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#writing this and posting it is just so i can function the rest of the day
copperbadge · 7 hours
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Lately, it's felt like every time I've started to work on writing, I'll just be getting into the rhythm of it when I get interrupted, either by work or the cats or because the time I'd booked in the library study room is up (you can only do two hours at a time, and only four hours a week total). It was getting to the point where I kept re-reading the same chapter or so of previous work but never managing to add to it.
So I tried an experiment this past weekend -- I found a really cheap rate on a local hotel room, and on Friday I took an overnight bag and a very old laptop with limited processing power and checked into a room about a mile from home for a quasi "staycation". I unpacked and had a quiet night on Friday, as prelude to working Saturday-Sunday. The idea was to write uninterrupted by other people, pets, the presence of all my Stuff around me at home, et cetera.
I had snacks but I also bought meals out, which was nice; I don't often order in or buy out when I'm at home. The way I set up was that I would do fifty minutes of writing with do-not-disturb engaged on my phone and then ten minutes of checking email, texts, etc. since often what pulls me out of writing is a text or an email that needs answering, or the anxiety that I'm missing one that would. If I set it so that every hour I check, well, nobody's going to die if something doesn't get answered in an hour, so the anxiety isn't there, and neither is the distraction. (I found a nice app for this, review later depending on how functional it continues to be for me, but it's a like $4 app called Forest.)
It worked pretty well -- writing for an uninterrupted hour, as long as I know what I'm working on, is very functional for me. I average about two thousand words, that way, though there is a limit to the number of hours I can put in. I ended up doing two hours in the morning and one hour in the afternoon, then switched from fiction writing to clearing out my tumblr drafts and some correspondence for the fourth hour. So it went something like
Go out and get breakfast, bring back and eat in room
Change into lounging clothes and do two one-hour sessions
Go out and get lunch, eat lunch out
Bit of a rest break back in the room
Two one-hour sessions, one of writing; when tired, switch to something that requires less creativity
Go out and get dinner, bring back and eat in room
And then in the evening the plan was to watch movies or catch up on reading, but I ended up being mentally weary, so instead I did some simple tarot reading. It was less divination or even meditation than just messing around, keeping the creativity stimulated; I did a couple of Creative Writing spreads, some very brief divination spreads (I nicked a nice three-card spread here that I mentally call He To Hecuba, and just used it in general rather than for a specific question) and then invented a spread when I was starting to get irritated that the same like, five cards kept coming up, more on this in its own post.
Sunday I did one more writing session but it was less successful, I think partly because what I was writing required a lot of research and partly because the previous day I'd dumped eight thousand words into the file. (Research took longer because I brought the most garbage laptop known to man, and the browsers crash if you try to open Google Maps, but in other ways it was ideal since there wasn't much I could do on it other than write.) But I had a good breakfast, got some rest, packed up easily enough, and headed home just ahead of the rain storm.
I don't think it's something I'll be able to do in that format especially often, since the deal I got on the hotel was an anomaly and Chicago lodging, even just AirBNB stuff, is stupid expensive. But in addition to helping get some work done it was a nice break, so I'm going to look into ways I could swing it on a perhaps monthly basis, or some other way to cheaply spend an entire day alone with decent access to a bathroom/snacks and a way to come and go easily. I've looked into coworking spaces before but they tend to be prohibitively expensive and don't really have the setup I'd prefer; there's a hostel on the north side with private rooms that I might try out but it doesn't seem significantly cheaper than a hotel. I might just have to pick one weekend a month and watch last-minute hotel price cuts where they simply want to fill a room for a day or two.
Anyway, functionally I wrote almost a fifth of a novel this weekend, and one that I wasn't feeling super on fire about; I'm feeling much better about it now that I've got some established plot going and I feel like I "know" the newer characters a bit better. (Also I'm enjoying writing Simon as someone who is absolutely entranced by his love interest and clueless that what he's feeling isn't mild antipathy because they met while fighting over ricotta.) So it was a big help, although if I were to put a budget line item in the Extribulum Press ledger for "writing staycation" it would wipe out my royalties surplus very quickly.
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scientologisabethmoss · 7 months
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in so much pain right now, knowing it doesn’t even approach what gazans are experiencing at the moment, doesn’t approach what the loved ones of the israeli victims of the attacks are feeling. just tremendous sadness and anger.
all i want to do is talk and be with other jews who love being jewish, are proud of their jewish heritage, and who feel (and have felt) alienated from israel. i want to be with other jews right now and have a space to talk about our anger at israel and its ethnic cleansing of palestinians and how we can do something to fight back against this violence, this injustice, because it’s what our jewish education has instilled in us to do. and i want to be in a place with people who feel supportive of our concerns of rising anti-semitism, who understand that though we do not support israel - or any ethnostate for that matter - we probably have loved ones, or loved ones of loved ones, who live in israel and have been impacted by this violence. the global jewish community is so small that even if you don’t support the state of israel, you probably know someone who lives there and is affected.
and you know that israel is an apartheid state, you know that what israel is doing and has done to palestinians is heinous and goes against the geneva conventions, you know the power imbalance at play and that the most powerful country in the world financially backs israel and its crimes against palestinians. and there’s clarity in that, in the ethical stance you must take against injustice like that. in that way, things are simple.
but then you think about your great-grandparents and their parents, refugees who fled from pogroms and who ended up in the US. if they had remained in the pale of settlement for a few more decades, they probably would have been murdered. and if not, they likely would have sought refuge in israel after the war. and you think of your great-grandparents in new york, who housed refugees from germany in the 1930s, who were outspoken against fascism and saw their people murdered abroad and tried to live righteous lives and who had a dream of a jewish homeland and bought israel bonds to make try to make that dream a reality. these are people, my descendants, who wept with joy and relief in 1948 when israel came into being, the same year as the nakba.
and now you’re 29 in 2023 and don’t really believe in a jewish homeland anymore because you don’t believe in ethnostates. and your 94-year-old grandmother hates bibi, has been disgusted with israel for decades now, and feels like the dream of israel, the dream of her parents and grandparents, has failed. but was that dream of a jewish homeland ever valid in the first place?
you think of all of this, of the legacies of colonialism and the shoah and the nakba and all this suffering. you think of diaspora, of intergenerational pain, of memory, of who has power now and who had power a hundred years ago. and you want an outlet, a jewish community who Gets It, but you split with your previously long-term reform synagogue, the temple you became a bat mitzvah at, because you and your family were so disgusted by the zionist words of its new rabbi. and you are so thankful for and supportive of organizations like if not now and jewish voice for peace, orgs that are standing with gaza and against harm to civilians during this time, but then you see the term “jewish supremacy” used in a post to describe the actions of israel, and you think, have we completely lost the plot???
and if that’s the inside of my head right now, i know that must be the inside of the heads of so many other jews worldwide. and so when non-jews who aren’t palestinian either say that you are complacent in palestinian genocide if you admit that things, for you, are complicated, you shrivel and turn inward and think, who could i possibly share my feelings with? and if i can’t somehow share my feelings, how can i make space inside myself to properly speak up for justice, to work against israeli apartheid and attain equal rights for palestinians?
things are simple and they are complicated, but if things are both simple and complicated, they must just be complicated. i hear myself and think i must be going insane, but there has to be a scenario in which saying things are nuanced is not a cop-out or an excuse for genocide.
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rosysugarr · 8 months
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Y'know, I started to type out a massive post about how sad and frustrating it is that every USAmerican southern character in anything is presented as ignorant and uneducated and "dumb" and even hateful, how there are people here with degrees and careers and incredibly complex skills that took years to develop and learn, and then I realized, fuck that-- yeah, there are a lot of people with no or little education down here. We're fucking poor. A lot of us just can't afford college. A lot of us have to get jobs instead to support our families. Some people dropped out of high school to do that. And you know what? They're still human beings who deserve to be represented as whole, real, functional people and not flat archetypes.
Like yeah, I could talk about all the talented and smart people who came from down here, but the "simple," the disabled, the uneducated down here don't deserve the way the media depicts them, either! Because the bulk of them are good people who just got dealt a bad hand because we are so pathetically poor down here. And yeah, that includes the addicts. We have a lot of addicts down here. And that isn't our fault, either. when you're dealt the worst possible hand and no one wants to help you, everyone regards you as being trash, you're gonna cope however you can.
Everyone wants to write us off and present us in media as pretty much just. nothing people, but there are many, many people here of all walks of life who deserve respect and who need help that they aren't getting BECAUSE nobody shows us any fucking respect, and the way the media depicts us consistently does constant, DEEP damage to the way the rest of the country views us. It isn't fucking fair and it isn't fucking okay.
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welcometomyoasis · 3 months
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Seventeen's reaction to their s/o being in the same variety show as them
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Synopsis: When your relationship isn’t public, how would seventeen react when you, their idol s/o, appears in the same variety show as them? Idol! Svt x idol gn! reader | idol au, fluff | 1.1k words | warnings: unsolicited comments | requested by anon A/n: honestly the svt members are already chaotic social butterflies so their behaviour wouldn’t really change? But the heart eyes would be real. Also, thank you anon for requesting my first idol au!! I actually really like idol aus and will prob write more at some point!
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Member exe. has stopped working
Seungcheol, Soonyoung, Dokyeom, Mingyu
☘︎ Why are you going to the same variety show as him? Do you want him to combust on the spot? He knows you can’t control which shows your group goes to for promotions, but this is such bad news for them. Sure he loves watching you in your element, talking about your group, the new songs you’ve released, dancing with that passion that he fell in love with. The thing is he loves watching you a bit too much. 
☘︎ During the show, his brain just stops working. Who cares about professionalism? He wants to admire the masterpiece that is you. He’s going to shoot out so many heart eyes at you. He watches with a look that says he is completely enamoured or smitten with you. He is in awe. He definitely would not be able to keep the goofy smile off his face. His mind goes blank. Of course, he would cheer for you as well. Loudly. Very very loudly. He’s just so proud of you. If he was feeling a bit daring, he might even post a selfie that you both took backstage. 
☘︎ The hosts might make a comment or two about how he’s falling in love with you. As long as it’s harmless jabs, you’re both usually okay with it though other members might try to steer the conversation away just to be safe. Still, he’s so obvious that his behaviour towards you is hard to ignore. The comments from the viewers would be full of things like “i want someone to look at me the same way he looks at y/n” or “he’s so in love with y/n i cannot” or “what’s going on in his brain?”
☘︎ Surprisingly, I don’t actually think that there would be much speculation about whether you both are dating. These members can somehow brush off their lovestruck behaviour with a smile. It’s just that these 4 members do always stop functioning at some point anyway? Their chaotic, mindless behaviour and cheering really isn’t that out of the ordinary when you think about it. They might become the butt of some jokes for a while but I feel like this whole thing would pass quickly enough. I guess it pays to be some of the most chaotic members? 
Is there something going on?
Woozi, Junhui, Wonwoo, Dino 
☘︎ Oh these members are in trouble. Unlike those in the previous group, these 4 have rather predictable behaviour when they are on variety shows. Woozi would participate in all the games and discussions but he isn’t the most outgoing. Dino is just Dinoing? Like he’s the baby of the group but he acts very maturely when he’s on variety shows. Junhui and Wonwoo tend to be on the quieter side. 
☘︎ So, when you show up on the same variety show, their behaviour is just too different. Woozi, Junhui and Wonwoo would participate and be much more enthusiastic. Even if they aren’t cheering loudly, they would stare at you with pride and adoration in the same way that they would stare at the rest of the svt members. They also would not hesitate to talk to you or interact with you during the discussion portions of the show. 
☘︎ With Dino, I do see him turning to become more whiny or acting a little less maturely to some extent? He might even instinctively turn towards you when his members tease him, as if he’s seeking reassurance or refuge. Or even if he tries to act the same, he will frequently sneak not so subtle glances at you like a school boy in love. 
☘︎ It’s the freedom and comfort that is seen in your interactions and their behaviour towards you that would definitely make people question if there is something going on? The behaviour would go viral with viewers being split between “he’s just having a weird off day which happens” or “oh they are definitely dating, if not he likes y/n”. Both your weverse lives and social media posts would have so many comments asking about your relationship. The speculation would go around for a while and these members won’t be able to shake the rumours off for a while.
Business as usual
Jeonghan, Joshua, Minghao, Seungkwan, Vernon
☘︎ Of course he’s excited that you will be going on the same variety show as him! He loves watching you but unlike the members in the previous two points, he knows how to hide his reactions better. He’s a professional about it. His opinion is that the best course of action is to act like himself. That way nothing seems out of the ordinary. 
☘︎ Jeonghan will be cheeky as always (no one is spared from his cheating and tricks, not even you). Joshua smiles adoringly at everyone and is a gentleman so he gets a free pass either way. Minghao might be a little more quiet than normal but I see people brushing it off because Minghao isn’t the most outgoing member on variety shows. Seungkwan is a professional host anyway so his interactions with you would appear normal (although his tone and gaze might be a bit softer). Vernon… is just Vernon. He stares blankly, interacts with others normally, and takes frequent sips of water. Whether or not his gaze is fixed on you or not, no one can tell. 
