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#Hisaka Yoko
hololivestuff · 4 years
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Hololive's Tsunomaki Watame - Don't say lazy (Karaoke Cover) (K-ON! ED) [May/03/2020]
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smugrenges · 6 years
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I love Hisaka Yoko’s musical work. 
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animebw · 4 years
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Plot twist, K-On is actually a Symphogear prequel depicting Maria Cadenzavna Eve’s rise to power.
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skywardsoul · 5 years
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Man I really wasn’t sure if I was gonna watch all of Symphogear G, but then like, Diana’s voice actress is in it...and she SINGS!
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kattenikaizou-blog · 7 years
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lucille-grim · 3 years
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**ALTERNATE UNIVERSE YYH VOICE ACTRESSES - JAPANESE SEIYUU**
My choices...
Sayuri Minamino, female varient of Shuichi Minamino in my fictions, I pictured she'd be voiced by Yoko Hikasa.
She has a sweet and very feminine voice. She sounds like the voice of a beauty, a very popular beauty that all the boys want. She sounds polite when she speaks, her voice soft yet also serious when need to be.
A few good examples:
The Devil Is a Part-Timer! as Emi Yusa
High School DxD as Rias Gremory
Little Witch Academia as Diana Cavendish
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Yoko Hisaka's singing voice...
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Kaguya Kuwabara, the female varient of Kazuma Kuwabara, I envision her with the voice of Masako Katsuki.
Her voice is feminine but Masako pulls off a toughness and energy that Kaguya has in her personality.
A few good examples:
Yoroiden Samurai Trooper as Lady Kayura
Naruto as Tsunade
One Piece as Charlotte Smoothie
Sailor Moon as Sailor Neptune
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Masako Katsuki's singing voice...
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**KURAMA'S AND KUWABARA'S ENGLISH SINGING VOICES**
Female Kurama would be Nelly Furtado:
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Female Kuwabara would be Floor Jansen:
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Please Note:
I did not do Yukio's voice since he is Hiei's twin. Even though they are not physically identical, he could have the same voice of as Hiei's. This would add a bit of comedy as well because Yukio sneaks up on people, especially on Kaguya. It adds to confusion and the element of surprise.
LINK TO MY FAN FICTIONS:
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rjbailey · 4 years
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Reposted from @crunchyroll Happy Birthday to the Japanese Voice Actress Yoko Hisaka 🎉 #anime - #regrann https://www.instagram.com/p/CCtn-B8FKHk/?igshid=1a9n9id9irb6e
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【CD NEWS】Seitokai Yakuindomo the Movie Theme Song: Seishun Nonfiction by Triple Booking (CV. Yoko Hikasa, Satomi Sato & Sayuri Yahagi) available for pre-order!!
 Comes with animate bonus L-Size Bromide of the high school girls!
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hololivestuff · 4 years
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Hololive's Houshou Marine - Don't say lazy (Karaoke Cover) (K-ON! ED) [May/13/2020]
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ambarawanihonkurabu · 6 years
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Goblin Slayer Rilis Video Trailer dan Staf Serta Pemeran Yang Terlibat di Dalamnya
Trailer pertama untuk anime yang akan datang berjudul Goblin Slayer telah diumumkan! Trailer yang dirilis menampilkan para staf, seperti Tahaku Ozaki sebagai sutradara dan grup musik Mili sebagai artis untuk lagu tema pembukanya.
Anime ini berasal dari sebuah novel terkenal dark-fantasy karya asli dari Kumo Kagyu dan dirilis secara online.
Anime ini menggambarkan kisah Goblin Slayer yang hanya keluar untuk membunuh para goblin yang dianggap sebagai monster terlemah. Dalam petualanganya, ia kemudian bertemu dengan seorang pendeta, yang dimana memiliki pangkat terendah dalam game dan ia menolongnya, kemudian ia pun bergabung untuk melanjutkan petualangannya.
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Anime ini telah diumumkan sejak bulan Februari. Untuk trailernya terungkap pada 24 Maret dan berisi informasi tentang anggota staf, artis dan juga lagu untuk tema pembuka.
Goblin Slayer dijadwalkan akan tayang di tahun 2018.
