generally count pretty much everything in the Toei-esque fashion of “everything is canon, don’t think about contradictions too hard” (which is generally their modus operandi with pretty much any franchise), so pretty much everything here is fair game. That said, obviously, contradictions and other outliers do exist, so occasionally I am going to have to omit stuff that really, really doesn’t track...so for the sake of this analysis, I’m skipping Armor Evolution to the Unknown for two reasons: one, because it takes massive liberties with characterization for the sake of crack (it’s pretty hard to believe Ken would be this degree of flippant about the Kaiser persona in a more serious situation), and two, because it was written before 02 finished airing (it was released between episodes 43 and 44) and doesn’t reflect a lot of series and characterization development that happened later in the series. (Armor Evolution to the Unknown was released during a time period when the drama CDs were really, really big on the crack -- the three Adventure mini dramas are the same -- and it wasn’t until later that actual “serious” ones would start coming out.)

Given that, our next canonical point we can work with is Diablomon Strikes Back, which takes place in March 2003.

At this point Ken’s recovery is at a little around six months, and he’s making massive progress -- even if you’re not sure about counting the actual events of this movie as canon, it’s an excellent character study in terms of watching Ken’s emotional recovery at this point in time and his relationship with Daisuke, now that he’s not directly dealing with issues pertaining to his own past trauma.

It’s already a very different Ken from the one we’ve seen in the original series, where in episode 38 the idea of him laughing was such a huge shock, but here we already see a much wider emotional range from Ken -- light cheerfulness, playfulness, and at times even a bit of petulance. His actions and dialogue still have Ken’s trademark “softness” -- being kind and gentle has always been said to be his core inner trait, after all -- but, nevertheless, he’s a lot more willing to show “superficial” emotions, especially compared to how closed up, shy, and sometimes standoffish he would be within 02 proper.

Even Ken’s own body language indicates a lot -- he’s much more relaxed and  natural. Observe how he slouches here.

In fact, if you listen to Park Romi’s delivery of his lines throughout this movie, she voices him with a significantly higher-pitched and “lighter”, soft tone through all of it, which really gives off the impression that he’s much less emotionally uptight.

We get a glimpse of Daisuke and Ken’s future dynamic and how they’ll continue to be such tight friends in the future -- Ken is someone who can keep the infamously chaotic Daisuke in check (especially since prior to Ken coming into his life, Daisuke’s closest friend was probably Miyako, and while the two certainly got along very well with each other, they had a tendency to enable each other’s chaos a bit too much at times).

But despite Ken obviously trying to be more sensible than Daisuke here, it still manifests as a much greater show of emotion than the kind you’d be used to within 02 proper. He’s much more assertive with putting his foot down in keeping Daisuke under control, which indicates not only a more comfortable relationship with Daisuke in particular, but also a general increase in his ability to be assertive.

In one of his most famous scenes in this movie, he actually outright taunts Daisuke in order to spur him on. He’s doing it totally affectionately (it’s specifically to give Daisuke more motivation to keep running), but nevertheless, he’s taunting Daisuke -- not really something you'd expect from Ken in 02 proper. The original line in Japanese even has him use the very super-casual and aggressive end particle ~ze.

He even snarks about Daisuke’s convenient bouts of luck in ways that aren’t exactly complimentary (the literal phrasing of this line has “baka mitai ni” in it, in this context "some kind of ridiculous incredible power”).

And, near the end of the movie, when he starts to lose hope, it only takes a single line from Daisuke to get himself back together -- this kind of thing would have probably taken a whole speech in 02, even from Daisuke himself, but by this point Ken’s got a much better emotional grasp on himself.

And in the end, the movie ends on both Daisuke and Ken laughing together -- very lightly.

It’s easy to pass off Ken’s characterization in DSB as an incidental thing simply because this is a “side story” movie from 02 -- especially since it was technically produced during 02′s airing -- but in fact, this portrayal is consistent with what Ken has to say about himself during his next known point in canon, Spring 2003.

Given that Takeru’s track is apparently set “three months” after Christmas, and Miyako’s track talks about having just entered middle school, I assume that this means Ken’s takes place in around late March or early April 2003 (almost exactly a year since 02′s start), but in actuality nothing really “happens” during Ken’s track. Nevertheless, it provides a lot of information on Ken’s state of mind during this time and his own self-reflection on his past...and defines in very clear words what it is that Ken needs to move away from.

You were always in a bad mood and you were cold to me, but now that I think about it, maybe you really wanted to be nicer to other people. I don’t know what happened to you that made you act like you did, but now, I finally feel like I understand a bit. You were demanded to grow up fast, weren’t you, Brother? Because we were always being evaluated and compared by someone, we didn’t get a chance to have more freedom. We didn’t have any chances to run down an alley because we felt like it, or pull up weeds, or tumble around… meaningless things, things that didn’t bring any value to us at all. Just like the cat napping on the roof… we weren’t able to fully enjoy any everlasting freedom.

02 -- especially its latter half -- dealt largely with the concept of parents imposing too many expectations on their children, acting “proud” of them but actually using them to inflate their own self-worth, and in the end effectively robbing their own children of their right to “be children”. While we don’t know a lot about Osamu based on limited information about him, Ken’s parents also lament that they might have robbed Osamu of the opportunity to be a “normal boy” in 02 episode 23.