☘︎ On the inside though, he’s squealing at how good you look, how cool you look, how adorable you are. He makes a mental note to give you extra hugs and affection later because watching you makes him fall in love with you all over again. He loves you so much, but at this point when you both aren’t comfortable publicising your relationship, he will do everything in his power to remain professional. He knows you are doing the same. You both want to keep your relationship out of the public eye and the unsolicited comments that come along with it. So for now, he’s content with showering you in love in private. 
☘︎ And just say that he slips up slightly, or if the hosts/ viewers makes any unsolicited comments about the two of you possibly being in a relationship, he will brush them off by saying he’s just being supportive of his fellow idols. He will be very firm about it, and he would make sure that they know not to try and pry into your private lives further. 
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taglist: @weird-bookworm @wonijinjin @babyleostuff @wishing-fieshes @kwanienies @mayashu @megseungmin @porridgesblog @haecien @mirxzii @scoupsofcherries @eightlightstar @brownsugarbaybee
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northernsiberiawinds · 5 months
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BIG CC UPDATE *DEC 2023
✅ PRESETS CHANGELOG
fixed broken presets after the "rent" patch (from child to elders);
I fixed the broken presets only for the child-elders ages. But, as you know, all the presets for the toddlers were broken too because EA added eyelashes to them. I don't have presets specially made for toddlers, but some presets made for other ages used to be displayed in this age category, I removed them from this category because they don't fit this age category anyway. I left only the ears in this category. I will fix these ears for the category of toddlers as soon as it possible (and if possible).
added compatibility with some type of custom clothes cc to FEMALE HEAD SHAPE PRESETS N1-8 (the problem of holes in the neck);
3 new files have been added (CHILD EYES PRESETS N1-2 FOR FEMALES TEEN-ELDERS, NOSE PRESET F N28-33 FOR FOR CHILDREN and NOSE PRESETS F N18-27 FOR CHILDREN).
✅ SKINS and FACE MASKS CHANGELOG
added new additional cleaner and smoother texture options to some old skins and face mask overlays:
- SKIN N4, SKIN N7, SKIN N8, SKIN N9, SKIN N10 (A and B), SKIN N11, SKIN N12, CHILD SKIN N1, SKIN FOR TODDLERS AND INFANTS N1-2 OVERLAYS;
- MICHAEL, NOAH and JAESUNG face mask overlays;
I see that many of you are still using my old skins, so I decided to update them a bit.
I changed mostly the faces. Some overlay skins have undergone very strong changes and now, I think, they look much better. Don't worry, the old options are still there and they won't be reset from your sims.
the old skins are now available for the "opposite frame", this is necessary if you want to make a gender transition for your character ;
SWEET СARTOONNY SKINBLEND A and B was fixed for a new patch (for the correct display of the added EA eyelashes);
added a non-hq version for old skins;
added compatibility of old skins and face masks with my new cc;
added new thumbnails to all skins just because I wanted everything to look the same style and I'm tired of these black and white pictures of old overlays.
✅ SKIN TONES CHANGELOG
Fixed an issue with completely black newborns with SOFT ROSE SKIN TONES;
Unfortunately, to solve this problem, I had to recreate the file for SOFT ROSE SKIN TONES. So when you download the updated version, this cc will be reset from your sims. This applies only to SOFT ROSE SKIN TONES and HETEROCHROMIA EYES. The rest of the files listed in this post will not be reset from your sims.
Added a tanning and burn functions to all my skin tones.
✅ HETEROCHROMIA EYES
fixed after the patch (the problem with the hand).
Unfortunately, to solve this problem, I had to recreate the file for HETEROCHROMIA EYES. So when you download the updated version, this cc will be reset from your sims. This applies only to SOFT ROSE SKIN TONES and HETEROCHROMIA EYES. The rest of the files listed in this post will not be reset from your sims.
All the files in all the posts have also been updated. There are really a lot of updates this time. I hope you all are not tired of this, ha-ha.
By the way, I'm going to start working on BETTER IN-GAME LIGHTING MOD v2. So you can write your wishes and suggestions!
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MORE INFO AND DOWNLOAD
Any likes and reblogs is honestly appreciated! 💘
Thank you for supporting the development process!
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bumblequinn · 6 months
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hi @sourpatchsquids! thank you for your question.
as an artist with ADHD, i know this struggle very well. unfortunately offering advice on this kind of thing can be tricky, because what works for me may not work for you (and vice versa!). nonetheless, i can try; take whatever works for you, forget the rest, or reshape any part of it as you see fit. :)
but before i offer any actual tools, i have one caveat. i want you to take a moment to reflect and consider if you should be:
changing expectations
the timing of this question seems fated, because just the other day i had a therapy session wherein i expressed my grief and frustration over struggling to work lately due to my seasonal depression. it's not fair that i'm struggling just because it got a little darker outside! i just want the spark i had in the summer! i was so much more consistent!
my therapist's response: nothing about human beings is consistent. we get sick, we get tired, we get hungry and thirsty (and thirsty) and sad and lonely and restless and stressed and overwhelmed. this all gets amplified for folks who are atypical in some way or another.
when my therapist compared our seasonal cycles to those of plants and other animals, who wilt and slow down and hibernate, i protested aloud that i wanted to be a perennial instead. at this she said: even perennials change with the seasons. rose bushes have to be pruned, sometimes down to half their height! it was a dose of perspective i didn't particularly want, but really needed.
so when you're struggling to work through executive dysfunction, burnout, or brain fog, it can help to first check in with yourself about a few things. what do you have the capacity for right now? do you need any accommodation? and if so, what changes you might make to accommodate yourself?
with practice and self reflection, i've learned a handful of specific routines that help me when i'm struggling with creative work, which i'll detail next. note that while your question is specifically about music and i am specifically a musician, i believe that all of these suggestions can apply to most any form of digital creative work.
with that in mind:
#1: work slower
when i'm at the top of my game, i can get a LOT done in a day. but when i'm depressed, fatigued, or distracted, i just can't go full steam. sometimes i'll try to convince myself that i can if i just push harder, but what actually ends up happening is that i'm just fiddling with settings and going in circles rather than moving forward.
instead of that, when i want to work a lot but can't, i try to work slow. how slow? however slow i need to. take four hours to figure out the melody for a single verse. take all day to figure out that drum groove. yeah, i take a lot of breaks in between. who says i have to be my Absolute Most Productive Every Day Or Else? that's the puritan work ethic talking. kill it. be kind to yourself.
i'm reminded of advice i once read about some super successful and prolific author (gaiman? king? pratchett?) who said they wrote only four hundred words every weekday. that's already less than the word count of this post, and i'm only—[travels into the future to check my final word count]... 22.8% of the way through writing it!
now, i don't think i could function that way, because ADHD means some days i'm hyperfocused like crazy, and other days i just have no steam at all (more on that in #4-6). but it seems to me that if even someone highly respected in their profession can achieve what they have with only a little bit of work on a regular basis, maybe i don't have to punish myself for not pumping out a finished work every single week.
doing less work per day means you're much less likely to burn out, which does a lot for working more consistently. if that consistency still doesn't look like a five-day work week, that's okay! as long as it helps you work even a little more often when you want to, it's something worth doing.
however, if you're still feeling truly stuck, all hope isn't lost. you can still try:
#2: switch projects
sometimes the reason i'm moving slow is because of a bad brain day, but sometimes the reason is that i just cannot muster the motivation to do the specific task i'm trying to do right now. ADHD is fueled by novelty and interest, and if i'm not interested in what i'm doing, or it's feeling stale, that's a sign that i need to switch gears.
this is why first it's helpful for me to have more than one project going at a time. this might mean completely unrelated works, or it might just mean related tracks as with the music for a game like SLARPG or susan taxpayer.
the idea here is not to start a dozen different projects and bounce around them like i'm playing whac-a-mole—though i have done that. (i don't recommend it.) the idea here is to have a manageable number of different projects i can be working on so that if i get bored or stuck on something, i have fallback options.
what that number of projects is depends entirely on the week. maybe right now it's two, maybe another time it's three. i would probably be getting carried away if i tried more than that, but that's just my own limit. maybe yours is different. that's something for you to think about.
but it doesn't have to stop there.
#3: switch focus
maybe there is this one project that i just HAVE to work on, but the task i'm trying to do at this stage just isn't coming to me. okay, well, why don't i try working on a different task?
let's say i can't figure out what i want to do with the melody in one part of the song:
what if i try jumping ahead to a different part of the melody? ...no, i'm stumped on melodies today. okay, how about working on the drums instead? ...hmm no, i think i'm just completely tapped out on writing parts right now. alright, what if i organized my tracks, making sure they're all grouped and named in a way that i can work with easily? what if i did a rough volume balance for the mix?
and so on. if that's not enough to shake the off stuckness, i might consider: what can i do to make this project more interesting to me?
what happens if i try using an instrument or effect that i almost never reach for? what if i try sampling something obscure? what if i bang out the drums using my midi keyboard instead of drawing it in on the piano roll?
any approach that breaks me out of my usual habits is bound to get that feeling of novelty and fun back when i need it.
or maybe i can't do any of that right now, and so i take the time to answer a question from a fellow musician instead. i consider that part of my work, too, in a broader sense. check in with yourself and figure out what you can do right now. the rest will still be there later.
but okay, let's say you try switching gears, and switching again, and again, and nothing is moving. you try new approaches, but that wall of awful is insurmountable in this moment. it happens! the next thing you might try is:
#4: learn something new
when you aren't able to make progress on your projects, you can still make progress on your knowledge and craft. i often find this stokes a flame of inspiration in me where there wasn't one before. and even when it doesn't, it still gets my brain out of that feeling of stuckness and dread and into one of thought and action. learning also benefits in the long term because it adds to the well of knowledge from which you draw for all your future works.
for all the awfulness that exists on the internet, it remains an absolute treasure trove of teaching. there's an endless ocean of videos, blog posts, and articles from which you might learn something about your craft. (and if you sail the seven seas, plenty of book PDFs as well. 🦜🏴‍☠️)
it's true that the quality and depth of information out there can vary wildly, but in my experience most resources get at least some things right. and the more you research, practice, and figure out what works for you, the better you will learn to differentiate between the advice worth keeping, and the advice to forget. (that goes for all of what i'm saying here, too!)
that said, since our shared focus is music, a few resources i would highly recommend are:
music theory and composition music matters, 12tone, charles cornell, music with myles, 8-bit music theory, and this introduction by andrew huang
mixing and production dan worrall (especially this series for fabfilter), kush after hours, red means recording, andrew huang, alice yalcin efe, in the mix
general inspiration nahre sol, ben levin, david hilowitz, game score fanfare, posy, jerobeam fenderson, open reel ensemble, and ELECTRONICOS FANTASTICOS!
(if any readers have their own helpful resources for creating music or any other media, feel free to share in the replies & reblogs! 💓)
of course, on an especially bad day, it might be a challenge to seek out information, let alone retain it. that can feel pretty bad, but remember: be kind to yourself. the next thing you might consider trying is:
#5: consume art you love
not just music. books. shows. movies. games. illustration. animation. whatever moves and inspires you.
but do it intentionally. don't just pull up some random thing the algorithm suggested! check in with yourself about what you want (or are able) to engage with right now. choose accordingly. if you get a little way into it and realize it's not scratching that itch, hit the bricks. check in with yourself again. wash, rinse, repeat, until you find whatever it is that speaks to you right now.
and do it actively, if you can. don't just let it go in one eye and out the other! really pay attention to the work. what do you like about it? what are its themes and motifs? what makes it work so well? what are its flaws, and how much do they matter? what might you do differently? you can write notes as you do this if it helps, but even simply noticing and thinking goes a long way.
what you don't want to do is come at this with a lens of shame or envy. you're not here just to say to yourself, "ugh, if only i could do THAT." it's okay if it happens. use that thought as a springboard for curiosity: "well okay, how DID they do that? do i have the resources for it? if so, how could i apply that to my own work? if not, how can i adapt it, or what do i need to learn?" keep your mind open and approach the work with a sense of wonder.
as a creative person, it's very easy to think, "i should be making something right now, not watching a movie!" but that thought forgets something vital: your art is a response in a conversation. of course the "language" you use is your own, and maybe if you're lucky you'll invent a new word. but most of the words you use have been around long before you were born. you're just one voice in a dialogue that spans continents and generations, and that's okay. it's even the whole point.
none of us is an island. we are profoundly social animals. just as we can't live without eating, we can't make without learning. so half of making art is consuming it. consider this part of the process as well.
and finally,
#6: rest, and live your life
let's say you're in really dire straits. you've tried working slower. you tried changing focus, you tried changing projects. you want to take in new information or actively engage with your favorite art, but you're not in the headspace for it. what now?
take a nap. take a walk. take a shower. eat a nice meal, or an okay one. talk to a friend. maybe even do that chore you've been putting off (you know the one).
it's human to always crave making, but you're not a machine—and even if you were, machines need regular maintenance, too! you wouldn't drive a car that's completely out of gas, and you won't do yourself any favors treating your body that way either.
i know that when you take a break it feels as though you're not accomplishing anything, but you are: you're taking care of your animal self. and while you do that, your creative brain doesn't stop working! much like windows, it has countless background processes running at any given moment, with inscrutable names like "cbdhsvc_692da" or "Microsoft Edge Update Service." it's true, i checked.
