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soycabcba · 4 years

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Resultados y formaciones de los amistosos de la Primera Nacional

Platense, Villa Dálmine, Almagro y Brown de Adrogué ganaron mientras que Defensores de Belgrano y Nueva Chicago empataron entre sí en distintos amistosos jugados de cara al comienzo del torneo de Primera Nacional, el próximo 7 de noviembre.

El club de Vicente Lopez, de visitante, se impuso por 1-0 ante Ferro Carril Oeste con un gol de Mauro Bogado (21m. ST), que capitalizó una mala salida de la defensa local en un encuentro de trámite parejo, jugado con mucha intensidad y bajo una intensa lluvia.

[Fútbol] #Amistoso

Final de la doble jornada de ensayos en Caballito.

Titulares: Ferro 0-1 Platense ( Mauro Bogado) Suplentes: Ferro 0-0 Platense

@goncolini (Prenda CAP)#VamosCalamares pic.twitter.com/feQUUtTm3C

— Club A. Platense (@caplatense) October 17, 2020

El entrenador de Ferro, Jorge Cordon, dispuso a Andrés Bailo; Hernán Grana, Gabriel Díaz, Matías Mariatti y Rodrigo Mazur; Nicolás Gómez, Fernando Miranda, Rodrigo Brandán y Tomás Asprea; Cristian Bordacahar y Tomás Molina.

Platense, dirigido por Juan Manuel Llop, formó con Jorge De Olivera; Cristian Marcial, Stefano Callegari, Luciano Recalde y Juan Infante; Gianluca Pugliese, Roberto Bochi, Bogado y Franco Baldassarra; Joaquín Susvielles y Matías Tissera.

El segundo amistoso celebrado por los suplentes en el estadio de Caballito terminó igualado sin goles.

En otro encuentro, Villa Dálmine sorprendió a Quilmes como visitante y le ganó 2-0. Los goles los marcaron Catriel Sánchez (20m. PT) y Enzo Fernández (11m. ST)

Dálmine, conducido por Felipe De La Riva, se alineó con Juan Marcelo Ojeda: Maximiliano García, Maximiliano Polacchi, Santiago Moyano y Federico Recalde; Saúl Nelle, Facundo Lando, Sergio Sosa y Facundo Rizzi; Enzo Fernández y Catriel Sánchez.

Que placer verte otra vez #SiempreDálmine pic.twitter.com/DnYY8DJSKJ

— Club Villa Dálmine (@VillaDalmineOK) October 17, 2020

Quilmes, dirigido por Facundo Sava, formó con: Alejandro Medina; Leonardo Rolón, Alan Alegre, Carlos Matheu y Emmanuel Moreno; Emanuel Culio, David Drocco y Brandon Obregón; Leandro González, Mariano Pavone y Justo Giani.

También Almagro de visitante se impuso 1-0 ante Temperley, con el tanto que convirtió Norberto Paparatto (17m. ST).

El "Tricolor" del DT Gastón Esmerado salió con Horacio Ramírez; Gonzalo Jaque, Sebastián Valdez, Paparatto y Marco Lambert; Maximiliano Rueda, Luis Jerez Silva, Juan José Ramírez y Gonzalo Giménez; Brian Cuello y Facundo Suarez.

Imágenes del amistoso: #Almagro 1 #Temperley 0 pic.twitter.com/DEgVJG3LaR

— ClubAlmagro1911 (@almagroficial) October 17, 2020

Walter Perazzo, que comanda al "Gasolero", dispuso a Joaquín Papaleo; Gonzalo Vivas, Brian Machuca, Nicolás Demartini y Julián Marchioni; Franco Leys, Federico Fattori, Lucas Baldunciel y Ariel Cólzera; Nicolás Muscio y Federico Vietto.

Además Brown de Adrogué superó de visitante por 1-0 ante Estudiantes de Buenos Aires, el gol lo convirtió Matías Roble a los 22 minutos de la primera etapa.

El DT Pablo Vicó dispuso para Brown a Mauro Ruggiero; Mauro Bazán, Nicolás Arrechea, Santiago Echeverría e Ignacio Sanabria; Matías Sproat, Juan Manuel Requena, Julián Giménez Pilutik y Noble; Leonardo Acosta y Mateo Acosta.

Estudiantes de Caseros, dirigido por Mauricio Giganti formó con Rodrigo Saracho; Martín Garay, Gastón Martínez, Nahuel Arena y Lautaro Montoya; Nicolás Rinaldi, Leonel Pierce, Francisco González Metilli y Neri Bandiera; Alexis Domínguez y Juan Pablo Ruíz Gómez.

Por último Defensores de Belgrano de local y Nueva Chicago igualaron sin goles.

El plantel del Bajo Belgrano conducido por Fabián Nardozza salió al campo de juego con Sebastián Giovini; Leandro Caballero, Luciano Goux, Leandro Martínez Montagnoli e Iván Nadal; Juan Manuel Olivares, Juan Manuel Sosa, Marcelo Lamas y Elías Borrego; Maximiliano Núñez y Nicolás Benegas.

El "Torito" de Mataderos, con el DT Rubén Forestello se alineó con Adrián Peralta; Rafael Barrios, Matías Escudero, Gastón Bojanich y Alan Lorenzo; Agustín Verdugo, Alejandro Altuna, Daniel González y AlejandroMelo; Alejandro Aranda y Facundo Castillón.

Amistoso Final#Defe 0-0 #Chicago

Empate en el Pasquale en un partido cerrado y parejo en el que ambos tuvieron chances para ganarlo.

