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iatheia · 3 years

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EDA reviews Part 6 - books 47-55

Previous part 1, 2, 3, 4 & 5

47) The Slow Empire - Uh, couldn't really follow this one at all. There are books when the first person narration works, but not here - too many jumps in setting, too little connective tissue, most of it told from the POV of a person who is barely connected to the protagonists? And that's even before they started repeating chunks of text wholesale between various parts - and I couldn't figure out if it was intended, or if it is the ebook was acting out on me. More than half way through the book, I still couldn't entirely tell what the story is supposed to be about, or if the plot has even started yet. Even having finished it, I find myself somewhat aghast. There are a few glimpses of something interesting, but for the life of me, I can't figure out what. 4/10

48) Dark Progeny - Also not really feeling it. It's not a bad story, but I do rather prefer a Doctor Who story to actually feature the Doctor and the companions front and center, whether they are POV characters or not. Here, though, they are barely in it - it's even more egregious than the previous one in actually giving the supposed protagonists stuff to do, and even on rare occasions we do switch back to them, it is all pretty generic. Anji developing telepathic abilities and the Doctor trying to calm her down all the while Fitz is freaking out in the background? Yes, please, more of that. Following around 20 interchangeable OCs that have nothing to do with the trio? No thank you. 6/10.

49) The City of the Dead - If you are invoking magic in a sci-fi universe, you need to be able to handwave it. It doesn't need to be awfully complex, "something something aliens, something something energy" is usually enough, but without it, you can't just throw magic about willy nilly. There are rules.

There are moments when it is a beautiful story, evoking a lot of dream-like wonder, and if it managed to remain a hazy dream, it probably would have been better for it. At the same time there is something very uncomfortably cynical about it, to the degree it left a bad taste in my mouth. There is a narrow line between not shying away from the ugliness of the world and deliberately making something ugly just for the sake of it, and often it felt like it was leaning towards the latter. Dunno, I started out wanting to like it, and feeling rather conflicted about it, but by the end became utterly indifferent. 7/10

50) Grimm Reality - Pure crack. Mind Robber wishes it could be as hilarious and off the wall as this story is. It throws every cliche fairy tale narrative device in the book at the characters and expects them to take it with the straight face, all the while realizing that the rules of the world are completely bonkers. And it manages to sustain this energy throughout, which is a no small feat. It's actually pretty exhausting by the end of it. Fairy tales stories do not belong to a lengthy literary genre, and even taking time deconstructing them, at 95K words becomes it becomes just too much - figuratively, and, on occasion, literally. Still, pretty great, I wish more books had its energy 9/10.

51) The Adventuress of Henrietta Street - *sigh*. My expectations were pretty low to begin with, and I still am somehow disappointed. Credit where credit's due - it is probably most coherent of the books from Miles. And at least it's better than Interference. That's really not saying much, though.

Honestly, if you've read any story about prostitutes, murder, satanic sex rituals bordering on blatant pornography, eastern culture and "mysticism of female sex" used for fetish fuel, written by a dude who clearly gets off on all of this - you've read all of them. There is really nothing revolutionary or compelling about it. On the list of "plots I never want to see in Doctor Who", they are definitely up there. And the Doctor is dying again, because it wouldn't be Miles's book without it. And he's, uh... living in a brothel, trying to marry someone, in order to, uh..... ritualistically tie himself to Earth, for, reasons? Did I read that right? After over 100 years of living on Earth and wanting to do nothing else than seeing the back of it, right. And writing books not quite about sex but definitely about sex. Because that's the thing the Doctor apparently does now. Self insert what self insert. And Fitz and Anji are just... there. On an occasion. All of it exposed on in a dull faux academic style without a shred of characterization, all the while absolutely nothing of note is happening, despite being a singularly longest EDA.

Just, if you hate the characters so much. If you don't understand what makes them tick to this degree. If you don't even care to learn. If you consider any established emotions they should have about the plot you are putting them through beneath you. Why are you writing in a shared universe to begin with? 2/10

(I did have an unintentional moment of hilarity with it, though. There is a character that is referred to as Lord ______, as if his name is censored. TTS would always pronounce it as Lord Underbarunderbarunderbar. Always gave me a chuckle).

52) Mad Dogs and Englishmen - A hilarious story, a very easy read, flowing from scene to scene. There are several occasions of fridge horror treated with levity that I would have rather have avoided. Plus, it is as incestuous as a book about books can get, and yet.... It is just absurd enough to work.

Plus, the whole, “His books are full of black magic, mind control...and perversion - moral and ethical and sexual. He is polluting the atmosphere of our group”, “What’s next? Rewrite War and Peace so it’s about guinea pigs?” - Oh, the shade. It is a good book in its own right, but just for this alone, 10/10

53) Hope - It's a pretty average book. Not outstanding, not horrible. Would have made a decent episode, all things considered, in a bread and butter sort of way. It does have some great ideas - the refuge of humanity, the conflict between Anji and the Doctor finally coming to light - not quite the type of conflict I was hoping for, though. If only it had a bit more nuisance, without neatly delineated black and white, if the antagonist didn't end up being a mustache twirling villain, if the Doctor didn't end up strong-arming everyone in a much more macho manner than he normally goes for (with a rather clunky dialogue). It had potential, even if it didn't end up being realized in full. 8/10

54) Anachrophobia - Very meh. The set up was fairly contrived, it never made me care about any of the characters, including whatever the hell the Doctor and co were doing, not to mention any of the secondary characters. Not terribly engaging, after a point I was mostly flipping through it. There is some big conflict brought up at 95% mark, and it is resolved in just couple of pages via a deus ex machina and a paradox. Overall, I might have said that I would have liked it better if I was in a mood for existential horror, but I took a break in the middle to listen to the Lease of Life - and it actually touches upon several similar themes, but with and outstanding character drama and much more graceful execution, which made this book look even more poor in comparison. 5/10

55) Trading Futures - I will give the author all the points for keeping an eye on the future. Perhaps, in 2002, predicting tablets being used as menus in fancy restaurants wasn’t that big of a reach, but I absolutely had a spit take when TTS has read to me something about “eye-phones”. There are some modestly clever moments throughout the book. Too bad that the rest of it is a complete rubbish. Not terribly original, either - a lot of ideas are copied directly from other books and other franchises. Reasonably entertaining, all things considered, but in a much more slapstick sort of way than was probably intended. 7/10

Overall impressions so far - This batch is, for the most part, fine. Some stories are worst than others, some better. With one exception, nothing horrendous, but nothing to write home about, either. They are, for the most part, serviceable. Individually, they have decent enough plots. But. There is very little character work. They can generally be read in any order, or dropped entirely, and you wouldn’t miss anything. The Doctor is mostly coasting from the excellent streak in the last batch, always in a spot light. I am starting to tire of the whole amnesia arc, though - it was good, but it ran its course, and at this point, with everything functionally back to norm, with barely a stray mention of it here and there, we are starting to be overdue for some semblance of resolution of all that. Henrietta Street is entirely a step in the wrong direction - not only it does nothing worthwhile for the characters, it’s just getting unnecessarily further into the weedworks, adding yet another plot thread that is forced on other writers to carry (they mention it occasionally, but it’s not like there is much to build upon) - rather viciously reminding of the previous mess of an ark “don’t you dare to think that it is over”. And I am so over it. Just, move on.

The companions fare rather worse. They are decent enough, they participate in action, in each book, they are mostly staying in character, with a handful of neat moments here and there (in a blink and you’ll miss it sort of way, though), they aren’t written off as an unnecessary burden to carry, which is an improvement. There is nothing meaty given to them though - they ask the necessary questions, do the things required of them, and generally stay out of the way when they are not needed. I guess Anji has at least some character driven moments, even though most of them are reduced to “I miss my dead boyfriend”. Which is... fine, we’ve all lost people, we all mourn them in our own way, but it has been 14 books since her introduction, and she is leaving in another 10. To have her character reduced to just that bit from her first book, with barely anything else to offer.... Plus, all the while, she rarely felt like she integrated into the team - because she is constantly eying her exit and returning to normality (even though she always decides to stay just a little while longer due to circumstances), it’s like from the very beginning she had one foot out of the door.

But while Anji is a bit of a one trick pony, at least she has that much. Poor Fitz gets absolutely nothing to do. The last meaningful book that addressed his character in any way was all the way back around book #42-43, and even that was just catching up on plot after his prolonged absence. He’s been essentially frozen since early 30s books. He is generally a fun character to have around, and does good supporting work, but can he please get something more impactful any time soon? Heck, by this point I’ll even take the recurrence of “finding a new love interest number 20 who will inevitably die by the end of the book” - it has been overdone, and it is certainly not a very exciting plot, not to mention reductive, but at least it’d be something. Though, I guess only one companion is allowed to carry that staple at the time, and right now Anji is it, two dead lovers is just an overkill.

And it is an absolute shame - especially when considering that on the other side, Big Finish was in the middle of streak of some of the best stories. Over the same time that these novels were published, we had audios such as Project Twilight, Eye of the Scorpion, Colditz, One Doctor, Chimes of Midnight, Seasons of Fear, which were full of character.

#doctor who #eighth doctor #eighth doctor adventures #eda

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loopy777 · 3 years

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Return of the Jedi is often looked upon as the weakest of the original trilogy. If you share that opinion, what do you think would have improved it? Aside from the Ewok thing, I think they could have gone with a different climax that doesn’t involve a second Death Star (maybe an old timey ship-to-ship style battle with the Executor but in space?)

Yeah, having another Death Star is definitely a bit tired. I appreciate that it came with a bunch of different visuals thanks to its half-finished nature, destroying it didn't involve another trench run, and it allowed for the biggest and most technically accomplished space action of the entire series (they did that all with real models and compositing! CGI may look nice, but it's easy), but having another super-weapon -- never mind the exact same thing as the first movie -- feels lazy.

In the early drafts, the creative team had been toying with something involving the Imperial Capital, but the action never really went beyond Death Star-esque space stations and a forest moon. I think something could have been done with the capital planet itself, but that would have required more budget than George Lucas wanted to spend, and his vision possibly wasn't even technically possible at the time.

Also, I do agree that that Ewoks are perhaps a little too kid-friendly. I think the theme works, with the 'primitives' defeating the more technological Empire, and I even think it was implemented in a believable manner. But the whole 'teddy bear picnic' look of it (as Carrie Fisher called it) was probably too much for the aging primary audience, never mind the adult fans, and there didn't need to be so much silliness and comedy with them. It's the same thing that sunk Jar-Jar and the Gungans in Phantom Menace- cute bumbling critters are fine, but then the audience isn't really going to warm to them winning a war. I don't mean that the fight needs to be all gritty and violent, but leaving the slapstick to just Wicket and letting the other Ewoks looks like experienced guerillas would have probably accomplished a lot in endearing the idea to the audience.

More than the teddy bears, though, I think the look of Endor's moon itself doesn't meet Star Wars standards. It's just a forest, the same thing you can see in any low-budget fantasy movie. Sure, there are a few more redwoods in RotJ than in LotR Knockoff #47, but it's still a step down from what came before. Tatooine was probably the most boring-looking planet before that, in terms of environment, but the sci-fi civilization built on the desert made it interesting. Endor's moon is just a forest and the Ewok treehouses. There's no wow-factor, especially after ESB upped the game from the first movie.

