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jacuzziwrites · 32 minutes

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how to write children's personalities

(this is part of my series, how to write children in fanfiction! feel free to check it out if you want more info like this!)

this is the main aspect of writing children that i see people mess up so often, especially in the fandoms i'm in (sanders sides and undertale). children are not adorable little noodles with no brains and no concept besides being cute and silly and crying. children are beings that are just as complex as adults, and they deserve personalities to match. this will make them way more interesting to read about! let's get started!

since there are so many aspects to personality to talk about and i don't want to sit here typing for ten years, we're going to do this guide a little differently. i'm going to divide these issues into archetypes, write a short description, and then make a list of do's and don't's for each one!

archetype one: the cute little baby

okay. babies are cute. we all know this, and i'm not saying it's a bad thing to make your babies cute. a lot of people love reading about moments with adorable little babies. but here are some ways to step this kind of thing up, and some things to avoid if you want to improve upon writing this archetype.

do's:

give the child character another archetype besides this one. though "cute" is the foundation for a lot of child characters, it's not a personality. and if a character is vital to your story, then it needs a personality. that's just a rule. you will read more about other archetypes further along in this post!

make the moments symbolic. though it doesn't seem like it from an outsider's perspective, basically everything a baby does is for a reason, and every action a baby makes can say something about their personality. if you want this baby's personality to be energetic and curious, have them crawl around and explore things, and laugh a lot, and babble. if you want this baby to be more sullen and shy, have them cry quietly instead of wailing, or have them squirm when being held by new people.

make the actions of the baby's guardians affect the mannerisms of the baby. babies act differently depending on how the people taking care of them act and react. for instance, if the baby's guardians are very busy people, then maybe have the baby cry very loudly whenever they want something, since they know that it's the only way to get the attention of their guardians. stuff like that can add depth to a character and to a general story.

don't's:

decide that the baby is cute and call it a day. sweet little babies are cool and all, but they get very boring to read about after a while. this can barely even be considered an archetype because of how bland it is when it's by itself.

keep this archetype around for too long. as babies turn into toddlers and then children, they don't act even remotely the same way. it's strange and off-putting to read about a seven year old acting like a two-year old, unless it's a very clear character choice that is a result of explicit actions and events.

make the baby know that it's cute. realistically, children don't understand the concept of cuteness until they're around toddler age. if then, you want to make the kid be like "i get what i want when i'm cute, so i'll act cute!", then sure, that's hilarious. but when they're two months old, they're not batting their eyelashes because that's their personality. they're batting their eyelashes because they got something in their eye. the main thing that makes a baby cute is that they don't know they're cute. they're just figuring out how to do ordinary things.

make everything a cute moment. while babies are awesome, raising them isn't always sunshine and rainbows. make the baby do something wildly chaotic, because babies do wildly chaotic things all the time. not only does this make things more realistic, but it makes things very interesting!

archetype two: the shy kid

as a former shy kid, i know good and well that these types of children exist, and they are very real and valid. however, there are certain ways i've seen them written that are just terrible because once again, this archetype cannot be considered a full personality on its own. let's get into the do's and don't's.

do's:

make their shyness a deliberate choice. kids aren't usually naturally shy. kids are usually more curious than cautious. is there a reason why the kid is shy? there doesn't have to be a reason why the kid is shy, but there could be a reason why the child is NOT outgoing/curious. try and give something like this some deliberate cause, instead of just making them shy so they can seem more precious and infantilized.

make their shyness manifest in diverse ways. not all shy kids cling to their guardian's leg and sit alone during recess. there are different ways to be shy. you can be aggressively shy, or fearfully shy, or shy due to general unwillingness to change.

make their shyness have realistic consequences. someone who's shy is probably not going to have many friends, if any. not all shy kids magically meet an extrovert who adopts them. someone who's shy probably has underdeveloped social skills, which can lead to them being less emotionally intelligent down the line. this makes the shy kid archetype a lot more three-dimensional than just a wet noodle of fear.

don't's:

infantilize shyness or treat it like it makes the kid some sweet, precious angel. not only is this very uncomfortable for shy people to read, but it's generally unrealistic. shyness doesn't affect how good or bad somebody is - it's a neutral trait.

