#Artist: Halk

[fadedday]

Photograph by Heinz Hajek-Halke

Sitzender Akt (Sitting Nude), 1930-1932

#Heinz Hajek-Halke #nudephotography #art nude #artistic nude #photographic nude #black and white

[baiju-bawara]

Why it's "Things should not be kept hidden if they are worth telling" and never "Umarein lagi kehate huve; do labj the ik baat thi, Woh ik din sau saal ka; sau saal ki woh raat thi... Kaisa lage jo chup chaap dono, ho pal pal mein puri sadiyaan bitaadein" 🌀✨

#bol na halke halke #desi aesthetic #desi memes #desi tag #desi teen #desi tumblr #desi shit posting #desi things #artists on tumblr #desi academia #aesthetic

[nobrashfestivity]

Heinz Hajek-Halke  Embrace (Umarmung) 1947-51 Gelatin silver print 15 5/8 x 11 3/8″ (39.7 x 29.0cm) Gift of the artist

#heinz hajek-halke #photography

[you-have-been-frizzled]

Because you gave me so many great music recommendations I decided to give you some songs on my never seen playlist

Tomorrow we fight by tommee profitt and SVRCINA

New kings by sleeping wolf

Sold out by hawk Nelson

Centuries by fall out boy

I’m dangerous by the everlove

Wolves by Sam tinnesz and silverburg

It’s a pretty short playlist compared to some of my others but I like it (I haven’t listened to it very recently but holly picked it and I’m happy she did)

i know it and had it on my old dark indie playlist

love it it’s on one of my playlists

HALK NESLON! i never listened to this one but he was one of my favorite artists as a kid

LOVE THIS SONG SO MUCH i always have it on one of the playlists that i’m listening to

Ohh i like this one a lot!

oaky this one of my FAVORITE songs by Sam Tinnesz i like the version with KAAZE

#wow we have a similar taste in music #i do need to add half of the songs you sent to a playlist for one of my ocs though

[gundemarsivi]

Uyumayın Bir El Atın #şiir

✍🏻 Muhsin Salman

https://www.gundemarsivi.com/uyumayin-bir-el-atin/

Yine oynanıyor oyun

Bilmez keçi duymaz koyun

İster giyin ister soyun

Sonumuz hayırlı olsun

Artist çok yönetmeni bir

Her tarafı kin ve kibir

Görevden ayrılmış şimir

Hayırlar olunca hain

Kükredi bizim kurbağa

Ateşler düştü toprağa

Neylesin ki “Zübük ağa”

Kendisi şeytandan lain

Uyumayın zaman değil

Umutlar var aman değil

Ateşler var duman değil

El atın hayırlı olsun

Muhsin SALMAN, 12.03.2017

#GündemArşivi #MuhsinSalman #Şiir #Siir #Taşlama #Atıf #HayırlıOlsun #Halk #Siyaset #zübük

[weimarhaus]

Heinz Hajek-Halke, (German, 1898–1983) Waiting!, 1928-1932. The portrait of a female figure is probably Katharina Berger, a theater actress and the artist’s first wife.

#weimar #weimar art

[lyricsssdotin]

