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lo-fi-charming · 9 months

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Jondaisy Playlist Deep Dive

So!! For the last day of @jondaisy-week, I wanted to talk about the playlist I have for them. I'll be sharing each song, talking about why I associate it with the pairing, and then spotlighting some of the lyrics I think apply to them most accurately.

Here's the playlist on spotify, so you can check it out for yourself! But for the actual list below, I'll put YT links on each song so they're more accessible to everyone.

About the Playlist:

This was originally constructed by borrowing inspiration/songs from another jondaisy playlist by an old fandom buddy. You can find their playlist here! My playlist is in a custom order, and one I'm pretty satisfied with. It's meant to somewhat mirror Jon and Daisy's relationship arc throughout the show. It starts aggressive, intense, and tumultuous, slowly twisting into complicated and messy (or even toxic) love, before balancing out near the middle to symbolize how these two become unlikely allies and friends. And then, a bittersweet, solemn end...

Daisy by Ashnikko

This is a fun starter, mostly because I think it both does and doesn't suit Daisy. Obviously there's the title, which might make this song seem like a shallow choice just for that, but I do think there are quite a few lyrics in the song that are perfect for Daisy. Plus, I love the sound, which I do think suits her pretty well - strong and steady beat, a little dirty, with a nasty vibe. That's Daisy!

Spotlighted Lyrics:

Fuck a princess, I'm a king Bow down and kiss on my ring Being a bitch is my kink What the fuck else did you think? Fuck a princess, I'm a king Bow down and kiss on my ring It's gonna hurt, it'll sting Spittin' your blood in the sink I'm crazy, but you like that, I bite back Daisies on your nightstand, never forget it I blossom in the moonlight, screw eyes Glacial with the blue ice, I'm terrifying

Psycho by Lauren Aquilina

I like this one as a representation of Daisy's developing obsession with Jon, once she decides to Hunt him. It's got the good stalker vibes that are well suited to Daisy's pursuit, especially since the voice of the song is very much blaming the object of obsession for her fixation. Also, on a personal note, I do like applying it to AUs where Daisy does just fall into a sick sort of love with Jon and is unable to be normal about it! Uh oh, Jon!

Spotlighted Lyrics:

Maybe I'm a psycho just like you said I was You got me right, but baby, it's not my fault Oh, and I know, and I know, and I know That I've been acting so strange But you should know that you're the one who made me this way Yeah, I'm a psycho just like you said I'd be Not gonna fight the way I am naturally

Choke by Royal & the Serpent

Here, we get to the first song that's more about Jon/from his perspective. Super appropriate title, and basically every lyric is perfect for them <3 I think this one is a great song to capture The Woods Scene, given its subject matter, as well as the tone - conveying desperation and fear, the feeling of being unable to escape, but still begging to be released before it's too late...!

Spotlighted Lyrics:

You are a shadow Following me where I go I'd be better without you What are you doing to me?

Loosen your grip before I choke Can't catch my breath, I'm gonna choke I wish that you'd just let me go I don't want this, I promise, just leave me alone Loosen your grip before I...

Hellbent by Mystery Skulls

Here we enter the sort of toxic/twisted love era. Less representative of canon, more exemplifying how Jon and Daisy are great choices for such a dynamic. I'd say this song is more of a Daisy POV. All in all, great vibe and energy, capturing the intensity that I think this ship can bring out in both parties.

Spotlighted Lyrics:

I've been hellbent, baby Hellbent on makin' you love me, too Even though not what I'm supposed to do I don't give a damn, mmm

Fear & Delight by The Correspondents

This song is perfect for 'Jon diving head-first into an inadvisable relationship with the woman who tried to kill him that one time', or any other sort of scenario wherein Jon thinks he should know better than to mess with Daisy after their history, but, well... Especially in canon, it's possible he's got some wires crossed after all his weird traumas. Sometimes it's simply impossible to resist the allure of a Scary Woman...

Spotlighted Lyrics:

I don't show it but I quiver whenever you come near And I cannot decipher between the thrill and the fear I wanna stop it but like it too much to let it stop here It's wrong but I want you tonight It's not my own volition but I fell in deep By running the distance I've been advised to keep I trot to the wolf as a doting sheep It's wrong but I want you tonight

Addiction pulling me to a grave end You're an enemy who I'm keen to defend Down the black hole of my lust I descend It's wrong but I want you tonight

Love Me Dead by Ludo

Jon POV, of course. Who doesn't love a man out of his mind for some terrible, awful girl? This song might represent the height of the toxic love narrative (yknow, before getting to any metaphorical OR literal cannibalism, as we'll soon see.)

Spotlighted Lyrics:

She moves through moonbeams slowly She knows just how to hold me And when her edges soften Her body is my coffin I know she drains me slowly She wears me down to bones in bed Must be the sign on my head That says, oh Love me dead! Love me dead!

You suck so passionately You're a parasitic, psycho, filthy creature Finger-bangin' my heart You call me up drunk Does the fun ever start? You're hideous and sexy!

You've got the mark of the beast You're born of a jackal! You're beautiful!

Hot Venom by Miniature Tigers

This one is a little odd, hard to explain... I think it carries along sentiments from the previous two songs, where something that seems dangerous or inadvisable becomes a little addictive, something you feel like you begin to need. There's also an element here that makes me think of their dynamic in s4, just briefly; perhaps it can be seen as a sly hint of what's to come. Especially in the lyrics I chose, which make me think very much of Jon becoming aware of how much he's come to depend on Daisy in s4, as well as how inevitable it is that this brief respite together will soon come to an end...

