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faterpresources · 2 months
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𝑅𝑒𝑠𝑜𝑢𝑟𝑐𝑒𝑠 𝑓𝑜𝑟 Fᴀᴛᴇ/Sᴇʀɪᴇs 𝑅𝑃𝑒𝑟𝑠 𝑎𝑛𝑑 𝑓𝑎𝑛𝑠
ɪᴄᴏɴs ♦ ɢʀᴀᴘʜɪᴄs ♦ ʀᴇsᴏᴜʀᴄᴇs ♦ ʀᴇᴏ̨ᴜᴇsᴛs ғᴏʟʟᴏᴡ ᴜs!
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faterpresources · 2 months
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Dear RPers who have wanted to interact.
I feel like i need to address this because i find it’s an issue many people, especially newcomers, have in RP.
PLEASE. DO. NOT. BE. SHY. TO. SAY. HI.
There’s no reason to be anxious or hesitant if you want to talk to me. I will happily accept a random starter, or a random tag, or an inbox message! Even if we’ve never interacted or even acknowledged one another, i will still HAPPILY interact with you!
You’re not bothering me. You’re not annoying. You’re not making me uncomfortable. I LIKE to interact with new people, it’s very exciting and fun!
Please, PLEASE, don’t be hesitant when sending in ANYTHING. I’m having a lot more fun than your anxiety tells you!
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faterpresources · 2 months
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‘TOL AND SMOL’ PROMPTS
feel free to combine these with dialogue whether it’s something you make up or from other memes your partner has reblogged. 
[ BEND ]  for the shorter muse to tug the taller muse down so they can kiss their forehead. 
[ LEAN ]  for the taller muse to lean down to kiss the shorter muse’s forehead. 
[ LIFT ]  for taller muse to lift up the smaller one and sit them on a surface where they can be eye level. 
[ CLIMB ]  for the shorter muse to find somewhere to perch so they can be eye level with taller muse. 
[ INTERRUPT ]  for shorter muse to stop during the middle of a conversation and stand on a chair/sit on a table so they can be eye level with the taller one. 
[ GIVE ]  for the taller muse to place their jacket around the shorter muse’s shoulders,  the garment essentially ‘swallowing them whole.’
[ TAKE ]  for the taller muse to find the shorter one has ‘borrowed’ a shirt/sweater/jacket etc.  which is oversized on them.  
[ GO ]  for the taller muse to pick up the shorter one and carry them away from a potential/just started fight. 
[ RIDE ]  for the taller muse to give the shorter one a piggyback ride so they don’t have to keep up. 
[ SEE ]  for shorter muse to insist on getting to ride on the taller one’s shoulders.  
[ FIND ]  for the taller muse to lift the shorter one by the waist so they can reach something. 
[ EMBRACE ]  for the taller muse to lift the shorter muse off the ground when they hug. 
[ CATCH ]  for the shorter muse to run and jump into the taller muse’s arms. 
[ CARESS ]  for the taller muse to pick up the shorter one to kiss them. 
[ GIVE ]  for the shorter muse to stand or climb to sit on a higher surface to demand a kiss from the taller one. 
[  PULL  ]  for the shorter muse to tug the taller one down by the collar to kiss them. 
[ URGE ]  for the taller muse to tilt the shorter one’s chin up so they can look at their face. 
[ LOWER ]  for the taller muse to kneel in front of the shorter one so they’re less intimidating. 
[ HELP ]  for the taller muse to use the advantage of their stature to shield the shorter one from something. 
[ AID ]  for the taller muse to pick up the shorter one to lift them over something  (  stairs,  while hiking, a large puddle etc.  ). 
[ INSIST ]  for the shorter muse to guide the taller one to sit so they don’t have to keep looking up. 
[ COMFORT ]  for the taller muse to tuck their chin atop the shorter one’s head while they hug. 
[ MELT ]  for the taller muse to lean down so they can bury their face into the shorter one’s shoulder. 
[ GENTLE ]  for the smaller muse to hug the taller one while they are seated so the taller one can hide their face against them. 
[ BLOCK ]  for the taller muse to stand in front of the shorter one to prevent them from having to see something. 
[ CUDDLE ]  for the taller muse to the big spoon. 
[ HELD ]  for the shorter muse to be the big spoon. 
[ TENDER ]  for the taller muse to kiss the shorter one’s head while they embrace. 