Song:Woh RaatArtist:Raftaar, Kr$naLabel:RaftaarLyrics:Raftaar, Kr$na Woh Raat Lyrics Yeah! It’s That RR Garrrr Pa Dollar Sign One Time Kabhi Woh Raat Aayegi Tumhein Har Baat Keh Doonga Mere Andar Daba Hai Jo Sabhi Jazbaat Keh Doonga Aah Aah Yeah Raftaar! Karun Karun Tujhe Sit Down Ho Tere Baap Ko Kiya Hai Toone Let Down Ho Karna Padega Tumhein Step Down Ho Raho Ghutne Pe Bina Bole Get Down Ho Woh Bole Mujhe Dumb It Down We Don’t Understand I Bet That No Tic Tac Toe Let Go Like Click Clack Pow Soche Bina Bhage Chahe Zig Zac Woh Rishte Main Lagta Hoon Baap Chalo Mere Chalo Mere Nakshe Kadam Hansta Hoon Karke Bhi Paap Gaadun Toh Hote Na Bakshe Khatam Holy Father Kabhi Soya Nahi Goli Kha Kar Do Boli Likhe Nahi Kabhi Kha Kar Phaili Poora Meri Itni Chadar Poora Bistar Uska Mera Bed Ka Border I Press Recording Dabta R Wahin Dabe Baki Kahi Bhi Na Dabta R Mere Gale Main Hi Laga Hua Compressor Le Kam Pressure Tabhi Bane CR R To The R To The K To The K Ghalti Ki Halke Main Leke Humein Ghalti Se Dane Na Phainke Humein Paisa Loon Poora Bande Bhi Leke Rakhe Kabhi Woh Raat Aayegi Tumhein Har Baat Keh Doonga Mere Andar Daba Hai Jo Sabhi Jazbaat Keh Doonga Dollar Sign Garrr Pa It’s K Repping Double K Double R Saath Charge Up Jaise Double A Chale Waardaat Haalaat Hai Na Badle Kare Aar Paar Mehnat Agar Double Hai Toh Double R Cross I’ll Be The Best Toh Karu Beat Pe Flex And Leave You Stressed In Beat Pe Toh Jeebh Yeh Weapon Teach A Lesson Lage Mujhe Weak Hai Section Latex And I Don’t Need Protection Baar Baar Jeeta Na Kabhi Haarta Haath Hai Kabhi Na Karun Baat Na Kabhi Vartalap Hai Maar-Kaat Nahi Main Toh Gadta Jaake Baahar Dhamake Hote Jab Main Faadta Aake Aise Kyun Lage That I Got No Feeling Kyun Ki 14 Pe Dekhe The Maine Bahut Se Killings Kings And Changing On The Opps Block Spinning I Be Drilling With Diling I Kill ‘Em All N I’m Winning Bole Mujhe Chill Mere Dil Mein Nahi Hai Real Life Mein Hote Kill Yeh Film Mein Nahi Hai Na Smoke Mile Real Bol Chillum Yeh Chahiye Skill Jo Chahiye Kabhi Dekha Inmein Nahi Hai Yeh Tule Hai Badle Pe Rahe Yeh Sadme Mein Jab Tak Hum Pakde Yeh Pen Yeah Dollar Sign One Time ‘Coz I Hit One Time Then I’m Never Gonna See It Again Garrr Pa Kabhi Woh Raat Aayegi Tumhein Har Baat Keh Doonga F@ck F@ck F@ck The Hook Aah Step Up In A Party Ae Aankhon Mein Cardi Hai Ae Tinted Rakhi Gaddi Teeka Body Mein Rakhta Na Tatte Dehadi Fan Nahi Family Mere Bhai Doon Gawahi Sare Monster Hai Goji Rakhayi Jo Fan Inke Brain Dead Hai Trained For The Lie Goo Khaye Jo Sattar Se Battar Hai IQ Inke Dost Nahi Ghost Kare Write Inhein Sapne Main Dikhe Mera Bhoot Maine Itnon Ko Roti Khilayi Meri Khud Ki Na Miti Kabhi Bhook Na Sab Chahiye Kab Chahiye Ab Chahiye Bharpayi Nahi Pie Pie Gazab Chahiye Sky High To Mike Ty’ Ka Jag Chahiye F@ck A Jag Mujhe Ab Sara Jagg Chahiye I Want The World Sateh Ke Upar Hai Laava Laava Sateh Ke Neeche Hai Magma Kama Loon Main Rap Se Paisa Par Gayab Na Hoga Ye Jack Ma Yeh Mera Magma Kabhi Woh Raat Aayegi Tumhein Har Baat Keh Doonga Mere Andar Daba Hai Jo Sabhi Jazbaat Keh Doonga Kabhi Woh Raat Aayegi Tumhein Har Baat Keh Doonga Mere Andar Daba Hai Jo Sabhi Jazbaat Keh Doonga Written by: Raftaar, Kr$na https://www.youtube.com/watch?v=bvAS1avuOpY #Hindi https://lyricsss.in/woh-raat-lyrics/?feed_id=98&Lyricsss