Once Ken took the role of the “family genius” after Osamu’s death, Ken was thus likewise robbed of that “normal childhood” due to all of the expectations put on him -- and Ken’s words in his track imply that it extended to before Osamu’s death, because just because Osamu was the favored one at the time didn’t mean that Ken wasn’t subject to the same kind of expectations to at least some degree, even if not as much. (Note how he really didn’t seem to have any kind of friends at all prior to Daisuke and the others.)

Thus, Ken’s ideal trajectory is to become “a normal child” -- one not subject to expectations as a “well-behaved genius child”. That applies not only to things like his academic or sports performance, but also even his core manners -- being a “normal person” in this context meaning being allowed to show emotions, be petty, have emotional range that extends beyond just being deferential and polite, and generally do things because he enjoys them and not because others expect him to. This is consistent with his portrayal in DSB, as in said movie he really does come off as a “normal boy” -- a young child who, while certainly less chaotic than Daisuke, is still enjoying himself and interacting with the world in “his own” natural, relaxed way rather than holding himself to obligations.

Another interesting thing about DSB is that it has Ken refer to Daisuke by given name. This is particularly intriguing because up until the end of 02, Ken consistently referred to Daisuke as “Motomiya” (he did use given name in episode 39, but it wasn’t something he really followed up on). This despite the fact he went with given names (plus honorifics) for everyone else in the 02 team, but it seems like Ken was still trying to figure out his very complicated feelings about Daisuke as someone who was his Most Hated Person™ during his Kaiser days and yet is now trying to aggressively reach through his barriers that he’s constructed out of self-defense.

And yet, extremely notably, almost every single post-02 material is consistent about the idea that Ken switches to given name basis with Daisuke after 02. (The only exception is Armor Evolution to the Unknown, which, as stated before, was written and recorded during 02′s airing and not after; notably, Daisuke is also on surname basis with Ken during that drama CD, even though he permanently switches to given name basis after episode 39.) That includes “out-of-hard-canon” things like Xros Wars episode 78.

Yet they still couldn’t remember to put the highlight back in Ken’s eyes, among other things.

Honorific and surname-given name basis fluctuated quite a bit in both Adventure and 02 (especially whenever canon material changed hands between writers), but for all intents and purposes, there is no reason Daisuke and Ken should not be on mutual given name basis after 02. This is especially when you take into account the more naturalistic relationship they have as of DSB -- there’s no standoffishness at all between them anymore.

This ties very deeply into how 02 portrayed its characters. One thing I’ve very, very often pointed out was that it was always an explicit point of contrast between themselves and the original Adventure team was that the 02 kids were not only “friends” in terms of fighting together on Digimon cases, but “friends” in the sense of actual social-life friends who clicked well in personality and adored each other’s company. (Part of this was because of the core theme of the series; Jogress being such a huge motif, “understanding your friends” took precedence over Adventure’s “understanding yourself”.) These are the kids who hung out together in the totally-not-related-to-any-Digimon-incident (at least, not at first) picnic in episode 6 and Christmas party in episode 38, a stark comparison to the Adventure kids who infamously started drifting as early as Our War Game!.

(Note that this isn’t meant to diminish or drop shade on the Adventure kids’ bonds in any way -- I feel like their bond is more of one that’s a “transcendent” one that crosses space and links them through their shared experience, but, nevertheless, is simply not the same in nature as the “social life” bonds the 02 kids had where they were very casual and yet intimate with each other in almost all daily life respects.)

As a result, Daisuke and Ken’s relationship ended up very different from that of their predecessors Taichi and Yamato -- it’s actually hard to imagine them getting in all that many highly heated fights in the same way their seniors would be prone to, and they’d generally be on “mild banter” terms for most of it. In fact, they come off as pretty casual and in-sync with each other, and it’s to the point where it really does feel like -- especially by the point of DSB -- staying on “standoffish” surname basis really is unwarranted.

And while it’s tempting to limit Ken’s relationship to only Daisuke, this did involve the rest of the 02 group, after all -- we got significant episodes defining his relationship to the others (Miyako got a whole episode in 25, and 30′s entire events kicked off because of an attempt to get him to better socialize with Iori!), and the 02 kids as a cohesive “overall group” were integral in getting Ken to open up and show different sides of himself. Although his relationship to certain team members ended up closer than others (Daisuke and Miyako, the ones who tried most aggressively to reach out to him, ended up getting the most out of him), nevertheless, it was important that Ken ultimately cultivated a relationship with a group of friends, and not just one.

This, of course, brings us to Kizuna, which takes place in the summer of 2010. This is a massive leap of time we don’t know a lot about, and for all it’s worth, this means we have, compared to the approximately two years Ken spent suffering under the influence of the Dark Seed, a whole eight years dedicated to potential recovery. There’s a lot that could have happened during that time, and what happened in between, we can only really guess.

Well, for one, he cut his hair.

