#Satou Satomi

[seiyuu-gallery]

 Instagram

#石川由依 #日高里菜 #伊藤静 #佐藤聡美 #Ishikawa Yui #Hidaka Rina #Itou Shizuka #Satou Satomi

[nono-bunny]

Seems I've been somehow slacking in my "keeping up with seiyuus" duties, because I somehow JUST found out that Yui from K-on and Rin from Fruits Basket are both voiced by the same person- Toysaki Aki... And then as if that WASN'T big enough of a shock, I also found out that those same shows share another seiyuu- Satou Satomi, aka the voice of Ritsu and Saki

When watching anime, pretty much as soon as I hear a voice that sounds familiar I look up the seiyuu, and usually I also check who voices the main characters or if there's any name in particular I might recognize in a supporting role... Which I thought I did with all of the Houkago Tea Time girls... But?? I guess not because this was fr a shock lol

Anyway the wildest thing about it is that both voice genki girls in K-on and big tiddy goth gfs in Furuba, and like, despite knowing them from other roles as well... And watching the 2019 Furuba like 3 times, and most of season 1 of K-on twice, which means I am FAMILIAR with their voices in those roles in particular....

My mind still can't comprehend that they are voiced by the same people,,, talent

#fruits basket #furuba #k-on #k on #seiyuu #satou satomi #toyosaki aki

[vergilsama922]

Reserve Course Bonding 2

Haruka and her random selfies are a nuisance quirk the class deals with daily. Of course since it's near random, moments can be captured such as Kinari bugging Sato about some boy she frequently hangs out with she's seen also hang out with Sayaka and her idol group losers friends. Kinari thinks it's a boyfriend Sato got which.....to her surprise she doesn't try to deny that but rather insist that IS the case (much to Kanon, Sachi and Natsumi's anger). ( ͡° ͜ʖ ͡°) ( ͡° ͜ʖ ͡°) ( ͡° ͜ʖ ͡°)

It's no secret that Sachi and Natsumi aren't the best of friends XDDD Sachi comes from a family of law enforcement and Natsumi comes from a family of crime lords. ( ͡° ͜ʖ ͡°) As you can imagine the two get in heated arguments all the time with Natsumi irritated that Sachi always treats her like a criminal (and tries to intervene whenever she sees Natsumi with the egg because Sachi believes Natsumi will hurt him or worse.....turn him into a criminal) and Sachi is annoyed by Natsumi's language and behavior. Not to mention if Natsumi was sincere in turning a new leaf she would turn over evidence about her family. However, Satomi is annoyed she's stumbled onto another spat between the two. Well at least they aren't bothering her or the other idols for the day (Although she wishes they can be less loud). Small blessings yeah? ( ͡° ͜ʖ ͡°) ( ͡° ͜ʖ ͡°) ( ͡° ͜ʖ ͡°)

#danganronpa #reserve course #hope universe #danganronpa au #natsumi kuzuryu #satou #sachi mizuiyama #kinari kunugida #satomi aoba

[elmaxlys]

TG Sexywoman Poll - Round 1

Here is the list of the polls for this first round of the competition

Masterpost

Ami VS Asa

Mitsuba Kotone VS Akanuma Yuuri

Yamagata Tsumugi VS Mrs. Satou

Big Madam VS Applehead (Muramatsu Kie)

Takizawa Michie VS Fueguchi Ryouko

Mrs. Kaneki VS Ukina

Kusakari Miza VS Kirishima Hikari

Takizawa Seina VS Miss Nishio

Skull Masks Leader VS Jiro

Gori Misato VS Harima Touko

Karren von Rosewald VS Mayu (Nutcracker)

Madam A VS Shachi's subordinate

Aliza VS Fura (Sasada) Aki

Nishino Kimi VS Kuroiwa (Kosaka) Yoriko

Nico VS Matsumae

Yasuhisa Nashiro VS Irimi Kaya

Mado Akira VS Yoshimura Eto (Takatsuki Sen)

Yonebayashi Saiko VS Hori Chie

Hsiao Ching-Li VS Itori

Sankou VS Tagata Erina

Kei VS Utsumi Koharu

Aura Kiyoko VS Washuu Iyo

Hoito Roma VS Uruka Minami

Hogi Ayumu VS Tomoe Yumitsu (Hakatori)

Taguchi VS Oohashi

Fueguchi Hinami VS Shirazu Haru

Toga Miho VS Satomi Shion

Yasuhisa Kurona VS Ihei Hairu

Karube Misono VS Ruisawa

Kirishima Touka VS Kamishiro Rize

#tg sexywoman poll #tokyo ghoul

[daidoruyume]

Chapter 1 Miyuu and midnight☆RAINBOW

I always made sure people saw me as a very normal person. I was quite gifted in some areas, but I liked the feeling of not standing out and being average. I felt like it was just perfect to be so “normal”. I had been living in Tokyo for college for two years, being at the ripe age of 20, and had even made some friends, who definitely didn’t know that side of me. If you know me a little better, you might think I’m talking about the fact that I’m a lesbian, but that’s not the case, since I was already out. It is a much more complex and passionate thing… it is something that lies deep within me, something I’d never dare to tell anyone about. It is about one person, so important to me I had to see her face in every inch of my room so I could feel inner peace. Someone I’ve spent tons and tons of money for someone I loved more than I loved my own reasoning and senses. It was about her, Yamamoto Miyuu, my favorite idol. 