Benegas tuvo la última para el Dragón, en otro buen amistoso para seguir agarrando ritmo de cara al futuro. #JuegaDefe pic.twitter.com/yteftiDZAh

— Defensores de Belgrano (desde ) (@defeweb) October 17, 2020

El ex Talleres Catriel Sánchez marcó para Villa Dálmine. (Prensa Villa Dálmine)

source https://mundod.lavoz.com.ar/futbol/resultados-y-formaciones-de-los-amistosos-de-la-primera-nacional

#mundoD #Belgrano

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hmel78 · 4 years

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In conversation with John Hackett ...

Whilst John Hackett is probably best known for his work with his brother Steve Hackett (former Genesis guitarist), there is no shortage of other high profile artists with whom John has worked, and in addition he has also enjoyed a relatively successful solo career as a Flautist, guitarist, singer and composer.

John collaborated with Steve on his early albums, “Voyage of the Acolyte” and “Please Don’t Touch” , which led to further recordings and tours of the UK, USA and Europe playing flute, guitar and bass pedals in Steve’s live band ; also extensive tours of Japan and the USA as part of the Steve Hackett Acoustic Trio. Inbetween touring, back home in the UK, you will find a variety of incredible projects which John has been involved in ; as a composer of flute music for relaxation, he has recorded a number of solo and duo albums, plus several albums with Clive Williamson and the ambient group “Symbiosis” which has led to commissions for the BBC. John has performed concerts with international organist Marco Lo Muscio and performs regularly in a duo with classical guitar virtuoso Nick Fletcher with whom he has recorded two albums: “Overnight Snow” and “Hills of Andalucia”. 2005 saw a change of direction with John releasing, to critical acclaim, a rock album of his own songs called “Checking Out of London”, the lyrics for which were written by Nick Clabburn ; An experimental flute/dance album - “Red Planet Rhythm”- with Moodi Drury followed, and then another album of John’s compositions for flute and guitar - “Prelude to Summer”- which featured brother Steve, and Chris Glassfield. It was 10 years before John released his next solo album “Another Life”, in 2015 - which was essentially the rock follow up to “Checking Out ...” with Nick Clabburn once again providing the lyrics. Thankfully we haven’t had to wait just as long for something else new! It’s September 2017 as I write, and I have just been handed the very first John Hackett Band album in which we see another avenue open up, on the musical map of John Hackett! For this album, John has gone beyond his usual boundary and written the lyrics, as well as the music - and it’s really very good! John is joined by Nick Fletcher on guitar, drummer Duncan Parsons, and bass player Jeremy Richardson - who contribute their own compositions to the album, which presents us with a deluxe 2 CD album containing the new collaborative studio recording - “We Are Not Alone” - and a live recording - “Another Live” - of their 2016 Classic Rock Society gig. We were incredibly lucky to grab a rare chance to catch up with John about the latest release, and find out a little bit about how he arrived at this current stop on his musical journey ...

HR : I read an interview that you did some time ago, in which you describe your creative self as a bit like “Jekyll and Hyde” - in the sense that despite your focus on the classical side of music, you’ve always hung on to your inner rocker - is that still the case? “We Are Not Alone” sounds to me like you’ve found the balance...

Johh Hackett : I think you have gone straight to the heart of what I used to consider a problem … I started out from the age of 12 playing blues guitar, listening to all those amazing guitarists like Eric Clapton, Jeff Beck, and Jimi Hendrix. Then after hearing Ian McDonald play flute with King Crimson I started flute lessons and learned the classical repertoire. I used to think that one day I would have to choose between the two worlds but actually I now see that they can feed off each other. It is like light and shade. If you have played electric guitar you know how powerful a sound it can be. So that influences my flute playing - I don’t like it to sound weak.

On the new album there is a track called “Blue skies of Marazion” which features guitar and alto flute. It has quite an impressionistic vibe. It is then followed by “Summer Lightning” which starts as a ballad but then Nick’s electric guitar takes it to a much heavier place. It is quite a contrast, and good of you to say that I have found a balance. I have Nick to thank for pushing me to include more flute on this rock album than my previous two.

HR : I’m glad he pushed you to, because it does work! Do you have a preference when writing and performing? Are you more comfortable with classical or rock ; with vocal tracks or instrumentals?

JH : There is no question that having spent most of my life whizzing up and down scales and doing all the daily technical exercises you have to do if you want to play the difficult classical repertoire, I have in the past been more comfortable with the flute. But there is nothing as exciting as being on stage with a rock band. I have never forgotten the buzz I got from my first ever rock gig with my brother’s band in Oslo in 1978. I took a conscious decision some years back to devote much more time to rock, improving my keyboard playing and learning to sing - I say learning to sing as it has been a painful process (both for me and my poor family who have had to put up with all the shrieking and wailing, not just when I am looking at my bank statements …). In all honesty I enjoy all of it, though at 62 it seems ridiculously late in life to be finding your feet. But having spent a good 90 per cent of my working life playing flute, it is frankly liberating and great fun to be starting a second career as a singer/songwriter with my own band.

HR : Well age is just a number, and I think if you’re creative you strive eternally to cover new ground ... which of course for you just now, is The John Hackett band. You’re essentially a quartet and all 4 of you write your own material; correct me if I’m wrong but none of the songs appear to have been written together for the recording - so who decided what was going to be included? Were any of the pieces written specifically for the album?

JH : The strength of the album is that, with only a couple of exceptions, we had performed all the pieces live before recording them. The way it worked is that we would bring suggestions to the rehearsal room and the band would try them out. As everyone in the band has considerable experience writing and recording this inevitably meant bringing fairly complete compositions. It was soon obvious if a new piece could slot into our current live set or if best kept for a solo project. With “Never Gonna Make A Dime” for example I had written this as a fairly slow song. I didn’t think it was particularly good. I played it to the guys in a simple piano and vocal arrangement and within a few minutes, like in some cheesy movie, they were rocking it up. It soon became a no-brainer for inclusion in our shows and the album.