The reveal of Ken’s design for Kizuna was a huge shock for those watching, because, among all of the twelve main human characters in Kizuna, he probably has the biggest and most drastic design change -- especially because his long hair was so iconic that even the epilogue depicted him with it (and even longer, at that). Were it not for other important identifiers like Wormmon’s presence and the fact said hair is at least still indigo blue, you’d almost wonder if it’s the same character.

(I do have to at least give props to this Animedia poster, though -- that soft and concerned expression is textbook Ken-chan, so it absolutely nails the vibe that it’s the same character despite the massive design change, and it even has a small cute detail that, despite clearly trying to calm Yamato down in haste, he’s still tidy enough to lay his chopsticks neatly on the bowl. That Ken has a habit of doing this while eating hot ramen is a very specific minor blink-and-you’ll-miss-it detail in 02 episode 36, and while I’d normally pass this off as coincidence, Kizuna and its PR has had such ridiculous attention to detail that I’m not entirely willing to.)

Not only that, his actual outfit in the movie is rather unassuming -- it’s just a black shirt, pants, and a belt, compared to the more distinctive/fashionable or setting-immersive outfits everyone else has. I mean, it sure beats that godawful grey gakuran he was constantly wearing during 02, but there were certainly a lot of complaints about how...well, unassuming and plain he looks.

The thing is, though, this is very much in line with how Ken would most likely want to present himself. When you think about it, Ken himself would probably not really appreciate his fanbase status as the “sad pretty boy”; having been scrutinized, evaluated, and put on uncomfortable pedestals through all of his early life, “blending in” and coming off as an average, unassuming person would be right up his alley.

Anyway, before we get into Kizuna itself, we have the drama CD that came with its BD, Where Should We Go? While it was released after the movie, in chronological timeline, it serves as a slight prequel, and what we learn about Ken in it is certainly...interesting. Namely, that he’s apparently a hardcore fan of Japanese hot springs. And not just a hardcore fan of them, but also a complete nerd.

The hot springs *obviously* must have free-flowing water. If possible, I think I’d prefer a quiet, rural flowing hot spring that’s surrounded by a moss-covered garden. Then I want to stay the night at a historical inn that focuses more on tranquility and wabi-sabi rather than wildness or beauty. I’m not looking for a lot on the food options, but the portions should ideally be neither too large nor too small. If we’re just going to relax our bodies, then I’d like it if there was a variety of hot springs to choose from. The water quality that I recommend for the ladies would be the hydrogen carbonate spring or the alkaline simple hot spring (these are otherwise known as simple hot springs with a basic pH of 8.5 or above), but my personal favorite is the hot sulphur spring! Incidentally, the hot sulphur spring is said to treat arteriosclerosis and high blood pressure. If it were possible, I’d like to take my time there… At least stay for two nights! Ahh… Hot springs… Hehehe…

I cannot stress enough how much the audio delivery for this depicts him as being terrifyingly into it. It’s also...not exactly the most fashionable thing for a nineteen-year-old to be into (actually, it’s more of a stereotype old man thing, what with the fixation on traditional Japanese aesthetics and health nut aspects), but we have Ken being very shameless and assertive about his personal interests, even if they’re a bit unusual.

Funnily enough, this isn’t actually the first time he was demonstrated to be a huge infodumping nerd -- it’s just that the last instance was questionably canonical, but tracks extremely heavily with what was just demonstrated here. Namely, Daisuke and Ken’s Shopping Carol:

Listen, the thing about Christmas is that it's one of the most important days in the world... It was the day the Savior was born... So, you go to church and pray... Of course, you knew all of that right?

Or in other words, he interrupts Daisuke’s wistful thoughts with The Actual Nerd Facts, because he’s a nerd. He even has a bit of a smart-aleck atmosphere...and then he cheerfully and sassily dumps all of the work on Daisuke thereafter. While the canonicity for this song is hard to place since it was released during 02′s airing (and 02 itself depicted a very different Christmas), plus the ambiguity of character song canon in general, it’s interesting how Ken’s portrayal here is pretty surprisingly in line with what we’re learning about his future personality.

The rest of what we see of Ken in the drama CD is what we generally knew about him already -- he’s kind, he dotes on Wormmon (he even indulges Wormmon’s request to take him skiing!), and he still keeps up with being into intellectual studies, and even soccer (he’s described as actually keeping up with soccer to the extent he does training camp), because he was always interested in those kinds of things -- it’s just that now he can indulge in them in ways he personally likes instead of being held to other people’s standards.

But he’s also very emotional, passionate, and openly assertive -- something he could be in 02, but only when it was something he really, really cared about, because most of the time he was a little more on the shy side with others. Not anymore. And he’s happy to indulge in the chaotic trip planning and enable the others, and, at the end, gives some sentimental words to Daisuke, his best friend.

Anyway, onto the movie itself!

Notably, they do not mention Ken’s past trauma nor his deeds as the Kaiser throughout the entire movie.

That might surprise people, given that this was...well, central to the entire plot of 02, so it’s arguably a glaring omission that despite having the 02 cast here, it’s not even brought up once. The only real “reference” to it is this scene, where Ken happens to be the one who knows about Menoa’s background as a child prodigy -- and even then it’s uncertain whether this had anything to do with said traumatic events (Menoa was admitted to Liberica in 2002 itself) as much as it’s a meta nod to Ken having a suspiciously similar background and the fact he and Menoa were based on the same real-life story (the nine-year-old boy who skipped grades into Columbia University).