 I was 15 years old when midnight☆RAINBOW had its major debut. Until then, my interests were merely literature and I didn’t care much about music, but one day, I found them on Twitter and it changed my life forever. Miyuu was 17 years old at that time, and she shined brighter than all of the other members combined (as much as I loved them). The group had some interesting additions, Yuzu, who was half african-american, half Japanese and Ayumi, who was transgender. I thought that was quite amazing! They received a lot of backlash at first, but they slowly built a fanbase and even made it to the budokan. I will explain about each member so I can make it more clear why I love Miyuu so much. 

 The oldest in the group, Nishijima Keiko, debuted at age 20. She’s very lady-like, but has a strong, deep voice. Unlike most idols, she has a larger figure and weighs around 70kg. But the group has this beautiful harmony, and she doesn’t stand out in a bad way. She even started her own brand of underwear for girls with a bigger body, since she always struggled to find bras and panties that felt comfortable. She’s also a great cook and even released a cookbook with recipes she learned from her father, who has a restaurant. She was born in Okinawa but moved to Tokyo when she was really young, only spending her summers there. Keiko, in the beginning of the group’s history, always kept her honey-colored wavy hair in a very tight, big red bow. She started wearing different types of bows lately, but that��s really “her thing.”

Next in line is Satou Satomi, who has always hated the combination of her last and first names. She’s the most boyish in the group, but she keeps a dark brown long hair. Her hobbies include photographing and watching movies, and she even has a YouTube channel where she posts reviews of her favorite ones. She’s really into some weird stuff, though, like foreign movies in black and white which I don’t get at all. She and Keiko are best friends in the group. 

 Miyuu is next, but I’ll like to talk about her later. Fourth is Anna, who is Miyuu’s younger twin sister. They’re fraternal, so they don’t really have the same face. She’s the “it girl” from the group, always dressing pretty and fancy. She knows a lot about hair and make up, so she usually comes up with the designs so the staff can replicate. She has long, straight bright-red dyed hair and she’s always very cute. She’s known for being very different from Miyuu and loooooving to party. Papparazzis always have so much luck with her, capturing her at night clubs. 

 Fifth is Rin, which is how Watanabe Kaori likes to be called. Kaori > Kaorin > Rin. See? She’s “the sexy one”, always liking to show off her moves and charming voice. Rin usually pairs with Miyuu to play pranks on the other girls, and she, in her own words, loves to annoy the youngest member, Ayumi. She gave nicknames for every one of the girls and makes jokes all the time. Actually, her backstory is very sad, since she grew up poor and had to raise her brother on her own, because her parents were very abusive and did drugs. She had her rise, though, after years of struggling, because of her amazing talent. A video of her singing “Blue light Yokohama” went viral some years ago, and it helped make the girls more famous. She also gave a presentation once telling which animal each of the members would be. While wearing a onesie. And then she did a weird dance. She’s… one of a kind. 

 Next is who we call Yume, Kakizaki Yumeko. She was born rich, but sooooo rich, and you can see it. She’s always dressed in very expensive clothes, and she keeps long, white hair that goes down to her knees. Her chara is to be quite mean to the other members, while in reality she’s very fond of them. She’s very smart and almost followed her dad’s career — he’s a doctor —, when she stopped everything and had the realization she needed to be an idol. She has a petite body, almost child-like, and seems to be very fragile, although she hates to be compared to a kid. She has pointy fangs and could probably kill anyone with only a stare. She’s also the one who does burikko sometimes. Who doesn’t like some fanservice?

 Then we have Yuzuna, or Yuzu, as we usually call her. She actually has two names she signs her posts with, either Stella Campbell or Tachibana Yuzuna. She’s way taller than the other members and oftenly made fun of her low intelligence. It seems that it’s most likely a case of laziness, since her family is very wealthy and both parents have graduated from prestigious universities in the USA and in Japan. She also speaks, alongside Japanese and English, fluent Mandarin and Spanish. She’s great at sports and will dress very boyish in these scenarios, but she also loves wigs and high heels and she will dress very femme-like when she wants to. She’s very complex, in my opinion, for being so… gifted, it seems, and yet, when you look into her eyes, you might have the feeling that her head is empty. She doesn’t care about being academically smart, though, and she confesses she didn’t try to do well at school and doesn’t intend to go to college. 