Overall, though, I think the main problem with RotJ is one that isn't really visible on the screen. It's the primary culprit behind the lack of enthusiasm people feel for the movie, IMO.

I'm talking, of course, about the pacing.

The first part of the movie, the rescue of Han from Jabba, feels like a stand-alone adventure more appropriate to an episode of a TV series. It has nothing to do with the conflict with the Empire, and has this slow rollout of the cast that definitely feels like it's reintroducing the audience to them, an odd choice for the last movie in a trilogy. Nothing is accomplished by it except reestablishing the status quo, getting the whole cast ready to return to the real story. It's the most visually impressive location in the movie, with the rancor and all the alien costumes, but in the end Luke just fights his way through it. Throwing Luke and company into something a bit more involved, like if Jabba was meeting with another crime lord and Luke played them off against each other or something, would be a bit more engaging. But that would still leave this section of the movie feeling separate from everything else. I'm not sure how to solve that, as it is a bit of business leftover from ESB that has to be tided up in some way, and it's a good example of why playing things by ear can be really hard even for people who are good at it.

The next major problem with the pacing comes on Endor's moon, when Luke and company spend so much time meeting the Ewoks. I don't think it's a long time in actual count of minutes, but it's a slow bit that's probably more drawn out than it needs to be. The original Star Wars was a location-hopping adventure with wonderfully-paced forward momentum buoyed by some fun moments of natural downtime. ESB was a chase sequence spiced up with the ramping romance between Han and Leia, with Luke's powering up and exploration of the Force inter-spaced, culminating in the heroes suffering major dramatic defeats. But RotJ starts with a side-quest, then Luke gets the truth about Vader in a good scene that's still just people sitting around and talking, and after a speeder bike chase (that again is probably too long) the heroes take their time becoming friends with Ewoks in a forest. Star Wars was exhilarating before this, and now it's laboring to the finish line while dithering to clean up its own subplots.

(Note: I do NOT advocate avoiding the due diligence of cleaning up subplots in order to try to maintain a propulsive plot, and the final movie certainly isn't the place to be throwing new subplots in. That's how you get Rise Of Skywalker, and no one wants that.)

When the big finale starts, with Luke confronting Vader and then the Battle of Endor kicking off, the pacing finally gets back on track, IMO. George Lucas knows how to edit together an action sequence, if nothing else, and knows when to cut back to the slower but more emotionally meaty Luke-stuff with the Emperor.

However, I do think the parts with Han and Leia can come across as a little rote, since their action isn't really tied to any story or character arc for them. It's functional enough with them both leading the rebellion, but there's nothing particularly dramatic about it for them, and they're just busting one small bunker, compared to Lando taking on the big examples of Imperial might, the Death Star and the Executor Super Star Destroyer. Han and Leia don't even get to fight one of the big walkers, they just fight the smaller chicken-walkers! And I think Lando's role does feel more like part of his character arc, with him being a respectable leader for the good guys in a nice uniform, and using his cleverness to keep the fleet alive long enough to assault the Death Star.

But, strangely, the moment in the whole Endor battle that feels the most like a culmination is when the Executor Super Star Destroyer is destroyed, and none of the main characters are even involved in that! Sure, blowing up another Death Star is fine, but we've already done it. No one has blown up a Super Star Destroyer before, and that got built up through the whole previous movie.

Fortunately, everything about Luke's big climax with Vader and the Emperor is functionally perfect, and that's the part that people were most interested in, so I don't think that RotJ really stumbles at the end. It succeeds and does deliver a lot of what people had come to like about Star Wars. It just doesn't do it as intensely or smoothly as the previous efforts, so it feels weaker.

So if I were to try to create a 'stronger' RotJ, I'd probably shave the Han Rescue down to a quick action-packed prologue, do the Vader=Father explanation for Luke as a mix of Obi-Wan's explanation with a trippy Force Vision Quest with some interesting visuals, then have the Rebellion assault the Imperial capital in a mix of space and ground battle. I'd get rid of the whole concept of the forest setting and the spear-wielding primitives, since that's the same metaphor as the Empire and Rebellion, anyway. I'd also make the Rebellion fleet smaller and more desperate, connecting it clearly to the losses from the previous movie, and the attack on the capital is some kind of desperate last ploy, motivated by some kind of time limit. Luke still confronts Vader and the Emperor alone. For Han and Leia, I wonder if -- instead of simply having them fight -- they could maybe rally some downtrodden local citizenry to help take down or turn off some big Imperial Plot Thingy, giving them a chance to show leadership and unite the Rebellion with the people it's been fighting for, or something like that. Han could even tell the locals about the Force, something they've never heard of, living on the capital. And Leia gives them the chance at freedom.

Hm, perhaps the first assault against the Imperial Palace fails at first, with a bunch of Rebels dying but Leia and Han escaping, leaving Lando and company stranded in space with the baddies? Then Leia and Han need to find an alternate way to accomplish the goal, giving the 'meet the locals' sequence a bit more intensity and a time limit, but still serving as a bit of downtime between actiony bits. Or the final half of the movie could be all action, with the relative downtime being Luke's part with the Emperor and Vader in the palace. (This is the kind of thing decided in the editing room.) Then the Rebel assault can be continuous, and about to lose when Han and Leia show up with reinforcements. Movie audiences love that. They turn off the Imperial Plot Thingy. Then Lando lands the decisive blow on the Executor, which crashes into the Imperial Palace just after Luke escapes in the wake of Vader's death.

Anyway, that's all off the top of my head. But you see where I'm going with this. Keep it moving, keep it intense, keep it new and interesting, don't get too hung up on the Vietnam War metaphor that inspired certain themes, and try to put more characters arcs into things so that Harrison Ford doesn't spend the next 30 years talking about how much he wanted his character to die.

Maybe we can have a village of Ewoks living in the capital sewers, along with other Downtroddens. There's no reason not to have any teddy bears.

Star Wars is supposed to be fun, too. And a little silly.

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roswelldetails · 4 years

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Episode 2x04 - What if God Was One of Us

EPISODE SUMMARY:

AN ACT OF GOD — On the verge of a breakthrough in her quest to save Max (Nathan Dean), Liz (Jeanine Mason) turns to Kyle (Michael Trevino) for one last favor that could potentially land him in hot water. Meanwhile, Michael (Michael Vlamis) and Alex’s (Tyler Blackburn) investigation into Nora (guest star Kayla Ewell) leads them to a farm, where they meet a historian named Forrest (guest star Christian Antidormi). Elsewhere, Cameron (guest star Riley Voelkel) confronts Jesse Manes (Trevor St. John) about her sister’s whereabouts, and Isobel (Lily Cowles) uses her powers for good. Amber Midthunder also stars. Shiri Appleby directed the episode written by Steve Stringer & Christopher Hollier (#204). Original airdate 4/6/2020.

DETAILS:

Roy said that he took veterinary training, which is how he was able to help with Louise and Nora's injuries.

"How come it feels like you don't know what I'm saying, but you know what I'm thinking?"

Roy moved the truck (with the pods in it?) to the livery.

"Boss's wife won't let him blame the drought on God so that honor goes to his foreman -- that's me."

Kyle on The Science:

"You're telling me that Michael Guerin used pinball parts and a car battery to cause cutaneous perfusion?

(Cutaneous perfusion...i think it is circulation of fluid/blood through tissue, but it's a bit above my head)

The device Liz needs is a "Personal Genome Machine". She ordered it when she still worked at the hospital.

Before entering the Crashdown, Graham Green tapes a Missing sign on the door for Hank Gibbons (who Noah killed in 1x13). Apparently someone covered it up.

The sign is HARD to read, but I think it says:

"All viable leads reported to Graham Green's UFO Emporium will receive a free keychain. Make certain you subscribe to the Weekly Probe as we dive deeper into the untold stories of Roswell and answer the question on everyone's mind. ARE YOU NEXT?"

Graham Green references that he's the "creator of last week's 39th most downloaded true crime podcast." (Assuming that this is the Weekly Probe, referenced on the poster).

Graham Green is opening a 1947 themed malt shop at the UFO Emporium

U.F. Doughs (the Crashdown's new donuts).

Isobel's been coming to the Crashdown every day for weeks. (Note that this episode is the first one that really doesn't have a clear time context).

"Feliz cumpleanos, mama!" Happy birthday in Spanish, of course, but note Kyle's choice term of endearment for fic purposes! And she responds in kind "Gracias, mijo!" (Mijo = male version. Arturo calls Liz mija = female version)

"A wild Michael Guerin finally emerges from his weeks-long hibernation in a lab and a library."

Again, non-specific time frame.

"When every other farm was struggling, the Longs experienced record-breaking crops. Summer of '47. No one could explain it…till October '48. The day after that photo ran in the paper, the farm was devastated by a massive fire. Foreman, entire staff killed. Whole place burned down."

"What caused the fire?"

"Well the paper called it an act of God. Said it was a freak storm. Bolt of lightning strikes the barn the same night that my mom's caught and locked up in Caulfield."

Wyatt Long's horses are named "Diamond" and "Silk".

Jesse Manes' beer of choice is "Polestaff".

Cam's postcard from Charlie (Likely the reason she came back to Roswell) says:

"See you back in Roswell --Charlotte"

Top left corner says "Greetings from Roswell, NM".

It was mailed to Jenna at the Green Hill Motel in Dayton, Ohio.

Jenna says it's not Charlie's handwriting.

Isobel in the mindwarp: "And what's your dream, Arturo? What would be your miracle? What do you pray for?"

Arturo & Rosa's fight…

"Did that fool give you drugs? I'll kill him!"

"Ow! You're hurting me! That's child abuse!"

"Everything I do I do to hold you up and you see it as abuse. I don't know what to do anymore!"

"Yeah right." Rosa falls down and laughs.

"This isn't funny! Sheriff Valenti won't give you any more chances."

"You should be happy. You wanted me to be on the field hockey team, remember? You said I should make friends and have good American fun."

"Who sold you the pills?"

"I stole them."

"Was it Frederico?"

"You wouldn't believe me."

"Tell me the truth!"

"It was Mom! She's either too high to notice that they're missing, or she knows and she doesn't care."

"You're lying to me. I don't know how to help you."

"So stop trying then. I'm beyond hope anyway, right? That's what everyone else in this town thinks."

"Maybe you're right. I'm going for a drive."

Arturo tried to register with Instagram as PancakePapi!! He ended up with PancakePapi58!

Scene with Steph and her dad...FIRST MENTION OF SOPAPILLAS ON THE SHOW!!! 🤤🤤🤤🤤 (They're the best...in New Mexican restaurants they're like, both an appetizer and a dessert. They're like hollow fried bread that you eat with honey. Delicious.) See here:

Plus it gave the show another opportunity to be authentically New Mexican through food references. (Last season it was in episode 2 when Arturo asked,"red or green?" And Liz replied "Christmas!". In New Mexico that means half red half green chile smothering her plate.) Like so:

1948...unclear how much time has passed, but Louise says months.