But, again, recall that Ken has had eight years to move on from the events of 02, more time than said events had actually spanned over. That doesn’t mean he’s easily going to forget that trauma, nor that said events don’t still have an impact on him, but rather that a true positive development for him should have him not having to consciously dwell on it if it’s not necessary, and that his friends of now eight years should probably not be still holding it over him at a time like this.

After all, 02 itself was dedicated to scolding this kind of behavior -- not being “stuck in the past” (which, well, also happens to be a very pertinent theme when it comes to Kizuna...) was basically the entire point of the latter half, and so it stands to reason that Ken, and by extension the rest of the 02 cast, would be more focused on what they’re doing now instead of what happened back then.

In the absence of any references to said past, Ken in the actual movie ends up coming off as a bit unremarkable and plain compared to the three friends who end up surrounding him, all of whom have much more extreme personalities (the chaotic and exuberant Daisuke and Miyako, and the comically poker-faced Iori). But you get the feeling that he’s perfectly fine being that way -- rather, he’s enjoying getting all of his fun from his exciting friends, without feeling a need to spice things up himself.

So when we finally do meet Ken for the first time in Kizuna, he’s cheerfully eating ramen with Daisuke and Iori in New York (which, for all it’s worth, is probably really questionably legal, considering that Adventure’s world of 2010 likely still hasn’t figured out how to deal with that whole thing with “immigration and customs” as it pertains to Digital Gates.) Emphasis on cheerfully. He’s as tidy as ever (note how he still properly keeps his chopsticks between his fingers and cleans up after himself, albeit not as well as Iori), and he’s obviously more straight-laced than Daisuke or Miyako, but he isn’t really hiding the fact he’s also totally enjoying this. He didn’t even know why they were there for ramen in New York in the first place, but he just rolled with wherever Daisuke took him.

Recall that, according to their official profiles, these three go to completely different schools now -- Iori’s in high school, Daisuke’s at vocational school getting a chef’s license, and Ken’s in university studying psychology. (Which, by the way, is not brought up at all throughout the movie nor the drama CD! It’s easy to glean how his past experiences might give him an interest in the topic, and it’ll certainly be a valuable background to have for his future known career in criminal investigation, but despite Ken previously having had a reputation for being studious, it’s not brought up at all -- almost as if hanging out with his friends and having fun with them is more important and pertinent.) The drama CD even points out that Ken would normally be busy with soccer training camp. Yet they’re hanging out. In New York. Eating ramen. So, Yamato, what were you saying about how “choosing your own path can sometimes mean being alienated from friends”? If anything, these friends seem to be going out of their way to make sure they’re staying tight.

And, as you’d expect, Ken refers to Daisuke by given name, following DSB’s precedent. Again, given the nature of their relationship right now, this should be expected. There’s other evidence that Kizuna does use DSB as reference in certain other respects as well (Takeru calls Yamato “niisan”, which had previously been exclusive to that movie), and it’s very possible that Ken as portrayed in that movie was used as reference for his potential trajectory here.

Note that he seems to be even more outwardly affectionate with Wormmon than before (which is, shockingly, apparently possible) -- he still feeds his partner before feeding himself (similar to what he did in 02 episode 37), but now he also shamelessly carries Wormmon on his head, which he never did in 02. Perhaps it’s because he’s tall enough to carry the weight, but unlike with Takeru and Patamon, Wormmon is big enough that the sight is honestly comical -- yet Ken couldn’t care less, and while we don’t see him in his own school, it’s a sharp contrast to how Taichi and Yamato scoffed at the idea of bringing their partners to school because they “have their own lives to live”.

(A nice touch is Ken carrying Minomon from his arm, which actually comes from a very obscure piece of 02 concept art -- you can find it in the Character Complete File or the Animation Chronicle -- but was never depicted in the series proper. The Kizuna design works in the April 2020 edition of Animedia actually recreated that piece of art with Ken in the exact same position, only as a nineteen-year-old this time, which was an incredibly welcome thing to see.)

He greets Miyako upfront when she arrives, which doesn’t look like much on its face, but recall that this probably wouldn’t have happened during 02 proper -- not even with Daisuke! -- and, at the very least, not with this very casual “hey!” tone. It means a lot in terms of how much more casual of a person he’s been able to become in the last eight years, and how much more casual he is with this group (well, at least with Miyako). Takeru also greets Wormmon in the drama CD, and Wormmon seems pretty unusually happy to see Hawkmon when they meet each other there, certainly implying a lot of interpersonal interaction since.

Miyako meets up with them (and, going back to how tight these kids are, Miyako would come in all the way from Spain to meet her friends even for the exact same job that she dumped on her seniors), and they end up infiltrating Menoa’s office. He gets in a line of snark, especially because the Shueisha Mirai novel indicates he’s deliberately “looking the other way” in regards to worrying about security -- looks like he’s developing some Lawful tendencies, but in the end, his friends and getting to the bottom of the real truth take priority.

And, also, it’s still pretty clear he’s totally taking the opportunity to enjoy this.