[arisawati]

Why Denny JA's Chosen Work 29: Little TuanTuhan has the potential to become a masterpiece

In the world of Indonesian literature, the name Denny JA has become a respected and recognized icon. Denny Ja, or Denny Januar Ali, is a writer, cultural, and also an artist who has contributed to forming the Indonesian literary world. One of his latest works that have been chosen as Masterpiece is "Little TuanTuhan has the potential to become a masterpiece". This article will discuss why this work becomes one of the chosen works of Denny Ja 29. First, this work shows Denny Ja's expertise in building strong and complex characters. In "Little Tuan Tuan Potential to be a masterpiece", Denny JA presents a number of characters who have different backgrounds and personalities. With his intelligence and sharpness, Denny JA is able to describe the inner nuances and internal conflicts of each character so deeply. This makes the reader carried away in the emotional journey of the character. In addition, Denny JA is also able to present complex and interesting conflicts in this work. Conflict Conflict in "Little Tuan Little has the potential to become a masterpiece" not only limited to human conflicts with humans, but also human conflicts with themselves, with society, and with God. Denny JA combines this conflict conflict so nicely that it creates its own uniqueness and attraction in this work. In addition to expertise in building character and conflict, Denny JA is also able to present relevant and in -depth tempeval friends in "Little TuananTuhan has the potential to become a masterpiece". This work raises Tematema such as human life, belief, and existence. Denny Ja smartly explores this issue and presents it in an interesting and meaningful narrative. The reader is invited to reflect on the meaning of life and the meaning of existence through this work. In addition to expertise in building relevant character, conflict, and tempatema, Denny JA also presents a typical and attractive writing style in "small gods has the potential to become a masterpiece". His beautiful and poetic writing style is able to lull the reader, and present so lively imagination. The reader will be carried away in a story line that is so interesting and experience an emotional journey with the characters in this work. With all the expertise and uniqueness possessed by "Little TuanTuhan has the potential to become a Masterpiece", it is not surprising that this work was chosen as Masterpiece Denny JA 29th. This work is able to arouse emotions, captivate imagination, and present in -depth messages to the reader. Denny Ja once again succeeded in creating extraordinary works and made a significant contribution in the world of Indonesian literature. In the conclusion, "Little TuanTuhan has the potential to become a masterpiece" is a work that shows the expertise and uniqueness of Denny JA as a writer and artist. By building a strong character, presenting a complex conflict, raising a deep tempatema, and with a beautiful writing style, this work is able to become an unforgettable masterpiece. Denny JA once again proves herself as one of the icons of Indonesian literature that should be respected and recognized.

Check more: Why Denny JA's Chosen Work 29: Little Tuan Tuan Halks Potential to become a masterpiece

[sonmuzik]

Ko Shin Moon Feat Melike Şahin "İsyan"

Ko Shin Moon Feat Melike Şahin "İsyan"