Spotlighted Lyrics:

Her venom makes me strong Stronger than I am on my own Before too long I'll wake up to it gone Wondering how I ever was happy

Cannibal Queen by Miniature Tigers

A bit more lovey-dovey, both in tone and lyrics, but my favorite thing about this song is that at first glance you might think it's a Jon POV, but I actually imagine it applying most to Daisy (so Jon is the cannibal queen in the scenario, lol.) It makes more sense once you get a good look at the lyrics~

Spotlighted Lyrics:

I'm so lucky this one lets dogs hang around It's good having somebody good for a change

Comin' for your heart like a cannibal Oh, she lets me right in and I fed 'til I'm full If something goes wrong, I'm accountable Oh, a life without her is no life at all I la la la la la la la la love you, cannibal queen

Cannibal by Tally Hall

This ended up becoming a direct companion to the previous song, for probably obvious reasons. We switch to Jon's POV, to a song chipper and lighthearted in tone despite the subject matter. Here we have a Jon who is content to let Daisy take her fill of him...

Spotlighted Lyrics:

Looking for a cavern A place where she can stay Waiting for the darkness When she leaves obsessed to make her way to me Because it's getting to the time when she will need to feed, and I am The willing victim of a cannibal She rips out my bones just like I'm an animal And right when I'm feeling like my blood is drained She calls it a game But the wound that she leaves is unmistakable

Misery Meat by Sodikken

I like this one after the previous songs because it sort of brings us back down to a less idealistic and romantic energy. Devoured by a cannibal, and now you're just miserable meat, a body to be picked at. At the same time, I think this is well suited for Jon because it has an air of dark humor, of begrudging acceptance of horrible circumstances. We settle down and find some strange equilibrium in the midst of misery right before transitioning into a new era...

Spotlighted Lyrics:

As you open up my ribs, the blood flows out like a river You strip my bones away as you indulge in my liver And the more that I am in pain The more that you'll gain And to me, that seems like a pretty fair trade You bite my nervous system ignites The tormenting spite Sacrifices must be made

Spit It Out by IAMX

I love this one, because it sounds dirty and dark and dour to me, with the vocals coming in to evoke a sense of rawness. This is very much the start of 's4 era jon and daisy' to me. They're both crumbling, lost and in pain, and as they weaken, they fall into each other. Here, they begin to really speak to each other and recognize one another as real and the same.

Spotlighted Lyrics:

And if you're hurting I will replace the noise With silence instead Flushing out your head

When you're in pieces Just follow the echo of my voice It's okay Tune into that frequency

'Cause it breaks my heart That we live this way

The past is weakness Don't beg the question When the answer is war There are moments when I'm overcome

Monster by dodie

This one feels quintessential for jondaisy. More than any other song on this list, this one feels like it carries their spirit, the thesis statement of Jon and Daisy within the show. To me it's a song they are both singing, not only to themselves or each other, but to everyone, the world. Gnashing teeth as they settle into the reality of their mutual monsterhood.

Spotlighted Lyrics:

A meter apart You blankly stare We shout in our heads Are you still in there? Well this ends bad, then We knew it would So we won't eat our words 'Cause they don't taste good I'm guessing that I've grown horns I guess I'm human no more

Look, I know that I've seen this before High and mighty, at the top of your list Adoring every move, now my rank is sinking But we're both guilty of black or white thinking And through my red eyes, you look pale All of your scars now looking more like scales Two ugly creatures, two sinister preachers Blind to the past, like a couple of monsters Just a couple of monsters

Hunger by Of Monsters and Men

To me, this one carries the idea of them both being determined not to feed. It's the beginning of the end for Daisy, given her choice to separate herself from the Hunt. For me this makes me think most of Daisy explaining why she's made her choice to Jon, how she refuses to ignore her own agency in the matter; it's an echo of the sentiment, and them reminding each other to keep it in mind, to keep each other in check.

Spotlighted Lyrics:

But for the longest time I knew There was nothing left for us to do But I tried, oh, I try And in this quiet company There is nothing staring back at me I'm in need of the sound Hungry for the kill, but this hunger, it isn't you Voices disappear when you are speaking, in sombre tunes I will be the wolf and when you're starving, you'll need it too Hungry for the kill, but this hunger, it isn't you It isn't you, it isn't

I'm Tired by Labrinth & Zendaya

I see this and the next two songs as closers to the playlist. Strength waning, Jon and Daisy find themselves tired of their struggles, and coming to peace with the idea of approaching their ends. It's hard to describe exactly, but I think this song is a good representation of what they both regret: the people they hurt, the things they did, just... the way things turned out, in the end. Quiet, reflective, and sad.

Hey, Lord, you know I'm fighting Hey, Lord, you know I'm fighting I'm sure this world is done with me Hey Lord, you know it's true Now the tide is rolling in I don't wanna win Let it take me, let it take me I'll be on my way How long can I stay? In a place that can't contain me

Sorry by dodie

This one is so... ahh... Okay so, the way I apply this song is very much like... I imagine these are Daisy's thoughts and feelings in the moments right after she is shot and killed by Basira in s5. Her spirit, freed from her body, finally severed wholly from the Hunt. I think about Daisy standing over the scene and saying sorry, an apology no one can hear, and feeling all her life's regrets before she is gone for good. I also think, given how things end up with Jon, the voice could very much be coming from him, too. Maybe it's both of them...

Spotlighted Lyrics:

It happened fast Like a fired gun Bleeding out Then it was done There was the end I couldn't find, found too late

And oh, didn't want to believe such a monster in me And I know, I've always known, in the end, I'd be sorry And that's all I am now, it's all I can be Is sorry

In a Week by Hozier

For the end of the playlist, the only way I can think to explain my feelings are, like... There was a moment where I realized, if we are trying to stick to canon, there is only one 'good end' for Jon and Daisy. Only one way they would both get what they truly wanted, which was to be free, to not do further harm to others, to escape the ugliness inside them and become inert. Only one way for things to end well, for them to be content. This song. For Jon and Daisy, the best ending they could have gotten was both of them choosing to starve to death rather than hurt anyone else, slipping away together in secret so they can die someplace quiet, but not alone.