when you're stuck on a project and you step away to rest, your brain is still chipping away at your ideas unconsciously. i like to tell people, "it's percolating." much like waiting for a pot of water to boil, that idea is still heating up, even when you take a step away. just be sure to check in on it once in a while. the time will pass, and it'll be boiling again before long. :)
before i go, i'll leave you with one last thing to keep in mind as you try all of these strategies:
be kind to yourself.
being human is just about one of the hardest things you can do. let alone being a human trying to survive capitalism while living with disabilities! the last thing you need on top of that is to overwork yourself, talk to yourself negatively, or treat yourself harshly. there are plenty of other people in the world who do that to you—don't be one of them.
i'm not saying that you shouldn't try to challenge yourself, to test your limits and go above and beyond your ambitions, if that's what you want to do. just remember that hard work and self compassion are not mutually exclusive. so be careful not to bully yourself. take pride in the progress you make, even when it seems small. encourage yourself like you would a friend who's going through a hard time. and when you challenge yourself, be your own cheerleader.
i hope you find this advice helpful! remember, this is just what helps me, so don't feel like you have to follow any of it exactly. maybe taking time to learn new information helps break you out of your rut more than working slowly, so you reach for that tool first. maybe having multiple projects going at once is too distracting for you, so you prefer to stick to one at a time. whatever your needs are, feel free to alter and adapt these ideas to fit you.
thank you for reading, and i wish you the best of luck in your creating.
with care, bee 🐦
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otaku553 · 1 month
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Straw hat women redesigns :) I was trying to doodle some of the crew and came to the realization that I just Could Not with Nami so I wanted to play around with it a little bit
Some more design notes below:
Nami’s design actually went a lot smoother for me than Robin’s! I think canon post timeskip Nami is a very low bar. While you can argue that to some extent Nami being vain and seductive is part of her character, I do feel that there are many more integral parts of her character that can be highlighted in her design, namely map making and her combat. Though not one of the stronger straw hats, Nami does seem to be well practiced with her staff outside of its use for weather manipulation, and I think her being a physical combatant, even slightly, can be better reflected with more loose clothing for better mobility.
For her mapmaking, I wanted her to have constant easy access to her tools and to information about the locale, so around her waist she has one large pouch at the back for books and scrolls and maps in progress and one small pouch to the side for writing utensils and measurement tools. As backup she also has 2 pens in her bun, which also act as pins for keeping her hair up if she ever needs to move a lot.
I’m not sure how clearly it shows up in the notes, but Nami’s shoe soles are also made from whatever artificial cloud material makes up the weather island she stayed on during the timeskip, so that it both pads her steps to make them soundless and bounces for better mobility. The shoes are naturally shaped like heels but without the actual heel, since she tends to move around on tiptoes anyways- a nod to her epithet as cat burglar and her past as a thief.
I made her shoulders a bit broader because I think they probably get a lot of exercise with her staff, and changed out the bikini top for a more supportive chest wrap, with a loose tank over it for breathability. The compression socks and sleeve are more stylistic than anything, since I like layers, but they might come in handy for her if she spends extended amounts of time sitting down making maps for the crew.
Robin’s was a bit more difficult for me to figure out, and I might go back and revisit it at some point. For Nami, it was a bit easier to imagine what would pair well with her combat methods and her needs as a mapmaker, but with Robin, she’s an academic who fights almost completely hands off, without a specific weapon to her name. Because her strength lies mostly in her devil fruit, she has a bit more room for style over functionality, but I also still wanted her to have something that made sense with what she was. I don’t really think I succeeded in that regard, but it’s also hard to convey what she does visually— she’s more of like a professor than a field archaeologist I think.
I really really enjoy her cowboy hat but I didn’t think it would match with the rest of the outfit so I switched it out for a wider brimmed hat and kept the orange sunglasses on it, as a nod to the revolutionaries with the combination of headwear and eyewear. She deserves a trench coat. I don’t make the rules. And the rest of the fit mostly came down to things I think I would enjoy wearing, haha
The trench coat is partially a nod to the scholars of ohara, who seem to wear white coats like lab coats in some screenshots of robin’s backstory. I think also the reading glasses help to make her seem a bit more academic, but aren’t prominent enough to leave a strong impression. All in all I do wish robin’s design had more functionality in it but I also think that robin is a character who probably enjoys dressing up nicely like this, especially in the comfort and stability of the straw hats.
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my frustration with “going nonverbal/nonspeaking” (as a fully nonverbal person)
transcript: my frustration with “going nonverbal/nonspeaking” (as a fully nonverbal person)
this written for instagram because of this post. but thought tumblr may like it too. “you” means general you, no one specific.
the instagram post and this on wordpress
this disclaimer is for instagram but also for anyone new to this discussion:
in full honestly, don’t know how to write this. am tired, language and complex ideas too much at time of writing, and general exhaust at having to argue same thing over and over again and justify own existence. tired of being minority within minority, wish there are others to do these work for me so i don’t have to do it all by self, singlehandedly advocate for everyone (not to mention problem with that—i can’t speak for everyone).
so honestly, if you don’t have anything nice to say, especially if you speaking (yes, even if you lose speech. include you), just don't say anything at all. move on.
online actually autistic community (AAut) dominated by white, lower support needs. level 1, speaking, late diagnosed, high masking autistics. find people like you is great, what not great is you treat your very narrow community as “voice of all autistic” and your experience as ultimate autistic experience. i write plenty about that, many more elaborate than this, if you not familiar with this concept.
many people in this community experience times when cannot speak, sometimes because overwhelm, shutdown, dissociate, or anxiety (situational mutism), but do not struggle with act of speaking rest of time (some struggle with speech all the time but still can speak - more on that later). the community call “going nonverbal/nonspeaking,” or even “when i am nonverbal nonspeaking” (not talking about those nonverbal as child and verbal now older), after clinical term “nonverbal” (nonverbal autism) and term coined by apraxic nonspeaking autistics “nonspeaking.”
both of which talk about it as an “all the time” experience.
when i search nonverbal or nonspeaking because i want community too, want see people like me too, two category i see: 1) parents of nonverbal nonspeaking children, whom can’t relate to because age, who can’t write own experience because their age and developmental ability. and 2) overwhelming amount of speaking autistic talk about going nonverbal going nonspeaking.
and the very very few fully nonverbal nonspeaking voices. drowned out. cannot find anyone.
nonverbal used to be term to describe us, people who can’t speak or cannot functionally speak beyond few words. medical term, alright, so some of us don’t like. so some of us reject that and create term all of our own, called nonspeaking. created by nonspeaking autistics with severe apraxia and brain body disconnect, describe their own experience of able to think in words able to spell out words (with great dedication and work and support), just cannot do that with mouth. their term. they create.
and you take it? without knowing context? without reading anything by those same nonspeaking coiners?
when is last time you purposely seek out nonverbal nonspeaking voices? when is last time you accidentally came across us? can you name any nonverbal nonspeaking advocate that talk about their experiences? one? two? three? a BIPOC person, a (specifically) Black person? a Black woman? a trans person? a physically disabled person? a person not from western world?
same narrative over and over. “i can speak for nonverbal autistic i understand their experience because i am autistic i can’t talk sometimes” no you cannot. as someone who was able to speak when young who lose speech (”go nonverbal”) but now have no speech to lose because full time nonverbal. no the experience not the same. not comparable. you gain it back. i don’t. you can explain with mouth words what happen when you get out. i can’t, i only have AAC. countless nonverbal nonspeaking people without AAC or sign cannot, at all. you never experience daily small and big struggle of casually being nonverbal all the time.
your experience of lose speech unique from my nonverbal. but if you so insist to compare and equate, you only guest to my experience, my daily life.
“when i go nonverbal and no one understand so have to force to speak” i cannot force words out. know you don’t mean to say this, and not saying you at fault for this, but nevertheless accidental perpetuate and reinforce idea that anyone who don’t speak can just be forced to speak if try hard enough. but often not how it works. and this exact harmful rhetoric devoid and delays nonverbal nonspeaking people given access to AAC, because “need try to force words out first, AAC unnatural so last resort.”
this may be new concept for you. new concept to instagram, to tiktok. to other places. it may seem i only one with this problem, “i once saw a nonspeaking person’s account and they don’t have problem.”
yeah, because we are not monolith. some nonverbal nonspeaking people don’t care. some nonverbal nonspeaking people may even welcome “go nonverbal nonspeaking” or “when i am nonverbal nonspeaking.”
but don’t be fooled into believe i only one. have many nonverbal/nonspeaking and/or higher support needs friends on tumblr, who talk about this who have been saying this for years. *years*. years before i joined. i am not creator, i only bring message here, because many of us are too high support needs too disabled to do anything else. many of us only stay on our small corner of tumblr because it most peaceful, because at least some listen, because least hostile, because need to defend our experience against our own community the least. (but it happens less doesn’t mean it doesn’t happen, we still exhausted.) many of us only stay on our small corner of tumblr because that all we can handle, or because we not allowed or shouldn’t be on other social media because age or abilities or both.
i cannot handle conflict i do not do well and i shouldn’t be here. but if not me, who else? if i don’t do it, who else is going to?
some nonverbal nonspeaking people and parents of them may question, why you start debate about useless term when so many nonverbal nonspeaking people don’t even have access to communicate, real problems. to that i say i do those work too. and to that i say this is real problem too, because am autistic so online actually autistic community should also be my space too but it not. but it hostile. because am lonely because seeing yourself so crucial because don’t know anyone in person like me don’t have any friends in person like me, so i go online to find people like me and i cannot because no own term to search and what used to be term many people without similar experience insist they understand and can speak for me because they say we have similar experience. because this aloneness and the unique difficulty from being full time nonverbal and the struggle of future and the unique mistreatment from both outside but also inside community have drove me over edge many times and it is presence and knowing their presence of my tumblr nonverbal nonspeaking / higher support needs friends that gave me hope to stay. because so many people don’t listen and instead speak over. terminology only a symptom of problem. address roots, sure, but part of address roots is address symptoms.
‘well nonverbal people are never around” maybe it because you don’t make it welcome for us to join.
“fully nonverbal rare anyway” estimated 30% of us nonverbal nonspeaking, which this statistic probably only count those nonverbal since birth. even more are minimally speaking or without full functional communication, abilities limited to requests. sure, 30% still not majority. but significant amount never the less. speaking lower support needs autistic without intellectual disability not majority anyway too but your experience still deserve heard. ours too.
“see less nonverbal people because they don't have ability to communicate and use social media” yes, many nonverbal nonspeaking people not given access to communication (like AAC), forced to live in silence (because body language communication not enough alone!). silence from birth to teenage years, to adulthood, even until they die. some cannot understand social media or AAC because intellectual disability or cognitive ability. some not allowed on there because safety, some not allowed on because presumed incompetent and abused. all true. do you advocate for them too? or is it just talking point against me, pretend you care?
but not all of us, we exist. some of us thankfully supportive parents all along, parents given resources, us given resources, so we access to AAC since beginning. some of us became nonverbal later in life (which not same experience as those early in life, i acknowledge). some of us after years of forced silence, finally given access to AAC and can now communicate and advocate! some of us on social media - do you listen?
but you see none of us in your community anyway. maybe one token person.
you can go nonverbal. i cannot go verbal. see difference? you can come close to my experience, but i never will have (future) ability to go to yours.
it frustrate that have to specify am nonverbal **all the time** when write this, because if don’t do that will be assumed otherwise. frustrate that when in neurodivergent space stranger see me AAC they assume i can speak because they only know part time users (know part time users frustrate too because people assume they cannot speak and get surprised when they do. me being assumed automatic part time is not fault of part time AAC users.)
even been told am privileged to be nonverbal nonspeaking, privilege over speaking autistic who lose speech because in their mind it mean i get all support i need i get all recognition get all the representation. which. couldn’t be farther from truth.
all that. is fraction of reason i frustrate at “going nonverbal nonspeaking” and “when i was nonverbal nonspeaking.”
so many other words. lose speech. intermittent speech.
just want have own sub community where can find people similar experience.
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cryptotheism · 22 days
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i remember on your last blog you went on a bit about your writing process/how you got amber skies out every week, ive been meaning to go back and read that to get myself back into writing everyday but given how tumblr search functions (or doesnt) i can't find it! if its not asking too much, if you remember the post(/s?) would you reblog it, or do you mind just talking about how you get such a massive amount of writing out all the time?
I don't know what post you're talking about specifically, but I'm happy to talk about it!
I will say, I pay the bills because many many people are currently paying me to sit down and crank out 2k+ words every day for various projects. That certainly helps motivate me to write, and take care of myself so I can effectively write every day. (Eating, sleeping, resting taking time to consume a wide variety of media and mediums.) My relationship with writing is professional now, and it's taken serious a lot of work and luck to get here.
Basically, the key to my speed is that I don't edit anything. If you've ever done automatic writing as a warm-up, that's basically how I write everything. After several years of practice, it means that my first drafts are about as good as most peoples 5th.
I never really deal with writers block, because I've come to find a sort of perverse joy in cranking out unedited slop. If I can't think of what to write next, I often find myself making it bad on purpose just to get through the scene. All writing is re-writing! It is far, far easier to fix slop than it is to try and perfect as you go.