The kid's name is Walt. (Walt Long?? Some other last name?).

Nora says that under the tarp is the "pumpkin launcher" and it's a surprise.

Nora says it's not safe for Michael here, "but soon."

"Hey do you smell that? It smells like rain. It's what you smell like under all the grease and bourbon. It's what your workshop smells like. Something alien happened here. Not that I can still smell it 70 years later."

"This is the best evidence I've seen that Max and Isobel's mother survived the initial firefight. This is something that you do with family."

"Nora's my mother. If she was here at the same time as Louise…"

Note - when did they confirm who Louise was or that she was Max & Isobel's mom? This has not happened narratively yet.

Since Walt was a young kid, Alex thinks there's a chance he's still alive (though at the end Nora definitely thought he died when the barn blew up. I suspect that Walt survived and is the key to the story...not fact, just speculation.)

Forrest: "The foreman, Roy Bronson, was definitely hiding something. But it wasn't Little Green Men. It was Nazi spies."

"This is like Junior Year eraser room, getting caught by Coach Wiggins."

OG callback to the eraser room being the high school makeout spot. OG, "the eraser room takes our innocence."

Rosa in Spanish "¿En serio?" Basically "are you serious!?!" Or "really?" When the blender shorts out (awfully similar to her first Noah nightmare in 2x01)

"...when Charlie told me she had stole classified documents, I reported her. I thought I was doing the right thing and the military put her in prison."

"Right. Where she was safe."

"No. I… I didn't know who she really was when I turned her in. I didn't know what prison would do to her."

"She wanted you to turn her in, Jenna. She set you up to do so. She knew that as long as she was in government custody no one could get to her."

"Charlie fought in two wars. Who was she afraid of?"

"A private securities firm, most likely. You know that I met her? She was working on this genetic sequencing project that had the potential to save lives, but also destroy them. And there were some people out there who saw applications for her research that went beyond her intentions."

"She was doing research that could help save lives, and people wanted to use it to create a bioweapon."

"Well yeah, she created this pathogen that could seek out and dismantle specific sequences. Just think about it -- a smart bomb that could be detonated in the middle of a crowded city, only harm it's intended target. Think about the innocent civilian lives saved while you take out leaders of terrorist organizations."

"Or commit genocide. If her work fell into the wrong hands, it could quietly wipe out entire groups of people because they share a certain genetic code, while their neighbors go about living their lives. Why do you know so much about this? What's your interest in my sister?"

"I believed that I had a use for her pathogen, at one time. But my fight is over now."

A few notes about this exchange.

Clearly Charlie's pathogen is the key ingredient in the smart bomb that Flint was developing, as discussed in 1x12.

Liz's "personal genome machine" can break down the alien genetics and give Project Shepherd what they need to use a smart bomb on the aliens.

Don't forget, her lab is protected by Air Force security set up by "Alex's team". (Badbadbadbad!)

Rosa describing her bipolarism.

"I get these mood swings sometimes. Like, I can be happy and singing one minute, and then, all of a sudden, this darkness just closes in over me, and I have all these voices telling me that I'm worthless."

Jesse gives Cam the name of the security firm looking for Charlie. We don't see the name of it. He warns her to be careful. "I may be hobbled but they are not."

"Now, you were hunting aliens, and I gave you Max's name. Why didn't you lock him up in Caulfield with the rest?"

"I don't know. I guess I feel like there's a story unfolding in Roswell. Has been for more than 50 years. You can't blame me for wanting to see how it ends."

Catherine Zeta-Jones in a laser maze -- Liz is referencing the 1999 movie Entrapment.

Liz trying to science-intrigue Kyle….

"Interesting historical footnote. There was an internment camp in Roswell. Nazi POWs built half this city. Hence the iron crosses. My great-great grandfather BoDean's foreman got busted for hiding a couple of women here. According to him 'A couple Nazi spies escaped and strudeled their schnitzel for room and board right here on this very farm. See, I was never really as into shooting squirrels as Wyatt is, so, when I came out here for summers as a kid, my cousin Kate and I -- we'd prowl the property for artifacts."

"You know, what we're doing you and me -- it doesn't only have to be for Max...once Max is healthy, we could use this genome machine to Target cellular apoptosis. I mean, we could craft polymerase sequencing in human DNA. We don't have to stop. We have no boards, no restrictions…"

Apoptosis is also sometimes referred to as "cellular suicide" or "spontaneous single cell death".

Polymerase is like the building blocks of DNA.

In other words, Liz is really, really smart.

FORREST LONG!!!!!! 😂😂😂.

Alex on the bullet shells: "These match the M1917s the airmen used in '48.

"They were scattered all over the property. Legend has it the Nazis we're building some kind of bomb in the barn. Then one night the Air Force showed up."

"The night of the fire."

"The blaze burned so hot it turned sand to stone. Papers say that lightning struck the barn and everyone died in the flames, but...that's bull. See I think the Air Force covered up the massacre that happened when they discovered that weapon.

A few things on this scene…

Forrest mentions his cousin Kate...Wyatt's sister who was murdered by Noah in 2008. So Forrest is Wyatt Long's cousin.

Substitute Nazi for alien and it's probably all based somewhat based in truth. In the 1940s that definitely would have been a reasonably obvious way to cover it up, especially given the history that Forrest cites and the military culture in Roswell.

Note: POW = prisoner of war

The iron crosses Forrest references…

Article on the German POWs in the Roswell Daily Record…

Walt was hiding in the barn when Tripp made it explode. Explosion looked shimmery, like the alien ship & tech.

Also, more info than you ever wanted to know about the Roswell Army Air Field/Walker Air Force Base/Roswell International Air Center...including some info on the POWs.

Sheriff Valenti's theory on Noah's death:

"I think Max Evans poisoned Noah and left him in the desert the night of the lightning storm, and I think Isobel Evans was in on it."

Kyle says it would take gallons of acetone to poison someone.

Tripp was Alex's great uncle

Nora was working on a ship to take the pods home.

TRIPP MANES!!! Full name is Eugene Manes III.

Alex finally gives Michael the piece of alien ship he's had. He doesn't want to be another Manes man standing in Michael's way.

Cam's voicemail to Liz.

"Got a lead on my sister. Give me a call when you get that tin-star-wearing E.T. awake, so I can curse him out for worrying us all. Good luck Liz. Bring Max home."

Arturo's Spanish to Liz and Rosa.

"Das gracias a Dios. Gracias todos los dias."

Translates generally to "Thank God. Thanks every day."

Isobel's monologue at the end:

"The idea of God always freaked me out. Like, apparently he made people in his own image, which, first of all, get over yourself. And also, does that apply to us? Does every planet have its own God? Let's say that we're all clones of the big guy in the sky. Well then, doesn't it stand to reason that we're all capable of slinging light? Well I guess by that same token we're all capable of tremendous wrath. We're walking contradictions. A never-ending mercurial rise and fall. Darkness and light. I guess the real miracle is choosing the light. Despite the ever-present darkness. Look at us. You're in the middle of a downright biblical desert, galaxies from where we started. I mean, our very existence is a miracle. I'm capable of so much more than I thought I was, Max. I really think that maybe I could do great things. I need you to come back, okay? I need you to be the thing that I can believe in. That doesn't let me down. I just need this one little miracle, and I promise I won't ever ask for anything ever again."

MUSIC:

1. LEN "Steal My Sunshine"

2. Spacehog "In The Meantime"

3. Duke Ellington "Take It Easy"

4. Maná "Como Te Deseo"

5. Oasis "Don't Look Back In Anger"

6. Ben Harper "Waiting On An Angel"

#roswell new mexico #rnm season 2 #episode details #long post #what if god was one of us #rnm 204

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godzillavskong21 · 3 years

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Etoiles: Alexander Skarsgård, Millie Bobby Brown, Kyle Chandler, Rebecca Hall, Brian Tyree Henry

Directeur: Terry Rossio, Eric McLeod, Ronald R. Reiss, Sarah Halley Finn, Owen Paterson

Definition and Definition of Film / Movie

There are also documentaries with original and real pictures, or biographical films that tell the story of a character. There are many other popular genre films, ranging from action films, horror films, comedy films, romantic films, fantasy films, thriller films, drama films, science fiction films, crime films, documentaries and others.

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The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 19340 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 1939 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 19440 World MOVIE inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “”Mr Television”” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 4, 1951 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets.

The first national color broadcast (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 19402, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season.

❍❍❍ formats and genres ❍❍❍

See also: List of genres § Film and television formats and genres

Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional MOVIE). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.[citation needed]

A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.[citation needed] If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order.[citation needed] Since the 1980s, many MOVIE feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television MOVIE to have this kind of dramatic structure,[4][better source needed] while the later MOVIE Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intendevd five-season run.[citvatio””&n needed]

In 2007, it was reported that television was growing into a larger component of major media companies’ revenues than film.[5] Some also noted the increase in quality of some television programs. In 2007, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “”I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.

❍❍❍ Thanks for everything and have fun watching❍❍❍

Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama and Anime Movie.

Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings!

Thanks for watching The Video Today.

I hope you enjoy the videos that I share. Give a thumbs up, like, or share if you enjoy what we’ve shared so that we more excited.

Sprinkle cheerful smile so that the world back in a variety of colors.

1 note · View note

after-2-teljes-film-magyarul · 4 years

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Miután 2: összecsaptunk Felszabadított: May 08, 2020 Runtime: 1:47:31 percek Műfaj: Romantikus Csillag: Josephine Langford, Hero Fiennes Tiffin, Shane Paul McGhie, Dylan Sprouse, Louise Lombard, Charlie Weber Crew: Roger Kumble (Director), Jennifer Gibgot (Producer), Mark Canton (Producer), Courtney Solomon (Producer), Anna Todd (Writer), Anna Todd (Book)