Spotlighted Lyrics:

I have never known peace Like the damp grass that yields to me I have never known hunger Like these insects that feast on me A thousand teeth And yours among them, I know Our hungers appeased Our heartbeats becoming slow

We lay here for years or for hours Your hand in my hand So still and discreet So long we become the flowers We'd feed well the land And worry the sheep

And they'd find us in a week When the buzzards get loud After the insects have made their claim After the foxes have known our taste After the raven has had its say I'd be home with you

#jondaisy #jaisy week #Spotify

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mavrustheunskooled · 5 years

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Why is Bare: A Pop Opera not as super popular as Dear Evan Hansen or Be More Chill? The fandom loves LGBT rep (which Bare has) and the songs are amazing and I think B:APO is actually superior to both of those. Thoughts? I mean the musical fandom tends to try to find LGBT characters even when they aren't stated, so why do you think Bare is not as popular?

this is a very interesting question and I am hopefully going to do it justice by analyzing Fandom, Musical Writing, and Many Other Things I’m Super Passionate About

the short: many factors and a lot of luck

the unnecessarily long:

(opening disclaimer: I love dear evan hansen and be more chill, and I’m not upset that they’re popular musicals because I feel that they’re popular for a reason. anything that sounds like an insult in the following response isn’t such because I truly enjoy both of those musicals a lot)

(another disclaimer: spoilers for bare, DEH, and BMC, also mentions of homophobia)

on paper, bare seems like the exact sort of musical that would be popular. bare the musical (cursed as it is) has a cast of super popular actors like Barrett Wilbert Weed, Gerard Canonico, Taylor Trensch, Alice Lee, Alex Wyse, a high quality bootleg exists of the 2013 LA cast, it’s got LGBT+ rep, complex women characters… and yet it’s got a tiny fan base. Why?

first let’s look at why dear evan hansen and be more chill are popular. I’m more well versed in bmc, so let’s look at its history (disclaimer: I’m estimating dates but this is roughly the timeline)

the original bmc run was in 2015 I believe. they recorded a soundtrack, everything was fine, and they closed. in 2017, people began discovering the soundtrack in hoards. specifically, they were discovering one song: Michael in the bathroom. that’s even how I learned about the show- I heard that song and had to look up the rest of the soundtrack. and in February of 2019, they’ll start previews on broadway because the fandom was revived

why this song? I think a ton of fame comes from talent, yes, but also from luck. I think bmc was lucky that Michael in the bathroom, a great song, was discovered as the great song that it is. I also think the fame came because that song is super relatable. as someone with pretty bad anxiety, that song really touched me because I’ve definitely spent parties hiding in the bathroom and avoiding everyone and wishing I was dead because I’m so overwhelmed with anxiety. it’s relatable, so people flocked to it.

this made me pause to think “what is bare’s hook song” my first thought was a quiet night at home if we want a song in the same vein as MITB, but that song isn’t as hype as MITB (and fandoms don’t care about fem characters as much as it cares about masc characters). my next thought was are you there because I think it’s a bop and a relatable “pls someone help” kind of song, but I don’t know which song everyone could relate to as much as everyone could relate to MITB

and speaking of relatable content- that’s where the DEH connection comes in. dear evan hansen is similarly relatable, although it takes that to an extreme given what Evan does as a result of his anxiety. Michael and Evan are relatable characters, even if you don’t condone everything they do (and if you condone everything Evan does, we have much to talk about)

but doesn’t bare have relatable characters?? absolutely !! there’s Peter, a closeted gay kid who wants to come out, and Jason, someone who acts tough but is secretly very insecure, and Nadia, with her body image issues, and Ivy, who people won’t take seriously because they’ve decided they already know her, and so many other complex characters. so why are they left behind?

let’s look at bare’s history:

bare was originally written in the 90s (I want to say 1999, but I could be wrong) the performance most people consider the quintessential bare performance was in 2004 with Michael Arden, John Hill, Jenna Leigh Green, etc.

if you compare this to DEH and BMC, the first issue is clear. DEH was hugely popular around 2016. BMC began to grow in popularity in 2017. these are very, very new shows. 20 years doesn’t sound like a lot, but in our current age where time seems to pass so quickly which each new fad, bare seems like an older musical, and a lot of people aren’t the biggest fan of older musicals. and they don’t have to be !! but it’s a personal preference of some people that could affect how they view bare as a potential musical to be a fan of

in terms of the music of bare, it’s definitely catchy, but it’s not like a pop song. (again, no shade at DEH and BMC because those aren’t jukebox musicals or anything). bare is simply not as easy to listen to as DEH and BMC are in my opinion (and it’s not the most complicated thing ever either, but holy cow its lyrics are smart and I have to throw that in here)

now let’s look at reasons why people may not want to watch bare. while it is great that it has canon gay characters, compelling women characters, and is very cleverly written it also has issues that can be turn-offs to people. this includes:

-bury your gays

-gay-guy-cheats-on-boyfriend-with-girl trope

-gay-guy-gets-outed trope

-and potentially other homophobic tropes

I’m not shaming bare for perpetuating these tropes because it was written 20 years ago, and lgbt+ people are allowed to enjoy media in spite of its perpetuation of negative tropes, but for some people these things are enough to turn them away. and I don’t blame them! I watched bare the musical before I watched bare a pop opera, and when Jason I died I closed out of YouTube without finishing the show because I was so Sick of bury your gays.

I am aware that there are reasons Jason died at the end of bare (they’re making a statement about how homophobia kills, particularly how homophobic religious people can have an awful affect on young religious gay people), but there comes a time when “reasons for a gay character to die” is just too much. sometimes, you just want the gay character to live, and I completely respect that notion because I felt the exact same way when I watched bare the musical. I remember when I first watched bare the musical I wrote a thread about how as a Romeo and Juliet adaptation, bare follows some things closely (like death at the end) while avoiding other extremes (Romeo running off to another country) and I thus felt the death was unnecessary. if someone else feels similarly about being sick of gay characters dying, they have every right to not want to watch bare

that’s enough on why someone might not want to watch bare. let’s get back to bare vs DEH and BMC

I also think a big aspect of fandoms is shipping. the fetishization of MLM (and consequently ignoring fem characters completely, along with focusing solely on white men for their shipping and ignoring men of color) is a huge problem in fandoms that I could talk about forever, but for the sake of this response, I’ll keep it a bit shorter

DEH and BMC profit heavily off of shipping in terms of gaining popularity. people love Evan x Connor (and other ships but that’s the main one I see), and people love Jeremy x Michael (and others). so why then do people not care about bare, a show with a canon relationship between 2 basic white men, which is their ultimate goal?

