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cinematicjourney · 9 months

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Tár (2022) | dir. Todd Field

#tár #todd field #cate blanchett #nina hoss #noémie merlant #sophie kauer #mila bogojevic #films #movies #cinematography #screencaps

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scenesandscreens · 1 year

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Tár (2022)

Director - Todd Field, Cinematography - Florian Hoffmeister

"It is always the question that involves the listener, it's never the answer."

#scenesandscreens #Tár #todd field #florian hoffmeister #cate blanchett #nina hoss #noémie merlant #sophie kauer #julian glover #allan corduner #mark strong #sylvia flote #adam gopnik #mila bogojevic #Zethphan Smith-Gneist #sydney lemmon

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genevieveetguy · 1 year

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Don't be so eager to be offended. The narcissism of small differences leads to the most boring kind of conformity.

Tár, Todd Field (2022)

#Todd Field #Cate Blanchett #Noémie Merlant #Nina Hoss #Sophie Kauer #Mark Strong #Zethphan D. Smith Gneist #Mila Bogojevic #Allan Corduner #Julian Glover #Lydia Schamschula #Florian Hoffmeister #Hildur Guðnadóttir #Monika Willi #2022

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laserpinksteam · 1 year

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Film after film: Tár (dir. Todd Field, 2022)

A 2022 award juggernaut, mostly in the lead actor/actress and cinematography, Tár situates Blanchett's immersive performance within the elliptic storyline that fascinatingly skips through the elements that propel the protagonist's dramatic arc, leading to her career's demise, yet stops at those that are revealing of her character otherwise. It doesn't matter what she did or didn't in relationship to her students and co-workers. What we receive is an insight into how her privilege, talent, egocentricity, and scorn for others are performative. As is the case of Field's previous two films, Tár is not easy to like, as it operates through emotional distance. Likewise, it will most probably grow on me. While Hoss and Kauer are great, Smith-Gneist's tortured student and Bogojevic's daughter are standouts.

#tar #filmafterfilm #todd field #cate blanchett #nina hoss #Sophie Kauer #Zethphan Smith-Gneist #Mila Bogojevic #Julian Glover

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letterboxd-loggd · 1 year

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TÁR (2022) Todd Field

February 11th 2023

#tar #2022 #todd field #cate blanchett #nina hoss #noemie merlant #sophie kauer #mila bogojevic #allan corduner #julian glover #mark strong

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fourorfivemovements · 1 year

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Films Watched in 2022:

108. TÁR (2022) - Dir. Todd Field

#TÁR #Todd Field #Cate Blanchett #Nina Ross #Noémie Merlant #Sophie Kauer #Mark Strong #Mila Bogojevic #Allan Corduner #Julian Glover #Sylvia Flote #Fabian Dirr #Vincent Riotta #Sam Douglas #Films Watched in 2022 #My Post

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milliondollarbaby87 · 1 year

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Tár (2022) Review

Lydia Tár is widely considered to be one of the greatest living composer-conductors in the world and the first female principal music director of the Berlin Philharmonic. She was at the top of her game and had a big performance coming up, although accusations and revelations could see her downfall. ⭐️⭐️⭐️⭐️ (more…) “”

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bob-the-movie-man-film-reviews · 1 year

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Tár (15): A Maestro conducting herself poorly.

#onemannsmovies review of "Tár" (2023). #tarmovie. A deep and mystical classical drama with an Oscar-worthy Cate Blanchett. 4/5.

A One Mann’s Movies review of “Tár” (2023). With Cate Blanchett having already won the Golden Globe and Critics Choice Awards for Best Actress, there’s no doubt that her performance in Tár is odds-on favourite to pick up both the BAFTA and the Oscar. But Todd Field’s movie goes well beyond just this one performance, and is a fascinating piece of work in its own right. Bob the Movie Man…

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rookie-critic · 1 year

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Tár (2022, dir. Todd Field) - review by Rookie-Critic

Tár sees Cate Blanchett at what is, in this reviewer's opinion, a career best. Her performance as the titular composer/conductor Lydia Tár is quite phenomenal, even if the film itself tends to get bogged down under the weight of its own philosophical musings at times. A conductor on the cusp of achieving her career-spanning attempt to play and live record all 10 of composer Gustav Mahler's symphonies. Tár is clearly well-versed and incredibly well-respected in her field, and a lot of the movie is taken up by the character's musical psuedo-monologues and conversations had with colleagues and friends, but, of course, things aren't as rosy as they seem, and before long pieces of the veneer start to chip away. In a lot of respects I truly applaud this movie for tackling the question of "should the art be separated from the artist? Should the work, or the career, bear the repercussions of the individual's actions, wrongdoings, or moral failings, or should the art be considered away from those repercussions, and be allowed to be judged on its own merits? Can it be?" It's a question that I feel gets discussed a lot by artists and people the world over all the time, but rarely is it discussed within the art itself. It's a question I have even been on both sides of at one point in time or another. In regards to if the film succeeds in presenting this question, I'd say the answer is a resounding yes.