Tessa úgy gondolta, hibáival együtt képes elfogadni Hardint, még a keménysége felett is szemet hunyt, de amikor újabb információk birtokába jut a fiú korábbi tetteiről és kapcsolatuk kialakulásának valódi körülményeiről, elbizonytalanodik. Már egyáltalán nem biztos benne, hogy valóban ismeri a fiút, az élete zavarossá válik, úgy érzi, becsapták. Szeretne mindent hátrahagyni, de nem tud szabadulni az együtt töltött idő emlékeitől. Ugyanakkor abban is biztos, hogy megunta a szószegést, és az előtte álló ígéretes jövőt sem szeretné veszni hagyni. Komolyan fontolóra veszi, hogy kilép a kapcsolatból. A látszat ellenére Hardin is gyötrődik, talán most először érzi igazán, mekkora hibát követett el. Küzdeni akar a szerelmükért, de kétséges, hogy egy ember valaki vagy valami kedvéért tud-e teljesen szakítani régi énjével. Kulcsszavak : Miután összecsaptunk előzetes magyarul, Miután összecsaptunk ingyen letöltés, Miután összecsaptunk netmozi, Miután összecsaptunk, Miután összecsaptunk magyar premier, Miután összecsaptunk film online, Miután összecsaptunk teljes film, Miután összecsaptunk teljes film videa, Miután összecsaptunk indavideo, Miután összecsaptunk magyarul online, Miután összecsaptunk teljes film magyarul indavideo, after we collided online filmek ingyen after we collided online 2020 filmek magyarul after we collided filmek magyarul after we collided online videa 720p 1080p after we collided film letöltés after we collided 2020 teljes filmek magyarul videa after we collided online sorozatok after we collided ingyen filmek after we collided 2020 film letöltés ingyen after we collided filmek online magyarul after we collided magyar filmek online Definition and Definition of Film / Movie While the players who play a role in the film are referred to as actors (men) or actresses (women). There is also the term extras that are used as supporting characters with few roles in the film. This is different from the main actors who have bigger and more roles. Being an actor and an actress must be demanded to have good acting talent, which is in accordance with the theme of the film he is starring in. In certain scenes, the actor’s role can be replaced by a stuntman or a stuntman. The existence of a stuntman is important to replace the actors doing scenes that are difficult and extreme, which are usually found in action action films. Films can also be used to convey certain messages from the filmmaker. Some industries also use film to convey and represent their symbols and culture. Filmmaking is also a form of expression, thoughts, ideas, concepts, feelings and moods of a human being visualized in film. The film itself is mostly a fiction, although some are based on fact true stories or based on a true story. There are also documentaries with original and real pictures, or biographical films that tell the story of a character. There are many other popular genre films, ranging from action films, horror films, comedy films, romantic films, fantasy films, thriller films, drama films, science fiction films, crime films, documentaries and others. That’s a little information about the definition of film or movie. The information was quoted from various sources and references. Hope it can be useful. ❍❍❍ TV MOVIE ❍❍❍ The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 19340 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 1939 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 19440 World MOVIE inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “”Mr Television”” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 4, 1951 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 19402, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season. ❍❍❍ Formats and Genres ❍❍❍ See also: List of genres § Film and television formats and genres Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional MOVIE). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.[citation needed] A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.[citation needed] If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order.[citation needed] Since the 1980s, many MOVIE feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television MOVIE to have this kind of dramatic structure,[4][better source needed] while the later MOVIE Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intendevd five-season run.[citvatio””&n needed] In 2012, it was reported that television was growing into a larger component of major media companies’ revenues than film.[5] Some also noted the increase in quality of some television programs. In 2012, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “”I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television. ❍❍❍ Thank’s For All And Happy Watching❍❍❍ Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama and Anime Movie. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! Thanks for watching The Video Today. I hope you enjoy the videos that I share. Give a thumbs up, like, or share if you enjoy what we’ve shared so that we more excited. Sprinkle cheerful smile so that the world back in a variety of colors.

1 note · View note

galuhpakuan-blog1 · 4 years

Text

Watch FULL HD]]* Miután összecsaptunk (2020) Teljes Film ONLINE

** Miután összecsaptunk (2020) Teljes Film **

Linkek :: https://filmecinematic.com/hu/movie/613504/after-we-collided Miután 2: összecsaptunk Felszabadított: May 08, 2020 Runtime: 1:47:31 percek Mufaj: Romantikus Csillag: Josephine Langford, Hero Fiennes Tiffin, Shane Paul McGhie, Dylan Sprouse, Louise Lombard, Charlie Weber Crew: Roger Kumble (Director), Jennifer Gibgot (Producer), Mark Canton (Producer), Courtney Solomon (Producer), Anna Todd (Writer), Anna Todd (Book) Tessa és Hardin különös kapcsolata válaszúthoz érkezik. A lány ráébred, hogy talán minden hiábavaló volt, és mégsem kellett volna a vonzalomnak engedve mindent feladnia. Egyértelmuen vesztesként kerül ki a küzdelembol. Hardin továbbra sem tud semmit felmutatni, egyedül Tessa elvesztésétol kell tartania. Egy dolog biztos csupán, hogy a történtek után semmi sem lesz a régi. Tessa úgy gondolta, hibáival együtt képes elfogadni Hardint, még a keménysége felett is szemet hunyt, de amikor újabb információk birtokába jut a fiú korábbi tetteirol és kapcsolatuk kialakulásának valódi körülményeirol, elbizonytalanodik. Már egyáltalán nem biztos benne, hogy valóban ismeri a fiút, az élete zavarossá válik, úgy érzi, becsapták. Szeretne mindent hátrahagyni, de nem tud szabadulni az együtt töltött ido emlékeitol. Ugyanakkor abban is biztos, hogy megunta a szószegést, és az elotte álló ígéretes jövot sem szeretné veszni hagyni. Komolyan fontolóra veszi, hogy kilép a kapcsolatból. A látszat ellenére Hardin is gyötrodik, talán most eloször érzi igazán, mekkora hibát követett el. Küzdeni akar a szerelmükért, de kétséges, hogy egy ember valaki vagy valami kedvéért tud-e teljesen szakítani régi énjével. Kulcsszavak : Miután összecsaptunk elozetes magyarul, Miután összecsaptunk ingyen letöltés, Miután összecsaptunk netmozi, Miután összecsaptunk, Miután összecsaptunk magyar premier, Miután összecsaptunk film online, Miután összecsaptunk teljes film, Miután összecsaptunk teljes film videa, Miután összecsaptunk indavideo, Miután összecsaptunk magyarul online, Miután összecsaptunk teljes film magyarul indavideo, after we collided online filmek ingyen after we collided online 2020 filmek magyarul after we collided filmek magyarul after we collided online videa 720p 1080p after we collided film letöltés after we collided 2020 teljes filmek magyarul videa after we collided online sorozatok after we collided ingyen filmek after we collided 2020 film letöltés ingyen after we collided filmek online magyarul after we collided magyar filmek online Definition and Definition of Film / Movie While the players who play a role in the film are referred to as actors (men) or actresses (women). There is also the term extras that are used as supporting characters with few roles in the film. This is different from the main actors who have bigger and more roles. Being an actor and an actress must be demanded to have good acting talent, which is in accordance with the theme of the film he is starring in. In certain scenes, the actor’s role can be replaced by a stuntman or a stuntman. The existence of a stuntman is important to replace the actors doing scenes that are difficult and extreme, which are usually found in action action films. Films can also be used to convey certain messages from the filmmaker. Some industries also use film to convey and represent their symbols and culture. Filmmaking is also a form of expression, thoughts, ideas, concepts, feelings and moods of a human being visualized in film. The film itself is mostly a fiction, although some are based on fact true stories or based on a true story. There are also documentaries with original and real pictures, or biographical films that tell the story of a character. There are many other popular genre films, ranging from action films, horror films, comedy films, romantic films, fantasy films, thriller films, drama films, science fiction films, crime films, documentaries and others. That’s a little information about the definition of film or movie. The information was quoted from various sources and references. Hope it can be useful. ??? TV MOVIE ??? The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 19340 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 1939 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 19440 World MOVIE inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “”Mr Television”” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 4, 1951 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 19402, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season. ??? Formats and Genres ??? See also: List of genres § Film and television formats and genres Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional MOVIE). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.[citation needed] A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.[citation needed] If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order.[citation needed] Since the 1980s, many MOVIE feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television MOVIE to have this kind of dramatic structure,[4][better source needed] while the later MOVIE Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intendevd five-season run.[citvatio””&n needed] In 2012, it was reported that television was growing into a larger component of major media companies’ revenues than film.[5] Some also noted the increase in quality of some television programs. In 2012, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “”I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television. ??? Thank’s For All And Happy Watching??? Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama and Anime Movie. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! Thanks for watching The Video Today. I hope you enjoy the videos that I share. Give a thumbs up, like, or share if you enjoy what we’ve shared so that we more excited. Sprinkle cheerful smile so that the world back in a variety of colors.

#after we collided #miután összecsaptunk netmozi

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crispyarcadecollection-blog1 · 4 years

Text

[[Videa-HU]] Miután 2 összecsaptunk 2020 Teljes Film Online

** Miután összecsaptunk (2020) Teljes Film ** Linkek :: https://filmecinematic.com/hu/movie/613504/after-we-collided Miután 2: összecsaptunk Felszabadított: May 08, 2020 Runtime: 1:47:31 percek Mufaj: Romantikus Csillag: Josephine Langford, Hero Fiennes Tiffin, Shane Paul McGhie, Dylan Sprouse, Louise Lombard, Charlie Weber Crew: Roger Kumble (Director), Jennifer Gibgot (Producer), Mark Canton (Producer), Courtney Solomon (Producer), Anna Todd (Writer), Anna Todd (Book) Tessa és Hardin különös kapcsolata válaszúthoz érkezik. A lány ráébred, hogy talán minden hiábavaló volt, és mégsem kellett volna a vonzalomnak engedve mindent feladnia. Egyértelmuen vesztesként kerül ki a küzdelembol. Hardin továbbra sem tud semmit felmutatni, egyedül Tessa elvesztésétol kell tartania. Egy dolog biztos csupán, hogy a történtek után semmi sem lesz a régi. Tessa úgy gondolta, hibáival együtt képes elfogadni Hardint, még a keménysége felett is szemet hunyt, de amikor újabb információk birtokába jut a fiú korábbi tetteirol és kapcsolatuk kialakulásának valódi körülményeirol, elbizonytalanodik. Már egyáltalán nem biztos benne, hogy valóban ismeri a fiút, az élete zavarossá válik, úgy érzi, becsapták. Szeretne mindent hátrahagyni, de nem tud szabadulni az együtt töltött ido emlékeitol. Ugyanakkor abban is biztos, hogy megunta a szószegést, és az elotte álló ígéretes jövot sem szeretné veszni hagyni. Komolyan fontolóra veszi, hogy kilép a kapcsolatból. A látszat ellenére Hardin is gyötrodik, talán most eloször érzi igazán, mekkora hibát követett el. Küzdeni akar a szerelmükért, de kétséges, hogy egy ember valaki vagy valami kedvéért tud-e teljesen szakítani régi énjével. Kulcsszavak : Miután összecsaptunk elozetes magyarul, Miután összecsaptunk ingyen letöltés, Miután összecsaptunk netmozi, Miután összecsaptunk, Miután összecsaptunk magyar premier, Miután összecsaptunk film online, Miután összecsaptunk teljes film, Miután összecsaptunk teljes film videa, Miután összecsaptunk indavideo, Miután összecsaptunk magyarul online, Miután összecsaptunk teljes film magyarul indavideo, after we collided online filmek ingyen after we collided online 2020 filmek magyarul after we collided filmek magyarul after we collided online videa 720p 1080p after we collided film letöltés after we collided 2020 teljes filmek magyarul videa after we collided online sorozatok after we collided ingyen filmek after we collided 2020 film letöltés ingyen after we collided filmek online magyarul after we collided magyar filmek online Definition and Definition of Film / Movie While the players who play a role in the film are referred to as actors (men) or actresses (women). There is also the term extras that are used as supporting characters with few roles in the film. This is different from the main actors who have bigger and more roles. Being an actor and an actress must be demanded to have good acting talent, which is in accordance with the theme of the film he is starring in. In certain scenes, the actor’s role can be replaced by a stuntman or a stuntman. The existence of a stuntman is important to replace the actors doing scenes that are difficult and extreme, which are usually found in action action films. Films can also be used to convey certain messages from the filmmaker. Some industries also use film to convey and represent their symbols and culture. Filmmaking is also a form of expression, thoughts, ideas, concepts, feelings and moods of a human being visualized in film. The film itself is mostly a fiction, although some are based on fact true stories or based on a true story. There are also documentaries with original and real pictures, or biographical films that tell the story of a character. There are many other popular genre films, ranging from action films, horror films, comedy films, romantic films, fantasy films, thriller films, drama films, science fiction films, crime films, documentaries and others. That’s a little information about the definition of film or movie. The information was quoted from various sources and references. Hope it can be useful. ??? TV MOVIE ??? The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 19340 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 1939 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 19440 World MOVIE inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “”Mr Television”” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 4, 1951 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 19402, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season. ??? Formats and Genres ??? See also: List of genres § Film and television formats and genres Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional MOVIE). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.[citation needed] A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.[citation needed] If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order.[citation needed] Since the 1980s, many MOVIE feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television MOVIE to have this kind of dramatic structure,[4][better source needed] while the later MOVIE Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intendevd five-season run.[citvatio””&n needed] In 2012, it was reported that television was growing into a larger component of major media companies’ revenues than film.[5] Some also noted the increase in quality of some television programs. In 2012, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “”I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television. ??? Thank’s For All And Happy Watching??? Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama and Anime Movie. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! Thanks for watching The Video Today. I hope you enjoy the videos that I share. Give a thumbs up, like, or share if you enjoy what we’ve shared so that we more excited. Sprinkle cheerful smile so that the world back in a variety of colors.

