#amanda ross ho

[jordi-gali]

Amanda Ross-Ho https://www.shanecampbellgallery.com/amanda-ross-ho/

#amanda ross ho

[theoffingmag]

Individual Collectivity: Scratching at the Moon at ICA Los Angeles

Contrasting with the video art, a table displays an array of domestic objects which are arranged in an orderly cluster, documenting the subjects of a plethora of images that Amanda Ross-Ho found in her father’s own photography portfolio. The work, Untitled Prop Archive (THE PORTFOLIO) (2024) combines found objects with fabricated ones, placed on a table that imitates that which she remembers from her childhood home. Beyond the sculptural work is a large lightbox containing a water-damaged image of Ross-Ho’s father, who practiced as a photographer in a commercial photography studio, standing behind an arrangement of boxes containing laundry detergent and trash bags, at work. The striking image is framed in such a way that it looks almost as if he is sitting at the table, presiding over all the domestic goods that he once photographed. Ross-Ho’s work, much like the rest of the exhibition, evokes a sense of vulnerability, domesticity, and intimacy.

Image: Installation view of Scratching at the Moon, Institute of Contemporary Art, Los Angeles, February 10–July 28, 2024. Photo: Jeff McLane / ICA LA

#art #art writing #art criticism #photography #amanda ross ho #asian american artists #scratching at the moon #institute of contemporary art #los angeles #dylan kaposi #the offing

[thinkingimages]

Amanda Ross-Ho

Untitled Still Life (I WANT YOU (LOOP)), 2010

Sheetrock, latex paint, graphite, labeled folder, aluminum thumbtacks, single earring, ink on bond paper, aluminum and painted plastic thumbtack, incised ink jet paper, staples, linen tape, shoulder strap ribbons removed from H&M dress, aluminum thumbtack, inkjet on paper with incisions, acrylic on watercolor paper, painted aluminum thumbtack, UPC symbol and tape on paper, linen tape, single earring, single earring, belt loop test, aluminum thumbtack, incised ink jet paper, plastic thumbtacks, black paper, painted aluminum thumbtack

41 x 32 inches 104.14 x 81.28 cm

#Amanda Ross-Ho

[peabah]

Amanda Ross-Ho

#Amanda Ross-Ho #contemporaryart #art #sculpture

[abwwia]

Amanda Ross-Ho, ALL THAT JAZZ (KNIFE EDGE/PLACES), 2023.

PHOTO MARIO GALUCCI/COURTESY THE ARTIST; ILY2, PORTLAND, OREGON; AND MITCHELL-INNES AND NASH, NEW YORK

#Amanda Ross-Ho #art by women #palianshow #art

[acdaviespmc4]

Amanda Ross Ho, 'Invisible Ink' (2010) Visit to MoMA, August 2022.

[cosmicanger]

Amanda Ross-Ho, LESS IS NOT MORE, 2013-2022, Cotton jersey and rib, thread, acrylic paint, 75 x 51 in (190.5 x 129.5 cm)

#word art #text art #fiber art

[clarestrand]

SIZE MATTERS. SCALE IN PHOTOGRAPHY. Kunstpalast, Berlin Group Show. 31st Jan 2024.

"Everything changes in an image when the zoom slider is adjusted: certain things are highlighted, detached from their context, exaggerated or reinterpreted. They move closer to us, allowing us to study them, or blur before our eyes"

The scale of a pictorial subject or image format harbours great creative possibilities – but also the potential for manipulation. For the first time, an exhibition comprehensively examines the considerable yet often subtle shifts in meaning that accompany changes in size in photography. Works from the late nineteenth century to the present day raise questions about how scale affects our perception and handling of photographic images.

Photography can change its dimensions more easily than any other medium; pictures can be effortlessly blown up into large images on museum walls and billboards, or shrunk down to a thumbnail on a mobile phone screen. While photography traditionally reproduces the world in miniature, it can also present things in a life-size or even larger-than-life-size format and render the invisible visible.

“While painters have to determine the size of their canvas before applying the first brushstroke, photography is a medium without fixed measurements at the moment of its creation when the shutter is released. It is only afterwards that a decision is made about whether an image will materialise and, if so, in what dimensions,” explains Felix Krämer, general director of the Kunstpalast. “A defining and unique feature of photography is that size is a mutable quality, which is something we want to highlight with this exhibition.”