use shyness as a tool to make characters seem younger. shyness does not indicate age. fear manifests in many different ways, and shyness is not the only way.

rely on cliches. not all shy people have the same journey, and the idea that a shy person becoming more outgoing is the "goal" is not only a bit offensive, but it's very cliche. shyness is not always an obstacle to be overcome.

archetype three: the happy-go-lucky kid

oftentimes, the reason why children characters are written into stories in the first place is to give a little bit of lightheartedness and innocence. to add a unique voice among all the cranky, stingy, burdened adults. but you have to be careful when writing this archetype. i personally really dislike this archetype as a whole, but i'm going to put personal feelings towards it aside because honestly, there's no valid reason to dislike it besides opinion.

do's:

give the kid a trademark. maybe this kid makes a lot of little jokes, or maybe they always see the best in a situation. give the kid one thing that makes them happy-go-lucky instead of just giving them everything because nobody is endlessly happy all the time in every way.

go deeper. while happiness is very often genuine, sometimes, it's a mask that hides something else. this can be an interesting way to sort of spice up your happy-go-lucky kid character. maybe the kid is hiding a big secret behind all those jokes.

don't's:

make the character always happy. while children tend to have simpler thoughts, they don't have simpler minds. this child needs to have thoughts, real, genuine thoughts that aren't just happy things.

see happy-go-lucky as a trait that is exclusive to children. comparing happiness to childhood and viewing them as the only places where the other can exist is just wrong, and it's kind of depressing. maybe give happy-go-lucky kid a happy-go-lucky adult to exchange jokes with!

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those are the archetypes that i see a lot. but now, i'm going to suggest a few child character archetypes that i LOVE that i don't see enough in fics! feel free to use any of these that you like. alter them, combine them! these are, in my opinion, some of the most fun child character personalities!

the spoiled brat: "i want this, and that, and that, and- why aren't you giving it to me?? if you don't give me what i want, i'll tell on you!". spoiled brats are so fun to read and write about, especially when they have absolutely no reason to be spoiled given the current situation (think riches to rags). they've got everything, humor, angst, and best of all, lots of pockets for personality. think about why the child is spoiled. were they enabled by their guardians? did they grow up rich, with access to everything they wanted? think about whether you want the child to stay spoiled. does something change? do they learn how to improve their materialistic and selfish tendencies? there are so many opportunities to play with the personality of this child!

the know-it-all kid: while i do see a lot of know-it-all kids in media, oftentimes, they don't actually have personality besides bossiness and intelligence. i love know-it-all kids who have depth to them. kids who are constantly spouting information because of their sheer love to learn. kids who have one specific thing that they know everything about, so they never stop talking about it. kids who tell people what to do and act like they know best because they don't have a lot of control over anything at home, so they grasp at whatever control they can find elsewhere. i think this archetype could open up a lot of ideas for personality further down the line. it also has a lot of variety with humor and angst, and general depth.

the serious child: this is an archetype that i cannot get enough of. i love a child that doesn't think they're an adult, per se, and still enjoys kid things, but just has such a calm and regal air about them that isn't learned. it's just natural. think of the kid that doesn't really get excited about things conventionally, but you can tell they're happy by their faint smile. the kid that seems to live in slow motion, and doesn't mind this fact at all. the kid that sits alone at recess just because other kids scare the birds away, and they want to see how a bird acts when it doesn't think its being watched. i love kids who have poignant thoughts, because their thoughts are so creative and different from adult thoughts.

the adult-ified child: now this is another archetype i can't get enough of, but it's for a different reason. this child, on the other hand, does think that they're an adult for one reason or another. maybe their guardians forced them to grow up too quickly. maybe they just wanted to grow up quickly by themselves. but this child has thoughts that are too big for their little bodies. they explore things that aren't meant to be explored when their brains are still so small. they do everything too quickly, they stumble through life as if a clock is ticking somewhere. to me, they're just haunting to read about. it feels wrong and dangerous to just watch them do things that hurt them because they don't know any better, but they're on a page. nobody can stop them. it's just so tragic, i'm obsessed.

the prodigal child: this archetype isn't really as deep or detailed as the others, but i do appreciate it. this archetype is for a child who knew who they wanted to be from an early age. a child who wanders into a ballet class and finds out they're better than the ten year olds by the time they're five. this archetype often pairs really well with the know-it-all kid or the adult-ified child because usually, children don't experience what it's like to be the best at something until they're a lot older. this is just a really cool archetype when you aren't quite sure what to do with that main character's little sister.

the chaotic child: this archetype is so much fun to read and write, to be honest. this is a child that just does as they please, whether it's out of curiosity or for pure enjoyment. think of the crazy stories that your guardians have about you or your siblings being absolutely insane. scribbling in a book and then demanding that the library publish their version. trying to ride the dog like a horse. cutting up clothes in an attempt to be a fashion designer. this one is just plain fun!