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clearpersonkitten · 4 years

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Miután 2: összecsaptunk Felszabadított: May 08, 2020 Runtime: 1:47:31 percek Mufaj: Romantikus Csillag: Josephine Langford, Hero Fiennes Tiffin, Shane Paul McGhie, Dylan Sprouse, Louise Lombard, Charlie Weber Crew: Roger Kumble (Director), Jennifer Gibgot (Producer), Mark Canton (Producer), Courtney Solomon (Producer), Anna Todd (Writer), Anna Todd (Book) Tessa és Hardin különös kapcsolata válaszúthoz érkezik. A lány ráébred, hogy talán minden hiábavaló volt, és mégsem kellett volna a vonzalomnak engedve mindent feladnia. Egyértelmuen vesztesként kerül ki a küzdelembol. Hardin továbbra sem tud semmit felmutatni, egyedül Tessa elvesztésétol kell tartania. Egy dolog biztos csupán, hogy a történtek után semmi sem lesz a régi. Tessa úgy gondolta, hibáival együtt képes elfogadni Hardint, még a keménysége felett is szemet hunyt, de amikor újabb információk birtokába jut a fiú korábbi tetteirol és kapcsolatuk kialakulásának valódi körülményeirol, elbizonytalanodik. Már egyáltalán nem biztos benne, hogy valóban ismeri a fiút, az élete zavarossá válik, úgy érzi, becsapták. Szeretne mindent hátrahagyni, de nem tud szabadulni az együtt töltött ido emlékeitol. Ugyanakkor abban is biztos, hogy megunta a szószegést, és az elotte álló ígéretes jövot sem szeretné veszni hagyni. Komolyan fontolóra veszi, hogy kilép a kapcsolatból. A látszat ellenére Hardin is gyötrodik, talán most eloször érzi igazán, mekkora hibát követett el. Küzdeni akar a szerelmükért, de kétséges, hogy egy ember valaki vagy valami kedvéért tud-e teljesen szakítani régi énjével. Kulcsszavak : Miután összecsaptunk elozetes magyarul, Miután összecsaptunk ingyen letöltés, Miután összecsaptunk netmozi, Miután összecsaptunk, Miután összecsaptunk magyar premier, Miután összecsaptunk film online, Miután összecsaptunk teljes film, Miután összecsaptunk teljes film videa, Miután összecsaptunk indavideo, Miután összecsaptunk magyarul online, Miután összecsaptunk teljes film magyarul indavideo, after we collided online filmek ingyen after we collided online 2020 filmek magyarul after we collided filmek magyarul after we collided online videa 720p 1080p after we collided film letöltés after we collided 2020 teljes filmek magyarul videa after we collided online sorozatok after we collided ingyen filmek after we collided 2020 film letöltés ingyen after we collided filmek online magyarul after we collided magyar filmek online Definition and Definition of Film / Movie Watch Miután összecsaptunk (2020) Movies Online — Stream Free Movies & TV Shows Copyright © 2020 Stream thousands of movies and TV shows free. All Rights Reserved Disclaimer: This site does not store…

While the players who play a role in the film are referred to as actors (men) or actresses (women). There is also the term extras that are used as supporting characters with few roles in the film. This is different from the main actors who have bigger and more roles. Being an actor and an actress must be demanded to have good acting talent, which is in accordance with the theme of the film he is starring in. In certain scenes, the actor’s role can be replaced by a stuntman or a stuntman. The existence of a stuntman is important to replace the actors doing scenes that are difficult and extreme, which are usually found in action action films. Films can also be used to convey certain messages from the filmmaker. Some industries also use film to convey and represent their symbols and culture. Filmmaking is also a form of expression, thoughts, ideas, concepts, feelings and moods of a human being visualized in film. The film itself is mostly a fiction, although some are based on fact true stories or based on a true story. There are also documentaries with original and real pictures, or biographical films that tell the story of a character. There are many other popular genre films, ranging from action films, horror films, comedy films, romantic films, fantasy films, thriller films, drama films, science fiction films, crime films, documentaries and others. That’s a little information about the definition of film or movie. The information was quoted from various sources and references. Hope it can be useful. ❍❍❍ TV MOVIE ❍❍❍ The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 19340 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 1939 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 19440 World MOVIE inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “”Mr Television”” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 4, 1951 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 19402, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season. ❍❍❍ Formats and Genres❍❍❍ See also: List of genres § Film and television formats and genres Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional MOVIE). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.[citation needed] A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.[citation needed] If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order.[citation needed] Since the 1980s, many MOVIE feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television MOVIE to have this kind of dramatic structure,[4][better source needed] while the later MOVIE Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intendevd five-season run.[citvatio””&n needed] In 2012, it was reported that television was growing into a larger component of major media companies’ revenues than film.[5] Some also noted the increase in quality of some television programs. In 2012, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “”I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television. ❍❍❍ Thank’s For All And Happy Watching❍❍❍ Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama and Anime Movie. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! Thanks for watching The Video Today.

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filmek-videa-hd4k · 4 years

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Tessa és Hardin különös kapcsolata válaszúthoz érkezik. A lány ráébred, hogy talán minden hiábavaló volt, és mégsem kellett volna a vonzalomnak engedve mindent feladnia. Egyértelműen vesztesként kerül ki a küzdelemből. Hardin továbbra sem tud semmit felmutatni, egyedül Tessa elvesztésétől kell tartania. Egy dolog biztos csupán, hogy a történtek után semmi sem lesz a régi. Tessa úgy gondolta, hibáival együtt képes elfogadni Hardint, még a keménysége felett is szemet hunyt, de amikor újabb információk birtokába jut a fiú korábbi tetteiről és kapcsolatuk kialakulásának valódi körülményeiről, elbizonytalanodik. Már egyáltalán nem biztos benne, hogy valóban ismeri a fiút, az élete zavarossá válik, úgy érzi, becsapták. Szeretne mindent hátrahagyni, de nem tud szabadulni az együtt töltött idő emlékeitől. Ugyanakkor abban is biztos, hogy megunta a szószegést, és az előtte álló ígéretes jövőt sem szeretné veszni hagyni. Komolyan fontolóra veszi, hogy kilép a kapcsolatból. A látszat ellenére Hardin is gyötrődik, talán most először érzi igazán, mekkora hibát követett el. Küzdeni akar a szerelmükért, de kétséges, hogy egy ember valaki vagy valami kedvéért tud-e teljesen szakítani régi énjével.

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Films can also be used to convey certain messages from the filmmaker. Some industries also use film to convey and represent their symbols and culture. Filmmaking is also a form of expression, thoughts, ideas, concepts, feelings and moods of a human being visualized in film. The film itself is mostly a fiction, although some are based on fact true stories or based on a true story. There are also documentaries with original and real pictures, or biographical films that tell the story of a character. There are many other popular genre films, ranging from action films, horror films, comedy films, romantic films, fantasy films, thriller films, drama films, science fiction films, crime films, documentaries and others. That’s a little information about the definition of film or movie. The information was quoted from various sources and references. Hope it can be useful.

❍❍❍ TV MOVIE ❍❍❍ The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 19340 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 1939 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 19440 World MOVIE inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “”Mr Television”” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 4, 1951 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 19402, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season. ❍❍❍ Formats and Genres ❍❍❍ See also: List of genres § Film and television formats and genres Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional MOVIE). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.[citation needed] A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.[citation needed] If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order.[citation needed] Since the 1980s, many MOVIE feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television MOVIE to have this kind of dramatic structure,[4][better source needed] while the later MOVIE Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intendevd five-season run.[citvatio””&n needed] In 2012, it was reported that television was growing into a larger component of major media companies’ revenues than film.[5] Some also noted the increase in quality of some television programs. In 2012, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “”I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television. ❍❍❍ Thank’s For All And Happy Watching❍❍❍ Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama and Anime Movie. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! Thanks for watching The Video Today. I hope you enjoy the videos that I share. Give a thumbs up, like, or share if you enjoy what we’ve shared so that we more excited. Sprinkle cheerful smile so that the world back in a variety of colors.

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kacanggaringcely · 4 years

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Being an actor and an actress must be demanded to have good acting talent, which is in accordance with the theme of the film he is starring in. In certain scenes, the actor’s role can be replaced by a stuntman or a stuntman. The existence of a stuntman is important to replace the actors doing scenes that are difficult and extreme, which are usually found in action action films. Films can also be used to convey certain messages from the filmmaker. Some industries also use film to convey and represent their symbols and culture. Filmmaking is also a form of expression, thoughts, ideas, concepts, feelings and moods of a human being visualized in film. The film itself is mostly a fiction, although some are based on fact true stories or based on a true story. There are also documentaries with original and real pictures, or biographical films that tell the story of a character. There are many other popular genre films, ranging from action films, horror films, comedy films, romantic films, fantasy films, thriller films, drama films, science fiction films, crime films, documentaries and others. That’s a little information about the definition of film or movie. The information was quoted from various sources and references. Hope it can be useful. ❍❍❍ TV MOVIE ❍❍❍ The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 19340 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 1939 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 19440 World MOVIE inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “”Mr Television”” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 4, 1951 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 19402, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season. ❍❍❍ Formats and Genres ❍❍❍ See also: List of genres § Film and television formats and genres Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional MOVIE). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.[citation needed] A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.[citation needed] If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order.[citation needed] Since the 1980s, many MOVIE feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television MOVIE to have this kind of dramatic structure,[4][better source needed] while the later MOVIE Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intendevd five-season run.[citvatio””&n needed] In 2007, it was reported that television was growing into a larger component of major media companies’ revenues than film.[5] Some also noted the increase in quality of some television programs. In 2007, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “”I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television. ❍❍❍ Thank’s For All And Happy Watching❍❍❍ Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama and Anime Movie. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! Thanks for watching The Video Today. I hope you enjoy the videos that I share. Give a thumbs up, like, or share if you enjoy what we’ve shared so that we more excited. Sprinkle cheerful smile so that the world back in a variety of color.”

