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#who wrote the disney channel’s theme
thinkingnot · 2 years
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i will never be the same after this video, check it out! i have no words this is genuinely the best documentary, video, piece of media analysis i’ve ever consumed
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the humor aspects, the great editing and credit to some of the most impactful people of my childhood that have remained anonymous to most until now (currently holds 1.8 million views, uploaded 9 days ago). the efforts made to get in touch with all these real behind the scene people and interviewing them, deep diving the internet for an accumulation of credible sources.
and the spectacular ending, that holds weight of the entire video, a dip in tone and then a lift, ending not making you wanting more, but makes you sit and think, digesting all that. It reminds me of the first time I finished my favorite movie of all time, walking out of the theater and my ears can still hear voice lines, my head, nothing but what I just witnessed.
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oars · 2 years
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SIS 😭
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fishmostly · 1 year
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Sabrina Carpenter - Feather 2023
"Feather" is a song by former Disney Channel (Girl Meets World) actress Sabrina Carpenter from Emails I Can't Send Fwd, the deluxe edition of her fifth studio album. The album is themed around drafted emails and messages Sabrina wrote but did not send. Music magazine Rolling Stone summarized the music video for "Feather" as: "Carpenter finds a middle ground between Jennifer's Body and Final Destination, with a pop girl twist, as she lets the universe take care of eradicating the men who followed her down the street, only to then be hit by a truck they were too distracted to see coming." "Feather" only got a total of 46,6% yes votes. :(
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I need to scream about the brilliant thematic juxtaposition between hbomberguy’s “ROBLOX_OOF.mp3” and Kevin Perjurer/Defunctland’s “Disney Channel’s Theme: A History Mystery”, which came out within 3 days of each other in November 2022 and both concern artistic credit and legacy. Here they are linked for those who haven’t watched one or both:
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While both are very different stylistically (with hbomberguy maintaining his signature edge of unhinged video essayist humor while Defunctland is produced in a more traditional documentary style), they are both very well made with a strong narrative through-line— something I consider to be very important in a good documentary. They also have strikingly similar subject matter, but very different “protagonists”, so to speak.
Tommy Tallarico, the center of hbomberguy’s doc, is a well-known and successful video game composer who, over the course of the video, is revealed to be a grifter and seemingly compulsive liar. Perjurer’s doc, by contrast, spends most of its runtime trying to uncover the composer behind Disney Channel’s well known auditory channel theme; eventually this is revealed to be Alex Lasarenko, a composer who wrote a lot of music for brands and sadly passed away in 2020 without much fame to his name. While Lasarenko was obviously unable to be interviewed for the documentary, Perjurer manages to get into contact with many of his collaborators and they have nothing but nice things to say about him. Contrast this with Tallarico, who is far more successful than Lasarenko, but is also a total dick who takes credit for the work of those who work under him (among many many other issues).
To me, the idea at the center of these docs is artistic legacy. When you die, what will you be remembered for? What art that you have created is inherently connected to you as a person? And, does it matter if those who personally know you actually like you as long as your art is loved? Is it better to be famous and despised or unknown and beloved? They also both have commentary to make on media preservation, with Perjurer’s doc being made possible through the tireless work of online archivists who catalog tv bumpers and interstitial content, while hbomberguy’s doc shows how Tallarico actively seeks to rewrite history in service of his own fame.
Basically, I love YouTube documentaries and there were a ton of great ones made in 2022.
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greatwyrmgold · 2 years
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Caramelldansen, the Disney Channel theme, & obfuscated authorship
Kevin Perjurer's Disney Channel's Theme: A History Mystery and jan Misali's who wrote Caramelldansen? feel like complimentary opposites.
Both are videos about the authorship of music that lots of people have heard but few people think about. But the similarities end there. (Aside from some fairly petty stuff like "both have iconic associated choreography, if the wand thing counts as choreography".)
Perjurer expresses frustration that, for all the artistry he puts into this and his other documentaries, he will be remembered as a YouTuber or a content creator, not a documentarian or a filmmaker. For all the work jan Misali puts into his craft, he embraces the fact that he makes YouTube videos. It's not easy to remix "Die Young" and "Hare Hare Yukai," but Misali did it...and what kind of documentary would have a 13-second title card in the middle with a mashup of a J-pop song and an A-pop song playing over it?
(Are American pop songs called A-pop? They should be.)
On a related note: Perjurer's documentary seems to have that tension as its primary theme. The tension between the effort and artistry that goes into something like the Disney Channel theme, and the disrespect it receives for not even qualifying as "low art". The primary theme of Misali's video seems to be more along the line of "It's worth remembering random facts about the world," expressed through his frustration at Remix Records, his frustration at how much Caramelldansen ("I would absolutely love to play the garbage Caramelldansen rhythm game!"), and the random facts he dug up while researching and chose to share for no other reason.
(There's a decent argument that who wrote Caramelldansen?'s primary theme is more along the lines of "'Caramelldansen''s original authorship is irrelevant, because the meme is what makes it 'Caramelldansen'," but that theme doesn't really appear outside the video's conclusion.)
Another stream-of-thought association: Perjurer has nothing but respect for the work of Alex Lasarenko, both his contributions to the Disney Channel theme and his broader work. Misali has nothing but shade to throw on the work of Giovanni Sconfienza, both his "contributions" to Caramelldansen and his broader work, and especially his attempts to take the Caramell out of Caramelldansen. I feel both of these are 100% justified, given context, but it's another interesting contrast!
Perjurer assumes that the audience will accept that the Disney Channel theme's importance is obvious to the viewer, and understand what made it so prominent. It was played on one of the biggest kid's TV networks of the 21st century! Misali focuses most of the video on why and how Caramelldansen rose to prominence, because for a lot of people it's just "that song that plays for ANIME LOL".
The obfuscation of the Disney Channel theme's authorship comes down to Disney being Disney and not saying anything about non-Disney people who make Disney Disney. (And, to be fair, broader industry trends.) The obfuscation of "Caramelldansen"'s authorship comes down to some rebranding done years after the fact. Misali is (I feel, rightfully) critical of [name]. Perjurer is (I feel, rightfully) respectful towards Alex Lasarenko and the music he directed/composed.
Most obviously: It takes months of research, correspondence, interviews, and so forth before Perjurer can figure out who wrote the Disney Channel Theme. Misali identifies Caramell as the creators of "Caramelldansen" in the opening seconds of the video. (Also, it's in the song's title.)
Now, you might reasonably wonder why I wrote this post, comparing two random YouTube video essays on similar topics. I'd like to provide some grand thesis statement that ties my conclusions and process into some statement about the nature of art. However, at the end of the day, this is more of a jan Misali post than a Kevin Perjurer one. But I think both would agree that this kind of little thing has merit. (Nowhere near enough to ask for their opinion or assume they'd have one, of course.)
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fallout-lou-begas · 2 years
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in the latest Defunctland documentary Kevin Perjurer tries to figure out who wrote the four-note Disney Channel "theme" that played in all of their jingles from 2002 onward, and he does eventually get an answer and it's extremely touching, but then Kevin says that In the end, the production of the work is only half of the process, and maybe all that matters is someone, somewhere, got something from whatever you created. And in the case of the Disney Channel mnemonic, that is indisputable. In the minds of thousands if not millions of people, this music evokes feelings and memories often long lost, and this is not just a comment on the Disney Channel mnemonic but the conclusion of Kevin's self-reflection on whether he makes "real" art or is a "true" documentary filmmaker or not because of how difficult it is to feel legitimate as a "content creator" or a "youtuber." and i am crying real tears from this documentary because by the end of it i had finally realized that i recognized almost every single disney channel bumper and promo and inter that he used for footage because my sister watched a lot of disney channel from that era when she was 5-10 years old, and i remember this footage because i watched her watch it, and i suddenly remembered this part of my childhood more vividly than i thought that i ever would or could remember it again. and i realized that i am someone somewhere getting something from what kevin perjurer has created. and not just "something" but something that i thought that i had lost and would never get back
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Training - E.N
Tags: @krennicss @peachfuzznygma @peanut-40oz @danosrosegarden @unimooshi <3 you guys seemed the most interested/gave me the most support for this, so I wanted to tag you!
Summary: Edward Nashton, y/n's loving boyfriend, is the sweetest partner that anyone could ever have. He is always spoiling them and treating them like royalty. Y/n looks up to Edward so much, always wanting to be around him, following him everywhere. It's obvious that Edward loves how dependent they are of him. Growing up, Edward wasn't able to be happy and loved, so he loves that he can make y/n feel happy and loved. And, being depended on, well it made him feel loved and wanted.
Content warning: Slight argument in the beginning of fanfic, AFAB!Reader, they/them pronouns, sub!reader, sensitive!reader, VERY spoiled!reader, EXTREMELY clingy!reader, dom!edward, mean!Edward (briefly), sugar daddy!Edward (i think?), explicit language, Edward making y/n do tricks as humiliation, angst, spitting, choking, yelling, punishments/rewards, daddy kink/sir kink, brief smut, penetration, humiliation (to both of them), edward calling y/n puppy and pet, sexual themes, suggestive dialogue, fluff, steamy fluff border-lining lemon, choker serving as a collar, mocking, teasing, biting, and begging. (please let me know if I missed any other warnings <3)
Word count: 15,415 (and this is only part 1...)
(A/N: This is my first time writing something EXTREMELY kinky. Like, I've written plenty of kinky shit, but I always make it a little tame because I'm worried about how people will receive it. So, this is an experiment with my writing, I want to see how you guys like this. If you like it, let me know. If you don't, then I won't write like this again cuz I don't want to make my audience uncomfortable! This was way longer than I intended, so I think I will make it into 2 parts. It depends on how well it's received.)
Songs For Inspo:
Puppy Pound - Jazmin Bean (i think this song is about an abusive relationship but let's just ignore that cuz this song bops and ITS DIFFICULT FINDING SONGS THAT REVOLVE AROUND THE TOPIC OF THIS FANFIC OK?! <3 love u guys teehee also I love u Jazmin ur new songs r beautiful and I cried to them ;-;)
Daddy - Die Antwoord (ya'll ever find a song that's weird asf but is also a bop? yeah...anyways this just made me think about how Edward would be a sugar daddy so yeah.)
LoveGame - Lady Gaga (I love Lady Gaga so much, I wish gay people were real!!! :3 )
Puppy Love - Lana Del Rey unreleased (you can find the song on youtube <3)
MONTAGEM - PR FUNK - S3BZS
MOVE YO BODY (sped up) - Bryansanon
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(I wanna dropkick him across a football field that goes straight into the ocean with weights chained to his feet. Guys, I think I made Edward too yummy in this fanfic, I think I became more obsessed with him/Paul Dano as I wrote this omg it was SO MUCH FUN! I hope you love it! This has not been revised btw, so there is most likely spelling errors/typos but WHATEVER <3)
~Read Below Cut~
~
Edward and y/n were like that one couple you see at the fair. Holding hands constantly, feeding each other cotton candy, and winning each other prizes at the games. They were your typical couple. Well, at least that's what they looked like. Actually, correction, that's what Edward looked like. Everyone who knew Edward, even if they weren't friends with him, knew that he was one of the nerdiest, dorkiest, and strangest people in Gotham. His fascination with riddles, puzzles, and games ostracized him from everyone he met. Sure, he had a FEW friends, but he hadn't talked to them since he left the orphanage. He was your stereotypical nerd that one would see in a Disney Channel movie. Meanwhile, his partner of almost 2 years, y/n, was the complete opposite of him. Again, it was like something you would see in a movie. Two people who are complete opposites turn into star-crossed lovers, destined to be together. And that's exactly what they were. Y/n was a bright and bubbly person. They were extremely friendly, outgoing, absolutely breathtaking, and yet they were in love with Edward. It was quite romantic, actually. The two of them met at a library when they ran into each other. Edward had a book about forensics and y/n had a book about poetry. Things picked up from there and all of a sudden they had been dating for 2 years. Not only was Edward Nashton a thoughtful, loving, and loyal partner...he also made things very interesting in their relationship. It caught y/n off guard at first, but it didn't take them long to find it absolutely hot and fun. They would be lying if they said they didn't love it.
~
Edward sat at the desk in the bedroom he shared with his partner. His hair was messy and still partially damp from the shower he had taken not long ago. His white t-shirt was stained with drops of water, making small parts of his clothing slightly see-through. He had a pair of black sweats on, three green question marks sewed onto one of the pockets, a customization he did himself. Rain trickled down the window of the bedroom, the sound becoming a soothing pattern to the lanky man. It was around 8 o'clock at night, the sun had already set and the stars were scattering throughout the sky. Groaning, Edward stretched his arms out, being careful not to bump the empty plate that once had his dinner on it off of the desk. Deciding he needed a break from his work, he got up and grabbed the plate. The sound of the bedroom door opening made y/n's head turn away from the T.V in the living room and focused instead on their boyfriend closing the door behind him. Y/n squealed, getting on their knees on the couch, hands on the back of it as they watched him walk.
"Are you done?!" They asked excitedly.
Edward smiled slightly as he walked by the couch, shaking his head. Y/n groaned and slumped back down, melting into the cushions. The colors of the T.V flashed across their face as they pulled a blanket over themself. Their boyfriend rinsed his plate, cleaned it, dried it, and then put it back in the cabinet it belonged in. Mumbling to himself, he walked out of the kitchen, about to pass the couch. Y/n looked over their shoulder, seeing that his pants were sagging slightly. They chuckled lightly, causing him to slow down walking.
"Your pants are falling down you heathen." They commented.
Edward looked down, seeing that they were right. He chuckled as well, pulling them up and tying the drawstring in a bow. Reaching over, he ruffled y/n's hair, causing them to huff.
"Thanks, now stop looking at my ass. I need to get back to work." He smirked, walking back into the bedroom.
Y/n smiled, but it faded once the door closed. It had been hours since Edward started working. He didn't usually work from home so it was a new thing for them both. Yeah, it was only going to be for today, but it still sucked. The two of them had barely talked all day and it made y/n sad. They were sure it made Edward sad as well. Y/n so desperately wanted to go in there and pull him out of the room. This was usually the time that the two of them would watch a movie together, but now y/n was doing that alone. Sighing, they grabbed the remote and paused the movie before setting it back down on the coffee table. They stood up from the couch, walking slowly to the bedroom door. Even though they had been dating for 2 years y/n knocked on the door, as the two of them still respected their privacy and need for alone time. A muffled 'come in' came from behind the door. Opening it up, they stepped inside and closed it behind them. Edward was sitting in the chair in front of his desk, files spread on the surface and his laptop open before him. Y/n walked up next to the desk, hands in front of them, fidgeting with their fingers. Edward continued to work, waiting for y/n to say something. When they didn't he sighed, placing his pen down and looking up, turning the chair to face them.
"Is something wrong, cara mia?" He asked, noticing their meek expression.
"Um, w-when are you going to be done...?" They asked, voice soft.
Edward groaned breathily, pinching the bridge of his nose. His hands trailed to his hair, running his fingers through the slightly damp locks. He picked up a packet on his desk, flipping through the pages so y/n could see the work he had to do. A shaky laugh left his throat as he dropped the stapled papers back on the desk.
"I still have this packet to do, y/n. I need to get this done before work tomorrow." He stated.
"I know, but I've barely seen you all day..." They mumbled.
"Yes, I know and I'm sorry. But, my office building had a pipe burst, so we had to work from home. You know this. I can't do anything about it."
Y/n huffed, crossing their arms over their chest.
"Yeah, you're never able to do shit about anything..." They grumbled.
Edward raised an eyebrow, straightening his posture. He grabbed the pen on the desk, flipping it between his fingers. His legs were slightly spread, the drawstrings of his sweats falling between his legs slightly. The gaze he held on y/n was piercing and was sure to make anyone uncomfortable.
"And what exactly is that supposed to mean?" He asked, challengingly.
Y/n looked down at the ground, sighing. They fidgeted with the hem of their shirt. Edward watched them, their nail polish shining from the light of the lamp on his desk.
"Sorry, I don't know what I meant by that. I just missed you today..." They sniffled, tears threatening to spill.
Edward's gaze softened upon hearing them whine. He placed the pen back on the desk and pushed his chair away slightly from the desk. Holding out a hand, he waiting for y/n to take it. When they did, he pulled them close to him, looking up into their eyes. A small tear trailed down y/n's face, making him frown. Using his thumb, he wiped it away, smearing it across their cheek.
"You poor thing. It makes me so sad to see you cry, pet." He hummed, rubbing his thumb over their knuckles.
He looked back to his laptop, sighing deeply. It was true, he really needed to get his work done. But, on the other hand, his love was gently crying before him. Biting on his bottom lip, he nodded softly.
"Ok, why don't you stay in here with me? You have to be quiet though, I need to focus." He suggested.
Y/n cheered up instantly, wiping away whatever tears were left on their face. Edward chuckled, rolling his eyes at the sudden change in demeanor.
"Huh, was that all an act to get me to let you stay with me?" He asked.
"No it wasn't, I'm just happy I can stay!" They giggled.
"Ok then, well if you want to get in bed you c-"
Edward was interrupted by y/n pushing his chair away slightly. Grabbing a pillow and a blanket off the bed, they placed the pillow on the floor right below Edward's desk. Y/n crawled on the floor and sat on the pillow, wrapping the blanket around their body. He scoffed playfully, pulling his chair back up to the desk. Y/n rested their chin on his knee, looking up at him from under the desk.
"Comfy down there?" He asked, typing on his keyboard.
Y/n reached a hand up, giving a thumbs up to him. Smiling, he put a hand down and rubbed the top of y/n's head. His fingers worked at their scalp gently, giving a simple yet effective massage. Y/n sighed happily, closing their eyes as they enjoyed the touch of their lover. The sound of his pen scribbled away at papers, grumbling to himself when he made a mistake. Occasionally, he would look down under the desk, checking up on y/n. He knew that they wanted to be close to him, but the position they were sitting in would most definitely end up with their legs going numb.
~
After another hour, Edward had finished up his work, sighing in relief as he closed his laptop. Groaning softly, he stretched his back out, reaching his arms up into the air. He grabbed the armrests of the chair, about to pull away from the desk. However, the pressure of y/n's chin on his knee caused him to stop. He leaned his head back, mouthing 'fuck' as he thought about what to do next. Slowly, he reached down and cupped y/n's face with his hands. Pushing the chair away with his foot, he knelt down to the ground. Their eyes were closed, cheeks slightly pink from the warmth of the blanket. Smiling to himself, he gently brought y/n's head to the ground, letting it rest on the pillow. He stood back up, picking up the files off the desk and organizing them. Making sure to stay quiet, he left the bedroom and put the papers in his work bag. Before going back into the bedroom, he did a quick walk-around of the apartment, making sure everything was turned off and everything was locked up. Once he confirmed that, he went back to make the bed. He pulled the covers down and turned on the lamp that sat on his nightstand. Glancing down at y/n, he noticed that they were stirring. He knew they couldn't stay on the ground the entire night, even if they looked absolutely adorable doing so. He bent down again, brushing y/n's face with his thumb. Grunting softly, y/n's eyes fluttered open, heavy and tired.
"No wonder you were so quiet, you fell asleep down there. You must be pretty sleepy, huh?" He asked, dragging his thumb down their bottom lip.
Y/n nodded softly, crawling out from under the desk. They grabbed the pillow and the blanket, holding them in their arms as they stood up. Edward smiled at them, watching them put the stuff back on the bed. As y/n sat on the bed, they looked at Edward. Not wanting to wait from him to get in bed, they grabbed his wrist and yanked him towards them. Chuckling, he got under the covers, y/n instantly crawling on top of him after. He scooted up a little bit, head propped up slightly against the pillow. Y/n's face was nuzzled into the fabric of his shirt, thighs straddling his left leg. He sighed, petting y/n's head and stroking their hair.
"Cara mia, I'm sorry for not giving you much attention today." He admitted.
"S' ok, sir. You had t' work..." They mumbled.
"Tomorrow you can follow me around like the good puppy you are, hm? How's that sound? We can even watch a movie together tomorrow night." He cooed, planting a kiss on the top of their head.
"Sounds s' good..." Y/n replied, half asleep.
"Good night, angel."
"Night E..Ed..."
Edward smiled to himself as y/n fell asleep, rubbing their back as he closed his eyes. The weight of their body on his chest served as a weighted blanket, lulling him into his own slumber. His chest heaved gently, rocking y/n's body like a ship at sea. The waves of his breath crashing through the night.
~
The sun peered through the curtains of the bedroom window, the blinds slightly open. Warmth spread over y/n's face, causing them to stir in their slumber. As the light grew, y/n turned over, grabbing a pillow and covering their face. Y/n's eyes grew heavy once again, feeling themself go back to sleep, only to be awoken by the alarm on their phone. Groaning, they sat up in their bed, shielding their eyes from the sun. Their pupils dilated, adjusting to the morning. A yawn escaped their lips, eyes squinting shut. Y/n looked to their left, waking up instantly when they realized Edward wasn't next to them. They shot out of bed, grabbing the bathrobe Edward bought for them at the mall. Wrapping it around their body, y/n stumbled out of the bedroom and into the living room. Expectantly, they looked around for their boyfriend, but to no avail. Sadly, they walked into the kitchen, hoping that Edward had made them a lunch. Y/n knew they were spoiled and they brought it to his attention many times.
'Edward, you spoil me too much! You don't have to do that, I can take care of myself. You don't have to spoil me to make me stay with you. I love you with or without the special treatments.'
It was true. Y/n was absolutely in love with him and it wasn't because of the special treatment. It was because he was funny, smart, handsome, and extremely sweet. Oh, but he always gave the same answer, an extremely poetic one.
'I know that, my love. But, I consider myself to be the luckiest man in this world with you as my partner. I count my blessings everyday, y/n. So, why would I not spoil you? Why would I not shower you with love every moment I breathe? The day I stop spoiling you is the day that I die, my dear. And even then, I will still try to find a way to give you my adoration.'
He was a romantic at his core underneath his nerdy exterior. And if y/n was being honest, he was also a freaky and kinky fucker underneath as well. It was really amusing to y/n. When they first saw Edward, they never would have imagined how much of a freak he was in the sheets, even out of the sheets. But, it's not like they didn't like it. Hell, they loved it.
"Oh, what's this?" They asked themself.
On the door of the fridge was a big green sticky note, Edward's favorite color. Grabbing it, y/n looked it over. As they read it, they opened up the fridge. Lo and behold, a brown paper bag was in the fridge with their name written on it. Well, not their name, but one of Edward's nicknames for them. Puppy. It suited them really well, seeing as how they loved to follow him around and craved his attention and love.
'Good morning sweetheart,
I wanted to kiss you goodbye before I left for work, but you looked so peaceful in your sleep. I did not want to wake you from the blissful dream you were in. I had time to make you lunch before I left, make sure you eat all of it. You don't eat enough, pet. I hope you are able to get lots of your college work done. Have a wonderful and productive day, baby. I cannot wait to come home and watch a movie with you. Work sucks!
Love,
Edward Nashton (#1 boyfriend)
Y/n felt their heart swell as they read the note, every word was like one of cupid's arrows in the chest. He was truly an amazing boyfriend. They felt very lucky to call him theirs. Sighing happily, they closed the fridge. Y/n wanted to save the lunch for later on, so instead they grabbed an apple from the fruit bowl. Taking a bite, they sat down at the kitchen table in front of their laptop. Y/n opened it up and opened up their word document. Luckily, this week of their college work was pretty tame, nothing was due for a while. They could easily slack off today and not have any repercussions, but they wouldn't feel productive. So, they ate their apple and got straight to work with typing up a research paper for their psychology class. Edward always liked to know about what assignments they were doing, so they would have to tell him about it when he got back home.