I got my start by basically waking up early, and taking my laptop to a cafe before work. My rule was 1000 words or 4 hours, whichever came first. I would get a large drip coffee and just see what sorta unreadable tripe I could make. Sometimes people liked it.
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holymusicalmothman · 7 months
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I Can See You - Live Action!Sanji x Reader
Saw a post about wanting a fic with Sanji and this song that @its-a-show-stoppin-number posted and I knew I wasn't gonna get anything done until I wrote this. I've never written anything like this before to be honest. I kinda word vomited in a sense. The story just exited my fingers and here it is.
Warnings: Suggestive, kissing, secret relationship, nothing explicit, only implied, objectification of Taz Skylar's jawline, like. Why’s it so fine. Like. Dear lord.
No use of y/n, or those weird descriptor things, reader is gender neutral. Reader is however you imagine them
Word Count: 1.5K
Main Masterlist
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It wasn’t something you had seen coming. It wasn’t like you, to be honest.
But he was just so damn charming. How were you supposed to resist?
Sanji hadn’t been part of the crew for long. A few weeks at most. But you had been watching him from the moment the crew walked into the Baratie. 
Tall. Strong. Nicely dressed. Polite. Respectful. Suave. Not to mention good looking. That jawline–in your defense, you HAD tried to ignore the blatant attraction.
Fleeting glances for almost a week, brushing past each other in the ship’s hallways. Fantasies filling your head. One specific dream of exchanging heated kisses in a dark corner had your mind racing whenever you were in the same room as the chef. 
It was impossible to function properly. 
Your job aboard the Going Merry was to document the events that occurred. Luffy thought it would be perfect to write down all of the adventures that would eventually lead to him becoming King of the Pirates.
And writing anything was impossible.
Blond hair and grey blue eyes kept your mind far too distracted.
So you decided to do something about it. 
Especially since you had caught his eyes on you repeatedly throughout dinner. 
So you took your time eating. A phrase which here means wasting your time until Luffy, Usopp, Zoro, and Nami had vacated the kitchen for the evening. Leaving you alone with Sanji.
As he stood to clear the dishes, your hand shot out, grabbing his sleeve and stopping him in his tracks.
You looked up into his eyes, your own wide with adrenaline. 
"Please tell me it's not all in my head." You said softly. "If it is, I promise, it'll be like this never happened."
"And if I say it's not all in your head?" He murmured the words, the tension so thick someone could have cut it with a knife. 
"Then I'd ask if you'd worry what the others thought. I'm not sure if relationships between crewmembers are allowed here. They weren't on my last crew. And I'm not too keen on asking Luffy if I'm entirely honest." You took a deep breath. "But I can't get you out of my head. It's like I'm addicted."
Sanji moved to rest his hands on either side of your chair, effectively caging you in. "So more like a secret mission. Just the two of us." He bit his lip and watched your eyes zero in on the action, a smirk spreading on his face instead.
You nodded, knowing you were in too deep to back out now.
Sanji continued, despite the fact that his eyes flicked down to your lips every few moments. "Everything professional, except when it's just the two of us."
You nodded again, your heart racing and palms sweating as the object of your desire leaned forward a little more, waiting for you to reach across that last gap separating the two of you.
Your eyes fluttered shut as that gap closed. 
As your lips careened into the chef's, he exhaled heavily through his nose, pulling you up to stand and then closer so you were pressed to his chest, your hands flying to tangle in his hair. 
The world around the two of you was a blur as you lost yourselves in each other. Clothes were shoved unceremoniously to the floor as you each tried to pull the other closer. You barely registered Sanji lifting you to sit on the kitchen counter, much less registering when the two of you had even moved from the table to the counter.
"You sure you want me sitting here?" You asked breathlessly, your newfound lover placing kisses down the length of your throat.
His laugh was husky against your throat. "It's a kitchen, darling. All the best meals happen in a kitchen."
That moment was the first of many. You had never regretted sharing a room with Nami more. While there were many kitchen escapades after that first one, the two of you still found a little thrill in having your secret. 
You spent time talking as well. You learned about each other. Likes and dislikes, pasts, dreams of the future. Sanji told you about his childhood with Zeff and his quest for the All Blue. You told him of your dream to be a famous poet one day and of your life on the sea. 
Something changed along those talking sessions. Something you liked. You wouldn’t call it a friends with benefits situation. You both knew it was something else, something deeper. 
Those words were just waiting to be said.
You two would lock eyes at random moments throughout the days and his eyebrow would quirk and you'd look away.
Nights would be spent with each other, sometimes words weren’t even exchanged. 
It was bliss.
One afternoon caught the two of you on the lower decks, encased by shadows. You had originally been working on writing down events in the logbook, but your lover had sought you out. 
Sanji had you caged up against the wall, kissing you with a fervor. As if you were the last meal he'd ever receive. 
He always kissed you like a starving man. 
However, you heard Usopp's voice getting closer to your hiding spot, calling for Sanji, and the two of you quickly separated and righted yourselves. 
He winked at you as you adjusted your skewed shirt. "You'll tell me more about how that dream of yours went later, right, darling?"
You smirked. "You wouldn't believe half the things I see inside my head." 
Sanji grinned, unable to resist capturing your lips in another kiss before slowly pulling away and heading down the hallway.
Nami cornered you later that day. 
"You've been hard to find lately." She stated. 
You shrugged. "I've been hiding away trying to find a quiet place to work on the log." This was the go to excuse. 
And Nami wasn't buying it. "It's been hard to find Sanji too."
Your eyes met her brown ones in questioning silence.
"I knew it." She muttered. "Sanji left his jacket on the floor in the hallway the other night. You do know we're not like other pirates, right? Nobody's gonna care if you two get together. 'Sides, pretty sure the only ones who haven't figured it out are Luffy and Usopp. But that's just a matter of time."
You were flabbergasted. "How in the--"
"You guys aren't very sneaky. Zorro found you two the other day. Plus the jacket."
Of course Zorro would find out first. But knowing that a relationship would be fine was also a relief to hear. 
You had just finished telling Nami about your's and the chef's so-called "secret mission" when Sanji brought lunch around a few minutes later. When he got to you, he handed you your food and your logbook. "You left this in the kitchen." And with a wink he walked away. 
"He's not even subtle about it." Nami stated.
You laughed. Sanji hadn't been subtle from the moment you met him at the Baratie. He had only stopped calling you 'madame' because you told him it made you feel old. 
He had immediately switched to darling, being far too suave and charming for his own good. 
You opened up your logbook. It had gotten easier to get back to your job lately. Apparently the dark hallway meetings and late night rendezvous worked perfectly in helping your focus.
You immediately noticed his note. 
"Meet me tonight"
You snapped the notebook shut, grinning like a schoolgirl,and Nami only rolled her eyes and shook her head. "You two are the weirdest." 
It was late when you began to make your way to the kitchen that night.
He must have been impatient, because you found him waiting down the hallway, still dressed in his suit and necktie. 
You never knew blue could feel like fire, but his eyes were smoldering as they met yours. He had you up against the wall in moments, his lips on your own.
He never did anything halfway, it was all or nothing. That thought crossed your mind as you began to lose yourself in the way he kissed you. In the way it was tender and yet passionate. In the way he caught your lip with his own. In the way he would sort of nudge his jaw forward in little movements. In the way his tongue always seemed to ask permission by gently touching your own lips and leading you into deeper and deeper kisses. 
You could drown in this man. 
The words slipped out in between kisses before you could stop them. 
"I love you."
But he just grinned. A smile so bright, were the sun out it would have felt threatened. Remarkably sweet for the heated exchange that had been occuring only seconds prior.
"I love you, too, darling."
And the heat was back. His hands, which had been holding you gently at your hips, slipped to lift you and press you harder into the wall as the passion returned. 
Only to come to a screeching halt as someone cleared their throat. 
Luffy stood a few feet away, struggling to mask his shock.
"While I'm happy for the two of you, maybe the hallways are not the best for such...activities?" he said.
You both nodded, mildly embarrassed to have been caught. 
As your captain disappeared further down the hallway, a laugh bubbled out of you.
Sanji turned to look at you, bewildered. 
Grabbing his hand, you led him away. "You heard our captain, gotta go somewhere other than a hallway."
Understanding spread across his face in the way of a knowing smirk. "I completely understand, darling."
I can see you, waiting down the hall for me, I can see you, up against the wall with me.
I can see you, throw your jacket on the floor, I can see you, make me want you even more
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readerthatreadsss · 9 months
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hello you can make headcanons about yandere soft elijah mikaelson x fem human reader, where he has several yandere traits but to his lover he is a softie.
Alright anon, I GOTCHU.
Please don't be afraid to let me know how I did cause this is not only my first headcanon post but also my first Yandere one :)
Soft yandere!Elijah Mikaelson headcanons
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Warnings: Starts off pretty calm but ends a little smutty so minors beware, sub!reader, yandere themes (possessiveness, manipulation, overprotective behavior, compulsion, mild obsession, denial of said obsession, unhealthy relationship tendencies, etc), breeding kink and edging mentioned, also more nsfw themes...
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His siblings and enemies consider him to be noble, but when it comes to you? This man is everything but that.
Jealous, paranoid, overprotective? Yeah, that's Elijah.
The first time he met you had been under less than ideal circumstances but he couldn't help but take immediate note of how beautiful and strong you were. You helped the Salvatores to dagger him but that was quickly forgiven once you helped Elena undagger him a short time after. It was then that he saw that not only were you beautiful but you also had a good heart and were protective of the ones you loved, which was more than he could say for most of his past lovers, so he immediately set his sights on you.
Elijah needs to know where you are and what you're doing constantly or he stops functioning. Like he'll be more irritable than usual, snapping at his siblings, more aggressive with the men he's hired to watch you on the very few occasions when he can't, etc.
Most times he's following you with a small notebook where he writes down new things that he learns about you every day...though after enough time he's convinced that there's nothing about you that he doesn't know.
He saw you smiling at Damon for too long while watching you outside the Mystic Grill (without your knowledge) slashed Damon's car tires and ripped out his steering wheel.
His siblings tease him about his obsession with you and he denies it every time. "This isn't an obsession. I've simply taken a keen interest in her," he'll say.
Elijah takes note of your body language. And that's not just general things like how you struggle to hold eye contact with most people you talk to, or how you lick your lips and clench your jaw when you're frustrated. No, Elijah sees the smallest of habits that you don't even realize that you do on the regular.
He also knows your scent better than he knows himself. Elijah can actually smell your perfume/shampoo/lotion from a mile away and it actually comforts him the moment it hits his nose. When he's close enough or in a room with you, there are times when your scent becomes so overwhelming that he has to stop whatever he's saying or doing, close his eyes, and deeply inhale it so that he can go back to normal, (or as normal as he can pretend to be)
You are deeply involved in all the supernatural lore in Mystic Falls so you know that you're supposed to hate the Mikaelsons...but something about Elijah catches your attention. You liked how calm and composed he was or appeared to be in comparison to his brothers. Though he did things that sometimes hurt your friends, you could see and even appreciate the reasoning behind why he did them. He was also less impulsive than his brothers and sister in the same manner that you were less impulsive than your friends (the Salvatores, mainly).
You were one of the few people in Mystic Falls to engage in a conversation with Elijah that didn't end in a threat. You even once complimented the suit he was wearing that day and Elijah couldn't stop smiling for the rest of that day.
He has and will never lay a hand on you, even when his siblings demand that it would be strategic to harm you to persuade the Salvatores to do what they want. He actually threw Klaus into a bookshelf for even suggesting the idea.
Elijah sneaks into your house and watches you sleep on numerous occasions, and even though he knows it's wrong, he uses his abilities to force dreams he's had of the two of you together into your head while you sleep. He just wants you to see how good you could be together.
Since he started putting those dreams into your head, he's caught you stealing inquisitive glances at him, even with your friends around.
He hired someone to research your internet patterns and reading/music history and bought first editions of your favorite books/records and mailed them to your house that same week. You had no idea who sent them but the package was tied with a thick string that had a pattern that you could have sworn you saw on Elijah's tie the week before.
Since then you've been more hyperaware of your surroundings on your day-to-day. (You actually almost caught Elijah a few times but he managed to speed away before you could catch sight of him)
Elijah is known to be very patient in comparison to his siblings. This applies to you too. He wants you to see that he's the man that you belong with in your own time. But who says he can't continue to persuade you without brash tactics? So Elijah continues to send gifts, jewelry, and your favorite things to your house.
He saw you sitting at the edge of a creek one night and decided that this would be the one time where he would stop hiding and watching and just show his face. You two had a long conversation that night about the stars, (because he knew you were into astrology and astronomy) and he even told you that both your astrological signs were romantically compatible.
It was a lie and you both knew it but he loved the way it made you blush.
That was the night you two first kissed. It was better than the many many times he's imagined it. You were obviously apprehensive at first and he had to take the lead on it but he was more than happy to do so. You gave him your number and told him that you would be interested in going out with him. He already had your number for weeks before but you didn't know that.
It only took a few dates and late-night picnics for him to convince you to become his.
You noticed small differences in his behavior since you became official; he'd get slightly annoyed whenever he'd text or call and you'd say that you were with the Salvatores but if you were with Elena or any other female friends it was no problem, the deadly glares he'd send men in the street when you walked together and one stared at you for even a second (these men would end up missing dead in a dumpsterthat same night without your knowledge), or the way his grip on your hand would get tighter whenever you mentioned Klaus by name.