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celyfilmslovak-blog · 4 years

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FILMY-2020!! Letní rebeli Celý film O N L I N E Slovenské HDQ Audio

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Leto je konečne tu! Jonáš sa veľmi teší na prázdniny u deda Bernarda. No ten sa necíti najlepšie, odkedy stratil prácu a ostal sám. Jonášovi je jasné, že musí niečo vymyslieť. A tak ich oboch čaká búrlivé leto v znamení dobrodružstva a nevšedného priateľstva.

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The illusion of a series of images produces continuous motion in the form of video. The film is often referred to as a movie or moving picture. Film is a modern and popular art form created for business and entertainment purposes. Film making has now become a popular industry throughout the world, where feature films are always awaited by cinemas. Films are made in two main ways. The first is through shooting and recording techniques through film cameras. This method is done by photographing images or objects. The second uses traditional animation techniques. This method is done through computer graphic animation or CGI techniques. Both can also be combined with other techniques and visual effects. Filming usually takes a relatively long time. It also requires a job desk each, starting from the director, producer, editor, wardrobe, visual effects and others. Definition and Definition of Film / Movie While the players who play a role in the film are referred to as actors (men) or actresses (women). There is also the term extras that are used as supporting characters with few roles in the film. This is different from the main actors who have bigger and more roles. Being an actor and an actress must be demanded to have good acting talent, which is in accordance with the theme of the film he is starring in. In certain scenes, the actor’s role can be replaced by a stuntman or a stuntman. The existence of a stuntman is important to replace the actors doing scenes that are difficult and extreme, which are usually found in action action films. Films can also be used to convey certain messages from the filmmaker. Some industries also use film to convey and represent their symbols and culture. Filmmaking is also a form of expression, thoughts, ideas, concepts, feelings and moods of a human being visualized in film. The film itself is mostly a fiction, although some are based on fact true stories or based on a true story. There are also documentaries with original and real pictures, or biographical films that tell the story of a character. There are many other popular genre films, ranging from action films, horror films, comedy films, romantic films, fantasy films, thriller films, drama films, science fiction films, crime films, documentaries and others. That’s a little information about the definition of film or movie. The information was quoted from various sources and references. Hope it can be useful. ❍❍❍ TV MOVIE ❍❍❍ The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 19340 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 1939 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 19440 World MOVIE inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “”Mr Television”” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 4, 1951 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 19402, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season. ❍❍❍ Formats and Genres ❍❍❍ See also: List of genres § Film and television formats and genres Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional MOVIE). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.[citation needed] A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.[citation needed] If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order.[citation needed] Since the 1980s, many MOVIE feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television MOVIE to have this kind of dramatic structure,[4][better source needed] while the later MOVIE Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intendevd five-season run.[citvatio””&n needed] In 2012, it was reported that television was growing into a larger component of major media companies’ revenues than film.[5] Some also noted the increase in quality of some television programs. In 2012, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “”I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television. ❍❍❍ Thank’s For All And Happy Watching❍❍❍ Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama and Anime Movie. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! Thanks for watching The Video Today. I hope you enjoy the videos that I share. Give a thumbs up, like, or share if you enjoy what we’ve shared so that we more excited. Sprinkle cheerful smile so that the world back in a variety of colors.

#Letní rebeli online #Letní rebeli online cz titulky #Letní rebeli (2020)

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putschki1969 · 5 years

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Ｗakana Album LINE LIVE ~ Summary

Note: A fellow fan was kind enough to share the recording with me. THANK YOU SO SO MUCH!!!! Here is a detailed summary of Wakana’s LINE LIVE commemorating the release of her first solo album. Btw, I have not forgotten about the lyrics and the interviews. Please be patient a little while longer. Already working on it.

We are back with Nat-chan, Wakana is so happy to see her again. We start out by Natsuko telling us about the content of this LINE LIVE. She congratulates Wakana on her album release and on reaching 8th place in the Oricon charts. Wakana is hyped and super grateful to the fans.

Before they can get to the main topic of the program they have to get something out of the way first. They need to talk a bit about shark. After all, in the last LINE LIVE they realised they have a mutual love for dinosaurs and sharks so of course Wakana wants to know if Natsuko has done anything shark related recently. Nat-chan has in fact been quite busy watching all kinds of shark films. She watched 47 Meters Down on Netflix. Obviously Wakana has watched it as well. She recommends it to everyone. It’s a tough watch though so people should be careful if they can’t handle certain stuff. Nat-chan also watched the MEG movie.

Wakana is clearly so proud of Nat-chan. I think she still cannot believe she has met a fellow shark lover. Nat-chan shares that they have been staying in touch ever since their last LINE LIVE. They spent a lot of time together going on “dates”, attending concerts, having dinner together, sharing their shark stories...They never wanted their time together to end, Wakana says they really are like lovers now. Wakana is impressed by how fast Natsuko can decide on what to eat at a restaurant. It always takes her a lot of time to choose. Seems like they also had a great time getting a little drunk together.

Now it’s time for the main topic, Wakana’s album. Wakana is happy that it’s finally out because she was really desperate for people to listen to this new version of herself. While she was recording the songs all she thought about was performing the songs live in front of an audience, she really can’t wait to go on tour. There is a quick explanation regarding the album title. First of all, Wakana wants people to be aware of her new self so she thought it was fitting to name the album after herself. She also wanted something that was easy to remember XD As we already know, there are 11 songs in total, six of which were written by Wakana. They were written by various composers which are all listed by Natsuko. Wakana is going to talk about each song in detail throughout the program. Wakana is cute introducing the different album types, she confuses type A with type B

We then start to talk about the tracks on the album.

1. Yakusoku no Yoake: Nat says the song sounds magnificent, like the soundtrack to a majestic story. Wakana explains that this song has a special place in her heart and she loves to listen to it whenever, especially when she wants to relax. She actually wrote those lyrics while taking baths. She has a tablet for her bathtub where she can place all kinds of stuff (including her phone, a notebook and a pen). This way it’s easy for her to listen to music and take notes even when she is taking a bath. It seems like this song wasn’t originally planned to be written by her. But during pre-production Wakana was asked to spontaneously come up with a few lyrics for the first part of the song. Usually she would just do some “la,la,la” singing during pre-production. Wakana felt very inspired by the melody of this song and when she first listened to it there were lots of lyrics that came to her mind. The director was very happy with what she came up with so he requested for her to do the rest of the song as well.

2. Tsubasa: Wakana had a lot of fun recording this song because Satoshi Takebe and the band members were there with her. it was easy to feel the groove of the song with all of them there at the studio. Satoshi Takebe also decided last minute to add some backup vocals to the chorus. Wakana says that all the back up vocals you hear in the album were done by herself. Then we get the Odaiba Venus Fort live version of Tsubasa.

Aww, Wakana is so embarrassed to watch herself perform. This is pretty much identical to the studio version, Wakana says this was pretty much right after they had recorded the studio version and it was a strange feeling to sing the song like that (because she was so used to sing the other version). She says it became quite a different song once they did the studio recording.

3. Ruriiro no Sora: Nat says it’s a very moving song. She wants to cry when she listens to it. She feels like women in particular will be very touched by the lyrics. Wakana agrees, it feels very mature. She worried a lot about how to sing this song. We will watch the live version later so viewers are asked to be patient.

4. Nagareboshi: The blinging noise you hear in the beginning, that was actually done by Wakana. Shusui who composed the song for her suggested she should try playing an instrument during the recording. She got to play some sort of small cymbal. She was very proud to be part of that. Wakana says this is a very sweet song about the happiness of being together with the person you love. Nat-chan asks about a particular line in the song => あなたとわたしの歌 => anata to watashi no uta. She wonders why the “watashi” is written in hiragana instead of kanji, whether there is a meaning behind it. Wakana is surprised Natsuko noticed that. There is in fact a story behind that. As a child she would always write it like that, she thinks it fits better together like that and for her it emphasises the togetherness of two people. Nat-chan is in love with this piece.

5. Kioku no Hito: Wakana was super impressed by the demo tape provided by Yuko Ando. She wondered how she could best approach the world created by Yuko Ando. It was very difficult for me. Especially since there are quite a few low parts. The musicians had actually recorded the song quite some time before with a stand-in singer. Wakana was a bit disappointed to not have been part of that recording process so they all decided to do it again for Wakana. Wakana was super grateful her manager was able to arrange that for her. There is so much female strength in this song, Wakana feels like she has become a stronger woman just by singing this song and she got inspired to become even stronger.

6. Toki wo Koeru Yoru ni: It feels weird to Wakana that it has barely been a month since the release and now her album is already out. Since this is her very first song she still kinda worries about the lyrics not being good enough. Even after singing it so many times. [awww, you really shouldn’t worry, the lyrics are great!]. Nat notes that the song is right in the middle of the album and wonders why she decided to put it there. Originally they planned to use it as the first track but then Wakana really wanted to start the album with Yakusoku no Yoake since it represents a new beginning. Right in the middle felt appropriate to Wakana. Then we get the live version from Odaiba Venus Fort.

Wakana is literally the cutest ever when she is listening to herself singing. Precious cinnamon bun She really loves these songs. Awww, the viewer comments are so nice. Everyone is saying that they are crying.

7. Hard Rain: In the beginning she received a short demo tape with just the first part of the song (until the first chorus). She immediately wanted to hear more of it because she loved it so much. The demo tape was sung by Kana Yakubi and she really loved her rendition. She couldn’t wait to sing the song herself. Natsuko loves the rain noises in the background, they add a great vibe to the song. And she loves how it builds up with the chorus, it has a very dramatic feel to it.

8. Kinmokusei: As we all know already, this was the final song she recorded. Just as with Yakusoku no Yoake she was asked to write lyrics for one part of the song but unlike Yakusoku no Yoake she had a lot of trouble doing the whole song, she didn’t know how to continue. So it’s a good thing this was the final song because she could take her time. Nat assumes that this is another song Wakana wrote while taking a bath and yup, spot on. She did. Wakana explains there are many songs where she feels like she has to be outside looking at the sky to get inspired but for this one she knew she would have to be in the bathtub to think of something. Off to the bath!!!

Nat asks why she chose that title. Wakana explains that smells influence us so much in life so she thought it was suitable to use a flower as title. She opted for “fragrant olive” as title because the smell of olive trees is incredibly strong. The olive tree blooms in all kinds of places, especially in autumn so she it’s something that forever stays in your memory

9. Boku no Kokoro no Tokei: Satoshi Takebe decided to add the ticking noises. Wakana really loves it. When he told her that he had written the song for her she was super happy, she loved his piano version so much that she immediately started writing the lyrics, she felt incredibly inspired. That’s one of the songs she didn’t write in the bathtub. She actually wrote them pretty quickly while getting all kinds of inspiration from Satoshi Takebe.

