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I'm trying to figure out how to draw Victor Trevor, don't mind me

#sherlock holmes fanart #acd sherlock

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To Wong Foo Thanks for Everything, Julie Newmar (1995)

Dir. Beeban Kidron

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It's something about this scene…

It's something about this scene and how the Angel who would become Crowley can't create the universe alone. He needs a partner.

It's something about this scene and how Aziraphale, while holding the plans, asks "which way up does it go?" and Crowley simply dismisses the question and says "just hold it tight" because to Crowley there is no difference between up and down, or Heaven and Hell, it's all the same.

GIF by fuckyeahgoodomens

It's something about this scene and how Aziraphale holds the plans right in front of his heart for Crowley to "prime the engine" and how maybe what Crowley was jumpstarting in that moment wasn't only the nebula, but also love in the universe (not to mention the colors, a smattering of reds and blues and pinks).

And it’s something about this show and how it manages to do all that within the first two minutes of the first episode of season 2....

#ineffable husbands #good omens

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Having lots of feelings about them

#good omens #good omens fanart #aziracrow #ineffable husbands

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Sherlock Holmes, despite being one of the most adapted characters in media, is almost always characterized differently than in the source material. Despite having a habit of unnerving people with his deductions, and his distaste for the police force, Sherlock Holmes is canonically good at reassuring people, gets along amicably with clients, and has an affectionate relationship with Watson. However, he is almost always adapted to be extremely stoic and unable to interact with people in a regular fashion, as is a common trope with genius characters. Whether being smart but socially inept is a caricature of Savant Syndrome or a result of an effort to create flaw in a character whose skills were not balanced out with much deficit, it is clear that Sherlock Holmes has been the subject of much transformation in the public consciousness, straying from the envisioning of Sir Arthur Ignatius Conan Doyle. Is this modified personality better, creating a more well-rounded and interesting character? Or, does it instead stereotype and boil down the traits that, left alone, made Sherlock Holmes the quintessential star of detective fiction, restorting to trite and digestible cliché? In this essay I will

#PLEASE keep going!!

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Tenth Doctor + What?

#dwedit #tenth doctor #david tennant #doctor who

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First, I am old, this will become apparent in next few lines. So I watched Barney Miller with my parents from its first season to the end, along with all the reruns. The writing was so good compared to many other shows, and these clips show it. It did not occur to kid-me that the cast was diverse, or to think much about the gay plotlines mentioned here - this was all part of the whole NYC thing for me. And I should add that the fact that NYC had all of these sorts of people living and working together as if it was no big deal was a HUGE thing for me - that’s the way it should be everywhere, I thought. People should just accept each other.

I recognized the character Marty immediately, and knew his name, and have seen all the episodes in these clips. And yet, because of the nature of the show, I never put the whole story together, even as I recognized his character in future episodes. Each episode has multiple characters who you learn a small bit about through their story, and it wraps by the end of the show. It’s what’s thought of as “an actor’s show” that way - there’s some meaty parts for real actors in there, along with the comedy. 

I always knew the writing was good in this show, but seeing the entire story of Marty edited together like this with commentary, and a reminder of what was going on in US society - well, now I really appreciate it. As a kid you watch things without being clued into the news stories of the time, while as an adult you see things differently. I learned the history of all this video references - I just never combined that with the tv show I watched and enjoyed at the time. And I definitely forgot the quarantine episode.

#to watch later

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So very clever of Good Omens to reframe the whole world for escapism enjoyers like me. Helped me remember how incredible my own world is by letting me get to know characters who want to escape to it rather than from it. Very kind way of rewiring my brain.