~
A few hours passed and y/n had gotten a lot done on the paper they were writing. About an hour ago they had stopped, wanting to take a break. Realizing they had not changed out of their pj's, they walked into the bedroom. When they saw the desk, they remembered last night. They remembered how comfortable it was to rest their chin on Edward's lower thigh. They remembered how soothing it was to get their head scratched and pet by Edward. When he did that, y/n was like putty in his hands. He knew exactly what made y/n happy, sad, mad, and he definitely knew what made them...desperate. Thoughts crossed y/n's mind as they imagined Edward sitting in the chair, his legs spread as he looked down at the space under his desk. Y/n imagined being underneath it, hands dragging his jeans down as they looked at him with puppy dog eyes. They imagined his head falling back as they took him in their mouth, happily bobbing up and down on him. They imagined him grabbing a fistful of their hair, pushing them down to choke on him. They imagined him praising them as they pleasured him. Oh, how y/n loved his voice. Whether it was his morning voice saying good morning, or him saying he loved them, or him praising and degrading them during sex. They loved his voice no matter what he was saying. It was like honey the way it flowed through their ears, sweet and smooth. Y/n whined, realizing how much they missed Edward. He had said that they were going to spend the entire day together. He said that they could follow him around like a puppy. And that's exactly what y/n wanted to do. Shivering, they grabbed one of Edward's favorite outfits that they wore and quickly changed into it. The cropped tank top they put on was a cream color and it ended just above their belly button. On top of that, they wore this crochet cardigan that was cropped, also ending above their belly button. The cardigan was crocheted spaciously, allowing you to see what the person wearing it had underneath it. It was made of multiple colors, a soft green, a soft pink, and a soft cream color. Y/n slid on a pair of denim shorts that were slightly ripped. Edward, who loved to sew, had sewed hearts and stars on the pockets of the shorts. Y/n had asked him to do it, practically begged him, and he did it happily. Humming, they walked over to the vanity and applied some mascara, blush, and lip gloss. Blowing a kiss to their reflection. Before they left the room, they grabbed a choker from off of the dresser. It was white leather that attached to a silver outline that was shaped like a heart. It was hollow, which Edward loved, because he could hook his fingers through it and pull y/n in for a kiss.
"I'll pay him a visit! I'm not sure if he's on his lunch break, but I don't think he'll mind!" They said to themself, grabbing their lunch.
Y/n slid on their converse at the front door, nearly slipping as they did so. They grabbed their purse, leaving the apartment quickly. Y/n was anxious to see their boyfriend, missing him dearly already. Yes, y/n was a very clingy partner, but Edward didn't mind. He loved it, actually. The fact that they were so clingy to him made him feel loved for the first time in his life. And, he knew that y/n didn't have a great past with relationships. If he could make them feel loved, cared for, wanted, and treasured, then he was going to do it. They deserved all the love in the world through his eyes.
~
Y/n walked into Edward's office building, intimidated slightly by the security guards. Swallowing a lump in their throat, they waved at the guards. Even though they weren't going to do anything, y/n couldn't help but feel nervous. They walked to the elevator and pressed the button to open up the doors. Almost immediately, they opened up and y/n hurriedly stepped inside of it. Letting out a deep breath, y/n selected the third floor button. Usually y/n preferred to take the stairs, but they had walked to the subway from their apartment and walked a block from where the subway train arrived all the way to the building, so they were a little worn out. A few dings signaled that y/n had arrived at Edward's office floor. Feeling a little anxious, they stepped out and looked around. They had only been to Edward's work a few times, dropping things off that he forgot. But, it had been a while since they last visited. Heading towards the reception desk, y/n looked at the man sitting in the chair. He looked up at y/n, smiling lightly.
"Good afternoon, what can I help you with?" He asked politely.
"Hi there! Um, do you know where Eddie works? Um, sorry, Edward Nashton? I'm just stopping by to say hi, that's ok right?" They asked sheepishly.
"Oh, of course that's perfectly fine. It's not like we get busy here anyways." He said, covering the side of his mouth in a 'sneaky' way.
Y/n giggled, amused at the man's humor.
"Anyways, he's just down that hallway and then you take a left. His cubicle is the one on the far left corner. It'll show his name on the side. May I ask how you know him?"
Y/n nodded, smiling at the receptionist.
"Thank you very much! I'm his partner, y/n. It's nice to meet you..." Y/n looked at the name plate.
"...Maurice! Nice name!" They complimented.
"Aw, thank you! And, did you say you're Edward's partner? As in...dating him?" He asked.
"Um, yeah? Last time I checked!" They joked, laughing.
"I don't mean to offend, it's just that you two seem very..."
"Opposite? Yeah, we know. We get that a lot. But hey, going 2 years strong!" Y/n said.
"2 years? Woah, congratulations." Maurice looked down at the work phone as it started ringing.
"Oh, I've got to take this. I'm glad I could help you and I love your cardigan by the way!"
Y/n mouthed a 'thank you' as they walked away, not wanting to disrupt the phone call. The interaction with Maurice washed away any anxiety they had. It was nice to see there was one friendly person where Edward worked. From what he talked about, it seemed that no one was nice to him at work. Sighing, y/n followed the receptionists instructions, going down the hallway he pointed to. When they reached the end, they turned left and came face to face with a bunch of cubicles.
'Jesus, no wonder Edward gets depressed here.' They thought to themself.
Y/n walked to the far left corner, just like Maurice said. Lo and behold, the cubicle on the end read 'Edward Nashton' on the side of it. Smiling, y/n peered over the corner, hoping to catch him off guard. Edward sat in front of his desk, files neatly organized on his desk, spare for a few papers that were next to him. The computer before him showed a spreadsheet, y/n already bored to death at the sight. Who knew being a forensic accountant could be so boring. But, they were sure there was more to it than spreadsheets, so maybe it wasn't always boring. Edward lifted up his coffee mug that had Snoopy and Woodstock on it and took a sip from it. He secretly loved the Peanuts movies. He would watch the Great Pumpkin on Halloween, A Merry Christmas Charlie Brown on Christmas, etc. Slowly, y/n tiptoed behind him and covered his eyes with their hands. He jumped a little, surprised at the suddenness of it. Y/n leaned down to his ear and whispered.
"Hi daddy..."
Edward reached his hands up, grabbing their hands and pulling them away from his eyes. He turned around in his chair, looking up at y/n who was waving at him excitedly. He saw that their purse hung off their shoulder, the lunch he had made for them sitting inside of it in the brown bag. His eyebrows furrowed, making y/n shrink slightly.
"What are you doing here, y/n?" He asked.
"I wanted t' come and see you, sir..." They mumbled softly.
They both kept their voices low, not wanting anyone to hear their conversation. However, the people at Edward's job weren't exactly quiet. Everyone was always having a conversation, whether it was about work or not. They all talked with each other, except for Edward. He was fine with that though, he had tried to make friends with his coworkers before, but it just didn't work out well. So, he put his focus on getting his work done so he could earn money and spoil the one he loved.
"Y/n, I get off in 2 hours. You could have just waited at h- wait, how did you even get here?" He asked curiously.
Y/n lowered their head, picking away at the chipped nail polish that adorned their fingers. They mumbled something under their breath. Raising an eyebrow, Edward grabbed their waist and pulled them closer to him.
"Speak up." He ordered, his voice stern.
"I took the...subway..." Y/n admitted shyly.
Edward pinched the bridge of his nose, grabbing y/n's arm firmly. Letting out a sigh, he loosened his grip. He was extremely frustrated with y/n.
"Y/n, you know I don't like you taking the subway alone! Even I don't like going on the subway. It's dangerous in this city, especially for someone as breathtaking as you. How many times have I told you this?" He explained softly.
"A billion times..."
"No, but, close enough. Look, I'm happy to see you, but you could have just waited a couple more hours for me to get home. So, I'm going to ask you again, and this time I want the real answer. What are you doing here?"
Y/n sighed, Edward knew them too well. Yes, they wanted to see him really bad. But, y/n couldn't get those thoughts from earlier out of their head. They so dearly missed his touch, his kisses, and his voice. God, his voice. Suddenly, y/n felt embarrassed to even say anything. Edward sensed this, placing his hands on both of their hips, rubbing them with his thumbs. He was still upset that they put themself in a dangerous situation when they could have just waited at home for 2 more hours. And, they didn't even bother calling him and letting him know that they were coming over. It might seem extreme for Edward to not want y/n to use the subway, but the two of them had an unfortunate encounter in the subway once. Nothing bad happened, Edward stepped in just in the nick of time. But, the whole scenario scared them both. And they both agreed that y/n needed to go on the subway with someone else at all times. So, he was frustrated that they broke that rule. Not even frustrated, it just scared him. He watched as y/n leaned down slightly, hovering over his ear. Cupping their hand over their mouth, they whispered.
"I couldn't stop thinking about you..."
Edward smirked subtly.
"Oh, really? What a nice gesture." He feigned innocence.
"Eddie...you know what I mean..." They pouted.
He nodded.
"Yes I do, pet."
They did a 360 for Edward, showing him the full outfit they were wearing. He took a deep breath at the sight, not noticing it when they first walked in. Edward didn't want y/n to feel like they had to show skin for him to find them attractive, because it just wasn't true. Y/n could wear a burlap sack and swim in a pool of sewage and he would still find them to be the most attractive person to grace this earth. But, sometimes they wore outfits that drove him crazy. And this was his favorite one. But, the cherry on top...the choker. God, that choker made his heart race and his fists clench. He remembered when he bought it for them, they wanted it so bad, and who was Edward to refused what they wanted? Of course he bought it for them. Little did he know that he bought his own kryptonite.
"I got all dressed up for you, daddy. Your favorite outfit..." They smiled.
"I can see that..." He replied coldly.
"I want you to...to fuck me...I need it..." The whined quietly.
"Y/n, no, we are in a public setting. You need to behave yourself, ok?"
Y/n crossed their arms over their chest. Huffing, they stepped on his foot roughly. Honestly, it did not hurt Edward in the slightest. The shoes he wore to work already hurt his feet on a daily basis, so it felt like a tickle in comparison. He looked down at his shoe and then back up to y/n. Edward could tell they instantly regretted the decision as they had taken a step away from him. The smug smirk that was on his face disappeared, now an unamused natural pout. He used his finger to gesture for y/n to get closer. Reluctantly, they did so.
"Tell me, do you feel better? Did you accomplish something with that immature act?" He asked.
Y/n shook their head shyly.
"Mmm, well, I was already upset with you for breaking a rule, one that we both agreed on for your safety. You could have gotten a ride from Mrs. Jacobs next door. You could have been patient and waited a couple more hours. You had so many options and you chose the only wrong one. But, now, well...now I'm furious. You come to my job dressed up like the cute thing you are, demand me to fuck you, and pitch a fit when I don't give you what you want? Really?"
"Well, you always give me what I want." They retorted.
"I do, when you're good. But right now, you're acting like a spoiled. Little. Brat." He seethed, pinching the inner part of their thigh.
Y/n whimpered softly, swatting at his hand instinctively. He scoffed, turning around in his chair and facing his computer. Edward began to type away at the keyboard.
"Did you at least get some of your research paper done?" He asked.
"Obviously." They grumbled.
Edward shook his head while looking at his computer, getting sick of y/n's attitude. The keyboard clicked as he entered some numbers into the spreadsheet. Y/n waited for him to say something, adjusting their shorts that were riding up their thighs.
"You know, giving me an attitude is not going to change anything. It's just making it worse for you. How about you try and get a hold of yourself?" He reminded.
Y/n mocked him quietly, moving their hand to mimic his mouth moving. Walking up behind him, they leaned down and rested their chin on his shoulder. Edward rolled his eyes and kept his focus on his work. Letting their painted fingers trail down his other shoulder, y/n quietly whined erotically in his ear.
"I want you t' fuck me, sir...pretty please?" They asked innocently.
Biting the inside of his cheeks, Edward turned around in his chair once again. He felt so very conflicted. If they were back at their apartment, he would have already pinned y/n against the wall. He would have already dragged them to the bed by their slutty choker. And currently, he was imaging y/n on his lap wearing nothing but that flattering crochet cardigan. But, he was at work, and he was pissed that y/n was trying to seduce him in his work space. Edward didn't have a problem with PDA, but he had limits and a sense of professionalism. Y/n knew this, but they chose to let their desire take over their thought process. He was not making him uncomfortable at all, he actually found it amusing at first. But, he was getting tired of it. He need to put them in their place, quickly.
"Y/n I have no idea what has gotten into you, but you need to cut it out right now. I am not asking anymore, I am demanding." His voice was lower than usual, sending chills up y/n's spine.
"Mmm, I like when you get like that, daddy..." They placed a hand on his thigh.
Edward leaned back, straightening his posture. Looking around him subtly, he made sure no one was looking. Thankfully, it looked like everyone was in there cubicles and no one was walking around. In one swift motion, he leaned forward and grabbed y/n's face with his hand roughly. His grip on their jaw was firm, preventing them from moving at all, otherwise it would hurt. He leaned in close, face just inches away from theirs.
"You are pushing me to my limit, pet. You're acting like a filthy bitch in heat. Is that what you are?" He spat, looking them in the eyes.
"I-"
Edward released his grip on their jaw, pushing them away. Catching their balance and trying to play it off as they tripped, y/n held onto the cubicle. He scoffed, looking them up and down. Their cheeks were bright red, chest heaving up and down as they panted. His gaze wandered down to their thighs, seeing how they were squeezed against each other. He shook his head while looking at y/n, causing their bottom lip to quiver.
"God, you look so pitiful. What happened to the attitude from before, huh?" He mocked, fixing his crooked glasses.
"Um..."
"Here's how things are going to go. You and your filthy mind are going to wait in the lobby until I get off of work. You're going to eat your lunch and come up with an apology for your behavior. Do you understand me?" His voice was stern and his eyes were dull as he looked at them.
"Y-Yes..."
"Yes, what, pet?" He taunted, cupping a hand over his ear.
"Yes, daddy..." They mumbled.
Edward sighed, looking at their meek stance. He reached over and grabbed his mug, taking a sip of the hot coffee. Placing it back down, he shook his head. He lifted his hand up, waving them away in dismissal. He was extremely irritated, frustrated, and infuriated. Edward hated getting stern with y/n, but they had broken a few rules in a matter of 1 hour. And, even when he kept telling them to stop, the attitude never relented. He was most definitely a pushover when it came to y/n, but he knew how to lay down the law when he needed to.
"Go." He ordered simply.
Nodding their head, y/n left his cubicle. They knew they were in deep shit. He was right though. Their attitude was through the roof and it was not necessary at all. Y/n couldn't help but feel embarrassed as they walked back to the reception desk. Of course Edward wasn't going to drop his work to satisfy their desires. He was at work. If y/n had been in his situation, they would have said no too. Guilt built up in their chest, overpowering the heat that was pulsing between their legs. Smiling at Maurice, they sat down in a chair in the lobby. He looked at them curiously.
"Something wrong?" He asked.
"Huh? Oh, no nothing's wrong. Edward said he gets off in an hour and a half, so I'm just going to ride back home with him."
Maurice nodded, focusing back down on whatever work he was doing. Sighing, y/n opened up their lunch and started eating. They were honestly too upset to eat, but they knew Edward would be even more upset if they didn't eat the lunch. He was right in the sticky note he left earlier, they didn't eat enough. It wasn't like they were doing it on purpose, they just got caught up in college work and hobbies that they would sometimes forget to eat. Y/n took a bite of the sandwich, feeling their lungs tighten as they held back a sob. They continued to eat their lunch as they made an apology for Edward. Considering how they acted, it would have to be a very good one.
~
Edward got up from his desk, gathering his things and putting them in his bag. Y/n's perfume hung in the air still, filling his senses. Sighing, he pushed his glasses up, hanging his bag over his shoulder. Stepping out of the cubicle, he thought about what he was going to do about y/n. He was still extremely upset with them, but he also felt bad. Edward knew all y/n wanted was to just be near him, but they could sometimes let their emotions take control of them, preventing them from fully thinking things through. He knew they were probably beating themself up over the whole situation. They were still in trouble, but Edward decided that he would lessen the punishment, knowing that the stress of college was probably enough punishment on them already. And, knowing y/n, if he did punish them they would probably find it hot. Breaking out of his thoughts, Edward walked into the lobby, glancing quickly at Maurice. Y/n was standing in front of the desk, handing him a piece of paper.
"Edward, I've been talking with your partner. I hope you don't mind if we exchange contact information? Y/n had the brilliant idea of going on a double date. You, them, me, and my boyfriend Tristan." He asked.
"Oh, yes that's fine. We'll have to figure out a day to do that. Thank you for keeping them company while they waited. I hope they didn't keep you from your work." He said, giving y/n a subtle look out of the corner of his eyes.
"Absolutely not, y/n was very respectful. Plus, it's not like I have much work to do anyways, am I right?" Maurice laughed, y/n chuckled as well.
"Hah, yeah. Well, we have to get going now. I'll see you on Monday, Maurice." He bid, wrapping his arm around y/n's waist as they left the lobby.
The two of them walked to the elevator, Edward pressing the button to open the door. He glanced moved his hand away from y/n's waist, running it through his hair. Y/n watched him, smiling up at him.
"You were nice back there, does that mean you're in a better mood?" They asked, hopeful.
As the door opened, they both stepped inside. Edward pushed the parking garage button, looking at y/n with a deadpanned face. He leaned against the metal railing on the side of the elevator. He clasped his hands over the bar, knuckles turning white as he gripped it.
"Better mood? Sure. Does that change anything? No." He answered.
The elevator door opened and they walked out, Edward holding y/n's hand as they did so. Pulling out his keys with his other hand, he unlocked his car. Every second of the drive home felt like an hour to y/n.
~
Y/n and Edward had finally gotten back to the apartment. It was dead silent as they removed their shoes. Y/n sat down on the couch, unsure of what exactly they should do. Their heart was racing as they watched him take off his coat, hanging it up on one of the hooks on the wall. The tension was so thick y/n could practically feel it against their skin, like a humid summer night. Edward's keys dropping on the table next to the door broke the silence, causing y/n to jump slightly.
"E-Edward..."
He didn't say anything, walking in the kitchen instead. Y/n didn't look away from their lap, focusing on the pads of their fingers, suddenly finding it to be the most interesting thing in the world. Edward stood in the kitchen, drinking a glass of water that he had poured. He held the glass in his hand as he walked back to the living room, standing in front of where y/n was sitting. Despite his gentle facial features, his stance made y/n feel intimidated. The brown sweater over his collared button up shirt made y/n feel things that were completely inappropriate for the current situation. No matter how much they tried, y/n couldn't stop getting filthy thoughts of their boyfriend out of their head. And, Edward could tell right away. The events before were proof enough as to how y/n felt today.
"Did you eat your lunch?" He asked.
"Yes, I ate all of it. I promise."
"You don't need to promise me anything, y/n. I can tell when you lie to me. I'm glad you ate." He said simply, taking a sip of his water.
Y/n fidgeted with their hands.
"I believe you have an apology for me?"
"Y-Yes..."
"Well, I'm waiting. You do not need me to tell you when to say it, though I know how much you'd love for me to order you around right now." He huffed.
Y/n nodded.
"U-Um, I-I'm really sorry for c-coming to your work and b-being inappropri-"
"I'm sorry, I thought you were going to apologize to me? Not give me some half-assed statement." He interrupted.
"I-"
"I-I-I...how about you get on your knees? Maybe that'll show me how sorry you truly are." He mocked.
Slowly, y/n slid to the floor, getting on their knees before him. Edward was already a fairly tall man, but he looked like a giant when y/n kneeled before him. His glasses reflected the light coming from one of the windows, creating an ominous glare over the lenses. It made him look even more mysterious than he already was. He looked down at them, waiting for them to say something. After a few seconds, he groaned.
"What? Do you really need me to tell you when to speak like a dog? Speak!" He ordered.
"I-I, I'm really sorry, sir. I knew you were at work, but I just missed you so much. I did! I really did! I wanted to see you, and, and, and I couldn't stop thinking about you all day. I just wanted you so bad! I'm sorry I broke rules, I really am. It won't happen ever again! Never ever, I swear. Puppy just missed you super bad and, and then it made me think filthy things and made me want you even more. It was so, so, so bad of me to be like that at your work. I know I hu-humiliated you and probably made you uncomfortable. Daddy, I'm so sorry I really am! I was a bad puppy for doing that. I just wanted a hug at first because you didn't give me one this morning! Please, please, please don't be mad at me, daddy! I'll be good for the rest of the night, I swear!"
Edward looked down at them as they grabbed the material of his slacks, tugging on them gently. Tears welled in their eyes, some trickling down their pink cheeks. Seeing them grovel at his feet was quite a sight to behold. If the circumstances were better, he would have had them say their apology while choking on his dick. But, he felt that the situation required a different type of action.
"That was a very nice apology, y/n. Very nice, indeed." He said.
Y/n sniffled, looking up at him. Placing the glass of water on the table beside the couch, he bent down. His eyes were gazing down at y/n's. He gently grabbed their chin, forcing them to look up at him.
"But, I don't know if I should let you off the hook so easily. You see, I gave you many opportunities to stop and not get punished. But, you didn't take them, isn't that right?" He asked, nodding his head in synch with his last few words.
"Y-Yes, sir..."
"You didn't make a mistake, you purposefully disobeyed me and ignored me. And, that just doesn't sit well with me. It leaves a pit in my stomach, you know?" He explained, holding a hand over his stomach.
Y/n whined.
"Oh, there we go again with the pitiful whines. Your pretty sounds aren't going to get you out of this, pet." He said, shaking his head.
"B-But..."
"But? Excuse me? What could you possibly say to help you get out of this situation that YOU put yourself in? Please, enlighten me." He taunted, tilting his head to the side.
Y/n fell silent, looking away from him in defeat. There wasn't anything they could say. It was true, they did this to themself. Edward didn't have many rules in their relationship and the ones he did have were very simple and easy to follow. And y/n broke them all within the span of an hour. If they had just been patient and waited at home for Edward, he might have been pounding into them in their bed. But, they weren't patient. Instead of getting dicked down, they were on their knees and begging Edward for forgiveness. Now, the begging was not necessary at all, it was just something that they thought Edward would like. They were right though, Edward loved it when y/n begged. It was one of his weaknesses. Of course he was going to forgive y/n, but not before he put them in their place and taught them a lesson. The begging, no matter how much Edward loved it, would not get y/n out of the punishment that awaited them. He scoffed, standing up and stepping away from y/n, causing them to fall and catch themself with their hands on the floor.
"You humiliated me at work today, y/n. Anyone could have come across my cubicle. Anyone could have seen you acting like a dog, begging for me to give you a treat. Is that what you wanted? Did you want to embarrass me at my job?" He asked, hands in his pockets.
"What? No! Of course not, sir! I j-just got carried away didn't think..." They explained, a frown on their lips.
"I believe you, honey. But, that doesn't excuse what you did, now does it?" He asked, tone becoming gentle.
"No..."
"Exactly. If I did not punish you for your bad decisions, you would continue to make them. Would you not?" He questioned.
"No, I wouldn't!" Y/n spat out.
Edward let out a breathy laugh, leaning down and bending his legs. He placed his hands on his knees, shaking his head in amusement. Y/n watched his movements, every single one of them sending a spark through their veins. They knew he was right, but they didn't want to admit it.
"Ohhh, but that's where you're wrong, pet. I spoil you and treat you like an angel on earth, all because I love you with my entire heart, body, and soul. But, that does not mean you should expect me to let you get away with things. Spoiled or not, you need to have manners and respect. And I know for a fact, if I fucked you on this couch right here and now, you'd do the same exact thing tomorrow. Why? Because I rewarded your bed behavior. That just won't do, no, no, no." His tone was flamboyant and cocky.
God, y/n hated that he was right. He was a fucking genius and knew y/n like the back of his hand. They were stupid for trying to convince him to not punish them. It would never have worked.
"You really are just like a puppy, y/n. Here I am, teaching you right and wrong through rewards and punishments. Do you think that will help? Should I make you do tricks? Hm? You were certainly acting like a wild dog earlier." He commented, a sickening smirk on his face.
He hooked his fingers through the heart of y/n's choker. With one swift yank, he brought them with them as he stood to his feet. They choked slightly as the leather dug into their skin, feeling relief when they stood on their feet. Somehow, Edward was more intimidating face to face, rather than towering over y/n. Perhaps it was because of how kind his face was, making it jarring when he took a serious tone.
"I think you need to be trained, puppy. We can't have you misbehaving while I'm off at work, can we?"