10. Toki no Ne: Nice transition from one song about time to the other. Wakana thinks that is very fitting. After all, time and clocks were a major theme of her autumn tour last year. Some people see time as something negative, as if they are constantly racing against time. But for her, time is something truly amazing, something that should be treasured.

11. Ai no Hana: Wakana says she was super happy to work with Shusui and Stefan Aberg who she had both met in her teens during auditions. Back then it was her first time meeting someone from Sweden so that left quite the impression. Wakana think it’s amazing how music can re-connect people after so many years. Eri Ishikawa’s lyrics are heartrending but at the same time they are full of optimism. Wakana loves that.

We then get the live version of Ruriiro no Sora. Wakana says they had just recorded the song a week or so before that performance so she was super nervous.

It’s Wakana’s turn to do some promotions,she lost track of where they left off so she has no idea where to continue. Nat reminds her she should introduce the different album versions again. First they are doing Type B with all its lovely extras including a B-sized poster.

Nat is having fun looking at Wakana’s photobook. She tries to show some sneak peeks without spoiling anyone. Then Nat talks about the double purchase tokuten lottery. I wrote a post about that ages ago. If you bought both the single and the album you can add the note from the single to a postcard from the album. When you send that in you are applying for one out of two special tokutens (wooden piano signed by Wakana, music box playing Toki wo Koeru Yoru ni). 10 winners will be chosen for each tokuten. Deadline is May 31.

Then they promote her upcoming tour. Wakana says she will start rehearsals the following day ~ tomorrow desu ~ She can’t wait to work with Satoshi Takebe again.

Natsuko asks about her live goods. Wakana is so hyped already because she thinks her goods are amazing. Everyone should look forward to the shark goods.

Nat warns her not to spoil anything in all her excitement XD They then announce that Wakana started her own instagram account! BANZAI. Wakana wanted to make a post but at that point she couldn’t get away from the welcome page, I think her account hadn’t been set up properly yet, there were still a few settings that had to be arranged. They both totally fail so they promise they will post something later. Nat then manages to figure it out and Wakana chooses a picture to post. She wonders what to write...maybe ”I am sending it now”...Nat is like, “eh? that’s weird...” She finally ends up writing a short greeting and uploads the picture. Success!!

Wakana says she will post lots of sky pictures on her instagram. Hopefully everyone will like them. They take a picture together and Wakana has a final message for the fans. Nat-chan and Wakana will go on many more dates from now on. And that’s a wrap. Bye bye!

Google Drive Link

#kalafina #wakana #my translations #line live #first solo album #wakana first solo album

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starringemiliaclarke · 5 years

Text

Emilia Clarke on Why Game of Thrones Is the Perfect Form of Escapism + HQ Scans

As Daenerys Targaryen on Game of Thrones, Emilia Clarke created a warrior queen for the ages. Her legend can be told on the walls of caves or on T-shirts at Comic-Con. But behind the Valkyrie wigs and very testy dragons, Clarke has an inspiring origin story of her own.

A valley sprawls before her, rich with every color of green in the kingdom, reaching out to a twinkling city, which borders the infinite sea. Her hair (tinted not with peroxide, but tiny flecks of actual gold) glows with a radiance that makes the setting sun so jealous it hides behind the surrounding mountains, and the evening sky blushes. She is Daenerys Targaryen, Queen of the Andals, Breaker of Chains, Mother of Dragons, Khaleesi of the Great Grass Sea. Everything in sight belongs to her.

Just kidding! She is Emilia Clarke, sitting high above Beverly Hills in a glass mansion rented for a magazine cover shoot. So high up that passing aircraft rattle the bones of the house and those inside it. So high up that you can see Santa Catalina Island in the distance, peeking out from behind a curtain of fog. She laughs about something the makeup artist says, and the last of the evening light bounces off of her cheekbones and shoots into the camera lens.

We are in the sky to talk about Clarke’s reign as one of the most preeminent television actresses of our time, as Daenerys on Game of Thrones. But first, I have a few questions about her abandoned career as a jazz singer.

Clarke’s default emotion is joy — her resting heart rate seems to be just below that of someone seconds after winning a medium-expensive raffle prize — but it quickly congeals into theatrical horror when I reveal that I know that she is a casual but talented singer of jazz music.

When she was 10, Clarke was an alto in a chorus that she describes as “very churchy.” Then a substitute teacher introduced her class to jazz. “I just innately understood it,” she explains. “I was always sliding up and down the notes. Every time, the [chorus] teacher would be like, ‘Quit sliding, just sing that note and then that one and that’s it. Stop trying to fuck with it.’ Then this [jazz teacher] was like, ‘Fuck with it. That’s the point.’ ” Fast-forward a couple of decades, and Clarke was singing “The Way You Look Tonight” at the American Songbook Gala in New York, honoring Richard Plepler, erstwhile CEO of HBO. Nicole Kidman was there, too, and that is the story of Emilia Clarke, a very famous singer.

Just kidding, again! That is the story of Emilia Clarke, extremely famous actress, and it is not even the beginning. Game of Thrones, the HBO fantasy epic that has captured the global zeitgeist for most of the past decade, has entered its ultimate season. Since the show premiered in 2011, Daenerys’s searing platinum blonde has been branded into the brains of every living person with cable access, so much so that she has become as recognizable an action figure as Princess Leia. Every autumn, legions of Americans don Grecian-style dresses and carry stuffed dragons to Halloween parties in homage. Kristen Wiig even appeared on The Tonight Show Starring Jimmy Fallon in a full Daenerys getup. This phenomenon exists in part because it’s a relatively easy costume to assemble, but more likely because Game of Thrones is the most popular TV show in the history of TV shows.

It’s also just one of three popular entertainment franchises Clarke has participated in. Last year: Solo: A Star Wars Story, as a paramour of Han Solo. Two years before that: the fifth Terminator movie, beside Arnold. She was also Holly Golightly in a short-lived Breakfast at Tiffany’s production on Broadway. None of those projects were particularly successful — but none of that matters, to a remarkable degree, because what matters is: The people love Daenerys.

They love a character whose series arc begins with her indentured servitude as a warlord’s concubine and ends, most recently, with her fighting for sovereignty over a league of nations and for a throne made of swords. They love how fictional languages drift from her mouth like dancing smoke, and how her searing-white mane retains a fearsome curl, even in or near battle. They love the whole dragons thing.

The people would love Emilia Clarke, too, if only they knew who she was. During the first few seasons of Game of Thrones, Clarke was able to fool the general public into believing she was very regular civilian Emilia Clarke, because Daenerys was blonde, and Clarke was not. Now, she says, recognition happens more frequently. Particularly Stateside.

For reasons I cannot fathom, Americans feel more entitled to command the attention of celebrities. “People are like, ‘UH-melia CLORK!’ ” she says, in perfect American. In London, people are prone to whisper about her as she passes by. “ ‘Was that Emilia Clarke?’ ”

“I move like a shark when I’m in public,” she says. “Head down. I think I’ve got quite bad posture because of it, because I’m determined to lead a normal life. So I just move too quickly for anyone to register if it’s me or not. And I don’t walk around with six security men and big sunglasses and a bizarre coat. I really try to meld in.” It gets worse when the show is being promoted, but otherwise, she says, it’s not so bad.

“I move like a shark when I’m in public. Head down…I’m determined to lead a normal life, so I just move too quickly for anyone to register if it’s me or not.”

Her best efforts aside, anonymity may be a pipe dream. The show is as decorated as a Christmas tree in a craft store. Game of Thrones has won a Peabody and 47 Emmys, the most of any television drama in history. The show marries critical praise with popular success, then it mercilessly slaughters those who have come to celebrate this union and receives even more acclaim (“The Rains of Castamere,” season 3, episode 9). The plotlines are famously convoluted. Luckily, we have an entire web’s worth of episode explainers, encyclopedias designed specifically for the Westeros universe, and a self-explanatory Funny or Die segment called Gay of Thrones, starring Jonathan van Ness.

When Mad Men first aired, television bloggers dutifully unpacked its symbolic elements, and millennials celebrated the show’s style with Mad Men–themed parties that were really just ’60s-and-one-red-wig-themed parties. Game of Thrones is basically an economy of its own. Since the show premiered, tourism to Croatia, whose coastal port Dubrovnik stands in for the fictional city of King’s Landing, has nearly doubled. Game of Thrones–themed weddings are so popular that it is almost impossible not to attend them — in 2016, Clarke accidentally walked into one that was occurring at the same hotel where she and the cast were staying during filming. (It was not a canonical wedding, and no guests were harmed.)

Game of Thrones has also earned one of the most important pop culture accolades of the century: The attention of Beyoncé Knowles. I believe it is her favorite TV show, and this is why.

Exhibit A: Jay-Z reportedly gave her a prop dragon’s egg from the set, at great personal expense. Exhibit B: At an Oscars after-party this year, Beyoncé approached Clarke (“voluntarily,” according to the actress) to introduce herself. “I watched her face go, ‘Oh, no, I shouldn’t be talking to this crazy [woman], who is essentially crying in front of me,’ ” remembers Clarke. “I think my inner monologue was, ‘Stop fucking it up,’ and I kept fucking it up.”

“I was like, ‘I just saw you in concert.’ And she was like, ‘I know.’ ” Clarke also mentions that Beyoncé complimented her work but declines to share specifics.

Why are people (more specifically, everybody) and goddesses (more specifically, Beyoncé) all obsessed with a show about some dragons and lots of dungeons?

“The show is sensationalist in a way,” Clarke explains, in an effort to describe a TV series that features twins having sex and a child’s defenestration in the very first episode. It doesn’t matter — Clarke’s conversational style is so intimate and emphatic that basic facts feel like sworn secrets. When she smiles, she does so with every single muscle in her face. “It’s the reason why people pick up gossip magazines. They want to know what happens next…. You’ve got a society that is far removed enough from ours but also circulates around power. How that corrupts people and how we want it, and how we don’t want it.”

In other words, Game of Thrones’ value proposition is creating a rich other world for people to experience a prestige, high-production version of pure, horny, violent, unbridled drama. It is, according to Clarke, pitched perfectly: “I think it caught Western society at exactly the right moment.”

“I don’t know about you,” she says, “but when I watch something, it’s escapism. I’m feeling crappy; I’m just sad, moody, depressed, upset, angry, whatever it is. I know that distraction is what makes me get better. Distraction is what really, really helps me.” She laughs and then quickly pivots to a caveat: “I’m sure that’s not what a therapist would advise.”

It is at this point that Emilia Clarke leans in very close, her breath knocking at my sideburn, and explains to me the bombastic and devastating ending to the most important TV show of the decade.

Wow — just kidding once more. But, uh, while we’re on the topic, how is this whole thing going to end?

It was not hard to root for the Breaker of Chains, until recently. Now we’re seeing the gentle unspooling of her character, and flickers of a dangerous prophecy that she will ascend the throne only to follow in her father’s footsteps and burn it all to the ground. For a while, Daenerys seemed like the Lawful Good ruler, but we have had the great pleasure of watching how power can pervert people. (Nate Jones, at Vulture, leads a thrilling discussion of this very topic.) (Also, if Daenerys were to rule the Seven Kingdoms, only to go nuts, we might at the very least have a spinoff to look forward to.)