 Lastly, we have Kaneko Ayumi. She’s the youngest and lives up for it, always being made fun of because of how tiny she is. Despite her looks being very juvenile, she’s the smartest member and plans to have a long-lasting academic life. She was also born in a wealthy family, but she wasn’t very lucky since her dad was always opposed to her transition and she lost her mom at a young age. Her name comes from Ishida Ayumi, a singer her mom liked a lot. She’s also tech smart and really into games and energy drinks. It’s said she doesn’t have a good sleep schedule, either. Also, she’s the cutest thing in the universe. I love Miyuu, she’s my everything, but not even beauty can defy cuteness.

 Now, the moment you’ve been waiting for… Miyuu. She’s quite tall, 1,74m to be exact. She has long blonde hair and eyes so bright you can see your entire soul. She’s the passionate leader of the amazing midnight☆RAINBOW and she’s so, but so amazing. She’s a talented actress, having played in dramas and voice acted for animes, she’s an artist, who paints beautiful things and also a mangaka, and she even writes stories with the members! She’s just so… amazing at everything she does. She’s quite boyish sometimes and oh boy, if she’s not gay, then I’m not gay either. Miyuu has the prettiest smile and the prettiest tears. She’s always so dedicate to everything, and loves the girls so much… she’s so pure… and, of course, she has noticed me many times! She always likes and sometimes even answers my comments, and I’ve met her countless times during their promotions. She even once said “I love you to me!” Well, I mean… she’s an idol, her job is to love us fans, but… it felt so special. Still, she’s quite silly (her, Anna and Yuzu are “the dumb trio”), unless it’s about art, English or history, then she can answer anything. But that clueless side of her is so cute, oh gosh, I love every bit of Miyuu… I almost forgot to mention, but she’s one hell of a guitarist and a rapper! She’s seriously so amazing and idol-like. On stage, she can do anything!

 About me? Well, aside from my immeasurable love for midnight☆RAINBOW, I study Portuguese at an amazing university here in Tokyo, since I have family in Brazil and would like to be closer to them. I have a part-time job as an English teacher nearby and, for hobbies, let’s just say that I like to write fanfictions. I’m really excited because there’s going to be a concert in a week, and I’m quite known in the ☆light (starlight) fandom on Twitter, under the username of @miyuuhanabi. I don’t like using my full name online, but since you can read “hana” as “ka”, too, it could be read as “miyuuka”! See how our names combine? We even have the same “Yuu” kanji. It’s perfect, it’s destiny!

 ☆☆☆

 I have quite a few ☆light friends, but my best friend is Kaho. She’s from Osaka, so our friendship is mostly online. Which doesn’t make it hard at all, since I don’t have so much free time anyways. Her handle on Twitter is @nijikeistarlight because Keiko is her oshi. She’s coming to Tokyo next month so we can go to the concert together, which is only available for the fans who sign their fanclub, and, of course, as the hardcore fans we are, we do. I had barely finished my work day when I logged into my account on Twitter. Miyuu had posted! Her stuff always made me so happy. It was about 6 PM. 

@miyuukiway

Kei-chan is cooking dinner for all of us! ☆light, how was your day? Did you have fun? Please rest well ~ We’ll have a live at 9 PM, prepare for good news.

 What could it be? I soon commented. 

@miyuuhanabi

I’m so excited! I won’t miss this live for anything! 

 And, as Miyuu had just posted that, she was still online and liked my comment. It was quite common, but I got happy regardless. I soon messaged Kaho on LINE about Miyuu’s tweet.

Yuuka: Ka-chan! Did you see Miyuu’s latest post?

Kaho: Which one? You know if it’s not directly about Keiko-chan I won’t click desperately.

She seemed to have opened it and read it when she sent me the next message.

Kaho: I bet it’s comeback news! 

Yuuka: Oh my God that would be so awesome. Who do you think would be the center this time?

Kaho: Well, it was Kei-chan last time… so I think it will be someone else. Krystal Ent. is very fair. I hope it’s Ayu-chan. 

Yuuka: Yeah, she had only one center. The other girls had more…

Kaho: But you want it to be Miyuuki, right?

Yuuka: Of course!! So she will have more lines… a solo would be good, too.

Kaho: You still wait for that mixtape.

Yuuka: Don’t make fun of me! Someday she will release a mixtape and she will be a very popular rapper.