#good omens #ineffable husbands

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RRR (2022, dir S. S. Rajamouli)

things i am not now and likely never will get over from RRR

DRIFT COMPATIBLE BATTLE COUPLE DETECTED

queer? platonic? queerplatonic? who gives a shit no matter what it was it was AWESOME

Colonialism Is Bad Actually: The Musical

the symbolism. holy shit. every BIT of it was absolutely amazing.

wow all the mains in this movie are just, really hot? my poor lil pan heart had a rough time with this one ngl

the fact that someone (likely many someones) watched this movie about Colonialism Is Bad Actually and said 'you know what let's dub this whole thing into Hindi and English and then not give an option to watch it with the original Telugu dialogue' sure was,,,,,,,,, A Choice

THE MUSIC

by which i mean the actual song-and-dance numbers as well as the like story soundtrack all of it is going on my playlist asap

listen the spirk-behind-glass scene is awful. spock and kirk can't even touch. they can hear. they can see. but they cannot touch. and i in my sweet ignorant bliss thought that was as bad as it could get.

tonight i learned that holding someone in your arms through the bars of their cell is so much worse

I watched it on Netflix but i looked it up on a few other ahem websites and on EVERY SINGLE ONE Telugu audio wasn't even an option.

there was not one single chance to tie things together or make a connection or do a setup/payoff or callback that was not taken. not a single one.

everything about this movie is 100% Extra

in short: this movie is a masterclass

aaaaaand the rest below a cut because WOW i have a lot to say actually

which brings me to the dancing oh my gods. not sure i've ever seen such enthusiastic dancing in anything in my entire life. seriously by the final number i was exhausted just watching them

in general, this movie is: stunning

"RAM." "BHEEM." "SEETHA." IT'S ABOUT THE SYMBOLISM.

also this was kinda hilarious because i watched it in hindi [the least disorienting option] and they kept SAYING "ram" but in the subs it was always fuckin RAJU so like. again with the Choices. like seriously what was the thought process there. WAS there a thought process.

FIRE. WATER. STORY. I JUST. I. HELP ME.

i ADORED jenny. with my whole entire heart. she is one of the very BEST examples of Ignorance Is A Privilege and also At What Point Does Ignorance Become Malicious that i have ever ever seen. i loooooooooved it. i mean i hated it a whole lot while it was happening but also i am SO GLAD that now rather than trying to explain all of this to people i can just tell them to watch this movie and then sit them down and be like, so what are your thoughts on jenny's culpability in literally everything?

oh and how you can be a kind person and still do atrocities! like jenny is so sweet and so kind and you just like her so much and yet. and yet.

t h e s y m b o l i s m

i cannot remember the last time i saw a movie so visually stunning. the cinematography is breathtaking. pause on just about any random frame and it could be a movie poster or hanging in an art gallery or what have you.

they also dubbed all the lines that were actually in english? i mean i get it for the characters who spent most of the movie speaking Telugu because you'd need their voices to stay the same through the whole movie yeah fine whatever. but like. they dubbed all the ENGLISH characters, too? like literally dubbed them from english into english??? the dialogue matched their mouths except the timing was veeeery sliiiiiiiightly off but it SOUNDED really obviously dubbed??? Y THO???

HOLY SHIT THE FIGHT SCENES OH MY GODS

Malli. Malli honey i love you. i'm just realizing i don't know if that's your actual name gods damn it. but whatever your name is child i love you.

and did i mention that everyone in this movie is beautiful? like. seriously. Ram and Bheem especially holy SHIT.

Physics Does Not Work Like That And I Do Not Care Because That Was AWESOME: The Musical

oooohhhhh they re-recorded and dubbed the fucking SONGS too. i am so pissed about this y'all i can't even tell you.

oh i want to do a whole entire post that's even longer than this one about the symbolism. hell i could probably do a whole entire post just on the fire/water symbolism even without everything else. It was AMAZING.

okay ram is fire and bheem is water and ram's people go to a valley on the shores of a river and the river is in literally every shot of the village and just ram BEING fire but water being a place of HOME and SAFETY for ram

i'm not crying shut up

MALLI AND HER MOTHER TRY TO REACH EACH OTHER BUT THEY CANNOT TOUCH THROUGH THE GLASS

BHEEM AND MALLI HOLD EACH OTHER THROUGH THE BARS OF HER CONFINEMENT AND HE HAS TO LET GO AND LEAVE HER

BHEEM AND RAM HOLD EACH OTHER THROUGH THE BARS OF HIS CONFINEMENT AND BHEEM RIPS THE DOOR RIGHT OFF

ooooooohhhhhhh and people holding hands right before they part. oh that hurts. all of those hurt so bad.