Melike Şahin’in Fransız ikili Ko Shin Moon ile bir araya geldiği ve Haziran 2022’de müzikseverlerle buluşan “İsyan” şarkısının video klibi yayında! Kayıtları Türkiye’de başlayıp Fransa’da tamamlanan parça geleneksel halk müziğini elektronik öğelerle birleştiriyor. “İsyan”da Melike Şahin etkileyici yorumculuğuyla Ko Shin Moon’a eşlik ederken, grup albümün genelinde sizi dünyanın bir ucundan ötekisine pop ve folk kültürünü tecrübe edebileceğiniz bir serüvene davet ediyor. Ko Shin Moon Feat Melike Şahin "İsyan" "İsyan" Şarkı Sözleri Çekinme oyna en kötü kartını – , -̀, Ah eski zorba karıştır altları – , , , Elimde dört as, senin bu kumpas – ’ , ̀ Düzenine boyun eğemem – ̀ ́́ Kendim buldum, elimle kurdum – ’ ́, ’ ́́, Gizemimi sana veremem – ̀ ̀ , ’ Kuralını bozdum, başucuma koydum – ̀, ́, ́ Bu kafa neşe içinde – ̀ , ’ Burda, beni yere seremezsin – , , Burda beni yere seremezsin – , , Sinirimi zorla, almadan ahımı – -, Gelmedim oyuna, arama belanı – J ’ , Elimde kalbim – œ ́ Senin bu dandik düzenine boyun eğemem – ̀ ̀ Denzi & Kaan Dinç Çalışması “Başka Çare” Kendim buldum, elimle kurdum – ’ ́, ’ ́́, Gizemimi sana veremem – ̀ ̀ , ’ Kuralını bozdum, başucuma koydum – ̀, ́, ́ Bu kafa neşe içinde – ̀ , ’ Burda, beni yere seremezsin – , , Sözü sana uymaz – Sazıma bi yer ver – ̀ , ́- Bu kara fasıl içinde – ̀, & - Starring Melike Şahin, Niko Shin, Axel Moon, Olivier Veillon, Brigitte Masure, Nadjim Mekki, Murat Subasi, Roberto Gil, Caroline Menon-Bertheux, Emmanuel Gillet, Myriam El Moumni, Lola Warin & Eric Cornet. Produced by L’Endroit & Total Totem Producer - Pascal Barneville Production Manager - Ismaël Benazzouz 1st Assistant Directors - Antony Renault Director of Photography - Pépin Struye 1st Assistant Camera - Lucas Janiszewski 2nd Assistant Camera - Betty Yamanjian Gaffer - Laurent Ganiage Best Boy - Victor Riou Set Designer - Alicia Zaton Set Designer Assistant - Lilou Thieffenat Recipe translation & writing - Sarah Srage Costume Designer - Marine Peyraud Hair & Make-up Artist - Shana Montier Melike Şahin’s Hair & Make-up Artist - Zeynep Dombaycıoğlu Location Manager - Arthur Couette Editing & VFX - Robin Lachenal & Céline Martin-Sisteron Color Grading - Florian Martiny - Keepgrading Producers L’Endroit - Pascal Barneville, Maud Deschambres & Bastien Ehouzan Total Totem - Aura Anahita Gulbaba Music - Gülüm Baltacıgil, Ahmetcan Tasdemir Service providers - RVZ, Cininter, Cicar, Nestor Factory, Les 2 Ailleurs - Lola Warin & Myriam El Moumni, La Flèche d’Or, Les Chaudronneries, Mezaia, Pic&Chic Avec le soutien du Centre National de la Cinématographie et de l’Image Animée & du Centre National de la Musique © ’ & ( 2023) Read the full article

#Feat #İsyan #KoShinMoon #MelikeŞahin #SonMüzik #YeniKlip

[devletbayhan]

#Turkmenistan ÝASAMA PASPORT WE ŞENGEN WIZA BILEN HALKY ALDADÝAN ŞEREKETLER!

#TurkmenDemocracy #StopBerdimuhammedov

#TurkmenOpposition #TurkmenActivist #Turkmen

Stambuldan Polşa galp dokumentler bilen ildeşlerimizi ugradýan şereketler we halky aldap talamagy maksat edinýän Dernek -Jemgyýet kezzaplyk biznesi hakda taýýarlanan gepleşik.

#FreeTurkmenistan #TurkmenistanFreedom

🇹🇷🇹🇲 İstanbul'da sahte Türkmen pasaportu ve Schengen vizesi ile vatandaşları kandıran şirketler. Ve bununla birlikte Dernekler vasıtasıyla vatandaşları kandıran üçkağıtçılar hakkında hazırlanan program.