Berikut daftar staf dan cast yang terlibat dalam anime ini:
Karya Asli: Kumo Kagyu
Original Character design: Noboru Kannatsuki
Sutradara: Takaharu Ozaki
Series Composition, Naskah: Hideyuki Kurata
Naskah: Yosuka Kuroda
Desain karakter: Takashi Nagayoshi
Tema Pembuka: Mob Mentality-Mili
Produksi Anime: White FOX
Pemeran:
Goblin Slayer: Yuichiro Umehara
Priestess: Yui Ogura
High Elf Archer: Nao Toyama
Cow Girl: Yuka Iguchi
Guild Gir: Maaya Uchida
Dwarf Shaman: Yuichi Nakamura
Lizard Priest: Tomokazu Sugita
Witch: Yoko Hisaka
Spearman: Yoshitsugu Matsuoka
  The post Goblin Slayer Rilis Video Trailer dan Staf Serta Pemeran Yang Terlibat di Dalamnya appeared first on Japanese Station.
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animebw · 4 years
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Binge-Watching: Re:Creators, Episodes 4-7
In which I get some very familiar vibes, the character clashes are better than the exposition dumps, and I wonder if Sota’s gonna work in the end.
Re/Stay Night
Re:Creators is a show that wears a lot of influences on its sleeve. Considering it’s specifically about the relationship between popular media, its writers and its audience, it’s no surprise it invites comparisons to countless different trends and specific properties. But the anime it reminds me the most of thus far is Fate/Stay Night, and I don’t just say that because of the obvious Saber parallel voiced by Yoko Hisaka. The plot revolves around a cast of widely varied, obscenely superpowered warriors, each with their own gimmicks and special moves, and much of the intrigue comes from watching their competing motives and ideologies clash up against each other. The battles take place in a cluttered city, causing lots of collateral damage and requiring them to stay out of sight as much as possible to hide what’s really going on. There’s even a similarity with the relationship between the Creations and their Creators that could be read as a different take on the Master/Servant dynamic in Fate. Obviously there’s a lot of differences in the particulars, but the general appeal of an urban-fantasy clash of ideals between summoned superhumans is definitely something the two shows share.
It’s a well-worn story structure to be sure, but Re:Creators knows how to make it work. All the characters have such interesting, complex views on their position as fictional creations brought to life, and those beliefs can’t help but come into conflict thanks to how different they are. Meteora’s conflicted on how much she owes this world, especially since her original creator’s now dead, but she can tell from playing her game that her world was designed with genuine love and care, so sh decides that her creator’s world must be worth protecting as well. Alice the knight is understandably furious at her world being such a horror show, and she will stop at nothing to bring justice to her people no matter how many bodies she has to pile up to do it. Rui the mecha pilot is exhausted from having to Get in the Goddamn Robot so many times, like a Shinji with more backbone, but his overall heroic nature means he lets himself get swept in events regardless. Jojo’s boss Yuya and horror villain Magane are wild cards who are just here for a good time, and they’ll latch on to whatever witll excite them the most. Mamika just wants everyone to get along, which means she’s even willing to fight against her own teammates if it gives her a better chance of minimizing the damage. Gunslinger Blitz is still fairly shrouded in mystery, but he seems like he has a strong sense of respect for the mission he’s carrying out. And, of course, Selesia is a hero through and through, determined to stop the potential end of the world no matter how hard the task might be, even if that means giving the benefit of the doubt to Creations who really don’t deserve it because they’re all in this together.
Clusterbomb
And whenever this show lets them come into conflict and bounce ideals and beliefs off each other, it’s pretty damn good. Alice and Mamika differ on whether they value good intentions or shared goals more, as well as how justified they believe violence is, but they both respect each other’s drive to do the right thing. Plus, they’ve got the whole “Badass warrior maiden is soft for the cute ball of sunshine” dynamic going on, and god dammit if that isn’t right up my alley (”As long as you’re here, I have nothing to worry about.”) Mamika’s also unable to work up the courage to fight until Blitz tells her that sometimes there’s no other way to constrain violence, and then he’s the first person she gets in the way of to try and stop him from fighting past the point of reason. Meanwhile, Magane’s nihilism puts her at odds with Alice’s strong sense of justice, and she can’t help but needle the knight about how certain she seems to be that her way of doing things is the only just one. They both leave plenty of bodies in their wake, so who gets to decide that the bodies Alice leaves behind were worthy sacrifices and Magane’s are innocent victims? By contrast, Yuya’s brash enthusiasm and Rui’s fighting spirit compliment each other very well, and they’re already a fun set of bros (”Send it flying! High in the sky!”) I love how it keeps finding new combinations of characters to explore, teasing out how all eight of these very different people would interact with each other. And the riverbank clash bridging episodes 6 and 7 ends up dragging them all in; for a brief moment, all eight of the central Creations are together and ready to throw down. The fighting’s only just starting to pick up, but I’m already excited to see which characters butt heads with who next. Whatever combination Re:Creators decides to explore, there’s potential for a pretty damn exciting clash in it.