So what does this all mean, really? He’s taking a fairly passive attitude with his abundantly more chaotic friends, but he’s also not protesting, and he’s enjoying everything he can out of it. He’s a bit quieter than he was in DSB, but that could easily just be from being older and a bit more mature, and he hardly comes off as reserved, either (it helps that Daisuke doesn’t quite resort to any antics nearly as ridiculous as he did in DSB, so there’s no need to keep him in check -- yep, even Daisuke got a bit more mature himself). And he’s joining these kids in being possibly some of the most chaotic disaster adults (near-adults?) on this planet, in a sharp contrast to their seniors.

I mentioned earlier in my analysis of Kizuna’s relationship to 02 that Ken is actually a “hidden” foil to Kizuna’s main antagonist, Menoa -- they were both conceived from the same idea Producer Seki had regarding the real-life “genius boy” who ended up going to Columbia University at a young age and, in her opinion, was going to be robbed of a proper childhood experience. 02′s Dark Seed children arc was a major indictment against parents forcing this kind of pressure on children, not only in the sense of pushing them academically but also quashing out their more “childish” dreams for the sake of a more “dignified” outlook and future. Through the events of 02, Ken learned a very personal lesson on not losing his “true self” to the pressure of those expectations, and the meaning of valuing his family and friends instead.

Ken and Menoa, effectively, were originally on the same path, but thanks to the circumstances of 02, Ken managed to avert Menoa’s fate and ended up following his own way. Nevertheless, Ken was largely robbed of a normal kid’s childhood up until the age of eleven, and it stands to reason that, even at the age of nineteen, he might still be trying to make up for all of those fun experiences he never was able to have.

Funny thing about his haircut, too -- this isn’t the first time Ken’s had this haircut, actually. You know when was the last known time he did?

Hm. Coincidence? Maybe. Maybe not.

But unlike Menoa, who decided that it would be better to trap herself in her own distorted view of what “childhood” is, or Oikawa, who ended up clinging dearly to the last reminder he had of what he’d lost from his childhood, Ken ends up dealing with it in a very forward-facing manner. In fact, he’d elucidated his feelings on the issue back in Spring 2003:

There are still a lot of times when I think about how I should have “done this back then.” But I discovered that there are many things I can do over afterwards. I’ll stop counting the things that I can’t do. Because I’m sure there are many things that I can do.

Instead of living in regrets about the past, Ken simply chooses to move forward by making new fun experiences and memories with his friends, befitting those he couldn’t have when he was a kid, and perhaps even enhanced by his newfound freedom as a nineteen-year-old.

During the final battle, we get a few more emotional and assertive shows from Ken -- his concern about Miyako is pretty frantic-sounding, and the fact he steps in so quickly and frantically to help her out by his own will is pretty impressive. And then he definitively declares that they can’t afford to give up -- which is certainly in line with the nobility he had even during 02, but remember when, even in DSB, Daisuke had to be the one to remind him of this? Now he’s the one reassuring his teammates about this, all on his own. When it all comes down to it, his sense of awareness of what he wants and what he wants to do is stronger than ever.

I mentioned in my analysis of Kizuna in relation to 02 that the 02 kids are in a fairly unique position in the movie, thanks to having already practically gone through a lot of the lessons in both 02 and Kizuna, thus leading them to become very lacking in susceptibility to potentially losing their partners anytime soon (and in fact are deliberately portrayed as such). I would say of all of them, Ken is the most representative of this -- being such a direct foil to the movie’s main antagonist, one who actually came dangerously close to making some of the exact same mistakes she did and emerged with his own trauma as a result, the lessons and warnings imparted by the movie are already deeply embedded in his being.

He’s one of the most openly affectionate and intimate with his partner, having already learned the very, very hard way of what happens when you don’t treasure your partner properly. (He’s taking Wormmon jogging with him, which has got to be an awfully uncomfortable setup, but, goddammit, he’s gonna make it work. And if ~With~ is to be believed, he’s been doing this for years now.) He’s still got a Dark Seed in the back of his neck as an eternal reminder to remember who he is, and to acknowledge the love from his family and friends around him instead of succumbing to arbitrary societal expectations. Remember what I said in my earlier analysis about the true reason for partnerships dissolving, and how deeply it was tied to throwing yourself away for the sake of arbitrary standards of adulthood? Ken’s experiences and extremely painful trauma are like a giant do not do this stamp on his face, and although everyone in this cast is naturally human and may have ups and downs or relapses, Ken is possibly one of the last characters one could imagine succumbing to that kind of mistake again.

So we make it to the epilogue, and although Ken’s technical job title as given in the epilogue is literally “police officer” (keisatsukan), his form of dress (plainclothes, not uniform) and his the Character Complete File indicate he’s from the Digimon Special Investigations Unit (tokusoubu), or, in other words, he’s actually a public-servant detective. (So no, the various dubs also going with “detective” are thus not “changes” in this respect.) In short, he investigates scenes of crimes after they happen, and the Character Complete File provides an example in the form of him investigating a dead body found at the river.