[ GENTLE ]  for the shorter muse to kiss the taller one’s chest while they hug. 
[ REST ]  for the shorter muse to lean forward and press their forehead against the tall one’s chest/shoulder while they stand in front of each other. 
[ TOUCH ]  for the taller muse to lean down and press their forehead to the shorter one’s. 
[ PRESS ]  for the shorter muse to take hold of the taller one’s face to pull them down so they can press their foreheads together. 
[ GAZE ]  taller muse is sitting and the shorter one who is standing in front of them takes their face into their hands while they talk. 
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faterpresources · 2 months
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Hi! I'm writing a book where my main character has to witness the death of her brother. Due to dangerous circumstances, she has to leave her country and start life anew elsewhere. What are some subtle details I can add to show she is grieving (since she doesn't get the chance to grieve properly)?
Delayed Grief/Subtle Grieving Details
First, I just want to take the opportunity to say that there's really no such thing as "grieving properly." Typically, we use "grieving properly" to mean whether or not a person has been able to work through their grief in whatever way is right for them, but unfortunately it has the effect of making people feel like there's a right way and a wrong way to grieve, and that's not the case.
Grief is something everyone experiences differently. It can depend on the person, the situation, and a million other variables. It can even vary for one person from one situation to the next. One thing that is true of grief is that there are different stages most people go through in some way. These stages can be experienced in any order, skipped, or repeated. Any stage can take any amount of time.
The Five Stages of Grief, developed by Elizabeth Kübler-Ross:
denial
anger
bargaining
depression
acceptance
Again, these stages can be experienced in any order, skipped, repeated, and for any amount of time. It's different for everyone/every situation.
However, even if your character isn't able to work through their grief initially, they may start out in one of these stages and just sit there until they can start working through their feelings.
Some physical/emotional signs of delayed grief can include:
refusing to talk about the loss
increased reliance on addictions for coping
staying busy so as not to think about it
fixating on a "grief anchor" like place, object, or shrine
difficulty concentrating
withdrawing from usual activities
headaches
digestive issues
lack of energy
depression
I hope that helps. Good luck with your story! ♥ETA:See helpful additions from @elkonigin in the comments!
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faterpresources · 2 months
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🐝  *  ―  𝐂𝐀𝐑𝐑𝐃 𝐓𝐄𝐌𝐏𝐋𝐀𝐓𝐄 𝟎𝟎𝟔: 𝐑𝐀𝐁𝐁𝐈𝐓  (  what’s  that,  another  carrd  template  already  ?  i  really  enjoy  making  these  lately,  and  while  this  one  doesn’t  have  anything  particularly  new  per  se,  it  kinda  blends  things  from  my  previous  carrds  together  to  create  a  new  one.  this  time  it’s  made  for  single  muses  again,  and  the  demo  preview  can  be  found  here.  different  pages  include  sections  for  rules,  about  with  dossier  +  bio,  timeline,  canon  divergence  or  whatever  else  you  want  to  use  it  for,  verses  which  are  section  of  into  main  +  alternate  +  fandom  specific,  and  mains.  the  template  requires  at  least  a  pro  lite  account  due  to  the  number  of  elements.  if  you  want  to  upgrade,  feel  free  to  use  my  referral  code  KB4W13V3.  )
―  HOW  TO  USE
*  please  don’t  claim  this  as  your  own,  and  don’t  delete  the  credit.  you  can  change  its  size  /  color  /  positioning  but  do  not  delete  it.  *  of  course  you  can  also  change  the  colors  /  sizes  of  the  elements  on  the  pages.  *  to  get  this  template  please  click  here.  it’s  on  a  pay  what  you  want  basis  so  it  is  possible  to  get  it  for  free  if  you  set  the  amount  to  0  (  if  you’d  like  to  leave  a  little  tip  i’d  very  much  appreciate  it  though  )  *  when  you  first  open  this  template,  it  might  look  a  little  weird  because  carrd  deletes  the  images  i’ve  used  so  there  will  only  be  empty  spacers  of  sorts  that  may  look  a  little  out  of  place  at  first.  just  upload  images  in  the  right  sizes  and  this  will  fix  itself.   *  actual  image  sizes  don’t  matter  since  carrd  scales  them  to  fit  but  you  can  see  examples  of  the  image  sizes  i’ve  used  in  the  demo.
if  you  have  any  questions  on  how  to  edit  it,  just  send  me  a  message  and  i’ll  try  to  explain  it  to  you.