how every single time people held hands when they parted they always held on till the last possible second EXCEPT FOR RAM'S MOM.

she lifts her hand away from him and then pulls back and it was devastating

Predators Do Not Work Like That But I Do Not Care Because That Was Awesome And Also They Ate A Bunch Of Colonizing Cops: Queercoded Edition (ACAB)

bheem with his arms spread and rope or chains around his wrists or in his hands. i just. the way it flipped back and forth from 'he has the power' to 'he is helpless' to 'he should be helpless and isn't' was just. breathtaking.

AND THEN. AND THEN RAM. CHAINED UP THE SAME WAY. DOING THE SAME GODDAMN THING AND USING THE FACT THAT HE'S CHAINED UP FOR HIS OWN FUCKING PURPOSES BECAUSE HE SAW BHEEM DO IT FIRST DON'T TOUCH ME

okay listen this movie would've been good no matter what but like. they really are just SO beautiful. and. when ram. with like the long hair. and. beard. and like. you know? like. his. his hair. his general. everything. um.

literally at the most emotionally inappropriate moment i literally thought about that whole 'i saw a man so beautiful i started crying' thing and like that almost literally happened literally

Why There Can't Be Any Such Thing As Good Cops: The Romance (ACAB)

and like here's the thing i'm not sure i would've even NOTICED this had it not been for the linguistic chauvinism with the audio and everything but like both of them were hindu and a lot of the symbolism though awesome was also really strongly hindu and i just i don't know nearly enough about hindutva to have any kind of opinion BUT i also feel like maaaaaaaybe there was something a little uncomfy about some of this

oh no wait the suspenders dance. that might've actually been the best part. yeah.

oh all the british actors did SUCH a good job being so eminently punchable

throw cheetahs at each other! and snakes! somehow have upper body strength greater than the force exerted by a 800+ lb tiger lunging! throw those motorcycles! punch through those walls without breaking your fingers! use herbal paste to heal broken bones in a matter of a minutes! break solid stone with nothing but the strength of your shoulders and gay love! i am so here for all of this!!!

Throw Rocks Marble Pillars Live Tigers Cops At Cops: The Movie (ACAB)

i love that jenny felt bad for the poor little girl who got kidnapped enslaved and imprisoned so she. bought her a dress and a toy.

you know, to make her feel better about the whole 'being kidnapped enslaved and imprisoned' thing.

instead of doing, i don't know know, literally anything else. like even just saying to her aunt 'hey this makes me sad' or something. #solidarity.

the violence was violent and the romance was sweet

okay so during the fight at the midpoint like i know that by the end of it ram and bheem are literal fire and water BUT ALSO. Ram enters the scene in a flaming carriage and from that point forward the fountain is in pretty much every shot of bheem. just sayin.

love that lachu (or whatever his name really is) told ram that there was no cure. like yes! you go man! ram may be so beautiful that in forty minutes i'm going to be in tears but that's no reason to tell a cop the truth about anything! you lie to that cop man!

A BRITISH SOLDIER HIT LOKI IN THE HEAD WITH A BRANCH AND THEN STOLE MALLI AWAY

BHEEM HIT RAM IN THE HEAD WITH A BRANCH AND THEN STOLE MALLI AWAY

i know other people got hit in the head with tree branches too but STILL

honestly i really like that ram and bheem were, well, ram and bheem. but i mean im glad they weren't like ram and lakshman or bheem and arjun or something. not even just because that would've been brotherly like i'm glad they weren't arjun and krishna or something either. i liked that their names weren't from the same story. i liked it better this way and i can't even articulate why.

i am never ever ever going to get over the progression of part of bheem's introduction being something going wrong and him holding two ropes (he has all the power) with his arms spread and that being used to show us how incredibly strong he is -> something going wrong and bheem with ropes around his wrists (he shouldn't have any power at all) holding his arms spread and that being used to show how incredibly strong he is in a completely different way

like every time there were ropes or chains in bheem's hands or around his wrists it meant something, and it was a beat in the rhythm of a discernable arc, but now i can't remember all of them gdi

oooohhhhh there was SO much more symbolism i wanted to talk about but it's so late that i have a headache and this post is so long my computer's lagging like two sentences behind so i should stop and go to bed. sigh.

