When you find out years later that you accidentally named one of your henchmen
Image ID: A multi-panel comic featuring au sanses.
Panel 1: In Killer's original universe. A dark figure stands in the foreground while Killer is sitting back in the snow, covered in blood. Killer says "wh-what are you?"
Panel 2: The dark figure is Nightmare but only his smile is visible. He says "I am Nightmare, guardian of all negativity in the multiverse ...and I have a proposition for you, Sans."
Panel 3: Nightmare's hand is outstreched, he says "Come with me willingly and I'll take you out of this desolate and barren universe and let you loose on many others."
Panel 4: Killer is looking back at Nightmare warily, a thought bubble shows he is thinking "other universes...?". He says "...in exchange for what? What do you want with me?"
Panel 5: Nightmare's tentacles are reaching out towards Killer. He says "I feed off the fear and misery and hatred in this world, stirring these up will keep me powerful enough to fight against the guardian of positivity. In short,"
Panel 6: Nightmare is looming over Killer now, his tentacles surrounding him. He says "I just need you to be a good little killer." The word killer is in red text.
Panel 7: Killer is grasping Nightmare's hand, having accepted his offer.
Panel 8: Now in a different au, Nightmare stands beside Killer as he taunts Dream, who is out of frame. He says "You're outnumbered now Dream, I have a killer with me this time." The word killer is in red text again.
Panel 9: Dream is lying on the ground looking hurt and ruffed up. Killer is standing in the background, looking ready to continue beating Dream up. Nightmare says from out of frame "You should know better than to turn your back on a killer by now." The word killer is in red text again.
Panel 10: Nightmare is standing by Killer again, looking smug. He says to Dream, who is not shown "You'll need more than that pathetic bow next time you meet with my killer here." The word killer is in red text again. Killer is looking towards Nightmare, pleased with this.
Panel 11: We are now in Nightmare's castle, present day. It is revealed to be Killer telling these events to Dust, who looks bored. Killer says "-and the name stuck, so that's why I'm called Killer now." Dust says very quietly "did I ask"
Panel 12: Nightmare is standing in the corner behind them, he looks very surprised and concerned after hearing all this. Text with an arrow pointing to him reads "Didn't realise he had done this." Killer from out of frame says "he doesn't really call me his killer anymore tho" with a frowny face. Dust, also out of frame, says "that's nice now shut up"
End ID.
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The great jungle fence of 2023
I'm jealous of my neighbour's extremely lush grass so I want to let my pasture rest for a bit. Which means partitioning it so the animals can't graze one half of it for a while.
Of course, this means telling Pampe she can't go somewhere.
I chose the dividing line carefully. There's a dense jungle-like area in the middle of the pasture that I've never seen the animals try to cross, they go around it, so it can act as a natural fence. I built 2 temporary fences on either side of the jungle to finish cutting the pasture in two. The setup looks like this:
The fenced areas on either side of the jungle are made up of sheep netting, one length planted in the ground, and another above it, attached to tree branches with string (they are also tied to one another), so the fence reaches a height of 2 Pandolf.
I have weighed down the bottom of the fence with heavy branches so the llamas can't crawl underneath. (Before I did that, when the fence was still under construction, Poldine decided to make her mother happy by showing her she'd listened to Pampe's life lessons. Pampe behind her was bursting with pride.)
Finally, in one particularly at-risk area, I made a quadruple fence using 4 lengths of sheep netting + 1 piece of rigid mesh fence, tied to one another and to nearby trees with string. Look at the below pictures. Zoom in. Do you understand this fence? No? Good. Neither will Pampe.
Don't mind me just playing 5D chess with my llama.
There's no way she'll win. For the first time in four years I will be victorious.
Okay, let's get to the point of this post.
(Bonus question, do you think she'll try indiana jonesing her way to freedom or that she'll focus on the fenced areas? Crossing the jungle might be easier but Pampe doesn't like easy, she likes mind games and destruction.)
P.S.1: for people who started following me recently, you might want to check out my llama drama tag to understand who Pampérigouste is.
P.S.2: I don't know if this will factor in your decision, but when I last saw Pampe behind 5 layers of fence she appeared to be smirking.
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Love how you shamelessly hate Aang—I mean this totally as a compliment by the way! I’m so tired of seeing “I ship Zutara but I LOOOOVE Aang he’s a cinnamon roll baby!!!” and “you can like Zutara and also like Aang” and “it’s the WRITING that’s bad not Aang!” takes…ugh. Please. He’s a cartoon character and I don’t like him. That isn’t a crime. He’s boring at best and an entitled borderline abusive little shit at worst. I don’t like him! It’s so refreshing to read your blog, I don’t understand this fandom’s obsession with acting like he’s a real child we have to coddle
I don't understand it either. Then again, I will go to the mat to defend some pretty controversial characters, so who am I to judge (justice for Mr. Collins!) ? I don't mind that other people like him -some of my favorite people in the fandom like him- as long as they don't come after me for not liking him.
But yeah, the defense of him boiling down to "bad writing" always felt off. To me, bad writing is when the character suddenly takes actions that seem to come out of nowhere. Aang's actions in the back half of ATLA and into the comics and LoK track. They track very well with who he was even in the first season. Yes, he got worse as the series progressed, but the seeds were always there. I guess, if you want to make an argument for it being bad writing, you could talk about how his bad traits in the first half seemed to be setting up a growth arc that was abandoned in the second half. There's an argument to be made there, but it's not an argument that Aang's worst traits were OOC for him. I am not shocked at the kind of family Aang ended up having. I'm not shocked at how Kataang the couple turned out. I'm only shocked that Bryke managed to be that honest about Aang without realizing how awful he was.
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so...John’s planning on pulling the plug on the world, right? Like that’s what he’s doing here?
