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#Jonathan Demurger
cinema-tv-etc · 11 months
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La Belle et la Bête
Beauty & The Beast [English-Language Version
Actors Louka Meliava Nicolas Gob Jonathan Demurger Sara Giraudeau Audrey Lamy Myriam Charleins Eduardo Noriega André Dussollier Léa Seydoux Vincent Cassel Director Christophe Gans
La Belle et la Bête - Bande annonce officielle HD
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“Vaincre ou Mourir” biopic de Paul Mignot et Vincent Mottez - sur les Guerres de Vendée pendant la Révolution Française et en particulier le Général François Athanase Charette de La Contrie dit “Charette” (1763-1796) - avec Hugo Becker, Rod Paradot, Gilles Cohen, Constance Gay, Dorcas Coppin, Anne Serra, Francis Renaud, Damien Jouillerot, Olivier Barthélémy, Jacques Milazzo, Jean-Hugues Anglade, Grégory Fitoussi, Jonathan Demurger et le jeune Léon Durieux, février 2023.
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guncelhaberleri · 2 years
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2 Film Tavsiyesi
GECE TARİFESİ Yönetmen koltuğunda Julien Seri nin  oturduğu filmin oyuncu kadrosunda ise Fanny Valette, Jean François Lenogue, Jonathan Demurger ve Jonathan Howard yer almaktadır. Filmin konusu ise şöyle: Uzun süredir bir araya gelmeyen iki arkadaş Paris’te buluşma kararı alırlar. Fakat buluştukları gece yanlış bir taksiciye denk gelirler. Bu karşılaşma kısa sürede kedi fare kovalamacasına…
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johnnymundano · 5 years
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Night Fare (2015)
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Directed by Julien Seri
Screenplay by Cyril Ferment, Pascal Sid and Julien Seri
Story by Wahid "Tarubi" Mosta
Music by Alex Cortes
Country: France
Running Time: 80 minutes
CAST
Jonathan Howard as Chris
Jonathan Demurger as Luc
Fanny Valette as Ludivine
Jess Liaudin as the driver
Édouard Montoute as the police officer
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Alighting from the stale fart and sweaty sock ambience of a London-Paris coach, Chris (Jonathan Howard) is reunited, after a two year self-imposed absence, with Luc (Jonathan Demurger) and Ludivine (Fanny Valette). Ludivine still resents Chris for leaving her without any whiff of warning, and has shacked up with Luc in the meantime. Luc is understandably a little edgy about this, but even edgier about the reason Chris left. After the trio’s internal tensions spoil the initial part of the evening’s partying, Ludivine begs off and goes home, taking Luc’s car. Determined to make sure the night is one to remember Luc cajoles moody Chris into accompanying him to another party. Increasingly unsettled by Luc’s  blatant drug huffing and overbearing passive aggression Chris complies, because Chris is English, and thus believes confrontation must be avoided at all costs. Unfortunately the pair take a taxi and dun the driver on the fare; Luc as a hilarious joke to show Chris who is in control and Chris, because he is English and follows the path of least resistance. Big mistake. The driver takes umbrage to excessive levels and stalks the bickering pair through the eerily unpopulated Parisian night, a night in which interpersonal conflicts will be settled forever and one person will discover an unexpected future.
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I don’t want to be too hard on Night Fare, it does a lot of things very well indeed for most of its run-time after all. In fact if it had just stuck to the psycho-stalk cabdriver premise it would have been a nifty little movie. Unfortunately someone didn’t think that would be enough, and the last third of the movie shifts gears way too abruptly, the back door swings open and coherence’s seat belt snaps and it tumbles out, becoming just a bloody snail trail in the movie’s wake. But before that happens, Night Fare is pretty good stuff. Obviously you have to buy into the rules of the game: you can’t just knock on anyone’s door for help; the police will be dicks; there will only be one police car and it will be the one full of dicks; the cab driver will be able to find them as though the pair were programmed into his SatNav; and, as ever, people being chased by a car must always run in a straight line for an unseemly amount of time before belatedly realising this is a really bad idea. This latter is fine, a familiar part of the filmic furniture for anyone who has seen Christine (1983) or The Car (1977). The police, well, we all respect the police obviously (good evening, officer) but since Luc is an obvious wrong ‘un, their attitude is understandable. As for just not knocking on the nearest door, well…I don’t know about Paris but I was once down that there London, and we (I wasn’t alone; well spotted) got the tube out to an outlying district, which was a massive mistake. Apparently big cities have these large areas that are just made up of offices and sandwich bars that serve the office workers. After a certain hour they are deader than Guinness, the dog I had in the 1970s. Seriously, it was like The Omega Man (1971), but without the albino afro vampires or Charlton Heston. Eerie stuff. As for the cab driver being able to find them all the time, well, that’s just what happens in these movies, so go with it or get another movie.
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So, yes, Night Fare is an efficient and enjoyably tense thriller with a keen eye for style, which effectively transforms the city at night into a sodium lit hunting ground, and it also has some thrillingly brutal action sequences where sharp editing makes up for a lack of budget. I am delighted to report that the acting is spot on by all involved. I particularly enjoyed the fact that Jonathan Howard was allowed to have a proper English accent (“Thays a fukkin bin ovah thurr!”). Fanny Valette  has little to do but does what little she has to do very well. Jess Liaudin is convincingly implacable as the cabbie with a mission. And Jonathan Demurger convincingly travels from one-note rogue to faceted human being, but no one could travel past that to the extent he is expected to do and remain convincing. Night Fare is good, solid genre fun right up until, well, right up to the point it isn’t.  If Night Fare was just a movie about two cheeky scamps who rip off a taxi driver who then stalks them through the Parisian night with violence on his mind, then it would be pretty great. Unfortunately Night Fare abruptly decides that’s not enough and makes a hard turn into some sort of comic book origin story. This just confuses things far in excess of anything the movie’s initial, elegantly simple, premise can bear. About the only bit of foreshadowing that supports this whiplash inducing change is that dogs like the driver and he doesn’t kill a cop who behaves decently. It’s not enough, son; as my Dad might say. Ultimately Night Fare doesn’t lay enough groundwork and thus chokes on a massive exposition dump that seems to jump out of nowhere like an angry cab driver in the Parisian night.