Bernd und Hilla Becher, Kristleifur Björnsson, Karl Blossfeldt, Georg Böttger, Katt Both, Renata Bracksieck, Natalie Czech, Jan Dibbets, Josef Maria Eder und Eduard Valenta, Leonard Elfert, Claudia Fährenkemper, Hanna Josing, Alex Grein, Andreas Gursky, Franz Hanfstaengl, Erik Kessels, Heinrich Koch, Jochen Lempert, Rosa Menkman, Duane Michals, Joanna Nencek, Floris M. Neusüss, Georg Pahl, Trevor Paglen, W. Paulcker, Sigmar Polke, Seth Price, Timm Rautert, Amanda Ross-Ho, Evan Roth, Thomas Ruff, August Sander, Adrian Sauer, Morgaine Schäfer, Hugo Schmölz, Karl-Hugo Schmölz, Katharina Sieverding, Kathrin Sonntag, Lucia Sotnikova, Simon Starling, Clare Strand, Carl Strüwe, Andrzej Steinbach, Julius Stinde, Anna Stüdeli, Wolfgang Tillmans, Moritz Wegwerth, René Zuber

[charlesbryan]

Amanda Ross-Ho at ILY2

http://dlvr.it/SxRj2b

[mcb3k]

Bee and PuppyCat on Cartoon Hangover

Credits for This Episode ----------------------------------- Created by: Natasha Allegri Written by: Natasha Allegri Directed by: Larry Leichliter Storyboard by: Natasha Allegri Sheet Timing: Larry Leichliter Character Designer: Natasha Allegri Prop/EFX Designers: Zachary Sterling Char/prop/EFX Clean Up: Jojo Baptista Background Design: Alex Dilts Background Painter: Amanda Thomas, Emily Partridge Color Stylist: Efrain Farias

Executive Producer: Fred Seibert Producer: Kevin Kolde, Eric Homan Co Producer: Natasha Allegri Production Manager: Sylvia Edwards Production Coordinators: Stephen Worth, Dana Jo Granger Production Assistant: Ross Kolde, Diane Kolde Casting Director: Meredith Layne, CSA Editor: Andy Tauke, Dave Woody

Cast Bee: Allyn Rachel Deckard, Police Officer: Kent Osborne Temp. Agent, Ladybug: Tom Kenny Wallace: Frank Gibson Assign Bot, Double Mouth: Marina Sirtis

Voice Director: Kent Osborne Dialogue Recording: Salami Studios Post Production Dialogue Mixer: Mark Mercado Assistant Dialogue Mixer: Jonathan Abelardo Post Production: Salami Studios Post Production Sound Design and Editorial: Robert McIntyre Sound Effects Editor: Jessey Drake Foley Mixer: Roberto Dominguez Alegria Foley Artist: Cynthia Merrill Dialogue Conform: Mark Mercado Re-recording Mixer: Thomas J. Maydeck C.A.S. Score By: Will Wiesenfeld

Animation Checking: Wendy Jacobsmeyer Track Reading: Slightly-off Track Inc. Animation Services: Dongwoo A&E Co., Ltd Animation Director: Ki-ho Hwang Layout Artists: Jae-ryong Shim Model Checker: Hee-jin Choi Assistant Animation Supervisors: Jung-sil Kang Key Animation: Jung-seok Seo, Jong-min Kim, Jae-won Baec, In-seol Hwang, Hyun-seok Seo, Hak-soo Bok, Young-rim Lee Final Checker: Eun-hee Jung Background Director: Yoon-ho Lee   Color Stylist: Mi-ok Jeon Composition: Kang-ok Kim, Joo-hee Yang, Soo-jung Yang, Eun-joo Choi, Mi-kyung Lee Production Staff: Young-wun Park, Sua Park, Shinwan Kim

BATHSmusic http://www.bathsmusic.com/

Japanese Captions by Vincent & Erika. Thanks!

#youtube #Bee and Puppycat #Cartoons #Cartoon Hangover

[3000s]

HURTS WORST, Amanda Ross-Ho

#✉ ; finds #art #textile #amanda ross-ho

[jordi-gali]

Shane Campbell Gallery Amanda Ross-Ho https://www.shanecampbellgallery.com/amanda-ross-ho/

#amanda ross ho

[colinquinn]

Amanda Ross-Ho

#Amanda Ross-Ho

[thinkingimages]

Amanda Ross-Ho PARROT_MASTER_FINAL, 2010 Lightjet print mounted on acrylic, face mounted with acrylic 84 x 116 1/4 x 2 1/8 in 213.4 x 295.3 x 5.4 cm

#Amanda Ross-Ho

[hgartsemester-blog]

Chelsea Galleries

Visiting the Chelsea galleries as someone looking to be an art professional gave me a taste of what it's like to be a commercial artist, or rather what's important as one.  Of all the shows we saw, the one that came across the best was one of the simplest in execution, but one of the most complex in conception.  At Kara Walker's show the medium was simply ink drawings, sometimes collaged onto a paper sheet but just as often not.  Compared to Al-Hadid's dripping, sculptural wall paintings and candle clocks, Espirito Santo's illusory take on household objects, Trevor Paglen's AI-driven compilations, Sanford Bigger's glitteringly "repaired" sculptures and quilts, or even Amanda Ross-Ho's playful perspective shift of human clutter, Walker's medium is simple and unassuming.  It is the content, the ideas presented, that set her work apart.  It's encouraging to learn that the depth of thought put into a work of art makes a greater commercial success than any one gimmick or medium.

#reflection #chelsea #diana al-hadid #espirito santo #trevor paglen #sanford biggers #amanda ross ho #kara walker

[zurich-snows]

Amanda Ross-Ho

#Amanda Ross-Ho