This is probably why Kizuna has him major in psychology, because forensic psychology would be a pretty useful skillset for this kind of job, and a university education in general would most certainly be helpful. (The job requirements as per the Japanese system also require a very high level of athleticism and aptitude.) On the other hand, considering what we know about Ken up to Kizuna, there aren’t any indications that he treated this like any kind of major aspiration, and the psychology major makes you think he might have just fallen into this career by a series of accidents -- he took an interest in psychology (and mental health) due to his own experiences, and then decided that “discovering the truth behind things” was up his alley (much like Iori). Even more notably, his position isn’t really described in any history-making terms, not even ones like being “the first” of anything (like Jou), and it feels like he’s doing this to contribute to society in a way he prefers more than he’s trying to accomplish anything world-shattering.

But on the flip side, it’s probably no coincidence that the 02 epilogue portrays him with such a big family. Of course, it also fits with his and Miyako’s family backgrounds (they’d probably want their kids to have siblings, given their own experiences), but since the Dark Seed was described as having its effects countered by acknowledging how much you’re loved, Ken is clearly surrounded by love -- his wife is one of the most openly affectionate people out there, and his kids (or at least his middle child) use the same “Mama” kind of affectionate language Ken shared with his own parents. Once the events of 02 came to a close at the end of 2002, Ken went on a journey of discovering his own self-assertion, personal desires, and fun -- shedding the expectations and societal standards others had of him, and learning to enjoy life in ways he personally enjoys, for his own sake.

#digimon #digimon adventure 02 #digimon adventure last evolution kizuna #ken ichijouji #ichijouji ken #shihameta #kizuna spoilers

[lilyhandmaiden]

The Things That Have Gotten Me Through 2020

In the last few minutes of 2020, I thought I would share some of the little things that have brought me joy and comfort and, when both of those were in short supply, have dragged me forward through this year.

12 Monkeys (TV series)

I started watching the 2015-2018 SyFy series 12 Monkeys, which revolves around time travel being invented to stop a humanity-ending pandemic, in February or so, right before it became clear that the current pandemic was going to have a big impact on all our lives. It was... weird timing. Nevertheless, in the early days of lockdown, etc., all I wanted to do was curl up in a ball and escape by watching this ragtag group of idiots save the world and, eventually, Time Itself. They were, overall, very bad at it, always getting in their own way, but they won anyway, and that felt strangely encouraging. The show is not unproblematic at times, but its overall message is that, while endings are inevitable, the relationships we form and the choices we make matter. That was something I needed to hear and take to heart. Plus, the series introduced me to Jennifer Goines, one of my all-time favorite fictional characters. As played by Emily Hampshire (Stevie from Schitt’s Creek in a role as unlike Stevie as it is possible to be, at least in terms of self-expression), Jennifer is “brave, impulsive, irrationally rational,” and a force of radical love and compassion for her friends and, ultimately, for herself—even if her brain never works the way she wants it to. May we all try to live in the happily ever now.

 Schitt’s Creek winning all the Emmys

Schitt’s Creek was my big discovery of last year, and its amazing character development in a story about finding oneself and forming connections in the process of starting all over was hugely important to me upon entering into post-academic life. This year, I’ve loved seeing this show’s snowballing popularity, which culminated in its sweep of the Emmy comedy category. Watching the ceremony at home with my cat, I screamed as those wins piled on (not as loudly as Sarah Levy up in Canada, but still). Legends Catherine O’Hara and Eugene Levy with their first acting Emmys! Dan Levy for writing and directing and acting on his first series doing any of those in a major capacity! Annie Murphy, for her hilarious and heartbreaking and inspiring and masterful portrayal of Alexis Rose, after she was told she couldn’t do comedy without comedy lessons and almost quit acting! The COSTUMES. No cast and crew have ever been more deserving. Love that journey for them! And the fan celebrations afterward were such an expression of communal joy at a time when joy and community were not so easy to come by.

 Folklore and Evermore and Taylor Swift

           It took me about a month to get around to listening to Taylor Swift’s first surprise pandemic album, folklore. Once I did, though, I couldn’t seem to stop. There were stretches of weeks when I only listened to folklore. It was for working and driving and writing and cleaning and thinking. It’s sonically soothing and lyrically gorgeous, pulling from literature, history, memory, isolation. I’ve never listened to an album where I can pick out so many favorite individual lines before. I’ve always admired Swift most for her storytelling, so it’s no huge surprise that I love this album, where she embraces the storyteller role. Still, I’d only really paid attention 1989 and her singles before—and not really even to her singles over the past few years. After about a month of only listening to folklore, all the time, like it had me hypnotized, I decided it might be worth listening through the entire Taylor Swift discography.

           I fell in love with folklore as an album for its bittersweet, nostalgic feel that spoke so perfectly to this moment in time, but the exact moment I fell for Taylor Swift as an artist might have been when my jaw dropped at the cutting specificity of, “Don’t you think nineteen’s too young to be played by your dark, twisted game?” in “Dear John.” And then when I cackled as she wrapped up the song with, “The girl in the dress wrote you a song. You should’ve known.” That was when I started to appreciate Taylor Swift for the way she has, from a very young age, understood her power as a storyteller, and specifically as the teller of her own story. “I was there. I remember it,” she emphasizes over and over in song after song, seizing the authority she might otherwise be denied as a young woman (“when you are young, they assume you know nothing”). Plus, her use of imagery is unparalleled. folklore spoke to this moment in time, but there is a Taylor Swift song for every possible moment and mood, and that became a comfort and escape of its own.