“Castles” was a song I had written some time ago and similarly didn’t think it was anything special. I imagined it as a blues number with the kind of energy of that John Mayall’s “Bluesbreakers” album with the young fiery Eric Clapton reading the Beano on the front cover. I had recorded a demo with me playing the guitar solo on a Les Paul I had borrowed from my brother Steve. But when we tried it as a band with Nick playing a blistering guitar solo it was exactly as I had wanted it to sound. So unfortunately there is a sad end to the story –I didn’t get to play the solo, and Steve asked for his Les Paul back!

Similarly Duncan’s piece “Queenie and Elmo’s Perfect Day” was a flute melody I had always liked and wanted to record. So when we got the band together it fitted in perfectly, especially as it gave the band free reign for improvisation.

“Take Control”, the opening track, I wrote specifically for the band and the album. I wanted something that would go through a number of changes . It is really in two parts the lyric being the link so there is plenty of scope for time signature changes, guitar solos and changes of texture ...

HR : It does have that, in fact the whole album is quite eclectic, which is what I love about it. It crosses genres and has a good balance of vocal and instrumental tracks. 2 out of 3 of the instrumental numbers were written by guitarist Nick Fletcher ; the 3rd in collaboration with yourself - how did you two meet and subsequently begin performing and writing together? He’s quite phenomenal ...

JH : I first heard Nick playing solo classical guitar without the aid of a microphone or Marshall stack in the fantastic acoustics of Sheffield Cathedral . I thought his playing was absolutely wonderful and wondered that day, as you do, if we might ever work together. Like myself, Nick started out in rock, then studied classical guitar so maybe I heard a kindred spirit. We did some concerts together as a guitar and flute duo, but it wasn’t until the release of my previous album “Another Life” that I found out what a fabulous electric player he is. I had decided to play some of the songs solo at the album launch with just me singing and playing piano but as it got closer to the time I wasn’t so sure if I could make it work. Anthony Phillips had played on one track of the album called “Satellite”. I knew he was going to be there that night so I felt a little nervous ... Nick was round at my house, I played him a few songs, he picked up a Stratocaster and suddenly it was so much easier. Duncan joined us on percussion, so we performed as a trio for the launch. And then it was simply, “Well, where’s the bass player? We could form a band!” Duncan immediately suggested his old school friend Jeremy. So that’s how we all got together - quite by accident really.

HR : The song “Jericho”, which was written by Jeremy Richardson, changes the vibe of the album a little - given that you sing lead vocal on the other 4 tracks, why didn’t you sing this one too?

JH : Yes “Jericho” was written by Jeremy and sung by him, with Duncan, as part of our live set. It really suits his voice so there was never any question who would sing the lead vocal on the album. On stage Jeremy and I take a fairly equal share of the vocals which comes over particularly on the second CD (it is a double album package) “Another Live” recorded live at the Classic Rock Society in Maltby in 2016. He is a terrific singer with a harder edge to his voice when he needs it, which contrasts well with my sound.

HR : The second track on the album interested me too ; “Never Gonna Make A Dime” tells of your family’s move to Canada - you must only have been a baby at the time, but do you remember it at all? What prompted you to pen the song?

JH : The song is based on our short stay in Canada in 1957. I was only 2 years old so unfortunately I cannot remember it but Steve was 7 and has good memories of our time there. Our dad had gone on ahead to Vancouver to find work while mum, her sister Betty, Steve and I followed by ship. Our mother missed London so much that after just 4 months we came back to London. I have always admired them for taking the risk of going in the first place and then having the courage to return.

HR : Sure, it’s big life stuff! The track features Steve on Harmonica - which isn’t the first instrument that most people would associate with him ... JH : Ah well , Steve used to disappear for long periods on board ship only to return with loads of cash. My mother asked him what on earth was going on - apparently he had been playing his harmonica to the crew and they had dug into their pockets for him. This must have given him an early taste for the music business. HR : Clearly! Haha. You’re both multi-instrumentalists - were your parents musical at all? Who / what inspired you become musicians?

JH : It was our dad Peter Hackett who sparked our interest in music. We came back from Canada while dad stayed on for a while to work. He arrived back with an enormous black box which looked more like a coffin but actually contained a guitar. He had played bugle as a boy, then clarinet, and harmonica - though his main interest was painting. Mum didn’t play anything but always showed a great love of music. She is 87 now and still comes to our rock concerts. Steve and I have been blessed to have parents who have always supported us in our music careers.

HR : And your careers have seen you spend quite a great deal of time together over the years. It seems to be the way with brothers in bands together, that it inevitably results in some sort of falling out, and attracts an ensuing media circus! I thankfully don’t see much evidence of that with yourself and Steve - onstage, or offstage - is there a secret to getting on?

JH : Steve in his role as the older brother has always been kind enough to include me. I used to sit in on rehearsals with his first recording band ‘Quiet World’ ; I was there when he did his audition for Peter Gabriel and Tony Banks at our little flat in London - I even got to play a bit of flute for them that day. I don’t think there has ever been any rivalry between us. I took the decision in my teens to concentrate on the flute, which has taken me in a different direction from him. So although we do work together from time to time, we are mostly involved in our own projects - But when we do get together inevitably we talk music, with all the enthusiasm as when we shared a bedroom as teenagers!

HR : You’re taking the JHB on the road with a handful of shows coming up - do you enjoy playing the more intimate venues?

JH : We currently have dates every few weeks for up until this time next year. Certainly regarding venues it is always much nicer to play places where you can talk to the audience after. Their enthusiasm is what it is all about.

HR : What’s your most memorable show to date?

The most memorable gig is perhaps the one for the Classic Rock Society captured on our live CD. It was only about the fourth gig we had done as a band and it felt great that we were being taken seriously by the Society who have always championed new progressive music. More importantly it was the last John Hackett Band gig our friend Steph Kennedy was able to come to - she travelled all over the country with the help of husband Dave and brother-in-law Glen in her final year. A humble reminder in this sometimes brutal world of how music can bring us together.