Field doesn't really tell the audience how they should feel (although I think his stance is fairly clear), but rather presents the story in as calculated a way as possible as to let the audience take in the story and leave the theater deliberating, fully able to come to their own conclusions based on what they had just seen. However, as I stated at the beginning of the review, the movie tends to lean heavily into waxing poetic on its topic, which would be welcome once, twice, or even a handful of times, but it is almost literally what accounts for the film's 2 hour and 28 minute runtime. This length was not entirely necessary and I feel like a lot of the scenes of rambling could have been cut down. On another note, there were a couple of things the film was getting at that I don't feel it fully delivered on. Strings were tugged, but not fully unraveled, and you leave the theater thinking about what those moments were trying to say, or if they should have done more to say it, or if they even should have been included at all. The film is good, great even, but it did have a few cracks in the armor. Blanchett's leading performance and the film's story, which plays out wonderfully and presents the film's central question well, are the big draws for this one.

Score: 8/10

Currently available to rent or purchase on digital (iTunes, Amazon, Vudu, etc.) and on DVD, Blu-ray, and 4K through Focus Features/Universal Studios.

#Tár #Tar #Todd Field #Cate Blanchett #Nina Hoss #Noémi Merlant #Sophie Kauer #Mark Strong #Julian Glover #Allan Corduner #Sylvia Flote #Mila Bogojevic #film review #movie review #2022 films

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jmunneytumbler · 2 years

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'TÁR' Pulls You Down the Rabbit Hole of Egomania

Covered in TÁR (CREDIT: Courtesy of Focus Features) Starring: Cate Blanchett, Noémie Merlant, Nina Hoss, Sophie Kauer, Julian Glover, Allan Corduner, Mila Bogojevic, Mark Strong Director: Todd Field Running Time: 157 Minutes Rating: R for A Few Swears and Some Weird Incidental Nudity Release Date: November 7, 2022 (Theaters) What’s It About?: Lydia Tár is one of the greatest living conductors.…

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#Allan Corduner #Cate Blanchett #Julian Glover #Mark Strong #Mila Bogojevic #Nina Hoss #Noémie Merlant #Sophie Kauer #TÁR #Todd Field

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popentertainment-moviereviews · 2 years

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TÁR (2022)

Starring Cate Blanchett, Noémie Merlant, Nina Hoss, Sophie Kauer, Julian Glover, Allan Corduner, Mark Strong, Sylvia Flote, Adam Gopnik, Zethphan Smith-Gneist, Mila Bogojevic, Marc-Martin Straub, Egon Brandstetter, Ylva Pollak, Natalie Ponudic, Sydney Lemmon, Nicolas Hopchet, Kitty Watson, Jessica Hansen, Mila Bogojevic, Alma Löhr and Alec Baldwin.

Screenplay by Todd Field.

Directed by Todd Field.

Distributed by Focus Features. 158 minutes. Rated R.

Amongst many other mysteries, TÁR answers the very basic filmgoing question: Whatever happened to Todd Field?

In the 1980s and 1990s, Field was best known as a character actor, gaining a certain amount of fame and recognition for playing supporting roles in the likes of Radio Days, Fat Man and Little Boy, Gross Anatomy, Twister, Walking and Talking and Eyes Wide Shut.

However, in 2001, he created a major splash releasing his first feature film as a writer and director. (He had made several shorts previously.) In The Bedroom was a fairly large hit and a critical favorite, eventually earning five Oscar nominations: Best Picture, Best Actor (Tom Wilkinson), Best Actress (Sissy Spacek), Best Supporting Actress (Marisa Tomei), and Best Adapted Screenplay (it was based on the Andre Dubus short story “Killings”).

Then, in 2006 he released his follow-up film. Little Children – based on the dark Tom Perrotta novel of the same name – was also a popular and critical success, this time garnering three Oscar Nominations, including Best Actress (Kate Winslet) and Best Supporting Actor (Jackie Earle Haley).

And then, nothing. No follow up films. He didn’t even go back to his former day job of acting – post-In the Bedroom, Field has only done two voiceover guest performances on the animated TV series Aqua Teen Hunger Force in 2002 and 2003.

Well, not nothing, exactly. Apparently over the years Field has been extremely busy trying to create several projects for film and television, all of which were interesting attempts that came close but never quite were produced.

Recently, Field told The New York Times, “I set my sights in a very particular way on certain material that was probably very tough to get made.” Of course, neither In the Bedroom and Little Children were exactly light Hollywood entertainment either, and those made it to the theaters.

Now, 16 years down the line, Field has finally released his follow-up to Little Children. And to be honest, TÁR is hardly a safe commercial bet, either – a two-hour-and-40-minute film about the personal, professional and mental state of a prickly classical music conductor. (Unlike his two previous films, TÁR is not an adaptation, it is based on an original story idea by Field.)

Field wrote the film with actress Cate Blanchett very specifically in mind for the lead. In another recent interview, Field said flatly that had she turned down the role, this script would also never have been made.

But it has been made. So now the big question: Was it worth the wait?

Mostly.

TÁR is a fascinating character study and the look at the fall from grace of a very flawed protagonist. It’s very well put together. It takes a smart look at a world that is not often explored. It also figures out an intriguingly different look at a current hot-button topic – the #MeToo movement – which turns some of the preconceptions we have on the subject on their head. It has some spectacular acting and an intriguingly off-kilter plot structure, with some offbeat editing choices.

Honestly, though, a good half-hour to 45 minutes of this stuff could have been cut out.

Still, it’s not often enough these days that you get a truly challenging and original film, so I’m glad TÁR is out there. And I’m glad that Todd Field is back in the director’s chair, where it seems he belongs. Hopefully his next film will be even better – and much less long-delayed.

Jay S. Jacobs

#Tár #2022 #Movie Reviews #Cate Blanchett #Todd Field #Jay S. Jacobs

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cinematicjourney · 1 year

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