Clarke will never say. Throughout 10 or so years in the public eye, her interviews have been peppered with the same handful of charming personal details from her career — the service jobs she worked prior to making it, dancing the funky chicken during her Game of Thrones audition — which feels a lot like walking a vast beach and finding the same series of 10 seashells.

Then, in March, some very different treasure washed ashore when The New Yorker ran the most illuminating profile of Emilia Clarke to date. It was written by Emilia Clarke.

If I am truly being honest every minute of every day I thought I was going to die.

In it, Clarke revealed that she had suffered two near-fatal brain aneurysms during the early seasons of Game of Thrones. The first hit her mid-plank during a training session, and not long after, doctors discovered a second that required them to open her skull for a risky operation. The recovery period was, to her, more painful than the aneurysms. “If I am truly being honest,” she wrote, “every minute of every day I thought I was going to die.” She also announced her charity venture, SameYou, which seeks to provide rehabilitation for young people recovering from brain injuries.

The second time we talk, it is the day before the Game of Thrones New York premiere, and Clarke is at a morning fitting, surrounded by a coronation’s worth of gowns. It’s early, and a passing cold has fried the edges of her voice. But her words still vibrate with so much joy, it’s like she doesn’t even notice. She’s just happy to be here, wherever she is.

Source

Emilia Clarke on Why Game of Thrones Is the Perfect Form of Escapism + HQ Scans was originally published on Enchanting Emilia Clarke | Est 2012

#articles #emilia clarke #gallery #magazines #news #photos #scans #game of thrones #game of thrones cast #GOT cast #daenerys targaryen #me before you #terminator

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fandom-glazed · 5 years

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music asks!

FAVORITES 1. what are your favorite bands? Lord Of The Lost, Porcupine Tree, Nightmare, Frost*, newer: Scarlet Dorn 2. what are your favorite singers? Lady Gaga, Steven Wilson, Zia, Lorde, newer: Down To Eden 3. what are your favorite albums? Thornstar by Lord Of The Lost, In Absentia by Porcupine Tree, To The Bone and Transience by Steven Wilson 4. what are your favorite songs? Six Feet Underground by Lord Of The Lost, Trains by Porcupine Tree, What I’ve Done, In The End and Numb by Linkin Park, My Demons and Ricochet by Starset, From The Flame by Leprous, Lovesongs (They Kill Me) by Cinema Bizarre, Would It Matter by Skillet, Hyperventilate, Experiments in Mass Appeal and Snowman by Frost* 5. what do you think the best popular song of the year is so far? I honestly don’t know. 6. which genres of music do you tend to like the best? Prog, Metal and any heavy stuff (not including “brutal” Death Metal - on a daily basis), Indie, Alternative, Soundtracks 7. what is the best concert you’ve ever been to? Either the Steven Wilson To The Bone Tour concert(s) in Hamburg 2018, or the Lord Of The Lost MEGA tour concert in Munich 2016 8. song of the year? My personal songs of the year (not released in 2019) at the moment: Kiss Me by Rob Vischer, While This Way by Árstíðir .2: 2019 still has to deliver! 9. album of the year? See 8.2 10. what are the best songs your parents have gotten you into? Anything by Keane, Evanescence, Depeche Mode,... 11. how did you first find out about your favorite band/singer? My own, like, nothing I inherited from my parents, favorite band was probably Cinema Bizarre and I found them through their first single being played 24/7 on Viva. 12. when/where do you first remember having heard your favorite song? I don’t remember anymore, sadly. I first heard Trains on a train station. 13. about how many times have you listened to your favorite song? I have absolutely no idea, any number I’d name would be too low. 14. if someone asks you what music they should check out, what are your go-to recommendations? I always assume my taste in music is nothing most people would care to listen to, but I’d say everyone should check out Steven Wilson(’s projects) at least once. And I’d promote my favourites in Lord Of The Lost till I die.

NOSTALGIA 15. what songs give you the most nostalgia? Anything by Evanescence, Keane, 80s music in general, The Corrs, Kylie Minogue, HIM... 16. what kinds of music were you raised on? Mostly 80s stuff, some rock, much pop, my mother brought some jazz as well, unfortunately. 17. what are your favorite songs that have ever been popular? See 15., probably :D I love almost every song by Gaga, I’d say she’s definitely popular! 18. who were your favorite musicians as a kid? I adopted my parent’s favorites, mostly The Corrs, specifically their drummer Caroline. Eisblume. Cinema Bizarre. Though that was already in my teens. 19. how did you feel about music as a kid? Music is and has always been my love and a great hobby. 20. what was your first concert? if you haven’t been to one, what do you want your first concert to be? I was six years old and I remember my dad telling me to say I’m seven so the security would let us in. It was The Corrs and I think it was either in the Hanns-Martin-Schleyer-Halle in Stuttgart, or in the Olympiahalle Munich. We went to several concerts in that year. (So that’s where I got that from!)

PERFORMANCE 21. how do live performances, whether they’re from your friends or professionals, tend to make you feel? Like in another dimension. 22. singing in the shower or singing in the car? I don’t drive, so, rather in the shower. But mostly at my desktop, extremely loudly. 23. if you were to become a musician, what kind of musician would you be? I am a pianist/multi-instrumentalist, but I think I’d never want to be a professional. 24. if you could pick one instrument to learn how to play, what would it be? If improving on the piano doesn’t count, like, learn something completely new, I’d say, maybe the harp, the cello (though I tried it some years ago). 25. what is your singing voice like? what singers do you remind yourself of? I don’t have a super special singing voice (I’m told otherwise), but I hit all the notes thanks to my trained hearing. I don’t really remind myself of someone particular, but I can make my voice sound like different singers like Scarlet Dorn, Lorde or the singer of a band, I just discovered, Trees Of Eternity. 26. have you ever been involved in any music programs? which ones and for how long? I have been member of my music school’s programme/ensemble. 27. which instruments do you know how to play? what’s your skill level? I’ve been playing the piano for 13 years, if I’d kept up the hard work I put in it until 2016, I’d be rather high-skilled, I started to play the guitar some years ago, but I was never really sufficiently active. I also began playing drums and even cello, but due to price and neighbours I couldn’t continue. I am an autodidact singer and I can play the bodhran. 28. if you took music lessons as a kid, are you glad you did? if not, do you wish you had? I am glad I took piano lessons, but I wish I had started taking guitar lessons sooner. I’d be much better by now and I also adored my teacher as a person. He kinda reminds me of my actual mentor now.

SOUNDTRACKS 29. how do you feel about video game soundtracks? I love video game soundtracks. 30. what soundtracks do you enjoy listening to the most? It changes from time to time, but at the moment I love the Mass Effect: Andromeda soundtrack and also the Dragon Age soundtracks, as well as most of the Marvel movies’, Ghibli movies’ and Game Of Thrones’. 31. which soundtracks do you think are objectively the best (or what are some that you think deserve appreciation)? I’d say check out Trevor Morris, Joe Hisaishi and Ramin Djawadi and you’re on the right scent. 32. how do you feel about musicals? I absolutely love musicals and used to visit some as often as I could with my aunt. 33. do you have any favorite composers, including classical ones? See 31, as for classical ones, I love Rachmaninov, Bach and Chopin. 34. are there any soundtracks or kinds of soundtracks that you just can’t stand? Can’t think of any at the moment. 35. what are your favorite songs/soundtracks from movies? I stared to obsess with Under Stars by AURORA from the ME: Andromeda credits, I love the Misty Mountains, The Marvel Avengers theme and the Harry Potter soundtrack, actually I can’t possibly remember everything to write it down.

LYRICS 36. what are some songs whose lyrics you relate to? Ou, that’s a personal one. There are many. But to name a few: Would It Matter by Skillet, Covered In Gold and Walls Of Utopia by Oh Fyo!, Don’t Hate Me and Prodigal by Porcupine Tree, Pariah and Hand Cannot Erase by Steven Wilson, No Me No You by Frost*, almost everything by Scarlet Dorn as well as Black Halo and most of all Cut Me Out by Lord Of The Lost 37. pick a song and analyse its lyrics. Can’t do, shouldn’t do, probably. 38. which songs do you think have the best lyrics? There’s just SO many. 39. what are some songs whose lyrics you think most people just don’t get? Six Feet Underground by Lord Of The Lost, not your typical love songTM, Harmony Korine by Steven Wilson, also so much by Steven Wilson. 40. are there any musicians whose lyrics you particularly tend to like? Steven Wilson. Next! :D 41. do you prefer songs that have good melodies or songs that have good lyrics? Good melodies, generally. But once I got hooked on by the sound I live for good lyrics.

CHALLENGES 42. name five songs you like that were released in the 90s. Join Me In Death by HIM, Walking In My Shoes by Depeche Mode, Rosier by Luna Sea, Viva Forever by Spice Girls, Enter Sandman by Metallica 43. name five songs you like that were released at least 50 years ago. I could name you some classical compositions... 44. write a parody of at least a verse of any song you’d like. Reign, reign on me, reign on me, reign on me. Reign, wash away, triangles and tears, blur all your plot and reign on me. 45. name 5 songs you can’t stand. Despacito, Despacito, Despacito,... 46. look at your country’s song charts, listen to the first unfamiliar song you can find, and share your opinion on it. I didn’t know and didn’t like any of the first eight I looked at. That’s how much I love chart music! 47. turn a song lyric into a pickup line. Until the end of night... (listen to Blood For Blood by Lord Of The Lost. I won’t explain any further.) 48. name the last 5 songs you listened to. While This Way by Árstíðir, Loreley by Lord Of The Lost, Ten Feet High by Andrea Corr, a song I mixed and mastered, Sinking Ships by Trees Of Eternity

RANDOM 49. what are your favorite album covers? In Absentia by Porcupine Tree, Thornstar by Lord Of The Lost, Hand Cannot Erase by Steven Wilson, Resist by Within Temptation, Milliontown by Frost* ... 50. any cover versions that you think are better than the original? I mostly like the cover version and the original. 51. how often do you listen to music? 24/7 52. do you collect vinyls? if so, what have been your best finds? I do have some by Lord Of The Lost and Steven Wilson. 53. if you could meet any musician you’d like, who would it be? Steven Wilson. By faaaar. 54. how do you feel about classical music? I love classical music. 55. would you ever want to have a career in music? I am, in fact, an aspiring audio engineer. 56. if you had a stage name, what would it be? My stage name for audio productions and art is nadzumi. 57. on a scale of 1 to 10, how important is music to you? 11. 58. how do you feel about rap music? Don’t like it. Only a few songs. I like Eminem. And I found the influence in Linkin Park very interesting. But I’d rather stay away. 59. what do you think the best “era” for music was? I’d say the 80s, some of the 90s and now, because there’s such a diversity, everyone will find something they can love. 60. how has music affected you as a person? I’d say I am music. (Music has affected everything.) Feel free to ask away any number if you want me to answer it in more detail!

#other #tagging games

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