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now, there are so many more archetypes out there, but those are just my spotlights and recommendations! i hope after reading this, you feel more equipt to write child characters that have real, engaging, interesting personalities!

#writing advice 📝#writing characters #writing children

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jacuzziwrites · 48 minutes

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Writing mistakes that editors will call you out for!

Disclaimer: this is a harsh and mean informative post on mistakes that make your writing amateurish or fanfiction-like. In the professional world, editors will call you out on them in a much harsher way that here.. but hey, they’re easy to fix! Of course, the quality of writing is often a matter of individual taste and experience, though there is a theory to it and ways to make your work clear and interesting to your readers.

And yes, as cruel as it sounds to admit—most fanfiction writers are amateurs who will not help you improve your own writing. You might have to close your Good Omens AO3 fanfic for a few hours to read the actual work by Neil Gaiman. That said, fanfiction is an amazing gateway to becoming a pro author because it gives you insight on what the audience likes, and the practice you need to improve! There are many fanfiction writers who’ve taken the time to learn from professionals about their craft, and are in a place where they could become successful published authors themselves.

That aside, here are 7 writing mistakes that hinder your writing!

1 – Dialogue tags

This is BY FAR the most common mistake that amateur writers do, and particularly prelevant in fanfiction. Alternative dialogue tags (whisper, shout, murmured) should be used VERY sparingly. “said”, “replied”, and “asked” should build up the majority of the tags you use.

Oftentimes, the reader will understand the tone based on what the character says or by their actions.

2 - Tense changes

Pick a tense and stick to it. Many times, amateurs waver between past and present which leads to awkward reading. Choose which tense you prefer and stick to it. An extra caution should be taken when using past tense, however, to correctly use past preterite (I ate) vs past perfect (I had eaten). While both can be used, they are different so make sure you understand when to use which.

3 – Pointless dialogue

It’s time to cut the small talk. While chitchat and banter may be fun to read, particularly in fanfiction, editors will ask that you remove it if it doesn’t advance the plot. What you want to do is cut down on the filler in your story, and if that means your characters NOT having an argument about macaroni cheese, then so be it. Save dialogue for important and meaningful conversation only—your readers will prefer it, I promise.

4 – Pointless description

Hand in hand with the previous point, description should be kept consise and relevant. We don’t need to know what your character is wearing or the details of their “black, leather, zebra-print sofa under the wide windowsill in the master bedroom”. Keep the descriptions short, fed into the plot little-by-little and relevant to what is happening. Your readers are smart—they can imagine the rest for themselves! That’s what makes reading fun!

5 – Use the character’s name

The blue-eyed boy has a name for the great purpose of you using it! Literal writing, nine times out of ten, is better! Green orbs are distracting, but green eyes are to the point and clear. It’s the same with names! The name, title, role (butler, governess etc), or pronouns should always be the default. Any other term should be used sparingly when there is no other alternative.

6 – Abandon the pet names

Yes, pet names are cute and fun, but not when they’re in every sentence of conversation. Things like “babe”, “baby”, “sugarpuff sunshine fairy” should be used SPARINGLY. I can assure you, the love interests saying it once or twice in the novel will have a far greater impact on the reader than if they say it every time they call their partner. An overuse of pet names becomes distracting and make the character seem both immature and a caricature. It also has a similar effet to repeating the other person’s name during a conversation—it leads to unnatural dialogue as we only really say the other person’s name to them in order to get their attention.

7 – Immature characters

This is a biiiiig one in fanfiction. You may see characters who are adults in their mid to late twenties but who still behave like teenagers. Granted, if you are a teenage writer, this can’t always be corrected, though it does become apparent to any reader over the age of eighteen.