Chugging Along
Still, while I’m enjoying this show’s Fate-esque approach to building characters and conflicts, it’s also borrowed something else from Fate it probably should’ve left behind: the exposition. Far too much time is spent with the characters just sitting in a room talking, hashing out all the lore details they need to know in order to advance the plot. I’m okay with an occasional exposition dump, but when half of pretty much every episode is dedicated to a group of characters lounging around a relatively boring room and just talking about what’s going on, it starts to wear pretty thin. At least the direction is pretty decent most of the time, so we don’t stay stuck in a dull shot-reverse shot loop for the whole thing. There are plenty of interesting camera angles and smart editing cuts that keep the pace from dragging too much. I also really like whenever it delivers an exposition dump over a montage of the characters just goofing off and having fun. It’s a great way to kill two birds with one stone, getting all the necessary plot bullshit out of the way while fleshing out the characters’ interior lives through how they interact in low-stress situations. If it pulled that particular trick more often, I’d probably have a lot less to complain about. Also if it actually let Selesia and Meteora kiss when they go in for the pocky game. Yes, I am that shallow, why do you ask? Look, big city-set action shows with self-insert male protagonists almost always default to the most boring het pairings imaginable, so I will be very thankful if Re:Creators avoids that particular trap.
Altair’s Secret
And speaking of Sota, I still find it really amusing how little a presence he has. Like, I’m pretty sure he has a grand total of one line in episode 5. And I’ll admit, I’m a little torn on that. On the one hand, the more time we spend with the actually interesting characters- the Creations themselves- the better. On the other, Sota’s gonna have to become important eventually, and there’s only so long Re:Creators can hide from the problem of him not being interesting until it has to actually try and fix it. After all, Sota’s likely gonna end up a big part of this show’s message on the creator/creation relationship. He’s the otaku self-insert who’s a fan of all these anime, manga, games and whatnot the Creations represent, and his arc is about working up the courage to translate that inspiration onto the page and become a creator himself. That’s a good starting point, and there’s a lot of great commentary on that flow between artists and audience throughout these episodes. The Creations themselves are given meaning not by their writers and artists, but from how their audiences react to them and shape their perception. Sota’s part of that audience at the moment, so he likely represents how fans of fiction can translate that fandom into their own creations, finding the courage to let their work suck and improve it from there (”They’re not ready to show to people.” “So when are you gonna show them?” Damn good advice there). And that message isn’t gonna land nearly as strongly if Sota barely registers as more than a glorified extra.
Thankfully, that does seem to be shifting, as Sota’s just become aware of what part he has to play in this mess. As it turns out, the militaristic princess who’s orchestrating this whole mess is Altair, a character of his own creation. At least, partly; there was someone else involved as well, a female classmate who collaborated with him to bring this story to life. And there’s clearly a lot of shit that went wrong there. What happened to split them apart? Did tragedy strike, as suggested by the girl seemingly throwing herself in front of a train in the first episode? Did disagreements drive them apart? How exactly did Altair come into being, both in the story these two wrote and the flesh-and-blood avatar that now threatens to tear the world apart? Is her mission really to reset everything? If so, why? What resentment does she have about her creation that would lead her to such a drastic outcome? And most importantly, why doesn’t Sota share this information with Selesia? Is it just shame keeping him from talking about ti? Writer’s convenience? Or something darker yet? Whatever the case, I have no doubt that Sota’s right about her: ”She’s someone who really hates this world.” And unless they can figure out where that hatred comes from and why, there’s no telling how much damage she’ll be able to cause. Here’s hoping Sota doesn’t keep this revelation hidden much longer.
Odds and Ends
-”For better or worse, characters are often exaggerations.” sakjdhas I mean you’re not wrong
-”Well, it would be boring if I wrote you normal.” Pictured: Literally Me.
-Okay, the dramatic “cookies spell out Creator” scene was just silly.
-”Ms. Ex Machina...” “Are you doing it on purpose?” pfft
-And of course, the war-torn knight is scrupulous about waste. Nice detail.
-”Sorry, I haven’t had time to watch it.” “That hurts.” Lol, called out.