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faterpresources · 2 months
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random (chaotic) dialogue starters.
* is that all you have to say?
* tell me you love me or something, don’t just stand there!
* are you out of your fucking mind?
* it’s truly a wonder that you’re still alive.
* that’s not my name.
* that’s not my name and you know it.
* how many fingers am i holding up?
* i swear, it’s my dog’s fault.
* are you really going in there?
* that’s how people get killed in horror movies, you know?
* if you die on me after everything i’ve done for you… i’ll never forgive you.
* how could i ever forgive you?
* sometimes, everything shifts in the snap of a finger.
* stop yelling at me or i’ll tell them!
* would it kill you to hold my hand every now and then?
* just squeeze my ass and tell me everything will be okay.
* you’re all i need right now.
* you’re finally here, so i can fucking sleep.
* i told you to turn your music down!
* you’re not my parent!
* i didn’t steal your boyfriend, he came with me willingly.
* it’s taking everything in me not to slap you in the face right now.
* you know, people can hear you.
* do you ever think before you speak? you should try it.
* i’ll change your life, if you let me.
* will you go buy me tampons or not?
* please, close the door on your way out.
* keep your hands to yourself.
* what do you think they were thinking about? you know, when they died?
* do you think they know?
* it’s not my fault, it’s 4am and you’re fucking yelling at me!
* you’re a shit friend.
* you’re my best friend.
* you’re my only friend.
* i hope hell is nice and warm when we get there.
* tell me the truth, at least once.
* did you really cheat?
* i don’t wanna know the details.
* can i have some?
* i would kill for a nice glass of wine right now.
* you brought a knife to a gun fight, baby.
* you’re so stupid it kinda turns me on.
* i want you to meet my parents.
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faterpresources · 2 months
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EMOTIONAL INTIMACY & PILLOW TALK PROMPTS
❝  i’m glad i decided to stay.  ❞
❝  i’m glad you decided to stay.  ❞
❝  no one has ever made me feel the way you do.  ❞ 
❝  i’m afraid to need you.  ❞
❝  i’m happy…are you happy?  ❞
❝  i really needed this.   ❞
❝  you don’t know how long i’d been waiting for this.   ❞
❝  i haven’t been this relaxed in ages.  ❞
❝  my legs are still fucking shaking.  ❞
❝  i like you here like this.  in my bed.  ❞
❝  stay the night.  ❞
❝  can i stay the night?  ❞
❝  i feel safe with you.  ❞
❝  i think you thoroughly fucked my headache away.  ❞
❝  no don’t go yet—  just hold me for a while.  ❞
❝  i don’t think i’m ever gonna want anyone else but you.  ❞
❝  we really should have done that sooner,  huh?  ❞
❝  that was good but,  next time,  i’m on top.  ❞ 
❝  god you look good like this.  ❞
❝  i could really go for some french fries now but i don’t wanna get up.  ❞
❝  i really do love you,  ya’ know.  ❞
❝  sometimes i wish i could keep you inside me all night.  ❞  /  ❝  sometimes i wish i could just stay inside you all night.  ❞
❝  are you feeling okay?  ❞
❝  fuck,  i’m never gonna get over you.  ❞
❝  i’ll get a shower started for us.  ❞
❝  you’ve ruined me for anyone else.  ❞
❝  just stay still and let me hold you a while.  ❞
❝  are you falling asleep?  ❞
❝  i don’t think you know just how much i care for you. ❞
❝  i can’t help it,  i feel so sleepy and cozy now.  ❞
❝  are you hungry? i’m hungry— i’ll order us something.  ❞
❝  are you crying?  ❞ 
❝  i’m okay,  just overwhelmed.  in a good way.  ❞
❝  it’s been a long time since i’ve been with someone like this.  ❞
❝  i’m really glad it was with you.  ❞
❝  it wasn’t just about needing someone tonight.  it was you i needed.  ❞
❝  thank you for always being so gentle with me.  ❞
❝  you always touch me just the right way.  ❞
❝  do you even realize what you do to me?  ❞
SCENARIOS
[ CLEAN ]  for sender to clean up receiver in the shower after sex. 
[ CLEANED ] for receiver to clean up sender in the shower after sex. 
[ REFLECT ]  for a drabble about receiver pondering their feelings while sender falls asleep in their arms after sex. 