Once you started dating he insisted that you needed to live with him. He bought a house just so that the two of you could be alone and away from not only his siblings but the drama of Mystic Falls. You didn't agree at first, but Elijah sent two of his men to your house to fake a home invasion and that scared you right into his arms and your new home.
When you moved in with him, Elijah gave you a new phone and told you it was a housewarming present. It actually had a tracker in it and was connected to his own phone so that he could see every call and text you made. He asks you exactly where you're going whenever you leave the house. And of course, he checks his tracker just to double-check.
The longer you dated, the more violent Elijah got when it came to people who tried to harm you or take you away from him. But he never let you see him harm others, and on the rare occasions when you would, he'd compel you to forget it. He couldn't live with himself if he made you afraid of him.
Some of your family members got worried and upset when they went a whole month without seeing you and Elijah compelled them all to move across the country.
Despite having to do all of these outrageous things to keep you to himself, Elijah had never been happier. You were finally his and he would do anything to not only keep you his but to make you fall for him as deep as he had fallen for you.
He considers turning you because all he wants is to spend the rest of his life with you without worrying about human illness or one of his enemies taking you away from him, but he wants you to ask him to do it. He knows that bloodlust isn't something that everyone can handle and only wants you to be happy.
On nights when you'd get into arguments with your friends about your relationship with Elijah and come home sad and angry, he would hold you in his arms and kiss your head while you cried. He hated seeing you cry and would internally seeth with rage at your friends for making you sad. But he'd always find a way to calmly tell you that if it were up to him you'd never see the Salvatores ever again but he understands your loyalty. (he doesn't. he really doesn't like the Salvatores or how close they are to you.)
NSFW hcs up ahead...
Elijah is a primarily gentle lover by nature. For your first time, it was mostly because he thought he wouldn't get the chance to do it again and wanted to make the most of it while he could. But as you continued dating he was only rough with you when you asked him to be...which was most times.
On these days when you asked him to be rough...he would completely oblige. He would never degrade you but praises would easily fall from his lips while he pounded into you from behind with enough force to leave you limping the next day. "You look so beautiful taking me like this, love."
He gets extra possessive during sex. "No one else can ever make you feel this good, huh gorgeous? Tell me who's making you feel this good." "You're all mine, love. No one knows your body like I do," he'd growl with a hand softly resting around your throat while he drives into you with a finger fiddling with your clit. And Elijah was right. He knew what made you tick and what drove you crazy.
Elijah loves edging you. Like he will spend a whole hour working you with his hands or his mouth to the precipice of your orgasm only to pull away. He'd only indulge you once you were a sobbing, blubbering mess, begging for him to fuck you and let you come for him. You always wanted to be good for him so you'd never come without his permission.
He definitely feeds on you during sex (with your permission ofc). He loves the intimacy of the act and even makes you drink his blood sometimes. But Elijah also just loves the taste of your blood. It's painful every time he does it but you love the look of satisfaction that crosses his eyes once your blood hits his tongue, so you swallow the pain and allow him to do it every once in a while.
He absolutely LOVES leaving hickeys on your body. He would shout it from the highest rooftop that you were his if he could (he wanted to but you begged him not to), so for now, he's settled for leaving those deep red marks on your skin to let others know who you belong to. Once you tried to hide them with a scarf and he snatched the scarf from your neck and ripped it to shreds in front of your face.
Elijah worships your body during sex. He will caress and kiss every part he can get his hands on. He quite literally cannot get enough of you. His favorite parts of your body are your shoulder, your inner thighs, and your stomach.
You moaning or screaming his name drives Elijah FERAL. Actually, just you saying his name is music to his ears regardless of the setting. Your voice can soothe him in an instant or be his undoing in the bedroom.
There was one day that he got caught up in the moment and said, out loud, that he'd murder any man who even thought about seeing you like this. But you were so cockdrunk that you didn't register it.
Lastly. Breeding kink. Need I say more? Actually, I'll say more cause why not. Elijah obviously doesn't need to worry about surprise pregnancies with you but that doesn't stop him from whispering in your ears that he's gonna "fuck a baby into you," or that he "loves filling your womb with his come"
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I know this was supposed to be soft yandere...but I feel like it kinda got away from me and strayed into REAL yandere territory so I hope that's okay?
Don't be afraid to comment or reblog and my requests are open! Hope you enjoyed <3
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cupids-chamber · 5 months
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— " 𝐈𝐍 𝐀 𝐖𝐎𝐑𝐋𝐃 𝐎𝐅 𝐏𝐔𝐑𝐄 𝐈𝐌𝐀𝐆𝐈𝐍𝐀𝐓𝐈𝐎𝐍 " | Listen to this on loop for full experience.... ★. Content tags/warnings , 1.1k+ words, gender neutral reader, technically everyone x reader (including staff/not so much RSA), can be seen as both platonic and romantic, angst, mentions of food/eating less (reader no longer has an appetite), reader is tired, reader is having a really bad day, reminder: I haven't written in awhile.
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Today was a difficult day, many days have challenged you in so many different ways, yet a keen feeling of gloominess had washed over you this particular morning. Your alarm rang blankly into the silent room, you let out a groan of displeasure as you sat up on your bed, staring blankly at the wall feeling a churn in your gut. The curtains were closed, a small ray of light shone through the empty space between your window and the fabric of the curtain; you took a moment to sit and stretch. 
Mentally you cursed yourself, reaching a hand to shut off your phone alarm. Perhaps it was a bad idea staying up late after all, yet how could you resist the urge to finish that new Twisted Wonderland fanfic you found on AO3 recently; The reader resonated deeply with you, and the author's writing was just what you needed. Your eyes stung, you felt like banging your head into your headboard just to stop it from ringing and aching, not to mention you could practically feel the weight of your eyebags.—had you known your body would behave in such a way, you'd have slept at least a bit earlier—Well that's what you're saying now at least, you knew you'd probably repeat the same mistake tonight if another storyline enraptured you just as much as the previous did. 
You began standing up, your whole body woozy from the lack of sleep, you found yourself stumbling over something you left on the floor. You recall how tired you were, too done with the day to be bothered to pick it back up. You walked right past it, 'today was going to end badly' you thought to yourself, since your morning had been a dead giveaway. 
You pocketed some random snack, as breakfast; Running a bit later as per usual. You'd lie to yourself, saying that you'd get up a bit earlier tomorrow but you knew for a fact that unless a miracle happened, you wouldn't. 
The rest of the day was but the same routine, you felt tired all throughout your morning classes, on edge. You would've fallen asleep but you tried to keep your eyes open, as your professor was going over some important project intel that you really didn't want to miss—though you were only half understanding what they were saying—their words felt like gibberish for your only half-functioning brain.
Lunch felt like a chore, despite it usually feeling like a break. You felt like something bad was definitely going to happen, which made you feel anxious; The churn in your gut made it difficult to eat, chew, or drink. Your lunches weren't all that gigantic, as you disliked the feeling of being bloated, yet you barely could find it in yourself to eat. You took a deep breath, you logged into tumblr, perhaps one of your favorite fanfic writers uploaded something new? Anything to distract this heavy mind of yours. 
You checked @kalims page first, they hadn't uploaded in a while—It's been a couple days since they've posted; you figured they'd be busy with school… You pondered on the following page for a while, checking @spadecentral‘s blog, they were far more active then most other blogs you’ve been following and their soft and sweet writings was perhaps just what you needed in this tim—They haven’t uploaded in a while as well? You looked at your screen, maybe everyone was just busy with their finals and/or finishing up midterms at this time. 
You hummed, scrolling frantically through your follows, you sighed softly, maybe today wasn't the day to read fluff, you started checking yandere blogs; ‘nothing like obsessive men to calm you down’ you thought as you clicked on @writingforatwistedworld‘s blog, you scrolled down.. 
‘Weird, nothing new..’, it was as if the whole world had conspired against you today, you took a sigh, perhaps @honey-milk-depresso had uploaded something new on her art blog, after all their wholesome tsundere ship art was just the perfect source of serotonin—And if you were just a bit lucky, perhaps she’s uploaded writing onto her main blog an—Oh.. She hasn’t uploaded either?..  
Your brows furrowed letting out a tired sigh, maybe you should just listen to some music. ‘How bad could this day possibly go?’—you consoled yourself with those words, as you tried finishing up at least a small portion of your meal. 
You forced yourself to clean up and change, crashing onto your bed afterwards. It always felt softer on these sorts of days. Like a welcoming warm embrace, that you didn't want to leave. You took a few moments to vent your stress onto one of your poor pillows, before getting nice and cozy with your warm blankets. 
You laid down on your bed, burying yourself in the blankets, as you grabbed your device from near you, turning the brightness to the lowest possible setting, perhaps you should finish your general tasks on Twst before you take a nap.. 
10 minutes passed and you let out a groan, where did the app go? You never heard of an app disappearing randomly; perhaps you miss-clicked and hid it by accident? A few minutes passed, and you still couldn't find the Twisted Wonderland app, you desperately opened up your computer.. Typing in panic, and yet the official website was gone as well—perhaps it’s just going through some weird update?—Maybe this was only happening to certain servers. You logged into tumblr once again, checking your mutuals profiles and.. some of them were gone? Most of the blogs had nothing from Twisted Wonderland left, the tumblr tags for Twst were completely empty. 
Two hours had only passed and your panic grew, it was odd. You scrolled through your mutual’s blogs for minutes on end hoping to find one post about the game which put a smile on your face on the daily... Yet none... You went on AO3 and even checked other websites which you'd only go to out of sheer desperation for content... Yet nothing...  
You took deep breaths, your breathing pacing as you scrolled till your fingers began to sting from pressure and stress.. Your back arched, as you stared at the screen with an intense expression, desperately tapping away…  finally you entered the app store hoping this was a weird dream or update, like those movies and manga’s and yet.. the app was gone. No mention of it.
You couldn’t even trace a single picture of the game down, not even on Pinterest where everything deleted was still sometimes somehow available. 
'Were you crying? You couldn't quite tell, you felt tired, perhaps this fictional world was just something you created as an escape, yet you didn't think you'd get this attached to some characters on a screen, and now that's it's all gone you feel... kind of.. empty.' 
‘Maybe it was all just a fragment of your imagination…’
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prismatoxic · 2 months
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okay, shipping brainrot from my last post aside, i'm still thinking about the shapeshifter arc. the other sites i use don't have inline posting or do but it's clunky, so i guess i'm theorizing here. some of this may seem obvious; bear with me, i'm not trying to be patronizing, just working through things. this will probably be long.
(edit: i've since learned there's canon explanations for all of this. regrettably i don't like them. enjoy my ideas of what would be better maybe? but keep in mind i wrote this before i knew it had been explained anywhere else.)
laios reveals what he knows of shapeshifters, and that they function on memory:
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no one ever really suggests in chapters 39 or 40 who thought of which fake except in the case of which ones laios must have thought of, but i want to posit who i think each one came from, and what it means narratively if i'm right. so, mostly a thought experiment/character study that i could be wrong about or that was never meant to be clearly defined in the first place. but maybe fun to think about? (i'm sure other people have done this before too, but i think it'll be fun to write up.)
from the outset, i think it's worth mentioning that chilchuck knows all three laios fakes are, in fact, fakes. two chilchucks say this, but the one on the right is the real one. senshi and marcille immediately corroborate this, though we can't tell which of them it is except that it's not any of the really obvious fakes.
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what i think this suggests is that, brought to the surface, the warped perceptions of the rest of the party that chilchuck, senshi, and marcille have can be easily discerned when compared with the real thing. each of these laioses is from one of them, but they immediately figure out none of them are right with the real laios right there in the room. this is important.
as for who's who...
i think it's fair to assume that giant laios is from chilchuck. laios is the tallest member of their party, at six feet; while chilchuck sees marcille and senshi as their correct heights, laios is a giant to him, and his bulky armor doesn't help. that's why, even if this is his perception, it's glaringly obvious that it's wrong as soon as it's made physical. it's the only big one, and easily falls into the camp of "doesn't seem to know much about monsters" that the others also do.
stupid laios is, i think, from marcille. because the giant one is so likely chilchuck's and i don't think senshi sees laios as someone who stupidly wants to eat everything (even if senshi's opinion of him isn't stellar right now, "i have to eat it" wouldn't be paired with being an idiot to senshi), it tracks that marcille would be the one to remember him this way. to someone who doesn't appreciate their monster eating and otherwise thinks he's an idiot just as much as the others do, dumbly muttering about eating things seems like a reasonable portrayal of laios.
feminine laios, then, is from senshi. i think his physical perception of the other party members is the most off-base; this is likely because he's known them for the least amount of time, and his idea of what they look like is based more on their races than anything else. i think the resemblance to falin might not be intentional--someone suggested to me the other day that the dwarf perception of tall-men is probably more feminine in contrast to how Macho dwarfs are. i think that makes sense (if it ever comes up canonically, i haven't seen it yet). laios and falin do just... look like gender-swapped versions of each other, also. so if senshi sees laios as a feminine person, well... that just winds up looking like falin.
so this leaves us with only the real laios. confronted with their perceptions of him, his friends can immediately tell all three are incorrect.
moving on, we eliminate the three most obvious fakes from the rest of the party, starting with marcille:
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if we take into account what i just said about senshi, i think this is his. racial stereotypes about elves being what they are, him not knowing the party as well as the other members do... she stands out, and that's why.
now this is where things start to get interesting.
the next two fakes to be eliminated aren't so blatantly incorrect that they can be struck right out at a glance, but it's not hard to notice the flaws when you look closer, and chilchucks A and B are the ones to point it out. chilchuck is naturally observant; most of his fakes seem to emulate this. (the one who addresses the fakes is A, the real one, but B is proving himself able to pick up on the things A notices. this is important.)
notably, chilchuck and senshi assume these must be laios's versions of them.