           So, by the time evermore came out, I was able to appreciate it as an event. And that, in these times, is no small thing. evermore is the wilder and sadder of the twin albums, and its songs revolve around endings and, on the other side, improbable hope. Here’s to this pain not being for evermore. Take a nap, Taylor. You’ve earned it.

 Writing

At the end of grad school, I felt like I might never write creatively again. I was afraid that creative part of me had withered up and died. But last year, slowly, it started to come back, and this year it’s been one of my main sources of joy. I’ve written thousands of words, and I’m actually enjoying the process of doing it and proud of the outcome. I know and understand why a lot of people have struggled to be creative this year, but for me, writing my way into another world where I am actually in control of what happens has been my favorite way of escaping this one. It’s all I want to do all day while I’m sitting at work, doing official correspondence. I’m even writing original fiction for the first time in ages, and you know what? It’s not nearly as scary or difficult as I was afraid it would be. Plus, I love talking about writing, sharing enthusiasm and working through problems, with friends. I’m not a fast writer, but I hope to do more of it, and find a way to do it more consistently, in 2021.

 Texting with friends

I haven’t been perfect at it, but I made the decision at the beginning of 2020, before All This even really got started, to do a better job at keeping in touch with my friends. In a year when we’ve had to reconfigure so many things we care about, I can wholeheartedly recommend a weekly text with friends as a way of keeping those relationships and those people prominent in your life. Throughout the year, reaching out on a regular basis to the people I love—when I need them, when they need me, just to say hi—has deepened relationships I care about and has been a constant source of comfort, stability, and fun. So much emotional and physical good has come out of it for me and, I hope, for others as well. This is a part of the year I’m really proud of, and I intend to continue, expand, and refine this program in 2021.

 Learning to cook things

At the beginning of the year, I set the modest goal of learning to cook one simple thing each month of the year. When so many other goals and aspirations got blown up, this is one I was able to keep to for the most part. The holidays got in the way at the very end, but I did learn to cook 10 new things this year. For a person who could cook almost nothing before, this is big progress. It worked so well that this is another program I intend to carry on into 2021.

 My nephew

Last year, I was looking forward to the day when this kid would be able to recognize me. Last weekend, he came running to be picked up with a big smile when I came through the door and hugged me when I left. It’s possible that he thinks Aunt Erin With a Mask and Aunt Erin Without a Mask (the latter of whom appears only rarely) are two different people, but he loves both of us, and we love him. I can’t wait to see what he’s learned by this time next year. I hope the world is a friendlier place for him by then.

Happy New Year!

#darth real life #12 monkeys #taylor swift #schitt's creek #2020

[soulvomit]

I’m realizing what some of my writing block is. This is why I’ve decided to only write *adult market.* I can’t write YA. I can’t even write for people who want to read YA. The narrative demands of an audience that wants everything to be Young Adult, are like handcuffs. I can’t write within those boundaries, I just can’t.  I can’t even write for people who read Adult then get mad that it’s not YA. I can’t write even for younger readers of erotica. I can only write for people with roughly my same level of social experience who are coming from the same place, who don’t require their characters to be moral paragons, or who want to read something that is coming from a different place emotionally, or... for that matter... young people who prefer to read older work.  Long winded diatribe about some of my more difficult, culturally incorrect romantic narratives I’ve written, as an example of this problem. In case you’re not going to read behind the read-more, no, I don’t write incest or pedo. (Doesn’t mean I won’t write a character who has experienced this if it comes up, I haven’t yet, but who knows. But I don’t write positive portrayals of it. I feel I need to write this disclaimer here.)  

