Trevor Paglen, Untitled, Reaper Drone
225 notes
·
View notes
Trevor Paglen, Near Bodega Bay Deep Semantic Image Segments, 2022, Dye sublimation print, 48" × 64" (121.9 cm × 162.6 cm) frame (white
97 notes
·
View notes
Cover image from Trevor Paglen's I Could Tell You But Then You Would Have To Be Destroyed by Me: Emblems from the Pentagon's Black World
26 notes
·
View notes
Trevor Paglen, CLOUD #865 Hough Circle Transform, 2019. Courtesy the artist and Pace Gallery.
181 notes
·
View notes
The secrecy of this surveillance is neither idle nor prosaic; places that do not appear on maps are also places that are often outside or above the rule of law. This process of manifestation creates a platform for re-examining the surveyed landscapes which we inhabit.
Trevor Paglen, They Watch the Moon
20 notes
·
View notes
Trevor Paglen at Pace Gallery
9 notes
·
View notes
Trevor Paglen.
39 notes
·
View notes
In her reflections on the Pentagon Papers, Hannah Arendt wrote that ‘secrecy—what diplomatically is called discretion as well as the arcana imperii, the mysteries of government—and deception, the deliberate falsehood and the outright lie used as legitimate means to achieve political ends, have been with us since the beginning of recorded history.’ [‘Lying in Politics: Reflections on the Pentagon Papers’] While this is undoubtedly the case, what is novel about the current period is not only the fact that secrecy has been generalised […] but that the black world has swelled in size as a driving component of the military-industrial complex. This does not just impact the art of government, but has insidious effects on society as a whole. [Trevor] Paglen captures this well when, echoing earlier arguments about the permanent arms economy, military Keynesianism, and the inextricable relationship between militarism, imperialism and late capitalism, he concludes that the ‘black world is much more than an archipelago of secret bases. It is a secret basis underlying much of the American economy.’ [Blank Spots on the Map: The Dark Geography of the Pentagon's Secret World, p. 277]
Alberto Toscano and Jeff Kinkle, Cartographies of the Absolute (Zero, 2015), pp. 66–7.
25 notes
·
View notes
Trevor Paglen
3 notes
·
View notes
Trevor Paglen, CLOUD #735, Scale Invariant Feature Transform; Region Adjacency Graph; Watershed, 2019. Dye sublimation print, 48 × 66 in.
18 notes
·
View notes
Trevor Paglen, CLOUD #211 Region Adjacency Graph, 2019.
Dye sublimation print. 121,9 × 203,2 cm. Edition 1 of 5. Edition of 5 + 2 AP.
at MODAL Gallery, Manchester. Photograph by Annik Wetter.
Pace Gallery.
68 notes
·
View notes
Trevor Paglen, Bloom
2 notes
·
View notes
Trevor Paglen, NEMESIS Rocket Body in Orion (Discarded rocket from Satellite Data System Spacecraft; USA 179rb), 2009
5 notes
·
View notes
Trevor Paglen. KEYHOLE 12-3 (IMPROVED CRYSTAL) Optical Reconnaissance Satellite Near Scorpio (USA 129)
11 notes
·
View notes
screenshots of images from Trevor Paglen’s 2019 presentation at the World Economic Forum “Invisible Images of Surveillance”
1 note
·
View note