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#I'm easily influenced by whatever version I've seen last...
the-darklings · 2 years
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okay so i read your sandman fic yesterday after i watched the first episode of sandman and now ive watched the entire series and then read your fic again and i just had to say i absolutely adore it!! even more so after reading it and then rereading it with my newfound knowledge!! i love your characterisation of dream; it feels very authentic to his depiction in the series (i haven't read the comics yet) but there's also the influence that wanderer has had on him which on one hand seems very slight but also so so impactful!! idk it's just very realistic to me?? if i hadnt seen the series i could've easily been convinced the wanderer was part of it all along bc it plays into his character development and growth so well
also another thing i have to add is that i can't believe you've written the fourth chapter before the last episode came out you've honestly depicted his devotion?? passion?? protectiveness?? i'm not sure what to call it but whatever he has going on when he cares about someone deeply so accurately without even seeing him with calliope (then again, maybe there's a bunch of situations in that in the comics that i've missed out on)
anyway i hope you have a wonderful day and i'll be waiting patiently for the next chapter <33
Thank you so much sdjghjsdh 😭💕
I always feel weirdly undeserving of such beautiful messages but I’m immensely grateful for them all the same. I think mainly because I consider my version of Dream to still be somewhat “incomplete” due to missing context in his past. I just yesterday got the full comic series in the mail and started reading them (so far can confirm it’s super faithful + changes made were all 10000% better) because my end goal is a morph (haha) between show and comic Dream.
But y’all. Guys. I…I need you to understand. The bonus ep dropped on Friday. My friend (who got me into the series in the first place) was blowing up my DMs all you will lose you mind, bestie // never doubt your characterisation ever again but I was gritting my teeth and editing part 4, promising myself it’ll be my strawberries and cream after I’m done. So ep dropped Friday (19th), but I only watched the ep yesterday (20th), so when I tell you I was losing my mind over:
“you came” “you called.” (Show) vs “why did you not you call for me?” (“today”)
And
“In the olden days you would have left me here to rot without turning a hair.” (Show) vs “Because I didn’t think you would come.” (“today”)
LITERALLY GAVE ME BRAINROT + ALL THE BODY LANGUAGE. BRAIN WAS AND IS CHURNING.
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infernalrevenge · 3 years
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I've never seen anyone talk about it before and I always love your takes on the characters of RE8, so I'm curious about your opinion on this: what do you think Mother Miranda, the three other Lords and Dimitrescu's daughters would see under the influence of Donna's hallucinogenic flowers at House Beneviento? Their minds are already pretty effed-up and they've most certainly been desensitized to a lot of traumatizing things already, I have a hard time trying to figure out what kind of absolute nightmare their worst fears would look like...
Yooo this is a really interesting thing to ponder over, especially since the characters have different experiences and traumas associated with them, based on what we know from canon. But I love the idea of their abstract fears materializing before them, because regardless of what you've been through there has to be something that really shakes you. A lot of them are probably more mental than physical fears.
Hint: I think all of them have one thing in common, and it's that they fear being powerless.
(CW for generally disturbing content, but nothing described too graphically)
For Mother Miranda, I can imagine a version of what Ethan went through in Donna's portion of the game happening to her, but with some adjustments. She was a grieving mother who did everything in her power and reach to try and get her daughter back -- what if she got what she wanted, but not what she expected? A hallucination of a "successful" revival of Eva that goes horribly wrong, and the little girl before her turns into a giant writhing mass of flesh -- an amalgamation of her former creations -- angry, in pain, and easily able to overpower the priestess. No matter how fast she runs, no matter where she hides or escapes to, it always finds her... and it's hungry.
