saw someone upset about the finale, specifically the fact that ed and stede stayed in the house with izzy’s grave “right on their doorstep”, and they read that as disrespectful. I mean everyone is entitled to read it the way they want to, of course, but I actually found that quite beautiful?
izzy’s final speech was about how he fed that toxicity/enabled blackbeard even though he knew ed had outgrown it, and this season especially has shown izzy coming to terms with that “saw you throw away your leathers / maybe follow that feeling” and to stede “you’re good for him” etc. etc. bc the truth is that izzy SAW ed, he spent years with him, and he knew it was time for ed to move on.
I really think staying in the cabin where they buried him was like, a very touching gesture. instead of burying him on some random patch of land and sailing off to be pirates, they chose to build something where they left him, build on his memory and what he told ed to do at the end. they didn’t leave him behind, they let their crew move on to their next chapter while they started their own. idk I found it very beautiful.
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hi just an update from my trying to pay attention 2 cinematography cm rewatch. i'm on retaliation which i think is largely kind of cool-- like following the car accident you have this pretty intensive half-pov stuff with prentiss which is inconsistent but pretty cool insofar as you're getting a clear sense of her experience (fractured and phasing in the immediate aftermath of the crash, extremely jerky handheld cam work) as well as what she's seeing (the pov shots of her shooting (ha) have always stuck out in my mind as really interesting moments in cm cinematog). the close-up & extreme close-up shots of her also really work to situate this sense of subjectivity; so when we cut in to specific details or get these full & wide shots of some of the action, we get the sense of what she's focusing on.
on the other hand though this strikes me as like, kind of... short-sighted? poorly conceived? like, as the episode goes on we'll get to see these moments revisited in the cognitive interview. and we've all had our yuks about how criminal minds treats cognitive interviews like magic, the scenes basically work like tv representations of regression hypnosis but without any formalized therapeutic element, etc. the idea is, more or less, that behind the actual memory there's this near-perfect sense memory that can be excavated with the care* and technique** the bau agents wield.
[*slowly and gently asking questions.
**asking the witness to close their eyes before asking questions.]
the problem is that, as the episode has it, we've seen the memory already. this hypersubjective pov stuff is insisting we're experiencing the crash and its aftermath as prentiss does, or at least, the way she's experiencing it is being visually and aurally translated for us. the way it's shot is jumpy, it moves almost by caesura: everything we don't see, or hear incorrectly, or see fading in and out we should understand to be similarly perceived by prentiss. some of the effects of this are really cool: for example, when we cut in to prentiss' bloody hand straining for the gun, it gives us a really clear sense of exertion-- all of her focus is on this act, just as ours is. this should entail that what we're not seeing is just passing her by in her state of distress. the cognitive interview shouldn't be able to revise the way this memory is, as this scene suggests, encoded. [like, yeah, okay, it's a bad theory of memory and physical/psychological trauma (shock, concussion), whatever, it's a crime procedural not a scholarly work on the philosophy of mind.] there's also that scene in the hospital where morgan and prentiss are arguing: she says the memory will never be fresher, hit me with that cognitive interview; he says she's in shock and concussed and has no capacity for recall. since the cognitive works, at least to some extent, the idea is that time enables recall: well past the traumatic event, visuals sharpen, that material encoded in your memory becomes clearer, etc. you might say that there's a clearly filmed version hiding behind the juddery & jumping scene we see at the outset of the event.
i guess i see this making sense insofar as the episode is insisting that the storage/input capacity of memory relative to immediate subjective experience is something like 3:1, so when we get to the cognitive interview we get to see the whole thing widen out and become clearer + more focused, including details we (& thus prentiss) didn't see in the moment-- like it does work with the quasi-magical way that the show depicts cognitive interviews. but like, with the exception of how close the shots are, there's little connection being drawn between the memory we're seeing during the cognitive and the memory we saw in the initial scene. the cognitive interview isn't meaningfully doing any work here-- prentiss doesn't even have her eyes closed, she's just... suddenly transported. the episode is trying very hard to be about perspective and memory, thematizing it in pretty much every way it can, but this weird distance between the experience and the memory means that there's nothing being actually said or explored about the process of recall that it's enabling. it's not even a really impactful set piece for the episode. idk. it's just annoying to watch an episode which is really clearly intended to explore the big funny device they use a lot (i.e. the cognitive interview) and then.... it just doesn't. lol
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I love to imagine Rebecca as trans like it just has become so ingrained in my mind it feels weird it’s not canon. She realized at a young age and her parents were supportive and let her present how she wanted and they used her name and pronouns, but they weren’t around enough to go the extra mile for her and make sure she was being protected. She was the target of some pretty bad bullying at school, both from the students and the staff, and Ashton was the first person to defend her. Ashton is cishet (cuz I think it’s funny) and hes kinda ignorant at first but he tries his best and he just likes Rebecca and wants good things for her and he’s so emo he scares away the bullies lol. And this was definitely a big part in Rebecca gaining feelings for him he just showed her this special kinda care that no one else ever did, and it’s what makes her extra insecure as the years go by. Cuz she wonders if maybe the reason Ashton never seems to reciprocate her feelings is because she’s trans and he just never thought to see her as romance material as a result. Which is a line of thinking that gets out of control really bad and she never gets to have the closure she wants with it either
She tells Isabella that’s shes trans just cuz they’re best friends and it sorta comes up eventually. Isabella was a tomboy growing up so she can definitely relate to the bullying shit pretty well and they are very protective of each other and vow to beat up anyone who talks shit about the other. They also just open each other’s minds a bit, Isabella helps Rebecca feel more comfortable in knowing there’s many different ways to be a woman, Rebecca helps Isabella maybe explore her feelings about her own gender and whether or not she’s really attached to womanhood. Zach finds out in a more casual way, it’s just something he learns cuz it felt weird that he was the only one who didn’t know and well. He’s a good guy, he wouldn’t mind. It’s not something the two of them ever talk about really, aside from bonding over a few shared experiences with having to deal with assholes. And really, being trans just isn’t something Rebecca wants to talk about too much, just because she’s gotten to a point where’s she’s experienced being stealth and she knows how quickly people can turn on you when they know, and she understandably doesn’t wanna deal with that shit. But because her friends are so supportive, she doesn’t exhale and let herself just exist naturally around them and it does help her feel less insecure about who she is
Sexuality wise I think she’s "straight" I think she’s spent most of her life looking at Ashton and just assuming she’d be with a man but once she finally gets to give up on him she has Moments with Isabella or like a certain fondness for Marianne and their shared love of history and other nerd shit and shes just like. Uh Oh 😟
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