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wausaupilot · 5 months

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Armed man arrested after Wis. Rapids crash

A 29-year-old man is facing an array of charges after allegedly crashing his vehicle into a residence and fleeing from police while armed, according to the Wisconsin Rapids Police Department.

Wausau Pilot & Review A 29-year-old man is facing an array of charges after allegedly crashing his vehicle into a residence and fleeing from police while armed, according to the Wisconsin Rapids Police Department. Police say Dane A. Bieniek was driving when he allegedly brandished a firearm at another driver at about 8 a.m. Saturday, Jan. 6. Officers tried to stop Bieniek, who drove off before…

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sebastianbieniek · 5 years

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Sebastian Bieniek (B1EN1EK), “Duoface No. 2“, 2019. Oeuvre of Bieniek-Face. Photography. From the „Duoface“ series. More: www.BieniekFace.com

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mrdoublefaced · 5 years

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“Two-Faced No. 6″ by Sebastian Bieniek. Finally! Complete „Two-Faced“ series from the Bieniek-Face oeuvre by Sebastian Bieniek (B1EN1EK) online!

#Sebastian Bieniek #Bieniek #B1EN1EK #Bieniek-Face #BieniekFace #Bieniek Face #Bieniek-Gesicht #BieniekGesicht #Bieniek Gesicht #Two-Faced #Two Faced #Twofaced #Twoface #art #artwork #Kunst #Bieniek Painting #Bieniek Gemälde #contemporaryportrait

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bieniekface-blog · 5 years

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“Crying Bieniek-Face No. 2″ by Sebastian Bieniek (B1EN1EK). Cover page of Germanys largest magazine, the SZ Magazin. More than 1.000.000 times printed! More: www.BieniekFace.com

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coltface-blog · 5 years

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“Two-Faced No. 6″ by Sebastian Bieniek. Finally! Complete „Two-Faced“ series from the Bieniek-Face oeuvre by Sebastian Bieniek (B1EN1EK) online!

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itsabieniek · 5 years

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“Two-Faced No. 6″ by Sebastian Bieniek. Finally! Complete „Two-Faced“ series from the Bieniek-Face oeuvre by Sebastian Bieniek (B1EN1EK) online!

#Sebastian Bieniek #Bieniek #B1EN1EK #Two-Faced #Two-Faced 6 #TwoFaced 6 #Two Faced 6 #Bieniek Two Faced #Art #Doublefaced #Bieniek Painting #Bieniek-Face #Bieniek Face #BieniekFace #Bieniek-Gesicht #BieniekGesicht #Bieniek Gesicht #Kunst #Contemporary Art

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b1en1ek · 5 years

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bomerhalders · 5 years

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The Rule Changers: Kubiak, Kłos, Komenda.

The Talkers: Drzyzga, Szalpuk, Nowakowski.

The Fishermen: Leon, Wojtaszek, Bieniek.

The Holiday Boys: Kurek, Konarski, Śliwka.

The Baby Faces: Kochanowski, Zatorski, Kwolek.

#reprezentacja polski mężczyzn #siatkówka #polska #wilfredo leon #michał kubiak #volleyball #team Poland

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ithinkithoughtof · 7 years

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two faced killer

#art #photography #killer #face #sebastian bieniek #gun

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sebastianbieniek · 5 years

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Sebastian Bieniek (B1EN1EK), “Deltaface No. 1“, 2019. Oeuvre of Bieniek-Face. Photography. From the „Deltaface“ series. More: www.BieniekFace.com

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queerfilmfestival-blog · 4 years