Looking at my writing - I have some scenes I’ve written that are very passionate. It’s basically an OC fanfic type of scenario, it’s writing I did that spun off of a game setting my characters were in for a very long time, about two characters who later ended up married. (And I often do this when game groups fall apart, I start writing about my characters.) It’s some of my best writing, and I’ve often thought about filing the serial numbers off and cannibalizing this for some totally original setting. In the piece I’m looking at, the characters haven’t jumped each other’s bones yet, but there is a strong attraction between two lonely, unattached coworkers that is growing into... outright longing. These are middle aged divorcees with children. They have navigated love and lust before. They have been adults at this point for a long time. They are both sexually experienced (her, in fact, much more than him). It’s clear that they utterly want to rail each other from dusk to dawn until neither one of them can walk. Much of this is from the point of view of the male character. (And I LOVE writing het from the male point of view; it’s one of my favorite love/sex dynamics to write.) They’re definitely conscious of this attraction and in their private thoughts that I’ve written, before the attraction is consummated, there’s definitely “strong crush” energy. These are experienced, sexually mature, middle aged people who are both divorcees with children and they definitely are guessing correctly about the other person’s attraction and interest. They’re imperfect people: they’ve made bad life choices in the past. They’re equals, but it’s never *explicitly pointed out.* He’s a hypermasculine (but not toxically) and badass warrior type, she’s an engineer. She is older than he is, but that never matters and never comes up any more than the fact that I’m 6 years older than my fiance, ever comes up in our relationship. All four of us are *middle aged people* and it is just not a topic of conversation. Another thing that’s “eh” by YA standards is that The thing with how I portray and read erotic or romantic stuff, is that I am an older, experienced person, and I like stuff about older, experienced people. People who already know how to navigate these situations and don’t necessarily need everything spelled out. The thing is, I almost feel like - because of changing sexual mores - I can only write for people over 40 unless I totally rewrite the way everything goes and even the emotional temperature of their early relationship. Even though it’s very clear that my characters are absolutely mutually into each other, and it would be clear to any experienced person who navigates body language, I would have to navigate a whole new set of mores around having to outright spoonfeed my audience - we are really into tell don’t show now, we are really into long winded prefaces to everything explaining how everyone involved is really a good person, and I notice that there’s so little comprehension of nuance or subtlety now, things have to be spelled out, one character reading another person’s body language and flirting at a subtler level would be considered gross and against the present day’s mores around consent. My characters ultimately end up making out and going to bed and they never, ever talk about it and they never process it. The establishment of consent is very, very brief and amounts to one middle aged horny person basically saying “wanna fuck” to another middle aged horny person (personally, my absolute favorite way to start a relationship, that’s how my current and best relationship started, 10/10 highly recommend) and, 12 hours later, the other person pulling them into their hotel room. It’s the kind of establishment of consent that you would’ve seen in an older work and it’s not a particularly complicated dance. I didn’t write this work for public consumption outside of a handful of people and perhaps if I did, maybe I would have written it differently because I’d have to assume that “show don’t tell” doesn’t work on audiences who don’t read nuance, I don’t know. Also, in the lead up to the two characters doing the do, they totally sexually objectify each other in their heads. They think about how much they’d really, really like to pounce on each other. And this is... objectifying, or something. I always portray consent but there’s never a complicated ritual around it. I don’t enjoy writing that. Also, I really enjoy writing and reading stuff with spontaneous passion. I LOVE stuff where it’s even a little over the top.

But the big thing that seems to have changed? The big social more? It feels like you’re not really allowed to show your characters crushing too hard, or desiring too much. They’re certainly never allowed to have frustrating desire or one-sided attractions. (I’ve written lots of those. How the character acts on it or doesn’t, is going to depend upon what type of character I’m writing. I have a couple of one sided best friend crush types of dynamics that I’ve written, usually it’s same sex and incompatible sexual orientation.)   Characters are not really allowed to be horny and there seems to be a general disgust with horniness. Which is difficult to navigate because I love horny work, about horny people. I love stuff about crushes and frustrated limerence.   Also? I even love forbidden romance and forbidden sex and sometimes, and even characters doing things they’re Not Supposed To Do. (I think this is why so many people in my age group are into crime fiction, stuff about illicit affairs, etc.) I have the standard legal and moral limits, but yes I will even read about characters cheating on their spouses. It doesn’t mean I condone what the character is doing or want to do it, and it’s satisfying to see how the situation resolves. (It has to have consequences or it’s just not believable.)  

But even age differences between grown ass adults and massive social differences don’t bother me. I love reading and writing common and royal, rich and poor, people from forbidden and different social worlds.

I’m presently writing something in which a young (but adult) witch is married to an immortal god, and finds out she’s one of millions of his brides through history, and hundreds in the present time. And she is going to stay married to him because that’s part of, in my world, being the type of witch she is. OF COURSE there’s a power difference because HE’S A GOD. The story also spends a lot of time with her as a child, because I write CRADLE TO GRAVE CHARACTER DEVELOPMENT. I love to spend a character’s entire life with them, from the time they’re born to the time they die. But leaving that aside. The sweetest and most tender romance I’ve ever written, involved a sad 50something man and a 25ish year old woman. I was in my 20s when I wrote this. I had lived with the male character in my head for a long time and knew him inside and out. I was delighted when I realized that sparks were flying between him and another character, I’d lived through this character’s life story and its long history of unhappy self-sacrifice, and I decided to follow to see where it led... and it was delightful! I decided to let him have the happy ending. He deserved it after all of this time. She was the initiator of the relationship. She’s in love with him. He is a widower who’s lost everything and now he has a chance to rebuild his life and start a family with this new person. She has other suitors but wants him. She gets pregnant. But it’s narratively a blessing. She wants him, she wants their child, and he’s delighted (especially since his late wife and child are dead), it’s a matrilineal culture, she and the child will stay on the land with her family after he dies. This is a blessing for him. They’re on her family’s land and he’s an exile with no home. She is NOT a Literal Child; she is a grown-ass adult with her own agency, who is sexually experienced, and who has born a lot of responsibility, and is in a prominent social position. His existence is at the mercy of her family, though they keep him around because of his knowledge and abilities. He is the one who doesn’t initiate the relationship, because he’s conscious of the age difference and feels like an old fool, and worries she’ll tire of him one day. Who has the power? Also, he’s a “fish out of water” from another (completely fictitious) culture who ends up totally living among, and assimilating into, this new culture, and basically living out the rest of his life among them, with his bride and their children. And that’s something that isn’t supposed to happen, right? (Writers whose characters just show up in their heads, will relate to this. I don’t even pick my characters’ love interests.)