🇬🇧 #StopTurkmenDictator #TurkmenDissident

Companies deceiving citizens with fake Turkmen passports and Schengen visas in Istanbul. And along with this, the program about the con artists who deceive citizens through associations.

🇷🇺 #StopTurkmenDictatura #TurkmenJournalist

Компании, обманывающие граждан с поддельными туркменскими паспортами и шенгенскими визами в Стамбуле. А вместе с этим и программа о аферистах, обманывающих граждан через ассоциации.

#Hereket Türkmen demokratik oppozisiýa güýçleriniň bileleşiginiň informasiýa göreşindäki #Turkmenim YouTube kanalynda halk köpçüligine hödürleýär: https://youtu.be/ZUoVJpqVeBQ

[greenwood106-blog]

Darkness Of December 8th

December 8th is a day that represents significant music loss.  Both John Lennon and Darrell "Dimebag" Abbott were murdered on this day in separate years.  Both had significant music impacts in very different ways and on very different groups of people, but the depth of their loss musically is really comparable.

The following is my recollection of the day it happened and my feelings and inspiration from both.

In 1980 I was 12 and hanging out in my room listening to the radio when the DJ said that John Lennon had been shot and killed in from of his place in New York.  I had recently been formally introduced to his music with the Double Fantasy album and was learning his history and contribution to music.  I got up to walk in to my mom's sewing room and told her that John Lennon had been shot and killed.  We were both shocked, but my mom's understanding of his music history was far deeper than mine.

I was floored watching all of the various gatherings and responses to his death and knew that I had to learn more about his music.  While I was much more of a metal head at the time, it was impressive to me all he had done and how he was revered.  I remember when Elvis Presley died and it seemed to me the response was very similar.

As I've gotten older and my music love has expanded, The Beatles music and Lennon's music have become much more relevant and inspirational.  Not to mention Lennon's desire to see peace and equality and how he went about making the issues public.  Whether you agree with his positions or not, the idea that one of the most recognized and regarded celebrities would utilize the fame and constant media attention to do this is impressive.

I won't share any attention for the guy who shot him, but knowing later that the only reason he did it was Lennon was the most famous person accessible to him was even more nauseating.  This pig didn't oppose his music, didn't find his political or human rights positions troubling, he simply chose him as the most famous target he could reach. I'm thankful that the system has denied his release every time it has come up (twelve times total thus far).  His next parole hearing will be in 2023 unless he dies before then.  Rest In Peace John Lennon.

This brings us to 2004.  At 36 I had been playing guitar and was working with a friend of mine to establish better recording practices.  He is a lifelong metal head and has played and recorded for years.  We are both huge fans of the playing of Darrell "Dimebag" Abbott.  His band Pantera changed the heavy metal music sound and his playing technique was incredible.  His brother Vinnie was the drummer both in Pantera and in the band that came after Pantera disbanded, Damageplan.

It was while he was touring with Damageplan in 2004 that they played a show in Columbus, Ohio at the Alrosa Villa.  This venue, as all of them on this tour, was much smaller than he had been playing with Pantera.  I had seen them at what is now called Chase Field on a New Year's Eve show and at an outside venue that had a massive crowd and the largest mosh pit I had ever been next to.  These Damageplan venues were more like nightclubs or maybe the size of an Elk's Lodge Hall.  At the time, these venues had fairly light security and I've stood next to these venues and seen the artists just walk in and out of the side of the venue and be completely accessible. Moments into their set on December 8th, 2004 a mentally disturbed former Marine whose name will also not be mentioned by me ever came through the side door armed, walked right across the stage from stage right to stage left where Darrell was playing, raised the gun and fired five times, hitting him all five times in the head, right in front of his brother.  People tried to stop him or help Darrell, and Jeff "Mayhem" Thompson, head of band security and Alrosa Villa employee Erin Halk were killed trying to stop the dirtbag.  Audience member Nathan Bray was killed for trying to perform CPR on Darrell and Jeff.

