Chris Connor: A Jazz Odyssey in Vocal Harmony
Introduction:
In the ever-evolving landscape of jazz, certain albums stand as milestones, shaping the course of the genre. One such gem is “Chris Connor,” an eponymous album by the iconic jazz singer. Released in 1956 under the Atlantic label, it marked Atlantic Records’ foray into the realm of jazz vocal LPs, creating ripples that would resonate through the years.
Unveiling the Sonic…
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James Booker performing “On the Sunny Side of the Street”.
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On the Sunny Side of the Street
Music by Jimmy McHugh; Lyrics by Dorothy Fields
Grab your coat and get your hat, leave your worry at the doorstep
Just direct your feet to the sunny side of the street
Can't you hear that pitter pat and that happy tune is your step
Life can be so sweet on the sunny side of the street
I used to walk in the shade with those blues on parade
But I'm not afraid 'cause this rover, crossed over
If I never had a cent I'll be as rich as Rockfeller
Gold dust at my feet on the sunny side of the street
With those blues on parade
Because this rover, it crossed over
If I never had a cent I'll be as loaded as old Rockfeller
With that gold dust 'round my feet
On the sunny side of the street
On the side, at that side of the street that is sunny
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Charles Farrell with Louella Parsons and Jimmy McHugh at The Palm Springs Raquet Club in 1953.
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Loretta Young attends a party for Jimmy McHugh’s 25th anniversary in Hollywood in 1949.
Attendees in this photo include Clark Gable, his date Anita Colby, Virginia Houston, Jimmy McHugh,and Heddy Hopper.
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US Vogue June 1986
Patty McHugh wears a star-studded Vivienne Westwood top over a Jimmy'Z skirt. Both in cotton. Sanford Hutton sunglasses for Color in Optics, Tulla Booth bracelet, Joan & David mules.
Patty McHugh porte un top étoilé de Vivienne Westwood sur une jupe de Jimmy'Z. Les deux en coton. Lunettes de soleil Sanford Hutton pour Color in Optics, bracelet Tulla Booth, mules Joan & David.
Photo Wayne Maser
vogue archive
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Smorgasbord Blog Magazine – Music Column - The Big Band Era with William Price King and Sally Cronin 1930 - Fred Astaire and Leo Reisman, Jimmy McHugh and Dorothy Fields, The Blackbottom
Welcome to the new series of the music column where I am joined as always by Jazz singer and composer William Price King. We hope you will join us every Tuesday for some of the chart hits of the big band era from the 1930s through to the 1950s.
Some of the earlier videos are not of the best quality however where possible we have sourced remastered copies to share with you. Considering some are…
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Smorgasbord Blog Magazine – Music Column - The Big Band Era with William Price King and Sally Cronin 1930 - Fred Astaire and Leo Reisman, Jimmy McHugh and Dorothy Fields, The Blackbottom
Welcome to the new series of the music column where I am joined as always by Jazz singer and composer William Price King. We hope you will join us every Tuesday for some of the chart hits of the big band era from the 1930s through to the 1950s.
Some of the earlier videos are not of the best quality however where possible we have sourced remastered copies to share with you. Considering some are…
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Natalie Wood attends the Jimmy McHugh party in Los Angeles, CA. Photos by Earl Leaf, 1955
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Muppet Mainstage November 10th, 2023
“I Won’t Dance” was originally written for the 1934 musical Three Sisters, by Jerome Kern, Oscar Hammerstein II and Otto Harbach. A year later the lyrics were rewritten by Dorothy Fields and Jimmy McHugh for the film Roberta. The updated version of the song made its first appearance in the George Burns episode of the Muppet Show (season 2, episode 10).
The song starts out seemingly as the “at the dance” segment of the Muppet Show. And then as Miss Piggy (Frank Oz) chases Kermit (Jim Henson) around the dance floor, they sing the song together. Kermit argues why he won’t dance, and Piggy argues why he should dance with her.
