เผ*ยทห ๐๐ฌ๐ฆ๐จ๐๐๐ฎ๐ฌ + ๐๐จ๐ฅ๐จ๐ฆ๐จ๐ง-๐๐๐ง๐ญ๐ซ๐ข๐ โข ๐๐ข๐ ๐ก๐ญ๐๐ซ๐ข๐ง๐ ๐๐ซ ๐๐ฉ๐จ๐ข๐ฅ๐๐ซ๐ฌ โข ๐๐๐ฌ๐ฌ๐จ๐ง ๐-๐๐ & ๐-๐๐
๐๐ฆ๐จ๐ญ๐ข๐จ๐ง๐๐ฅ ๐๐ก๐ข๐ฉ๐ฅ๐๐ฌ๐ก ๐๐จ๐ซ ๐๐๐ฌ๐ญ!๐๐ฌ๐ฆ๐จ๐๐๐ฎ๐ฌ, ๐๐ฌ๐ฉ๐๐๐ข๐๐ฅ๐ฅ๐ฒ ๐๐๐ญ๐๐ซ ๐
๐๐ค๐ ๐๐๐ฉ๐ก๐๐๐ฅ ๐๐ญ๐ญ๐๐๐ค๐ฌ ๐๐ง๐ ๐๐จ๐ฅ๐จ๐ฆ๐จ๐ง ๐๐จ๐๐ฌ ๐ฐ๐ก๐๐ญ ๐๐จ๐ฅ๐จ๐ฆ๐จ๐ง ๐๐จ๐๐ฌ. I know that Solomon has been known for years and years to make pacts with demons to use their powers, amplify himself, and more, but I like how it hits Asmo in this moment. He knows MC is his attendant and before this, he is happy to see MC and rely on MC, but Solomon is another story.
This comes after the fake Celestial Realm and the fake Raphael turning on Asmodeus for actually coming out of the illusion, and in that illusion Asmodeus was promised to become an angel once more. The F!Raphael even had the guts to say that Lucifer could be forgiven by their Father, and Lucifer rejected that idea, which means that the illusion had info that would easily tilt Asmodeus into believing this was real (even if Asmodeus was desperate and vulnerable to influence like this).
And after getting put inside this tomb/labyrinth that we've seen before, chased to our current circumstances, he is reminded: your still a demon, and there was a giant spider nearby and your brothers are missing.
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๐๐๐๐๐๐๐๐ / ๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐ using ๐๐๐๐๐๐ ๐
๐๐๐ ๐๐๐๐๐
๐๐ (๐๐๐๐ ๐๐)
* for reversed, use [ Reverse ] in the ask box. / for drabbles, specify 2+ characters.
โ "๐๐ป๐ ๐น๐ฎ๐๐ ๐๐ผ๐ฟ๐ฑ๐?" : Have the sender fighting the recipients muse in some form or fashion. Be it playful, sparring, or aggressive: these two must fight.
โ"๐ฌ๐ผ๐'๐ฟ๐ฒ ๐ผ๐๐ ๐ผ๐ณ ๐น๐๐ฐ๐ธ ๐ป๐ผ๐." : Have the sender commenting on the misfortune of the recipients muse. Either at gambling or it's the end of the line: you decide.
โ"๐๐ถ๐ป๐ฒ, ๐'๐น๐น ๐ณ๐ผ๐ฟ๐ด๐ถ๐๐ฒ ๐๐ผ๐ ๐ท๐๐๐ ๐๐ต๐ถ๐ ๐ผ๐ป๐ฐ๐ฒ." : Have the sender finally give the recipients muse a bit of leeway. Was it shenanigans or something more sinister?
โ"๐ช๐ฎ๐ ๐ถ๐ ๐บ๐ ๐บ๐ถ๐๐๐ฎ๐ธ๐ฒ ๐๐ผ ๐๐ฒ๐น๐ฒ๐ฐ๐ ๐๐ผ๐?" : Have the sender be regretful of choosing the recipients muse for a task or job. Was it truly embarrassing or an absolute fail?
โ"๐ฆ๐๐ถ๐น๐น ๐๐ฝ, ๐ฎ๐ฟ๐ฒ ๐๐ผ๐? ๐๐ผ๐ ๐๐ฒ๐ฟ๐ ๐ป๐ฎ๐๐ด๐ต๐๐ ๐ผ๐ณ ๐๐ผ๐." : Have the sender tease the recipients muse about still being awake late at night. A cheeky tease, most likely.
โ"๐ฌ๐ผ๐ ๐บ๐ฎ๐ ๐น๐ผ๐ผ๐ธ ๐ฎ๐น๐น ๐๐ผ๐ ๐๐ฎ๐ป๐." : Have the sender flirt with the recipients muse during an event where they must be without PDA. Who folds first, I wonder?