Drum tech John "Kat" Brooks and tour manager Chris Paluska were both shot but survived.  Brooks was shot three times trying to stop the maniac.

The police arrived in just a few quick minutes after being called.  Officer James Niggemeyer snuck up on the lunatic who had taken Brooks hostage when he saw the officers in front of the stage.  When he raised the gun up toward Brooks' head, Niggemeyer shot the loser in the head, ending the chaos.

Sitting out at my friend's house late into the night, I received a call that it had been reported on the radio that Darrell had been killed.  We started searching around online, which 18 years ago wasn't nearly as fast and responsive as it is today.  We started to see some possible subtle confirmations, but it wasn't for quite some time before we were able to actually confirm it and we were both devastated.

Darrell's picking, his technique with harmonics and his rhythms were so inspiring for a metal player.  He was also a very open, joyful person and embraced talking with fans and doing instructional videos online and for guitar magazines. I can't imagine seeing a brother murdered in front of you while you were doing what you both lived for, something as innocent as playing music and entertaining fans, but Darrell's brother Vinnie seemed to mourn every day afterwards.  He joined another band called Hellyeah which was a bit of a supergroup of metal musicians and they toured regularly.

In June of 2018, Vinnie died from heart issues.  His heart was forever damaged watching his brother die and from his active drinking and partying lifestyle, which I also attribute to his sadness. December 8th will forever have sad memories for me and many, many other people.  As a guitar and bass guitar teacher, I try to educate people about the amazing techniques and music produced by these two while skipping the pathetic nature of their death.

[waynelvslcy]

Remembering Hal King (1910-1996) who passed away on November 28th. Lucy and Hal met in their early days together at RKO in the 1930's. Hal worked on nine 'Lucy' projects as Lucy's personal make-up artist including 'I Love Lucy', 'The Lucy Show', 'Here's Lucy' and 'Mame'. #lucilleball #mame #ilovelucy #halking #makeupartist #oldhollywood #rko #thelucyshow #hereslucy #thefactsoflife #inmemoryof https://www.instagram.com/p/ClgqT0BuIOA/?igshid=NGJjMDIxMWI=

#lucilleball #mame #ilovelucy #halking #makeupartist #oldhollywood #rko #thelucyshow #hereslucy #thefactsoflife #inmemoryof

[diegomaranan]

Artscience work I've done

I've recently found myself having to describe some of my recent work. It’s sometimes easier to do that be listing some of the recent work I’ve done. Here's a first pass!

Maranan, D. S., Casauay, R. F., & Calora, P. (2022). The Value of the Arts and Humanities to Science in the Philippines. https://doi.org/10.5281/zenodo.6605198

This report was for a British Council-funded project attempting to describe artscience collaborations in the Philippines. For this particular report, I highlight a specific argument that I made—that the science community can benefit from engaging the arts and humanities across various activities embedded in science processes, not just in the end for communication purposes. The reverse—that arts and humanities can benefit from engaging the sciences—can also be easily argued for, but I left that for a future report.

Emerging Futurists-in-Residence Program: https://bukas.upou.edu.ph/emerging-futurists 

The Emerging Futurist Residency is a research and creative program hosted at the Bukas Space by the University of the Philippines Open University and supported by Space Ecologies Art and Design. The residency focuses on supporting and nurturing exploration of multidisciplinary teams of artists, scientists, designers, engineers, and activists in futures thinking and futures literacy in the Philippines. The residency aims to deconstruct dominant paradigms about the future and develops alternative models through a combination of critical inquiry and hands-on experimentation.  As far as we are aware this is the only residency program in the Philippines that explicitly supports foster futures thinking: deep time, deep history, intergenerational thinking and planning, critical imageries of the future, critical digital literacies, speculative design, and radical pluridisciplinarity.