Y/n's eyes widened, feeling heat rush once again between their legs. Their knees buckled, gripping onto Edward's shoulders for stability. He laughed, pushing y/n back so they fell on the couch. They watched as he hummed to himself, walking into the kitchen as if nothing happened.
(A/n: Ok, guys...this is where the humiliation and puppy stuff REALLY starts. I don't rlly need to put a content warning, I just wanted to let you guys know that I was giggling, kicking my feet, twirling my hair, and pissing liquid nitrogen while writing this. But seriously, this is so humiliating I'm gonna be so honest with you. YOU GUYS WANTED THIS! I swear to balls I'm going to hell dude. They have a VIP room for fanfic writers probably.)
Y/n stood up from the couch, out of breath and confused. As Edward turned around, he opened up a cabinet. Out of the corner of his eye, he saw y/n had stood up. Snapping his fingers, he pointed back to the couch.
"Sit." He ordered.
Y/n's eyes widened and they found themself sitting down immediately after. It was almost as if it was a gut reaction. The tone of his voice was firm, commanding respect. Shaking in anticipation, y/n kept their eyes on the floor in front of them, waiting for Edward to come back. After another minute, his footsteps sounded in their ears. Looking up, y/n saw their boyfriend standing in front of them. He had a bar of chocolate in his hand. Call y/n a whore for sweets, but they instantly licked their lips. It was chocolate for fuck sake. Their eyes stayed on the bar as he placed it on the T.V stand, taunting them.
"Here's how this is going to go, puppy. We are going to continue our night like we normally do. But, you're going to listen out for me. If I call you, you come. If I tell you to sit, you sit. If I tell you to beg, you..." He trailed, wanting y/n to finish the sentence.
"Um, I...beg?" They finished.
"Yes, very good! Look at you, listening to directions. If only you did that before." He praised, a bit of a jab at the end.
"Um, what's the chocolate for?" They asked, pointing at it.
"Well, if you're really good tonight, you get it." He said.
"I like chocolate, but...I'd rather have...you..." They pouted.
"Oh, trust me I know. I never said you weren't getting fucked tonight. I just said you needed to be punished first. Believe me, this won't be fun for you. But, if you learn your lesson, maybe I'll give you the treat that you've been begging for all day." He said suavely, the words rolling off his tongue so smoothly.
Y/n's breath hitched.
"O-Ok, sir."
"That's a good pet. Now, I'm going to take a shower. I want you to join me." He cooed.
"I sh-showered after I got my research paper done today."
"Oh, I'm sorry but, I don't recall asking you anything. I do remember telling you to get in the shower, though." He challenged, raising an eyebrow.
Y/n nodded hastily.
"Y-yes, sir."
"Mmm, you're off to a terrible start, pet. Go get the shower ready and get inside." He ordered.
Without wasting a second, y/n bolted inside their bedroom. Edward followed slowly behind, glancing at the watch on his wrists. Grunting, he saw that the time was 6 o'clock. The shower would need to be quick, as he would need to make dinner soon. As he removed his clothes, a smirk tugged at his lips. Thinking about eating dinner with y/n made an utterly humiliating though come across his mind. Well, humiliating for y/n, not him. But, he wasn't sure if he wanted to go that far. It would depend on how well y/n was behaving. Though, he would love to see y/n on all fours while he sat at the table...
"Um, daddy?" Y/n peeked out of the bathroom.
"Yes, puppy?"
Edward turned around, tossing his clothes in the hamper. Y/n was taken aback by how relaxed and comfortable Edward was with being naked in front of them. Yes, they had been dating for over 2 years, but y/n still got a little shy every now and then. That's just how they were. But, Edward, well, he was very confident. Before he dated y/n he was the complete opposite of confident. But, being loved by a good person was all he needed to boost his self-love. Y/n really admired him for that and would always remind him of how proud they were of him. It made Edward smile every time.
"Th-The shower is running..." They mumbled.
"Then get in." He replied, walking into the bathroom.
Y/n turned around, walking across the tiled room. Edward was close behind them. The two lovers got into the shower, warm water trickled down their bare bodies. Y/n, who had already showered earlier, just let the water wash over them. They didn't feel a need to clean themself once again. Y/n examined Edward's body as he started to wash his hair. He was far from fit, his body type closely resembling a 'dad bod'. Y/n loved it though, absolutely adored it. Edward worked out every now and then, but it was nothing major, only simple exercises. He had stretch marks on his hips, faint pink lines that resembled rivers on maps. He had very full cheeks for a man of his age. His stomach was a little pudgy. All of those things were beautiful to y/n. He was so comfortable to snuggle up to, instantly lulling y/n into a blissful sleep every time. Sighing, y/n got closer to him, resting their head against his chest as he swiped his hair back with the water. He looked down, smiling at the sight. However, he placed his hand on top of y/n's head, gently pushing them down, being carefully not to let them slip. As the reached the ground, they looked up at Edward, his naked body sending shivers down y/n's spine.
"If you want to show me affection, you will do it like a dog. Do it correctly." He said.
Y/n swallowed a lump in their throat, realizing how seriously Edward was taking this. He continued to rinse his hair out of conditioner, already done shampooing his hair. Y/n, unsure of what he meant exactly, sat at his feet and wrapped their arms around his calf. Funnily enough, that was not even close to what Edward meant. But, y/n felt comfortable nonetheless. Edward always had a naturally warm body temperature, so it felt nice when y/n rested their face against his leg. He thought about saying something, but decided that it wasn't that big of a deal. Even when he was trying to humiliate y/n, he still was susceptible to being a softie. But, alas, he had to wash the rest of his body. He bent down slightly, planting a kiss on the top of their head.
"Puppy, you have to let go. Ok?" He said.
Nodding, y/n scooted away until their back was against the shower wall. The water had caused their hair to flatten to their face and head, hanging in their eyes. Parting the wet strands to the side, y/n watched as Edward continued to bathe himself. It was a wonderful thing to be that close with a person. Being so in love and comfortable with each other that both of you could just watch each other shower, as if you were simply watching the sunrise. Y/n's thoughts were cut short by the water turning off, causing a shiver to run down their spine as the warmth left their body. Edward pulled back the curtain and grabbed a the towel from the towel rack. He leaned down and grabbed y/n under their arms, lifting them up to their feet. Quickly, wrapped the towel around their body, making sure they were nice and warm. After that, he grabbed his own towel and wrapped it around his waist, his subtle v-line showing slightly.
"If this is the punishment, then what the hell is the reward?" Y/n asked, raising an eyebrow at Edward's kindness.
"Hah, very funny. To be honest, I just wanted your company while I showered. And, I know you get very cold easily, so I'm just being a good boyfriend." He explained.
"Ok, so the punishment hasn't really started yet?"
"I suppose not, no. Why, were you on edge the whole time?" He grinned.
"Kind of, yeah."
"Hm, that's funny. Well, I'll ask you one more question. What do you think we should have for dinner?" Edward asked, stepping out of the shower and roughly using the towel to dry his hair.
"What, am I supposed to eat dog food?"
"Oh, you're very funny aren't you? If you don't give me an actual answer then maybe you can just eat a banana?" He suggested.
Y/n gagged, hating the texture of bananas.
"Fuck no, let's make sandwiches. I don't really want to cook anything..." They mumbled.
Edward put on a pair of boxers he had left on the sink. He wrapped the towel over his shoulders, catching any water that dripped from his hair. Grabbing his hairbrush, he brushed his hair back completely, letting it fall naturally afterwards.
"Well, I'd be the one cooking. Last time you cooked you nearly set the apartment on fire. But, sandwiches sound fine. Go get dressed into something comfortable, it doesn't matter what. Just uh, put that choker back on." He said, walking out of the bathroom.
Y/n dried their hair as much as they could and then drying the rest of their body. Edward walked by the bathroom doorway, wearing nothing but a pair of sweats as he walked out of the bedroom. Using a rag, y/n gently removed excess makeup from off their face. Once every bit of it was off, y/n hummed to themself, brushing their hair and turning off the bathroom light. Going over to their side of the bed, y/n grabbed the choker from off of the nightstand. As they put it on, they smirked, grabbing one of Edward's biggest shirts from the dresser. They slid it on, wearing absolutely nothing underneath. Y/n was anxious for when Edward would 'start' the punishment. He was known to be dramatic, having a penchant for making sex, foreplay, and anything else like that very drawn out and agonizingly teasing. It always blew y/n's mind how Edward could be the sweetest most caring man to ever grace this earth, and then switch to someone who made them so wet that they would drip down their legs.
"Puppy, come here!" He called, voice purposefully sounding like babytalk.
Quickly, y/n hopped on one foot as they put on their socks. They were in such a rush that they didn't realize they didn't match. The right foot was covered with a green sock and the other was covered with a purple sock. Y/n hurriedly left the bedroom, sliding across the hardwood floor that made up the 'dining room' which was more like a small corner where a table was, and the kitchen. Edward watched them as they grabbed onto the counter, stopping their sliding. They looked up at him, smiling widely.
"Eager, are we?" He teased, pinching their cheek.
"I'm hungry!" Y/n admitted.
"Oh, you are?" He asked before taking a bite of his sandwich in front of them.
Y/n's eyebrows furrowed, nodding slightly. Edward finished chewing what was in his mouth. Swallowing, he took a sip of water afterwards. Y/n, hesitantly, reached out to grab the other sandwich. Edward swatted at their hand, causing them to recoil.
"Woah, who said you could eat?" He asked, leaning against the counter cockily.
"W-What?" Y/n stuttered.
"Last time I checked, dogs eat on the floor." He said.
Y/n watched as Edward smirked, grabbing the plate the other sandwich was on. He placed the plate on the floor of the kitchen, leaning back against the counter afterwards. Taken aback, y/n watched as their boyfriend continued to eat his sandwich as if he didn't just tell them to eat on the floor. Y/n laughed, thinking that he might be joking. Edward stopped mid-bite, turning to look at them. His eyebrows were knit slightly, looking them up and down as if he was confused.
"What's so funny?" He asked.
"For a second there, I th-thought you were going to m-make me eat of the f-floor!" Y/n said in between giggles.
Edward's facial expression did not change at all. Y/n's laughs slowly died down, the smile on their face turning into an open mouthed pout. He took a bite of his sandwich, pointing down to the plate on the floor.
"Eat."
"E-Edward, that's humiliating..." They said.
"Oh, I know. You see, that's the whole point. You humiliated me at my own job, yeah, one of my coworkers overheard a little bit of your pathetic begging. How do you think I felt?" He asked, taking a sip of his water after.
"I'm sorry..."
"If you're sorry, then you'll get on the floor and eat like the pathetic, begging dog you are."
Nodding, y/n slowly got on the floor of the kitchen. The wood felt cold against their exposed legs. Edward had finished his food, putting away his dishes as y/n looked at their sandwich. It really wasn't a big deal, as y/n had sat on the floor and eaten food many times before. Hell, Edward had done it with them. Sometimes, the floor was just a comfortable place to sit. But, given the context of the situation, it was now embarrassing. Glancing up at Edward, they looked into his eyes for some shred of mercy.
"You either eat on the floor or don't eat anything at all." He said, crossing his arms over his bare chest.
Swallowing a lump in their throat, y/n picked up the sandwich. Their eyes flickered back up to him, hoping it was ok if they ate with their hands. He didn't say anything, so y/n took that as a good sign. Looking back down, they took a bite and placed the sandwich back on the plate. Edward smiled, bending over and petting their head.
"See, there you go. Not so bad, right? All you have to do is fucking listen." He said, grabbing a fistful of their hair roughly at the last sentence.
Y/n whimpered, nodding their head. They felt filthy for finding the scenario hot. Edward did too. Without saying another word, he left the kitchen and sat down on the couch with his glass of water. Y/n started to stand up, but his voice made them sit back down.
"If you're thinking about getting up, don't. You're going to finish your food first."
"But, I wanna come cuddle!"
"Yeah? Well, I wanted to have a normal fucking day at work. We don't always get what we want, do we? Eat your food and stop complaining because I could make it more humiliating." He said, voice harsh.
"Yes, sir..."
Edward mumbled 'that's what I thought' under his breath. Moving his legs up on the couch, he laid down, propping his head up on a few pillows. He groaned softly, pinching the bridge of his nose with his pointer finger and thumb. Once y/n was done eating, he didn't really have an idea of what he was going to do next. All he knew was that he wanted to make y/n remember who was in charge. He wanted to remind them that he wasn't a pushover all the time. He loved them with all his heart, but he wasn't a doormat. If they wanted to beg for his dick like a dog at his place of work, then they could act like a dog for the rest of the night. He took a sip of his water, letting the liquid glide down his throat. He looked at the time on the T.V, reading 7 o'clock. It wasn't too late, which was good. The sound of water running signaled to Edward that his partner had finished eating. He didn't worry about them not eating it on the floor, when y/n was told to do something by Edward in a situation like this, they always obeyed.
"Come here, puppy." He called, snapping his fingers two times.
Y/n walked over, sitting in between his legs on the couch. Edward laughed slightly, shaking his head. Confused, y/n looked at him, snuggling up to his side. He sat up and grabbed their waist, moving them off the couch and onto the carpeted floor of the living room. Y/n huffed, drawing their knees to their chest.
"Dogs can't get on the couch. I don't want you getting it dirty with your filthy mind. If you want to get on the couch, you'll have to sit on daddy's lap, puppy." He mocked.
"Fine."
Y/n crawled up on Edward's body. One of their legs rested in between his own legs. They snaked their hands under his back and hugged him, head resting on his sternum. He rubbed circles into their back, lulling y/n into a false sense of security. They probably thought that it was over, but it was far from it. He had thought about something a few minutes ago and desperately wanted to act on it. He trailed his hand down to the plump of their ass.
"How would I even get the couch dirty?"
Edward raised an eyebrow, not feeling any waistband below y/n's shirt. Grinning from ear to ear, he pulled the hem of the shirt up, exposing y/n's bare ass. They shivered, instinctively sitting up., but Edward's hand pushed them back down to his chest. He squeezed their ass gently. He slowly slid his other hand underneath y/n's body, reaching down to in between their legs. Using one finger, he slid it between their folds, instantly feeling how wet they were. Y/n whimpered and he laughed breathily.
"You would have dripped all over the couch, you dirty thing. And why, exactly, are you not wearing anything underneath this shirt?" He asked.
"Well, I just thought..."
"You thought I'd notice how wet you were and I'd cave?" He suggested, sitting up and making y/n straddle his lap.
"Did you think I'd want to fuck you?" He mocked.
"Maybe..."
"Why would I fuck you when I haven't even finished your punishment?"
Y/n fell silent.
"Speaking of..."
Edward reached over to the side table, grabbing a beanie baby they kept their as a cute decoration. He held it near y/n's face, then tossed it across the room. Y/n let their mouth hang open, looking at him in disbelief.
"What the fuck?!"
"What your mouth when you talk to me." He ordered, grabbing their jaw.
Y/n shrunk in his lap, nodding their head.
"Fetch." He said, smiling.
Y/n's eyes widened, looking at where the beanie baby landed. They looked back at Edward, seeing how amused he was from the situation. Rolling his eyes, he pushed them off his lap and onto the floor. He bent over, slapping their ass firmly.
"I said, fetch. Now." He ordered.
Y/n whimpered, standing up and walking over to the beanie baby. Edward slammed his hand against he cushion of the couch, the soft thud making y/n stumble.
"Filthy fucking mutts do not walk. Get on the ground." He ordered.
Y/n whined, feeling completely humiliated. Edward watched as they crawled on all fours to the beanie baby, their ass peaking out from under the shirt. Y/n looked at Edward, lifting up their hand to pick it up. He tilted his head slightly, which caused y/n to put their head back down. Sighing, they picked it up with their mouth. Edward smiled, patting his thighs.
"Such a good puppy, come here! That was so good! Who's a good puppy?" He cooed, taking the beanie baby from their mouth and putting it back on the table.
Y/n rested their chin on his knee, a blush on their face. The praise he was giving them was gratefully accepted. Though the circumstances were humiliating, they couldn't help but feel some form of pleasure from it. Edward pet their head, trailing down and rubbing their back as they sat on their heels. They couldn't help but give into the tingling sensation, closing their eyes as they rubbed their cheek up against his sweatpants.
"Oh, is the puppy starting to like this? You've done it plenty of times before. I suppose it's just different because of how humiliating I'm making it, hm?"
"Y-yes, sir."
"Hm, you really are filthy mutt, aren't you? You love being humiliated, don't you? No wonder you were soaking wet." He smirked.
Y/n couldn't contain their sexual tension anymore. They 'pawed' at his sweatpants, tugging them slightly. Edward chuckled in amusement, letting his head roll back as he did so. Looking back down at y/n, he grabbed a fistful of their hair.
"What do you think you're doing?"
"I wan' it..." They mumbled, grabbing his drawstrings.
"You do, really? My, I never would have guessed by the way you're dripping down your own thigs." He mocked.
"Please!"
"But, I haven't trained you yet honey."
"Please, do it while fuck me..." They pleaded, not even talking in full sentences.
He bent over, grabbing them by the waist and lifting them on his lap. Brushing a piece of hair out of their face, he hummed. It wasn't that bad of an idea. He could tease them, please them, and make them remember that he had the control.
"What a smart puppy you are. That sounds like a great idea, sweetheart. Why don't you put a movie on, hm?"
"W-Why do we need a movie?"
"Just put one on, puppy."
Y/n listened, turning around and facing the T.V while sitting on his lap. Grabbing the remote, they tried to find a simple movie to watch. After having a little trouble deciding, they put on 101 Dalmatians.
"Look at what I put on, get it? Because y-"
Y/n was cut off by Edward picking y/n's waist up and thrusting up into them. A shrill yelp left their throat and they gripped his thighs. Edward laughed softly, rubbing their back.
"That's very cute y/n, I get it." He groaned, staying still inside of them.
"D-Daddy..." They whined.
"Here's something we can work on. Being quiet. You have a hard time using your inside voice, puppy."
"Wait..."
"Oh? But, this was your idea."
Y/n nodded.
"Are you going to let me teach you how to properly behave? If you're a fast learner I'll give you a treat that's even better than that chocolate." He cooed in their ear.
"Y-yes, sir. I'll learn!"
"Oh that's so good, very, very, good. Now, I want you to do your very best at being a quiet little puppy, ok?"
"Ok, daddy. I'll be quiet."
Edward grabbed their waist firmly, taking a deep breath. He tilted his head back, slowly fucking in and out of them. Y/n sighed and bit on their bottom lip. His pace picked up and y/n was digging their nails into his sweatpants. Edward groaned, eyes closed shut at the sensation of y/n around his dick.
"You're doing a great job, puppy. Just a little bit longer, ok? Keep that pretty muzzle shut for daddy."
Y/n released one of his thighs, clasping it over their mouth. They knew he was talking like that in hopes that they would let a moan slip, but they wanted to be a good puppy for him. They wanted to make him proud. Biting down on their fingers, y/n felt their body relax as his pace slowed and eventually came to a stop. His dick stayed inside of them, twitching every so often and stretching them out lightly.
"Well look at you, huh? You did good, honey. It's taking every fiber of my being to not...mmm."
He rubbed their back for a few seconds, letting them relax for a bit. Edward took a few deep breaths, humming to himself quietly.
"Ready, puppy? I'm going to need you to focus, ok? You get so distracted so easily. So, guess what we're going to do, my love?"
"W-What, daddy?"
"I'm going to fuck you and ask you a few math problems. You need to give me an answer within 10 seconds." He smirked.
"B-but, I hate math!" They whined as Edward spun them around to face him.
"Oh, yes, I know my sweet pet. But, sometimes we have to do things we don't like."
Edward held onto their waist once again, slowly fucking up into them. Y/n moaned softly, happy that they could finally make noise again. He thought for a moment, thinking about what questions he was going to ask them. After a minute, he looked up into y/n's eyes.
"If...I had a pie th-that was cut into 9 pieces...how many slices are 1/2 of the pie?" He asked.
"9 slices of p-pie? Fucking odd numbers...Edward these are easy fraction questions!"
"Then why haven't you answered it yet?"
Y/n groaned, throwing their head back.
"Fuck, 4 1/2? I think?"
He nodded, slowing his pace so y/n could collect themself. Humming, he rubbed their thighs with his thumbs.
"Good job. Now, what's 12x7?"
He quickened his pace once again, watching as y/n's face contorted. Letting out a shaky breath, he pinched their ass when they didn't respond.
"Shit! I was counting you dick! 84!" They yelped.
"Don't call me that but, yes. One more." He said.
His pace got even faster. A devilish smirk grew on his face. If y/n got this next question wrong, then it would be difficult for him to contain his laughter. It was so simple that it was difficult, it would throw them off. Y/n tended to overthink simple things, which is why they weren't exactly the best in math. Sure, it was cruel of Edward to make y/n answer math problems while fucking them at a cruel pace, but he couldn't help it. It was too fun.
"What is 0 divided by 1?" He asked.
"W-What? That's so easy, are you sure that's the question?" They panted.
"Yes, pet. I asked you it, now answer." He ordered, pinching their butt.
"Ow! It's too simple, you're messing with me!"
"Is it? Is it really that simple?" 5 more seconds." He smirked.
"F-Fuck...0? I don't know you're making me nervous!" They whined, covering their face with their hands.
Edward slowed down once again, cupping their face with his hands. Y/n peeked out between a gap in their fingers, looking at Edward through it. He had a proud look on his face, nodding his head enthusiastically. Y/n smiled softly.
"Yes, see! You knew the answer, you were just under pressure. But look at that, you got all the questions right in the time limit I gave you, all while you were getting fucked by me. If that's not focus, then I don't know what." He cooed.
"D-Does that mean were done?" Y/n asked happily.
"Oh no, we have one more thing to do, puppy. It's the most difficult one yet." He grinned.
"I c-can do it!"
"Mmm, I sure hope so..."
Edward turned y/n around, having them face the movie that was playing. He straightened his posture, back slightly aching from the current position he was in. His hands planted on y/n's hips, holding them in place on his lap. Letting out a sigh, he leaned forward and rested his chin on y/n's shoulder.
"We're going to work on something you're terrible at being, pet."
"W-What is that?"
"Patient. Being patient."
"What do you m-mean, sir? I'm always patient!" They groaned.
"Oh, you are most definitely not. Don't pretend like you are."
Y/n sighed, trying to focus on the movie. Edward's dicked stilled inside them. They turned around after a bit, looking at him.
"So, what are we doing?"
"You, are being patient."
"But, it's torture!"
"Well, maybe you should have thought about that earlier, hm?"
"Whatever."
"Oh here we go again with the god damn attitude! I'm getting fed up with it." He scoffed.
"Then fuck me!" They pleaded.
"And reward you for bad behavior, really? No, I think you still haven't learned anything. Perhaps I am being too gentle with the punishment..." He mumbled, lifting y/n off of his body.
Y/n whined at the loss of him inside them, crawling back to his lap. He shoved them away roughly, getting up from the couch and pulling his sweats up. Grabbing the remote, he turned the T.V off, making y/n cross their arms over his chest.
"Your lack of patience is making my own wear thin..." Edward grumbled, tossing the remote on the couch.
"I'm s-sorry, I'll be patient now. I promise!"
"No, it's apparent my punishments weren't sending a clear enough message. So, we're going to try something different."
Y/n watched as he walked into their bedroom. Hurriedly, they followed after him, standing in the doorway. Edward was hunched over their dresser, rummaging through clothing. Their heart raced as he lifted his hand up, holding something in it. Because he was facing away from them, y/n could see his shoulder blades shift as his arms moved. The subtle muscles he had in his back were flexing, making y/n weak in the knees.
(A/N: This upcoming part has Edward losing his temper, yelling, and getting carried away. Btw, y/n and Edward HAVE consented to doing stuff like this and they have a safeword, so no one is being 'overpowered' or 'forced'. Just wanted to say that in case anyone got that idea. I'd never write that stuff, that's gross asfffff! <3 Btw, for the yelling, imagine his voice when he was yelling at Batman, hehe. Ok, continue reading now!)