I think people like the idea of these mlm ships more than canon content. if there’s canon, it’s harder for them to make a variety of ships because it feels like everything else has to rotate around the canon without touching it (which is where the bare fandom gets Matt x Lucas because they’re the closest they have to 2 basic men- I can write my criticism of them another time though)

I’ve also seen posts saying that things with canon lgbt+ characters sometimes have smaller fandoms because there is no need for lgbt+ theorizing- it’s right there, and if you want lgbt+ content, watch the thing. I don’t necessarily agree with this for myself (I’ll reblog every pilgrim’s hands gifset I see) but I can definitely see how other people might think this way

failing to hype up stuff with lgbt+ characters can have a negative impact. BMC is the prime example of how a show can be revived by its passionate fan base. if people aren’t talking about bare, it’s not going to spread like other shows do

this is kind of all over the place but anyway- I want to talk about characters more. one thing DEH and BMC have are great, complex characters that are very easy to boil down to a fandom’s favorite stereotypes. I am absolutely not saying DEH and BMC have simple characters because I think all of them have layers; however, fandoms do love to go “this is precious cinnamon roll who can do no wrong and this is evil awful terrible irredeemable person” and it’s a bit difficult to do that with bare.

you can say Peter is your perfect son, but he does try to force Jason out before he’s ready. you can say Ivy is the evil seductress trying to tear apart your gay babies, but I will physically fight you. there aren’t any black-and-white good or bad bare characters (except Father Flynn- hate him), which doesn’t fit in line with the way fandoms function. sweeping generalizations about the current state of society based on the internet are exhausting and bad, but we do live in an age where everything must either be perfect or evil, and you can’t do that with bare. no one “did nothing wrong uwu” and that’s what fandoms Want

(note: they will excuse wrong actions, such as everything wrong Connor Murphy has ever done, if the character is played by a mildly attractive guy they want to ship with another mildly attractive guy)

another point that I don’t have fully fleshed out thoughts on enough to devote too much time to is the integration of parents into the shows. in both DEH and BMC, the parents get redemption arcs. in bare, Claire does say she love Peter at the end, but she’s much less of a sympathetic character than Mr. Heere or Heidi (that’s her name right- Evan’s mom) or the Murphys. when I was younger, I wasn’t allowed to watch anything that painted parents, or adults in general, in a negative light, but maybe that’s not a universal experience

this is getting way too long and it probably has more thought put into it than what was necessary, so I’ll try to close this quickly

I think, first off, that DEH and BMC completely deserve the hype that they have received. they’ve got compelling stories, interesting characters, and fantastic soundtracks. I also think that luck factors heavily into them getting what they deserve. there are plenty of great shows, like bare and the boy who danced on air and spies are forever and probably more that I’m not thinking of, that have great music and characters and story that, out of sheer chance, don’t get the chance they should have been given. there is no bulleted list someone can follow and at the end they’ll be on broadway with an armful of tonys; is the luck of the draw, and bare has not been afforded that chance

I’ll end with some reasons why anyone who happened to read this but might not be a bare fan should listen to or watch bare:

- it is an amazingly clever show; every time I watch it or listen to it, I realize another moment of foreshadowing or a line I originally brushed off was actually very significant or there’s another recurring motif/theme in the music

- it’s full of bops (go listen to you and I or are you there or portrait of a girl)

- canon gay characters in a canon gay relationship

- 3 dimensional fem characters that actively criticize stereotypes

- it’s about a religious gay boy who grapples with his religion and his sexuality and how those two things can coexist

- it is Very Very Good

in conclusion: bare is very good and deserves attention xx

#this is all over the place but I tried #idk if this is what you wanted but it's what you got ldkfjdlsjfk #I Love analyzing stuff like this- this is my dream ask ldkfjlskf #ask #bluejaye91 #bare a pop opera #dear evan hansen #be more chill #it's after 5 tags that stuff doesn't show up in main tags right?#bc I'm tagging for myself and not for everyone but who knows if everyone will see it anyway ldkjfdlf #rambles

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steve0discusses · 6 years

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Yugioh S2 Ep 21: Hey, It’s a Party, Lets All Get Kidnapped!

Ah, it’s been a while since I’ve worked on these. I’m back from my cross-country travels, I’ve overcome my food poisoning because of said travels, and I did like 2 Inktobers so I’m officially allowed to quit and then never do Inktober again till the end of the month so now that’s over with, lets get back to Yugioh. Thankfully, Joey is here to recap for us what has been going on so far in the show, via a phone call to his sister where he literally started off the episode saying this line.

It is episode 21, Joey has run out of excuses, and the crew has decided that now is the time to finally find their friend who definitely is being tailed by a murderer with psychic powers.

Because no one wants to ever call the cops on this show.

I can see why Yugi and Grandpa might not, since Pharaoh may have done some criminal nonsense before he reformed at the end of S1 (I mean Season Zero isn’t not NOT canon) and I can see why Joey might not because bro mentioned that he had some sort of dealing with the mini-Yakuza or something in Season Zero (I look forward to that). Tristan already thinks he is a cop so I can see why he doesn’t either. But maybe Tea should call the police. She doesn’t work at the must-be-18-to-work-here-so-it’s-probably-a-stripper-joint-after-10-PM burger place anymore, she’d be fine. Probably.

I mean they did illegally invade a country last season and was complicit in the removal of that country’s leader’s right golden eyeball so like...yeah...