โ"๐ฌ๐ผ๐ ๐ฑ๐ฒ๐๐ฒ๐ฟ๐๐ฒ ๐ฎ ๐๐ต๐ฎ๐ป๐ธ ๐๐ผ๐." : Have the sender be their usual hard-boiled self and indirectly thank the recipients muse. Oh boy, is it chilly in here or is it sender?
โ"๐ง๐ต๐ถ๐ ๐น๐ฎ๐ฐ๐ธ๐ ๐๐ผ๐บ๐ฒ๐๐ต๐ถ๐ป๐ด." : Have the sender comment that the recipients muse has something lacking, either thought in a gift or subpar ideas and musings.
โ"๐๐บ๐ต๐บ๐บ๐บ โช" : Have the sender be at ease with the recipients muse, in the form of humming. It's the little things. Or maybe sender adds a skip in their step?
โ"๐ ๐ฑ๐ผ๐ป'๐ ๐น๐ถ๐ธ๐ฒ ๐๐ผ ๐ฏ๐ฒ ๐ถ๐ด๐ป๐ผ๐ฟ๐ฒ๐ฑ." : Have sender tell the recipients muse this and make it awkward. Muse, why are ignoring sender? Perhaps, you have a valid reason...
โ"๐๐ ๐๐ฒ๐ฒ๐บ๐ ๐๐ต๐ฒ๐ฟ๐ฒ'๐ ๐ฎ๐ป ๐ฒ๐๐ฒ๐ป๐ ๐ด๐ผ๐ถ๐ป๐ด ๐ผ๐ป. ๐๐ผ๐ ๐ฎ๐ฏ๐ผ๐๐ ๐๐ฒ ๐ด๐ผ ๐ต๐ฎ๐๐ฒ ๐ฎ ๐น๐ผ๐ผ๐ธ?" : Have sender offer to take the recipients muse out. And not in the deathly way, folks.
โ"๐๐ต๐ถ๐ต๐๐ฎ๐ต๐๐ฎ, ๐ฃ๐ผ๐บ๐ฒ๐ฟ๐ฎ๐ป๐ถ๐ฎ๐ป, ๐๐ฎ๐ฐ๐ต๐๐ต๐๐ป๐ฑ... ๐ฌ๐ฒ๐, ๐๐ต๐ฒ๐ฟ๐ฒ'๐ ๐ป๐ผ ๐ฑ๐ผ๐๐ฏ๐ ๐๐ผ๐'๐ฟ๐ฒ ๐ฎ ๐๐ต๐ถ๐ต๐๐ฎ๐ต๐๐ฎ." : Have the sender insult the recipients muse by a simple comparison.
โ"๐ ๐ ๐ท๐ผ๐ฏ ๐ถ๐ ๐๐ผ ๐๐ฒ๐ฒ ๐๐ต๐ฎ๐ [๐ก๐๐ ๐]'๐ ๐ฒ๐๐ฒ๐ฟ๐ ๐ฟ๐ฒ๐พ๐๐ฒ๐๐ ๐ถ๐ ๐ด๐ฟ๐ฎ๐ป๐๐ฒ๐ฑ." : Have the sender be blunt with the recipients muse on who their priorities lay with. Honesty, right?
โ"๐ช๐ฒ๐น๐น, ๐ถ๐ณ ๐๐ผ๐ ๐ถ๐ป๐๐ถ๐๐ ๐ผ๐ป ๐๐ผ๐๐ฐ๐ต๐ถ๐ป๐ด ๐บ๐ฒ, ๐๐ต๐ฒ๐ป ๐ฏ๐ฒ ๐บ๐ ๐ด๐๐ฒ๐๐." : Have the sender say this calmly to the recipients muse. Are you two flirting or is that an injury I spot?
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โขยฐ. *เฟ This is my ๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐ for things that could be used for writing or art, and are all Obey Me flavored. There's also extra things below.