[ TRACE ]  for sender to gently trace patterns along receiver’s skin as they relax after sex. 
[ TRACED ]  for receiver to gently trace patterns along sender’s skin as they relax after sex. 
[ CARESS ]  for sender to pepper kisses along receiver’s body after sex.   
[ CARESSED ]  for receiver to pepper kisses along sender’s body after sex.
[ TEARS ]  for sender to hold receiver while they cry after sex.
[ TEARING ] for receiver to hold sender while they cry after sex. 
[ EMBRACE ]  for sender to cling to receiver right after they’ve finished and just hold them while they recover. 
[ EMBRACED ]  for receiver to cling to sender right after they’ve finished and just hold them while they recover. 
[ TELL ]  for sender to open up about something to receiver after sex. 
[ TOLD ]  for receiver to open up about something to sender after sex. 
[ CONFESS ]  for sender to declare their feelings for receiver after sex (feel free to add dialogue when sending). 
[ CONFESSED ]  for receiver to declare their feelings to sender after sex. 
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faterpresources · 2 months
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𝑅𝑒𝑠𝑜𝑢𝑟𝑐𝑒𝑠 𝑓𝑜𝑟 Fᴀᴛᴇ/Sᴇʀɪᴇs 𝑅𝑃𝑒𝑟𝑠 𝑎𝑛𝑑 𝑓𝑎𝑛𝑠
ɪᴄᴏɴs ♦ ɢʀᴀᴘʜɪᴄs ♦ ʀᴇsᴏᴜʀᴄᴇs ♦ ʀᴇᴏ̨ᴜᴇsᴛs ғᴏʟʟᴏᴡ ᴜs!
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faterpresources · 2 months
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Q&A: How To Punch
How can I properly show the difference in size/ability/personality when two characters are fist fighting? Do a bigger and stronger guy throw a punch differently than his younger shorter opponent? Is that even a thing in real life?
The great irony, despite all media has taught you, is that two people of different heights, weights, and genders will actually fight (mostly) the same way if they are they are trained in the martial same style. Everybody learns the same move set, what makes the difference is how well they execute it and how disciplined they are when they start to flag.
The easiest are with people who don’t know what they’re doing versus people who do. For trained fighters, a lot of personality is going to get shed when they settle in and focus. You can have a cocky shit who talks a lot of trash outside the ring before the match and then say absolutely nothing inside it. Talk wastes air and you need oxygen to keep your endurance up. The person who talks during the fight gets punched, and should because they’re not focused. They deserve it.
No, they really do. Competitive fighters will take advantage of that kind of distraction. If someone’s talking in the ring, they’re doing it at a safe distance (at starting distance/outside arms reach) while both they and their opponent are searching for an opening.
The best fighters are the ones with the highest technical proficiency and the least amounts shits to give about their opponent’s future.
Let’s talk about technical proficiency for a second:
Technical proficiency relates to how skilled your character is i.e. how good they are at executing their techniques. What is technique?
It’s more than just a punch. It’s every minute movement involved in the movement of your body as it executes that punch. This includes
A) Your stance: the width of your feet in comparison to your shoulders, the degree at which your knees are bent, creating a centralized point of balance as you move.
B) The twist of your hips as you punch. This is, in combination with your shoulders, is your main generator of momentum i.e. power. (Yes, this has nothing to do with how many muscles you have.)
C) The position of your hands in relation to their distance from your face before you throw your punch. (This would be part of the fighting stance.)
D) The twist of your shoulders in time with your hips. Did they move together or are they out of slightly sync?
E) The position of your elbows. Were they inside or outside the body, is your arm in line with your shoulder when it extends?
F) The extension of your arm. Did you overextend past that front foot in your stance and put yourself out of balance?
G) Did you properly lock your fist when you punched? This is all five fingers clenched together when you punch, locked by your thumb. If your thumb is inside your fingers or outside your hand, you’re at risk of breaking your fingers. (Yes, beginners do this.)
H) Did you lock your wrist in line with your fist and your elbow and your shoulder? (Yes, beginners also do this.)
I) Did you do lock up at the fraction of a second before you struck your target? Thus applying maximum force? Momentum = movement + speed. If you lock too early, you slow down in the critical instant before striking and blunt your force/create more opportunity to be blocked.(Yes, beginners do this. They also flinch.) Punching a target, even a soft target, hurts. It will hurt when you do everything perfectly. That’s before we get to the psychological aspect of hurting someone else and the affect of that indecision on your physical body.
