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arinadepan · 15 hours
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arinadepan · 17 hours
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"It's the inside and the outside. So, what I love about it is, it's familiar in its colors, and in its shape, but it's new in its humility. So, gone are the… armor and the metal and the breastplates. It's kind of a hybrid. It's more vulnerable." — Tom Hiddleston, Assembled | the making of loki (season two)
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arinadepan · 19 hours
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I wonder how long this will last..🤔🤔
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arinadepan · 20 hours
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Water is Thicker Than Blood Chapter 53
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Sally getting the luffy treatment
{Start} {Prev Next} {MasterPost}
this was a fun chapter to draw but cars remain my least favorite thing to illustrate.
Sorry if this chap feels a bit fast i just really wanna get to the next part and i really need to wrap thsis act up at some point this century
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arinadepan · 1 day
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i remembered I made this someday
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arinadepan · 2 days
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Foggy’s gotten pretty decent at naming which red-themed vigilante is coming through his window in the middle of the night without even opening his eyes: Matt tries to be quiet so he doesn’t wake him up, Deadpool is talking before he even gets the window open and Peter knocks like a goddamn decent human being.
“Come in!” he yells, deciding that he won’t get out of bed until he knows if there’s an emergency or Peter just wants to raid his first aid kit and fridge.
“Sorry, Mr. Nelson,” Peter says, climbing inside and dropping lightly to the floor. “I know it’s late but I had a question.”
“Shoot, Spiderboy,” Foggy says, sitting up to see Peter lingering awkwardly close by in full Spiderman gear and oversized hoodie, backpack slung over one shoulder.
“It’s just that Mr. Murdock said that you might be willing to look over one of my essays,” Peter says, “but I kind of got distracted doing, y’know--” Peter makes a vague punching motion with a soft pow sound. “--and it’s kind of due tomorrow morning.”
“Oh my god,” Foggy says, sighing and pushing aside his sheets to get out of bed. “This is actually the least stressful thing one of you weirdos has ever asked me to do. What’s your essay about?”
“Macbeth.”
“Y’know, Matt was an English major,” Foggy says, huffing out a laugh and finding a sweatshirt to pull on before he turns on the lights. “You should probably be offended that he passed you off on me.”
“What was your major?” Peter asks.
“Business,” Foggy says. “Did I ever tell you about how my mom wanted me to be a butcher?”
“You have,” Peter says, dutifully, sitting his backpack on the floor and digging through it, “but you can tell me again, if you want.”
“You’re a good kid,” Foggy says, taking the essay when Peter finds it and hands it to him. “There’s leftovers in the fridge. Go eat while I check this bad boy out.”
"You're my hero," Peter says, fervently.
Foggy's never been called that before.
He doesn't hate it.
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arinadepan · 2 days
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I’m working on so many sketches right now. Really. But for now, have some love before I manage to finish something that ain’t fluffy birb.
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arinadepan · 2 days
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The Great British Bake Off saga continues! (New comic in the works!)
He wants that handshake OR ELSE, Paul!
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arinadepan · 2 days
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same vibe
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arinadepan · 2 days
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Source (Season 2 - December 19th 2023)
sambaschutte: Calypso Dump 3: more pics of torturers, torturees and our lovely crew🪅🎊🏴‍☠️✨
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arinadepan · 2 days
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What’s your favourite line from good omens?
The invisible and unbreakable one that joins Crowley and Aziraphale.
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arinadepan · 2 days
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I will make no excuses. This is the biggest example of self indulgent art ive done since my birthday last year. I have no fucking clue what au this is. I jsut wanted to draw Sabo as a sheep, Ace as slutty and greasy as i could with him still being hot in my eyes, and luffy with adorable little bear ears. Also that shading on luffy’s pic was really fun to make.
I had a physical reaction to drawing the little animals. Theyre. Everything. To me.
Why luffy is bear- bears are so food motivated i love them.
Why sabo is sheep- rebelling against fate’s design, breaking from herd mentality, etc etc
Why ace is coyote- it’s really funny how people keep thinking theyre cats or dogs and take them in but theyre just feral creatures. Very similar to Ace me thinks.
I wanted to make luffy and ace typical predators of sheep. Something something them born to destroy the system of all that has ever been (harking back to that herd mentality) something something also breaking that promise too to be brothers with someone from that system
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arinadepan · 3 days
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Look how dirty the Hell button is :)
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arinadepan · 3 days
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girl got neck
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arinadepan · 3 days
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TEENAGE MUTANT NINJA TURTLES: MUTANT MAYHEM requested by navy
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arinadepan · 4 days
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Brooch
Marcus & Co. (New York City, New York)
c.1900
This exquisite brooch is one of the few extant examples of plique-à-jour jewelry made by the New York firm of Marcus & Co., whose reputation at its prime rivaled that of Tiffany & Co. Herman Marcus (1828–99), a German–born and Dresden–trained jeweler, arrived in New York in 1850 and worked for a number of prestigious firms before establishing Marcus & Co. in 1892. Following his death, the company continued under the direction of his two sons, George Elder Marcus and William Marcus.
The brooch is a superb example of Marcus & Co.’s work in plique-à-jour enameling, in which the "cells" of color have no backing, allowing light to shine through the transparent enamel, thereby creating the effect of stained glass. One of the only jewelry firms of its day to succeed at this challenging technique, Marcus & Co. followed the lead of such innovative French designers as René Lalique. The sensitive 3-dimensional sculpting of the sweet pea blossoms and leaves, as well as the naturalistic coloring of the enamels, reflects the Art Nouveau aesthetic that prevailed at the turn of the century. Indeed, close parallels can be drawn with the brilliant naturalistic work of Louis Comfort Tiffany, whose oeuvre is so well represented in the Met’s collection.
The MET (Accession Number: Accession Number: 2016.107)
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arinadepan · 4 days
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