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fashionbooksmilano · 6 months

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Josef Hoffmann

Sous le charme de la beauté

Adrián Prieto, Christian Witt-Dörring

Hannibal, Veurne 2023, 208 pages, Hardcover,24,5x28cm, French Edition, ISBN 978 94 6466 668 7

euro 60,00

email if you want to buy [email protected]

Innovative introduction to the iconic work of architect and designer Josef Hoffmann

The Viennese architect and 'all-round designer' Josef Hoffmann (1870–1956) is so much more than the founder of the Wiener Werkstätte. This book offers a broad view of his oeuvre that developed over no less than sixty years. The timeless beauty of Hoffmann's creations shows not only his importance as a historical figure, but also as a source of inspiration for several generations.

Richly illustrated with furniture, objects, designs, textiles, photographs, drawings and documents. Special attention is paid to his creative working method and his misunderstood use of color.

This monograph is published on the occasion of the exhibition Josef Hoffmann – Under the spell of beauty, which will take place from October 6, 2023 to April 14, 2024 in the Brussels Museum of Art & History. The project was created in collaboration with the Museum für angewandte Kunst (MAK) in Vienna and is one of the eye-catchers of the Art Nouveau Year 2023 in Brussels.

13/11/23

#Josef Hoffmann #architect and designer #Brussels Museum of Art 2024 #viennese architect #Wiener Werkstatte #furnitures #textiles #objects #drawings #designbooksmilano #fashionbooksmilano

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beardedmrbean · 1 year

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1. Oil prices rise as G7 price cap kicks in

Global oil prices rose on Monday as the G7 group of advanced industrial countries implemented a price cap on Russian crude oil. Read more.

2. Who is Sinterklaas and how do Belgians celebrate 6 December?

Whilst in most countries children must wait until the last few days of the year to unwrap gifts below their Christmas tree, in Belgium, they are visited by a jovial old man dressed in red on 6 December every year. But only if they behave, that is. Read more.

3. Museum Pass boosts visits and revenue for Belgian culture

The Museum Pass, launched in 2018 to drive more visitors to museums, is living up to its ambition. Those with a Museum Pass are four times more likely to visit a museum than before, which provides museums with some €1.8 million in extra revenue annually, the organisation behind the Museum Pass reported on Tuesday. Read more.

4. Government to propose 'micro-extension' of Belgium's nuclear reactors

Belgium's Government is set to propose a "micro-extension" of some of the country's nuclear power plants' lifespans in order to overcome a potentially desperate energy crisis in a few years' time. Read more.

5. Over 25% of Flemish people want to vote for far-right Vlaams Belang in 2024

Just over a quarter (25.5%) of people in Flanders say they will vote for the far-right, Flemish-nationalist Vlaams Belang at the 2024 elections. Party leader Tom Van Grieken is now in the top three most popular politicians in the region, a new poll by Het Laatste Nieuws and VTM Nieuws shows. Read more.

6. Price of energy contracts signed in November to fall by 20%

The Commission for Electricity and Gas Regulation (CREG) has announced that the latest price of an energy contract that was signed in November will cost Belgians €4,817.56 per year – a 20% decrease on the previous month. However, as it gets colder in the winter, the CREG is expecting these prices to climb back up at the start of next year. Read more.

7. Art and Events in Brussels

A pair of special exhibition rooms at the Royal Museums of Fine Arts of Belgium seeks to boldly explore two current social matters: the restitution of looted artwork, and the revision of a title to one of Ruben’s masterpieces. Read more.

#nunyas news

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southeastasianarchaeology · 11 hours

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Belgian Museum Showcases Rare Vietnamese Artifacts

Discover 3,000 Vietnamese artifacts at Brussels’ Royal Museum, showcasing cultural symbols like the Dong Son drum and dynastic ceramics.

via Vietnam Plus, 23 April 2024: The Royal Museum of Art and History in Brussels, Belgium, features a remarkable collection of nearly 3,000 Vietnamese artifacts, the largest collection outside Vietnam. These items, acquired in 1952 from collector Clément Huet, include significant pieces like the Dong Son bronze drum and exquisite ceramics from the Ly and Tran dynasties. A large number of…

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#Belgium #ceramics #Dong Son drum #museums

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noloveforned · 3 days

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after a few days laying about "in recovery" i'm happy to be back at wlur from 8pm until midnight tonight with a new theme! tune in to see how we'll start off all our shows this spring.