J) Did you return to resting or flow smoothly into your next combination/strike? Or did you just stand there like an idiot?
K) How quickly did you manage it? Again, this entire move happens within a fraction of a second, often too quickly for the untrained eye to follow. It’s fast. (Fun Fact: film cameras lose frames of professional martial artists/martial arts actors like Jet Li and Jackie Chan when they go full tilt.) Most of the time, audiences at professional matches mistake and respond to the secondary, follow-up strikes rather than the actual winning hit.
These are only some of the considerations toward basic technical proficiency, there are more and more ways you can screw up a simple, basic punch. When we say someone has “flawless technique,” we mean they can execute every aspect of the technique flawlessly from start to finish. The best contenders will all be in that range, especially when looked at by outsiders. A strong technical foundation is essential to success. In fact, it’s necessary. Strong foundations aren’t just needed for strong defenses, offenses, or executing your techniques successfully, they’re also energy efficient. A fighter with an excellent foundation and high technical proficiency continues when the their opponent with a shoddy foundation flags. You can win when you’re opponent is tired.
If you have a poor foundation, you are poor in everything. You’re technique is inefficient, you’re slower, your defense has more openings, your movements are bigger and thus have more tells, wasted movements means you’re wasting more energy. You’ve essentially hobbled yourself.
Now, poor foundations can be fixed. Technique is tightened with practice. The more experience a fighter has, the more they’re willing to address their flaws and work toward improvement then they have a chance to become better. Martial arts is skill based, not talent based. The person who works the hardest, the longest, and is the most determined is one who eventually stands among the best.
The best way to address this in your writing is to start looking at different how to videos on YouTube from martial arts masters discussing how to perform different techniques. You’ll be able to see the breakdowns, have them explained, and see what it looks like when a person with experience does it right. If you’re trying to write a character describing another character as inexperienced, it helps at least get a window into what the technique is supposed to look like.
I must say though, that even with a technique as simple as a single punch (whether front hand or backhand) there’s a lot of variation in technical detail between different martial styles. So, different characters could punch in different ways depending on their backgrounds.
-Michi
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Q&A: How To Punch was originally published on How to Fight Write.
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faterpresources · 2 months
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𓏲 。 ๋  A Photoshop Template inspired by iPad Widgets
This template requires knowledge of clipping mask and editing texts, as well as changing colors. I’ve tried to add a simple description for clipping masks.
Font: Arial, Gotham Book
Template Size: 540x540px
Rules: - Edit it as much as you’d like but please do not use this in other templates. -  Do not repost this! - Do not claim it as yours. - Please like/reblog this post if using!
Credits: - photo credits: unsplash - icon credits:  Ahsaninspire
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faterpresources · 2 months
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🐝  *  ―  𝐑𝐏 𝐁𝐎𝐑𝐃𝐄𝐑 𝟎𝟎𝟕: 𝐇𝐘𝐀𝐂𝐈𝐍𝐓𝐇𝐔𝐒  (  a  free  icon  border  template  with  a  minimalist  butterfly  theme.  font  used  is  foundry  font  pack,  and  the  canvas  size  is  540x54 px  with  the  icon  being  46x46 px.  coloring  not  included.  feel  free  to  adjust  to  your  needs.  )
DOWNLOAD HERE.
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faterpresources · 2 months
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🎎HORROR PARTY MEME🎎
For Multimuses, Please Specify Muse:
Send ‘🎎’ to play Hitori Kakurenbo with my muse.
Send ‘🗣’ for my muse to tell yours a horror story.
Send ‘🏚’ to explore a haunted area with my muse.
Send ‘🙌’ to scare/surprise my muse.
Send ‘👁’ for my muses’ reaction to witnessing/seeing a paranormal occurrence.
Send ‘🎐’ to find my muse shaking in fear after witnessing a paranormal occurrence.