 Gee, Kaho can be quite mean sometimes! I picked up my stuff and headed to my apartment which was only a few blocks away from the school I taught at. Arriving there, I could finally feel some comfort. My walls were decorated with posters, bromides, photo cards and chekis from midnight☆RAINBOW, and it was mostly Miyuu themed, of course. I had all of their CDs and DVDs, many towels, shirts, penlights and plushies. They were my everything. And Miyuu was the center of that Universe. My sun, which I revolved around with so much dedication and love. 

I decided to take a bath and cook some quick dinner, anything that wouldn’t take me too much time, so I didn’t intend on using Keiko’s cookbook (yes, I owned a copy!) that time. I needed to be fully prepared for the 9PM live. And, well, I had some homework too. But that I could get done with very quickly.

 ☆☆☆

 It was 8:50PM and I was starting to feel the thrills. The app they used to go live was created by their own company, Krystal Entertainment, and the lives were recorded, but I usually would record them myself in case they ended up deleting it. I never knew why I was so cautious, but, you know, “what if?”. I kept talking to Kaho and sipping from my teacup until they went live.

 “Hello! Shining bright in the night sky with our ☆light, it’s midnight☆RAINBOW!” It was their catchphrase, and how they opened their live. They started with some chit chat, asking if we were getting hyped and if we were excited. The chat was going crazy and, of course, I was one of these fans typing my soul out. 

“It’s been quite a while since we had our last single, right?” Miyuu said. She was so pretty whenever she talked… I loved her so much.

“That’s true!” Anna replied. 

“Which means, it’s time for something new…” Rin started suggesting.

“But we had six singles in a row, that can get a little annoying.” It was Yume’s turn.

“So, we’re releasing something better than a single!” Yuzu said.

“Better than a single? Isn’t it as good as it gets?” Satomi joked.

“Well, our last album was released almost two years ago.” Keiko said. This time, I received a message from Kaho with a few screenshots. She was going crazy over Keiko like I went over Miyuu. And then she would make fun of me, as if I was the only crazy one.

“That’s why we’re releasing a new album!” Ayumi was the one who revealed it to us.

“But there’s a lot more than that! We wanted to do it a little differently this time.” Miyuu started explaining. “Tomorrow, at noon, we will release the tracklist. I wasn’t going to spoil it, but I really want to.” She looked behind the camera. “Staff said it’s ok! So, everybody’s getting a solo, each one far different from the other! We want to show our singularity with it.” That was so… amazing… like, a whole song with only Miyuu? I love the other members, but that was definitely special! And, of course, I wanted to listen to the other solos too. “I hope you guys love it as much as we do. It’s a very special project.” She finished.

 After the announcement, they started talking about random things, and I enjoyed each minute until they said goodbye. Then, I chatted with Kaho a little more and went to sleep, waiting for the next day’s noon. But then, I found myself… at their concert?

#daidoruyume

[anm-blog]

[artedigitalequipoanalisis]

Análisis 8: Yandere, producto del mundo violento

Yandere. Un término de origen japonés que se usa para referirse a aquellos personajes ficticios, usualmente mujeres, que muestran afecto de una forma obsesiva y hasta violenta. Su etimología destila su naturaleza magistralmente, ya que el término nace como combinación de dos palabras. Yanderu (病んでる), que indica un estado de locura, y Deredere (デレデレ), que significa estar enamorado. El resultado es una frase que, traducida aproximadamente al español, quedaría como “loco de amor”. O lovesick en inglés, que también es una interpretación interesante ya que su traducción literal sería “enfermo de amor”. Para propósitos de la temática de este Blog, lo que significa es que nos encontramos ante un personaje para el cual el amor se expresa en forma de violencia, poniendo en duda la idea tradicional y pura que se tiene del amor. Así que adentrémonos en este arquetipo de personaje, veamos cual es su motor. Por qué se produce y por qué se consume.  

Al investigar a estos personajes enfermos de amor hay una metáfora que se hace aparente rápidamente, siendo extremadamente común en todo tipo de historias con ellos. Llamémosle a esta metáfora “La caja”, y es la idea siempre presente de que, de acuerdo con el punto de vista de un personaje Yandere, existe una Caja, y el mundo se divide a grandes rasgos en dos partes: lo que está adentro de la caja, y lo que está afuera. Lo que está adentro es puro, virgen y frágil, y debe ser protegido de todo lo que está afuera, que es corrupto, sucio y peligroso. Los personajes Yandere intentarán por todos los medios posibles atrapar a su persona de afecto dentro de esta caja, y servirán ellos o ellas como guardianes de esta Caja. Nada entra que no quieran que entre, y nada sale que no quieran que salga.  