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Let's get lost
Lost in each other's arms
Let's get lost
Let them send out alarms
And though they'll think us rather rude
Let's tell the world we’re in that crazy mood
Let's defrost in a romantic mist
Let's get crossed off everybody's list
To celebrate this night we've found each other
Let's get lost
Oh
Let's get lost
--Written by: Frank Loesser, Jimmy McHugh
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Cannes Film Festival, May 2001. One year on from his success with In the Mood for Love, Wong is invited back to give what the festival calls a ‘Leçon de cinéma’ but what you or I would call a sit-down Q&A with Gilles Ciment. The text of their conversation is usefully printed in Peter Brunette’s book Wong Kar-wai (Urbana and Chicago: University of Illinois Press, 2005). Before the session, Wong screens a previously unseen short film: In the Mood for Love 2001, again starring Maggie Cheung and Tony Leung. He says that it was shot before he made the feature, over two days and nights in Hong Kong, and was based on one of the original ideas for Summer in Beijing.
I saw this short only once, some fifteen years ago, and didn’t take notes – so I don’t remember it that clearly. It has never been released on DVD or Blu-ray, possibly because Wong didn’t clear the rights to use Bryan Ferry’s version of the Jimmy McHugh–Dorothy Fields song ‘I’m in the Mood for Love’ on the soundtrack. (However, there is a music video for the Bryan Ferry cover version on YouTube which uses shots and out-takes from In the Mood for Love and is credited to Wong and Jet Tone.) I recall that the short was set entirely in a 7/11 convenience store, that its plot hinged on a bet of some sort about food, and that it was very amusing. Most likely it will never be shown again, although its slim storyline was inflated to become the basis for Wong’s My Blueberry Nights.
Tony Rayns, In the Mood for Love
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Ginger Rogers and Fred Astaire in Roberta (William A. Seiter, 1935)
Cast: Irene Dunne, Fred Astaire, Ginger Rogers, Randolph Scott, Helen Westley, Claire Dodd, Victor Varconi, Luis Alberni, Ferdinand Munier, Torben Meyer, Adrian Rosley, Bodil Rosing. Screenplay: Jane Murfin, Sam Mintz, Allan Scott, Glenn Tryon, based on a play by Otto A. Harbach and a novel by Alice Duer Miller. Cinematography: Edward Cronjager. Art direction: Van Nest Polglase, Carroll Clark. Film editing: William Hamilton. Music: Jerome Kern, Max Steiner.
If Roberta is less well-known than most of the Fred Astaire-Ginger Rogers movies, it's partly because it was out of circulation for a long time after 1945, when MGM bought up the rights to the film and the Broadway musical on which it was based, planning to remake it in Technicolor as a vehicle for Gene Kelly and Frank Sinatra. That plan fell through, and the actual remake, Lovely to Look At (Mervyn LeRoy, 1952) with Kathryn Grayson, Howard Keel, Red Skelton, and Marge and Gower Champion, is nothing special. But MGM's hold on the property meant that, unlike the other Astaire-Rogers films, it didn't show up on television until the 1970s. But it was also a kind of throwback to the first of their movies, Flying Down to Rio (Thornton Freeland, 1933), in that they weren't the top-billed stars of Roberta, and their plot is secondary to that of the star, Irene Dunne, and her leading man, Randolph Scott. It doesn't matter much: What we remember from the film are the great Astaire-Rogers dance numbers, "I'll Be Hard to Handle," "I Won't Dance," and the reprises of "Lovely to Look At" and "Smoke Gets in Your Eyes." Scott's inability to sing resulted in the big number for his character in the Broadway version, "You're Devastating," being cut from the song score of the movie. "I Won't Dance" was brought in from another Jerome Kern musical, and Kern and Jimmy McHugh composed that fashion-show/beauty-pageant classic "Lovely to Look At," with lyrics by Dorothy Fields, for the film, earning Roberta its only Oscar nomination. Except when Astaire and Rogers are doing their magic, the film is a little draggy, and Dunne and Scott strike no sparks. Look for a blond Lucille Ball, draped in a feathery wrap, as one of the models in the fashion show.
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Birthday remembrance - Frank McHugh #botd, pictured celebrating in 1935 with Mrs. James Gleason, Ben Alexander, Anita Louise, Jimmy Gleason, Ginger Rogers, Pat O’Brien, and May Robson
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Music Box - Can't Get Out of this Mood - Johnny Long and His Orchestra
Music Attribution © Johnny Long and his Orchestra, Written by Frank Loesser and Jimmy McHugh
Video Attribution Okmusix
Source Attribution https://www.youtube.com/watch?v=nQPPAWsu2Ak
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