last week's show is now up on mixcloud. it was the heart themed show in honor of the cryoablation procedure i went through last week to (hopefuly) eliminate a pesky heart arrythmia i've dealt with for the last twenty years. two hours of songs about heartbeats and broken hearts that fit into the old no love for ned motto from the nineties- "cause happy rhymes with crappy".

no love for ned on wlur – april 19th, 2024 from 8-10pm

artist // track // album // label the magnetic fields // epitaph for my heart // sixty nine love songs // merge scraps // suddenly y'r in my heart // classic shits // bedroom suck records allo, darlin' // my heart is a drummer // allo darlin' // fortuna pop! count florida // can't break a heart // choose your own... // (self-released) the art museums // dancing with a hole in your heart // dancing with a hole in your heart 7" // slumberland ubangi // the heartbeat // oh no, i'm pregnant! // hawk axeman // rocks in my heart // derry legend // flying nun beex // (my heart goes) beat beat // the early years, 1979-1982 // beach impediment gino and the goons // break your heart // do the get around // drunken sailor prom nite // play rough with my heart // dancing to this beat // barfbag terry and louie // (i'm) looking for a heart // ... a thousand guitars // tuff break toy watches // hole in my heart // brisbane bands of the early eighties compilation // brisbane music graveyard mod con // is your heart a joke? // modern condition // poison city old 97's // murder (or a heart attack) // fight songs // elektra magnolia electric co. // john henry split my heart // the magnolia electric co. // secretly canadian bob dylan // someone's got a hold of my heart // springtime in new york- the bootleg series, volume sixteen (1980-1985) // legacy c. albert blomquist // never had a heartache hurt so hard // c. albert blomquist // (self-released) mirah // engine heart // you think it's like this but really it's like this // k cat power // metal heart // moon pix // matador patsy cline // does your heart beat for me // a portrait of patsy cline // decca al green // how can you mend a broken heart // let's stay together // hi quantrells // can't let you break my heart // home schooled- abcs of kid soul compilation // numero group mavis staples and eddie floyd // piece of my heart // boy meets girl- classic stax duets compilation // stax nick lowe // only a fool breaks his own heart // the convincer // yep roc spiritualized // broken heart // the abbey road ep // arista the rolling stones // doo doo doo doo doo (heartbreaker) // brussels affair, live 1973 // polydor pylon // feast on my heart // gyrate // db the skeptics // you've got a heart somewhere // you make me sick 7" // frantic city the remains // heart // the remains // epic martha // heart is healing // love keeps kicking // dirtnap spazzys // you left my heart in the garage // aloha! go bananas // fur bat fangs // heartbeat // bat fangs // don giovanni veronica falls // my heart beats // waiting for something to happen // slumberland blondie // heart of glass // parallel lines // chrysalis dirty projectors featuring dawn richard // cool your heart // dirty projectors // domino

#wlur #radio shows

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spacenutspod · 3 months

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From left to right: Tim Richardson, chargé d’affaires, U.S. Embassy Belgium, Raphaël Liégeois, Belgian astronaut, Thomas Dermine, Belgian secretary of state for science policy, Hadja Lahbib, Belgian minister of foreign affairs, and Frank De Winne, Belgian astronaut, during the Artemis Accords signing ceremony in Brussels. Credits: Nathan De Fortunato During a ceremony at the Museum of Fine Arts in Brussels on Tuesday, Belgium became the 34th country to sign the Artemis Accords. The accords establish a practical set of principles to guide space exploration cooperation among nations, including those participating in NASA’s Artemis campaign. “Congratulations to Belgium on becoming the newest member of the Artemis Accords family,” said NASA Administrator Bill Nelson. “It’s clear that countries around the world understand the opportunity that space presents. As the 34th signatory of the Artemis Accords, Belgium is showing great leadership in committing to responsible exploration in the 21st century.” Hadja Lahbib, minister of foreign affairs, European affairs and foreign trade, and the federal cultural institutions, and Thomas Dermine, state secretary for economic recovery and strategic investments, in charge of science policy, signed on behalf of Belgium. “Joining the Artemis Accords reflects our logic of cooperation and enables Belgium to join the working group of states that have already signed,” said Dermine. “Belgium always has its feet on the ground and its head in the stars,” said Lahbib. “Our country is one of the world leaders in space exploration. The signing of the Artemis Accords shows our ongoing commitment to sustainable and responsible space, and will strengthen ties with international partners. It will also open new economic opportunities for our companies, which have world-renowned expertise in the space sector.” NASA, in coordination with the U.S. Department of State, established the Artemis Accords in 2020 together with seven other original signatories. Since then, the Accords signatories have held focused discussions on how best to implement the Artemis Accords principles. The Artemis Accords reinforce and implement key obligations in the 1967 Outer Space Treaty. They also strengthen the commitment by the United States and signatory nations to the Registration Convention, the Rescue and Return Agreement, as well as best practices and norms of responsible behavior NASA and its partners have supported, including the public release of scientific data. More countries are expected to sign the accords in the months and years ahead, which is important to advancing safe, peaceful, and prosperous activities in space. Learn more about the Artemis Accords at: https://www.nasa.gov/artemis-accords -end- Faith McKie / Roxana BardanHeadquarters, [email protected] / [email protected] Share Details Last Updated Jan 24, 2024 LocationNASA Headquarters Related TermsArtemisArtemis AccordsOffice of International and Interagency Relations (OIIR)