But now that Yugi has the company of three people inside of his head and Kaiba alongside him--who is always communicating with Mokuba on his jacket walkie talkie (like he went out of his way to make a jacket that has solely one function because it clearly doesn’t keep him warm without those arms--and the function is to call up his little brother and complain about the people who are two feet away and can hear him complaining about them), but this means Yugi actually has more people in his 2-person party than the other crew of 4 people. Anyway, he’s certainly not lonely.

But first we gotta throw Tea’s phone around and have some comedy hijinks.

(read more under the cut)

Tea x Cell Phone giving me more energy than Tea x Yugi but that’s actually true of every teenager and their intense relationship with their phone. Accurate. Hell, it’s true of me as an adult.

I also love how they throw this phone in our face just to remind us how neither Yugi has called Tea or how Tea could easily call Kaiba AKA the guy in charge who knows where everyone is, since he’s in their High School phone book, but wtv. We gotta first sort out who’s gonna pick up Serenity from the hospital although her bandages aren’t even off yet.

We’ve already clarified how dangerous this whole tourney is, and the fact that during these finals they might be ground zero for when the world might actually stop functioning entirely, maybe don’t throw your blind sister into the mix? Girl has enough problems right now. Maybe keep her in the hospital preemptively. Y’all are probably going to end up there anyway. She can book you a reservation.

I do appreciate the Tristan stance in this shot.

Anyway, sensing that the crew might actually do something, Bakura decides to show up and make some mad insane nonsense again. Ah, our wild card, Bakura, our Charlie Kelly.

Lol What? His big master plan is to feign an injury? (I’m assuming this is fake? But he’s also sweating a whole lot? Maybe they had a fight club behind the scenes that got edited out?) But you know, if you’re gonna try to sell a broken arm then wouldn’t you want to like...wear an sling?

Wtv, we’ve already learned from last season that literally all these people are the very worst boy scouts and would absolutely die in the woods. Apparently they would also absolutely die if they had to administer actual first aid rather than vague card magic. I was kinda thinking that Marik miiiight be a better scout from all his tomb runs, but from the looks of it he’s too busy being as incompetently evil as possible to learn how to tie a simple bandage.

Nice that Bakura waited until the moment Tristan left to start being shady again. I guess that Bakura also remembers that one time that Tristan hulk-punched him so hard - in the shadow realm where mere mortals should not be able to even move - that God-Mode-Bakura passed out for like 45 minutes.

I’m a little confused at how this at all works with Marik’s plan, since it’s really not that hard to abduct Grandpa, but o well, this was the plan they went with. They ARE teens after all, and teens kind of live by the mantra of “I dunno, it seemed like a good idea at the time.” I guess it’s less complicated than making sure he watches a haunted VCR tape.

So off Grandpa goes with Bakura, meaning Gramps is probably going to be a card or some other sort of lifeless husk in a few episodes or so. It was a good run, Gramps.

Honestly, Bakura should just heavily suggest Gramps just go back to work the counter of his Super Gonna Curse You Weasley’s Wizard Wheezly’s, you know, the shop he actually owns. That shop who’s name is canonically “Turtle Game” (good name for a card shop, really gets it across. Great business decision.) And really, it’s been 2 days since he’s stayed open past 9 AM. Does he not pay rent? He seriously might not, we do not know who’s the owner of that house/shop. For all we know it’s Yugi’s Dad who is........somewhere?......

And speaking of missing people, the two most direction-less folks in the universe decided to make this show even longer when they could have easily skipped like 8 episodes if they had just crossed the street. Instead, they’re going to backtrack back to the Shamu exhibit while somehow not overhearing Bakura screaming in his British(?) accent.

Sometimes I’m impressed by all the well placed irony in this show. Here come the two God-characters of the A-team. One has the infinite reaches of technology, the other has the infinite reaches of dark magic. They can do anything except navigate a map and find their friends who are within I assume a 10-block radius.

Now I know, I know, Namu’s an actual name people actually have. Much like Mary Jane. Or AceBluntz420. But forgive me, I am from California.

Also I just went down a rabbit hole of K-pop and the only song I could find that said “tree” enough times was “tree of Sephiroth” which was a pretty good banger but not what I was going for. Again, I’m stymied by my naive, elementary level K-pop education. One day I will be a master of K-pop but I am yet just a newbie with a couple of Black Pink and BTS on my Spotify.

One day I will know enough about Kpop to know which of the songs are about romance and which are about weed but alas, I just like looking at the pretty lights and the pretty colors and the fun dancing like a newborn babe.

But anyway, couldn’t help but notice - THAT’S the name he actually chose for himself, huh?

I mean I looked it up and Namu is also a Buddhism reference in Japanese and that’s probably what the show makers were going for, but safe to say, Marik is clearly not a Buddhist. He is literally in charge of a Pharaoh cult. Well, used to be. It seems like Marik’s just out to destroy his own God. He’d be the hero in really any other anime with motives like that. Hm.

Honestly, if it wasn’t for Marik wanting to vaguely rule the world I’d probably side with him completely, lets be real. Pharaoh is kind of a huge problem. And while I do like Pharaoh now, it took me kind of a while, and if Marik showed up S1 I’d be like “Yes, finally, please kill the already dead insufferable ghost.”

So, Marik decides to become friends with Joey and Tea.

This sure was a lot of work to become friends with Joey and Tea. Did Marik not realize that if they’re also buds with a guy who is possessed by a ghost, they might have low enough standards that he doesn’t need to jump through any hoops?

Marik could have just walked up and said “hey, remember me? From class?” and these two would have been like “yeaaaah” because it’s been so long since they’ve attended that they would have had no idea that he was never enrolled.

Anyways, Pharaoh’s arrived to scream at the top of his lungs about a bomb threat at a theme park.

Bummer that Mako Tsunami finished his act and I guess went back to his home island on the back of another whale he had parked outside the theme park.

Also it says a lot about what this town goes through that Yugi, shouting about how everyone’s going to die, doesn’t seem to perturb a single member of this audience. They’re just like “shaddup, I’m looking at the large dolphin.”

The total amount of time that Marik could handle being friends with Tea and Joey : maybe about 30 seconds.