-You know, you could’ve waited a little longer before the flashbang for the joke to land.
-Oh my god Meteora you can’t just raid a military base for ammunition
-”She’s not an object. Don’t talk about her like that.” Heh, nice.
-Magane’s character animation is really fun and sells her unpredictable nature well. Also, she sicced the Monster Manual on that cashier, which I just appreciate.
-Did the Berserk 2016 sound designer work on this? These weapon sounds are very... frying pan.
And on we go. See you next time, where shit likely starts getting real!
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quiredaragoff · 6 years
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Después de 12 capítulos, 6 especiales y 8 tomos publicados llega a las pantallas la película La película “No Game no Life”. Historia que nace en el 2013 comenzó publicándose su versión de manga y en 2014 los estudios de animación Madhouse produjeron el anime de 12 episodios y 6 especiales.
Y es en este 2018 que llega a las pantallas de México gracias a la casa Madness Entretaiment que trae a as salas de Cinemex la película “No Game no Life: Zero” si aún no la has visto, no te lo puedes perder este ultimo fin de semana, que, aunque hay grandes eventos como el Vive Latino, y La Mole, esta es una película que disfrutarás si lugar a dudas.
“No Game no Life: Zero” Tratara de una historia mítica que fue borrada de la memora de la gente. Aunque se verán los mismos miembros principales del reparto que en la serie de anime para TV, la mayoría interpretan personajes que vivieron seis milenios antes de la llegada de Sora y Shiro a este mundo.
Sinopsis
6000 años antes de la historia de Sora y Shiro, la guerra consumía la tierra partiendo los cielos y destruyendo las estrellas, en un mundo donde los humanos eran amenazados con la extinción. Un hombre llamado Riku lidera a lo que resta de humanidad a la esperanza de un futuro mejor. Un día mientras estaba de escolta en una aburrida ciudad de elfos, conoce a una maquina femenina llamada Schuwi.
El androide, intentando entender el corazón que no poseía, se decía que estaba rota y fue expulsada de su grupo. Y ahora, tratando de corregir este error, le pide a Riku que le enseñe cual es el significado detener un corazón humano.
La historia está protagonizada por Sora y Shiro, hermano y hermana, que son muy famosos en todo Internet como NEETs y hikikomoris que se pasan el día jugando a videojuegos, tanto que son una leyenda. Los dos consideran el mundo real como “un juego malo”. Un día, un chico llamado “Dios” le invoca a otro mundo. Allí, Dios ha prohibido las guerras y declara que en el mundo todo se decidirá mediante juegos, incluso cuáles serán las fronteras entre países. La humanidad se ha visto reducida a una sola ciudad debido a que el resto de razas le han ido quitando todo el territorio. Shiro y Sora tendrán que ser los salvadores de la humanidad en este mundo alternativo.
Datos técnicos:
Director: Ishizuka Atsuko, Diseño: Satoshi Tasaki, Año de lanzamiento: 2017, Estudio: Mad House, Género: Game, Sobrenatural, Comedia y Fantasía. Duración: 100 min. Publico: 13+
Para esta nueva entrega el director continúa siendo Ishizuka Atsuko y volviendo a ser producida por el estudio Mad House, su año de lanzamiento en Japón fue el 2017 Con esta dupla de ingenio y creatividad nos emociona saber que será una historia llena de acción, aventura y fantasía gamer.
En su reparto de voces japonesas nos encontramos a Yoshitsugu Matsuoka (Sword Art Online como Kazuto Kirigaya/Kirito) como Riku, Ai Kayano (Fairy Tail, Kyouka) como Schuwi, Yoko Hisaka (High SchoolDxD New como Rias Gremory) como Corone, Yukari Tamura (Naruto Shippuuden como Tenten) como Jibril entre otros. (Fuente: Madness Entretaiment)
Es una excelente comedia de ficción que te divertirá y si no eres seguidor de este anime, te atrapara con su historia y personajes, como toda gran serie de anime, no pueden faltar los cosplay y la cosplayer de Taiwán 亞緹 Arty que que se caracteriza por sexys atuendos y excelentes trabajos en la realización y caracterización en sus fotos, realizo una sesión fotográfica de esta película con un gran trabajo al tomarse una foto y tener un arte idéntico al póster de esta película.
  No Game No Live- Zero 17 y 18 de Marzo, ultima oportunidad. Después de 12 capítulos, 6 especiales y 8 tomos publicados llega a las pantallas la película La película “No Game no Life”.
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