#space #astronomy #news #science

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reddancer1 · 4 months

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Inside the hunt for Ukraine’s stolen art

Unless Ukraine wins the war, there is no way to recover what Russia has looted

Jan 5th 2024 | KHERSON and KYIV

ON AN UNSEASONABLY warm day in October, the silence outside broken by birdsong and artillery fire, Olga Goncharova sat in her office on the ground floor of the Kherson Regional Museum, a bulletproof vest wrapped around the back of her chair, the windows covered with plywood, and cursed the Russians. “They’re vandals, the people who did this,” she said.

Ms Goncharova escaped from Kherson, in southern Ukraine, in the spring of 2022, shortly after Russian troops poured into the city. By the time she returned, in November that year, Kherson had been liberated. The Russians had evacuated to the other bank of the Dnieper river, from which they have been bombing the city ever since. Ms Goncharova wept when she entered the museum where had worked for over two decades. “There was broken glass everywhere,” she says. “They had torn some of the exhibits out from their pedestals.”

In fact Russian officials, assisted by local collaborators and the museum’s then director, had removed more than 28,000 artefacts, loaded them onto lorries and shipped them to Crimea, illegally annexed by Russia in 2014. Gone were the ancient coins, the armour, the Greek sculptures, the Scythian jewellery, a precious Bukhara sabre—and even the hard drives containing the museum’s catalogue. Three decades ago, Ms Goncharova says, the museum recovered a collection of Gothic bronzes looted by German occupiers during the second world war. Now the Russians have stolen them.

The museum in Kherson is one of many in Ukraine that have been plundered. The country’s ministry of culture estimates that over 480,000 artworks have fallen into Russian hands since the full-scale invasion began in February 2022. At least 38 museums, home to nearly 1.5m works, have been damaged or destroyed.

Ukrainian officials have also dispatched a number of collections elsewhere in Europe, to protect them from Russian bombs. These include dozens of Ukrainian paintings from the early 20th century, currently at the Royal Museums of Fine Arts in Brussels. The collection will be on display in Vienna from February 23rd to June 2nd and at the Royal Academy of Arts in London from June 29th to October 13th. When the evacuated treasures will return to Ukraine is unclear.

Artists have not been spared either. Ms Goncharova points to a painting of dried flowers and pottery that hangs opposite her desk. The artist, Vyacheslav Mashnytskyi, from Kherson, went missing after Russian troops turned up at his riverside dacha and requisitioned his boat. Friends who stopped by the house days later found traces of blood. Mr Mashnytskyi has not been heard from since….

Putin is another Hitler - WHEN is he and his army going to be put on trial at the International Court of Justice????

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tigerstrikesasteroidnetwork · 5 months

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NY / &&&2

&&&2 January 6, 2024 – February 18, 2024 Opening Reception: Jan 6, Saturday 6-8PM A talk with the artists will be scheduled in February

Tiger Strikes Asteroid New York is pleased to present &&&2, a bi-coastal exhibition that serves as both a survey and sequel to the collaborations of Ethan Greenbaum, David Kennedy Cutler and Sara Greenberger Rafferty.