Which makes you wonder why he even bothered with this charade, but maybe he just wanted to get rid of Bakura because that guys kind of a mess.

And then just when I thought it would never ever actually happen.

It happened.

I don’t recall any era where non flip-phones had little antennae. I think this was kind of before my time. Good. Finally something on this show that I’m too young for.

Jokes on this mook for thinking he could ever crush a Nokia with his shoe. Actually impossible. I’m sure there’s Nokias that have outlived being run over by a Jeep.

Yo my payphones never had digital minute indicators on it. You can even read the numbers on the numpad? And there’s no gum lodged in the coin slot? This is not how I remember payphones.

Yo second thought, maybe those are 33 seconds and not minutes? Eh, what do I know, I’m a millennial, I don’t really remember how those awful things worked. RIP payphones, you were always spooky and the worst. Like honestly if a ghost Pharaoh would live in anything, it would be a payphone. If you ever had to use a payphone with a phone card, then you’d understand that it’s more an unsolvable puzzle than any puzzle pyramid.

And I guess that Mokuba just felt left out, so he decided to leave his brother and just wander off by himself on a rooftop where there’d be no witnesses?

Mokuba, why are you on the roof? How does everyone in Domino have roof access? And is the internet so bad in this town that you must be on a roof to get any signal?

please admire the leg wraps on this guy’s ankles. They’re like high fantasy legwarmers.

*why ever duel with cards when you can freakin fly*

WOW, KIDS SHOW. That sure is dangling a small child off a helicopter!

And like, Mokuba just hangs there for a while--no joke, he’s just hovering in the background of every shot for kicks and I’m just like...how did this kid’s show get made????? The 00′s was a different time.

This past week I’ve been watching my older brother’s 5 kids and so I’ve been watching their TV shows and youknow The Descendants 2 would have been a very different movie with edgy, rogue helicopters in it. Though I will admit Yugioh could do with a couple more dance sequences. (and Yugioh might legit have better fashion than The Descendants 2, why the hell was Cruella DeVil’s son wearing bright red baggy capri shorts to a cotillion ball? Anyway, I’m putting Descendants on my “possibly recap this later” list.)

I get that the intern who was putting this scene together might not have known about the helicopter incident in the shot right before this when they drew in these people just on the street on their cell but mannnnnnn.

I love the implication that this happens so often to children in Domino that no one freakin cares anymore.

Reminder that Kaiba refuses to believe in magic and has no idea wtf is going on. Like he knows there’s some yummy cards he wants--that’s it. He doesn’t think this is the end of the world, he doesn’t think anyone here is magic. He just thinks Yugi is a super weird kid from Spanish class who's voice keeps cracking and that Marik is some sort of weird mafia boss. He was not expecting this tourney to become kidnapping central and I mean no one could have predicted this next part either.

...

So Marik’s plan, lets just walk through it.

These two loose to Kaiba and Yugi, then these two violently pass out, Pharaoh runs over and shakes up the fat one for a little bit, and then Kaiba and Yugi go to a theme park. These two guys intentionally lost and got beat up for no reason?

And then, he sends the same people who have Already Lost back to Yugi and Kaiba, to use a different deck than the one they used the first time?

Why not use this amazing deck they had the entire time the first time? Why are all of Marik’s plans so roundabout?

I mean I guess they had to lure these two to the roof but not really actually--once you beat Yugi in a game then boom the puzzle is yours so you don’t actually have to...whatever, they’re on a roof and and it’s edgy and it’s scenic and it’s gonna get real Jack Baur on us.

oh man this workaround to “but they never actually go splat because they die before they hit the bottom” which is infinitely worse than actually just falling down.

So seeing no other solution, they decide to endanger the lives of hundreds of people and play this exploding rooftop version of Yugioh.

I mean last season we sure did go through a lot of time trying to get Kaiba off a ledge of a tall building and now he’s just...back on that ledge. Well. OK then. These kids and ledges.

Really was a line in the show that Kaiba listed the only two things these guys have done wrong and it’s like--well they used the wrong deck the first time. That was probably actually a really big thing they did wrong. Also they could have kept Pharaoh in an infinite rock-paper-scissors loop but passed up on the opportunity. TBH these guys make a lot of mistakes but we’ve been over this before, Kaiba can only remember 2 things. Weird that this has become canon, but here we are.

I guess Kaiba suddenly remembered he had a grudge.

He forgot for a few episodes, but the grudge is back. He must have written it on the back of his hand “don’t forget you hate Yugi” and then when he went to scratch an itch was like “OMG I can’t believe it, I forgot again!”

That bean.

Anyway, next week, on Yugioh:

Does Kaiba’s helicopters get into a helicopter fight with Marik’s helicopters and keep Mokuba dangling there the entire time? Does Joey get to throw a couple mooks over his shoulder like that time he took on 18 ruffians in a warehouse or will these ruffians be too ruffian even for Jo? Will Tea, after her hearts been consumed by darkness, and she becomes a nobody or a heartless or whatever, realize that she’s dating a dark wizard this entire time so it literally doesn’t matter?

Anyways, I mentioned K-pop so here you go, a moment of happy handsome boy Zen in this overwhelming world.

youtube

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nancygduarteus · 7 years

Text

Smoking Versus Edibles

Asking for a Friend,

I have a friend who smokes weed pretty much daily. In a world of medicinal and decriminalized marijuana, what are the actual costs/benefits of consuming it in different forms (smoking, vaping, cookies)?

I live in Philadelphia, so I’d appreciate if you didn’t use my name. Thanks.

Dear Terry Gross,

Last month, Canada’s Center for Addiction and Mental Health issued some interesting guidelines that address your question. Canada has been moving toward legalization, the authors argue, and that should be done in a deliberate way—with a clear plan to regulate the industry and safely inform the public on the best ways to use cannabis. They write: “A substantial extent of the risk of adverse health outcomes from cannabis use may be reduced by informed behavioral choices among users.”