Truth be told, adults mature and don’t react as overtly as many poorly-written characters do. A twenty-eight year old is very unlikely to tell two teenagers who are making out at the kitchen table to “get a room”, nor are they likely to be victim of some horrible miscommunication that leads to a lovers-to-enemies-to-lovers situation. Of course, it is still possible, though it does read as unrealistic and makes it apparent that the author has not yet reached the age of the character they are writing about. Take reference from real people around the age of your characters and if all else fails, you could always look for the possibility to age them down.

The point of correcting these mistakes is to create a novel that is easy to understand without the reader feeling as though they're swimming through mud. Publishers look for clear, consise books that tell one story from start to finish!

Good luck!

#writing advice 📝

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jacuzziwrites · 2 hours

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When people die, their strength and skills are passed to the last person they hold in their thoughts. Kingdoms have risen and fallen, except for yours, where the King is beloved by all and receives everyone’s Parting Gift. One day, you, a total commoner, awaken with the powers of your king…

#others writing

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jacuzziwrites · 2 hours

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Masterpost: How to write a story?

Compilation of writing advice for some aspects of the writing process.

How to motivate myself to write more

How to get rid of writer’s block

Basic Overview: How to write a story

How to come up with plot

How to create a character

How to make a character unique

How to start a story

How to write a prologue

How to write conversation

How to write witty banter

How to write the last line

How to write a summary

How to write a book description

How to write romance

How to write emotional scenes

How to write yelling

How to title fanfiction

How to write an unreliable narrator

How to write character deaths

How to use songs in a fanfiction

How to name fictional things

Introducing a group of characters

Large cast of characters interacting in one scene

Redemption arc

Plot twists

Fatal Character Flaws

Good traits gone bad

More specific scenarios

Slow burn

AU ideas

Favourite tropes

How to create quick chemistry

How to write a bilingual character

How to write a character with glasses

How to create a villain

How to write a polyamorous relationship

How to write a wedding

How to write found family

How to write forbidden love

How to write a road trip

How to create and write a cult

How to write amnesia

How to write a stratocracy

How to write the mafia

Criminal past comes to light

Reasons for breaking up while still loving each other

Relationship Problems

Milestones in a relationship

Platonic activities for friends

Introducing partner(s) to family

Honeymoon

Date gone wrong

Love Language - Showing, not telling

Love Language - Showing you care

Affections without touching

Giving the reader butterflies with your characters

Reasons a couple would divorce on good terms

How to write enemies to lovers

How to write lovers to enemies to lovers

How to write academic rivals to lovers

How to write age difference

How to create a coffee shop atmosphere

How to write a college party

How to write modern royalty

Arranged matrimony for royalty

Paramilitary Forces/ Militia

Inconvenient things a ghost could do

A Queen’s Assassination Plot

Crime Story - Detective’s POV

Evil organization of assassins

Evil wins in the end

Causes for the apocalypse

Last day on earth

If you like my blog and want to support me, you can buy me a coffee! And check out my Instagram! 🥰

#writing advice 📝#character building

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jacuzziwrites · 1 day

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Character Flaws

When creating characters, it's all too easy to envision the most perfect people, especially when it comes to creating love interests. Even our loveable morally grey characters are mostly perfect, if only they would stop killing...

So, here are a list of some flaws (based on personality, not appearance) to help round out your characters. While it's nice to be good at everything, it's abnormal. No one is perfect, and your characters will be much more relatable if you knock them down a bit.

Please note, none of these are (specifically) mental disorders, as I don't consider those a character flaw.

The Good (aka little flaw):

Absent-minded, aimless, argumentative, audacious, awkward, blunt, bold, boring, capricious, childish, clumsy, competitive, complainer, cowardly, critical directionally-challenged, dubious, finicky, fixated, flake, flirty, foolish, gossipy, gruff, gullible, hedonistic, humourless, hypocritical, idealist, idiotic, ignorant, illiterate, immature, impatient, impetuous, impulsive, incompetent, inconsiderate, indecisive, indifferent, indomitable, irrational, lazy, lustful, materialistic, meddlesome, meek, mischievious, nagging, naive, nervous, nosey, obnoxious, overambitious, overconfident, overemotional, overprotective, overzealous, passive-aggressive, paranoid, peevish, perfectionist, pessimist, pest, predicatable, pretencious, prideful, rebellious, renege, rigorous, sarcastic, skeptic, seducer, selfish, self-righteous, shallow, slacker, solemn, spacey, spoild, squeamish, stubborn, supersticious, sycophant, tactless, tease, tempermental, tenacious, theatrical, thoughtless, timid, unpredictable, unsupportive, vain, workaholic