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Orpheus’ Song

Written by Ishira

Orpheus’ Song consists of two friends, Philip and Enis, based in Berlin, who embark on a trip to Greece where they ultimately discover a deeper connection between each other and the island. Leading a relatively simple life in Berlin, the two are seen frequently at the gym, where Philip is shown to especially prioritize bulking up his body and Enis is often preoccupied with school and his girlfriend. Philip is shown entering a competition to win a free trip to Greece, cynical of the validity and his chances of winning this competition. Shortly after, at the gym of course, Philip receives word of his winning the trip to Greece for two, which he convinces Enis to join him on. Greece proves to be a relaxing trip, consisting of drinks, swimming and tanning on the beach, till the two friends decide to take a hike into the mountains. Implications of mythical creatures and magical phenomena are not confirmed till the pair meet a man named Hercules in the midst of their aimless hike while getting lost on the island. Hercules perpetuates the already ignited sexual tension between Philip and Enis, formulated throughout the story by prolonged gazes and physical innuendos, such as cheek kisses and excessive touching, mainly on Philip’s part. Hercules offers the pair a drink that essentially drugs them into an erotic and sensual dream of sorts, to which they wake up to have found that Hercules robbed them. While Hercules robbed them of their money, he gifted them the opportunity to discover their deeper feelings for each other, as depicted in a subsequent scene, where Philip and Enis drink the remainder of Hercules’ drink, allowing them to finally explore their connection as more than friends though a passionate beach scene. The audience is then met with the difficult - will they or won’t they - plot sequence, where Enis is seen struggling to come to terms with his revealed feelings and sexuality and how this affects the routine and structured elements of his life back home. Eventually, Philip and Enis are seen leaving back to Greece together, shown contently walking to the airport with each other accompanied with the underlying notion of their newfound connection.

While this movie portrayed a variety of topics relevant to course content, this movie very much possessed the framework of intersectionality - where differing degrees of privileges and oppression are possessed by different characters.

The story of two friends discovering their homosexuality or bisexuality with each other was arguably overshadowed by the strong white, male dominant cast. It is interesting to denote that this movie may have been made under the notion of dislodging the white, male, German stereotypes of a heterosexual, strong-bodied nature that may dominate much of that culture. However, in attempting to accurately represent one oppressed group, numerous others are continuously further oppressed throughout the movie, contributing to the intersectionality framework mentioned.

The absence of female characters playing a strong role - something more than a supportive side element or a woman harassed by a man - is strongly potent in this movie. “As Seen on TV” addresses a similar gender binary seen in media, where men were portrayed as dominant and women as subordinate [1]. While this article maintains that the “heteronormative domestic” ideal was continuously portrayed in the media, the range of sexuality portrayed in Orpheus’ Song does not compensate for the gender binary portrayed by weak female characters that were either cast aside or objectified in any scene they were included in. This projection of the lack of strong female characters contributes to the “male gaze” concept, where women are portrayed as objects, usually of lesser value - as manifested through lack of portrayal and lack of dominant behaviors - for the perspective of a heterosexual male viewer [3]. The oppression through malportrayal of strong female characters in a movie centered around inclusive sexuality is evident and further perpetuates the intersectionality this movie possessed.

Secondly, either location of the movie - Berlin or Greece - lacked the presence of a person of color in almost every scene. Hall denotes this as “ambivalence”, where the double vision of white eyes through which content is seen drives the stereotypical “entertainer” or “clown” roles that people of color play, among others [2]. Hall essentially brings light to the inequality of roles that people of color are given, as seen through the arguably condescending or demeaning lens of the “white eyes” concept [2]. It can be argued that the lack of any person of color in this movie only perpetuates this ambivalent notion, giving no credibility, awareness and essentially existence to a person of color. This lack of color representation in a movie based around shedding light on certain oppressed sexualities contributes to the oppression that people of color face both in media and real life.

While certain oppressed groups were not portrayed equally in this movie, queer representation in the form of homosexuality/bisexual characters evoked a memorable and emotional insight into this world that is very rarely cast on the big screen. Additionally, while unaware this film was in German, the language barrier proved to be minimized by the English subtitles and ability to interpret the emotion and importance of certain scenes. This perspective inspires me to broaden my scope of art created with the limitation to one language - English - to that of worldwide art created by very talented individuals.

The limitations one faces as a North American viewer, mainly exposed to Westernized art, movies and TV shows, may contribute to the stigma surrounding oppressed groups that further perpetuate alienation, prejudice and discrimination against them. Festivals such as Kingston’s ReelOut festival not only bring awareness to certain groups rarely portrayed in mass media but also remind viewers of the beauty and innate equality that all types of art possess, regardless of their origins in certain oppressed groups.