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we can assume this is correct, if we want to. we can take the framing of this as being an intentional reflection of the truth.
or... or... we can look a little deeper. we can wonder if, perhaps, this isn't a reflection of laios, but a reflection of his friends and what they think of him. laios may not immediately notice the problems, but i don't think it's because he doesn't remember these details. i don't think laios sees much of anything in vague terms; he's observant in his own right, but in ways he doesn't really recognize, nor does anyone else. i think he was so focused on their faces and mannerisms that he didn't notice the bigger picture, glossing over something because so many other factors are at play.
senshi and chilchuck think laios doesn't take notice of things, but the vast majority of the shapeshifter arc is about them and marcille not trusting laios's judgement as it is, given how things went recently. is it possible there's more to their assumptions here than what the text explicitly says? i think so!
so then who do these two belong to? marcille, i think.
if we assume dumb laios is hers, then we can also assume her perceptions of the others are kind of broad and vague. she doesn't think poorly of them, necessarily (at least not in as obvious a way as she does with laios, who, i'll remind you, she's currently upset with), but she doesn't commit unimportant details to memory, like chilchuck's neck band or the damage to senshi's helmet.
we've got three more "obvious" fakes to get through, and laios offers another lore tidbit on how the shapeshifters work:
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anyway, the first of the next round is marcille again, setting the stage for how these three next fakes are eliminated.
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marcille changes her hairstyle all the time, so this isn't a surprise. the last one pictured here winds up being our next fake, as indicated by her grimoire:
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so the fake marcille in this section is the one with the most visibly different hair texture (who even draws attention to this), and the spellbook that's woefully incompetent. i think she's from chilchuck.
he's observant, as i said before; even if he didn't commit her hair to memory, he did remember the stuff she's said about how important hair is to magic. maybe that's why the texture is so striking. more importantly, chilchuck isn't wary of magic quite the way senshi is, but he also doesn't understand it. the general tone of the low-quality grimoire also just... sounds like the way he'd frame something like that. (plus, the "how to turn back time" bit is a thing he specifically called her on when she suggested it a few chapters ago.)
so the next fake chilchuck and senshi are revealed via their tools:
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i think the chubby-cheeked chilchuck with the simple lockpicks is from senshi, and i think the ordinary-looking senshi with the simple cookware is from chilchuck. the former speaks for itself--senshi sees chilchuck as a child, and knows absolutely nothing about picking locks. as for the fake senshi, chilchuck has a decent mental image of him but knows nothing about cookware.
so now we're down to the final three fakes, and there's only one person left who they could be from: laios. nobody thinks this, not even laios himself, but i want to explore the concept because i think it has extreme merit. the three remaining fakes have some key similarities between them, namely in that they're all close enough interpretations that making a distinction is difficult. they look a tiny bit different, but both the real people and their fakes make plausible cases for why they're the actual person. i want to talk about why i think laios is the one who made that so, and what that means about him.
chapter 39 ends with all his companions--real and fake--doubting his skills. seeing a pattern?
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chapter 40 opens with laios determined to regain his friends' trust in him...
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...while his friends (and their fakes) talk about how he's liable to like the fakes more, because they're monsters.
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this is a needlessly cruel interpretation of laios, but after how things went post-falin-rescue, it's not a surprise. they see him as reckless and single-minded, more interested in the things he's weird about than in the people around him.
laios is really bad at talking about what he's thinking--not because he's hiding it, but because it doesn't occur to him that it's important. meeting the lunatic magician in the paintings is a prime example of this, but he does it a lot. they likely have no idea why he told toshiro about falin and the black magic; to them, laios was being flippant with sensitive information, not worrying about their safety. to laios? he was trying to get help. he trusted toshiro, and his perception of their friendship made him think the information would help them gain an ally who cared about falin as much as they do. he wasn't trying to put falin or marcille in danger--far from it, in fact. but he didn't tell his friends about his thought process. he didn't think it was important to share.
(he's autistic but we all know this. moving on)
so, we have laios's plan: the pairs cook together, while he watches for behavioral differences to discern who's who. it doesn't occur to him, or anyone else, that the people he's watching for mistakes are his own perceptions of his friends. and now we get into the meat of why i wanted to write this post.
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assuming i'm correct... let's talk about laios's view of his friends, and how he challenges those perceptions.
starting with my favorite, chilchuck:
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chilchuck A, of course, is in fact the real one. this is a pretty significant character moment for him too, in my opinion; we know he has difficulty expressing his emotions, and that a lot of his conflicts so far have stemmed from that. the fact that "chilchuck B asked for help with a menial task" is a gotcha moment to him is... telling. not only because it's so obvious to him, but because it's not obvious to any of his companions. he thinks they know this about him, but he's never openly expressed anything to make them think this is an issue he'd have, in addition to having sought help in the past.
his "convictions and pride and all that" seems to them like someone trying to convince them of something, not someone reminding them of facts he assumes they know.
anyway, back to laios. if we accept that chilchuck B is made from his memories, this suggests several things. first of all, chilchuck B is, despite his softer eyes and willingness to ask for help, still a fairly accurate portrayal of chilchuck. he's easily annoyed and he's observant, two traits chilchuck is known for. i think the reason chilchuck B has the kinder eyes and the more gentle disposition is because to laios, those things are indicative of someone being a good person, and he very much thinks chilchuck is a good person.
we know laios isn't especially good at reading people in general. thus, his idea of who his friends are is skewed in broad strokes, but not in the ways they think. he knows who chilchuck is, but he also associates chilchuck with his own ideas of what makes someone "good", which results in a chilchuck who's less rough around the edges. confronted with this--the real chilchuck asking him if he can tell--laios compares the two and thinks, reasonably speaking, the nicer one who trusts him has to be the friend he respects so much.
senshi and marcille also want to accept this chilchuck, likely for similar reasons. they also respect and care for him; they've seen him go through a lot. laios's ideal of him is just that, ideal. in a roundabout way, it's only their deep fondness for who chilchuck really is that makes them want to see him this way.
next up, we have marcille.
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the fake, marcille A, is a radical departure from what makes chilchuck B a fake. laios notes that the real marcille is exactly the same as she always is. the reason, then, that marcille A confuses him--and the others--is that after everything they've been through, their perception of her has changed radically.
if we look back to senshi and chilchuck's marcilles, it's readily apparent when they're eliminated that both interpretations hinge on the knowledge that she performs black magic. senshi's tries to use it to prove herself; chilchuck's has a grimoire loudly proclaiming it's what she does. contrast this to marcille A: she doesn't mention black magic at all, and her grimoire looks strikingly similar to the real one.
that's because laios doesn't think her performing black magic changes anything about who she is. her doing so proved her to be just as dedicated to falin as he himself is, and the knowledge that her goals involve it doesn't faze him. (additionally, marcille has been teaching him magic, and falin had tried in the past. though his image of a grimoire is flawed to someone experienced, to anyone else it looks fine.) thus, marcille A isn't a flagrant black magic wielder; she's someone who's been fundamentally changed by what they--and falin--went through.
let's go back to chapter 27:
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chilchuck and senshi are appalled, and will continue to be. while they ultimately don't prevent marcille from doing this, and care enough about both her and laios (and in chilchuck's case, falin as well) to be in tentative support, this changes their view of her in a negative way. she's dangerous now, in a way she wasn't before, but she's still marcille--goofy and a little reckless. thus, their views of her, and the illusions that result.
laios's opinion of her changes for the better.
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she is, all at once, both competent and loyally dedicated. she will stop at nothing to help falin. whatever goofiness she exhibited before now is gone, replaced by the cold demeanor of someone who is doing something extremely dangerous for reasons that are inherently selfish, but ultimately too important to reject.
thus, we return to marcille A: cold, sharp, dedicated. not reckless or goofy, but methodical and haunted. she may have returned to "normal" since they left the castle town, but laios's opinion of her, and understanding of her love for falin, has been forever changed.
so faced with the real marcille--still silly, still whining, still frequently annoyed with him--he's confused, because that's deeply familiar, but it doesn't line up with what he knows about her now.
the truth, of course, is nuanced--these things are true about marcille, but only under duress; it's similar to how laios becomes a competent leader when the going gets tough. she has this within her, but it's not her default state of being. still, the shapeshifter picks up on the strongest memories laios has of her, this new interpretation of someone he thought he knew.
now then--onto senshi, the punchline of this particular joke about the differences between the copies. i still think it says a lot.
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i think this one speaks for itself, though i find chilchuck's agreement interesting. senshi is the newest member of the team; little is known about him. laios happily notes that senshi "always looks cool" while chilchuck says he looks normal (and chilchuck B insults the real one). laios sees senshi this way because he thinks senshi is cool as hell, and this manifests in an idealized version of a face he's not as familiar with as he is with chilchuck and marcille.
this is clearly comedy, but it also speaks to the same desire to see the best in the rest of the party. marcille is the only one who notices likely because her opinion of senshi isn't so romanticized. chilchuck's senshi, of note, wasn't a perfect replica: we don't see much of him after the obvious fakes are hauled off, but he's a little squashed (he's the top one):
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which indicates that chilchuck's visual memory of senshi is already flawed. if we compare this to giant laios and the marcille with the unique hair texture, it tells us chilchuck's attention to detail is more specific than the others'; he can remember the hole in the helmet, the importance of hair, but he doesn't quite see the bigger picture. giant laios is also surprisingly... rugged? which i imagine has to do with chilchuck's perception of him as a tall-man. (or maybe how he clearly has trouble seeing laios's face half the time, lmao...)
anyway. laios thinks senshi is super cool and chilchuck has an imperfect idea of what senshi look like as it is. (i wonder if chilchuck is some degree of faceblind? not enough to not recognize someone at all, but can't pinpoint specifics.)
and so, we arrive at the moment of truth.
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so let's go over what i'm theorizing here... all the remaining fakes are illusions based on how laios sees his friends. the illusions manage to make mistakes that reveal the truth to him, but i think the reason for that harkens back to what laios said earlier... the illusions are being updated over time.
laios isn't considering any of the things that give the fakes away until this moment. if it had taken a little longer to resolve things, maybe they'd have started course-correcting, but they aren't given the chance. laios makes sure they aren't--he acts very quickly. even as he presents the three pairs with his findings, he's aware that everything will fall apart as soon as he does... and he's banking on that. while the shapeshifter illusions defend themselves from being killed, he gets right to the heart of the matter in the only way he knows how: confronting the actual monster involved.
when all's said and done, laios reveals how he figured it out:
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potentially of note, all of these details happened before the red dragon fight. chilchuck fighting a mimic and revealing his history with them, senshi gushing about the dungeon's ecosystem, and marcille being attacked by the undine weren't super recent memories. when laios brought them forth in his mind, he had a delay before the shapeshifter updated its illusions.
well... except with marcille. marcille A actually didn't show her hand so easily; it was the real marcille's carelessness that proved her identity.
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but what this suggests is that, when confronted with the realities of marcille versus his idealized version of her, laios had to make a choice: did it make more sense for her to have been radically changed by the revival and subsequent loss of falin, or was the presence of a marcille he knew so well proof of an illusion? she was the one who was the most different, and as such, the contrast was the same one that eliminated all three laioses at the start: with the real thing in the room, the fake became apparent.
so, to reach a conclusion: one again, laios has proven he's not as scatterbrained as his companions think, but this time he did so on a more personal level than usual. to them, he reveals that he knows their quirks enough to define them by such when they're otherwise faced with convincing copies. to us, the readers, if we accept what i've suggested here... he's revealed a lot more. he respects, admires, and idolizes his friends, all out of fondness: he wants to see them in an ideal way, whatever that means for each of them as individuals.
anyway thanks for coming to my TED talk
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olderthannetfic · 3 months
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Can we just send back the wattpad refugees?
Swear, it's been a year or so and they are still some of the most annoying, entitled, bratty group I've encountered on AO3.
I still regularly see "fics" that break TOS. Fic searches. "My rates and prices". People putting fics behind paywalls. People constantly re-posting/updating their fics in an attempt to "beat the algorithm". People making an entire fic asking about how AO3 works when the FAQ site is RIGHT FUCKING THERE! And if you point any of the rules out, TOS, ya know, the TERMS OF SERVICE, they get angry and rude.
I've never encountered more annoying commenters either. People who demand certain things happen in my "book". Insults, and more straight up abuse because they are #big-angy that I'm not actually writing for them. Just generally some of the most unpleasant people I've ever dealt with in any fic-related context. Don't get me started on people who for some reason decided that asking in comments how AO3 works. What are you even doing? You are able to look through my fic, but you're not able to find the fucking FAQ?