HR : Absolutely ... And if you could bring together anyone, living or deceased, to perform with you on stage - a dream line-up - who would it be?

JH : If we were talking football I would probably start with Pavarotti in goal.

Of course, I would have to say my current band - But I wouldn’t mind having J.S. Bach on keyboards as long as he didn’t get any powder from his wig on my synths!

#steve hackett #flute #john hackett #genesis

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chez-mimich · 5 years

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KEVIN BROWYER

Ha quattro figli, tanti nipoti, ama leggere, stare all’aperto e dormire. Quando però non dorme Kevin Bowyer, incanta. Lo ha fatto anche domenica scorsa nella Basilica di San Gaudenzio dove, nell’ambito del “XXIV Festival di Musica Sacra”, il musicista ha squadernato un programma di musica d’organo molto variegato e, soprattutto, ha interpretato i brani con una personalità decisamente notevole. Del resto Bowyer è uno dei maggiori organisti europei. Dal 2017 la sua attività concertistica si è di molto ridotta ed averlo avuto a Novara, è stato davvero un gran bel colpo del direttore artistico del festival, Alessio Molinaro. Ricco il programma con grandi classici come Robert Schumann, Franz Listz, ma anche con autori molto interessanti, come i contemporanei Julius Paolo Lazzeri o addirittura giovani, almeno per la composizione organistica, come Marco Lo Muscio. Di grande impatto l’interpretazione di una “Holsworthy Church Bells”, quasi “folk”, e il possente “Final in Si bemolle maggiore Op. 21” di César Auguste Frank. Kevin Bowyer si è caratterizzato, nel corso della sua carriera, anche per l’esecuzione di spartiti considerati impossibili, come quelli di Brian Ferneyhough, Chris Dench ed altri. Un pomeriggio musicale intenso e palpitante in una Basilica discretamente affollata, buon risultato, anche in considerazione della particolarità dello strumento che, al di là dei pregiudizi, offre sonorità inaspettate e di grande intensità emotiva.

#kevin browyer #organo #basilica di san gaudenzio #festival musica sacra

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ladystylestores · 4 years

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A Popular QAnon Twitter Account That Claims To Have Explosive DC Dirt Is Really Just A Random Italian Guy

BuzzFeed News / 2001: A Space Odyssey, courtesy of Everett Collection

Near the end of her May 26 briefing, White House press secretary Kayleigh McEnany called on Chanel Rion, the chief White House correspondent for pro-Trump cable outlet One America News Network.

Rion began her question by making the explosive — and false — claim that “new information” had revealed that former president Barack Obama had used a foreign intelligence service to surveil two floors of Trump Tower during the 2016 campaign. “So to what extent was [former CIA director] John Brennan behind that?” she asked.

People in the briefing room may have been scratching their heads, but a hyperactive Twitter user with a photo of one of the astronauts from 2001: A Space Odyssey as its avatar was elated. “Great job!” tweeted @GregRubini at Rion, claiming she had “asked a spicy question from my book.”

It was another coup for the pseudonymous account with more than 120,000 followers. He has injected himself into major news events, in part by claiming to have sources in the FBI, Trump Tower, and within government and intelligence circles. This week, as protests swept through the US, @GregRubini tweeted that antifa is “controlled by the CIA.” New York mayor “De Blasio is ANTIFA,” he also wrote, in a post that was retweeted thousands of times.

But the Rubini account’s claims of insider intel and “high placed” sources appear to be some of its author’s litany of fabrications — which include his online identity.

His viral Twitter threads helped his conspiracy-filled self-published book, The Spy Operations on Trump, climb Amazon bestseller lists after its May 22 release. He was among the first to tweet the name of the alleged Ukraine whistleblower. His tweets claiming that Dr. Anthony Fauci, the country’s top infectious disease official, “made” the novel coronavirus went viral and helped launch that baseless rumor into the mainstream. And thanks to national reporters like Rion who follow his path of conspiratorial thinking, he even has a line to the White House itself.

But the Rubini account’s claims of insider intel and “high placed” sources appear to be some of its author’s litany of fabrications — which include his online identity. The man behind @GregRubini is Gregorio Palusa, a 61-year-old Italian sound engineer and marketer with no national security or intelligence credentials. His background includes a pattern of unverified claims about his business relationships and expertise, and a brief spell as a groupie for a Pink Floyd tribute band.

Palusa did not respond to multiple emails and phone calls.

The Rubini account first attracted national attention late last year when it tweeted the name of the alleged whistleblower more than 20 times, according to the Washington Post. Since then it’s become a mainstay of far-right conspiracy thinking.

May’s White House briefing was the second time Rion brought one of Rubini’s false claims to prominence. In mid-March, OAN aired an outlandish report from Rion that suggested a link between the novel coronavirus in Wuhan and a lab in North Carolina.

Rion, who has spread conspiracy theories and false information in the past, credited Rubini for the information, describing him as “a citizen investigator and monitored source amongst a certain set in the DC intelligence community.” Rion did not respond to a request for comment.

Rion’s story sparked a firestorm of criticism and caused the Daily Mail to dig into her background, exposing that she had changed her name, made misleading claims about her past, and had little journalism experience.

But her source escaped a similar level of scrutiny. Until now.

The bio of @GregRubini currently describes him as a “Strategy Advisor at /classified/.” It gives no account of who he really is, other than, presumably, that his name actually is Greg Rubini.

But that wasn’t always true. In 2018, the account’s Twitter biography contained a link to the site vertygoteam.com, a site that is registered to Palusa, who commonly goes by “Greg” in online profiles, including one he maintains on Blogger.