Alcina Dimitrescu already went through a lot in the game itself, unable to stop her three beloved daughters from dying in her own home, where they were supposed to be safe. She's one of the most powerful people in the whole damn village, most likely even the country or the world... but she couldn't stop Ethan Winters from coming in and killing her family in cold blood? I think her greatest nightmare plays into that, but this time, she actually has to watch them die right in front of her. She has to sit in the sidelines as some pathetic manthing smashes every window to let the biting cold in, and she's literally frozen in place, helplessly watching the lights in her daughters' eyes start to go out. She sees a slow, painful demise at the hands of someone she can easily dispose of if only she could fucking move! But she can't, and she's not sure what hurts more -- her aching muscles from being forced to stay still, or experiencing the sickening mix of heartbreak and grief over and over and over again.
This might be a cop out but I'm putting all the Dimitrescu sisters in the same point, since I think they at least have a similar nightmare/fear. I'm having a hard time deciding between watching their mother be the one to suffer at the hands of a mere mortal, or having the tables turn on them where the predators become prey, though the latter is more fun to play with. They enjoy the hunt, the thrill and all the rewards that come with it. They all have somewhat of a sadistic streak to them (maybe one more than others) but they clearly hate the inconvenience of being hurt. But it's not just an inconvenience when you're the one running for your life, unsure if you're in the clear or still being followed. And at this point, they would've been split up, so they can't call for their siblings' help. They're all alone and unable to fend off whatever could be coming for them so all they can do is run. They just don't know how long that tactic will last them.
Karl Heisenberg may be one of the easiest for me to think of? In a way, he definitely fears Miranda, and it's why he bides his time making such a powerful army and weapons in order to take her down. He knows what she's capable of, and he doesn't want to take any chances. His greatest fear is not just a crushing and embarrassing defeat at the hands of Miranda, but spending an eternity as her favorite subject for vivisection. His powers have been stripped away, all but his immortality, so he really is going to feel every incision, every injection, every painful mutation forcing its way through his body... and Miranda just watches with smug astuteness, notebook in hand as she jots down the horrifying changes take place. At least she found a way to make him useful.
Salvatore Moreau is, let's face it, very traumatized and also very dependent and needy. Still, he's a lord (in title) and he wants to be seen as someone important. He wants to be part of something bigger, even if all he may be is a quivering little fish man. I had the hardest time thinking of something for him, but what I've come up with almost seems like the opposite of powerless: Killing Mother Miranda. Yes, obviously she's the source of his anguish and the reason he is this way in the first place, but he is clearly very attached to her. He would worship the ground she walked on if she allowed it, but he's probably used to being ignored. But what if he hallucinates an uncontrollable rampage in the village, and he has to helplessly watch from inside his own body how he brutally murders the only person who had given him a purpose, the only one who may have given him a chance at salvation? He has to watch how he just utterly tears her apart, and can't do a thing about it. I think it'd do a good job of breaking him even more.
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aros001 · 3 years
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Going in blind: Watching season 3 for the first time. Random thoughts.
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Episode 1: I know in the original series She-Ra was the sister of He-Man so I'm curious how much of that will be carried over to this series. Not saying He-Man has to make an appearance, same as how Batman didn't need to show up in Teen Titans. That was Robin's story, not his, and similarly this is Adora's story, not Adam's. Regardless, it makes sense why Hordak was so annoyed with the baby Adora in Shadow Weaver's flashbacks. To SW, there was something different and special about the baby, but to Hordak, whom seems familiar with the world before Mara separated Etheria from the rest of the universe, including Eternia potentially, Adora is just another "First One" child like he's seen many times before. Special in comparison to those who only know Etheria.
Great clap-back from Catra to Hordak, and not entirely unfounded. It's debatable how much he actually cares about conquering Etheria. He has others leading his forces in his war yet all his focus is on his portal creation.
According to Entrapta, productivity of the Horde is up 400% ever since Catra became Hordak's 2nd in command. I wondering how much of that is Catra's direct doing? Is she genuinely just that good of a commander? Is it because she's properly delegating and Scorpia has been handling most of the load? Or is this just because it's in comparison to Shadow Weaver? Entrapta said Catra's focus on First Ones' tech has been greatly aiding them and SW definitely focused more on magic, which was an aid mostly to herself since everyone else in the Horde seems to fight only with weapons and technology. And most of what she saw of SW while she was Hordak's 2nd was her being obsessed with bringing back Adora rather than fighting the war.