En Puella Magi Madoka Magica: Rebellion, esta metáfora está presente visual y musicalmente. Toda la trama de la película se desenvuelve alrededor de esta Caja, la cual en este caso concretamente es un sueño. El sueño de la protagonista Homura, quien atrae y atrapa a su objeto de afección, Madoka, en él y le borra la memoria a todos los personajes, incluida si misma, para que olviden que están soñando. Dentro de este sueño los personajes llevan una vida idílica y con dificultades irrelevantes y fácilmente superadas. Eventualmente esta fantasía se cae a pedazos, pero para el gran final la respuesta de Homura a este desafío es simplemente recrear y expandir el sueño al tamaño del universo. Como mencioné antes, la Caja también está presente musicalmente, en la canción de créditos, Kimi no Gin no Niwa, “Tu jardín de Plata”. En la letra se refiere a la Caja como un Jardín de Plata, es decir una jaula, e incluso se compara a Madoka como un lindo pájaro que vendrá a piar en la ventana de la protagonista todas las mañanas.  

Otro caso, en Happy Sugar Life, la Caja es un jarrón lleno de dulces, que más literalmente es el departamento de la protagonista, Satou, donde tiene encerrada a su propio objeto de afección, una niña llamada Shio. La Caja tampoco dura para ellas, y así se nos muestra desde la primera escena y en la secuencia de Opening de la serie, donde el jarrón de cristal con Satou y Shio adentro se va rompiendo más y más.  

En Warau Hyouteki, o “La Diana Risueña”, uno de los primeros ejemplos de una Yandere moderna, se nos muestra que la Caja no tiene que ser tan literal. Al final lo que significa esta Caja es que hay limitaciones, en este caso relacionales. La “enferma de amor” en este caso (y literalmente carga con una maldición sobrenatural), Azusa, da inicio al conflicto central de la trama cuando se percata de que el protagonista, Yuzuru, no siente el mismo amor por ella, ya que él tiene una relación estable y saludable con su novia. Dicha novia, Satomi, se convierte en un objeto de odio absoluto para Azusa, quien primero la intimida, y luego la intenta matar. La Caja que se está dibujando aquí es una mediante la cual Azusa quiere delimitar con quién se relaciona Yuzuru, y cómo lo hace.  

Si bien es cierto que Japón ve la mayor producción de personajes Yandere por mucho, no tienen un monopolio sobre ello. Un gran ejemplo de occidente lo encontramos en Misery, novela de Stephen King y luego película, en donde el protagonista Paul, un exitoso escritor de novelas, tiene un desafortunado accidente conduciendo por una tormenta de nieve que lo deja sin poder caminar por meses, y al cuidado de la exenfermera Annie, quien lo encuentra en su carro volcado y le salva la vida. Sin embargo, eventualmente se revela que Annie es una obsesiva fan de las historias de Paul, y utiliza su condición de lesionado para obligarlo a escribir la continuación de su novela favorita justo como ella quiere. La Caja aquí se manifiesta de dos formas, la casa de Annie, de la que Paul lucha por escapar, y la rutina que impone la exenfermera. 

Una manifestación de la Caja similar la encontramos en Run, en donde la protagonista Chloe, descubre que su idílica vida con su madre soltera Diane, es en realidad una prisión a la que esta la forzó, siendo incluso su multitud de enfermedades crónicas artificialmente creadas por Diane para que Chloe sea literalmente incapaz de vivir fuera de su casa ya que requeriría de tratados especiales, dificultando enormemente su escape. Es una historia especialmente cruel porque más que su casa, Diane ha convertido el mismo cuerpo de Chloe en la Caja, siendo este causa y efecto de la necesidad del encierro. 

En fin, podemos ver claramente que hay una tendencia de los personajes Yandere por crear un espacio de “protección” para su objeto de afección. La pregunta ahora es ¿por qué? Bueno, “protección” es la palabra clave aquí. Todos los personajes anteriormente mencionados creen, con o sin razones válidas, que el mundo exterior conspira para arrebatarles su objeto de afección, de una forma u otra. Y esto ya nos revela suficiente, pero me valdré de una serie que nada tiene que ver con este tema para explicarlo. En Andor, el personaje de Nemik describe a la naturaleza del Imperio Galáctico de la siguiente manera: “La opresión es la máscara del miedo”. En Andor esta relación se trabaja desde el punto de vista político, pero es posible aplicar la misma ecuación para describir la naturaleza del amor de los personajes Yandere. Es decir, es un amor miedoso. Inseguro. Aterrado. Mientras mayor sean las restricciones aplicadas por el personaje, mayor es el miedo que revela. Por eso son tan irracionales y drásticos en sus decisiones y acciones.  