Palusa was born on Jan. 4, 1959, in Trieste, a seaport in the northeast of Italy, according to a consulting contract that Palusa signed with an Italian book publisher in 2012. Two former business partners said Palusa had spent years in the US and in London, and spoke English very well.

He was living in Trieste at the end of the 1990s and in the first decade of the 2000s, a former business who requested anonymity told BuzzFeed News. His mother still lives in Trieste, but in a phone call told BuzzFeed News he was no longer living with her. She said she didn’t know where her son currently was and wasn’t sure whether she could get in touch with him.

Around 2010, Palusa moved to Tuscany, listing an address in Pienza, a small town near Siena, and lived there until at least 2015, according to domain registration records. Several music and film festivals held in the Siena area between 2013 and 2018 included Palusa’s name in promotional materials.

An artist from Trieste told BuzzFeed News that he had ended a business partnership relating to several collaborative creative and design projects with Palusa more than a decade ago. The artist said he had not been in contact with Palusa for at least 10 years.

“I never wanted to deal with this person again.”

“He started to have delusions of greatness, claimed to ask millions of dollars from companies, boasted about having assignments with companies with which he had had no relationship,” said the artist, who spoke on condition of anonymity.

He also said Palusa became more difficult to deal with over time, eventually forcing him to hire a lawyer to end their partnership. “I never wanted to deal with this person again,” he said, “because of his growing megalomania that can seriously endanger those who work honestly.”

These days, Palusa claims to be employed in marketing. His LinkedIn profile lists him as the London-based director of international relations of marketing firm Vertygo Team, although on other sites he claimed his title was director of communications.

Palusa has also used “Greg Rubini” as an alias in the past, according to a Facebook post in March 2016 from an Italian book publisher that specializes in books about spirituality, ancient astronauts, and religious history. In the post, the publisher claimed a WordPress blog authored by “Gregorio Palusa aka Greg Rubini on social media” had defamed the publisher by pushing false and “delirious” information, that Palusa had stolen thousands of euros from the company, and had wasted a year of its time after pretending to represent a nonexistent marketing company.

Uno Editori CEO Prabhat Eusebio told BuzzFeed News that Palusa, who lived in Tuscany at the time, had contacted his company in 2012, promising to bring one of its authors to the US. “He claimed to have contacts with large American publishers,” said Eusebio.

“We realized the fraud after a loss of about 6,000 euros,” Eusebio alleged. “He seemed like an expert in publishing, but it all ended up in a soap bubble.”

The Uno Editori CEO claimed that Palusa became increasingly uncompromising as it seemed more clear he was unlikely to deliver on his promises. “After repeated requests to meet, and questions about how things were going in the search for publishers and agents, his position became more and more intransigent — and he blackmailed us when we stopped paying his fee.” Eusebio said Palusa threatened to not return revised texts, and to sue and go after the publisher in public if he wasn’t paid. “He also asked for an exorbitant amount — €137,000 — outside the scope of the contract as compensation for his time, arbitrarily counting hours worked without providing any evidence.”

Eusebio said the company paid some of those fees, but started legal proceedings, after which Palusa created a WordPress blog to attack the company. The publisher said he had to abandon proceedings because it had become too costly.

Palusa also appears to have worked as an audio engineer.

His Blogger profile includes the claim that he worked with Deutsche Grammophon engineer Klaus Hiemann, whom the Rubini account has tweeted about. (Deutsche Grammophon didn’t respond to a request for comment.)

Italian organist Marco Lo Muscio said Palusa was a sound engineer on his 2009 album, Dark and Light. Palusa’s YouTube account showcases musical performances that he claims to have filmed and edited, many of which have to do with the rock band Pink Floyd. At an Italian festival held in Tuscany in 2013, Palusa presented a multimedia exhibition called Pink Floyd: Odyssey in Space in conjunction with a performance by tribute band Pink Noise.

Carmelo J., a member of the band, said they fell out of touch after Palusa began offering the unsolicited feedback about its work.

“Greg Palusa liked us very much as a band, he followed us for a bit,” Carmelo J. told BuzzFeed News in a Facebook message. “Then he disappeared (I don’t remember why, probably some small squabble) and we have no more news of him.”

Asked if he could recall what the argument was about, Carmelo J. replied: “I just remember that at a certain point his stylistic ‘advice’ about us became ‘critical,’ expressed even in an inelegant way.”

Palusa also said he’s worked with several prominent companies, a claim which could not be independently verified.

Many of the companies that Palusa listed on his Blogger profile as having worked with told BuzzFeed News they had never heard of him. He claims to have worked with London marketing agency AKQA, Angels Costumes, Ferrari, Apple, and music label EMI.

The managing director of AKQA, who’s been there for 13 years, told BuzzFeed News that Palusa’s name did not appear in any records and he didn’t recognize him. Angels Costumes of London said the same. A spokesperson for Apple said the company has never employed Palusa and had no record of working with Vertygo Team. EMI did not respond to requests for comment.

Ferrari declined to comment, but Palusa’s claim that he had worked for the company made its way into a 2011 lawsuit filed by the Ford Motor Company against Ferrari. In the suit, filed in Michigan, Ford alleged that Ferrari had infringed on Ford’s F-150 trademark. Ford’s complaint described Palusa’s company, Vertygo Team, as “Ferrari’s outside marketing consultant” and quoted from an article he published on his website about Ferrari’s marketing strategy. The suit was dismissed less than a month later after the parties came to a settlement.

Palusa claims on his LinkedIn profile that his article about Apple’s marketing strategy was being studied by companies including Nokia, Microsoft, Sony, and Goldman Sachs. Backlink data from SEMrush showed the vast majority of links to the post came from spammy online coupon sites.

