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#bert kaempfert
edsmusicblog · 19 days
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colette deréal 22/9/1927 - 12/4/1988
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colette deréal - danke schön
1964
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pookiestheone · 2 months
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In a nostalgic mood (happens more frequently than it used to). A couple of classic, non-rock, songs from my youth
Wonderland by Night, a hit in 1960
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and Stranger on the Shore, a hit in 1962
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oldshowbiz · 1 year
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Neutered monotony, superior muzak, and a failed attempt at showmanship from the awkward Bert Kaempfert.
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edgarmoser · 2 years
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frank sinatra - strangers in the night
1966
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odk-2 · 2 years
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Nat "King" Cole - L-O-V-E (1965) Bert Kaempfert / Milt Gabler from: "L-O-V-E" (LP) "L-O-V-E" / "I Don't Want to See Tomorrow" (Single) "Nat King Cole: L-O-V-E (The Complete Capitol Recordings 1960-1964)" (2006 | CD9)
Traditional Pop | Jazz | Swing
JukeHostUK (left click = play) (320kbps)
Personnel: Nat "King" Cole: Vocals Bobby Bryant: Trumpet Solo
Arranged by Ralph Carmichael Produced by Lee Gillette
Recorded: @ Capitol Records Studios in Hollywood, California USA on June 3, 1964
Released 1965
Capitol Records
Box Set Released: on October 30, 2006 Bear Family Records
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58. Red Roses for a Blue Lady by Bert Kaempfert debuted Jan 65 and peaked at number 11, scoring 926 points.
Bert was born in Hamburg, Germany, and has 12 chart entries 1960-66. His only top ten hit was his first, Wonderland by Night. It hit number one and was the number three hit of 1961.
Also in 1965, vocal versions of Red Roses peaked at number ten by Vic Dana, and number 23 by Wayne Newton.
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twafordizzy · 1 year
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Bijna iedere dag muziek: the Avalanches
Dit is dus de hedendaagse muziekwereld – een wereld waarin niemand meer een noot speelt of zingt, maar waarin onbetwistbaar en ondubbelzinnig toch nieuwe muziek wordt gecreëerd. Vroeger leefde ik in de veronderstelling dat er niets goeds – in elk geval niets heel erg goeds – kon voortkomen uit het mixen, combineren, scratchen, knippen en plakken, en dat klopte ook toen de benadering van de…
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mitjalovse · 1 year
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What am I actually trying to discuss here? I mean, I mentioned two completely different musicians and I attempted to unite them in their propensity for singles, which resulted in the lack of cohesive albums. Well, you can admit there is something there and I can also include Frank Sinatra among the two, since he has a similar issue, though his LPs are not the problem, they're quite coherent. However, they are not really known. For instance – how many have listened the entire collection of song the tune on the link is on? Yes, Sinatra is experienced more through his tunes than the discs these pieces are on. To be honest, this occurs with many of his peers, i.e. they are much more understood through their biggest hits than their whole long plays.
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beatleshistoryblog · 1 year
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LECTURE 8: ROCK AND ROLL MUSIC: Early British rock and roll star Tony Sheridan (1940-2013) and his producer, Bert Kaempfert, convinced The Beatles to perform under the name “The Beat Brothers” on his single “My Bonnie,” recorded in June of 1961, along with several other singles, although Polydor chose “My Bonnie” for the A-side of the single and “The Saints” for the B-side. Thanks to the success of “My Bonnie,” especially in West Germany, Polydor released an entire album of songs by Sheridan and the Beat Brothers in January 1962 called, appropriately enough, MY BONNIE.
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I know, I know:
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britishchick09 · 1 year
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my favorite versions of 'plaisir d'amour'! :)
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bitter69uk · 10 months
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“Question: What do Ann-Margret, BB King, Megadeth, Duane Eddy, Dean Martin, The Jesus and Mary Chain, Johnny Cash, Little Peggy March, Steve Allen, Bert Kaempfert, Ry Cooder, Dino, Desi and Billy, Boyd Rice, The Ventures, Einstürzende Neubauten, Petula Clark, Lydia Lunch, Waylon Jennings, the BBC Concert Orchestra, Vanilla Fudge, Billy Ray Cyrus, Dusty Springfield, Link Wray, Amanda Lear, The Surfaris, Destroy All Monsters and Elvis Presley have in common? Answer: All have recorded the music of Lee Hazlewood, the producer / singer / songwriter of classics like “Jackson”, “Sugar Town” and that sixties anthem of defiance and liberation, “These Boots are Made for Walkin’.”  “Boots” was originally recorded by Nancy Sinatra, for whom Lee wrote many of his best songs, and was a number one hit in 1966. Nancy and Lee were the anti-matter Sonny and Cher, oddly arranged fleurs du mal in the flower children’s pot. In the seventies, after a string of hits, Lee left America – and the music industry – for a reclusive, quiet life in Sweden, and all but disappeared.”
/ From the intro to Billy Miller’s 1999 interview with Lee Hazlewood in Index magazine (anyone else remember Index? It was great!) /
“Hard-drinkin’, ultra-manly producer of Native American extraction who first made his name working with twangy guitar slinger Duane Eddy and went on to become the premier auteur of Rat Pack offspring kitsch, writing and producing material for Dino, Desi & Billy and, most notoriously, for Nancy Sinatra. Following a 1973 solo album candidly titled Poet, Fool or Bum, Hazlewood moved to Sweden and made lousy movies.”
/ From The Rock Snob’s Dictionary in Vanity Fair magazine, November 2000 /
Born on this day: psychedelic cowboy with the porn star mustache and inventor of “Country Exotica”, Barton Lee Hazlewood (9 July 1929 - 4 August 2007). His duets with ethereal sex kitten Nancy Sinatra give me life.
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edgarmoser · 2 years
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bert kaempfert
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bert kaempfert and his orchestra - strangers in the night
1966
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theretirementhome · 10 months
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Happy Cat Disco - The Notorious B.I.G x Foghorn Leghorn x Bert Kaempfert
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thriftstorerecords · 2 years
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Sweet And Gentle Bert Kaempfert Longines Symphonette Society/USA (1963)
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