thoughts on the people harassing glenn and rob on twitter from the macden fandom? they gave us so much s16 and ppl throwing it in their faces by tagging them and asking if they hooked up irl
Context:
Don’t care how famous they are, how old they are or how married they are, it’s literally never okay to directly tag and try and out someone. You said it, that’s harassment.
And what’s the end goal here? Like at best they don’t see it and you just look like an asshole, at worst they do see it and feel extremely fucking weird about it. At like, extreme worst, if either of them are queer, you drum up enough weirdos to back you (the Heartstopper kid situation) and you force one of them to out themselves.
This pisses me off the most because, like, it’s all fun and games to call MCD their ‘failsonas’ or whatever, but Glenn especially hates people comparing him to Dennis. How is this any more ‘ok’ than commenting on instagram that he’s D.E.N.N.I.S. System-ed Jill? (Hint, it’s really not). In both cases, it’s people trying to apply the character to the actor to entertain themselves and justify their fantasies of Glenn’s real life. Dennis is not. Glenn.
Again, what’s the end goal here? Like what’s the ideal situation you get out of this if one of them sees this and, god forbid, responds? This is such an icky sticky thing to even want to touch on publicly.
So they give us gay content and in return they get Reddit complaining about it and Twitter demanding they ‘admit’ that they’re actually gay themselves. Huh. Wonder why we haven’t gotten anything explicitly gay on screen from Mac yet? Huh. What a mystery?
Pre-dating, Tim or Bernard not knowing the other isn’t straight
Tim, leaning over to look at Bernard’s phone as they chill in Tim’s bedroom: whatcha doing?
Bernard: imma send Red Robin subtle messages until I trick him into admitting he’s into guys so I can sleep with him
Tim, bi panic, blushing: you’re what?
Bernard, typing out a message on his phone: here how does this sound Tim, ‘gay af to be a detective, what are you inspecting, other men??’, sound subtle enough?
Tim, too dumbfounded to speak:
Bernard: yeah you’re right, it’s perfect, imma send it
*Tims phone goes off, and then both watch it light up, Bernard seeing the message he just sent*
Tim, picking up his phone, typing, and sending a message without saying anything, face nearly bright red as he glances over at Bernard, who is staring at him wide eyed not saying anything
Bernard, looking down at the text Tim sent him back as Red Robin that says, ‘I like you, let’s fuck’:
I think 90% of my gripes with how modern anime looks comes down to flat color design/palettes.
Non-cohesive, washed-out color palettes can destroy lineart quality. I see this all the time when comparing an anime's lineart/layout to its colored/post-processed final product and it's heartbreaking. Compare this pre-color vs. final frame from Dungeon Meshi's OP.
So much sharpness and detail and weight gets washed out and flattened by 'meh' color design. I LOVE the flow and thickness and shadows in the fabrics on the left. The white against pastel really brings it out. Check out all the detail in their hair, the highlights in Rin's, the different hues to denote hair color, the blue tint in the clothes' shadows, and how all of that just gets... lost. It works, but it's not particularly good and does a disservice to the line-artist.
I'm using Dungeon Meshi as an example not because it's bad, I'm just especially disappointed because this is Studio Trigger we're talking about. The character animation is fantastic, but the color design is usually much more exciting. We're not seeing Trigger at their full potential, so I'm focusing on them.
Here's a very quick and messy color correct. Not meant to be taken seriously, just to provide comparison to see why colors can feel "washed out." Top is edit, bottom is original.
You can really see how desaturated and "white fluorescent lighting" the original color palettes are.
[Remember: the easiest way to make your colors more lively is to choose a warm or cool tint. From there, you can play around with bringing out complementary colors for a cohesive palette (I warmed Marcille's skintone and hair but made sure to bring out her deep blue clothes). Avoid using too many blend mode layers; hand-picking colors will really help you build your innate color sense and find a color style. Try using saturated colors in unexpected places! If you're coloring a night scene, try using deep blues or greens or magentas. You see these deep colors used all the time in older anime because they couldn't rely on a lightness scale to make colors darker, they had to use darker paints with specific hues. Don't overthink it, simpler is better!]
sometimes we just need someone to pay enough attention.
for the longest time i had been trying to read The Lord of The Rings. everyone had sung the praises for it, over and over. i'd seen clips of the movie and it seemed like it could be fun, but actually reading it was fucking horrible.
my parents had the omnibus - all the books squished into one big tome - and in the 4th grade i started sort of an annual tradition: i would start trying to read TLR and get frustrated after about a month and put it back down. at first i figured i was just too young for it, and that it would eventually make sense.
but every time i came back to it, i would find myself having the exact same experience: it was confusing, weird, and dry as a fucking bone. i couldn't figure it out. how had everyone else on earth read this book and enjoyed it? how had they made movies out of this thing? it was, like, barely coherent. i would see it on "classics" list and on every fantasy/sci-fi list and everyone said i should read it; but i figured that it was like my opinion of great expectations - just because it's a classic doesn't mean i'm going to like experiencing it.
at 20, i began the process of forcing myself through it. if i had to treat the experience like a self-inflicted textbook, i would - but i was going to read it.
my mom came across me taking notes at our kitchen table. i was on the last few pages of the first book in the omnibus, and i was dreading moving on to the next. she smiled down at me. only you would take notes on creative writing. then she sat down and her brow wrinkled. wait. why are you taking notes on this?
i said the thing i always said - it's boring, and i forget what's happening in it because it's so weird, and dense. and strange.
she nodded a little, and started to stand up. and then sat back down and said - wait, will you show me the book?
i was happy to hand it over, annoyed with the fact i'd barely made a dent in the monster of a thing. she pulled it to herself, pushing her glasses up so she could read the tiny writing. for a moment, she was silent, and then she let out a cackle. she wouldn't stop laughing. oh my god. i cannot wait to tell your father.
i was immediately defensive. okay, maybe i'm stupid but i've been trying to read this since the 4th grade and -
she shook her head. raquel, this is the Silmarillion. you've been reading the Silmarillion, not the lord of the rings.
anyway, it turns out that the hobbit and lord of the rings series are all super good and i understand why they're recommended reading. but good lord (of the rings), i wish somebody had just asked - wait. this kind of thing is right up your alley. you love fantasy. it sounds like something might be wrong. why do you think it's so boring?
CW: This au contains general dark themes, brainwashing, non-consensual body modification, violence, machine gore, etc. please read at your own risk!
This is my rw au(Project Triple Affirmation), it takes place in a setting where the Ancients are still alive. One day, Looks to the Moon announces that she has found the Triple Affirmative—the answer to the Great Problem: to eliminate death by uploading all consciousnesses to a virtual reality, for without death, there is no rebirth, thereby breaking the cycle. She sees herself as the savior of everything, granting an ethereal eternity.
To put it into simpler words: Moon with her local group killing everything and uploading their victim’s consciousness to FP’s processor(a virtual reality).
While Moon claims that her plan “Solves” the Great Problem, her real agenda is far more radical: she wants to play god. To create a new world in her vision.
There’s still a lot more lore in this au, I’ll slowly get to them in my later posts.
I think a lot about Leo’s tendency to push his way into the spotlight despite clearly being a natural in the shadows. Hell, you could argue that his worst moments are when he’s forcing himself onstage, and his best are when he does things no one notices until it’s already been done.