133 notes · View notes
faterpresources · 3 months
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sacred romantic moments
“ don’t go. stay. “
“ but you’re here, so stay. “
“ i don’t want to be alone tonight. “
“ just come over. “
“ let’s be alone together. “
“ i didn’t know where else to go. “
“ i don’t want us to be apart anymore. ever. “
“ i wouldn’t have called you if it wasn’t important. “
“ you can talk to me about anything. you know that, right? “
“ just… be honest with me, do you hate me? “
“ i could never hate you. not really. “
“ you’re my friend, but… sometimes i wish you were more than that. “
“ we’re not just friends. you know that. “
“ i think i’m falling in love with you. “
“ can i hold your hand? “
“ yeah, you’re in love with me. “
“ just hold me. “
“ things would be so much easier if we were honest with each other. “
“ why can’t you be honest with me? with yourself? “
“ maybe you could stay? just for tonight? “
“ it’s dark outside, and it’s raining. my arms are much safer. “
“ you can’t keep doing this. you can’t keep lying to yourself. “
“ i can’t keep lying to myself, or to you. it’s not fair on either of us. “
“ i think you should kiss me. “
“ kiss me like you mean it. “
“ just kiss me. “
“ you shouldn’t kiss me right now. “
“ look me in the eyes and tell me you love me. “
“ you can’t lie to me, you know. “
“ you know me better than anyone. you always have. “
“ you’re pretty amazing. you know that, right? “
“ you’re just… you’re extraordinary. “
“ you’re good to me, you know. really good. “
“ you’ve made me the happiest i’ve ever been. “
“ i don’t know what i would have done if you weren’t here. “
“ our love can conquer anything. “
“ and for many generations to come, our love story will live on. “
“ i want you to marry me. “
“ if you asked me to marry you tomorrow, i’d say yes. “ “ what about today? “
“ marry me, name. marry me and make me the luckiest [x] in the world. “
“ your kiss could mend a broken heart. “
“ are you going to kiss me again, or do i have to do it myself? “
“ i could cry, that’s how much i love you. “
“ you’re worthy of my love. “
“ truth is that i’m so damn in love with you that i don’t know what to do with myself. “
“ maybe tonight, it’s you and me. “
“ i don’t know what the future holds. all i know is that i hope you’re in it. “
“ could you promise me one thing? “
“ promise me that we’ll be together, no matter what. “
“ it’s you and me, forever. no matter what. “
“ i didn’t want to tell you until i was sure, but… i’m pregnant. “
“ we’re going to be family! “
“ this baby, it’s the best thing that could ever have happened to us. “
“ i can’t believe this, we’re going to be parents! “
“ dance with me? “
“ may i have this dance? “
“ you’re my whole world, you know. “
“ don’t speak, just… kiss me. “
“ you have no idea how long i’ve been wanting to that. “
“ i’ve been wanting to tell you for so long… “
“ so… is this like, a thing now? “
“ i always miss you, even when you’re next to me. “
” i miss you. i miss you so much it hurts. ”
” i don’t want you to miss me. it’s tearing me apart. ”
“ you make me happier. “
“ i love waking up next to you. “
“ my favorite thing is falling asleep next to you. “
“ come cuddle with me. “
“ this is torture, isn’t it? “ “ not in the slightest. “
“ do you love me? “
“ could this be something more? “
“ move in with me. “
“ do you think we should move in together? you spend all your time here anyway. “
“ are you serious? i’ve had a crush on you for as long as i can remember. “
“ i know you’re in love with me. “
“ you’re really cute, you know. “
“ you’re so damn attractive. you know that right? “
“ if anybody were to kiss me, i would want that person to be you. “
“ and right now, i think you should kiss me. “
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faterpresources · 3 months
