© Niilas Nordenswan Photography – Ripples in space and time
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First Draft, A Poem
I see you fading
into the forest once again, the creatures
with their hallow gaze, the spaces between their teeth
as infinite as time
those shadows of your slowing
footsteps
This space without a name, this plain without
home
I know it is darkness–your darkness–
in it
shadows like noises alive
only
to your senses
Tell me about this darkness, again, your darkness, for I
have yet
to hear of it before tonight nestled between loneliness–yours–and something
akin to sympathy–mine–
but much less
impersonal
As I rub my fingers along your skin, ascending
methodically
up your back, trenching through the muscle, careful to touch
and sanctify
each one in the foolish hope
that from this beautiful,
aching body–that I love–
I may extract
every weight
every emptiness and sorrow
plaguing you tonight–and all nights
That I may
bury this darkness somewhere
in the forest, which is why I implore of
you to speak of it only tonight
that I may find
it’s resting place from whence
it came
and offer this festering creature to the soil
where
it will cease, where it will
quiet and settle
and hopefully rest
Then on some new morning, perhaps, rise
altered, sprouting, immoveable,
untouchable, something you never knew
it one day
could become
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Jane Birkin
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"I had always, at some level apprehended, because I was born fearful, that some events in life would remain beyond my ability to control or manage them. Some events would just happen. This was one of those events. You sit down to dinner and life as you know it ends."
– Joan Didion, The Year of Magical Thinking
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Aimless Love - Billy Collins
This morning as I walked along the lakeshore,
I fell in love with a wren
and later in the day with a mouse
the cat had dropped under the dining room table.
In the shadows of an autumn evening,
I fell for a seamstress
still at her machine in the tailor’s window,
and later for a bowl of broth,
steam rising like smoke from a naval battle.
This is the best kind of love, I thought,
without recompense, without gifts,
or unkind words, without suspicion,
or silence on the telephone.
The love of the chestnut,
the jazz cap and one hand on the wheel.
No lust, no slam of the door –
the love of the miniature orange tree,
the clean white shirt, the hot evening shower,
the highway that cuts across Florida.
No waiting, no huffiness, or rancor –
just a twinge every now and then
for the wren who had built her nest
on a low branch overhanging the water
and for the dead mouse,
still dressed in its light brown suit.
But my heart is always propped up
in a field on its tripod,
ready for the next arrow.
After I carried the mouse by the tail
to a pile of leaves in the woods,
I found myself standing at the bathroom sink
gazing down affectionately at the soap,
so patient and soluble,
so at home in its pale green soap dish.
I could feel myself falling again
as I felt its turning in my wet hands
and caught the scent of lavender and stone.
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Sylvia Plath, from The Unabridged Journals of Sylvia Plath
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Illustration from The Moomins and the Great Flood, Tove Jansson (1945)
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Song of the Anti-Sisyphus, Chen Chen
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“Maybe my passion is nothing special, but at least it’s mine.”
— Tove Jansson
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I know you're going through a little darkness
Your mind bracing for impact from the fall
Forget the story lurking at the surface (don't you know?)
When summer comes, the sun will heal us all
(full lyrics)
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"I only love with the lost and found" -Clarice Lispector
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An Untitled, Unfinished Poem (I Suppose)
You are a bath of goodness
You are a towel after rain, a dog with velvet ears needing to be scratched
Early May, or late August bursting with harvest
You are the steam rolling off the pie and the neatly organized satisfaction of saying something right
You, too, are the silliness of Halloween, the ache in that space of time between seeing a lover and the deep need for home
Don’t cover up your eyes when I tell you something wonderful and truthful, which could be
That you are the yearning and the comfort for being held, the prick of eyes being pinched into an unavoided smile
June in all her loveliness
I, however, do not regret to inform you that I am the blades of grass clinging to your wet skin
The first day back from break
Loose change in your pocket, an unexpected bite on the tongue, the color scheme of Easter
Politics
The word left hanging on the tip of the tongue, tax day and the dangerous task of removing a wet swimsuit
I am also the deal you missed, a burnt turkey in the oven and the part of the song that skips
But—returning to you—my dear, you are the mystery of autumn, a clean fleece blanket in a cabin, in a photo “the good side”
The last scrape of cheesecake on the plate after the candles have burned down, speaking of which,
I don’t think you are the cake at a party, but certainly the glow of candles on the faces and the beautiful uneven strings of voices carrying the tune of loveliness to someone born that day
You are the moment of skin touching before and during sex in the milky morning light and you are midnight snacks in the dark
The froth of cream like a cloud, the crackle and fizz of a celebratory drink, heralded as a toast
You are the soft, swadleness of a baby that is not yours, but which you hold just as carefully, if not more so
The sound of rollerblades and laughter
Furthermore, the bubbling feeling before an airplane takes you somewhere special
You are unexpected mist kissing skin on a broiling day and sea glass picked up by gentle sand-speckled hands
You are the comradery shared by the unanimous laughter in a theater, the anticipation of a good story’s resolution
The first real kiss
You are not the tissue administered after crying, but the pleasant exhaustion after something, even unknown, has been resolved
The perfect nap, the weight lifted, butter pressed into homemade bread, the smell of something warm being cooked in the morning
Don’t worry, I can see the look on your face as this list grows longer and longer, I have a few good things about myself too.
I don’t see why I must share them, but your eyes tell me I must
So how about tomorrow?
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Georgia O'Keeffe
Ladder against Wall
1961
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“GEORGIA O’KEEFFE – HANDS AND HORSE SKULL”
ALFRED STIEGLITZ // 1931
[gelatin silver print | 7 5/8 × 9 1/2″]
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Elizabeth Fraser
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