Word count: 979

References:

1. Trier-Bieniek, Adrienne M. Gender and Pop Culture: a Text-Reader. Brill Sense, 2019.

2. Dines, Gail, et al. Gender, Race, and Class in Media: a Critical Reader. SAGE Publications, Inc., 2018.

3. “Male Gaze”, Week 4 Terms

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viralpotato-blog · 7 years

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Double Faced 🔫By Sebastian Bieniek @sebastianbieniekwww.bieniek.at

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mrdoublefaced · 5 years

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Sebastian Bieniek (B1EN1EK), "Unseen Face No. 18", 2017. Oil on canvas. From the “Unseen Faces” series. . . . . . www.B1EN1EK.com 🔵 . . #SebastianBieniek #B1EN1EK #BIENIEK #UnseenFace18 #UnseenFaceNo18 #UnseenFace #UnseenFaces #donkey #donkeyportrait #BieniekUnseenFace #BieniekUnseenFaces #Unseen #BieniekUnseen #BieniekPainting #Painting #Gemälde #kunst #malerei #contemporaryart #bieniekface #MrDoublefaced #itsabieniek (hier: Berlin, Germany) https://www.instagram.com/p/B4DcuPsoSGU/?igshid=1etyul6eg1qf3

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coltface-blog · 5 years

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Sebastian Bieniek (B1EN1EK), "Secondfaced No. 9“, 2014. From “Secondfaced” series. Oeuvre: Bieniek-Face . . . . www.BieniekFace.com 🔵 . . #SebastianBieniek #B1EN1EK #BIENIEK #Secondfaced9 #SecondfacedNo9 #Secondfaced #BieniekSecondfaced #BieniekSecondfaced9 #Fake #BieniekSecondfacedNo9 #FakeArt #Art #ContemporaryArt #ContemporaryPhotography #doublefaced #arte #photography #fotografie #BieniekDoublefaced #Fotokunst #Kunst #itsabieniek #BieniekFace (hier: Berlin, Germany) https://www.instagram.com/p/B4Dbt-WoW4W/?igshid=1kkb2auztvgy

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b1en1ek · 4 years

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Sebastian Bieniek ( B1EN1EK ), "Half-Face No. 6”, 2018. Photography. From the "Half-Face" series of photographs. Oeuvre: Bieniek Half-Face . . . . . www.BieniekHalfFace.com 🔵 . . #SebastianBieniek #B1EN1EK #BIENIEK #BieniekHalfFace #HalfFace #HalfFaceNo6 #HalfFace6 #BieniekHalfFace6 #art #ContemporaryArt #kunst #berlinart #fotokunst #photoart #Bienieklike #MrDoublefaced #photoart #itsabieniek https://www.instagram.com/p/B6bwit0oQ0f/?igshid=4rlf4qt4god7

#sebastianbieniek #b1en1ek #bieniek #bieniekhalfface #halfface #halffaceno6 #halfface6 #bieniekhalfface6 #art #contemporaryart #kunst #berlinart #fotokunst #photoart #bienieklike #mrdoublefaced #itsabieniek

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bieniekface-blog · 5 years

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Sebastian Bieniek (B1EN1EK), "The Mask No. 7", 2015. From “The Mask” series. Oeuvre: Bieniek-Face . . . . www.BieniekFace.com 🔵 . . #SebastianBieniek #B1EN1EK #BIENIEK #TheMask7 #TheMaskNo7 #TheMask #BieniekTheMask #BieniekTheMask7 #Fake #BieniekMask #Bieniekface #BieniekMaskNo7 #FakeArt #Art #ContemporaryArt #ContemporaryPhotography #doublefaced #arte #photography #fotografie #BieniekDoublefaced #Fotokunst #Kunst #itsabieniek (hier: Berlin, Germany) https://www.instagram.com/p/B3CLgVXIC9A/?igshid=zerpgmn37iik

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