As @GregRubini, Palusa claims to have sources inside the US government with knowledge of intelligence, judicial, and White House matters. For example, in May of 2019, he said his “well placed source inside the FBI” had seen indictments for former CIA director John Brennan and former FBI director James Comey. Neither has been indicted.

He has also tweeted that people should stop asking him who these supposed insiders are: “my sources are confidential. I always honor my commitment to confidentiality, so: don’t even ask who my sources are.”

He threatened to block anyone who asked about his sources.

“My sources are confidential. I always honor my commitment to confidentiality, so: don’t even ask who my sources are.”

The @GregRubini account was created in 2014, but it took until January of 2019 for it to join the firmament of followers of the QAnon conspiracy theory and supporters of President Donald Trump.

That month, Palusa claimed the Twitter accounts of former presidential candidate Hillary Clinton, former CIA director John Brennan, and former national security adviser Susan Rice had been taken over by military intelligence as part of a supposedly secret prosecution. Core to the QAnon conspiracy is the unfounded idea that these so-called deep state operatives have been or will be arrested and tried for treason and other offenses in secret.

That same month, Palusa claimed Obama’s Twitter account had also been taken over, and that a recent photo shared in a tweet was a signal “to tell us – Patriots – that OUR GUYS have Hussein in custody in Gitmo.” He also said former FBI agents Peter Strzok and Andrew McCabe, and former Department of Justice lawyer Sally Yates were “under prosecution at the Military Tribunals secret trials.”

“My sources told me that at least 80 (possibly up to 140) congressmen will be prosecuted and brought to jail,�� Palusa said.

Amazon

The cover of Rubini’s self-published book.

None of these things happened, of course. But Palusa kept adding new followers. On May 22, he published a book in which he alleges a broad deep state conspiracy against Trump. In its appendix, he includes a screenshot showing that in February of this year his tweets generated 53.8 million views.

His book is filled with references to supposedly high-placed sources, including the false claim that Rion cited in the White House.

In the book, Palusa also offers a document he claims is a memo from the head of the British communications intelligence agency to then–foreign minister Boris Johnson outlining the Trump surveillance operation. Palusa’s attempts to verify the memo and its implications occupy close to half of the book. He writes that the most likely conclusion is the “document is 100% authentic.”

In fact, according to responses from the UK government as well as outlets who examined it, it is a sloppy forgery that doesn’t hold up to the slightest scrutiny.

Palusa also cites a March 2017 claim from Fox News commentator Andrew Napolitano that the UK spied on the Trump campaign at Obama’s request, an allegation that has been widely discredited. When that surfaced, the usually tight-lipped GCHQ called it “nonsense” and “utterly ridiculous.” A spokesperson for then–British prime minister Teresa May said the claim was “ridiculous and should have been ignored.” The US government agreed to not repeat it. Even Donald Trump — the person who benefits most if the claim is true — has declined to repeat it.

But none of that is mentioned in the book. Instead, Palusa writes that three “high placed confidential sources have confirmed to the author of this book, Greg Rubini, that the GCHQ Top Secret document is authentic.” ●

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botanicafagro · 6 years

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Resultados examen Botánica 21 de febrero de 2018

Los exámenes no aprobados se podrán ver el viernes 9 de marzo de 13:00 a 14:00 hs