His knuckles were gripped around something that looked like a rope, it was hard to tell in the dimly lit room. Releasing his grip ever so slightly, he let the material unravel just barely, dangling from his hand like a pendulum. Y/n's eyes widened, following the hook at the end of the leash as it swayed. The movement was hypnotic, almost. Edward turned around, grabbing the hook and holding it in his other hand. His face was void of all expression, the only thing hinting at his frustration was his heaving chest.
"Edw-"
"Kneel."
Y/n stood there, as if they were frozen to the carpet. Edward scoffed, walking toward them and grabbed their face with his hands, shaking them briefly, yet roughly.
"God! You can't even listen to a simple fucking command! I said sit! Do you know what kneeling is, huh?!" He raised his voice.
Y/n stuttered over their words, unable to form coherent sentences. He laughed, stepping away from them. Placing his hands on top of his head, leash still firmly gripped, his laughter grew louder.
"You're not just a bitch in heat, no, you're a stupid bitch in heat! Fuck! KNEEL!" He yelled.
Instantly, y/n dropped to their knees. The heels of their feet dug into the plump of their ass, causing slight discomfort. However, the discomfort was the last thing on their mind. It was their boyfriend who was holding a leash, losing his patience above them.
"Oh look at that, it only took me saying it what, 3 times to get you to do it? You want me to praise you? Pat you on the back for getting on your knees? A fucking dog can follow orders better than you." He spat, squatting down to their level.
"I-"
"Did I ask you to speak? No. So be quiet or I'll muzzle your mouth shut! You fucking mutt!"
Y/n nodded, looking at the carpet in humiliation. God, they thought earlier was embarrassing. They were dead wrong. Even when they were supposed to be getting punished, they still toyed with him. They still tried to wiggle out of it. They still tried to get their way in it. They had pushed him past his limit, and that was very difficult to do to him. He was probably the most patient person in the world, so y/n had royally fucked up if they managed to make him mad. Edward's eyebrows were knit together, face slightly red as he brought the leash to y/n's choker. Roughly, he hooked it on the heart, instantly tugging it as he stood up. Y/n face planted on the ground, groaning as they used their arms to push themself back up. Edward yanked on the leash again, smiling when they face planted again. They stood still.
"Get up." He ordered.
Y/n shakily pushed their body up, being thrown down again by a yank. Sighing, they slowly sat up, glad that Edward didn't pull them down again. But, they spoke too soon. He wrapped the leash around his hand, tugging it towards his body. The leather choker chaffed against y/n's neck as they fell back to the carpet, knees most definitely getting rug burn.
"How does it feel to be played with, pet?" He asked.
He pulled them towards him with the leash. Y/n grabbed the choker, desperately trying to relieve themself of the tightening feeling. He stopped pulled when they were at his feet, socks matching, unlike y/n's. They sat up, looking up into his eyes. He scoffed, lifting up a leg and pressing their back down with his foot. Y/n caught themself with their hands, looking at the ground.
"I did not say you could make eye contact. Direct eye contact with dogs, especially bitches like you, can make them aggressive. Are you going to get aggressive with me, mutt? Speak." He asked, raising an eyebrow.
"N-No, sir."
"Good, because I'll be quick to put you back in your place." He seethed, pushing his heel into their back lightly.
Y/n whined, hand shaking below them and giving away. Falling to their chest, they grabbed onto the fabric of Edward's sweatpants. Kicking their hands away, he stepped back.
"Get your filthy paws off of me."
He kept hold of the leash, walking over to the bed. Y/n, having no choice, followed him on all fours. Sitting down on the bed, Edward propped his forearms on his thighs. The leash hung limply in his hand, other hand grabbing y/n's chin. Y/n whined, watching as Edward brought his hand up and pushed his glasses up. He looked like a total nerd but at the same time looked like someone who could shatter your spine over his knee.
"Open your mouth." He ordered.
Y/n did as he said, sitting on their heels with their hands planted firmly on the ground. His fingers dug roughly into the hollow part of their cheeks, forcing their mouth to remain open wide. Edward leaned forward, looking in their mouth. He was quiet, analyzing every aspect of it. The way their tongue stuck out slightly, the way their throat pulsed around absolutely nothing, and how easily his dick would glide down it. His gaze hardened, abruptly spitting in their mouth. Y/n's eyes widened, trying to close their mouth out of instinct. He kept a firm grip on their jaw though, watching as his spit slid down their throat. He shoved them back, groaning as he buried his face in his hands.
"You know, if you had just been patient, this wouldn't be happening. If you had just been the good, sweet, thing you always are, you wouldn't be in this situation."
Y/n frowned, feeling ashamed of themself.
"I have no problem with spoiling you and treating you like royalty, I love it. But, you so desperately need to learn respect, especially towards me. Because, let's face it puppy, you act like a fancy little show dog, but you're really a street dog begging for scraps. You need to learn humility, respect, obedience, and patience. I give you practically everything you want and yet, you have the audacity..."
Edward stood up, yanking the leash slightly upwards. Y/n choked, grabbing at the choker.
"THE FUCKING AUDACITY to come to my place of work, DEMANDING me to fuck you? DEMANDING me to drop everything I'm doing to satisfy your sordid desires?"
Y/n whimpered, afraid to speak without being told to. They pouted, tugging at the hook that was attached to their choker. Edward loosened his grip, letting them fall to their knees.
"I'm the one that has you collard and kneeling on the floor before me. If I felt like it, I could literally and metaphorically have you eating out of the palm of my hand. Isn't that right?" He spat.
"Y-Yes, sir. Yes, of course." They stuttered, nodding their head frantically.
Edward mocked their nodding, fake pouting as he looked at them. He stuttered, mimicking their nervousness. Y/n watched with doe eyes as the mocking evolved into laughter. It was a soft laugh, more like a chuckle as he gestured down to them.
"Look at you, leashed and cowering at my feet. What happened to the confidence? The demands?" He asked, holding up a hand to his ear.
Y/n stayed silent, a shiver going down their spine. Edward nodded, pointing at them and waving his finger, as if he figured something out. That same chilling laugh left his throat.
"Oh, yes, that's right. You won't speak unless I tell you to. Go on, tell me what happened to your cocky attitude." He demanded, crossing his arms over his chest.
"I-I, well...um..."
"Oh, come now, pet. Speak up."
"Y-You...put me in my p-place..." They mumbled.
Edward nodded his head exaggeratedly. A sickly grin tugging at his lips. Y/n panted below him, chest heaving with arousal and anticipation. He laughed loudly.
"You think this was putting you in your place? Oh, I'm not done. I was just getting you warmed up." He stated.
Edward sat back down on the bed, legs slightly spread. His hands dangled between them as his arms were propped on his legs. He hummed, eyes narrowing behind the lenses of his glasses. Clicking his tongue, he pointed his finger down.
"Lay down." He said.
Y/n hesitated for a few seconds, feeling the pit in their stomach grow larger. The heat between their legs grew stronger, making their heart race. Edward furrowed his eyebrows.
"LAY DOWN! IF I GIVE YOU AN ORDER YOU DO IT! GOD!" He yelled.
Y/n slid down, laying on their stomach. The feeling of the carpet against their bare thighs was slightly itchy. Edward nodded in approval, spinning his finger in a circle.
"Now, roll over."
Whining, y/n did as he said. The hem of their shirt rose up as they did so, revealing the bare bottom half of their body. He smiled, loving how y/n was finally listening to his instructions.
"Come."
Y/n got up on all fours, crawling over to between his feet. They once again sat on their heels, hands on their thighs. Edward shook his head, a mixture of amusement and pity on his face.
"Now beg."
Y/n looked at him, confused. He made a 'tsk' noise, grabbing a fistful of their hair. He brought their face close to the tent in his sweatpants. Y/n was so close that they could feel it twitch every so slightly against their cheek.
"Is this not what you've been wanting all day, puppy? Is this not the reason you came to my work and humiliated me? Is this not what made you a greedy, spoiled, pathetic brat? Go on, you can answer me. I'll allow it." He said in a soft casual tone, glancing around the room like what he was doing was an every day activity.
"Y-Yes, daddy. It is..."
"Ohhh, I imagine you must want it so terribly."
Y/n nodded. Edward pushed them off, their heels digging back into their plump ass. They looked up at him, making sure to not make direct eye contact. They weren't sure if he was serious about it earlier, but they weren't going to take any chances.
"Then beg for it, puppy. That is what you are, right? My puppy?"
Y/n nodded again, mouth slightly agape. He smiled, laughing softly. He was awfully enthusiastic for the situation. Y/n was trembling in front of him, thighs slick with their own arousal. And meanwhile, Edward was giddy, as if he was playing with a toy he got for his birthday.
"Then beg like my puppy. Beg for my dick."
Y/n took a deep breath, letting it out in one large exhale. They looked up with puppy dog eyes.
"P-Plea-"
"Oh dear, I think you misunderstood what I was demanding of you. You see, puppies can't talk. They whine. They whimper. And they bark. Why don't you try again? Now." His voice was bubbly, but it had a dominant tone.
Y/n's face turned beet red. Swallowing a lump in their throat, they placed their hands on his knees. Edward raised an eyebrow as y/n stuck out their bottom lip slightly, quivering. They whined, 'pawing' at his sweatpants. Y/n wiggled their ass, causing him to chuckle slightly. He put his hand on their hand, petting at their hair.
"Oh, isn't that just cute? Bark for me, hm?"
Y/n shrunk, embarrassed at the idea of them barking in front of Edward. They opened their mouth, but shut it promptly. He frowned, tutting y/n as he lightly slapped them on the cheek.
"If daddy says jump, you say 'how high?'. If daddy says run, you say 'how far?'. If daddy says bark, you..."
Y/n whimpered, closing their eyes tightly. Not wanting to think too much about it, they barked. It came out even more pathetic than they thought it would. It was shrill, shaky, and sad. Edward laughed, grabbing their face with his hands. He rubbed his thumb over their cheek, humming as he looked in their eyes.
"My, my, my, how utterly pathetic. Oh, but you did obey my orders." He said.
Y/n smiled at him, face still red from earlier.
"You look like you want a reward for your obedience. Am I right to assume that, puppy?"
Y/n nodded frantically, sitting up straight on their knees, Their hands tugged at his sweatpants, whines leaving their throat. Edward unhooked the leash that was on them, standing up. Y/n's hands fell off the fabric of his pants, watching as he put the leash back into the dresser. Every step he took made y/n's heart race faster. Stretching his arms out, he sat in bed, underneath the covers. Y/n was still kneeling on the floor.
"Remember when I said you had to learn patience, pet?" He asked, two fingers tilting their chin up.
They nodded.
"Hm, yeah."
He leaned down to their ear, fingers hooking into the choker. Edward tugged them forward, his breath fanning on their neck. Goosebumps pricked over their skin, a chill going down y/n's spine.
"Tonight, I will be sleeping soundly in our bed. But you, my pet, oh..."
Y/n's eyes widened. His lips slid down and pressed against their neck gently, trailing back up to their ear. He smirked.
"You will not get a wink of sleep. As you lay down, you'll toss and turn. I know how you are, puppy. Thoughts of me will play over and over in your head. The burning heat in that pitiful stomach of yours will grow throughout the night as you fantasize about me deep inside of you, making your body arch and your eyes roll back. In the morning, I'll wake up to you laying in a puddle of your own arousal, desperately grasping at me, hoping I'll give you a morning fuck. But, that will have to wait, won't it? After all, you need to learn patience."
Y/n sat their, eyes glazed over with desire. Edward pulled away, laying down in the bed. Leaning over, he turned off the lamp on the nightstand. He turned around, facing away from y/n.
"Your sleeping on the couch, by the way. Oh, and don't even try relieving yourself. You and I both know it won't be anywhere close to how it feels when I do it." He added, yawning.
The silence made him smirk to himself, taking off his glasses and placing it on the nightstand. Getting comfortable, he didn't bother seeing if y/n had moved.
"Good night, pet."
~
...
So, do you guys want a part 2 or...?
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fishiest-fish · 8 months
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no matter times I watch defunctlands Disney Channel theme video the end hits me so hard every time. Something about the music gets me, a dead man's music being played in his honor all because we were a little too late to finding out who wrote it
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peach-fiz · 5 months
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I will never again shy away from photos being taken of me because of Defunctland's documentary of the person who composed the Disney Channel theme song. I will not allow my legacy to not be told over silly insecurities, because there is only one photo of the man who wrote the song of our childhoods. I will never let my name go uncredited for the smallest work I could ever do, because we do not know his name and the work he put the least amount of effort into is like a call of home to many people across generations and countries, cultures and languages. He may have only composed it in a few hours, maybe because composing an intro for a children's network was beneath him and his effort and his art, which it was. But it is one of the most recognizable four notes in television. And we didn't even know his name.
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ordinaryschmuck · 10 months
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Why I Love The Owl House-Part One: The Characters
Salutations, random people on the internet who are already skimming past this! I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons.
Back in 2018, when The Owl House was announced, I didn't think much of it. I looked at the teaser poster and knew that it would be a show that would gain a following, but I didn't think it'd appeal to me specifically. Then, in January 2020, just before the world made an oopsie, I saw that Disney Channel uploaded the show's first episode on YouTube. Having finished my homework and studying at the time and having nothing better to do, I clicked it out of morbid curiosity to gain a first impression of this series. And I'm not kidding when I say that the second the episode ended, I said, out loud, to myself, "I think I just found my new obsession for the next few years."
Yeah, I went from thinking the show wouldn't exactly be my thing to being obsessed with it. And obsessed I was! I wrote fan fiction and reviews and even drew a handful of fan art you are NOT allowed to look up due to how bad it is. The Owl House, with no exaggeration, also changed my life as it gave me quite a decent following on Tumblr for thoughts and stories I've crafted regarding the show and even gave me a new friend or two to share those same thoughts and ideas together. One of my closest online friends is someone who once reached out to me as a proofreader for a fic I wrote once upon a time, and I probably wouldn't have talked to them if not for The Owl House. I owe so much to this series that I adore that to explain what makes it so great...can't be done with a single review. I even considered writing a long review after Season One ended but gave up on the idea after realizing there's so much to talk and praise about the series. And that was with Season ONE! That was before Season Two made the show more spectacular in nearly every conceivable way!
So, yeah, we're gonna have to do this in parts, each dedicated to a specific theme. However, before we discuss THIS review's theme, I should get one thing out of the way: I'm not just going to praise The Owl House in every single review. There are problems to be had with the show, and I can't ignore them because the praises are stronger. I love The Owl House. I wouldn't be doing this if I didn't. But it's because I love it that I have to point out problems as they come because to truly love something means to take the bad with the good. And while there's a lot of good, there's still some bad worth mentioning.
With that said, let's finally begin by discussing the backbone of any series: The characters. And BOY, does The Owl House have a LOT of great, well-written characters, to the point where I initially considered that there wasn't a bad one in the bunch...I say initially because I finally woke up to how much I despise Tibbles (Yeah, wait until we get to him). Although, know that while discussing characters, we're not talking about one-offs like Bria and her lackeys in "Through the Looking Glass Ruins" or ones who weren't named in the show, like Amelia and Cat. We're focusing strictly on frequent players and fun side characters that nail the short time they appear. And we're also going in order from my least favorite to my most favorite. And just know that this is in order based on how good they are as CHARACTERS and not as PEOPLE. There’s a difference, and I’ll be able to explain as I go.
Now, without further ado, let's begin this wild journey together with the worst character in the series.
(Also, be warned, this is going to be the LONGEST post you’ll ever read. The Google Doc is 33 pages long…)
Tibbles: Yeah, really no contest here.
Tibbles is, quite frankly, the only character that I consider inadequate. I get the idea the writers were going for: He's a secondary antagonist for lighter adventures amongst heavier ones. The problem is that type of character does not function for a show like The Owl House, a series where the writers were told they'd be cut for time while working on Season Two and having little time for lighter tales. Maybe if the show had enough room for twenty more adventures or if The Owl House had a slight lean toward episodic misadventures like Amphibia, Tibbles might have functioned better as a comedic villain that occasionally screws with the main characters for filler. But because The Owl House has so much to do and would eventually become a series with no time to do it, Tibbles becomes more annoying when he distracts from the plot. Fortunately, he's only in three episodes. Unfortunately, Tibbles never becomes as entertaining as he could have been. He has one good capitalism joke, and that's all the good I can say about Tibbles. Let's move on…
Jacob: Another secondary antagonist that would have worked better if the show had more time. Maybe make him a constant threat (read: annoyance) to Vee or the rest of the Hexsquad while they're stuck on Earth. Instead, he's nothing more than a one-and-done threat who makes a singular cameo in the best episode of the series ("Thanks to Them"). At least Jacob being a crackpot conspiracy theorist is kind of funny. Otherwise, he'd be lower than Tibbles.
Perry Porter: He has next to NO character. Barely even a scrap.
He’s the father of one of our primary characters, and Perry has NOTHING going for him other than that and being a reporter. At least he’s not annoying.
The BATs: Yeah, might as well lump these three together because they started off making you think they'd do SOMETHING, only to have very little to do with the plot, with only one of them having a definite personality (It's Amber, and I love her).
Katya's kind of fun as this weird fanfic writer who has a hint of appreciation of showmanship, given how she very clearly wrote Raine's speech. But then you also have Derwin, who's so forgettable that I know for a fact that you had to Google his name to remember who Derwin is. These three are a mixed bag of sometimes being fun yet forgettable, to the point where I don't blame the writers for forgetting their existence when it came to the rest of the series. A shame, really, because there could have been something interesting to explore with this secret resistance organized by Eda's ex. The problem is, just like Tibbles, there's not enough time for characters like the BATs to flourish. They're missed potential, sure, but that doesn't make them bad. Just less than remarkable members of this very extensive cast.
Gilbert and Harvey Park: Have slightly more personality than Perry with Gilbert having more of a playful and laidback side to him and Harvey being the more serious and worried of the two. You can see glimpses of this through the little details like Willow falling onto Gilbert in that swinging memory in “Understanding Willow.” Gilbert laughs with Willow while Harvey looks a little worried. That’s sweet. They balance each other out.
Also, they’re gay, and gay characters are always better. It’s why they’re a step above the BATs. NEXT!
Warden Wrath: He has the same problem with Tibbles and Jacob, where Warden Wrath is a secondary antagonist in a show that doesn't really have the time for him to be as effective as he COULD be. What makes him BETTER is that Wrath is at least funny. Like, the man chopped off Eda's head and then asked her out. That's humor, baby.
Also, he's a good dad to Braxus, so...you know.
Though I will admit, I'm surprised how little a role Wrath played in the show. In "A Lying Witch and a Warden," he gave off main antagonist energy with his look and menacing demeanor. Turns out he's just a throwaway character, and that's for the best. He doesn't overstay his welcome, never distracts from the plot, and has a few hilarious lines and moments. Not the strongest threat or character, but decent's good enough for me.
Kikimora: I might be the only person who doesn't hate this little gremlin, and even I have to admit she's not that great.
Don't get me wrong, I adore how insane she acts and how obsessive she can be in wanting to beat Hunter, specifically. She has a lot of fun moments and, weirdly, looks adorable when not wearing a cone of shame. She has her fun moments...but fun enough to be a recurring antagonist throughout the series? To the point where the characters have boss fights with her in three prominent episodes?
I...don't think so. I like Kiki just fine, but only in spades. Her voice can get grading after a while, and you do get sick of her obsession with the Emperor's coven given time. She's at least funnier than Wrath, though. I will ALWAYS stand by that. But that's not enough to get her higher.
Adrian Graye: He's yet another secondary antagonist that would have benefited from more time...I'm noticing a theme here.
Eh. Either way, this guy's great. His whole schtick is being a bad and nitpicky director, and that's funny to me. It's what I would expect from the head of the Illusions Coven, who are witches best defined as ones with a sense of showmanship. Some might find Adrian annoying, which...yeah, he's kind of intended to be. But I get it. Not everyone would laugh at this guy as much as I do, and that's okay. Comedy is subjective, after all. My only complaint with Adrian is that we don't see more of him. He's too fun of a villain with an equally entertaining concept to be wasted as a one-and-done antagonist that resorted to only cameos in the future. Still, if the worst I can say about a character is that I want more of them, is that actually a problem?
Tinella Nosa: Also known as Dana Terrace's self-insert. She's used primarily for comedy, and thank goodness for that. I don't know if I would have appreciated this character as much as I did if Tinella was best friends with the main cast or had some stake in the plot. In fact, the one plot and subplot that feature Tinella in a prominent role was some of the worst the show has ever had. Thankfully, she's mostly a character for random comedic bits, and I really wouldn’t have it any other way.
Barcus: Another character whose primary purpose is to be funny. At least Barcus is a dog that radiates stoner energy, giving him a ton more bonus points.
Braxxus: ALSO a comedic character, but is only better because the joke's funnier. I mean, Braxxus is just a character who's a little toddler that looks and sounds disturbing. How can you NOT laugh at that?
Eberwolf The Huntsman: Quick aside: Was anyone going to tell me that Eberwolf was apparently a man, or was I supposed to find that out for myself? I mean, shame on me for assuming genders, I guess...But I'm pretty sure I wasn't the only one on that.
Anyways, Eberwolf is fine. In the short time he's in the show, Eberwolf offers great humor by being this feral little rascal that primarily annoys Darius. Not much to say other than that, and I doubt having more time would benefit Eberwolf. He really does scream "Comedy Relief" to me, and sometimes being entertaining is enough. Not everyone needs depth.
Boscha: Speaking of depth, I will forever stand by my claim that Boscha worked better as a one-dimensional bully than a three-dimensional one. Sure, three-dimensional bullies can be interesting because it leads to us learning why they do their harsh acts and that there are reasons why they're bad kids...However, that's why we have Amity. And for a redeemable bully like HER to work, you need an irredeemable one to show up to prove that not every little s**t can be better with time. Some are just sadists for no reason. And that's where Boscha comes in as a bully that knows full well she's hurting people but doesn't care because her only justification is that they deserve it. Why? Because Boscha believes she's better than them. That inflated ego makes her the perfect mirror of what Amity could have been and causes Boscha to be the best rival to Willow. Willow starts off with confidence issues, where even though she gains more of a boost thanks to her friends, there's still lingering self-doubt in the back of her brain. Boscha lacks that. She may do some affirmations to her reflection, similar to what Willow does in "Any Sport in a Storm," but while Willow briefly second guesses herself, Boscha says every word as if she knows its universal truth. So when these two go up against each other, it's great because it allows Willow to prove that she IS the best while proving that Boscha's the worst. It was perfect, and it's why I had no issues with Boscha remaining one-dimensional...But then the writers had to SCREW IT ALL UP!
Now, don't get me wrong. Revealing that Boscha had codependency issues with Amity and Boscha's other friends is interesting. There's just one problem: They introduce this idea in the second to last episode of the series. There's next to no time to fully flesh it out, leaving Boscha with a character arc that feels both forced and rushed. It might have been better if this idea had been established from the beginning instead of using most of that time writing Boscha as a one-dimensional bully with no depth to her. I still say she's entertaining, but maybe the writers tried TOO HARD with her.
Matt Holomule: But sometimes, it's better to try for a character that used to be the most universally hated.
How in the hell did I go from hating this little stink rat to being genuinely entertained by him? He's not my favorite or anything, but, like...compare Matt's first appearance with his last. He was an insufferable little prick who caused problems for Luz and Gus all because Matt wanted power and drama. That's it. Just those two things: Power and drama. Yeah, those are not great motivations for a character.
In fairness, it was clear we were supposed to hate Matt, and humor comes from watching him fail miserably. The problem is that he didn't do it enough, and while I'll laugh at the little stink nugget getting messed up at the end of "Something Ventured, Someone Framed," Matt still won by the end of the day, getting everything he wanted. He just got a little messed up along the way, is all. So while the idea is there, it's not strong enough to make the character entertaining.