Ten years ago, the artists initiated a series of meetings to talk about materials and techniques, based on their mutual interest in using photographic imagery to destabilize traditional art categories like painting, printmaking and sculpture.

The meetings resulted in an artist’s book titled &&&, in which the three artists imagined themselves as a fictional industrial supply firm. For Greenberger & Greenbaum & Cutler &, the fictional company had a veneer of prestige. For these capitalist outsiders, a corporate symbol of joint commercial enterprise was almost tantamount to success.

The book was released at Printed Matter’s NY Art Book Fair in 2013 in both a mass market paperback and a boxed, limited special edition print series based on swatch sample catalogs. The intention of the project was lost on nearly everyone, but a few key people became aware of the artists’ positioning themselves as a small movement. This included the photography curator Dan Leers, who organized a show and catalog of their work, Beyond The Surface: Image as Object, at the Philadelphia Photo Arts Center in 2014.

To commemorate the 10th anniversary of &&&, Sun You has invited Greenberger & Greenbaum & Cutler to mount an exhibition at TSA in Brooklyn, NY. There will also be a simultaneous version of the show at Ditch Projects in Springfield, OR. The exhibitions at both artist-run spaces feature a backdrop that wraps the gallery with deconstructed pages from the original &&& book, over which the artists have installed works from 2013 and 2023. The original book is also exhibited, as well as a new portfolio of prints (&&&2) to celebrate ten fruitful years of collaboration, hand wringing and friendship

Ethan Greenbaum is a New York based artist. Selected exhibition venues include KANSAS, New York; Derek Eller Gallery, New York; Hauser and Wirth, New York; Marlborough Chelsea, New York, Higher Pictures, New York; New York; Marianne Boesky, New York, Circus Gallery, Los Angeles; Steve Turner, Los Angeles; The Suburban, Chicago; Michael Jon & Alan, Miami, The Aldrich Museum, Connecticut; Socrates Sculpture Park; Long Island City and Stems Gallery, Brussels. Recent projects include a solo presentation with Lyles & King and solo exhibitions at Galerie Pact, Paris and Super Dakota, Brussels.

His work has been discussed in The New York Times, Modern Painters, Artforum, BOMB Magazine, ArtReview and Interview Magazine, among others. Ethan is a co-founder and editor of thehighlights.org and his writings have appeared in the Brooklyn Rail, Wax Magazine, BOMB, Paper Monument and others. He has also curated and co-curated multiple exhibitions at venues including The Suburban, Chicago; Lyles & King, New York and Super Dakota, Brussels. Greenbaum is the recipient of the Queens Art Fund New Work Grant, the Silver Art Residency, The Keyholder Residency at the Lower East Side Printshop, Dieu Donne’s Workspace Residency, LMCC’s Workspace Program, The Robert Blackburn SIP Fellowship, The Socrates EAF Fellowship, The Edward Albee Foundation Residency and The Barry Schactman Painting Prize. He received an MFA in Painting from Yale School of Art.

David Kennedy Cutler is an artist, writer and performer who lives and works in Brooklyn, New York. Cutler received his BFA from The Rhode Island School of Design in 2001. He has had solo exhibitions at Derek Eller Gallery, New York; Halsey McKay Gallery, East Hampton; Essex Flowers, New York; The Centre for Contemporary Art, Tallinn, Estonia and Nice & Fit, Berlin, Germany. Cutler has performed in various spaces in New York including Klaus von Nichtssagend Gallery, Essex Flowers, Printed Matter, Halsey McKay, Derek Eller Gallery, and Flag Art Foundation, and internationally at the Center for Contemporary Arts Estonia, among others. His works are included in the permanent collections of the Wellin Museum at Hamilton College and The RISD Museum, and his artist’s books are included in the libraries of the Whitney Museum and the Brooklyn Museum. He has been reviewed and featured in The New York Times, Artforum, Art in America, The New Yorker and Modern Painter, among others. Cutler is represented by Derek Eller Gallery, NY and Halsey McKay Gallery, East Hampton.

Sara Greenberger Rafferty produces image-based works in paper, plastic, glass, metal, fabric, and video. Her work is driven by an ongoing examination of contemporary and mid-20th century visual culture and considers the ever-changing implications for photographic images in the digital era. She’s also into comedy.