just go watch this movie, okay? pleae? I cannot IMAGINE who would've read this whole thing,m but if you did, just watch it, all rigth? (and if you happen to know of any site - ANY site - where i can watch it in FUKIN TELUGU kindly drop a link please and thank)

#yeeeeessss to everything you just said #I finished his movie 5 min ago and I’m vibrating #holy shit!!!!!! #rrr movie #rrr film

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me and my friends did a groupwatch of RRR and we were looking desperately for who this guy is. Hes not credited anywhere as far as we can tell, but goddamn just look at that sneer. he looks like he should have a successful youtube channel where he reviews videogames, if anyone can find out please let me know

#looks like that one guy from the Star Trek 2009 reboot? the bully cadet?

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I am obsessed.

#rrr 2022 #rrr fanart #rrr #rrr movie #ram charan #s s rajamouli

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Ninerose :)

#dw art #rose tyler #ninerose

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The Secret of Sherlock Holmes

GRANADA FANS. If you have not heard of this play, NOW IS THE TIME TO HEAR ABOUT IT. I'd been saving it for a rainy night and it was SOO good 😭😭Please allow me to elaborate.

[heads-up, there are no video recordings of it. I listened to the audio and followed along with the script. Not ideal, but still gave me a vivid image of what was happening on-stage.]

The nuance between screen and stage allows the actors to achieve different effects that are not possible with an on-screen adaptation. Characters do not turn to the camera and just tell you their innermost thoughts, but they can in a stageplay- and it's here that we really get to hear Brett and Hardwicke's ideas about Holmes and Watson- not much of it was unfamiliar as I'd read most of Brett's views in interviews, but it was really cool to get that confirmed in an official production that he worked on. Honestly, Brett had that feeling of "I can fix him" that I think exists in all of us Holmes fans, and totally went for it. The canon (and the Granada series) is rife with subtleties and 'show, don't tell', but it is honestly refreshing for once, to have such powerful emotion depicted dramatically and audaciously on a stage. It is all too often throughout the stories that Holmes and Watson are awfully reticent about their feelings. This play is an explosion of their private thoughts that leads to finally, thankfully, a wonderful reconciliation. I love it so much as it clearly advocates for open communication being a vital factor for a good friendship. There's a good reason for why that never happened in the canon; I think it has a lot to do with the shyness and reticence of the English, and I would not be surprised most particularly with Victorian men. But Holmes and Watson do still have their moments in the canon (e.g. 3GAR & FINA), and it's what makes them stand out so shockingly much in their time.

I appreciate that this play gives us viginettes of Holmes and Watson's life together all the way up to The Final Problem. It not only sets us up for the climax later, but also shows us specifically Brett's Holmes and Hardwicke's Watson. There were changes made from the original stories, and yet felt so wonderfully in-character and flowed really well through the actors. The play exclusively stars Brett and Hardwicke, and the purpose of redoing scenes from the canon, such as STUD, NAVA, or CHAS was to highlight the status in their relationship, for example Holmes's displeasure at Watson's marriage and subsequent loneliness- important scenes that communicate Holmes's dependence on Watson. These small glimpses also give us the much-needed humour for any balanced Holmes production! It not only communicates the warm and light moments that they shared, but also helps us get more invested in this particular pair on the stage, which is still vital, even if we're already attached to the characters.