This stands in contrast to the United States, where states have essentially woken up one morning and decided to legalize. The Canadian guidelines have been in the works for years. They even have a modest, progressive, Canadian name: The Lower-Risk Cannabis Use Guidelines, abbreviated LRCUG. I like this as an unwieldy acronym so much that I will use it going forward.

The Canadian LRCUG start out with a puritanical caveat: “The most effective way to avoid any risks of cannabis use is to abstain from use.” I should say the same. Though it’s something like telling your teenage kids not to have sex while driving them to The Condom Emporium.

With that caveat out of the way, on to the practical guidelines.

This is a complex question that—if cannabis is indeed to be treated as medicine—should be addressed with experts on an individual basis, to properly calibrate safety and dosing. But since most marijuana is still used outside of the doctoral setting, we have LRCUG. For people who are already smoking, the recommendation is to “choose other methods, such as vaporizers or edibles—but recognize that they also come with some risks.”

Good advice—it’s rare that any doctor would recommend burning any drug and inhaling its smoke over simply ingesting it. Smoking can complicate dosing, and it is frowned upon in hospitals. But most importantly, inhaling smoke irritates and inflames the respiratory tract, which can hypothetically lead to cancer, regardless of the source of smoke—whether it’s smoke from marijuana or tobacco, and probably even if you’re smoking pure kale or multivitamins. Inhaling wood smoke from a campfire can reduce lung function and cause chronic lung disease, if you spend enough time pulling it directly into your lungs. (Do you do that? Email me.)

The point, evolutionary biologists agree, is that humans evolved to breathe air. And there are other ways to get equally if not more medicated or recreationally mellowed. So, on to those.

Katie Martin / The Atlantic

First there is super-heated vapor. Despite Ben Affleck serving as a meandering cautionary tale of the emptiness of vaping anything, portable tobacco vapes have obviously become popular in recent years, growing to a $4.4 billion industry in the United States. This industry carries increasing political weight, with the tobacco industry lobbying to rescind regulations on vape products enacted under the Obama administration, and the Trump administration likely to acquiesce. The popularity of vaping devices among The Millennials, and the concerted efforts to grow that market share and foster nicotine addictions among young people, are an intensely problematic historical relapse.

Meanwhile marijuana smokers have been vaping since the dawn of time—if not in a portable capacity. I remember first meeting the enormous, iconic Volcano Performance Vaporizer about a decade ago. It’s a 10-pound, stainless-steel tabletop cone that costs $599 and shoots hot air through a disc filled with ground cannabis and up into a giant transparent balloon, which in my experience is then passed around at a party, and from which people take turns inhaling and becoming progressively less fun to talk with.

I remember thinking at the time that this “vapor-ing” idea seemed like a swell way to mitigate the risk of inhaling smoke, and I said so at the time, even though people didn’t really want to talk about that during the party.

The vape-related dangers that the Canadians note are related to the fact that, even though vaporizing weed is definitely better than smoking it if all other things are held equal, all other things are never held equal. Changing a route of administration changes people’s habits, and their whole perception of the drug. The idea that vaping mitigates the risk of smoking could make people more likely to intoxicate themselves, more often, et cetera. When that sort of usage becomes a problem socially, professionally—or in any of the other ways that relationships to mind-altering substances can become problematic—then vaping would indeed be unsafe.

Still, vaping offers the safety advantage of allowing people to more easily calibrate doses. Inhaled cannabis goes almost immediately across the blood-brain barrier, and its effects are felt. This at least affords a person an opportunity to know when it would be wise to put down the vape.

This stands in contrast to the also-booming field of edible cannabis. Though this could seem like the safest route, the dosing question is even tougher, and overdosing more likely. Digested in food, the THC has to pass through the liver before traveling to the brain, which means it can take around an hour to achieve its maximal effect—depending on how much a person has eaten, and varying from person to person. This is not to mention variation in dosing from edible product to edible product, which is difficult to standardize across every single bite of brownie that comes out of every batch. It can be a guessing game.

So among edible products, the LRCUG recommend that people “identify and choose lower-risk cannabis products.” Drawing a distinction between identify and choose seems deliberate. I really appreciate Canada’s work here. They note that cannabis products with high tetrahydrocannabinol (THC) content “are more likely to result in harms.” Though not always—products can also contain varying doses of cannabidiol (CBD), which can counter some of the action of THC, meaning that choosing products with high CBD-to-THC ratios could “reduce some of the risks.”

At a dispensary in Aspen, Colorado, in 2014, I bought Sour Patch Kids that were loaded with THC. They were sold by another name, because Sour Patch Kids are proprietary, and the makers of Sour Patch Kids had nothing to do with this drug product, but they looked identical. Many edible products have been specifically made to look like candies that are available on the market at every pharmacy and grocery store. The mellow, long-haired gentleman behind the counter warned me clearly that I should eat no more than half of a Not Sour Patch Kid at a time.

I asked him what would happen to me if I ate more, and he said he wasn’t joking around. They came in a container with a “child-proof” lid, but the whole idea of making products that look indistinguishable from canonical non-drug candies and foods is a problem for the edible industry that has led to accidental overdoses. These could feasibly be minimized with oversight and regulation, as the Canadians recommend—but I’ll not get off on a political screed.

Suffice to say that the acceptance of marijuana as a credible tool of health remains undermined by difficulty in standardizing and administering doses, and these same factors make it impossible for me to tell anyone exactly what’s best for them. The recurring good advice, though: Start edible doses very small—not more than half of what’s recommended on any label. Then allow roughly double the time you might expect for it to clear your system before you need to do anything where you need to use your brain. Especially driving. And if you’re set on smoking, I’m sorry, but yes, vape.

If you have health-related questions, for a friend, please send them to [email protected].

from Health News And Updates https://www.theatlantic.com/health/archive/2017/08/whats-the-safest-way-to-get-cannabis-to-my-brain/536988/?utm_source=feed

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ionecoffman · 7 years

Text

Smoking Versus Edibles

Asking for a Friend,

I live in Philadelphia, so I’d appreciate if you didn’t use my name. Thanks.