But then the writers decided, "Hey since we're not going to try with Boscha, let's try SOMETHING with Matt." And it worked! "Through the Looking Glass Ruins" showed why Matt was such an insufferable, slimy weasel because he attended a school where the more powerful received more respect. Matt never got that in his old school, so he tried again in his new school, looking for power and drama because it's all he knows. Then by "For the Future," not only is the guy actually competent, but he's hilarious through false bravado and not being smart enough to know that he's been crushing on a robot. It's a huge improvement...but only from a character that makes three primary appearances and sucks with one of them. A character who's decent two-thirds of the time isn't too bad, but that still doesn't make him high up on my list, where characters are better for far more than that.
Viney: Or a character that has a better vibe despite...barely having anything to work with.
Viney...is insane. She dumps friends over the tiniest of misunderstandings and uses her griffin as an assistant for everything. She's clearly not well in the head...and that's what makes her entertaining.
Vine is a looney nut who might be unaware of her crazy actions. It's good fun, but the problem is that there's not enough of it. Like Matt, Viney has very few prominent moments in the series, and you can tell she's not as entertaining as she could have been. If the writers went all the way with her insanity or made her a character that's the textbook definition of "zero chill," you can bet Viney would be one of my favorite characters. As is, her craziness is only...a scrap of what could have been a great personality. I like her, don't love her.
Jerbo: Jerbo's higher because he has more of a well-defined personality. And he wasn't instantly unlikable, so...
And that really is all there is to say about Jerbo. He's fun as a fearful boy down on his luck and has a bit of intrigue with how he wanted to change the coven system forever. And he does, which is honestly pretty cool. Still, not a lot to make him higher.
Owlbert: Hey, look! It's a character that had a ton of prominent appearances in Season One and was all but forgotten in every season after!
This is a shame because Owlbert is one of the two palisman in the series that feels like a genuine character. The others are cute (my favorite is a tie between Ghost and Stringbean), but Owlbert, for a few episodes, felt like a prominent member of the cast with his loyalty to Eda and the connection formed with Luz. In fact, he and Luz had such a great connection that, for a while there, I assumed the show would do a thing where Eda passed down Owlbert to Luz as a form of passing the torch from the master teacher to the master student. But that didn't happen, which I can be fine with because Stringbean's perfect, and I will not hear any argument about it.
Still, it's weird how Owlbert showed up a fair amount of times in Season One, even having an entire episode dedicated to him, only to be forgotten and discarded by the time Season Two rolled around. And I know someone who'll be mad about that.
Bat Queen: And she's a character that had her own kind of potential only to be forgotten in Season Two. Only in this case, I'm willing to be more forgiving toward Bat Queen. It sucks that we'll never fully know who her owner is, but that always felt like a minor story beat for someone who wasn't that major of a character. Or, at least, someone who never had TIME to be a major character. The Bat Queen had intrigue as a discarded palisman who dedicated her life to looking after abandoned ones, but someone like her doesn't really have a place in the grander story of the show. Plenty of characters in the series have good reasons to have their stories continue or their personalities develop, whether having close ties with a main character or having a narrative purpose. Bat Queen doesn't really have either of those things, so it's why I'm not someone who’s losing sleep at night just because she has this engaging backstory brought forth but never followed up on. I'd still like to see it, but I always knew that after hearing Disney shortened the show, it was always going to be the Bat Queen's story that would fall on the cutting room floor. Missed potential for sure, but at least we had an interesting character for a short while.
Odalia Blight: And the winner for the worst mother of the year goes to--Yeah, I know. An easy joke to make. But I can't help it! It's always served on a silver platter!
Anyways, Odalia's the worst. Yet that's what makes her the best, funnily enough. She's the most snobbish snob that's ever snobbed while having zero respect for other people, least of all her family. You hate her with every fiber of your being, and you cannot wait to see her fail miserably despite trying so hard to reach the top. And Odalia absolutely is a character one loves to hate. She called Amity and her friends into the office and soon scolded Amity for not being in class. It is a challenge to make someone that kind of entertainingly despicable, yet the writers nailed it. However, they might have worked too hard to make us hate Odalia and not enough to deliver her just desserts.
I have no problems with Odalia being an awful mother, wife, and overall person throughout the show. I figured it was only a matter of time before she got hit in the face with SOME karma that would make it all worth it. Sure, it was nice to see her bend to the whim of a literal god that craved pizza bagels, and I do love that Belos, who values life less than her, didn't even want to use Odalia as his meat puppet. Still, she deserved worse. After everything Odalia did and the bridges she burned, it would have been nice to see either Amity or Camila knock her lights out for being a terrible mother. Hell, we even saw Kikimora doing community service and grunt work after her crimes, so it would be fitting to see Odalia right there with her. Or giving her SOME punishment other than making the last time we see her being Odalia standing off to the side and acting like she doesn't care that she lost everything. And that...doesn't feel right. After everything Odalia's done, we, the audience, and her family, deserve to see Odalia receive the worst punishment she had coming to her. Maybe not death or even going to jail. But SOMETHING is better than nothing. She was entertaining, but being so goes only so far without a proper failure.
...But at least she's hot. I know that's out of left field...but we all know it's true...Camila's still hotter, though.
Gwen Clawthorne: ...At least she's a better mother than Odalia?
Alright, I might be the only person who doesn't hate Gwen like others in the fandom, just like with Kikimora. But unlike Kiki, Gwen has much more to like...at least to me. Yeah, her falling for scams isn't great, and realizing the error of her ways could have been done better if not...quickly paced, but I don't mind her. Upon her introduction, it's clear that Gwen wants to try and help Eda with a vile curse. She may have been a bit hostile with her wording, but we soon learn that the curse not only turns Eda into a savage beast but one that clawed Gwen's husband's eye out and ruined the family business that's been around for generations. You can't really blame Gwen for being...agitated about the curse. Or wanting to try anything and everything to cure it. Yes, Eda's curse is often used as an allegory for a chronic illness. And a pretty decent one at that. But sometimes, with a story, you have to remove the allegory from what's shown, and doing so helps you gain more of a perspective for why Gwen reacted the way that she did. Was it right? Well...Not really. I guess she could have seen sooner that she should have been there for Eda instead of scaring her off, not to mention the damage Gwen caused in her debut appearance, but Gwen was at least quick enough to come around and realize what she did was wrong, and APOLOGIZE. Most parents like her won't be that easy, obviously, but another thing about fiction is that you have to realize that it's...fiction. Not everything equates to real life, and you should accept a character's choices and actions if it suits the story. Not many kids can do that, sure, and that's where the hesitation fits, but I think Gwen's kind enough to prove that she's worth believing in. She still spent years trying to help Eda, even if it was misguided, and was ready to kill the guys scamming her. Gwen is not a bad person. Her heart's mostly in the right place despite the troubles she caused, and I'm willing to bet she learned her lesson in the end. Just listen to her speech to Eda (and a little to Lilith) near the end of the episode. That's a mother's imperfect love if you ask me.
Masha: Admittingly, there's not much to them. Masha's a solid character. They have tidbits of personality as someone who's into the grim and horrifying but has a good sense of humor about things when they laugh off reading Vee an accurate fortune by saying she needed bath bombs or humorously sum up Belos' backstory about him being upset that his brother got a hot witch girlfriend. Plus, there's the genuine representation of having Masha be non-binary but still comfortable dressing and looking feminine. From what I've learned, being non-binary doesn't mean sticking to a gender-neutral style. Some like to look feminine, while others are fine appearing masculine, and it's cool for The Owl House to represent that through Masha. I only wish there was more about them. I could go on and on about most of these characters, but for Masha, there's not enough to go off of. It really is the good vibes and representation carrying them, but that's not much to complain about if you ask me.
Skara: SKARA IS THE BEST GIRL!
What's that? She barely has much of a consistent personality and is an over-glorified background character, if anything else? Well, too bad, because she's the best girl.
Honestly, I don't know why I love Skara so much. She hardly has any character to her, but something about her is just so gosh darn endearing. I'm telling you, sometimes a character can be entertaining by having a good vibe alone.
Steve: THIS MOTHER F**KER, however, had NO RIGHT being as entertaining as he was! Nor how popular!
Steve. F**king STEVE! All he had was one or two lines in a less-than-stellar episode, yet the fandom ADORED this mother f**ker! And, yeah, they were funny lines, but not "OMG, best character EVAH" levels of funny! But sure enough, people loved him! So the writers brought him back, and gosh dang it, he's so endearing! He's the most chill and reasonable character in the entire show! He gave King insight into who he was in one of the biggest character moments in the series! He's...NOT the golden god that I think people were picturing him as under that mask, but DAMN, is he still a handsome fella! He's so great, that I honestly wish he was in the show MORE! Gosh, DANG IT!
"If you love him so much, why are you acting angry about it?"
Because it's FUNNY!
"No, it isn't."
Yes, it is! Moving on!
Terra Snapdragon: Finally! Some good frickin' secondary antagonist!
Terra is why I hoped the series would dive deep into the other covenheads, primarily the clearly evil ones. This woman radiated supervillain energy as someone who seemed super sweet but would kill you with zero hesitation. And we learn in the flashback episode that Terra was somehow more bloodthirsty, having zero care for the lives of others, least of all children. The woman was despicable, and it was a treat seeing her return when she did. And, unlike Odalia, Terra had a proper amount of punishment. Sure, it sucks that she slinks away in the finale, but her forced to play pretend with the Collector while in an outfit that...did not work on her is pretty decent karma for someone who saw others as below her. Plus, she at least turned into a puppet for being too big of a big mouth, which is more than what Odalia got. I'd prefer if Terra had MORE punishment, but who knows? Maybe she went to jail or...tripped and snapped her spine off-screen.
If anything, my only complaint was that Terra wasn't in the series more. Make HER the main threat in "For the Future" instead of Kikimora and Boscha. THAT would have been fun. Regardless, she's entertaining enough as is, even if more screen time would have made her better.
Principal Bump: This man deserved more love...He said, while still leaving Bump below several characters.
For real, though, Bump deserves more credit, even from me. He's the school principal in a children's animated series, but instead of making him the demonic, overbearing dictator, the writers made him...the exact opposite. If anything, Principal Faust is more of what I would expect as a cold, careless, and horrifying hater of fun and children. Thankfully, that's not Bump. The man may be strict and have no problems throwing a kid into a detention pit, but he still cares about the safety and well-being of his students. Hell, he loves his students. Even with trouble-makers like Luz, Gus, and Willow, Bump can't help but cry because he has fond memories about the three of them and the trouble they caused. And while he can be dead-set in some ways, Bump is still willing to admit when he made a mistake and chooses to correct it, like in "The First Day" by letting the Detention Kids pick multiple tracks to study from. He's kind and reasonable, and that's what's to love about him. Plus, Bump's got some Grade-A snark on him. Some of the show's funniest and most quotable lines come from his dry remarks, and it's partially why he's bumped (ha) up so high. As I said, Bump deserves more love...It's just unfortunate that there are more entertaining characters than him.
Lilith Clawthorne: Admittedly, Lilith would not be up this high if she remained the person she was in Season One. Back then, Lilith wasn't the worst. She functioned nicely as a foil to Eda's wild side and had a great design for a secondary antagonist. The problem is that Lilith was a little boring, her motivations weren't made clear until the finale for the sake of a twist, and that same twist REALLY hurt her character...for about a week until everyone was quick to forgive and forget after a poorly paced redemption. And that's another fault of Lilith: Her redemption. She cursed Eda, ruined the family, ostracized Eda from society, hunted her down for YEARS because of blind faith in a man playing her like the cheap-ass kazoo that she was, and it all got wiped away almost instantly. Granted, there is one asterisk to this: It was all an accident...Sort of. 
Lilith did mean to curse Eda but didn't intend for it to last as long as it did. And you at least get a sense that Lilith feels some remorse for doing so, even stopping their first duel together the second Eda brought up the curse. The problem is that she doesn't feel enough, still treating Eda as lesser than her despite the two of them being close and Lilith supposedly feeling guilty about cursing her. And, again, it feels like everything got resolved too quickly. I accepted everyone is quick to say, "Everything's good for now" in "Young Blood, Old Souls," but only because I expected Lilith to get dragged through the coals in Season Two. But she didn't. She was quickly treated as one of the gang, and Eda did nothing but jokingly remind Lilith that she cursed her. You do that after years of getting over something, not after a week. So, as a redeemable antagonist, Lilith might as well get a C-...Thank goodness she became an entertaining character, regardless of that.
By Season Two, Lilith becomes an almost different character. Better yet, she becomes what I wanted Viney to be: Bats**t insane. Lilith is violent enough to tell Philip that he better be digging his own grave and punches him in the face without hesitation, ecstatic about banisters and having barnacles on her head, and willing to devote her whole life to an eight-year-old and perform blood sacrifices in his honor. The woman lost her mind, and I was all there for it. Even then, though, she still had a bit of intelligence, being hesitant to trust Philip after seeing some similarities to Belos and studious enough to figure out glyph combos herself. It's just that now because there are fewer worries and fears about keeping an image and being the best, Lilith can let go of inhibitions and go nuts. Her redemption could have used a lot more polish, but being so dang entertaining in Season Two is what made Lilith a character I couldn't care about to one I was excited to see when I could.
Alador Blight: Wish I could say the same about this guy...
I think I love the idea of Alador much more than his execution. Upon his introduction, he's presented as the lesser of two evils between him and Odalia, with Alador being easier to talk to without threatening to kill anybody and trying to find compromises that could stow Odalia's fire when she becomes unreasonably angry. Initially, one could assume that he's on the same agenda as hers, only to later find out that Alador's being mistreated too, with Odalia working him to exhaustion, too tired to even notice his children's problems half the time because he's too busy working for Odalia to the point where he never even took a sick day. In Season Two, this lines up with a lot of his behavior. It's why he acts so scatterbrained and unsure of what to do in most appearances. Or the way he tries to tell Odalia they've demonstrated enough with the Abomiton and how he forces a compromise by making Odalia stick to her word and sneakily tell her that being with friends makes Amity stronger, and how he promises to Amity to let Odalia back down in "Reaching Out." If you look solely at how he acts in Season Two, I believe it's pretty decent character work/development, showing a man who loves his kids but can't be the father he wants and needs to be because of his overbearing wife...However, there is ONE moment that spoils everything.
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Yeah, that one. This is the scene that everyone points back to when discussing Alador's change of heart and whether or not he earns Amity's love despite it. He's very clearly on Odalia's side in this argument, being just as cold as her. Some argued that because this memory came from Amity as a kid, she might misremember the details and misconstrued how Alador acted that day. Even his silhouette seems different from how he looks in the present, and I was willing to agree because I remember days when my parents got a LITTLE mad, and it was the scariest thing in the world. However, not only would you be surprised how more traumatic experiences stick with kids, but the show makes it very clear that memories inside one's mind recreate things to the exact detail. Sure, there's the fact that it's Amity's recollection in Willow's brain, which, as far as we know, isn't as perfect as a picture. But The Owl House never explicitly establishes how weak a witch's memory could be while already inside a memory. It's a very weird distinction to make but necessary to prove that Amity's memory isn't as exact as it looks. Although, if you want explanations, I have some of my own. One realistic, another analytical, and one argumentive.
Realistically...this is a retcon. The writers had a new idea of what to do with Alador and realized, too late, that they had to make changes to his character for it to work. Changes that go beyond a scene where all we see is his silhouette. And when a retcon's made, it's sort of a team effort between the writers and the fans to explain how it works, with the writers providing the information and the fans analyzing previous scenes to see how it holds up. And after writing about how he's under Odalia's abuse and manipulation, here's where the analysis comes in.
Alador works so much and dismisses his kids because, if he doesn't, Odalia will have the kids do work for him. Not wanting to let them go through what he does, Alador reluctantly goes along with what she demands, only getting her to back down when he sees an opportunity, like in "Escaping Expulsion." Unfortunately, just like that episode, he's still on her side most of the time, doing what she wants and saying what SHE thinks is right even if he probably doesn't want to. Because if he doesn't, he and his kids are in WORSE trouble. That day, when Alador scolded Amity, might be a day when he felt like there was no other choice because Odalia left no room to back down and was forced to do and say what she wanted.
Plus--and here's where I get argumentive--We forgave this:
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Granted, there are some arguments against this as well, one I'll get to when talking about Amity. For now, I will say there are three reasons why we're willing to forgive Amity: One is that she's a kid. People are more willing to forgive a child's behavior because they can outgrow it and become better. People have this idea that adults can't do the same thing, that they should already know better...even though adults rarely do, and they could live up to seventy while still unaware of how their behavior is wrong. Number two is that we spend more time with Amity, learning how much she regrets her actions and proving how she'll work hard to be a better person despite them. We can't have that with Alador because the show has to do so much and has very little time to do it. Some corners can be cut, and Alador was one of them. Thirdly, and this is the one I can't argue against, people understand Amity's plight because they WERE Amity. They've had experience with neglectful and abusive parents, and that experience beats any argument a person has. It doesn't matter if you, me, or anyone else argues that Alador isn't badly written. THOSE people, the ones who had an Alador of their own, will always feel uncomfortable by how the writers made him because those people know not every parent is like him, and they don't want kids thinking THEIR parents are the same. I mean it when I say I can't argue against that because that's a fair reason to not like a character.
Personally, I like Alador enough. At least, I like the idea he represents. It's good to show that parents can be mistreated too, especially a father because not enough people take men getting abused in a relationship as seriously as women do. The execution is a little sloppy because of that one scene in Season One, but it doesn't bother me. It DOES, however, bother others, and for reasons I can't help but sympathize. I won't call Alador a bad character, but I won't stop others from disagreeing. But at least his kids are great (and, yeah, we’ll get to them).
Dell Clawthorne: Dell's kind of both a symbol and a character.
Symbolically, he's the physical representation of Eda's biggest regret. She blinded and crippled her father, ruining the family business in the process. But the sad part is that none of it was her fault. Yet Eda still blames herself, not even wanting to go and SEE Dell because the pain of knowing what she did to him is too great. He proves that Eda can turn into what she is afraid of becoming. Something that we see in her nightmare in "Watching and Dreaming." Something that no one wants to be: A monster. A monster that doesn't deserve forgiveness or love. A monster that should be locked away for the safety of the ones she loves. But the crazy thing is that Dell DOES love Eda. He DOES forgive her.
Dell has every right to be angry. He lost his eye and his job. Who wouldn't be angry after that? And maybe he was for a bit, but I doubt he was ever angry with Eda, let alone resent her for it. Instead, after years of her running away and never wanting to talk to him again, Dell only wanted to see his daughter again. His scene with Eda in "Elsewhere and Elsewhen," where he clarifies that what happened was tragic but still loves Eda despite it, is one of my favorite interactions between two characters in The Owl House. And trust me, that's a hefty list to get on.
Dell's time on the show wasn't long, but what he does gives a lot of substance to the show for a guy who probably has less than five minutes of screen time (I don't know, I didn't do the math). Maybe he could have offered more, but I'm glad with what we still got.
The Titan: The same goes for this fluffy individual. We only knew them for a short amount of time, but holy hell, did the Titan make the most of it. Even though, technically speaking, we knew them the whole time.
I don't think I've seen a show where the setting happens to be an essential character in the plot. I'm pretty sure everyone assumed the Titan was a corpse that our characters had adventures on, and that's it. Any idea that they were a being that could talk to others could get shot down because the only person to "talk" to the Titan was Belos. And with him being the serial liar that he was, any fan could assume that even talking to the Titan was impossible, and meeting them was even more so. Turns out it wasn't.
And the Titan, the powerful being whose corpse is big enough to form a landmass, also turns out to be a chilled-out individual. There are brief moments of seriousness and even nobility in their final moments, but for the most part, the Titan is just a laid-back, jovial person. Personally, I'm into god-like beings that are like that. Not one that's wrathful or vengeful, but kind and acts like someone you could, I don't know, have a beer with. Not that I drink beer, but...you know.
Granted, the Titan WAS a bit wrathful with how they treated the Collector, but they clearly feel bad about it after finally realizing the Collector meant no harm, and it was the Collector's SIBLINGS who did the dirty work. The Titan admitted to making a mistake, making them both a kind god and a humble one. It amazes me how much characterization was given to the Titan in how little time they were officially introduced in the show. There are characters who are better after having more time, but there are also ones who might just be worse. So I appreciate that they made the Titan so top-tier, even if making them nothing more than the Isles, and the show's setting, would have been more than enough.
Emira Blight: I will forever be grateful for the course correction that the writers took with Edric and Emira, not only making them great supporting characters instead of semi-antagonists like in "Lost in Language" but also giving them their own personalities that help them stand out instead of being exact copies like most twins in media. Unfortunately, Emira might be the least interesting Blight sibling.
THAT DOES NOT MEAN BAD! Just because Amity's more engaging and Edric's more entertaining, that doesn't make Emira a horrible character because of it. It just means that, comparatively, she's not as high as her siblings. With that said, Emira's still pretty fantastic as the only Blight with a functioning brain cell. She calls Edric out for his occasional stupidity, gives proper advice to Amity when she's freaking out, and has her thoughts together because Emira didn't work herself to exhaustion. It also makes sense why Emira's a healer. She's there to keep her family physically and emotionally safe, making sure Edric doesn't hurt himself or counseling Amity when things are too overwhelming. Not only is Emira the most sensible, but it might make her the glue that keeps the family together. But despite that, she's still playful, still mischievous. Except, unlike her brother, there's a more controlled intelligence behind the fun and games Emira pulls. It's a bit more subtle, but it's there. So, while she might be the weakest Blight sibling in terms of story value, Emira is still a great character in her own right, being a fun yet essential family member with that perfect older sister energy...Mainly because she's the older sister, but my point still stands!
Edric Blight: Ah, the one Blight sibling that proves how most of the brains went to Amity and Emira while he got only the scraps.
Edric is not smart. And that very fact leads to two kinds of entertainment. Firstly, it's funny seeing his dumbass stumble through life. He tried to eat snow, attempted to keep a wild bat as a pet, couldn't pick up a hint to save his life, and ended up in a full-body cast after a reckless rescue mission. The poor boy is a riot because of how dumb he acts, which leads to the second thing entertaining about Edric: He's aware of his lack of smarts and how others see him as "The Dumb One." It causes Edric to be a little insecure about his talents, despite having great knowledge of Beast Keeping and decent skills with Potions. It's as if the writers saw the fans' preconceptions about Edric and decided to do something with it. Unfortunately, they only did it for one episode because we're strapped for time, but that brief instant of character insight is what's to love about this show. We have so many characters to use and so little time that instances like Edric helping Eda and King make a potion is enough to be considered great character development for someone who could have easily been "The Dumb One" and nothing more. He was funny enough with that simple character trait, but one tends to appreciate when a show goes the extra mile, even if it's for one episode only.
Hooty: Oh, Hooty. Sweet, dearest Hootcifer.
At first, I did not like you. You were an annoying addition as comic relief, whose screechy voice only made me hate you more. But then something interesting happened. As time went on, you became less annoying and more endearing by nature. Having an eagerness to please others mixed with a constant ignorance of social cues made you quite humorous. Yes, quite humorous indeed. The laughs brought forth by things you have done and said were plentiful, and I was delighted by each appearance you've made.
And best of all, dearest Hootcifer, you've made Luz and Amity a canonical couple. In an episode that will be nearest and dearest to many fans' hearts, you have not only brought out beautiful development between King and Eda but also managed the most adorable display of young love to occur. A young love between two girls, no less, meaning this moment of spectacular representation for the LGBTQA+ community is all thanks to you, a character best described as a "bird worm." That is both mildly hilarious as well as incredible.
Unfortunately, dearest Hootcifer, your time on the show was not perfect. Whilst Season Two was you at your best, it took all of Season One for me and others to warm up to you. And by Season Three, with every other characters taking story prominence, there was nary any time for you, Hootcifer, to add anything of value. You hardly had any lines, nor did you manage to have any final words in the series finale. Other characters in the series had faced this injustice too, but it is extra ludicrous for you, Hootcifer. You were there since that very first episode, becoming the fourth member of the Owl House family. To think that your last line was only in the second to last episode, despite how much of an impact you've left on the others and the fans, it pains me that you were one of the few cheated out the most with that final season.
Regardless, despite everything, Hootcifer, you are a well-done character with humor and heart. Tis no wonder that the show is named after you, for you are worthy of such an honor.