The Bad (aka big flaw):

Addiction, adulterous, aloof, anxious, apathetic, arrogant, belittling, belligerent, bigmouth, bitter, bully, callous, deceptive, dependant, deranged, dishonest, disloyal, disrespectful, egotistical, envious, erratic, exploitive, fanatical, fickle, fierce (at the extreme), gluttonous, greedy, harasser, hubris, impious, infamy, intolerant, judgemental, lewd, liar, meglomaniac, morally grey, narcissistic, negligent, obsequious, obsessive, offensive, prejudiced, quixotic, reckless, rigid, self-martyr, self-righteous, short-tempered, spiteful, squanderer, stingy, unethical, unforgiving, untrustworthy

The Ugly (aka cross the street when you see this person):

Abusive, bigot, controlling, cruel, explosive, immoral, inhumane, intolerant, machiavellian, manipulative, murderous, neglectful, oppressive, racist, remorseless, possessive, self-destructive, threatening, treacherous, vengeful, vindictive, violent

The seven chief features of ego: self-deprecation, self-destruction, martyrdom, stubbornness, greed, arrogance and impatience.

Some of these may not even be considered flaws, and some may jump from one category to the next. It's all about how you present these flaws in your characters.

Have any more to add? Did you find this useful? Let me know down in the comments :)

#character traits #character flaws #character development #character building #writing advice 📝

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jacuzziwrites · 2 days

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hopeless time loop. the way out isn’t to save everyone. the way out isn’t to save even one person. the way out isn’t to change anything. the way out is accepting how it happened the first time is how it always will be. that’s how you acted, that’s how they acted, that’s how you would have acted every time if you weren’t given the curse of hindsight. the way out is accepting you can’t fix the past; you can only forgive yourself for it.

#tropes tropes tropes #tropes that i wanna use #time loop #angst 😈

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jacuzziwrites · 9 days

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The Fetishization of Albinism

Why is Albinism Treated this way on Tumblr?

Definition of Fetishization:

to make a fetish of

“any object or nongenital part of the body that causes a habitual erotic response or fixation,” source.

I’ve noticed that a lot of the posts under the #albinism or #albino tag on this website have captions of the poster gushing about how beautiful they think albinism is, or how they would like to be albino or have an albino child. I find this a bit strange.

Naturally, if an albino person is a model (like Nastya Zhidkova) they would probably look beautiful whether they had albinism or not. There are plenty of people with albinism with more average body types or less striking features, so it’s a bit misleading to think that people with albinism always look ethereal/angelic/model-esque.

Don’t get me wrong, I’d rather have people telling me that my albinism is pretty as opposed to saying I look like a freak who needs a suntan. However, putting albinism on a pedestal only increases the separation between people with this disorder and non-affected people. It’s a medical condition, not a fashion statement.

I do feel proud whenever I hear about albino models in magazines. Why? Because maybe the publicity will help people understand the disorder. Normally, albino people are portrayed as evil in movies/literature, so hopefully having everyday individuals affected with albinism in the media can help combat that stereotype. Fetishization of albinism is just another stereotype, albeit a less derogatory one.

Desire to have albinism, or the desire to have an albino child:

I understand people saying that albinism “looks cool” but this one I just don’t get. Overall, I’d say may experience with albinism has been negative. It’s the source of my blindness (which has gotten worse with age), it’s the reason I can’t drive a car or have a normal day at the beach with friends. The functional impact of the disorder is more than needing to wear sunscreen every now and then.

Here’s a list of some of the functional ramifications of being albino:

Visual impairment: this diagnosis starts at 20/60. Many people with albinism are visually impaired, meaning they can’t read regular print, drive a car, etc. It’s not unusual for people with this disorder to wear glasses or use visual aids like a magnifying glass or a CCTV. This diagnosis means that EVEN WITH THEIR GLASSES ON they are visually impaired. Their vision IS NOT CORRECTABLE.