ABOY BERRUTTI, MATIAS 5 ADDESSO TELIZ, ANTONELLA NATALÍ 5 AGUERRE MENDITEGUY, JUAN ANDRES 0 ALBERTI CHARRIE, VALENTINA NSP ANSOLABEHERE DELGADO, MARTÍN 0 ARMAND PILON PEREYRA, FACUNDO CELMAR NSP ARTIGAS MUSITELLI, CARLOS MARCELO 0 ARROSPIDE ORSI, MAURO 6 ARTUCIO SEVERI, RAFAEL PABLO 5 BACCINO COSTA, DIEGO MARTIN 7 BAEZA NEVES, MARIA LAURA NSP BARRIOS CORDERO, SOFIA DE LOURDES 0 BAUZA GOMEZ, FEDERICO DIEGO 6 BECCARIA LOPEZ, FRANCO ANDRES 0 BETANCOR FARIAS, TOMAS NSP BIDEGAIN DE SOUZA, BAUTISTA NSP BLANCO CHACON, SOFIA 0 BOYRIE REZENDE, MARIA FLORENCIA NSP BURGOS GRAVERT, GONZALO JULIO 0 CABRERA CAMEJO, AGUSTIN 0 CABRERA MARICHAL, JOAQUÌN MATIAS 9 CABRERA TEJERA, LUCIANA NSP CAMEJO BRITOS, RENZO VIRGILIO 0 CAMILETTI MUÑIZ, IVANA SOLEDAD NSP CANOSA LASSO, LUCIA DIANA NSP CARABALLO BARBOZA, NICOLAS AGUSTIN 0 CARRAU DE LOY, JOSEFINA 5 CASTRO NEGRIN, YOEL ALEJANDRO 0 CEJAS RUSO, GERMAN EMANUEL NSP CHARRUTE DÁVILA, EMANUEL AGUSTÍN 0 CHIRUZZO MUSCIO, RODRIGO MARTIN 4 CLAVIJO LARRAÑAGA, MAGDALENA 4 CORNU RODRIGUEZ, SABRINA LUJAN 5 CUEBAS MOREIRA, AGUSTÌN 0 DE LOS SANTOS CAPURRO, JUAN FRANCISCO 0 DECCIA GONZALEZ, LUCAS SANTIAGO NSP DI MARCO SARTORIO, PEDRO VIRGILIO NSP DÍAZ PERDOMO, ALFREDO ISMAEL 0 DUARTE GONZALEZ, ANDY LUCAS 5 ECHEVARRIA URIARTE, JOSE IGNACIO 6 ESQUIVEL BOSCHI, FACUNDO 6 FAGUNDEZ PESCE, MELANIE CINTHIA 0 FELIX ALFONSO, ENRIQUE 4 FELIX ALFONSO, ESTEBAN 0 FELLÓ RIVERO, LUCIANO 6 FERNANDEZ GUERENDIAIN, BRUNO EDUARDO 0 FERREIRO FERNANDEZ, JOAQUÍN 5 FIGUEREDO LEMOS, WILLIAM RODRIGO 9 FORT ZABALA, VALENTIN 4 FROS LOPEZ, FACUNDO NSP GANDARA TARRECH, MARIA BELEN 4 GARCÍA SAINZ-RASINES, TOMÁS 4 GIMENEZ PREDIGER, JORGE LEONARDO NSP GOLDMAN MENDEZ, ELEONORA 0 GÓMEZ MONTELONGO, JUAN MARTÍN 0 GRIECO MACHIÑENA, MAURICIO 3 HERNANDEZ CASTAÑO, BRIAN NICOLAS 0 HERNANDEZ GARCIA, GUSTAVO NICOLAS NSP HERNANDEZ MOREIRA, MONICA VALERIA NSP HILL DIAZ, GERMAN 0 INTROINI OLIVERA, ROBERTO JOAQUIN 0 IRISARRI SIRIO, JUAN MANUEL 7 IRURUETA IGLESIAS, ARANTXAZU 4 ISRAEL WIBMER, ALEC NSP IVALDI VINELLI, GABRIEL HERNAN 0 JORGE ALONZO, VICTORIA MAGDALENA 5 JUNCAL MARTINEZ, SOFÍA BELÉN 7 LAGARMILLA SANCHEZ, PABLO 3 LARZABAL PEREZ, FACUNDO ADRIAN 4 LAVALLEJA SILVA, LETICIA JACQUELINE 0 LAVEGA DE LEÓN, MAICOL ANDRÉS 7 LAXAGA BARDIER, RODRIGO ANDRES 0 LEGUÍSAMO ABU ARAB, NICOLÁS 5 LERGA CÁCERES, GUSTAVO 0 LOPEZ DAVIDE, GONZALO 0 MAGGI ARROSA, JOAQUÍN 0 MALDONADO OBISPO, RAMIRO MANUEL 6 MANRIQUE BARRIOS, GEACOMO FACUNDO 5 MENDEZ COR, VERNICA NSP MENDEZ MOYAL, JOSE PEDRO 8 MONTERO GOMEZ, MARIA SERRANA NSP MORENO GOMEZ, JUAN ANDRES NSP MORENO HERNANDEZ, GONZALO RAMIRO 5 MOSCONE CURBELO, JUAN PABLO NSP MUTAY LUZARDO, VIRGINIA DAIANA 4 NEME RAMIREZ, CESAR GASTON 0 NIETO OLASO, MARCOS NSP OLIVERA GUTIERREZ, GERVASIO ISMAEL 0 ORDOÑEZ MAY, JUAN MANUEL 4 OTERO LUENGO, JOSE IGNACIO 0 PATRONE BOVE, VALENTINA NSP PEREYRA ZULUAGA FACET, GUILLERMO 0 PEREZ PERDOMO, AGUSTIN EMILIO NSP PEREZ VALVERDE, IGNACIO MARTIN 5 PINTOS ELSO, MARIA EMILIA 0 PIZZORNO RIZZO, SEBASTIAN 4 RODRIGUEZ ARAMBURU, BRUNO SANTIAGO 5 RODRIGUEZ BASTERECHE, KATHERINE ELIZABET NSP RODRIGUEZ CABRERA, DIEGO MARTIN 0 RODRIGUEZ CASTELLO, ERNESTO CAMILO 0 RODRIGUEZ CUÑA, MARTIN ALEJANDRO 4 RODRIGUEZ GONZALEZ, ANA KAREN NSP RODRIGUEZ RODRIGUEZ, CRISTIAN FACUNDO 0 RODRÍGUEZ VENTURELLI, MAICOL JONATAN 0 SANCHEZ MENESES, DIEGO FRANCISCO 4 SANTANA SUAREZ, PAULA VALERIA NSP SCARZELLA TESTA, NATALIA 5 SCHIO PETER, GIANFRANCO 5 SENDIC BORDONE, RAUL IGNACIO 3 SIVORI DE LOS SANTOS, BRUNO ISMAEL 0 SORONDO AGUILERA, FEDERICO NSP SOSA BRITOS, ANDRES FABIAN 0 VALDEZ BANDERA, PIO DANILO 0 VAZQUEZ CASAGNOLES, ANDRES MARCELO 5 VELA KIDD, MARIA PAZ 5 VERA FITIPALDI, AXEL 0 VERA SOTO, VICTOR SAMUEL 0 WALIKOWSKI PEREYRA, BRUNO LAUTARO 6 YANES CONDE, JUAN PABLO 4 ZULUAGA HERKEN, MAURICIO 4

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clamarcap · 6 months

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Una salda fortezza - II

Michael Praetorius (1571 - 1621): Ein feste Burg ist unser Gott, fantasia-corale. Ullrich Böhme, organo. Dietrich Buxtehude (1637 - 1707): Ein feste Burg ist unser Gott, preludio-corale BuxWV 184. Eric Lebrun, organo. Johann Pachelbel (1653 - 1706): Fughetta sopra Ein feste Burg ist unser Gott. Jens Engel, organo. Johann Nicolaus Hanff (1665 - 1712): Ein feste Burg ist unser Gott. Gerard van…

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lesser-known-composers · 7 years

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Johann Caspar Ferdinand Fischer: Prelude and Fugue IX in F Minor From "Ariadne Musica" 1702 Marco Lo Muscio: Organ Hauptwerk System (Laurenskerk, Rotterdam) Recorded: February 7 2017

#Johann Caspar Ferdinand Fischer

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paoloxl · 7 years

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(via 14 maggio 1977: Milano, una sparatoria "tranquilla")

Milano, 12 maggio 1977; mentre a Roma le forze speciali infiltrate di Kossiga sparano ai manifestanti di Piazza Navona e uccidono Giorgiana Masi, il sostituto procuratore della Repupplica Luigi De Liguori ordina l'arresto di alcune persone, tra le quali due noti avvocati di Soccorso Rosso, Giovanni (Nanni) Cappelli e Sergio Spazzali. L'imputazione più grave nei loro confronti è quella di promozione di associazione sovversiva. I gruppi della sinistra extraparlamentare e i collettivi dell'area dell'autonomia indicono per il pomeriggio del 14 maggio una manifestazione contro la repressione.