...In short, Hooty is funny, endearing, and surprisingly grows on you. I have...no idea why I gave that sentiment across in such a fancy way, but oh well.
(He deserves it anyways)
Flapjack: *Sigh* Another loving bird...
Just like Owlbert, Flapjack's the only palisman with enough prominence in the series to feel like a character, but unlike Owlbert, the writers actually explore more with Flapjack. But that may be because his story is tragic.
It is heavily hinted that Flapjack is Evelyn's palisman, who also lured Caleb into the Boiling Isles and indirectly sparked DECADES worth of...bad stuff. And within that time, Flapjack lost an eye and an owner and spent so much of his life alone. That is until he met Luz...who then introduced Flapjack to Hunter.
It really was a solid expectation subversion that Flapjack chose Hunter as an owner. He had a kind and playful energy that matched Luz perfectly, but no. He wanted Hunter, possibly because he looked so much like Caleb. And not wanting to lose another Caleb, Flapjack seemed to make it his number one goal to help Hunter in every way possible. That's when it hits you why Flapjack is perfect for Hunter: He's what Hunter NEEDS. Flapjack may have worked well with Luz, but Hunter needed him more than she did. Hunter was all alone for most of his life and went through so much emotional and mental stress in his unfortunate existence. Then here comes Flapjack, cheerfully supporting Hunter in his interests and literally pulling him to people who will make him happy. Flapjack's basically a therapy bird if I've ever seen one. And it really was nice seeing the majority of the time he's spent in the series be dedicated to making someone else happy...because it makes his death all the more tragic.
All Flapjack wanted was to make Hunter happy, ignoring the fact for so long that being near Hunter was the biggest risk that Flapjack could have ever taken. The second Belos might see Flapjack, he'd be as good as dead due to Belos' need to feed off the souls of palismens and because of Belos' hatred for everything that Flapjack represents. Yet Flapjack still stuck it out and stayed by Hunter's side despite these risks. His death was all but inevitable, but it hurt all the same because while we knew, deep down, it would happen, we didn't WANT it to happen. But it did, and it stings that a bird that wanted to do nothing but good only paid a horrible price for his kindness. On the bright side, Flapjack died doing the one thing he did best: Helping Hunter. No, SAVING Hunter.
Flapjack was loyal to the end, and we all love him for it. And miss him all the same.
Darius Deamonne: Hey, look! It's another character that's important to Hunter! And this one is FABULOUS!
I'll forever be blown away by the expectation subversion the writers did with Darius. Upon his introduction, you think he would be this menacing secondary antagonist the characters would have to fight through in a final battle against Belos. That was definitely the vibe I got from the guy, with how menacing he acted and how he looked in his abomination form. Turns out, most of that was an act...Most of it. I'm willing to bet that he really was ticked off by whoever was screwing with him, and his annoyance was real with Ebberwolf. But by using what we NOW know, it's clear that Darius was playing SOME of his behavior up to make it convincing enough that he's on the Emperor's side in case any ears are listening in. Belos does have eyes and ears everywhere, after all...somehow. Plus, it makes the reveal that Darius is on the side of good all the more pleasant of a surprise. He's certainly less menacing, but not as a fault. Darius still has the same snark and agitation towards people who are more, let's say, foolish than him, just as Darius did in his first appearance. It's just that now he's more subdued because he's surrounded by people who Darius doesn't need to scare. Even when dealing with the Emerald Entrails, Darius acted cold but reasonable. And when actually TRYING to scare the kids, you can argue he wanted to further scare them away from joining the Emperor's Coven, showing them what type of person they'd be dealing with.
But the biggest surprise came when he turned out to be a decent father figure for Hunter. Unfortunately, we never get to see him as an actual father, but it's still sweet seeing Darius show Hunter the first amount of respect and care from an adult the poor boy ever got. Darius shows interest in Hunter's interest, respects his decisions, and encourages him to be a kid and not a soldier, likely because Darius knows full well where that leads for the previous Golden Guards. It warms the heart to see how much Darius cares for Hunter, getting worried when he's in danger and feeling joy when he's safe and sound. It's all great...and it SUCKS that Darius is one of the few screwed over in the finale. No final lines, just pure silence...and some shipping fuel between him and Alador. At least there were still moments of Darius showing he cares for Hunter, and they're both happy together. I didn't really expect much from Darius. He was already fun upon his introduction, but having him become this stern yet caring person was such an interesting twist that I can't help but admire more. It's not what I expected, but I appreciate it nonetheless.
Vee Noceda: That IS her last name, and I will hear NO SLANDER ABOUT IT!
...Anyway, Vee's a great character.
I am forever impressed by how great of an, yet another, expectation subversion Vee is. Everyone, including Luz, upon first seeing Vee, saw her as an evil doppelganger trying to steal Luz's life. I still remember the shock and fear I felt when first seeing Vee, worried about what this could mean for Luz and Camila. And then we got to know Vee...and I much prefer the character we got over an evil clone or whatever the popular theory at the time was.
Vee, quite possibly, might have the most tragic life out of everyone in the show. She was born in a cage, was treated as a lab experiment and nothing more, gained a ton of PTSD surrounding rats and cages, and likely never knew the feeling of a warm bed or a good home-cooked meal until meeting Camila. Vee's life was a nightmare before running away to the human realm, and after learning about all that, it makes her finding a home with the Nocedas, being a part of their family, all the sweeter. A friend of mine said that her plan was a LITTLE flawed because Vee didn't know whether or not Luz would return, but in fairness, Vee said that she didn't mean to keep the act up forever, but Camila was nice to her. Vee was operating off of emotions due to getting an inkling of what love feels like, even if Camila's motherly love wasn't for Vee exactly. And with the family she's found and the friends she made in the Human Realm, it's no wonder that she prefers a life there, graduating high school with Luz and having a form for herself to gain an identity of her own. It's amazing how much care and attention the writers put into Vee and her story...Especially since she's basically a minor character.
Yeah, it's crazy to think that a lot of this stuff that happens with Vee is for a character with a substantial role in TWO episodes. Honestly, I wish she had more and could have time to bond with Camila and Luz, showing how much of a happy family she's gained. But, even after "Yesterday's Lie" ended, I already assumed the odds of seeing Vee again in something big were NEVER to become a reality. The shortening of the series, leaving fans with only half a season and three specials, meant that the odds weren't in Vee's favor to grow and develop more than she already did. In a case like that, you have to learn to accept what you HAVE instead of complaining that you didn't get what you WANT. And as for what we have with Vee, it's still good and compelling stuff for a character that makes two appearances. Sure, the potential of a greater character is there for Vee, but for a minor character, she's still really great. Now, if she was a MAIN character, THEN it'd be an issue...Speaking of which.
Gus Porter: Ah, NOW we're getting to the important characters.
Gus is...probably the least interesting out of the main cast. That doesn't make him bad, mind you. I mean, look how far he's come in this list. It's just that, compared to everyone else, Gus felt as if he had less going on. While everyone else was dealing with trauma, family issues, and self-worth, Gus was always kind of...there. The worst part is that there are a lot of hints of there being more to him. He somewhat admits to Hunter in "Thanks to Them" that, while things aren't awful, Gus isn't happy. He missed his dad, and Gus was the first to break down and cry after "King's Tide." There's something there to explore, but because it's a season where so much is going on and there's little time to focus on everybody, Gus, unfortunately, gets the short end of the stick when dealing with HIS trauma. And there's not much going on with his family. There's no discussion of what happened with his mom or any animosity between Gus and his dad. They have a healthy relationship together. Which is appreciative, don't get me wrong. But it's NOTHING compared to Amity's issues with her parents, Eda's strained relationship with her sister and mother, and Luz's difficulty in getting her mom to understand her. The closest bit of intrigue we get with Gus and his dad is how bored and kind of annoyed Gus looked during the Grand Prix in "Eda's Requiem." There could be something to explore there, maybe talk about why Gus went with his dad even though he clearly wasn't having a great time. Unfortunately, this was during a season when the writers were told the series would get cut, and they had to rush to close up as many character arcs as they could before reaching the end, with Gus, again, getting the short end of the stick. Thankfully, the show does something about Gus' self-worth, showing his doubts as an Illusionist and some anxiety about being used by others for personal gain. It's engaging stuff, but it comes at the cost of Gus being overshadowed by an admittedly cute couple and the fandom's favorite white boy.
We definitely get a good amount where I say that Gus is an engaging character, but never enough to stand above the others. And that, right there, is why Gus is the least interesting in the main cast. There are great things about him to explore, but he's never given a chance to truly shine. Thankfully, Gus is still great in a supporting role, acting as the group's cheerleader and hyping them up to do something. Or how he acts as the little brother, having sometimes naive optimism and playfulness compared to everyone else. He's still a smart cookie who knows when to be serious, but it's clear that he's the second or third youngest in the cast, right next to King or the Collector. So, while Gus would have been even better with more time dedicated to him and him alone, that doesn't mean he's any worse of a character because of it. He's still endearing with how supportive he is, even if that makes him less interesting than his friends.
Speaking of which...
Willow Park: Willow...has a similar problem as Gus, but it might be a little worse. Because while Gus has entire subplots in episodes dedicated to him and his issues, Willow has consistently shared the spotlight with other characters throughout the series, where they get a lot of development, and she gets the scraps. To the point where fans talk more about the people Willow has a relationship with instead of Willow. She used to have a friendship with Amity? They latch onto AMITY'S side of things. Hunter's her boyfriend? They latch onto HUNTER'S side of things. In fact, I think people talk more about her BULLY than they do about Willow. Rarely does Willow get any attention in the fanbase and even in the series, which is a shame because she IS a solid character.
Willow's your typical shy girl who learns to gain more confidence. Only this one has more of a violent edge and seems more than capable of killing someone for hurting her but doesn't due to her self-confidence issues. Plus, instead of stretching out those issues throughout the entire series, Willow gains more confidence at the end of Season One. An annoying thing about shy girls is that they remain progressively so, getting better through inches instead of miles. With Willow, she gets over it pretty soon, to the point where I genuinely thought Willow didn't have much to do in Season Two because the writers figured her character arc was done. Which is a shame because even though her friends have more development than her, Willow is a great straight man to their antics. She's often remembered as a friend with the one functioning brain cell in the group, acting as the voice of reason when her idiot friends have a dumb idea. But she's still supportive of their ambitions and adventures because THEY were supportive of her. It's her way of paying them back. Willow just has a better idea of when to draw the line.
Plus, there is an interesting idea about Willow that the writers manage to explore beyond her shyness, even if it's not to as great of an extent as everyone else's development. You see, Willow has a problem processing trauma. In "Understanding Willow" (which ironically helps us understand Amity better), Willow states that it's best to hide away what's upsetting her while saying, "Out of sight, out of mind." Only for that to QUICKLY backfire as Amity takes things further by burning the very thing Willow only wanted to hide. They both learn it's better to confront the things that make them uncomfortable, gaining an understanding (ha) that you need to face your pain to heal from it. Except that Willow somewhat forgot that lesson in "For the Future," which showcased what makes Willow great. She's there to help her friends and their issues but ignores her own because she believes her friends’ are more important. All the girl needed was a good cry over her dads, but Willow instead repeated to herself, "Keep it in," not wanting to let her own problems overshadow everyone else's, which caused her emotions to grow more out of control. This side of her is an engaging idea, and it sucks that it's only been explored twice while her friends got more development. I'm willing to blame the shortening of the series for this one because there's no way she only had such a small role to play in the series upon conception. Willow acts as great support like Gus, but she could have been so much more. And that's a "What if" that's going to unfortunately be lost to time.
King Clawthorne: I have mixed feelings towards King, at least in the first season. I didn't hate him. It's just that, within Season One, King hardly had a direction. More often than not, he was the comic relief that went off doing silly things in the B-Plot while everyone else went on the real adventures. It led to entertaining bits, like gaining an army of sentient stuffed animals or using the Owl Beast as a tool to dominate the playground. But then there were times when they felt like an unnecessary distraction, like being an MC at Grom or being mistaken as a substitute teacher. And most of the time, it's all for the sake of an unrealistic goal. I could tell from the beginning that he would NEVER be the actual King of Demons, and it was just something the other characters played along with because even THEY knew it would never be a reality. So there was never anything King could add to the show besides humor, which he did well due to Alex Hirsch's hilarious delivery with a few jokes. If King stayed the same as he does in Season One, he'd go just above Hooty as someone entertaining with a few solid scenes of heart with the rest of the main cast, but nothing more than that.
...But then the writers decided to make King an actual character in Season Two.
King became more consistent and engaging in the series from "Echoes of the Past" to beyond. In most of the series before this moment, King always went back and forth as either a child, a pet, or an immature adult with delusions of grandeur. Post "Echoes of the Past," it's pretty clear that King's a child but one with a bit more maturity than others. He acts naive and has a definite need to be protected at all costs when he acts sad. And Alex Hirsch KILLS it when portraying King's youth, where the times King cries or gets emotional sounds like an actual kid rather than a grown man playing a kid. His delivery isn't just good for humor but for some amazing voice acting that surprisingly adds to the illusion. It's sort of like how John Roberts convinces me that Linda from Bob's Burgers is a New Jersey Mother in a way that's better than any voice actress ever could manage. Sometimes, you need to give in to the illusion.
As for what makes King engaging, that's where his purpose comes in. King wanting to become the King of Demons and have people bow down to him is...cute and results in some good humor. But King wanting to know what he is and where his Dad came from? Now THAT is a way to make someone invested in a character we already enjoyed. King was entertaining before, but seeing his struggles to find answers about his past and heritage was always endearing and helped you feel for the little guy. And when he finally DOES get answers, it cleverly gives King what he wanted in Season One: To be something that people would bow down to in respect and fear...and King doesn't want that anymore. After learning he's the last of his species, that his blood family is dead, and everything is falling down around him and his found family, King doesn't want to be the monster everyone fears. He just wants to be King and have things go back to normal. Or, HIS version of normal, anyway. It's pretty compelling to show King's growth as comic relief to an actual character by giving him everything he thought he wanted, only to practically refuse it. King is almost a completely different character by Season Two, and it really is for the best. Season One King wasn't too bad, but his Season Two self really gave him the boost he needed.
Raine Whispers: Raine is best defined as a pretty flawless character. At least, in my eyes, they are, as there's not really a bad thing I can say about them.
Upon conception, Raine was nothing more than a love interest to Eda...and that tracks. So much of Raine's development and story occurs when Eda is there, fawning over them and wanting to reconnect. Even their debut episode was more about Eda's issues and how Raine was there to guide her to the right path when it mattered most. They're very much a character severely connected with Eda and never had the chance to star in the spotlight instead of sharing it. A shame, really, since Raine organizing a resistance against Belos could be enough for an episode of its own, but, unfortunately, not the case for a series that got shortened. However, just because Raine's a character connected to Eda, it doesn't make them any less fun or engaging.
First and foremost, you GET why Eda is so in love with Raine. Where Eda is an agent of chaos, Raine is more for CONTROLLED chaos, willing to join Eda to cause some mayhem but in a way where they don't get caught or in trouble. And that's just them as kids. As an adult, Raine wants to destroy a militaristic dictatorship from the inside out, determined to keep the act going and fight literal brainwashing no matter how often they get caught. They're also pretty determined, fighting against Belos infecting Raine's brain and fighting with their last breath when Belos tried to get to the heart of the Titan. Because while Raine was one for chaos as a kid, they're still a good and caring person. Raine didn't want Eda involved so she wouldn't get hurt and MEANT their promise to Luz to make sure nothing bad happened to Eda during their mission on the Day of Unity. But on top of everything else: Raine is a charismatic dork, having enough charm to make Eda the Owl Lady blush but still having the dorkiest smile when announcing their crew's name is "The CATs." Raine is ALL these things, and the result is someone who's a blast to watch, even if they're simply Eda's love interest. They still add enough entertainment and drama, even if some of it, unfortunately, focuses more on the Eda side of things. Would I love more of a spotlight to shine on Raine? Of course. They're an outstanding character who unfortunately got put through the wringer, what with being physically tortured, used as Belos' meat puppet, and MAYBE groomed by Terra Snapdragon (That creepy witch). But when a character's conceived as a love interest, even if there's more to them, you gotta take the good moments when they're badass and awesome and appreciate when they contribute to the story on the sidelines as a supporting character than a leading one. At least they were right there to kill Belos and lived happily ever after, snuggling with Eda. Not too bad for a love interest, huh?
Oh, and Raine's also the first non-binary character in a kid's cartoon with a major influence on the characters and the plot. That's pretty cool too.
The Collector: Here we have a character that turned out WAY better than I imagined. I didn't admit it in the past, but I was a LITTLE worried that the writers would make The Collector like Bill Cypher: A chaotic god-like character who takes pleasure in treating others like his playthings. And The Collector IS that...but there's something that makes them a different yet intriguing character: The Collector's a kid. Yes, he's a kid who turned the Boiling Isles into their playground and the residents into toys, but they’re still a kid.
Upon our introduction of The Collector, we're given this idea that he’s a sick and twisted little gremlin who's just as excited as Belos is about the genocide of the Boiling Isles (which might be an image aided by the fact that it's Belos' memory). But every time we saw them since, the more the writers leaned into the Collector's child-like behavior, showing that the reason why he might be all for Belos' genocide and treat people as literal playthings is that they don't understand what life and death means. He doesn't MEAN to be a problem. It's just that no one has ever taught them otherwise. And that's a more interesting way to go about this character instead of making The Collector a new primary antagonist. It might have worked fine, but when you make a character with god-like powers, it becomes difficult to believe anyone could defeat them. So, the idea to stop The Collector by TEACHING him what's right and wrong before it's too late is a clever way to go about things, especially when it's King that does most of the teaching, using his newfound maturity to teach The Collector what Eda and Luz taught HIM. The result is a new, engaging character that also shows the stellar development of another. Not too bad for someone added to the series at the last minute...Yeah, no, that's what The Collector is, though.
After finding out the series would get shortened, Dana Terrace and the writers thought, "Hey, let's just go NUTS this season!" So, they threw in The Collector as a way to add more spectacle to the final three specials of the show. Sure, the writers had SOME idea of what to do with The Collector beforehand. But after getting the bad news from the executives who decided the series no longer fit the brand, it was the final nail in the coffin to shove The Collector in there. And MAN, there is no better representation of the show's forced conclusion than The Collector, as they're this thing that ALL the characters react to, whether protagonist or antagonist, and are forced to work through their story arcs and character development around within the last few minutes of the show. It's a pretty fun way to look at The Collector, even if he's still a great character despite all they represent. Regardless, I'm still grateful the writers didn't just turn him into the new primary antagonist who killed the old one to show off their threat level...Especially since the old one is REALLY good.
Emperor Belos/Philip Whitebane: "YOU LIKE BELOS MORE THAN WILLOW, GUS, RAINE, AND EVERYONE ELSE?!"
Yes...As a CHARACTER. Not as a PERSON. Because he's NOT a PERSON. He's a FICTIONAL CHARACTER.
I'm serious. People should stop equating "good character" to "good person," especially in this fandom. You can't talk about how well-written Belos or Odalia are without someone coming around and saying, "THEY'RE AWFUL PEOPLE!" I know that. Most...SHOULD know that. But here's the thing: Belos is an antagonist. A character whose purpose is for the audience to love to hate him. If that's done well, he's a good character. And guess what: Belos does it REALLY well, to the point where he's one of my favorite antagonists in a Disney property. Probably one of my favorite antagonists of all time.
Upon his introduction, Belos scared the crap out of me. From his design to even the way he spoke sent chills up my spine. He didn't even SOUND all that threatening, with a deep and scary voice. He sounded like a dude, but it’s in the way he said things, as if Belos knew what he was saying was messed up. But he didn't care, almost like it was because he thrived on people fearing him. And that was just on his INTRODUCTION. From a few of his future appearances, the writers showed Belos acting MORE horrifying, having disturbing spells unlike anything we've seen before, being aware that SOMETHING is spying on him, and revealing that he has a curse that turns him into a somehow MORE terrifying monster. It was pretty effective in getting me to fear this creepy son of a non-witch...And then "Eclypse Lake" showed us his face, revealing that he not only SOUNDED like an ordinary dude but LOOKED like one too. Sure, he had that weird green mark that went down his face, but so much fear I had of Belos went away when I saw that he looked like someone's grandpa who forgot to wash his face. But as the show went on, the more it made sense to make Belos look like a regular man. Instead of portraying a fantastical evil, the writers went for a more realistic one...with supernatural powers, yes, but consider the villains of OUR world. They're people who look like you and me, using their faces to hide dark intentions and charm their way to a position in leadership. That fits Belos' actions to a T, and you see how perfectly it matches in real life when Luz voices her frustrations that no one can see how evil Belos really is, only for King to tell her that no one wants to realize that they've been following the wrong guy. Do you want to know why members of your family refuse to accept that a LOT of Republicans are evil? It's because they spent years, even generations, believing the opposite. So to tell them the truth, even if they NEED to hear it, they'll refuse any facts given to them. So having Belos be the exact representation of all of that, showing kids what to be wary of, is a great way to educate them to learn that sometimes the most dangerous people in society are those who control it in the first place. Even making him a grotesque monster doesn't really take away from the allusion but adds to it, letting Belos' true, inner self take physical form and showing kids what happens to these monsters when you're too late to stop them.
And that's not even getting into the motivations! I didn't feel TOO shocked when it was revealed that Belos was Philip Wittebane. Don't get me wrong, I was still a LITTLE shocked, but I predicted it and expected that Belos' big plan was to return to the Human Realm in some way, but that left some holes into why he spent so much time controlling the Boiling Isles to do it...And then it was revealed that Belos was a WITCH HUNTER. And I'll never forget the dread I felt when I realized, "Oh, they're doing THIS. Oh, no..." The level of fear that I once had for Belos skyrocketed once his real plan became clear and how INTENSELY close he was to reach his ultimate goal.
The scariest part of all is how believable it is. Given how real-world politicians are willing to wipe out an entire group of individuals just for existing, someone like Belos isn't too far of a stretch. Neither is how he came to be the monster that he is. Philip was only an orphaned child raised to believe that witches were Satan's spawn set to destroy everything. And one witch "stole" his brother, the only family Philip had left, and left him feeling like his rage was justified. Except...it's not. It was NEVER justified. Caleb left Philip on his own volition and, when Philip found him again, tried to convince the twit that Evelyn was fine. Philip could have easily taken his brother's word for it and changed. Philip would later have YEARS, possibly CENTURIES, to learn that he was wrong, but he never did. The conditioning was put too deep into his brain, and Belos was the result. I wouldn't say that makes him a tragic character, but it DOES explain so much about why he acts the way he does.
The best part about Belos is that he's consistent. Because of his conditioning, he never once wavers his opinions or questions if what he's doing is wrong. Belos considers himself the hero of his story and views Caleb and Luz as tragic losses. When met with the LITERAL GHOSTS of his sins, Belos yells at, or flat out ignores, them, proclaiming that he was doing the right thing and it's not HIS fault that their souls were too far gone. And with Luz, Belos tried to kill her on three separate occasions, actually succeeding the third time around. And when backed into a corner, realizing he's as good as dead, does Belos ask for surrender? Does he beg for forgiveness? NOPE! He initially tries to manipulate Luz, attempting to take advantage of her good nature into thinking he's good now. And, when THAT instantly fails, Belos yells at Luz, saying she's betraying her humanity and is nothing more than the very evil he spent his whole life fighting against. Luz doesn't buy a word of ANY of it, least of all when he says they're better than this petty revenge and killing out of a twisted form of justice. Even though that's exactly what he's been doing all his life.
Evil to the end, Belos is an antagonist that works because of how perfectly diabolical and realistically despicable the writers made him, making him interesting to dissect while having it feel so cathartic to watch him get stomped to death by the very people he hated. I could honestly go on and on about what makes Belos so engaging to watch and easy to hate...but this gosh dang review is long enough already, and I haven't even gotten to my top five favorite characters yet!
Speaking of which, let's talk about the ONE good thing Belos did with his life...After we talk about Amity.
Amity Blight: How's THAT for a smooth transition?