I’ve just been turning these bits of ntn over and over in my head and tbh I can’t stop thinking about the description of 10,000 years of civilization as a first draft. John’s first resurrection didn’t quite end up how he wanted -- closest friends all dead, turned traitor, or both, fighting a war on multiple fronts, his only allies the corpse of his accidental bastard daughter and a twenty-something princess with cannibalistic tendencies whom he canonized as part of a failed attempt to revitalize his polycule-- but hey, it doesn’t matter, because he can just start over. All of NTN he’s in this depression spiral; he’s falling apart, he’s having orgy parties with his senior staff, he’s got at least part of his subconscious camped out in the comatose mind of a half-dead nineteen year old he tried to have murdered, treating it like a confessional booth; because right there, in the background of his mind through all of this, is the off switch. He can have his breakdown, and then just...let Alecto out. Erase it all, start fresh, and this time he’s got one attempt under his belt, he’s got notes for what to do differently, and so let it all fall to shit! Nobody else is gonna remember any of this anyway. Two worlds, now, that only John will remember. Maybe three, later; maybe four, what’s to stop him from redoing it over and over til it’s just right?
The issue with that, of course, is there’s really no way to treat the world like this and still care about it in the way other people do. You’d lose your ability to be affected by life’s events after a couple reboots and then what’s there to get emotionally invested in? When you’ve turned a person off and back on two, three, four times and you know you’ll probably do it again the next time something happens you don’t quite vibe with, how can you possibly look at them as a real person? Are they a real person, if they only know what you want them to know and do what you want them to do? And once you reach that point, once people aren’t people but project components for you to edit, what are you even bothering with all this for?? John started down this path because he so loved the world; what happens when he reduces the world to something he can no longer afford to love? Might as well pull that plug for good, yeah?
Anyway. I’m fascinated by the way John’s shitty mental state is dooming the world and it’s everyone else’s bad luck. The rest of the cast is out there fighting for their lives and he’s like *sigh* let’s try that again. take two, everyone!
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completely unrelated thought to literally anything i've been doing today:
canon Sanji getting swapped with a Sanji from a genderswap AU. key point is that everyone's p much the same personality wise
there are crises going on. but mostly for canon Sanji lmao
this includes:
Luffy still likes to walk around w/ an open shirt
Franky also still likes to walk around w/ an open shirt
Usopp, guess what, also likes to walk around w/ an open shirt
granted, Usopp at least wears crop tops sometimes
Brook looks pretty much the same except for speaking mannerisms / voice pitch; startles the hell out of Sanji bc he keeps expecting it to be his Brook until a Skull Joke comes out of those chuckling teeth
The knee jerk reaction to Robin and Nami keeps crossing wires- one moment Sanji will just register a guy in his peripheral but not who he's speaking to and cuss and complain and shit. then the realization will kick in and he'll be caught up trying to apologize, but then wondering if he does need to apologize because uh, Nami and Robin are guys here right?? and they're not his Nami and Robin, but at the same time he can't just be rude to Nami and Robin-
he ends up staring into space for a while thinking in circles about it
Zoro is now of the gender he typically dotes on
"H-Hey, Moss-chan-"
"Don't call me that"
"Right. You want a smoothie?"
"I'm not gonna fuck you."
Usopp is the easiest to dote on, followed by Chopper, Franky, and Luffy. funny thing is, aside from Zoro, none of them have complained about/refused said doting. Sanji is reassuring himself that his list doesn't mean anything. he's not falling for Usopp just because of a pair of tits. that'd be ridiculous. after all his Usopp has got plenty big tits already-
he slams his head into a wall trying to forget that thought
also. he has no outlet for any frustration/anger/overwhelming feelings because he's got his code of chivalry thing. so he can't fight Zoro and he doesn't want to fight Robin or Nami. he starts smoking more to compensate, but then he either runs out or Chopper intervenes and gets him to promise to limit his use
in short. suffering.
This Nami and Robin do notice though & while Nami very much does not want to fight Sanji on account of, yknow, not wanting any broken bones or terrible injuries, Robin on the other hand-
He knew it'd help Sanji and it'd be nice to have a sparring partner to practice the more deadly things he can do on someone who can handle it, so he's kinda like "if it'll help, i don't mind sparring"
Sanji is caught between "oh fuck yes, finally someone to kick" and "I CANT HURT ROBIN-KUN"
the sparring ends up very pathetic on Sanji's side of things- think his fight with Kalifa but without him trying to bluff and looking openly stressed- Usopp listens to Sanji's woes about it later while she tinkers on inventions lmao
Usopp is also oddly clingy with Sanji, more so than his own Usopp. However, Sanji doesn't even bother thinking about it, just happy to soak up all the affection. He always has some sort of crisis thinking about his own Usopp later though.
Zoro, and I cannot stress this enough, is a woman. a buff, sweaty, mossball of a woman.
so yeah, suffering.
fem sanji, on the other hand:
having the time of her life
proud bisexual woman going "dear god, so many hot guys- wait shit, is that mosshead"
starts getting "overly friendly" with Usopp- laying his head in her lap, playing with his hair, carrying him around, calling him pet names, making him special snacks, etc.
everyone else puts it together real quick, except Usopp. who doesn't realize the answer until fem Sanji gives him a goodbye kiss on the cheek before going to prep for dinner
The answer: fem Usopp and fem Sanji are dating
fem Sanji: he's Usopp, therefore he's my partner in this flipped world, therefore I gotta treat him right while his own Sanji isn't here
Usopp wants to tell her the truth. but also. doesn't.
he is a mix of guilt and happiness every time he doesn't speak up and gets some gesture of love from her
in conclusion: one way or another, there is suffering all around <3
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