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Wɪᴛᴄʜ ᴏɴ ᴛʜᴇ Hᴏʟʏ Nɪɢʜᴛ - Cʜᴀᴘᴛᴇʀ 2 : Lɪᴛᴛʟᴇ ʜᴀᴘᴘᴇɴɪɴɢ ᴏғ ʟᴀsᴛ ɴɪɢʜᴛ (ᴘᴀʀᴛ 2) - Sᴇɴᴛᴇɴᴄᴇ Sᴛᴀʀᴛᴇʀs
A collection of random lines compiled from the game Witch on the Holy Night (Mahōtsukai no Yoru ,also known as Mahoyo) Feel free to change the pronouns in order to better suit the parts involved. Warning: some crude language
❝So we’re really going through with this? We’re absolutely sure we wanna do this? ❞
❝I thought I told you yesterday that I’m not interested in being your taste tester. ❞
❝No matter where you run, they’ll chase you as long there’s still life left in them.❞
❝There’s nothing I can do if neither of you understand why you feel the way you do. ❞
❝Who could have thought His/Her Highness could be so considerate to his/her friends? ❞
❝Just because he/she wants to be friends doesn’t mean I have to suddenly like him/her. ❞
❝Oh, nothing. It’s just that those are some special-looking rice balls you’ve got there. ❞
❝Are you trying to make fun of me? A word of advice, leave that to us smart people, hmm? ❞
❝The city is really strange, but a pretty easy place to live, once you get the hang of it. ❞
❝You’re so petty, you know that?! You’re supposed to repay insult with insults, you coward! ❞
❝I’m impressed you never complain about it. You always look like nothing bothers you at all. ❞
❝We never see eye to eye. Talking to you is like going on a date, both pointless activities. ❞
❝Hearing you say that, I was just thinking I’ve never met such a despicable person in my life. ❞
❝Hopefully you’ve learned your lesson, oh hellish demon who feasts upon the hearts of men/women. ❞
❝ Relax. The city might have its share of shady guys, but none of them are magicians in disguise. ❞
❝ Are you kidding me!? How in the hell do you come to that conclusion after hearing a story like that!? ❞
❝ He/she won’t like you for being nice to him/her, and he/she won’t hate you for being mean to him/her. ❞
❝ I’m not someone who goes around holding grudges for something that happened over a week ago, you know. ❞
❝ Oh! You wanna become our second volunteer? Perfect! I’ll make it the best winter vacation you’ve ever had! ❞
❝ Hehehe, have you lost your way, Your Highness? You’re slumming where the commoners eat gruel from their toughs. ❞
❝ Really?! But ’s such a goody-two-shoes! He/she’s never broken any rules! Well, the rules of the school at least! ❞
❝ I was starting to wonder if it was normal for that kind of thing to go on in a city, so I wanted to hear your opinion. ❞
❝ Don’t mind them. If you get involved with every idiot who invites you to do something, you’ll mess up your whole life. ❞
❝ Don’t you think you should stop wasting brainpower on this? I mean, you’ve got so few brain cells to work with as it is. ❞
❝ Rumors like those can come in handy sometimes. You can use them chase off annoying people. Just be careful about who you tell, okay?❞
❝ I could hear you before. I was just ignoring you because you were annoying me, and I thought it’d be easier than getting you to shut up. ❞
❝ Like how everyone think he/she’s an angel, and how nothing seems to bother him/her. Maybe it’s how good he/she is at getting on my nerves. ❞
❝ I forgot. You don’t know about what happened a year ago… ‘Cause if you did, you wouldn’t be treading down this path of destruction, my friend. ❞
❝ Okay, so why’d you pick a fight with him/her? I mean, he/she does throw you off when you talk to him/her, but there’s not an evil bone in his/her body. ❞
❝ Sometimes I feel someone’s gaze on me, and when I turn around to see who it is, he/she’s there, looking like he/she’s worried about me, that I’ll mess up. ❞
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faterpresources · 3 months
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𝑅𝑒𝑠𝑜𝑢𝑟𝑐𝑒𝑠 𝑓𝑜𝑟 Fᴀᴛᴇ/Sᴇʀɪᴇs 𝑅𝑃𝑒𝑟𝑠 𝑎𝑛𝑑 𝑓𝑎𝑛𝑠
ɪᴄᴏɴs ♦ ɢʀᴀᴘʜɪᴄs ♦ ʀᴇsᴏᴜʀᴄᴇs ♦ ʀᴇᴏ̨ᴜᴇsᴛs ғᴏʟʟᴏᴡ ᴜs!