La Caja está creada con intenciones de preservar para siempre algo mediante su completa separación del mundo exterior, que las violenta con su inexorable erosión. Ya lo resumió eficientemente el personaje de Gina de Undead Unlock, cuando le pregunta a la protagonista Fuuko si prefiere las cosas que cambian o las cosas que permanecen igual, explicando después que ella prefiere por mucho lo segundo. Para evidenciar la idea todavía más, el poder de Gina le permite congelar cualquier cosa, literalmente evitando el cambio de estado por cuanto ella quiera.  

Regresando a Puella Magi Madoka Magica, la razón de ser de Homura durante la serie antes de la película se basa en que literalmente no dejará que el tiempo mismo siga su curso hasta que ella consiga una iteración temporal donde Madoka sobreviva su destino. Es el personaje estático por excelencia.  

Ahora, quiero regresar un poco para enfocarme en otro aspecto de la naturaleza del amor Yandere. Y esta vez la palabra, más bien expresión clave, es “objeto de afección”. Llamarle “objeto” no es accidente, pues esta relación, basada en la inseguridad, en llenar un eterno vacío interior, es una de consumo. Se observa este aspecto perfectamente en Happy Sugar Life. Ya mencioné antes que la Caja en esta serie es un jarrón de dulces. Lo que no mencioné es que Satou, el nombre de la protagonista, significa azúcar. Y Shio el nombre de su pareja, significa sal. Este juego de sabores es vital para la temática de la serie. Satou tiene muchos problemas interpretando sus sentimientos, por lo que recurre a sabores para poder entenderse a sí misma, y de aquí sale el jarrón de dulces. Todo sentimiento no placentero como la tristeza, la ira o los celos son para ella “amargos”. El amor por otro lado, es “dulce”, la cosa más dulce del mundo. Dulce como el azúcar. En la serie se visualiza varias veces a Satou y Shio dentro del jarrón, tomando incluso la forma de dulces del color de los personajes. Comparar al amor con el azúcar es impresionante, porque lo convierte en alimento. Más que alimento, en sustancia. En una adicción.  

De aquí nace el terror de las historias con Yandere. El terror de una potencial relación con una persona que no te ve como ser pensante y consciente, sino como un objeto de consumo. Ya sea un dulce, un adorno, una mascota o su escritor personal de fanfiction. Inclusive, en un Dios, pues los y las Yandere también tienen la tendencia de divinizar a sus objetos de afecto. Se ve esto en Puella Magi Madoka Magica, donde Madoka literalmente se convierte en una Diosa, pero de todas formas siempre lo había sido a ojos de Homura. De nuevo en Happy Sugar Life, muchas veces se refieren varios personajes a Shio como un ángel. Pero los dioses y la religión también son al final de todo, cosas consumibles. Hechas para llenar algún vacío emocional o psicológico de las personas. ¿Y sabes que más es consumible? Los mismos personajes Yandere. Sí, hay que recordar que son ficción, y la ficción es creada a consciencia.  

Un último ejemplo, uno que expande aún más el panorama, más allá de la relación de Yandere con sus parejas, y expone la relación de la Yandere con la audiencia. Porque por más difícil que sea de creer, existen entre ellos personas para quién tener un amante obsesivo sin moral ni ética no suena horripilante, sino deseable. Es un corto francés de 2019, simplemente titulado Yandere, y en él, Maiko, el personaje Yandere, no comienza como persona. Ella nace como un holograma miniatura que vive en un frasco de cristal. Es parte de una línea de productos IA programados para amar solo a sus dueños. En este corto, se invierte la relación con respecto a la Caja, y es, por lo menos al principio, el objeto de afecto quién posee a la Yandere. A Maiko la compra un adolescente solitario, y en un principio la relación funciona bien. Pero hay una buena razón por la que estos personajes deben quedarse en la Caja. Los años pasan y el adolescente se convierte en adulto. Él sale de la Caja primero, y consigue una novia real, y una relación saludable, cometiendo en el proceso el único y mayor crimen que puede ser cometido a ojos de ese amor obsesivo, inseguro y aterrado, lo que al mismo tiempo revela su punto de atracción: la infidelidad.  

No es secreto que la búsqueda de una pareja es un camino arduo y peligroso, y la gran mayoría de intentos van a salir mal. Es inevitable pero no por ello menos doloroso, y es esta herida la que la fantasía Yandere apunta a explotar. Porque la principal cualidad admirable que tienen los personajes Yandere, tal vez incluso más allá de su violencia, es su lealtad. En el corazón herido de ciertos miembros del mercado, así como en el de las y los Yandere, esta lealtad lo justifica todo. Asesinato, tortura, secuestro, manipulación, ninguna violencia es tan imperdonable para una relación Yandere como lo es la infidelidad, el engaño. En Happy Sugar Life hay un momento en que Shio se enoja con Satou por ocultarle cosas y le dice que la odia. Satou entra rápidamente en crisis, preguntándose si esto es un castigo por algún mal que haya cometido, pero le cuesta pensar en qué podría haber sido. Eventualmente se le ocurre algo, y como recientemente mató a alguien, se hace pensar que va a confesar este asesinato. Pero no, en vez de eso lo que confiesa, con absoluta sinceridad y arrepentimiento impropios de una sociópata como ella, es que le dijo a alguien más que la amaba. Fue una mentira para manipular a esa persona por su propio beneficio, pero aun así a Satou le sabe al peor crimen posible.  