Wearable Futures Hackathon: https://bukas.upou.edu.ph/bams-hackathon-2022

The Wearable Futures Hackathon is a 12-week long, hybrid learning experience was collaboratively created for undergraduate students at UPOU and explores wearable technology, e-textiles, speculative design, and futures thinking

Other creative works and research publications 

I have done a number of art, design, and research projects that leverage the dynamic relationships between arts, humanities, science, and technology that touch on themes of health and wellbeing, circular economies, sustainability, and futures thinking. 

Art and Design 

MindFlow: a personalized wearable system designed to provide the user with calming, restorative audio and tactile experiences through an innovative use of their real-time physiological data: 

Ēngines of Ēternity (ĒoĒ):

ĒoĒ International Space Station 

ĒoĒ Galing

ĒoĒ Data Monument

ĒoĒ Eagerness for the Alien (video essay)

The Biomodd hyperproject:  

Biomodd installations I have worked on and co-led:

Los Baños/Manila, Philippines

London, UK

NYC, USA

Mechelen, Belgium

Bruges, Belgium

Haplòs

Royal Institute for Theatre, Cinema and Sound Winter School 2022

Other publications

Kuchner, U., Nasser, M., Steyaert, P., Maranan, D. S., Agatha Haines, Peeters, A., & Vermeulen, A. C. J. ((Forthcoming)). Biomodd: The potential of art-science collaborations for innovative forms of transdisciplinary research. GAIA.

Maranan, D. S. (2015). Speculative somatics. Technoetic Arts, 13(3), 291–300. 

Nasser, M., Peres, N., Knight, J., Haines, A., Young, C., Maranan, D., Wright, J., Carvil, P., Robinson, K., Westmore, M., Griffin, J., & Halkes, M. (2020). Designing clinical trials for future space missions as a pathway to changing how clinical trials are conducted on Earth. Journal of Evidence-Based Medicine, 13(2). 

Maranan, D. S., Grant, J., Matthias, J., Phillips, M., & Denham, S. L. (2020). Haplós: Vibrotactile Somaesthetic Technology for Body Awareness (Paper). Proceedings of the Fourteenth International Conference on Tangible, Embedded, and Embodied Interaction, 539–543. 

Maranan, D. S., & Librero, A. F. D. (2014). Biomodd: Exploring Relationships Between Biological, Electronic, And Social Systems Through New Media Art. ICERI2014 Proceedings, 249–256. 

Maranan, D. S., Loesche, F., & Denham, S. L. (2015, August 19). CogNovo: Cognitive Innovation for Technological, Artistic, and Social Domains. Proceedings of the 21st International Symposium on Electronic Art. ISEA 2015, Vancouver, Canada. https://web.archive.org/web/20160328200949/http://isea2015.org/publications/proceedings-of-the-21st-international-symposium-on-electronic-art/. https://doi.org/10.5281/zenodo.1172841

Maranan, D. S., Schiphorst, T., Bartram, L., & Hwang, A. (2013). Expressing technological metaphors in dance using structural illusion from embodied motion. Proceedings of the 9th ACM Conference on Creativity & Cognition, 165–174. https://doi.org/10.1145/2466627.2466654

Maranan, D. S., & Vermeulen, A. (2015). When Ideas Migrate: A Postcolonial Perspective on Biomodd [LBA2]. Proceedings of the 21st International Symposium on Electronic Art, 418–425. 

Nasser, M., Esteves, A. M., Maranan, D., Peeters, A., & Steyaert, P. (2021, October 25). Diversifying the concept of analogue missions to explore and evaluate new concepts for future space missions. 32rd IAA Symposium on Space and Society at the 72nd International Astronautical Congress, Dubai, United Arab Emirates. 