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faterpresources · 3 months
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Wɪᴛᴄʜ ᴏɴ ᴛʜᴇ Hᴏʟʏ Nɪɢʜᴛ - Cʜᴀᴘᴛᴇʀ 2 : Lɪᴛᴛʟᴇ ʜᴀᴘᴘᴇɴɪɴɢ ᴏғ ʟᴀsᴛ ɴɪɢʜᴛ (ᴘᴀʀᴛ 1) - Sᴇɴᴛᴇɴᴄᴇ Sᴛᴀʀᴛᴇʀs
A collection of random lines compiled from the game Witch on the Holy Night (Mahōtsukai no Yoru ,also known as Mahoyo) Feel free to change the pronouns in order to better suit the parts involved. Warning: some crude language
❝ Would you look at that. ❞
❝ Times-a-wastin’! Let’s eat! ❞
❝ … It kind of tastes like dirt. ❞
❝ ‘So what’?! Were you born in hell?! ❞
❝ Look at what? What do you mean? ❞
❝ … Is that a good thing or a bad thing ? ❞
❝ You’ve got it all wrong, but that’s okay. ❞
❝ It’s okay to turn them down, you know. ❞
❝ Tell me what happened a year ago first. ❞
❝ I’m trying to compliment you, you idiot. ❞
❝ But what happened next is the juicy part. ❞
❝ It’s salmon. I would never eat grasshopper. ❞
❝ Huh? Isn’t that ancient history at this point? ❞
❝ Which do you prefer, running or swimming? ❞
❝ I don’t understand. Why would that happen? ❞
❝ He/She said he/she likes me…for no reason? ❞
❝ This is extortion, or blackmail, or something! ❞
❝ They were all a bunch of losers if you ask me. ❞
❝ Take that back. I’m more clever than you think. ❞
❝ … And what exactly is that supposed to mean? ❞
❝ A mosquito would offer better company, so no. ❞
❝ I get the feeling you’re not telling me everything. ❞
❝ You’ve got some nerve. Am I a mosquito to you? ❞
❝ Don’t worry. I value my life, so I’ll shut my mouth. ❞
❝ As much as emotional arguments can make sense. ❞
❝ Because I like what I like and dislike what I don’t like. ❞
❝ Ugh, well, I guess it’s true that love knows no reason. ❞
❝ Now you get it. It’s what a joyless existence tastes like. ❞
❝ It came to be known as the Bloody Town Hall Incident. ❞
❝ Stop trying to lead this good soul over to the dark side! ❞
❝ The way he/she acts reminds me of someone I despise. ❞
❝ I’m always civil – just not when you’re in the same room. ❞
❝ So, you just wanted to brag about how close you two are? ❞
❝ Anybody that never lies can’t really be considered human. ❞
❝ Barging into our classroom to lecture us on table manners! ❞
❝ … I kind of get it now. I think I know why I don’t like him/her. ❞
❝ But whatever the reason, I believe his/her concern is genuine. ❞
❝ Consider this revenge for saying I was worse than a mosquito. ❞
❝ Having one wolf in sheep’s clothing around here is bad enough. ❞
❝ Don’t even go there. Even thinking about it give me the creeps. ❞
❝ Just take it from me – his/her standards are anything but normal. ❞
❝ Okay. I’m not one to gossip, but for you I’m making an exception. ❞
❝ Huh? You grew up in the mountains, and you’re still afraid of dogs? ❞
❝ Your pride’s never allowed you to give anything less than your best. ❞
❝ Always trying to smooth things over with that silver tongue of yours. ❞
❝ Damn! It! All! I cant believe you of all people pulled one over on me! ❞
❝ I wouldn’t say there’s no reason for it. I can think of one at least. ❞
❝ No wonder you can’t get a boy/girlfriend. Do I have your attention now? ❞
❝ I thought he/she was beautiful the moment I first laid eyes on him/her. ❞
❝ It is kind of strange, to be honest. I don’t even know him/her that well. ❞
❝ All I know is that nothing good will come out of either of these choices. ❞
❝ What could he/she have done to have earned the attention of such royalty? ❞
❝ The law of the city…means someone will deal out punishment eventually … ❞
❝ Get your butt over here! It’s the long-awaited Canned Food Festival today! ❞
❝ Maybe he/she secretly wishes he/she could ignore me when we pass each other. ❞
❝ I see what you’re saying, _ , but being a dog isn’t exactly a good thing. ❞
❝ … No, I just meant that our dreams are something we take hold of ourselves. ❞
❝ The real question is what the hell qualifies as company to you, but whatever. ❞
❝ I bet you also told him/her all the nasty rumors floating about me, too, huh. ❞
❝ At least I’m trying. It’s like you stopped bothering to be civil two years ago. ❞
❝ So that’s how it is. You’re still upset with me for what happened, aren’t you? ❞
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faterpresources · 3 months
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#05 “ splatter  ” a blockquote template by jessource.
an original and free template. if using please like / reblog and don’t forget to credit.
notes: simple and easy to customise template that can work for blood splatter or watercolour. there are two options for your icon border, square and circle.
fonts: monstorm and arial.
please don’t redistribute, steal or claim as your own.
any issues, don’t hesitate to contact me!
[ download from deviantart ]
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