Blindness: this diagnosis starts at 20/200. A large number of people with albinism are legally blind, which is a more severe condition than being visually impaired. Lots of children with albinism are born visually impaired but, because they have no melanin to protect their retina, their vision decreases with age. With this level of vision it becomes necessary to use audio devices like screen readers for the computer, color identifiers on a smartphone for matching clothes, Braille for reading signs, tactile markers on home appliances, orientation and mobility training in cane use for traveling, possibly even a guide dog depending on how much traveling you do. This diagnosis means that EVEN WITH THEIR GLASSES ON they are blind, meaning their vision IS NOT CORRECTABLE.

Skin sensitivity: People with albinism can not tan. They can’t get a natural tan, they can’t use a tanning bed, their burn will not fade into a tan, etc. A lot of people do not understand this. Again, the lack of melanin means their skin is not protected from the sun, so excessive sun exposure can lead to skin cancers or eye cancers because of UV damage. Using a high SPF sunscreen, sunglasses, and a hat are a MUST for people with albinism.

Auto-immune disorders: there are some rare types of albinism (such as Chediak-Higashi Syndrome) that can cause the person to be more susceptible to bacterial infections, leading to further immune complications.

Bleeding Tendency and Lung Disease: this type of albinism is Hermansky Pudlak Syndrome and it’s also rare. It has a functional impact similar to hemophilia but the severity can very from individual to individual. HPS is also characterized by lung inflammation, which worsens as the person ages. Again, the lung disease varies, much like the bleeding tendency.

There is no treatment for albinism. It’s a genetic disorder, meaning the individual has had it since birth and will have it for the rest of their lives. You can try to alleviate the unpleasant symptoms of the disorder but you will never be able to treat the root cause.

Source: NOAH.

Now is it more clear why the fetishization of this disorder seems so strange to me? People with albinism are just like everyone else. Fetishizing albinism is like fetishizing all tall people, or all people with red hair. It’s a stereotype.

#albinism representation #writing disabled characters #writing disabilities #writing characters #physical traits #albinism #writing albinism

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jacuzziwrites · 9 days

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genuinely so tired of the male love interest in every m/f romance being the most hugelarge tallman to ever growth spurt. I need to see some women swooning over little five foot five rat dudes who need to be tucked in their gf's pocket lest they blow away like a napkin in the wind.

#IAN MY BELOVED #HIS WIFE IS 5'11 #Zyla x Ian

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jacuzziwrites · 9 days

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7 Types of Internal Conflict for Your Protagonist

External conflict can always make readers more interested in a story. The fist fights, car chases, and fictional battles might make them hold their breath, but so can internal conflict. Check out the primary types of internal conflict your protagonist can experience to add more depth to your stories.

1. Morality Conflicts

Everyone eventually reaches a point where they question their morals. We have to believe in our morals as individuals to prioritize them. It’s not enough to have your parents or other leaders in your life tell you what’s right and wrong. You won’t hold the same morals until you choose them on your own.

Characters also reach these crucial points. It’s part of their character development like it’s part of our personal development.

Your protagonist may only grapple with one question of morality in your story or they could encounter many. The morals will most likely align with your theme so they make sense within your plot.

Example: Your protagonist is a scientific researcher and leading a trial that could result in a cure for a new illness. They know they shouldn’t take bribes and wouldn’t compromise their career, but someone who nearly qualifies for their trial offers a life-changing amount of money to get included even though they’ve already been ruled out. The protagonist has to choose—do they stick with what they trust is morally correct or do they take the money and use it to help pay for a family member’s legal battle in criminal court? Do they view it as potentially saving two lives at once? Or do they reject the bribe and face whatever consequences could have possibly been avoided?

2. Self-Identity Conflicts

Your identity is something that morphs with time. People rarely settle on one version of themselves forever. Life makes us reconsider things from different perspectives as we go through periods of challenges and peace. Characters also grapple with their identities when faced with similar situations. It makes them take a stand, hold their ground, or chase new goals, which is much more interesting for readers.