The implications that arise from Brett's portrayal of Holmes is fascinating. He admits that he'd have been dead within two years without Watson, without the indispensible role he played in controlling his addiction and mental state. He admits of the lonely and awful childhood he shared with his brother. The fact that Holmes comes forward and tells us this himself suggests he is very psychologically aware of himself and how his mind works. He understands why he has addictions, the reasons for his barriers and difficulty with emotional vulnerability. Assuming Holmes is very interested in the criminal psyche, but also his own due to his eccentricities, it makes so much sense that he would psychoanalyse himself to this degree, but also be frustrated with how little he is able to move from his rigid mindset. This interpretation works so wonderfully for Brett's Holmes, and I am so glad for this portrayal he has given us. When it comes to canon Holmes, however, I feel that this is more likely to be unconscious. I can never shake how much of Brett is actually within his Holmes. While his comes close to the original, I still see them as separate people. Granada's adaptation tends to play up Holmes's melancholy/depression a little too far for me, like a far-away, mythical creature that can never be understood, because we never get much of an opportunity to see what he really feels (perhaps Eligible Bachelor or Master Blackmailer might come close). But I feel that almost defeats the character. To me, Holmes is flawed and troubled, but he is simply human. The Secret of Sherlock Holmes portrays this fact wonderfully, because all of those feelings are rising to the surface.

We move further into speculation, but I think Brett's Holmes has also a fairly healthy understanding of the difference between social constructs and necessities, which take more importance in a queer/neurodivergent reading of him. He understands that his upbringing was due to an "accepted convention", and we see time and again how Holmes disregards social conventions or constructs and does his own thing. It's why he gets frustrated at others for not understanding him, but also accepts that it will never come easily to people. That's why he's very lucky for Watson (and Mrs. Hudson and Lestrade!) :)

Holmes's darker emotions, and Watson's fierce devotion are displayed most prominently throughout. When Watson comments on Holmes's childhood, Holmes lies about it, woeing internally over how much he conceals, to even someone as close to him as Watson. He privately shares his desire to be "found out", because sharing his feelings to Watson is too difficult. His friend takes his word for it, appreciative of the times Holmes is able to speak frankly about himself. Holmes wants to be open, and Watson wants to listen, but it's Holmes's barriers preventing it. This feeling and experience is so raw and human, and something I would imagine would resonate with many people.

The latter half of the play focuses primarily on Holmes's cocaine addiction. Pastiche writers really like that sore spot, huh. Watson's perceptiveness and powers of observation are on full force in this play. Watson can tell when Holmes is high (as a medical man, most likely), and even deduced that Holmes may still be living by Mycroft's body language. But when it came to Holmes's return from the Great Hiatus...

Something that canon Watson seems to completely forget is his anger towards Holmes. In the story, he is so star-struck and relieved that he barely considers any other feeling. Hardwicke does briefly touch on this in the Granada episode with "I thought I would be as trustworthy as your brother," but it really doesn't go further than that. In The Secret of Sherlock Holmes, Hardwicke goes FULL FORCE. This is what we needed!!! It was a powerful, hair-raising performance. When Holmes has clearly not understood the harm he has done, Watson leaves. Actually slams the door. And when he returns, he makes it very clear to Holmes why he is hurt. And yet, his devotion remains, for when Holmes starts explaining his creation of Moriarty, it takes a while before Watson is fully convinced. Watson is extremely compassionate and empathetic, yes, but he's also very grounded and level-headed, and he must draw the line somewhere. It doesn't take him long to forgive Holmes, but he knows his anger has a place in that room, and allows it to be. I appreciate that it's taken just as seriously as Holmes's troubles.

The only reason either Holmes or Watson are able to communicate so finely with each other- even through shouting and crying- is because of their emotional awareness. It's what makes their relationship work, because they are both aware of how much they mean to each other. When they move past the difficulty of sharing such feelings, their bond grows stronger.

#to read later

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Edward Hardwicke and Jeremy Brett as JOHN WATSON and SHERLOCK HOLMES

#sherlock holmes #jeremy brett #edward hardwicke #sherlock holmes granada

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this moment will never fail to crack me up. old as a whole-ass world demon managed to look like a gangly 12-year-old schoolboy from the 40s who's trying to read up on his mate's notes before getting brutally called to answer in front of the class. and u can see his heart stop but he has an aloof and cool persona to mantain, hence the glasses. godspeed(?) little soldier. don't trip on your way there btw your crush is watching from the first row

#good omens #crowley #good omens 1941 #david tennant

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#aziraphale #crowley #aziracrow #ineffable husbands #good omens

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au where eberytjings the same but they have to go to five guyd

#st: tos