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#La Salita
blogmoderne · 6 months
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inthewindtunnel · 9 months
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Cohn
La Salita
Wine and Reason
-EP-
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marcogiovenale · 2 years
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talk di giuseppe garrera su richard serra
https://www.exibart.com/arte-contemporanea/gli-anni-60-la-salita-e-il-grand-tour-di-richard-serra/
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quemirabobo · 3 months
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Che gente de 26 o menos que no tenga la vacuna del HPV, ahora alargaron el calendario de vacunación para incluir a las personas de entre 21 y 26 (inclusive) años, si pueden acercarse a una salita u hospital pregunten si la están dando y aprovechen
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garadinervi · 10 months
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Toti Scialoja, Untitled, (from a folder with four lithographs), «Opere Grafiche» V, Galleria La Salita, Roma, 1959 [© Fondazione Toti Scialoja, Roma]
Contributions: poems by Mario Diacono, Edoardo Sanguineti, Emilio Villa, and Cesare Vivaldi
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mandarino-o · 2 months
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what was ur fave book as a child and im talking like. before middle school
FAIRY OAK‼️‼️‼️‼️‼️ i was obsessed i read the series like ten times
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omarfor-orchestra · 8 months
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Povero amore proprio la mia canzone per la recitazione
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deathshallbenomore · 1 year
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la signora che si prende male perché sono accidentalmente seduta dal lato del finestrino, e cioè al suo posto, e che, pertanto, prima ancora di darmi modo di spostarmi [se proprio ci tiene], se ne va dall’altra parte del vagone, mi è sembrata un tantinello eccessiva. ma giusto un pochino
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arte-rock · 2 years
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Kounellis’ performance at the La Salita gallery in Rome, 1973. The artist sits in the centre of the frame with a mask of Apollo on his face. In front of him, on a table, we see fragments of a classical sculpture that appear to be the dismembered body of the god. A stuffed crow perches on the torso. To the left of Kounellis a flute player plays music by Mozart and to his right there is an open window. In this apparition, too, tension is created by the interweaving of opposites. The hieratic presence of Apollo’s face contrasts with the image of death suggested by the broken sculpture and the crow whose form imitates life but is devoid of it, and yet at the same time unites with the living body of Kounellis who perpetuates the god by assuming his features.
This cycle of death and rebirth is counterpointed on either side by the presence of the flautist and the window; perhaps images of two different breaths of life and two different spaces that intermingle: the one inside, inhabited by art and the god, resounding with music, and the one outside, beyond the sacred recital, immersed in everyday life.  (VideotecaGAM)
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blogmoderne · 6 months
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marcogiovenale · 2 years
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a work: giuseppe garrera on richard serra, "animal habitats live and stuffed", la salita, 1966
a work: giuseppe garrera on richard serra, “animal habitats live and stuffed”, la salita, 1966
A WORKRichard Serra: Animal habitats live and stuffed… Rome, La Salita, 1966with Giuseppe Garrera16 September 2022, 6.30 PM#AgoraA Work is a format of AGORÀ developed in collaboration with Giuseppe Garrera, in which the musicologist, art historian and collector will philologically analyse one work of his choice for each session.24 May 1966. Galleria La Salita opens a sensational exhibition that…
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wosocomix · 2 years
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Good picks, I hope
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garadinervi · 10 months
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Francesco Lo Savio, XXXVI Biennale, 'scultura italiana contemporanea', Venezia, Galleria La Salita, Roma, 1972 [Reprinted text from Spazio-luce, Volume 1, 1962] [J.N. Herlin Inc.]
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p0isonivy · 2 years
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#IVY pasa su tiempo LIBRE con @chvvnels​
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‘ hmm, te digo que no sé si pintarme el cabello o no. ’ dice una vez tiene la boca libre de bocadillos, mirando a la morocha al hablar. ‘ me gusta mucho el rojo, es básicamente toda mi personalidad, pero no sé si sea tiempo de un cambio. ¿qué opinas? por cierto, estas palomitas están buenísimas. ’
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mondscheinora · 4 months
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Ho avuto un ennesimo rifiuto. Questa volta da una tipa.
La mia vita sentimentale mai na gioia
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nayerimz · 6 months
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"¿te encuentras bien?"
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yeri lo intenta. comisuras se alzan en automático, máscara nueva de completa falsedad que ha ensayado en el tiempo que se ha encontrado sola y deambulando entre laberinto de concreto que parecía no tener fin. se prometió que no lloraría en frente de nadie, que no se rompería hasta llegar a casa o, al menos, hasta ver a su hermano. pero ahí estaba, con los ojos llorosos a pesar de estar sonriendo como si nada hubiera pasado ' junho ' habla con la voz rota, máscara cayendo de a poco ' estoy... me arde la rodilla y se me arruinó el pantalón ' señala lo superficial ' y tengo hambre y estoy cansada ' añade obviedad, apretando los labios con suavidad ' ¿tú estás bien? ¿ya viste a luka? yo estaba con él... y después ya no. no recuerdo el motivo por el que nos separamos ¿ya... ya salió? ' ☆ @jjunho
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