Example: Your protagonist considers themselves an optimist because they’re a firefighter who has saved many lives. When they realize their chief has been starting all the fires their station ever fought, your protagonist begins to view people more pessimistically. It affects how quickly they’re willing to risk their life for others, which results in challenges and a character arc they wouldn’t have experienced without this fundamental change in their identity.

3. Religious Belief Conflicts

It’s much easier to stay firm in your religious beliefs if nothing challenges them. If a challenge or major question arises and your beliefs hold firm, that makes your identity stronger. It doesn’t always happen that way though.

When your protagonist faces this type of internal conflict and realizes their opinions or feelings contradict their religious beliefs, it can take them onto a path that shapes a new identity. These choices are hard but real. Readers who are going through the same experience or experienced the same questions before will get absorbed by your story because it’s relatable.

Example: Your protagonist attends a religious gathering every week. The group fundamentally believes their religion exists to help those in need. Prejudices begin to invade that group, so people start choosing their own well-being instead of helping others. Your protagonist watches their religious family pick sides and has to question if they really believe in helping others or if they choose the familiarity and safety that comes with the approval of their longtime religious family.

4. Societal Role Conflicts

Societies have predetermined roles or expectations for people based on factors like their gender, sex, and economic status (just to name a few). Sometimes these roles feel natural to people and other times they don’t. We all have to decide what feels best for us on an ongoing basis. Your protagonist may need to choose their societal role, reject it, or shape a new one to portray your theme in a relatable way.

Example: Your protagonist goes to a university for the first time. They’ve been encouraged by everyone they know to start forming a large friend group. That’s what people are supposed to do in college, their loved ones said. But your protagonist is an introvert and values only a few friendships at a time. They have to choose if they’ll push themselves to become a social butterfly or if they’re happier as the person they’ve always been.

5. Political Opinion Conflicts

Political opinions can create all types of internal conflict. You may believe in a certain candidate or party during one part of your life and support something completely different in another part. Those values change as we experience new things and meet new people. Characters can face the same internal struggles as they recognize changing values or reject opportunities for change.

Example: Your protagonist may have never formed strong political opinions. They meet a new person who becomes their best friend, but their government starts passing laws that make their best friend’s life much harder because they’re part of a marginalized community your protagonist hasn’t empathized with before. Your protagonist now cares for that community, so they have to decide if they’ll make different political choices that could ostracize them from the community they’ve been part of all their life.

6. Love Conflicts

There are numerous types of love—self-love, your love for your family, and your love of a potential romantic interest or current partner. These come into conflicts in stories all the time because people experience them every day.

The conflicts result in choices—does your protagonist choose to continue loving a specific person or do they fall out of love? Do they fight for that love or realize it never actually existed? These are just a few ways this inner conflict can play out.

Example: Your protagonist has three siblings. They’d give their life for their siblings because they’ve lived in an emotional and physical home environment that’s been unsafe all of their lives. However, your protagonist is also the oldest child who has to leave home when they’re 18. They have to decide how to best love their siblings—do they leave them at home with a parent who is a threat to their safety so your protagonist can achieve an education or job that pays enough to create a new home for them? Do they get the legal system involved? Do they get their siblings and run away together since your protagonist is now old enough to lease an apartment, pay bills, etc?

7. Personal Journey Conflict

Existential crises make characters come to life by breaking their identity apart. These moments are unfortunately a real part of life, so readers want them in their books to help them cope, understand the changes, and generally feel not alone in their hardships.

This internal conflict happens when we question why we’re in this world or what we’re supposed to do with our lives. Sometimes there’s a clear answer after we start searching for it, but other times there isn’t. How your protagonist’s internal journey to a new purpose unfolds depends on your theme and plot.

Example: Your protagonist spent their life dreaming of becoming a politician. They wanted to help people and change the world, but they lost their first three attempts at running for local office. The third loss devastated them. If voters don’t want them as a leader, what’s their purpose? Who are they if they aren’t a leader who changes the world through effective policies? The answer may come through the plot events that follow. If they don’t get an answer, sometimes it means their purpose already exists in their life and they’re overlooking it.

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Reading through the basic types of internal conflict will help you shape your future protagonists. If you align your desired theme with an inner conflict, the external events in your plot will be much easier to choose. Your readers will also connect with your story better because they’ll see real problems reflected in your protagonist’s character arc.

#character development #writing characters #character tropes #writing advice 📝

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