Anyways, Amity's great because with nearly every new appearance she's made, she becomes a better character, and I mean that in two ways. For one, she becomes more intriguing as we learn about her home life, interests, and motivations, all three being connected in some capacity. Everything that Amity did, she did because her parents (her Mom, mostly) told her to do it. Ending her friendship with Willow, forcing her to be friends with Boscha and her mean girl squad, be the best of her class no matter what, and join the coven that she slowly doesn't want to join anymore. These are all the things Amity was forced to do, and had no choice to do it.She had almost no free will, but that doesn't mean she couldn't rebel in the tiniest ways. She took time out of her day to read to kids and used the cover of it being extra credit to keep doing it. She has a secret room with a collection of Azura books to enjoy a fantasy series, idolizes the purest hero, and has some creative freedom if that fan art on her diary's cover is anything to go by. Even her bullying has SOME ways of cheating. Amity may have said that Willow had no talent, but it was an attempt to get Boscha and the others to stop while covering her tracks so they won't tell anyone she went soft on Willow. And in "I Was A Teenage Abomination," some of Amity's words almost sound encouraging. There's a mocking tone to a lot of it, but the subtlety of her going "keep it up" is still there. Sure, Amity would later have a rage later regarding Willow and Luz’s cheating, but even that is more or less justified. They broke the rules, and, knowing how Odalia reacts to failure, Amity is NOT willing to let go of her "Top Student" badge without a fight. Maybe I'm stretching, and maybe I'm looking deep into things that aren't there. But it's the same thing I do with Alador: When presented with new information about a character, it's a collaborative effort to look at what came before and figure out how it works. And I think there's enough to Amity's actions in the past that are justified by her motivations yet still have a bit of her good side shining through. Which is good because that brings me to the OTHER reason why Amity gets better with each episode.
Piece by piece, bit by bit, Amity becomes a better person after learning a new and valued lesson by the end of every episode. And unlike a blonde-haired character I hate from that frog show, Amity has a clear and definite desire to become a better person. The writers SMARTLY confirm early on that Amity doesn't want to be cruel. She specifically can't show weakness, so she builds walls to hide away her good side, believing that part of herself is weak. But through Luz, the best thing that ever happened to Amity, all those walls come crumbling down, and the Amity SHE wants to become would soon blossom. She's less reserved, more open about feelings, smiles instead of sneers, and acts nicer to Luz and others around her. There's still some anger, annoyance, and the occasional snark, but it was nowhere near as bad as how Amity USED to act. And through each wall that falls gives Amity courage to stand up to her parents and finally become her own person, to the point of dying her hair to reflect the kind of person she wants to be. By a quarter of the way through Season Two, Amity finally gains an identity that reflects what she always had hidden underneath. And it's satisfying...And then writers made her Luz's girlfriend.
Yeah, this is a complaint you'll often see floating around. The second Amity and Luz start dating, a lot of her individuality tends to trickle away, with most of Amity’s problems being related to or overshadowed by Luz's. Just look at "Reaching Out," which has Amity dealing with her issues of Alador's neglect and wanting to form SOME connection with him. But it's barely touched upon due to the real meat of the episode being Luz using the event as a distraction towards her own issues, which I remember more regarding that episode than anything Amity went through. And things get worse by Season Three, where almost every character has something to go through or a chance to highlight their grief, and Amity is...just kind of there, being looped in with supporting her girlfriend and dealing with an ex-friend instead of dealing with her own problems.
It definitely sucks that after all that fighting that Amity went through to gain independence and discover her true self, only to be sidelined once she gets it. But I will say that while Amity is forced into being categorized as Luz's girlfriend, that role still highlights Amity's development. She acts warm, kind, and, most of all, understanding towards Luz and her issues, the same way Luz acted towards Amity, proving she can give as much as she can take. It's not how I wanted things to turn out, but hey. At least Amity got a complete character arc before being pushed to the side. That's WAY more than what I can say about Gus and Willow, the characters introduced to us as Luz's best friends. Guess a girlfriend takes more of a priority.
But that's enough about the fandom's favorite white girl. Let's NOW talk about the fandom's favorite white boy AND the writer's favorite punching bag.
Hunter: In all seriousness, Hunter feels like a character where the writers went, "Hey, remember Amity? Let's just...f**king do THAT again. But BETTER."
And they did! Hunter pretty much has the same journey that Amity did as a character, but with all the strengths and NONE of the weaknesses. Upon his introduction, you think he's a charismatic yet evil little brat who doesn't value the lives of others with how quickly he threatened to kill Luz, Eda, and King. But, just like with Amity, the more we learn about Hunter, the more we realize why he WOULD act the way he did and even why he SHOULD.
Hunter is the supposed "nephew" of Emperor Belos, a man who hates failure to the point where he's ready to kill after you let him down ONCE, and you don't want to push his limits too many times. Hunter knows AND fears this fact, so he learns to hold his tongue when possible so as not to gain another injury during one of Belos' temper tantrums. So, Hunter does what he's told, acts carelessly toward others beneath him, and constantly tries to prove himself as a valued soldier instead of acting as a teenager. The poor boy has his own set of walls built up, and instead of letting the cracks grow, he often tries to patch them as quickly as possible because he fears Belos WAY more than Amity fears her parents. And rightfully so, because Belos would absolutely kill Hunter if he betrayed him. He's done it before.
Hunter being a Grimwalker shouldn't surprise me, as the pieces were there and...not really subtly hidden. Yet that doesn't change how horrifying it makes Hunter's situation. It's one thing to fear being replaced by a better soldier in his ranks or something. The fact that Belos can and will attempt to make a better, more efficient clone of Hunter and kill him if needed...makes Hunter digging his own grave in "Eclypse Lake" more fitting than we realized. It makes him not only replaceable but disposable, with that newly acquired knowledge making Hunter shatter, having a panic attack as it hits him all at once that his fears are more than justified. The worst part is that Hunter spent YEARS with that monster, never standing up because he couldn't do it as easily as Amity did to her parents. She can always run away, hide out in someone else's home to escape a mother who probably doesn't even want her. There's NOWHERE Hunter could go that could keep him away from Belos for long, what with him being the Emperor and Hunter having little to no friends. Thankfully, the ones he had did a lot of work.
Luz, Amity, Willow, Gus, and ESPECIALLY Flapjack all helped to give Hunter a better life. Luz offered perspective, showing Hunter that there's more to life than being told how to live it and that the authority figure he listens to isn't perfect. Amity represents evidence, showing Hunter that if you let good people in your life, they will help you with what tortures you. Willow gave companionship through herself AND a group of people that made Hunter genuinely smile for what must have been the first time in his life. Gus then offered comfort, showing Hunter how to calm his anxieties and fears he'll continue to have. And the one to provide all of these things is Flapjack, who gives Hunter perspective, evidence, companionship, and comfort through his own actions and dragging Hunter to people who could offer more. This gave Hunter a support group of individuals that slowly but surely gave him the desire to be the person he wanted to be and gain an identity. Sure, Hunter would build his walls back up each time they tore them down. But there were always cracks that made it easier to convince him what was the right thing to do for others AND himself. And it all gave him the courage to finally stand up to Belos, who saw Hunter as nothing more than a meat puppet, metaphorically and literally.
Hunter's journey does share a lot of similarities with Amity's. I will admit to that. But where she's later demoted as a character defined by a relationship, Hunter is a character that grew because of the support system he gained and was allowed to keep a sense of identity after his friends brought out his good side. They're the ones who guided him down his path, but what Hunter chose to do after was all his own. Plus, it feels SO GOOD to see that after Hunter's grief and knowing how many others before him died tragically to Belos, he gets his happily ever after. Hunter has a home life that's healthy, friends to support him, a girlfriend to LOVE him, and a chance to genuinely smile every day. He LIVED. He SURVIVED. And that must feel inspiring to those who feel there's no escape from the tragedy of their own lives. I love Amity's journey, but Hunter's definitely better and more impactful in ways you won't believe.
And he'd be the best character in the show...if it weren't the fact that I love three more. At this point, you can probably tell who they are, so let's get started with the fandom's favorite MILF.
Eda Clawthorne: I swear that Eda being hot isn't the reason she's in my top three...Maybe.
But for real, Eda is the only character on this list where if the show was about HER...I would watch it. There is SO MUCH about Eda that makes her a blast to see and a lot to dissect that makes her engaging as she is entertaining.
When regarding her personality/character traits, Eda is an instant gem. She's a con artist, frequently driven by greed, has NO problems breaking the laws, and is more than willing to beat up anyone who messes with the kids she's grown attached to. Now many, myself included, have pointed out that Eda's character shares similarities to Grunkle Stan from Gravity Falls. And...yeah, there's definitely a lot to compare, but there's much more to contrast to help make Eda stand out more as a character. For instance, while Stan one hundred percent loves Dipper and Mabel, Eda still feels warmer towards Luz and King. She may show some annoyance at Luz's enthusiasm or playfully mock King believing he's the most dangerous creature alive, but when it matters most, Eda's there for her kids. To protect, counsel, and sometimes cry over them when situations seem dire. Though she'd probably hate to admit it, Eda has a good heart and one that isn't buried after years of emotional baggage (don't worry, we'll get into that). And she doesn't need much bonding experience to help bring that goodness inside her. When Eda saw a little creature alone in a dangerous environment, Eda took it in and raised it as her own. When seeing a young girl with the same amount of spirit as Eda did when she was younger, Eda decided to accept that young girl's offer and teach her the best she knew. Eda was a caring mother figure to King and Luz when they needed her. As for being a teacher...she could have been better, what with barely teaching Luz anything. Still, she tried, and that's primarily in part because of her own love of magic.
Eda may be a criminal striving to get rich, but those two things aren't mutually inclusive like it is for Grunkle Stan. Eda's a criminal because she disagrees with this close-minded rule that witches should be in a coven, doing one kind of magic for the rest of their lives, except for a small group of elite soldiers picked out by the Emperor himself. Anyone with half a brain can see the flaws of this, and Eda was one of them, breaking the law for years because Eda couldn't help but see how it never made sense. So, she never joined a coven, something considered a major offense against Belos' rule, with Eda being considered a wild witch by her community. And the woman RELISHED that idea. Due to not joining a coven, Eda was allowed to do any type of magic she wanted without being in a stuffy uniform and listening to the vague lies of an evil emperor. It left her with a bit of an ego boost, claiming that she's the most powerful witch on the Isles, but at least Eda gets to do what she loves. Even as a kid, Eda had a PASSION for magic, wanting to learn as much as she could and knowing more than Lilith, a character proven more studious than Eda. It's why you can buy Eda being the better witch than Lilith, because while Lilith can understand the technique, Eda has a better grasp of how good it feels to do magic. After all, she loves doing it in a variety of ways. Even her being a new headmaster of a magic college makes a lot of sense. She may not have been the best teacher for Luz, but they were both dealing with a form of magic that neither really knew much about. The only time their teaching clicked was that moment when Luz had natural magic, and Eda could finally offer advice she KNEW would work. Natural magic is what she understands and has a greater passion for, and teaching "wild magic" to the new generation, giving them something she always wanted and a chance to learn further, makes all the more sense when you take the time to think about it. It's a side of Eda that I don't think fans talk about much. A shame, really. It's an interesting part of her that's worth sharing and deserves to have more attention drawn to it. The show certainly didn't...Though, to be fair, there was one last aspect of Eda's character that's, admittedly, more engaging.
Eda's past, from her family to her ex and to her curse, is a subject that follows Eda throughout her life whether she likes it or not. One way or another, something keeps crashing back into her life, and the results lead Eda into an emotional rollercoaster that ends in tears or violence. Some healing comes from it, but the tears and violence are still prominent. Her fights with Lilith, turning into a rage monster due to her mother's meddling, losing Raine, and her father wanting to talk are all emotional situations with Eda and the tattered relationships she had over the years. The hurtful part is how it all leads back to her curse, one way or another. I'll talk more about Eda's journey with her curse and the allusion it represents in future parts, but I'll still say that so much of Eda's pain, her drama, became prominent because of something Lilith did and how Eda reacted to it. She always ran away or denied there was a problem in the first place, making a horrible situation even worse as it left her burning bridges she'll want to rebuild later. And the worst part is that this is something Eda struggles with the most.
Despite all her pain and trauma, Eda tries to cover it up with jokes and a cocky smile or anger and determination. When the curse started overtaking her in “Agony of a Witch,” she looked at Luz with a smile to make things light, but the fear in her eyes betrayed everything. When losing Raine to Darius and Eberwolf, she choked back her tears and forced herself to focus on anything else. Because to her, it's better to deny how hard you're hurting than face it. She'll voice her worries from time to time but often hides just how strong those emotions are for her. And she definitely doesn't want to relive emotional memories due to how hard it was keeping things together the first time. The only time when Eda tends to embrace her inner turmoil is when things are so intense that she can't help but cry and voice how scared/worried she is. It weirdly makes sense that the only thing that could make Eda finally open up is facing the end of the world where it's not just HER who's in danger but the people she loves too. Because above all else, while she may hate to show it, Eda is a softie to the ones she cares about, especially Luz and King. The three of them have gone on so many adventures together and faced so much danger that you can understand why it's almost always them that brings Eda to tears. Luz's attempt at a goodbye in "Young Blood, Old Souls," King's adoption in "Eda's Requiem," knowing how deep in trouble Luz is in "Edge of the World," and finally revealing that there's no plan in "O' Titan, Where Art Thou." Those kids mean the world to her, as she would be nothing without King and Luz giving her purpose, love, and a healing heart...Which makes it weirder how little Eda got to do in Season Three.
Yeah, a lot of characters got the short end of the stick in Season Three, even members of the main cast like Amity and Gus. While most got some narrative or development, others got forced into the supporting role to help those more important characters. But for Eda, it feels weird because she's part of the main trio. Nearly every poster and promotional material featured Luz, King, and Eda. Nearly every episode featured Luz, King, AND Eda. And every version of the show pitched, even if they didn't look the same, it was always Luz, King, AND EDA. So to have a season where she takes a narrative backseat while Luz and King have more relevance to the story feels off. Although, to be fair, it's not like there was much to be done with Eda. Pretty much every narrative she had got wrapped up with Season Two. She's accepted the curse as a part of her, made peace with her family, and reunited with Raine (even if they didn't seal that deal with a kiss). It's almost as if the writers knew they wouldn't have a chance to explore Eda further with a shortened season, so they completed every arc they could with her in the remaining time they had left. So I can see why they didn't do much with her because what else could they have done? But it doesn't stop how weird it is that Eda could have easily been written out of the season if not for the fact that she's part of the main trio, and it'd be even WEIRDER to have a final season without her. Because, truth be told, the series wouldn't be the same without Eda.
Eda offers humor, heart, and tragedy to The Owl House. Her past, trauma, relationships, and love make for someone that deserves main trio status. Probably even main character status too. I would love to see more of her with how much intrigue Eda has, even if a lot of it is done already. Would I want to watch a spin-off of her as a teen? Probably not. But I wouldn't mind seeing more adventures this wild witch would get into.
Also, I'll say this much about her: There's a consensus in the fandom that Eda is the best mom in the show. And while she certainly is a great mother like no other...there's someone we ALL know, deep down, deserves the title for Best Cartoon Mom.
Camila Noceda: OOOOOOOOOOOOOOOOOOOOOOOOOOOOOH, I have been waiting for this one...
Now, I'll be the first to admit that I am incredibly biased towards Camila. Upon her introduction, I always thought she was neat as a mother who truly cares about Luz, her interests, and her wonderfully creative mind. She said so within the premier. And even when sending Luz away, all Camila tried to do was look to the bright side and convince Luz that her summer won't be as miserable as she might predict it to be. Camila could tell that going to Reality Check Camp was the last thing Luz wanted to do, so Camila tried her best to make it seem like a fun time despite how down it made Luz feel. It shows that while she may not be a perfect mom for sending her daughter away, Camila is still caring enough towards Luz, and she wants her to be happy despite encouraging a decision Luz wouldn't like. I considered that a fascinating angle towards a mother like Camila, providing a reason for Luz wanting to leave but never out of malice. I liked it...But a quantifiable portion of the fandom did NOT, with too many people claiming Camila was an awful mother who hated her daughter. Camila had maybe a minute, maybe TWO minutes, of screentime, and that's somehow the interpretation people made. I wouldn't say I'm the best at analyzing and interpreting characters, which is a crazy thing to bring up THIS FAR into my longest review yet. Still, even I have to say that people's interpretation of Camila was a MAJOR reach. Like...how do you look at a woman who explicitly states she loves her daughter, gives her multiple kisses goodbye, and you immediately go, "Oh, she HATES Luz." How do you do that? And how do you claim she's a worse mom than Odalia? Yeah, that was a thing! People genuinely would defend Odalia for being a good mom with their last breath and then turn around to s**t on Camila. Even after finally meeting Odalia and seeing how bad SHE was, people still somehow considered Camila worse. I never understood how it got out of hand, and I'm convinced the writers somehow picked up on all this overreacting and decided to make Camila better with every single appearance she made soon after.
From that premier, I already gathered this idea that Camila was a flawed but caring mother trying her best despite mistakes. By "Yesterday's Lie," I was convinced she was the best mom Luz could ask for, even if powerful emotions caused Camila to make mistakes. When Vee acts like the "perfect daughter," you can see, on Camila's face, how Camila noticed something was off and how much she didn't like it. To her, "Luz" was throwing away everything that made her Luz, and Camila didn't WANT that, made even more evident by bringing all of Luz's stuff back in after Vee tried throwing them away. Then when the real Luz "calls" Camila, acting like her true self again, Camila seems ecstatic and is willing to play along with what she assumes is a weird game because she's so happy to see Luz be herself again. Through these small moments, you understand more how much Camila cares for her daughter, despite sending Luz to a camp to teach her to fit in better. It was an action done out of love, not malice. Camila couldn't be FARTHER from a bad person, as proven by how she reacts toward Vee. There may have been initial fear of finding out what Vee really was, but through some coaxing from Luz, all Camila can see is a poor girl locked in a cage and needing help. It's there that you understand where Luz got her kindness from. Because even though everything is going beyond Camila's comfort zone, the woman's still willing to kick a flat-Earther's ass to protect Vee. She's kind and warm to the people she cares about and violent to the ones that hurt them. Like mother, like daughter. But Camila isn't all too perfect. As the events finally come crashing down on her at once, she feels ALL the emotions as she has this breakdown. There's fear that Luz is stuck in a demon realm, anger knowing she WILLINGLY went there, and despair at the idea that Camila might never see Luz again. All of this leads to Camila BEGGING Luz to promise to come back, with Luz interpreting her words as "stay here and NEVER return to that awful place." This caused Luz to be fearful for the future, and more fans hyper-focussing on the negatives instead of the positives. They saw a mother telling her daughter to abandon everything that made her happy when anyone with a single functioning brain cell can tell you that it's just Camila being worried about Luz and not fully grasping the whole story. She knows Luz had SOME fun in the Boiling Isles, but Camila's strong emotions at the moment caused her to fail to understand why Luz loves it. Or, at least, misconstrue the facts, thinking it was just Luz living out a fantasy, the same thing Camila sent Luz to summer camp for. It might seem weird that Camila also focuses on the negatives instead of the positives, but in fairness to Camila, the woman went through the worst thing any mother can go through: Losing contact with her child for who knows how long. I can't blame her for her judgment being clouded by everything she's going through. Still, fans clung to the negatives, too...So it's good Season Three shut them all up for good.
Season Three might as well be the season of Camila, because of all the things Season Three did right, diving deep into Camila's character is one of them. Where her first two appearances showed how much of a caring mother she can be, Season Three took it up to TEN notches. She took so many children into her home when they had nowhere else to go, stayed up late to figure out how to get them everything they could need for a happy life, acted nurturing when they had a tough time, chose violence for someone even saying ANYTHING mean about her baby, and dove head first into a dirty graveyard pond to save a child. Camila earned the title "Mother of the Year.” And she wasn't even trying. But while the season shows how kind, nurturing, and even badass Camila can be, it also had her face some mistakes. Camila wasn't bad for sending Luz away or asking her to stay home. She's a single mother who lost her husband, who probably connected to their daughter in better ways and left Camila to do everything alone. She wanted to be the best possible mom but second-guessed every decision and was unsure if she was doing the right thing. So I like that most of this season is about her trying to LEARN from these unintended mistakes, asking for advice from Luz's friends, and finally sharing with Luz the mistakes Camila made and how she now comes to regret them. What's even better is that Camila tries her best to understand Luz's world. A lot of it scares Camila and makes her uncomfortable, even years after being aware of the Isles in the epilogue, but she still puts in the effort to TRY. It's because Camila loves Luz and wants to be a part of every aspect of her life. Camila may struggle, but she still wants to try. And THAT'S what makes her the best mom.
Camila is warm, loving, and just so much fun to see. She isn't perfect, but instead of denying those imperfections, Camila chooses to confront them and TRIES to better herself. It's evidence that not every parent gets the assignment as they receive it, but they're not instantly failures because of it. Yes, there are horrible parents who refuse to change, but I like that the show teaches kids that there are those who care enough to do better. That's what Camila is, and I love the hell out of her for it.
But do you want to know her GREATEST achievement? She gave birth to the best character in the show…
Luz Noceda: Luz Noceda. Luz fickin' Noceda. A character so good that I made an entire post discussing how she's a fan-frickin'-tastic character. And even then, it felt like I barely scratched the surface of what makes her so good. I mean, how can you accurately explain everything that you love about your favorite protagonist ever? Better yet, how can you summarize it for a review that's gone long enough already? Well, I'm at least going to try...Emphasis on try.
Luz is a character that won me over instantly. The happy, goofy character is always fun for me as I think they're perfect for humor and endearing entertainment. That's Luz to a T, as her antics and attitude towards so many things cause me to smile to no fail. How can I not when she has a kind smile as a snake bites off her doll's head or when she has an argument with her hands? Luz is almost always a delight, but what's interesting about her is that while she's primarily happy and fun-loving, that doesn't make her naive or stupid. Luz has a good sense of maturity, even before her angst arc (Yeah, we'll get to that). In "Covention," I was impressed by her response to Eda's disdain about joining a coven. Luz made it clear that she understands Eda's outlook but wants to go and make her OWN decision. In fact, Luz is mature enough not to follow ALL of Eda's orders. There are times when Luz DEFINITELY should, but I like how the writers gives her enough emotional intelligence NOT to listen to ALL of Eda's wild and free ideas of anarchy. She has enough emotional intelligence to know what's right and wrong at times but is still young enough to learn more when put in danger at a time she really SHOULD have listened to Eda. Luz IS a teen, after all. She wouldn't have all the answers.
But now that we're talking about her intelligence, that's probably an aspect of Luz that's looked over the most. Because Luz is smart, and that shouldn't be an argument. It should be a fact. The girl endlessly worked on glyphs until getting them right, often having scraps of paper lying around her after past experiments. And not only is she studious, but Luz is also crafty at any moment. Some of my favorite scenes with Luz are ones where she comes up with a great plan on the spot, like how she thought up a way to brand Belos as he was killing her. It makes sense the girl wanted to try out for theater because her improvisation is on POINT. And she has the power to back it up. I said in that character analysis that Luz is powerful but not TOO powerful. My good buddy @l-egionare pointed out how I misjudged how powerful Luz CAN be, given how a single plant glyph made that big tree in "Enchanting Grom Fright" and how she wiped the floor with Emperor's Coven members and Conformitorium guards. She certainly has the power. I highlighted her intelligence more because I love characters who win fights by outthinking their opponents rather than overpowering them. The truth is, Luz, CAN do some epic stuff. She's just not AS powerful as Eda and Lilith were at their best, due to Luz having limitations to her glyphs and how she sometimes casts them. Luz can be invisible but only for as long as she holds her breath, and the strength behind her glyph depends on how much she uses and how big they are. She can do great stuff, even with very little, but nothing TOO grand until the Titan gave Luz that power boost in the finale (which I didn’t initially want, but DAMN amI not complaining). Besides, as cool as Luz CAN be, and how underappreciated that part of her is, it’s not her best feature.