Episode 2: Let's see... Hordak's easily an adult and Entrapta is...[checks google] late twenties, early thirties. Oh good, then let's sail this ship!
But yeah, that was a heck of a backstory for Hordak. This reminds me of a video by a Youtuber named Savage Books comparing the villain Steppenwolf in the theatrical and Snyder Cut versions of Justice League and how, while he still wasn't a great villain, just a small addition made him a much better villain, that being a failure in his past and the desire just to go home. And in this case, Hordak is the much better, or at least way more developed, version of that. One of many clones of Hordak Prime but having a defect that labelled him a failure and had him cast out to Etheria, a "backwards world" as he's called it before. If he can conquer Etheria, perhaps by building a portal that'll bring forward Prime's army, he believes that'll prove to Prime that he is not a failure and that he can return home to rejoin his forces. Just this bit of backstory adds SO MUCH to Hordak, including new insights on his past interactions, and keeps him from being a flat character like theatrical version Steppenwolf. His lack of tolerance for failure makes sense when he himself is trying to prove that he's not. It gives him compelling motivation to want to conquer Etheria beyond just power and greed. Not motivation you're meant to agree with but one you can still understand.
I like the story with Huntara too. It's a nice little tie-in to something Adora was talking about with Glimmer and Bow last episode. Adora defected from the horde, not because she was different but rather very much in spite being very much like every other soldier there. She wanted to believe Shadow Weaver may have at least some goodness in her too and now we have Huntara as a fellow defector who realized the evils of the Horde, even if she chose to stay out of the war entirely after.
Episode 3: I legit thought Catra stabbed the goat lady for a second.
After Scorpia asking her why don't they just stay in the wastes I'm seeing a bit of a parallel between Catra and Hordak. They've both found a place where they can be the top dog, where they can do and have basically anything they want; her with the wastes and him with the Horde. They can be happy. ...But there's still this pull they're feeling to somewhere else. Catra back to the Horde and Hordak back to Prime. Because they feel they have to prove something; prove that they're not failures. They could be happy but they can't let go.
And that scene between Adora and Catra at the end. That was such a great line read from Catra's actor. "She left me for you. Everything that's happened is because of you." I got chills.
Minor note: While I'm only judging off the Mara hologram, which didn't have color, I do think the She-Ra outfit looks better with pants than shorts like Adora's She-Ra form. I think it makes it look sleeker, if that makes any sense.
Episode 4: Catra's spiral has turned into a drill and its taking her down as far as she can go. Though something I had to a laugh a little at myself over was that my biggest "Catra, no!" reaction wasn't to her wanting to open the portal but rather when she lied to Hordak and said Entrapta let the princesses in. She was actually a positive influence on Hordak's life and Catra with one move just destroyed that relationship and all progress Hordak had been making.
I'm guessing there's going to be some kind of long-term effect from Shadow Weaver continuously siphoning off Glimmer's magic. The woman is basically a parasite and the magic she uses is very different from the kind Glimmer does. I can't believe it never occurred to me that since Shadow Weaver trained Glimmer's father there might be a connection there between the two of them later in the story. While we don't know about anything that might've happened after she left, SW clearly had enough affection for Micah still to not kill him. I could see her trying to take Glimmer on as a student later like she did him.
Episode 5: There is something kind of hilarious about it being Scorpia's jealousy of Catra and Adora's closeness that causes her to be the first one after Adora to pick up that something is off.
11 is my favorite of the Doctor Who Doctors so naturally I'm comparing all this to the crack in Amy Pond's bedroom wall. Whatever goes in gets forgotten about and basically never existed. Though does that mean Bright Moon isn't going to remember the Horde? Basically that entire place got sucked up in the collapsing reality. There shouldn't be at war anymore because their enemy literally no longer exists.