Ditch Projects is a nonprofit artist-founded, artist-run studio, exhibition, and performance space providing contemporary art experiences in Springfield, Oregon. As a collective of artists and professionals committed to exhibiting experimental artists from diverse backgrounds, Ditch Projects provides opportunities for cultural exchange between experimental contemporary art and our local community, acting as an integral voice within contemporary art discourse in the Pacific Northwest. Since its founding in 2008, Ditch Projects has featured over 145 exhibitions and 275 artists. Growing organically out of the concerns of its artist members, Ditch provides contemporary visual arts practitioners with an opportunity to test out new ideas, processes, and approaches they might not otherwise attempt in a comparable urban center. Over the past decade, the primary focus of the artist collective has been on the production and presentation of new works by regional, national and international artists, with a consistent 10-12 solo, two-person or group exhibitions per season. Past exhibiting artists have included internationally renowned practitioners such as Amy Yao, Diana Thater, Scott Reeder, Laura Owens, Jessica Jackson Hutchinsons, and Vito Acconci, along with regionally acclaimed artists such as Ralph Pugay, Amy Bernstein, Lisa Radon, Tannaz Farsi, James Lavadour, and Kristen Kennedy. Exhibitions at Ditch Projects have been reviewed in Art Forum, Frieze, Art in America, and the New York Times. Ditch Projects has received grants from the Andy Warhol Foundation, The Miller Foundation, the Ford Family Foundation, the Oregon Arts Commision, the Oregon Cultural Trust, Oregon Community Foundation, and the WLS Spencer Foundation.

#tiger strikes asteroid #tigerstrikesasteroid #&&&2

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praxismatters · 10 months

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THE EVENS ARTS PRIZE 2023

Exploring the critical imaginaries of AI The Evens Arts Prize 2023 is dedicated to artistic practices that challenge prevailing systems of knowledge and experiments new alliances between living beings and machines.

The Jury is composed of Daniel Blanga Gubbay, Artistic Co-Director, Kunstenfestivaldesarts; Nicolas Bourriaud, Artistic Director, 15th Gwangju Biennale; Elena Filipovic, Director and Curator, Kunsthalle Basel; Matteo Pasquinelli, Associate Professor in Philosophy of Science, Ca’ Foscari University; Gosia Plysa, Director, Unsound. The Jury Chair is André Wilkens, Director, European Cultural Foundation. Artistic Director: Anne Davidian, curator.

Focus of the Evens Arts Prize 2023 The widespread use of AI applications, particularly in the form of text-to-image generators and large language models, has sparked intense scrutiny and debate. These discussions, fueled by both excitement about their potential and concerns about their biases, bring to the forefront crucial questions about human subjectivity, autonomy, and agency.

Technical systems are deeply intertwined with social systems, shaping our lived experiences, aspirations, and politics. Together with artists, how can we better understand and address the impact of AI and the broader constellation of digital technologies and algorithmic politics? What new imaginaries and alliances can we cultivate between living beings and machines?

The new edition of the Evens Arts Prize seeks to highlight artistic projects that explore alternative cosmologies and epistemologies, question human exceptionalism, and shed light on issues such as surveillance, manipulation, extractivism, digital governance, justice, care, and responsibility in the age of machine intelligence. Of particular interest are practices that experiment with AI to challenge prevailing systems of knowledge and power asymmetries, mobilise technologies towards emancipatory community outcomes, and envision democratic futures.

The laureate is selected by an independent jury from a list of nominations put forward by representatives of major European cultural institutions.