I think we can all agree that the best thing about Luz Noceda is her kindness. She’s not naive enough to believe that there’s goodness deep down inside everyone. Her kindness has limits and it says something that Luz’s first instinct upon finally meeting Belos for the first time is to go for the head. While she will help others that need it, Luz will still take the violent route if you mess with those she loves. Speaking of, do you remember your favorite characters? You know all that development and growth they all went through? Do you know who’s responsible for ALL of that? Luz, that’s who. She helped reconnect Eda with her family, led King to gaining a sense of identity, helped Willow blossom into becoming more confident, indirectly helped Gus make new friends, and helped Lilith, Hunter, and ESPECIALLY Amity become their truer, better selves. They wouldn’t be who they are now without Luz, as every person she made a connection with had their lives changed for the better. And the crazy thing is that’s…not entirely mutual. Another great point my buddy @l-egionare made is that Luz’s life wasn’t doomed for the worst, and his argument has legs. Luz could have made friends like Vee did at summer camp or befriended those two kids in “Thanks to Them” who seemed to love Luz’s brand of weirdness. After high school, Luz could have also gone on to be a writer, sharing her love of fantasy to the world. Heck, she might even  fall in love with someone else one day, like with a horror nerd that loves gore and doughnuts…Just spitballing ideas here. The point is that while Luz’s friends on the Boiling Isles ABSOLUTELY need her for a happier life, she doesn’t necessarily need THEM. It’s an interesting interpretation to think about that makes Luz even BETTER. She’s a protagonist that leads others to their change and growth, which is a primary directive for most protagonists. Not only should THEY grow and change throughout the story, but they should lead the rest of the cast to do the same. It gives importance to the main character, showing just how much they’re needed for the world and the people in it…Which is why it pains Luz to find out she’s indirectly responsible for some strife too.
Like most plucky protagonists, Luz goes through an angst phase, mirroring how the show started off as light-hearted only to become darker as time went by. Luz’s angst, in particular, started in “Young Blood, Old Souls,” where a bit of Luz’s wackiness remained, but she still slowly got more serious as Season Two continued. By the time we reached “Hollow Mind,” an episode that forces Luz to realize she accidentally helped BELOS, most of Luz’s silliness and optimism became fizzled out, with damn near all of it being gone by Season Three. This is due to her seeing what Belos almost accomplished and the damage that The Collector was already capable of. Luz was accidentally and unintentionally the cause of these issues, and it broke her for reasons that ARE understandable…but they’re not justifiable. You DO get why Luz blames herself for everything that happened. She prides herself on her kindness and helping others, with the idea of being a burden crushing Luz in “Separate Tides.” So, to find out that she’s accidentally responsible for Belos, it hurts her because it makes her believe she’s a burden to EVERYONE, to the point where she believes that the Boiling Isles would be better off without her. Even though we LITERALLY just established how that’s false. There are some haters and idiots out there who do like to point out how none of Luz’s friends wouldn’t have had any strife if she never came to the Isles. Except…No. They absolutely would have. I mean, do you SERIOUSLY think Belos wouldn’t have tricked anyone else? The man pulled off a genocidal scam for DECADES. He could have easily tricked somebody else to do his dirty work for a few minutes.
“But he was driven out of too many towns! No one would trust him!”
Which is why he made a false identity to fix that problem. For all we know, he could have done it sooner.
“But Luz gave him the light glyph!”
A glyph that did nothing but offer Belos a shortcut to finish a job he was already 99% done with. Besides, he could have learned it on his own or maybe even through The Collector, who already knows that glyphs are the language of the Titans. Belos’ plan would have gone forward no matter WHAT reason you bring up. And what’s weirdly interesting is Luz’s refusal to see it. Yes, Belos could have tricked ANYBODY, but it’s still LUZ that he tricked. That guilt eats away at her and I’m kind of glad it’s not entirely resolved by the series finale. Don’t get me wrong, I want my favorite character to live the happiest life imaginable, but there’s a sense of realism that, even though she killed Belos, there’s still a bit of guilt. It’s hinted that it sticks with her years later, as she missed birthdays just so she could help rebuild the Isles. Although, that doesn’t stop Luz from living her life. She still hangs out with friends, joins her school’s softball/baseball team, and goes out with her family. Luz’s guilt is a lot like that scar above her eye. It’ll be small and hardly noticeable on some days, but it’ll still be there, as a reminder that life isn’t a fantasy.
It’s pretty ironic that Luz escaped to a fantasy world to avoid Reality Check Camp, only to get a reality check anyway. Everytime Luz tries to apply her favorite book series or pop culture to a problem she and her friends face, it always goes wrong. Within the second episode of the series, Luz learns quickly that she’s not some chosen one predestined for greatness…I mean, she kind of is, but not in a way most fantasy stories tend to play it. Luz quickly learns that her coming to the Boiling Isles was an accident, and that the environment she’s forced to adjust to isn’t as pretty as it is in her books. Things are difficult and solutions are complicated with there being no easy answers. Luz learns this throughout her adventures and grows to understand that being a witch like Azura isn’t simple. Luz even goes through a sort of identity crisis, now realizing that her dream to be a witch was always a little too vague and that she has no idea what she wants in life after the adventure’s over. It’s a compelling aspect to her character to have Luz realize that she’s not your average protagonist. So many of us want to be the main character of the world’s story, when we should realize that job would be extraordinarily difficult. Luz learned that the hard way after experiencing pain, suffering, and literal death that will haunt her nightmares for life. I wouldn’t call Luz a cautionary tale of what happens when you continue to live in a fantasy. That’s more like Marcy from Amphbia. Instead, I’d say Luz is more of a representation of a character understanding the cruelness of reality, but through a fantasy setting. We all learn best through the things that interest us, and Luz is no different. And that’s one of the MANY reasons to love her.
I could go on and on about how much I adore Luz alone. And probably would if this thing wasn’t THIRTY-THREE PAGES LONG! And you can’t blame me. She’s my favorite protagonist in anything, and is definitely up there as one of my favorite fictional characters. There might be problems with her character, but I’m more than willing to overlook them because of how much I enjoy Luz and the journey she went on. She is flawless in my eyes, and I will never look at her in a negative light no matter who tries to make me.
And that’s it. That’s EVERY IMPORTANT CHARACTER in The Owl House…My goodness.
As you can probably tell, there’s a LOT of characters here. One could argue too many, as it becomes evident that a few of them could be better if the show had more time to let some of them grow. Unfortunately, we don’t live in a world where The Owl House had three full seasons and all the time in the world to let all its characters blossom into their beautiful selves. But with that said, there aren’t any characters in the show that I’m willing to call bad.
Okay, Tibbles is still inadequate, but he’s still not the worst. None of them are. If any character is lower than the other, it’s due to them being unable to compare to the rest of the show’s standard. Because The Owl House managed to have an expansive cast of lovable, endearing, and complex characters, with a lot of them worth a deep-dive analysis of their own. I can’t get enough of them and they will stick with me for a while.
But as great as these characters are…how well do they work TOGETHER?
Tune into part two, and I might just tell you.
Next part
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gothicprep · 10 months
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after 8 months of putting it off, i'm finally watching the defunctland "who wrote the disney channel theme" video. i'm an hour and five minutes into it, but like.
it's lennon-mccartney right?
the vocals on "here comes the sun" and the disney channel theme are both B-A-G-A. or am i losing my mind?
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seancamerons · 6 months
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as far 90s shows, did anyone watch any of these:
teen angel it was like on after sabrina or something during the tgif era of the 90s? i found it lowkey funny, idk if it was like shortlived i assume that, but idk if it was good or cringey? i think it was only on for one or two at the most seasons, i remember he would literally talk to the moon/stars/god but also like have teenager hijinks
smart guy as it is, a smart guy. young kid maybe 10 years old in college, skiped grade school/high school and is now in college with his dumb brother. i think it was on disney channel.
my brother and me a two season show on nickelodeon in the 90s, i don't remember that much about it tbh, just that it existed and i know i watched it but idk if it held my attention. it seemed run of the mill early nickeloeon two brothers, their friends and random things that would happen like in the style of most of the shows of the time.
gulah gulah island a show about a family and a large amphibian friend of their family on a island (where is gulahgulah?) i was able to do a killer impression of the pollywog. i would make a garden bc the mom had one in the summer before kindergarten and i would sing plant a seed in my garden, my garden my garden plant a seed in my garden watch it grow 🎶 i still if i hear it on a nostalgic video sing the theme. i found out the husband and wife are an actual couple irl earlier this year, and simeon (sp?) and shayna i think was their child biologically. the other two kids were hired to be their other kids, the one daughter was on keenan and kel as far as i know. she played keenan's sister who crushed on kel after gulah gulah ended.
pete and pete a show in the 90's quirky as all get out. good music, good vibes, a child with a beautiful mermaid tattoo and more questions than answers tbh. the mom had a plate in her head, thee dad was oblivious, speaking of oblivious the next show:
the secret world of alex mac yet another 90's show, about a girl with a secret, which the theme gives you the run down, alex is not average in the slightest. i loved that show and people often forget all about it.
so let's just say everyone knows sabrina, but do they remember clarissa? if you don't know, clarissa explains it all. i think there were a few things she didn't know about, or left out. clarissa was the effortlessly cool girl, but she was also painfully average and her brother reminded her of that, much to her chargrin. from her cool ass bedroom, her boy bestie sam who'd climb in the window via ladder, and she nonchalantly greeted him with a friendly, "hi sam!", her weird ginger brother who was like a 'genius' but a jerk at the same time, her descriptions and slideshows about things she'd explain in detail at length, her dated little computer, her pet in the sandbox and a lot more things i forgot or are self-explanatory. na na nanna, nananananaana, hey cool!
doug if he's not bangin' on a trashcan, blasting killer tofu, arguing with his parents, clashing with his thespian sister, in the company of a blue dog named after dinner parents cook and kids love to hate, beefing with a rival in a leather jacket with a cat sidekick, or with mayor's stuck up daughter, surrounded by random kids with quirky names and dining a cool hangout called the honker burger he was writing in a journal or dreaming of fake worlds that are anything but normal. he was doug was one of the defining guys in 90s cool back in the day, he was cool bc he wasn't a showboat or an over confident or arrogant guy like chalky studebaker at times, or green-skinned rival roger who came off like a coward internally but tough and had an obnoxious laugh on the outside. he 's a guy in middle school with tensions with the principal, a total everyman with a big imagination who wrote his dreams, thoughts, and hopes in a journal, crushed on his girl next door/the show essential 'good girl' patti mayonnaise and of course, he had a loyal bestie skeeter. if it were 99-the 00s it was the spongebob/patrick dynamic, and even doug had an alter ego which was quail man. i believe the original story of doug, he was new to town and he came to be fast friends with skeeter, and quick enemies with their principal who always threatened him to put things on his permanent record, which i was afraid of when it was time for me to go to school when it came to going to the office for anything tbh.
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rijmeta · 2 years
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Defunctland Disney Theme Documentary -A Critical Analysis-
so after a shit day of existing in public and thinking about my art, ive watched these videos of these very obscure youtubers :
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the Defunctland video had me feeling we will never have a clear confirmation of who wrote the disney jingle. it's easy enough to get more information in the roblox video where the boss of the company (Tommy Tallarico) is so obviously putting himself out there any chance he has, even when he really should not. This man has seemingly always been kind of unlikeable, yet mostly tolerated for his entire career. On the other hand, hbomberguy mentioned the actual work of Joey Kuras, being the self-credited designer of all sound effects from.....most of the games that Tommy Tallarico Studios worked on for sound design. Joey Kuras also made the glorious sound design of the Fortnite Pick Squeak pickaxe, which is the best fucking fortnite pickaxe, after the scampi slugs pickaxe which is criminally underrepresented in the Fortnite Pickaxe Tier Lists, but whatever. Weirdly enough, none of haze's pickaxes are on the tierlist despite their extremely cool design theme, either. I didn't find the cool neon shark one, or the neon street signs either. Heh, whatever, just look at all of these I just mentioned. They're all above the pick squeak, naturally.
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I'd say the vuvuzela pickaxe comes second after the pick squeak because obviously it does, it makes the player's brain enter football mode trying to activate the sound by finding a netcage and kick a ball into it, and the homestuck reference comes third because it's a good omen of what's to come. Then the balloon pickaxe is a strong fourth as it also makes great sounds of the balloons rubbing each other when you hit the air with it. Much subtler as far as sound design goes, but definitely a strong pick.
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Honorable mentions go to the brightly colored dumbbell pickaxe, the splatoon pickaxe, and the drum pickaxe. Other notable pickaxes include a camera pickaxe, a pizza cutter pickaxe, but also a stop sign battleaxe pickaxe (which I feel is a very sapphic mood) as well as the obvious crowbar, going far in the anti-authoritarian aesthetic. There's also the survivalist shovel that's pretty cool, as well as a bunch of others whose shapes surprisingly escape my understanding altogether. And then there is the trash, where the pickaxe stabbing a shark goes (the shark isn't even neon at this point !!! Trash).
Those are the forgettable ones. Yeah, the planet pickaxe is forgettable and doesn't even appeal to a cosmic aesthetic. It looks like a toy, and if you want a toy pickaxe just buy the pick squeak next time it comes in the shop. Get yourself ready with the fortnite trackers and shit, its only 1500 Vbucks. Worth it even if you don't play the game. Its what, the price of an entire meal ? Come on. Worth it.
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Anyway god damn it.
Aside from that. Yeah. I think the Defunctland video couldn't do as much of a good investigation job because it's about Disney. As a mediatic monopoly on media, you can't simply retrace the work people made as well as in a company that was seemingly just two ex-Virgin employees trying to make a sound design company work out.
In the Defunctland video, the only clear confirmation we get that Alex Lasarenko is the composer of the melody the entire video is about is by Andrea Taylor, the previous Senior Vice President of Disney Channel. Which by all accounts has never worked in the sound design of any of disney's projects.
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Her job was to "create" personalities for networks, as in : be the link between a brand and the artists that will then rework its identity. Organize contractors, including Tonal Sound, which was founded by Alex Lasarenko after leaving Elias Music in 2002, the same year the actual jingle was composed and used on the channel. I think it's important to keep in mind that Alex Lasarenko is said to have been the "creative director" of both companies (Elias and Tonal), which I think is not the right term.
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Creative directors are assigned from the start of a specific project, no matter the industry. Someone will assume the leading role in order to help focusing said project in one direction, making sure it doesn't get carried away to become something entirely different in the process. It's mostly a managerial role which does imply a strong grasp on the domain's technicalities, as a creative director can absolutely directly contribute to the project.
The issue is, Alex Lasarenko was also the executive of both these projects that were contracted by disney. What's absolutely certain at this point is that the theme song has been made under Alex Lasarenko, whether it's at Elias or Tonal. My take is, it was probably made under Elias as they still seem to be a provider for the Disney audio identity to this day, as shown on their website. On the other hand, there is no way to check online what specific projects Tonal Sounds worked on, unfortunately, as it's been shut down since.
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And because Eric Perlmutter wrote the "Let's Watch a Disney Channel Movie" Theme under Tonal Sound after having followed Alex Lasarenko out of Elias, while still not knowing who actually made the jingle, I think it's safe to say Alex Lasarenko didn't actually make it on his own. The direction taken for the bumpers's music was much more vague than if it was passed down to Eric Perlmutter by the composer of the original jingle himself.
(at 57:11 of the Defunctland video)
Kevin : "Wait so you didn't write the theme, but you wrote with the theme ?"
Eric : "Yes, so we would have the theme. Mostly for those, we just had so much fun with them[...]because they're so short."
-talking about his experience, contracted by Disney within Elias Associates, working under the leadership of Alex Lasarenko. Which then goes on to talk about the sheer status of Elias Music (formerly known as Elias Art or Elias Associates). Eric saying "we" as a pronoun when he's talking about getting to work with the pre-made 4 notes from the disney channel's theme song reminds me of something.
Like, a Parallel. (screen recording from Hbomb's video)
Yeah, that's the answer. It was Joey who wrote the disney jingle.
More seriously, the actual important bit in the Defunctland video is at 59:06 where Kevin asks Eric about the status of Elias as a company, to which Eric responds in a very, thematically interesting way :
Eric : "I think the company tried to harness this idea of "there are no individuals here" [...] You aren't allowed to be known."
This is basically the conclusion hbomb makes in his video, mentioning how easy it is for a huge company to simply erase these names over time, as most of the work is done to establish quickly brand image and never to actually help conserve the work and allow artists to have their own career paths accessible on the long term.
Eric actually tells us about how big Elias was, and how intimidating it was to work under Alex Lasarenko in his interview, but that they were good friends and worked a lot together. The documentary seems to derail from "trying to find out" who wrote the song, to a post-mortem tribute to Alex Lasarenko, which unfortunately might still not be the one who technically created the song.
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Eric mentions his former boss as the "ringleader" of all of the Elias composers, which does fit his established job as executive. The striking choice of words that go right after is the bit that made me the most emotional from the entire video though :
Eric : "Its tough when you have a boss who's a genius and who's just an absolute music prodigy, and you're just a dumb rock bass player trying to[...] breathe the same air as him"
The previous interviewee, David Little,has been working with Alex for a long time, and said "He was one of those guys, if a camera came out, he was outta here" which is definitely a healthier way to deal with working in the industry than Tommy Tallarino , thats for sure. (watch hbomb's video if you haven't done already, its great)
The interviewing session ends with Andrea Taylor telling us she worked with Alex Lasarenko back on her TNT job, where they used an orchestra to rework the channel's audio identity, probably lead by Alex himself, within that five years job.
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But within the more recent disney job, Andrea Taylor tells us a lot about how the entire job went down, with a lot of very evil meetings to create demands within kids for upcoming disney movies by producing disney merch and special bumpers a whole year before said movie would even release (specifically known about "the "The Lizzy McGuire Movie" and the "Finding Nemo" movie, thanks to this interview).
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At no point does Andrea seem to have any real insight in the artistic creation of every element that goes into the rebranding, she only organizes them and makes sure they all the different contractors do the work on time, by talking with the executives. Which does lead me to believe this here is a case of actual long term erasure of the person who created this melody, when she immediately credits Alex Lasarenko because she knows him as the one responsible for musical departments she used for her job.
Kevin : "Do you remember anything from the production, when he was writing the theme ?"
Andrea : "You know, he probably did it in like a day or two. Things just came to him. He was amazing. I mean he probably wouldn't have said he wrote it in a day, he probably would've said Oh I struggled over it for months !"
She wasn't there, unfortunately. She wasn't producing it. She is not a producer after all, she is a bachelor of communications from Boston University.
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Kevin then goes on to call the producer Andy Solomon thanks to Andrea sending him his contact information, but Kevin isn't shown asking for confirmation that Alex really did write the theme, even though Solomon probably supervised the entire thing. Maybe it was cut, but from this point onwards the video becomes a hommage to Lasarenko instead. His sister Lisa Lasarenko then talks about his genius-like qualities as an artist, followed by David Little who also praises the "effortless" nature of his entire craft.
To me, this documentary concludes on this idealized depiction of a quiet artist who made sure he wouldn't appear on cameras his entire life, highlighted by the fact that Kevin found only one photo of him on his obituary. He was the anti-Tommy Tallarino, never attempting to reach the spotlights in his life, yet working for a massive sound company whose entire goal is to centralize sound production as well as completely erase all names from the work.
In the end, there is no real confirmation Alex wrote the theme (unless Kevin has footage of the producer having insight on when and how the theme was created exactly, which would probably be in the video if it was the case.) We just know he was leading the people who did, with never any trace of whether it was him or another one of his coworkers, or if it was a collaborative effort. We might never know who actually sat down and researched this jingle, in the end. His producer does tell us they composed an old jingle for On-Core food services together, but that's all we're getting.
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Everyone also seems to say about Lasarenko that he was working incredibly fast and could switch genres on a whim. But these are standard expectations any media company will hold unto any composer they hire ! Both Eric Perlmutter and David Norland actually give a lot of insight in how they created the varying themes, and also how much each of them built up on this mnemonic tone adding their own twist.
Anyway this is a lot. I lied about the website having a satisfying disney logo on their client lists, which wasn't smooth if you remember well the video anyway. Elias doesnt have Disney + as a client. I just thought. Why did they not put disney on there, even though they obviously got major work done for them, and an empty space on the website where a perfect little Disney logo would fit or something. Come on Elias, fill up that brand square, you got an empty spot. Like sure they might not be "featured clients" but which company its in right mind would actually miss an opportunity to say "I made this ribbon mouse era happen" right ?? I barely even watched disney channel in my life and I still know about the motion of the wand IDs. This is a missed opportunity to brag, which is out of character for a corporation.
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I talked mostly about Defunctland's video because it touched me in this specific way, but also kind of sent me chills about how efficient the actual music & editing of a video can be to convey subtle messaging. Being afraid of actually entering the animation industry with all the shit you can read about, there's absolutely a lot of ways artists get exploited, erased and even their image distorted for profit.
In the end I'm glad youtubers are talking about these subjects in such rigorous ways, as it's a very important part of how the newer generations (me included) perceive the various industries we aspire to invest ourselves in. There is never enough conversation had around the subjects of media ownership, art creation and overall what's going inside our industries, and I am so glad it's the focus of accessible works anyone can watch and think about nowadays.
That is the end of this messy post. I used to do random twitter thread rants, seeing how huge tumblr posts can be though ? This site is winning me back over. I forgive you for banning me years ago because you thought my homestuck art was porn, tumblr. You may have your sins, but you also have my appreciation.
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wrote a speech about barbie for a school project
A leading actress gets fired from her job. When her reputation goes up in a media storm and her boyfriend breaks up with her, she decides to seek out the help of her family and build her own life from scratch for herself. She saves her aunt's small business from being sold, and she gets a job as a director. 
A young woman travels across the world in order to save her friend from imminent danger. She demonstrates bravery in the face of adversity and is prepared to sacrifice everything she's worked for to help the greater population. 
She ends the movie happy, independent, single.
A young girl discovers an assassination being planned. She joins together with her coworkers to help save the victim. The film culminates in a badass fight scene, and the main character ultimately putting her dream and her coworkers (friends) first in the end. 
These three movies I have just told you about are all Barbie movies. I grew up on barbie movies. They were my childhood. Barbie movies taught me about friendship, and the support they can offer in troubling times.
For me, Barbie movies decentralized hetero and allo-normative ideals. 
No matter if it was disney channel, nickelodeon, or the random rom coms my parents raised me on, I grew up watching one glaring message coming from the tv screen. 
Romance is the most important aspect of your life. 
You might grow old, you might have friends.
But you won't be happy without a man. 
But you won't be happy without a love life. 
But you won't be happy without these societal ideals. 
Barbie showed time and time again that asking for help was ok. Again and again Barbie's characters receive help from their family and friends. From the first ever Barbie movie, it's told through the lens of a story Barbie is telling her sister to help with stage fright. One of the most relevant themes to every Barbie movie is the ability to rely on those close to you, and how love is not a weakness. How love is not a stiff binary, how it can be for whoever, whenever, however you want. Platonic, romantic, familial, love was love. Love was strength. For a little queer (ace/aro) kid like me, movies like this can make a world of difference.
Now, does Barbie have faults? Yes. It's a doll line from the late 1950s. But Barbie is and always has been a feminist brand. By 1990 Barbie had already been an astronaut, pianist, many different versions of an Olympic athlete, rock star, surgeon, fashion designer, business executive and, most impressively,  a mc donalds cashier. Nowadays Barbie comes in many different colors and sizes.
Barbie movies provide a role model for young kids to look up to. 
Someone who goes about the world being kind to people.
Someone who goes about the world helping people and, importantly, asking for help when she needs it. 
Barbie demonstrates to viewers how important a good support system of family and friends is in the real world. Messages like that have real world effects. In the world we live in, we are often told that asking for help is wrong, but Barbie tells us it is not. 
Barbie stars in fantastical worlds that are just downright entertaining, but are also founded in an emotional sense of reality that make them and their nostalgia compelling even many years later. 
The Barbie movies are some of the best 40 children's movies out there. 
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cowlovely · 3 months
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god….rewatching defunctland’s “who wrote the disney channel theme”—truly one of THEE videos of all time to me
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