Dear Terry Gross,

With that caveat out of the way, on to the practical guidelines.

The point, evolutionary biologists agree, is that humans evolved to breathe air. And there are other ways to get equally if not more medicated or recreationally mellowed. So, on to those.

Katie Martin / The Atlantic

If you have health-related questions, for a friend, please send them to [email protected].

Article source here:The Atlantic

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the-cryptographer · 7 years

Note

001: Mai/Zuko

Thank you anon!! :D

when I started shipping it if I did:

There were things I liked about their relationship ahead oftime, but I didn’t really ship it until Boiling Rock.

(And I feel like it might be an important point of reference thatI marathoned A:tLA after the series was already over? There wasn’t a lot oftime for me to start speculating and let my opinions ferment between episodes.)

my thoughts:

I wonder if canon romances tend to fall flatter for me the more they attempt to justify themselves? Mai and Zuko happened like wham-bam. It felt impulsive and, in some ways, shallow. It was something I could see two teenagers being drawn to in the ugly, emotional aftermath of Ba Sing Se, and it was something I could see them sticking with because, at the heart of it, there was something genuine.

What makes me happy about them:

I don’t think Zuko had a crush on Mai when they were little,the way Mai did on him – but I feel like the delayed way he warms up to her isalmost more cute and more important. It makes me happy that Mai’s childhoodcrush worked out, I think, which I wouldn’t usually place importance on, but-For Mai, who’s been taught repeatedly not to express her emotions, to have thatvery quiet, soft feeling that she felt towards Zuko as a child bear fruit – Ithink that’s cute~

And for Zuko, I like that there was someone left for him inthe Fire Nation that he was more happy to see than not. I think in some waysMai feels like all the best parts about coming home – what made coming homeworthwhile not in the grand scheme of the world, but just for him.

And kind of directly rooted in canon, I like how Mai isblisteringly angry with Zuko (and very much doesnot understand Zuko’s moral compulsion to help the Avatar stop the war)when she saves his life. I think the question of whether personal interestshould trump somebody’s political opinions and philosophy is more complicated –it’s definitely a point of interest with me in Mai’s character – but the factthat she could be angry and ‘fuck you for leaving me and then locking me in aroom, Zuko’ and still realise that came second to the fact that she cared forhim and was willing to put herself on the line to not see him dead – I thinkthat’s pretty incredible. She didn’t even have to sublimate her feelings tojustify it~ I believe she said she was ‘saving the jerk who dumped me’.

What makes me sad about them:

Less about Mai and Zuko and more about Azula. It makes mesad that Mai and Zuko’s relationship comes at the expense of Mai and Azula’s,and that Azula might never have had any real friends at all. I mean- Azulaabsolutely created her own downfall. I think she absolutely treated Mai and TyLee as tools instead of people. But I feel kind of bad for her anyhow. I tendto like fics where Azula recovers some and manages to treat Ty Lee and Maibetter and the Fire Nation Ladies Trio manages to make a glorious return! But,tbh, I think it might be a little indulgent. For canon, I lean towards aninterpretation where, although there are complicated and even tender feelingsinvolved, Mai and Ty Lee generally understood their ‘friendship’ with Azula assomething that was forced upon them via politics and threats, and wouldn’t wantmuch to do with her post canon. Depressing.

things done in fanfic that annoy me:

This seems kind of bizarre tosay, but Mai can be really… sueish… in some fics. It feels bad to throw thatterm around (maybe I should just say there seems to be an issue with melding myinterpretation of Mai with other people’s). I can’t quite put my finger on it,but when I attempt to- she takes unnaturally well to every responsibility ofbeing Fire Lady… her chilly personality doesn’t only make her well-inclinedtowards professionalism, but also towards close personal relationships… she’ssuddenly firmly on the side of peace and justice… she’s just very good ateverything and is universally well liked (haha) – yeah, that’s kind of sueish.

things I look for in fanfic:

My favourite types of A:tLA fic tend to revel in theirworldbuilding. I like canon divergent AUs and things that delve into thespiritual aspects of the series.

Who I’d be comfortable them ending up with, if not each other:

I’m not entirely caught up with all the postcanon comicsthat have been released for the series but my kind of general thoughtsregarding these two are, although I wish Mai had a bigger presence in them, Ifound their breakup pretty believable. I mean- I’d like them to get backtogether, heh~ But it’d make sense to me if they didn’t.

For Zuko – it seems my favourite other ships to ponder are LieutenantJee/Zuko and Song/Zuko. I don’t usually see them ending in happily ever after,but they could I suppose. I really like Aang/Zuko and think that could be reallyadorable, if a bit of a political mess. I’m open to most Zuko ships. I mean- I havea kind of wariness about approaching Zutara because of the Mai-bashing, but Ifeel like Zutara is an interesting relationship that could be an interestingromance too.

For Mai – I’m not sure I have any other ships. I think theidea of Mai/Ty Lee is a nice one, but I don’t see them as more than allies and sometimes-friendsin canon. Aang/Mai is such a strange idea and it could be really cute and hilarious.Katara/Mai could be a really delightful mess – they just don’t understand eachother, lol. And I really like Mai & Toph as a BrOTP, but I haven’t gottento the point of seeing the potential for romance there… not yet.

My happily ever after for them:

They are super stern Fire Lord & Fire Lady in public,and everyone thinks they had a falling out years ago and they only staytogether for political interest, but they’re actually really schmoopy inprivate.

Also, of course, super secret agent Mai who weeds out politicalproblems in the shadows.

who is the big spoon/little spoon:

Zuko’s little spoon~

(He’s too warm to be big spoon.)

what is their favorite non-sexual activity:

They both are often occupied planning and scheming andmaking diplomatic visits and the like – they definitely work together on thatkind of thing, but whether or not it’s fun probably depends a lot on thecircumstances and what’s being asked of them. In terms of their down timethough, I think they just like sharing meals together on the terrace and such.The orange sunsets look awful and all~

#a:tla #ask

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