La mattina del 14 maggio i quattro referenti dei servizi d'ordine delle diverse anime dell'Autonomia milanese si riuniscono alla Statale per valutare le azioni di piazza. Ci sono Pietro Mancini (Piero), Raffaele Ventura (Coz) e Maurizio Gibertini (Gibo) per il gruppo che si riuniva intorno alla rivista "Rosso", Oreste Scalzone per i gruppi vicini a Potere Operaio, Andrea Bellini per il "Casoretto" e infine una delegazione del partito marxista-leninista. Si decide per un corteo duro, che ad un certo punto si stacchi dai gruppi della sinistra extraparlamentare (Democrazia Proletaria in testa) per proseguire intorno al carcere di San Vittore e portare la solidarietà agli avvocati arrestati due giorni prima. Un corteo "duro", questo si, ma che non preordina in alcun modo uno scontro a fuoco con la polizia, né alcuna altra provocazione. Niente molotov, né spranghe, né fionde e neanche sassi, niente di niente. Ai primi disordini si abbandona il corteo, l'accordo è questo.

La sera prima però, anche la componente armata del collettivo Romana-Vittoria, composta da Marco Barbone, Enrico Pasini Gatti, Giuseppe Memeo, Marco Ferrandi, Luca Colombo e Giancarlo De Silvestri si riunisce per definire il piano per la manifestazione del giorno successivo. Bisogna provocare la polizia nei pressi di San Vittore, sciogliere il corteo per poi ricomporlo nella zona di Porta Genova, da presidiare militarmente il più a lungo possibile. Il Romana-Vittoria aprirà il corteo.

Il corteo parte alle 16,45 da piazza Santo Stefano, i partecipanti sono più di 10.000. All'incrocio via San Vittore-Via Olona lo spezzone dell'autonomia, composto da circa 1000 manifestanti, abbandona il troncone principale come previsto. Cominciano subito gli slogan: "Da San Vittore all'Ucciardone, un solo grido: evasione", "Carabiniere, sbirro maledetto, te l'accendiamo noi la fiamma sul berretto".

Ad un certo punto la colonna di polizia (fino a quel momento tenutasi molto distante dal corteo) del III° reparto Celere si schiera in assetto di ordine pubblico (un cordone di scudi e un secondo con i lancia-lacrimogeni) all'angolo tra via Olona e via De Amicis. Dopo un breve consulto, la squadra armata di Romana-Vittoria decide per l'attacco, e forza facilmente i cordoni di contenimento capeggiati da Bellini e Scalzone, accortisi di quanto stava per accadere.

S'alza un grido secco: "Romana fuori!" seguito da un successivo: "Sparare!". Nel giro di un solo minuto Ferrandi, Memeo, Barbone, Pasini Gatti, De Silvestri e Colombo, accostati da alcuni studenti del Cattaneo armati di molotov, dal collettivo di Viale Puglie e dal collettivo Barona ingaggiano un violento scontro a fuoco con le forze dell'ordine, durante il quale rimane ferito a morte il vicebrigadiere Custra. Altri due agenti vengono lievemente feriti, mentre un passante, Marzio Golinelli, perde un occhio e un'altra passante, Patrizia Roveri, viene ferita in maniera non grave al capo.

Via De Amicis è oscurata dal fumo dei lacrimogeni, delle molotov e della carcassa del filobus 96 dato alle fiamme. Tutti coloro che si erano inoltrati nella strada raggiungono di corsa via Carducci dove alcuni manifestanti stanno improvvisando una barricata con del materiale edile di un cantiere.

La sera del 14 nell'abitazione di Colombo si riuniscono alcuni dirigenti di Rosso a confronto con Ferrandi, Barbone, Memeo, Pasini Gatti, Colombo e De Silvestri. La notizia che l'agente Custra è clinicamente morto è stata diffusa radiogiornali e dai telegiornali. I dirigenti di Rosso si rendono disponibili a fornire soldi e documenti falsi per il prudenziale allontanamento di Pasini Gatti, Ferrandi e di tre studenti del Cattaneo. Ne nasce poi un violento diverbio tra Mancini, molto critico rispetto all'azione della Romana-Vittoria, e Alunni, che invece ne prende la difesa. In seguito a questo e ad altri personali contrasti, nel mese di luglio Alunni, Marocco, Ricciardi, Barbone, Colombo, De Silvestri daranno vita, con altri e altre militanti, alle Formazioni Comuniste Combattenti. In seguito, Ferrandi aderirà a Prima Linea; Memeo ai Proletari armati per il comunismo; Pasini Gatti alla Brigata Antonio Lo Muscio.

Durante il processo per i fatti del 14 maggio, gli imputati Ferrandi, Barbone e Pasini Gatti si presenteranno col profilo, già assunto al momento dell'arresto, dei cosiddetti "pentiti".

Pubblichiamo di seguito alcune fotografie del 14 maggio 1977 recentemente riscoperte nel volume "Storia di una foto" a cura di Sergio Bianchi, edito per Derive Approdi.

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