Just… go back to wattpad until you learn to behave, I can't deal with this Kindergarten shit. And stop calling them books, for the love of fanfiction, we're writing fucking fics here, calling them books sounds incredibly stuck up.
--
FYI, for the non-awful Wattpadders reading here, don't call it a "book" on AO3. It's one of the first tells.
As for the rest of it... I mean, yes, but Wattpad is also the size of AO3, so I'm assuming the ones we can easily spot are the dumber 13-year-olds and wannabe influencer hustle culture assholes and not, like, every Wattpad refugee.
If you're capable of clicking an FAQ link, please do come to AO3. Life is too short to put up with Wattpad's search functions!
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firelxdykatara · 2 months
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I too ship Zutara and think they should have been canon. Although for me it's important to know how such a rewrite would go down. I tried to think, and I'm lost.
After Mai betrayed Azula for him, will he just go "sorry, not interested"? He isn't obligated to date her because of this, but her redemption hinges on Zuko and I don't see it being satisfying if he ends up rejecting her after this.
I thought the solution would be to rewrite her arc in boiling rock to make her have a moral realization, but then the problem with Maiko is practically solved. Their relationship wasn't salvaged by her redemption because last time they talked, Mai still didn't understand what's wrong with the Fire Nation and only changed because she loved Zuko. So how do you make it both satisfying & logical?
With Kataang the problem is the Chakras. The problem with the original (in my opinion) is that after he opened his chakra, letting go of his attachment to Katara, he's still attached (forcing a kiss on eip). Should TCoD get rewritten so that Azula shoots him before he opens it? Then why wouldn't he just open it later? Maybe the chakra would be locked so he feels as though he doesn't need to overcome his attachment just yet. In that situation, how would his chakra even unlock? The stone thing felt like nonsense, so how would I do it?
So yeah I have no idea how to approach this. How would you? (Thanks)
I've been rotating this ask in the back of my head like a rotisserie chicken for a few days--it's interesting because I don't generally stop to think like, how would I write them out of these relationships, I either ignore the relationships completely (which isn't hard, they were barely footnotes in the cartoon) or play a little bit with jealous exes or something. Thinking about like, In A Perfect World where Bryke wasn't in charge of ATLA post-canon (because if zutara had been canon, you can be sure they would've made us regret it) is interesting, and I do have thoughts on how I'd handle their relationships in a rewrite.
(this got long, so the rest is beneath the cut)
Assuming you mostly want to keep canon intact, I think maiko would be the easiest to work around, given how little relevance their relationship has in canon. The problem with maiko as an endgame ship is that it was not set up that way--if it had been, it would not have begun entirely off-screen and their whole relationship would not have been a study in misery and utter inability to connect emotionally. His relationship with Mai was there to showcase just how much he had changed and how little he fit into the life he had been so sure he wanted more than anything since his banishment. It worked very well to highlight Zuko's growth--how that contrasted to Mai's lack of it and why she could not understand him even at his most open and vulnerable--and did not work nearly so well when she was shoved back with him in the epilogue, after he'd quite literally forgotten her existence (he never mentions her again after Boiling Rock, not even to say a word of mourning, considering he'd have every reason to believe she was killed for defying his sister).
I don't think you can fix this by giving Mai some moral realization, because there simply is no room for it. As @araeph says in the essay I linked:
As a character, Mai is very useful to the story during Zuko’s return, because she represents everything that Zuko gains by sticking by his father. A girl who cares about him; the ability to indulge her; the authority he has over others at the palace; we see it all in his interactions with Mai. But this makes Mai a tether to a life he has long outgrown. Her function is not to advance Zuko’s character development, but to obstruct it, which also unfortunately means that Mai gaining a full understanding of Zuko’s trials would be disadvantageous to the story. If she knew everything about him and still wanted him to stay, it would give Zuko more cause than he should have to remain in the Fire Nation, but if she knew and encouraged him to leave and join the Avatar, it would rob Zuko of the triumph of making this decision on his own. In other words, there are good narrative reasons for keeping Mai in the dark; it just doesn’t make their relationship any stronger.
The seeds of a genuine redemption arc (one that includes some sort of moral realization and change to her moral framework) for Mai would have to have been planted far earlier than five episodes from the end of the series, but doing so would have of necessity detracted from Zuko's own character arc and the realizations that he makes despite his attachment to Mai (or more specifically to their relationship, which I feel like he was clinging to more out of a sense of abject loneliness he couldn't shake rather than genuine feelings and emotional connection).
So, in my mind, since we're tackling this with an eye towards getting rid of maiko with the fewest ripples to the overall story anyway, the easiest way to do this would be make one slight change to the end of the Boiling Rock two-parter--have Ty Lee (who had always been the least gung-ho of the trio about bowing to Azula's whims and had to be textually threatened into joining her in the first place) save Zuko's life, and then have Mai (who showed the most genuine affection for Ty Lee anyway) save Ty Lee. I love Zuko more than I fear you always fell flat for me as some epic declaration of love, anyway, since a) Zuko is not around to hear it, and b) unlike Ty Lee, she never showed much fear of Azula to begin with, so it wasn't a very high bar to clear. It was a cool line that was entirely unearned, and I don't think it would be missed, there would be some cute mailee crumbs this way, and a throwaway line of getting them released from the prison after the war ended could wrap up their presence in the story pretty nicely.
Now, kataang is a little trickier, if only because the last leg of Aang's character arc is almost completely derailed by his refusal to let go of his possessive attachment to Katara, to the point where he never naturally reopens his chakras, he has to have the Rock of Destiny hit him in just the right place, and the deus ex lionturtle there to give him a way out of having to make a hard moral choice. (I've maintained for years that if you work the final act of your main character's overall arc in such a way that it could have been solved by one good session with a chiropractor, something got fucked along the way.)
The thing about Aang's chakras is that, narratively, his whole thing with Guru Pathik and leaving his training early to save his friends was basically his version of Luke running away from his training with Yoda on Degobah because of his Force vision, only to find out that his friends were in the process of rescuing themselves and then losing his hand because he hadn't completed the most crucial part of his training. What's missing, therefore, from the last act of Aang's character arc, is the return.
See, in Star Wars, Luke pretty explicitly makes the wrong choice when he chooses to prioritize saving his friends over attaining enlightenment and fully mastering the Force. It was the only choice he could have made, but it was still the wrong one--because, like Aang, his friends did not actually need him to save them, he actually almost makes it harder for them to get away by requiring them to save him because, like Aang, he loses a battle in a very critical way. This was a lesson he desperately needed to learn, and it is clear he has learned it by the time he makes it back to Degobah and witnesses the end of Yoda's life, his own enlightenment having already been reached.
But Aang never goes back to the Guru.
And the text refuses to allow us to sit with the fact that he made the wrong choice in prioritizing his attachment to Katara over his ability to master the Avatar State. He is actually narratively vindicated about it, because the plot bends itself into a pretzel so that he doesn't have to spend any time during the last book trying to reopen his chakras and regain access to the Avatar State, handed both in the final battle with no excess effort on his part, and handed the girl into the bargain. (The girl who never even wanted him, so far as we can tell from all the lack of cues she gave him that she actually returned his feelings.)
And I think this could have been solved with a few scattered scenes. Let Katara actually have some agency in her own romantic relationship (or lack thereof), insofar as noticing Aang's advances and clueing the audience in to how she actually feels. Let Aang struggle with the fact that he can't reach the Avatar State, that his mastery of the elements is in limbo because he can't access his full power, rather than ignoring all of this until the end of the show. If we're trying to keep the shape of the last season roughly the same, let Katara confront Aang about the invasion kiss.
This would have been the perfect time to establish that Katara actually does feel some type of way about Aang prior to the epilogue, and it could have saved us from the exceedingly cringey EIP kiss that Aang never apologized for. How it comes across now, of course, is that Katara basically pretends it never even happened, to the point where she doesn't even know what Aang is talking about during EIP until he reminds her--the death knell for any shot their relationship had at looking requited, because I can tell you, as someone who's been a teenage girl, if someone I had conflicted but burgeoning romantic feelings for had kissed me, I would not have completely forgotten about it only a few weeks later--and we never get any indication as to what she actually felt about the kiss (which was not mutual, despite what Aang's dialogue in the EIP scene implies) except for the fact that she looked away and frowned afterwards. (A change mandated by Bryke, who wanted to leave her feelings completely ambiguous; the original storyboards had her smiling to herself.)
So, with an eye towards wrapping up Aang's puppy love crush and establishing Katara's distinct lack of romantic feelings for him, have her talk to him about the kiss. A good frame of reference for this would be Meng's conversation with Aang in "The Fortuneteller", where she finally realizes that he doesn't like her in the same way she likes him. Katara and Aang's conversation about the invasion kiss could be a callback to this, with Aang having some important realizations--that just because Katara doesn't share his feelings doesn't mean she loves him any less, and just because he can't have her the way he wanted doesn't mean he has to love her any less, that she doesn't belong to him but that's ok, because she's still his family and they'll always have each other's backs. Which could have functioned well in helping him take another step towards unblocking his chakras. Going back to the Guru directly may not have worked, since by this point in the story we're hurtling towards the final confrontation and Sozin's Comet, but let Aang reflect on what the Guru told him with new understanding granted him by his experiences throughout the first half of the season.
To keep the stakes high and up the suspense, obviously, he shouldn't have fully unlocked his chakras and the AS before the final fight, but the seeds could be planted--little moments like a talk with Katara about the invasion kiss, maybe a little more empathy and understanding from him about why Katara needs closure in TSR, etc--and then, during the final fight, rather than hand him all the answers on a silver platter, have him almost lose. He still can't go full Avatar, he's out of time, he still doesn't know exactly what to do about Ozai given his own pacifism and desire to preserve that part of his culture--he tries to fight but he's pretty quickly overpowered. Idk how I would've animated this, and maybe it wouldn't have looked as cool for the final fight, but the true climax of the finale was the Zuko and Azula agni kai anyway, so it hardly matters--I'm picturing him doing the rock-shield thing and going into a brief meditative state, where he finally achieves the enlightenment necessary to unlock the AS on his own, no rock of chiropracty necessary. And at this point, I'd give Ozai a Disney Death, since leaving him alive causes more problems than it solves and it's not necessary for Aang to kill him for him to die--they're fighting on a mountain ffs--but if you don't want to change that part then him figuring out energy bending as part of becoming a fully realized Avatar would at least feel more earned than the lionturtle just handing it to him. (And that could've been foreshadowed better by seeding the idea for it earlier in the season.)
After all of that, particularly if you up the emotions during the agni kai and have Zuko and Katara kiss there (or something less explicitly romantic but still tender, like a brief forehead touch), it'd feel pretty natural to have a just friends ending for Aang and Katara. Maybe a brief, slightly awkward but ultimately amiable conversation if Zuko and Katara had a ~thing at their final fight, and then the final shot of the series could be the gaang all together, maybe zutara holding hands or Katara resting her head on his shoulder or something, but since they already kissed there wouldn't feel like a need to end the whole show on romance, something which I've always felt missed the point of the series.
And then, y'know, after that, the world's your oyster! This is how I'd do it if I were trying to keep the bulk of the final season intact. Of course, breaking it all down to its component pieces and rebuilding from the ground up is also an option, but that'd probably be a longer post lol.
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shina913 · 6 months
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I wish you would write a fic where....reader is going to get a pedicure but her normal nail tech is out, and the owner's cute son (you pick the member) who's back in town volunteers to do reader's appointment. (hehehe)
Jess!!! I did it 🤣 I didn’t think I could but I actually had a lot of fun with this! Thank you for this ask. I hope I did it justice 💜
******
Self-Care Sunday | JJK
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Pairing: NailTech!Jungkook x Fem!Reader
Rating: 18+
Genre: Meet cute; fluff
Warnings: Some naughty thoughts but nothing explicit; slight references to gender stereotypes and occupations
Word count: 3k+words
Summary: You arrive at your mani-pedi appointment to find out that your usual technician is unexpectedly out. Instead, the salon owner’s son offers to do your nails instead.
A/N: Just for fun! Also, I was too impatient and wanted to actually post on a Sunday, which is why I didn’t have time to find a proper banner image for this. I’ll fix that tomorrow 😅 Thank you @midnightagust for your eyes 🥰 hope you all enjoy this!
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Every weekend, you make a point to treat yourself to some form of pampering. Whether you went out to get your hair done or simply curled up on your couch to enjoy a book, ‘Self-Care Sunday’ was a big deal for you. It was a way to reset and prepare for the week ahead.
This weekend, you’re going for a mani-pedi. You walk into the nail salon about five minutes before your appointment time.
The small reception booth in front is empty, but the rest of the ladies who are busy with customers pause to greet you since you’re a regular. You begin to scan the room for your usual manicurist, hoping to check in and get set up.
Oddly, she’s nowhere in sight so you ask one of the ladies closest to you, who was giving a pedicure to another client.
“Annie just left. She said she was feeling sick,” she says to you.