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In Night Fare’s defence though I could well have missed something, as quite a bit of it is in French. There were no subtitles so I naturally assumed this was an artistic choice. Both Chris and I could be as equally bemused by the goings on around us, both of us limited to drawing only the broadest of inferences from the opaque chatter around us. This did work quite well. Initially. The party scene was just meaningless noise neither Chris nor I felt part of. When the cops stop our cheeky chaps and the encounter takes a counter intuitive route, we were both unbalanced and non-plussed. And when Luc seeks shelter with his gangsta pals the initial air of threat is suitably discombobulating. Clever stuff I thought. Or I did until the ill-advised animated (!!?!!) exposition dump narrated entirely in French. Even I figured out at that point that someone had just neglected to put subtitles on the version I was (legally) streaming. Luckily, despite being monolingual, I am able to draw information from the moving image alone (as is any normal human being) so I could pick up the gist of what I was seeing. Unfortunately the gist of what I was seeing suggested that Vlad the Impaler turned into The Count Of Monte Cristo and after a daring escape, washed up In Japan, where he stole rice until a Samurai caught him and trained him to become a weapon of justice. Not only that, but also to be part of a secret order of human justice weapons which ultimately reached their modern day incarnation in our disgruntled cab driver. Yeah, just…no. And full disclosure here - I’ve read comics since I was 5 years old, so God help anyone normal with digesting that stuff so late in the movie.
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Nobody involved in Night Fare disgraces themselves, and let’s be fair, until the final act everyone positively excels. Night Fare is undoubtedly a stylish exercise in tension with some remarkably personable characters you can really root for. That is, as long as you watch a version with subtitles, and as long as you stop at the bit where someone makes a very difficult choice (you’ll know it; don’t worry). After that...eh, yeah, you’re on your own. You might like it; it’s possible. Crossed fingers, eh?
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toiletsofbuild · 6 years
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Tonight Never Ends - Death Casino (Fabrice Demurger and Jonathan C. Wu)
Restrooms in a deathmatch level.
http://www.proasm.com/sw/swaddons.html
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fcinetv · 4 years
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Night Fare
Night Fare Actors: Jonathan Howard (I),Jonathan Demurger,Fanny Valette Director: Julien Seri Country: français Genres: Thriller Duration: 80
<p>Luc et Chris, son ami anglais, montent dans un taxi pour rentrer chez eux après une soirée parisienne bien arrosée. Arrivés à destination, ils s&#39;enfuient sans payer la course. Ils sont tombés sur le mauvais chauffeur… Le taxi va se mettre en chasse toute la nuit. Mais, est-ce vraiment l&#39;argent qu&#39;il veut ?</p> ... source https://fcine.tv/night-fare-6735-streaming
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Night Fare streaming
Nationalités : Français Genre : Thriller Date de sortie : 2016-01-13 De : Julien Seri Avec : Fanny Valette, Jonathan Demurger, Jonathan Howard
Luc et Chris, son ami anglais, montent dans United Nations taxi pour rentrer chez eux après une soirée parisienne bien arrosée. Arrivés à destination, ils s’enfuient sans remunerator la course. Ils sont tombés port lupus mauvais chauffeur… lupus taxi va se mettre nut chasse toute la nuit. Mais, est-ce vraiment l’argent qu’il veut ?
from Streaming VF http://www.streamovf.net/night-fare-streaming/
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thelowdownunder · 8 years
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La Belle Et La Bête Trailer (Beauty and the Beast)
La Belle Et La Bête Trailer (Beauty and the Beast)
Christophe Gans’ French version of the classic tale Beauty and the Beast drops its first trailer. Starring Vincent Cassel, Léa Seydoux, André Dussollier, Eduardo Noriega, Myriam Charleins, Audrey Lamy, Sara Giraudeau, Jonathan Demurger, Nicolas Gob, Louka Meliava and Yvonne Catterfeld.
This lavish production was actually shot in 2014 and has been languishing in obscurity until now.
Synopsis:…
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olvaheiner · 8 years
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Night Fare (2016) Dir. : Julien Seri
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liveforfilms · 9 years
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Watch out for the taxi in new Night Fare trailer
Watch out for the taxi in new Night Fare trailer
Julien Seri directs Night Fare, a new thriller that stars Jonathan Howard, Jonathan Demurger, Fanny Valette, and Jess Liaudin.
Luc and his English friend Chris take a taxi to go home after partying hard all evening in Paris. At destination, they run away without paying the fare. They got the wrong driver for this… The taxi goes immediately into hunting mode, chasing them all night, wherever they…
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pcicpi-blog · 13 years
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Marty's World Full Dvd Movie
Marty's World movie download
Actors:
Camille Japy Patrick Bouchitey Jonathan Demurger Christian Charmetant Jacques Dynam Annick Alane Jean-Christophe Barc Florence Hebbelynck Michel Serrault
Download Marty's World
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