El fenómeno Yandere como genuina pareja romántica existe para aquellas personas heridas del amor real, porque las personas reales no se comportan como objetos de consumo. Es difícil ganarse a una persona, es imposible predecir el futuro. Puede que algún accidente te los arrebate, o que simplemente te reemplacen por alguien superior. La violencia de la traición es la más terrible de todas, y de ser posible la garantía de evitarla ningún precio es muy alto para pagar. ¿Para qué pasar por ese camino de carbones ardientes? ¿Para qué meterse a una apuesta tan arriesgada, donde se pierde muchas más veces de las que se gana? Sería más fácil encontrar una jaula lo suficientemente bonita como para olvidarte que es una jaula. Sería más fácil convertirse en estatua, en comida sensorial y ser devorado por un ser de infinito amor, y devorarlo a su vez. 

[morningcattime]

K-On is secretly about ADHD.

Please don't say, "you are lazy" Because truthfully, I'm crazy! 'Cause even swans, you know Flutter their legs where they can't be seen I'm true to my instincts, though I accept I'll be constantly ridiculed I got a bright future, after all... Which is why I'll take a rest sometimes

"Don't Say Lazy" from K-On!

Written by Shouko Oomori

Composed by Hiroyuki Maezawa

Arranged by Shigeo Komori

Performed by Sakurakou K-On Bu

Aki Toyosaki as Yui Hirasawa

Youko Hikasa as Mio Akiyama

Satomi Satou as Ritsu Tainaka

Minako Kotobuki as Tsumugi Kotobuki

Translation by Rizuchan

#adhd #tw ed diet #tw ableist language #k on #anime #neurodivergent #Youtube

[hololivestuff]

Hololive's Tsunomaki Watame - Don't say lazy (Karaoke Cover) (K-ON! ED) [May/03/2020]

#Hololive #Tsunomaki Watame #K-ON #Sakurakou Keion-bu #Toyosaki Aki #Hisaka Yoko #Satou Satomi #Kotobuki Minako #Karaoke #Watame Tsunomaki

[seiyuu-gallery]

#種田梨沙 #佐倉綾音 #水瀬いのり #内田真礼 #村川梨衣 #佐藤聡美 #徳井青空 #taneda risa #sakura ayane #minase inori #Uchida Maaya #murakawa rie #satou satomi #tokui sora

[waccha313]

Fairy Tail Game Livestream 11/30/19

It was fun!! I’ve always wanted a Fairy Tail game with gameplay like this! The graphics and character 3D models look really stunning and the battle system is quite easy to work with! By all means, please do play the game everyone!

Set to be released on 2020.3.19 (not sure if it’s globally or just Japan)

seeing waccha eat makes me so happy for some reason

haha it’s nice to see him with Sato-san it’s like taking care of his best friend’s wife while he’s not there (๑>◡<๑)

You can watch it here (if they’ll leave it up forever):

https://youtu.be/EFne6UUQhp4

#hatano wataru #satou satomi #羽多野渉 #佐藤聡美 #seiyuu

[cefrlyne]

Satou-san is really cute! And they only win at this creative cocktail game corner because their creation is literally the only edible option with fruits and azuki red beans.

#k seiyuu event #project k seiyuu event #k in this place again event #seiyuu event gif cut #ono daisuke #Satou Satomi #dreamy seiyuu

[elmaxlys]

TG Sexywoman Poll - Loser Bracket: Revival Round

TG Sexywoman Poll Masterpost

TG Sexywoman Loser Bracket Masterpost

Poll 1 (two winners)

Ami

Mrs. Kaneki

Karren von Rosewald

Yasuhisa Nashiro

Kei

Poll 2 (two winners)

Akanuma Yuuri

Kusakari Miza

Shachi's subordinate

Mado Akira

Washuu Iyo

Polls 3 (two winners)

Mrs. Satou

Takizawa Seina

Fura Aki

Hori Chie

Uruka Minami

Poll 4 (two winners)

Applehead

Jiro

Kosaka Yoriko

Hsiao Ching-Li

Hogi Ayumu

Poll 5 (two winners) - Tie Breaker

Takizawa Michie

Harima Touko

Nico

Sankou

Taguchi

Poll 6 (two winners)