โฑโ๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐
: อฬโ ๐๐ถ๐ค๐ช๐ง๐ฆ๐ณ ๐๐ถ๐ฐ๐ต๐ฆ๐ด ๐๐ณ๐ช๐ต๐ช๐ฏ๐จ ๐๐ณ๐ฐ๐ฎ๐ฑ๐ต
โฑโ๐๐๐๐๐ ๐๐๐๐๐๐๐
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โฑโ๐๐๐๐๐๐๐๐๐๐ / ๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐
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โฑโ๐๐๐๐๐ / ๐๐๐๐๐๐๐๐ ๐๐๐๐๐
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โฑโ๐๐๐๐๐๐๐๐๐๐ & ๐๐๐๐๐๐๐ ๐๐๐๐๐๐
: อฬโ [๐๐] ๐๐ด๐ฎ๐ฐ๐ฅ๐ฆ๐ถ๐ด & ๐๐ฐ๐ญ๐ฐ๐ฎ๐ฐ๐ฏ ๐๐ค๐ณ๐ฆ๐ฆ๐ฏ๐ค๐ข๐ฑ๐ด | [1]
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โขยฐ. *เฟ This is an ๐๐ ๐๐๐๐๐๐๐๐๐๐ for all our alternative reality thoughts and musings, and hopefully it expands with our combined creativity!
๏ฟฝ๏ฟฝ๏ฟฝโ๐
๐๐๐๐๐๐๐๐๐ ๐๐
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โฑโ๐๐๐๐ / ๐๐๐๐๐ ๐๐๐๐๐ ๐๐
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โฑโ๐๐๐๐ / ๐๐๐๐๐๐๐๐ ๐๐
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โฑโ๐๐๐ / ๐๐๐๐ ๐
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โฑโ๐๐๐๐๐ / "๐๐๐๐๐๐" ๐๐
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โฑโ... ๐ฆ๐จ๐ซ๐ ๐๐ ๐ฅ๐๐ญ๐๐ซ...
โฑโ๐๐๐๐๐๐๐๐ / ๐๐๐๐ ๐๐๐๐ ๐๐
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โขยฐ. *เฟ This is a ๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐ that has all my writing [or art] based challenges. Are they challenges for you or me? That's up to you.
โฑโ๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐
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โฑโ๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐
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โฑโ๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐
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โฑโ๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐
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โขยฐ. *เฟ This is my ๐๐๐๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐ for works that are based in canon but have some liberties taken for angst, hurt/comfort, family, etc cetera.
โฑโ๐๐๐๐๐ / ๐๐๐๐ / ๐๐๐๐
๐๐๐
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โฑโ๐๐๐๐๐๐๐๐ / ๐
๐๐๐๐๐ / ๐๐๐๐๐๐๐๐๐
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โฑโ๐๐๐๐๐๐๐๐๐ / ๐๐๐๐๐๐ / ๐๐๐๐๐๐๐๐
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โฑโ๐๐๐๐๐๐๐ / ๐๐๐๐๐, ๐๐๐๐'๐ ๐๐๐๐๐?
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โฑโ... ๐๐๐๐ข๐ง๐ ๐ฆ๐จ๐ซ๐ ๐ฅ๐๐ญ๐๐ซ...
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โขยฐ. *เฟ This is my ๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐ for all my writing that involves a romantic couple of sorts, romantic intentions, or anything non-platonic.
โฑโ๐๐๐๐๐ ร ๐๐๐๐๐
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โฑโ๐๐๐๐๐ ร ๐๐ / ๐๐ / ๐๐๐๐๐๐ซ
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โฑโ๐๐ ร ๐๐ / ๐๐๐๐๐๐
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๐ (๐ฌ๐ข๐๐) ๐๐ฅ๐จ๐ ๐๐จ๐ซ ๐ฆ๐จ๐ฌ๐ญ๐ฅ๐ฒ ๐๐ง๐ฒ๐ญ๐ก๐ข๐ง๐ ๐๐๐๐ฒ ๐๐ ๐ญ๐ก๐๐ญ ๐๐๐ฎ๐ ๐ก๐ญ ๐ฆ๐ฒ ๐ข๐ง๐ญ๐๐ซ๐๐ฌ๐ญ ๐จ๐ซ ๐๐๐๐๐ฆ๐ ๐ฆ๐จ๐ซ๐ ๐ญ๐ก๐๐ง ๐ฃ๐ฎ๐ฌ๐ญ ๐ ๐ฉ๐๐ฌ๐ฌ๐ข๐ง๐ ๐ญ๐ก๐จ๐ฎ๐ ๐ก๐ญ. Romance isn't my main focus and AU's will be prevalent thoughts. Angst looks amazing, and Luke is wholesome. Inbox is open for suggestions, prompts, questions, ship talk, or anything you need.
๐๐ก๐ข๐ง๐ ๐ฌ ๐๐จ๐ฎ ๐๐๐๐: Writer is over the age of 20, writer goes by he/they, writer likes the faded/dull aesthetics, and the blog is not without angst content.
โฑโ๊ฐ R.Masterlist ๊ฑ ๊ฐ S.Masterlist ๊ฑ ๊ฐ C.Masterlist ๊ฑ ๊ฐ AU.Masterlist ๊ฑ ๊ฐ P.Masterlist ๊ฑ
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