“Oh no.” You look around again to see that everyone else is tending to their own clients. There’s no way any of these ladies would be able to take you on this morning. You’re disappointed but it’s not the end of the world. “I guess I could just reschedule my appointment–”
“No, hun, you don’t have to! It’s why she didn’t call to cancel. Our manager will take care of you.”
The salon’s manager, Lily, wasn’t afraid to jump in to help out whenever it was busy. It was a small comfort to know that the day wasn’t going to be a complete waste and you knew that you were in good hands.
The nail technician points to the vacant spa chair next to her and you help yourself. She pauses her work to fill the basin with warm water so you can soak your feet in while waiting for the manager.
“He’ll be right out, okay?” She says with a smile before turning back to her client.
Your eyebrows scrunch in curiosity. You could have sworn she said 'he,' but maybe you were hearing things. You dismiss the thought and activate the massage function on your chair, then start scrolling through your phone while waiting.
A few minutes later, you notice movement in your peripheral vision. As the figure settles on the low stool in front of you, you raise your head to greet them. Your voice gets caught in your throat when you realize that it isn't Lily.
"Hi!"
You’re stunned at the sight of a man sitting in front of you. He looks young and devastatingly hot. You would never expect to see someone who looked like him at a nail salon, let alone working at one. His big, round, beautiful eyes make you want to melt into the water your feet were soaking in.
“Uhm…h-hi,” you choke out once your brain lurches back to life. “I thought the manager was going to do my mani-pedi.”
He grins proudly, spreading a towel on the footrest of the spa chair. "Yep! You're looking at him!"
You feel confused. Did Lily quit or hire someone new? It’s been three weeks since your last appointment. In the background, you hear the other nail technicians giggling amongst themselves.
Seeing the worried look on your face, he explains, "My mom is taking a break, so I'm filling in for her."
You vaguely remember Lily mentioning her children in passing. Since she looks relatively young for her age, she’s always said that people are shocked to hear when she tells them that she has a grown son.
Well, consider yourself shaken to the core.
"I'm Jungkook, by the way," he extends his hand towards you. You're both baffled and overwhelmed by how handsome he looks. The massage chair's tapping setting propels you forward, snapping you out of your daze.
You reach forward to shake his hand and introduce yourself. Although he has a firm grip, his hands are surprisingly soft, sending a chill down your spine.
“When Annie said that she wasn’t feeling well, I offered to take the rest of her appointments for the day,” he divulges.
You look at him skeptically. You’ve never received a manicure and pedicure from a male technician before—especially not from one who was this cute.
He chuckles. "I know, I know. You're probably thinking, 'Does this guy even know what the hell he's doing?' Well, let me assure you that my mom personally trained me. If she's ever worked on you, you can expect the same level of quality from me. But I understand if you feel uneasy. The last thing I want is for a client to feel that way.”
You’re still apprehensive but he sounds confident. You get a grip and nod, giving him consent to continue with the appointment.
“Thanks,” he says softly and with a look of relief. “You booked a deluxe pedicure and manicure, right?”
The deluxe mani-pedi comes with a longer-than-usual massage on your hands and feet. Thinking about this man's hands kneading your tired muscles makes you sweat.
“Y-yes, I did,” you nervously confirm.
He nods in acknowledgment, and you gulp as he begins to dip the pumice sponge into the basin to scrub your heels. He’s careful and gentle with each pass, totally unlike what you’ve been used to. It’s a stark contrast to these ladies, who have manhandled you in surprising ways—especially the petite, older techs. They’re still sweet, though, and they do a great job, but you admit that this is a nice change of pace.
The rest of your pedicure prep goes smoothly until it was time for the massage.
He drains the water from the basin then he props your feet on the footrest. The stool is too low for his frame but he doesn’t complain. He’d rather make the adjustment so you wouldn’t have to bend awkwardly from your seat.
After drying your feet with a towel, he squeezes some lotion into his hands and starts massaging it into your calf muscles. Typically, some ladies prefer to keep their gloves on for sanitary purposes, but Jungkook has taken off his gloves just before the massage. You figured he was the manager on duty, so he could do whatever he wanted. And not that you had any objections, as the skin-on-skin contact feels nice. Better, actually.
You don't know why, but your gaze is drawn to his thighs, which are spread widely in front of you. It's incredibly distracting and you struggle to look away. You wonder if the awkward positioning of his knees against the spa chair is causing him to sit like that, or if there is something else between his legs that he's trying to adjust for.
“Is the pressure okay?” His question pulls you back into reality.
"What? Oh, yeah. It's good. It's fine," you manage to cobble together. His touch is firm, yet gentle enough to be relaxing. Silently, you think, if he was this good with your legs, how would his hands feel on the rest of your body?
"Are you sure? I could apply more, if you prefer. I always try to start off slow, but I can go deeper, depending on how you like it."
You grip the chair's armrests in response as your mouth goes dry. "N-no, you don’t need to go deeper. What you're doing is...great.” Your voice comes out breathy, but in an effort to distract yourself, you dig your phone out of your purse and start randomly scrolling through your social media feed. Now was not the time to be getting horny over your nail technician.
He suppresses a smile at your response. "Okay then.”
******
You manage to survive the rest of the pedicure without any additional incidents, much to your relief. He slips your sandals back onto your feet with ease, without smudging your freshly painted toes, and helps you over to the manicure table.
Once you settle in your seat, you rest your hands on the cushion and dip them into a cuticle-softening solution while he sets up the rest of his tools. While waiting for your fingers to soak up the solution, he checks in with you.
“Can I get you anything while you wait?”
“I’m good right now, thanks.”
"Okay.” Then, he leans in, lowers his voice, and asks, “How do you think I’m doing so far?"
You smile warmly at him. "I have to say, I'm pleasantly surprised." Your toes didn't look streaky, nor did he get polish on your skin. You were impressed!
Your response makes him smile from ear to ear, his nose crinkling in amusement.
"Thanks. I know most women think it's weird to get a mani-pedi from a dude."
You sigh and decide to fess up. He seemed self-aware and appreciated honesty. "Well, I have to be honest—I was definitely apprehensive at first," you admit then follow it with a shrug. "But then I thought, hey, it's a job. If you can do it and have the skills for it? Why not? It shouldn't be restricted by gender."
His brow arches at your remark. "My thoughts exactly!" He agrees emphatically.
You feel another spark of electricity surge through you as he lifts your hand. You watch as he examines your fingers under the light.
“Mm…nice, long, nail beds.” His compliment followed but his thumb brushing over your fingers makes your belly flutter.
“But I bet you probably get that a lot,” he adds with a laugh.
“Not as often as you think,” you say. If you didn’t know any better, you’d think he was coming onto you.
“Just a regular manicure, right? Not gel?”
“Yeah. I thought, if I got the gel, I can’t get the usual hand massage—”
“I can still give you the massage,” he interjects.
“Oh. But what about the oils? I thought it’s not good for the gel base?” You hesitate.
He shrugs as if it's a non-factor. "I can do the massage after I cure your nails under the light. That way, the polish adheres nicely and it’ll be all set. But if you still prefer a regular manicure, that's fine—we’ll do that. I just want you to know that you have the option," he assures you.
You purse your lips to think for a few seconds. “Well, if you’re sure the massage won’t mess with the gel—”
“It won’t, I promise!” He says confidently. “My mom’s old school and she’d never do it that way but I think that you can still make it work.” After he says it out loud, one of the female technicians next to him scoffs. Seems like she prefers the standard method, too.
Jungkook rolls his eyes subtly at her reaction and turns his attention back to you. “If you don’t like it, I’ll give you your money back.”
That sounded fair to you.
“Alright. I trust you.”
After you decide on gel polish colors, he begins to trim your cuticles and file your nails. But just when you thought you could easily survive the pedicure, him being this close, and at eye-level, was going to be an uphill battle. He looks so focused and precise in his movements; it’s relaxing to watch. Even the little pout he does while maneuvering your finger to apply the polish with the utmost precision to cover every surface of your nail is cute.
You make small talk while he works. Not the usual gossip that you’re used to with the female technicians. You feel comfortable around him but not enough to spill all of your secrets.
“So, are you doing this full-time?”
“No,” he answers before he guides your hand into the curing lamp. “I have a day job but I mostly work from home. My mom said that needed help and I didn’t hesitate to step up. She works very hard.”
Oh no…he’s not only cute but he also loves his mom. You can’t help but feel endeared. You also note that he doesn’t have a ring on his finger. Lily hasn’t mentioned any daughters-in-law, that you recall.
You decide to sound casual to break the tension a bit. “This job must be a great way to pick up women, too, huh?”
He pauses before meeting your gaze. The corner of his mouth curves into a cocky smirk. “Wouldn’t you like to know?”
Your cheeks heat up. You immediately realize that your comment may have crossed a line, thinking you were at that level of comfort with him just because he touched your bare feet. You kick yourself internally for being presumptuous.
“S-sorry,” you shyly tear your eyes away from him. “I was just trying to make conversation.”
He brushes off the exchange. “It’s cool. Honestly, there aren’t many women falling over themselves to go out with a male nail technician,” he says in jest. “Some people have specific perceptions. They’re usually wrong but I don’t bother to correct them.”
“Oh,” you suddenly feel bad as you’d made assumptions about him too. “I mean, I think you have a lot of patience to be working on nails. Not to mention that you’re a handsome guy who gives great foot massages. I don’t see why any woman wouldn’t want to get more of that.” You catch yourself too late when you realize what you’ve just said.
He snorts your comment but doesn’t pile on it. “You’d think, right?”
You clear your throat and attempt to recover. “Well, you’re also easy to talk to. You keep the conversation flowing.” Your voice is still tight, embarrassed from your ‘cute guy who gives great foot massages’ comment.
“I appreciate that,” he smiles. He examines your nails, one last time, running the pads of his fingers over the polish to make sure that it has set properly. When he’s satisfied, he says, “Looks good. I’ll be right back, okay? Then we can get to your hand massage.” He excuses himself and gathers his tools to soak them in a cleaning solution.
When he walks away and disappears into the back room, you release a breath you seemed to be holding in for far too long. You’d never been this wound up during a mani-pedi.
A few minutes later, he returns and sets a warm towel down. He then moves the magnifying lamp out of the way, giving you a complete and unobstructed view of him. Unfortunately, this doesn't bode well for you.
“So, do you have any plans after this?” He asks casually while massaging circles into your forearms.
You’re all flustered again. “Not much. Maybe I’ll grab some mid-day coffee or something then head home.”
“Nice. Where do you grab coffee?” The feel of him dragging the pads of his fingers on your slicked skin, couple with his piercing gaze are causing your breathing to go ragged again. Suddenly, your brain blanks out on where your favorite coffee spot is.
“Just, uhm—” you struggle to pull the name out of your memory at first but manage to blurt it out when he squeezes your fingers. “It’s not far from here.”
“Oh. I don’t live in this neighborhood so I’m not familiar.” His thumb and forefinger knead your muscles in a way that should normally not feel arousing to you, but it does. And you can’t help when your thoughts slide back into wondering what else those magic fingers can do.
“I figured, if I was going to be helping out here more, maybe I should get to know the area– especially places to eat. You think you can you give me directions to the cafe?”
You shift in your seat. “Well, it’s sort of a hole-in-the-wall place. The GPS is kind of spotty on it. You have to be a local to really know where it’s at.”
“Well, my break’s coming up after this. Maybe we can drive together?”
It takes a couple of seconds for you to realize it. He's not stupid, and you were right – he's definitely self-aware. He knows that you're affected by him. Smiling to yourself, you’re happy to let him know that the feeling is mutual.
Your eyebrows twitch at how forward he’s being. “A break? But it’s only 11:30?” You laugh.
“What can I say? I think I worked you really hard–”
His response makes your eyes bulge and causes your jaw to drop.
“Oh, sorry–I meant to say, you worked me really hard.”
You throw your head back in laughter, and it makes him laugh out loud, too. He was a cocky little shit but you’re not mad at it.
When your laughs die down, he says, “I think we can both agree that we did our best to fight this–” he gestures at the space between you two.
“Oh, is that right?” You ask playfully.
"Yeah. I think we deserve a little treat. Maybe grab some lunch, wherever you want." You’re mildly aware that the massage is over but his fingers are still lingering on your hands while he patiently waits for your answer.
This is one of the most unusual ways you've been asked out, but there's a first time for everything. After thinking it over, you decide to give it a chance. "Okay. But if I agree to go to lunch with you, do I still need to tip you for the mani-pedi?”
He purses his lips in thought for a few seconds before countering. "Tell you what—if you let me take you to dinner tomorrow night, the service is on the house. We can call it even then.”
His playful proposition catches you off guard but it also intrigues you. Again, you find yourself unable to resist his charm.
“Alright.”
Your response makes him smile full-on and it’s infectious, so you can’t help but smile back. He starts to clean up his station, then turns to the older nail technician next to him who saw the whole situation unfold.
“Auntie, please don’t tell my mom,” he whispers mischievously, causing her to laugh after she agrees not to rat him out.
You giggle at his request and tell him, “I guess I’ll meet you out front whenever you’re ready?”
“Sounds good. We’ll take my car so we don’t ruin my masterpiece there,” he points at your hands.
You laugh at his retort and shake your head. Never in a million years did you ever think that you’d find a date a the nail salon. It’s one of the better things to come out of your Self-Care Sundays.
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