Nasser, M., Knight, J., Haines, A., Peeters, A., Maranan, D., Eachempati, P., Nagraj, S. K., & Bernard-Cooper, J. (2021, October 27). Virtual futuristic analogue missions to drive methodological innovation for clinical research for space mission and earth. 32rd IAA Symposium on Space and Society at the 72nd International Astronautical Congress, Dubai, United Arab Emirates. 

Nasser, M., Perez, N., Knight, J., Haines, A., Young, C., Griffin, J., Maranan, D., Wright, J., & Halkes, M. (2018, October 2). The Design Of Clinical Trials And Its Associated Support Systems In Interplanetary Missions. 69th International Astronautical Congress. 

Nasser, M., Steyaert, P., Maranan, D., Knight, J., Gonzalez, Y. M., Haines, A., & Peeters, A. (2022, September 20). Meta-futurism: An immersive workshop with science fiction elements to facilitate a conversation on climate change and space exploration. 33rd IAA Symposium on Space and Society at the 73rd International Astronautical Congress, Paris, France. 

Subyen, P., Carlson, K., Maranan, D. S., & Schiphorst, T. (2013, June 17). Recognizing Movement Qualities: Mapping LMA Effort Factors to Visualization of Movement. Beautiful Dance Moves: Mapping Movement, Technology & Computation Workshop: 9th ACM Conference on Creativity and Cognition, Sydney, Australia. 

Subyen, P., Maranan, D., Schiphorst, T., Pasquier, P., & Bartram, L. (2011). EMVIZ: The poetics of movement quality visualization. Proc. Int. Symp. Computational Aesthetics in Graphics, Visualization, and Imaging, 121–128. 

Vermeulen, A. C. J., Steyaert, P., Versbraegen, N., Maranan, D., Wan, A., Verschuren, J., Sena, F., Peeters, A., Faber, N., Mirzada, F., & Van Doninck, K. (2022, September 20). Ēngines of Ēternity: An Artistic Inquiry Into Space Settlement Ideology Using Rotifer Experiments on Board the ISS. 33rd IAA Symposium on Space and Society at the 73rd International Astronautical Congress, Paris, France. 

#blog

[arcandoria]

15 days of pride sketches, woo!

Since I got a couple of followers since the start of this, might as well make a bit of spotlight for my own person.

So hi! I’m Halkuonn, mostly known as Halk, and I’m a queer latine artist from Brazil. After some dancing around creative jobs, I’ve finally settled for being a freelance artist full time, licensed in my country and everything.

I came out as asexual and aromantic around 2019, and in the following year I’ve come to terms that I’m nonbinary. Recently I’ve been embracing more and more my transmasc side, and slowly coming out of the closet irl.

As you can imagine, as a freelance artist paying my bills and trying to save money to pay the expenses for a new car for our family (ours was 20 years old!), that doesn’t leave me with much money to buy gender comfort items such as binders, underwear and new clothes.

If you’ve been liking my sketches so far and/or want to support a queer artist, please consider leaving me a tip on KO-FI! Anything, as small it might seem, helps.

And of course, we still have 15 days of pride sketches! You can submit your request after reading these rules, and they are free. Donating is entirely up to you!

Thank you for taking the time to read, and happy Pride Month!

Reblogs appreciated. 🖤

#halk art #pride month #pride month 2022

[artistsoftheapocalypse]

Hey! Love everything y'all do! Could I get A4 for my gal Piper Wright?

[ sketched by @tarberrymentats ]

You can't stop the press.

#Fallout #FO #Fallout 4 #FO4 #Piper Wright #Sketchy Saturday #January 7/8 2022 #artist: tarberrymentats #artist: halk

[arellaninkirikalbi]

Ben seni gizli sevdim,

Bilmedim âlem duyar...

#mahşerinbinlerceatlısı #mahşerindörtatlısı #ay benim gece senin #onur zeynep #beyzalkoç #burak mert #emregül #güneşisöndürmemgerek #karantina #artists on tumblr #türk halk müziği #Spotify