Adora and Catra had their own little Star Trek 3 moment there.
Adora: "If we don't help each other, we'll die here!"
Catra: "Perfect! Then that's the way it shall be!"
Catra's just so far down her spiral she doesn't even care about getting her own win, just so long as Adora doesn't get one, despite just minutes ago clearly loving having Adora back in her life and on her side, to the point was trying to resist remembering the old reality. Her "perfect" world was them together again but when given the chance (another of many. I love those cuts to their past woven in there) she slapped the hand away.
I'm sure I'm wrong but I'm starting to theorize Madam Razz is actually Mara and just at some point went kind of crazy and started thinking as and Mara were two different people.
Episode 6:
"You are everything I ever wanted in a son. This... This is everything I ever wanted in a life. ...But I've got responsibilities, Van. And...I have to...go now."
-Superman, Justice League Unlimited: For the Man Who Has Everything
That was my favorite episode of JLU, where Superman is trapped in this world that isn't real but still perfect in every way, and the only way out was to give up everything he'd ever wanted, including a son he remembers watching grow up, even if it never really happened. With a similar premise, this definitely helped elevate Angela up a bit for me, whom I was kind just meh with before. I didn't dislike her but I didn't really care much for her either. This episode gave her a lot to work with though, with the heavy sacrifice she made. Not just saying behind to pull out the sword but just simply forcing herself to accept her husband is gone and not coming back. I was right that they wouldn't remember the Horde, but I definitely didn't think of the full effects of them never existing. They never exist, Bow never becomes a rebel instead of a scholar like his dads wanted. They don't exist, Micah never dies in battle against them. Glimmer gets to grow up with her father in her life. Everyone, most especially Angela, has to reject everything they would love to be real in favor of what actually is.
I'm guessing we're going to have Shadow Weaver taking advantage of this situation, trying to act like a teacher and mother-figure to Glimmer now that she's basically a orphan.
I talked before about how Catra and Hordak seem to have a parallel between them, especially regarding failure. Catra seems like she has a very hard time accepting her own failures and mistakes and thus why she more or less uses Adora as a mental scapegoat for all of it. Nothing is ever really her fault, it's Adora's, or Shadow Weaver's, or Hordak's. It makes for a great moment when Adora finally punches back, both literally and figuratively. She's not going to accept responsibility for Catra's actions anymore. She gave Catra every chance to make the right choice and she didn't, so now she has to finally live with the consequences. Heck of a glare She-Ra gave Catra at the end. Very much a "If I ever see you again..." and it certainly scared Catra, at least for a moment.
Now, someone go save Entrapta from Beast Island!
Season 3 verdict: Easily the best season thus far. I know this was technically the second half of season 2 but even in comparison to the full season 1 there was just so much that happened in this, so much that got revealed, and so, so many moments of emotion or tension. Weirdly I feel kind of disappointed that Hordak Prime is probably going to come in now and be the new big villain. I really like our Hordak's motivation and Prime seems like he might just be the generic conqueror for power that Hordak seemed like he was going to be at first. Not saying those types can't work. I love All For One from My Hero Academia and Frieza from Dragon Ball. Those guys are pure evil and selfishness, but they also have a captivating presence/charisma to them.
Naturally, since I bring her up the most out of all the characters, I'm very curious to see what happens with Catra now. She's basically nuked every positive relationship she had with anyone. Entrapta's gone, she threatened Scorpia, Hordak's not going to trust anyone including her anymore now that he thinks Entrapta's betrayed him, and Adora firmly sees her as an enemy. She has no one (those under her direct command don't count) and it's entirely her own fault.
Original Reddit post: https://www.reddit.com/r/PrincessesOfPower/comments/o0trfz/going_in_blind_watching_season_3_for_the_first/
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