Shirazu Haru

Satomi Shion

Ihei Hairu

Karube Misono

Kamishiro Rize

Poll 7 (two winners)

Irimi Kaya

Yonebayashi Saiko

Tagata Erina

Aura Kiyoko

Oohashi

Toga Miho

Ruisawa

Poll 8 (two winners)

Mitsuba Kotone

Big Madam

Ukina

Miss Nishio

Gori Misato

Madam A

Aliza

Poll 9 (two winners)

Yamagata Tsumugi

Fueguchi Hinami

Skull Masks Leader

Matsumae

Sanzu Susu (✨New!✨)

Poll 10 (one winner)

Itori

Utsumi Koharu

Kirishima Hikari

Yasuhisa Kurona

Poll 11 (one winner)

Asa

Mayu

Hoito Roma

Tomoe Yumitsu

#tg sexywoman poll #tgswp loser bracket #tokyo ghoul #tokyo ghoul re

[suminomiyyas]

Sumipe Lineblog Translation 2018/09/16

Continuation of Day 1 post

ポプテピスペシャルイベントありがとうございました！

Здравствуйте!

「ポプテピピック」スペシャルイベントDAY2が終了しました〜〜！！ “Poptepipic” Special Event Day 2 has ended ~~!! お越しくださった皆さま、ありがとうございましたヾ(*´∀｀*)ﾉ Thank you very much for coming  ヾ(*´∀｀*)ﾉ

イベントはアフレコあり歌あり謎あり闇ありの楽しい魔界という感じで…混沌のさなか大盛況に終わりました！（気がする） The event is off-recorded with fun Otherworld Chaotic pictures on Screen.... although it’s messed up it’s a huge success ! (Probably) 思い出写真がたくさんあるのですが、まずは１日目に撮った写真たちを…！ There’s lot’s of memorable pictures, but first let me shot you the first day pics...! 衣装はこんな感じでした！ This was the costume !

ピピピッピ…（ ◠‿◠ ） Pipipipi.... （ ◠‿◠ ）

１日目の女子楽屋のみなさまで！ The girls from the first Day !

生アフレココーナーは速水奨さんとペアでやらせていただいたのでした(｀°ω°´) During the off-recording season i am paired with Hayami Sho-san (｀°ω°´) じつは速水さんは、私が声優のお仕事を始めてまもない頃にアフレコのレッスンをしていただいた師匠なのです！ Tell you the truth, ever since i become a Seiyuu this is my first time doing voicework with him ! 感慨深いです…い、いろいろな意味で… There’s lot’s of thought.....in every way.... //Well He’s really great and Shinjuku leader

ゆきんこさん＆れいちゃまと！ With Yukinco-san and Reichama ! （　＾ω＾）なっかゆっび♪たーてるんだっ♪ *Three of them singing Poppy Pappy Days *

どこでもゴキゲンなえりこさん…いっぱいちゅき！！ Eriko who’s Happy whenever she goes...We’re poking each other ! !

次の記事では2日目の皆さまとのお写真を載せますね(｀°ω°´) I will post the 2nd Day in my next post  (｀°ω°´)

До встречи! СУМИРЭ すみれ

#上坂すみれ #Seiyuu #Uesaka Sumire #Hayami Sho #Makino Yui #Watanabe Yui #Mimori Suzuko #Tokui Sora #Hikasa Yoko #Satou Satomi #Nakamura Eriko #Matsuzaki Rei #Igarashi Hiromi

[yotsutama]

Idolish7 casts live-tweet this week’s episode :’)

Abe Atsushi (Sougo’s CV): 

This week’s episode just starte…… what… the heck…

Satou Satomi (Tsumugi’s CV):

(⊙.⊙)

Satou Satomi (Tsumugi’s CV):

(´⊙ω⊙`)！！！

Abe Atsushi (Sougo’s CV):

AAAAAAAAAAAHHH….

Shirai Yusuke (Yamato’s CV):

Even though today is Tamaki’s birthday…… (T_T)

Abe Atsushi (Sougo’s CV):

Oi oi oi oii??!

Satou Satomi (Tsumugi’s CV):

｡ﾟ(ﾟ´ω`ﾟ)ﾟ｡！！？！？！？！

Abe Atsushi (Sougo’s CV):

(」ﾟﾛﾟ)」

Satou Satomi (Tsumugi’s CV):

ヽ(；▽；)ノ！！！！！

Shirai Yusuke (Yamato’s CV):

PRESIDEEEEEEEEEEENT!!!!!!

#even the casts couldn't stay calm after 'that scene' #idolish7 #seiyuu #abe atsushi #shirai yusuke #satou satomi #cast tweet

[teenagetreepatrol]

#hyouka #anime #ending 1 #full #madoromi no yakusoku #satou satomi #kayano ai