The Nominators of the Evens Arts Prize 2023 Ramon Amaro, Senior Researcher in Digital Culture, Nieuwe Instituut, Rotterdam; Zdenka Badovinac, Director, Museum of Contemporary Art, Zagreb; Lars Bang Larsen, Head of Art & Research, Art Hub, Copenhagen; Leonardo Bigazzi, Curator, Foundation In Between Art Films, Rome; Mercedes Bunz, Professor Digital Culture & Humanities, King's College, London; Francesca Corona, Artistic Director, Festival d'Automne, Paris; Julia Eckhardt, Artistic Director, Q-02, Brussels; Silvia Fanti, Artistic Director, Live Arts Week /Xing, Bologna; iLiana Fokianaki, Founder, State of Concept, Athens; Cyrus Goberville, Head of Cultural Programming, Bourse de Commerce | Pinault Collection, Paris; Stefanie Hessler, Director, Swiss Institute, New York; Mathilde Henrot, Programmer, Locarno Film Festival; Nora N. Khan & Andrea Bellini, Artistic Directors, Biennale Image en Mouvement 2024, Geneva; Peter Kirn, Director, MusicMakers HackLab, CTM Festival, Berlin; Inga Lace, Curator, Latvian Centre for Contemporary Art, Riga; Andrea Lissoni, Director, Haus der Kunst, Munich; Frank Madlener, Director, IRCAM, Paris; Anna Manubens, Director, Hangar, Barcelona; Anne Hilde Neset, Director, Henie Onstad, Høvikodden; Nóra Ó Murchú, Artistic Director, transmediale, Berlin; Maria Ines Rodriguez, Director, Walter Leblanc Foundation, Brussels; Nadim Samman, Curator for the Digital Sphere, KW Institute for Contemporary Art, Berlin; Andras Siebold, Artistic Director, Kampnagel, Hamburg; Caspar Sonnen, Head of New Media, International Documentary Film Festival (IDFA), Amsterdam; Marlies Wirth, Curator for Digital Arts, MAK, Vienna; Ben Vickers, Curator, Publisher, CTO, Serpentine Galleries, London.

The Evens Arts Prize The Evens Arts Prize honours artists who engage with contemporary challenges in Europe and shape inspirational visions for our common world. Far from reducing artistic practice to a function – whether a social balm or a political catalyst – the Evens Arts Prize supports aesthetically and intellectually powerful work that pushes the understanding of alterity, difference, and plurality in new directions, questions values and narratives, creates space for silenced or dissonant voices, and reflects on diverse forms of togetherness and belonging.

The biennial Prize is awarded to a European artist working in the fields of visual or performing arts, including cinema, theater, dance, music; it carries a sum of €15,000. The laureates are selected by an independent jury, from a list of internationally acclaimed artists, nominated by representatives of major European cultural institutions.

The 2011, 2019 and 2021 editions were curated by Anne Davidian and celebrated Marlene Monteiro Freitas, Eszter Salamon, and Sven Augustijnen as laureates of the main prize, while Eliane Radigue and Andrea Büttner received the Special Mention of the Jury.

More about the Prize

📷 from Atlas of Anomalous AI, edited by Ben Vickers and K Allado-McDowell, Ignota Books, 2020

#artificialintelligence #AI

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architectnews · 3 years

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OMA designs first North American outpost for Centre Pompidou

Architect OMA has revealed its plans to transform a former transport hub in Jersey City into The Centre Pompidou Jersey City.

Located in Journal Square, the adaptive reuse project will see the 5,400-square-metre Pathside Building turned into the French cultural institute's first North American outpost.

The four-storey building was originally built in 1912 as offices and incorporated a trolley station. It was later converted into an education building.

Top: OMA will transform the building into a cultural centre. Above: its original features will be restored

OMA will transform and restore the building, incorporating original features such as its brick and limestone facade, public service emblem and glass canopy the extends across the side of the building into its new design.

Inside the building, the studio will convert the column-free interior spaces into large open-plan gallery and exhibition spaces with five-metre-high ceilings.

An accessible rooftop garden will be built across the top of the building.

The building will be converted into gallery space

Scheduled to open in 2024, the art museum is being designed to become a new cultural hub. It forms part of ongoing plans to reinvigorate the area and establish Jersey City as an art and cultural destination.

The Center Pompidou Jersey City will host exhibitions, cultural programmes and performances, as well as housing retail spaces and cafes.

"When the Pathside building was slated for high-rise development, we saw a unique opportunity to change its trajectory to better serve the city as a museum and community center," said Jersey City mayor Steven Fulop.

"This is the latest major step towards our broader revitalization goals, utilizing all our city has to offer and establishing Journal Square as a cultural destination for generations to come."

The interior has columnless spaces

The Centre Pompidou has expanded outside of its iconic Paris location and has built outposts including the Shigeru Ban-designed Centre Pompidou-Metz in France, plus others in Málaga and Brussels.

Recently the organisation opened a Chinese outpost within the David Chipperfield-designed West Bund Museum in Shanghai.

The cultural institution will be closing its Renzo Piano and Richard Rogers-designed Paris building from 2023 to undergo major renovations.

Images are courtesy of OMA.

The post OMA designs first North American outpost for Centre Pompidou appeared first on Dezeen.

#Architecture – Dezeen