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#charles singleton
mitjalovse · 1 year
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What am I actually trying to discuss here? I mean, I mentioned two completely different musicians and I attempted to unite them in their propensity for singles, which resulted in the lack of cohesive albums. Well, you can admit there is something there and I can also include Frank Sinatra among the two, since he has a similar issue, though his LPs are not the problem, they're quite coherent. However, they are not really known. For instance – how many have listened the entire collection of song the tune on the link is on? Yes, Sinatra is experienced more through his tunes than the discs these pieces are on. To be honest, this occurs with many of his peers, i.e. they are much more understood through their biggest hits than their whole long plays.
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detroitlib · 3 months
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Portrait of Daniel, Singleton and Imogene Cole, children of soprano Madame Maggie Porter-Cole. Printed on front: "Millard, 224 & 226 Woodward Ave., Detroit." Handwritten on back: "Cole, Maggie Porter. Daniel, Singleton and Imogene Cole, children of Mrs. Maggie L. Porter-Cole."
E. Azalia Hackley Collection of African Americans in the Performing Arts, Detroit Public Library
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odinsblog · 3 months
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The bodies of two men who died while incarcerated in Alabama's prison system were missing their hearts or other organs when returned to their families, a federal lawsuit alleges.
The family of Brandon Clay Dotson, who died in a state prison in November, filed a federal lawsuit last month against the Alabama Department of Corrections and others saying his body was decomposing and his heart was missing when his remains were returned to his family.
In a court filing in the case last week, the daughter of Charles Edward Singleton, another deceased inmate, said her father's body was missing all of his internal organs when it was returned in 2021.
Lauren Faraino, an attorney representing Dotson's family, said via email Wednesday that the experience of multiple families shows this is “absolutely part of a pattern.”
The Associated Press sent an email seeking comment late Wednesday afternoon to the Alabama Department of Corrections.
Dotson, 43, was found dead on Nov. 16 at Ventress Correctional Facility. His family, suspecting foul play was involved in his death, hired a pathologist to do a second autopsy and discovered his heart was missing, according to the lawsuit. His family filed a lawsuit seeking to find out why his heart was removed and to have it returned to them.
(continue reading)
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heycarrots · 2 years
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Recently, I read a comment that Flint “barely won” the fight with Singleton and . . . I’ve got some thoughts.
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Previously, I talked about how we initially view Flint mainly through the eyes of the crew in season one and it’s absolutely most applicable in the series premiere. We don’t even get a glimpse of “James” until he collapses inside Miranda’s door at the end of the second episode. Up until then, we are deliberately fed not lies, exactly, but deliberate misdirection. Twice during the first season, we are tossed into the story through the eyes of a newcomer like a cat tossed into a bathtub.
First, we see the story from Silver’s perspective. Granted, we have NO idea what his history is, but as brand new baby viewers, ourselves, (on our first watch, that is, because who the hell stops at a single viewing?) Silver is the perfect cypher to dress up in our own naïveté. So that bathtub that our Silver kitten gets tossed into is INSTANT unrest and a failing captaincy with no real power left, grasping at control like sheafs of paper caught and scattered on the wind. The second time, we see it through Dufresne’s first boarding. Both times, we are wrong about the character of the cat in the tub.
In this first instance, we are meant to doubt Flint’s cunning and even more, we’re meant to doubt his strength. We’re all familiar with the Gregory MaGuire effect (even if you don’t think you are). MaGuire wrote Wicked, Confessions of an Ugly Stepsister, Son of a Witch and many more. Basically, he flips well known stories on their heads and repaints the protagonists in slightly less flattering lights, giving deeper, more human motivations to the stories antagonists.
We’re meant to expect that here. Jumping on the Oz example, we’re meant to find that the legendary Flint, casting such long shadows over the story of Treasure Island, is in essence, a little old snake oil salesman behind a curtain.
That’s our setup going into this duel. We’re supposed to think this elaborate facade of smoke and mirrors is finally going to collapse, revealing Flint to be incompetent.
So let’s take a look at the fight Flint “barely” won.
We see him flipping tables in his cabin just prior to the fight. He’s just learned he doesn’t have the votes, due to Vane’s murderous intervention. He’s frustrated because he doesn’t yet have a plan.
I’ve seen speculation about him finding the feather in the wreckage and this proves that he notices every little thing out of place. Sure, Flint is fastidious and detail oriented, but we also, if you recall, saw him carefully placing that feather with the log book in the drawer. It’s a security measure to know if someone comes snooping. So he finds the feather and knows that someone who was onboard the Walrus knows about the page, so he immediately formulates a plan. He’s gonna frame Singleton for the theft of the page. He decides right then.
*edited to add: I’m 100% sure he knows Singleton is NOT the one with the page. It’s likely Singleton can’t read, which Flint would be well aware of, perhaps not just as a member of his crew, but as someone who is challenging him for the captaincy. He knows whoever DID steal the page can read, because they came back to look at the log to read it for context clues. He gets all this from that feather. Flint is openly declaring Singleton to be a thief in front of the whole crew to force the hand of the real thief, hoping the fear of retaliation would press him to more quickly try to move on it or, as Silver does, attempt to get the hell outta Dodge.
So, stepping out on deck, he’s had zero contact with Singleton, which means the blank page is folded up somewhere on his person. At the end of the fight, we see him take the page out of Singleton’s pocket. He doesn’t search him, hoping to find something, he goes right for it.
He wasn’t “losing the fight”, he was allowing Singleton to get in close enough that he could plant the page in his coat pocket while still managing to not die, so stealthily, that the entire crew, watching the fight, wouldn’t see it happen.
Flint wasn’t a weaker fighter than Singleton. We see clearly his technique is far superior from the very first parry, he just needed time to plant the page. I’ve seen a lot of commentary on this fight and no one seems to really get this. It wasn’t just a fight, it was a deliberate misdirect, one choreographed to the audience in Flint’s interaction with Billy.
Flint: “The men think I’m . . .”
Billy: “Too weak?”
Flint: “I was gonna say unlucky.”
In conclusion, Flint could’ve taken Singleton out immediately, but chose not to.
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sameteeth · 4 months
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something that i think is really interesting about billy's view of flint in s3 is that he thinks flint's death (if it's in a self-sacrificial way) will not absolve him of his sins in life but that it will make up for the hurt he's caused. or at least that billy wants it to. he pushes flint to take the maroon queen hostage so that flint will die, but flint will die for the crew. billy says in s3e6 "with all the shit that he's done, the things he's gotten away with, [flint dying to free them from the maroons] would have been fair. that would have been right" and that he wants to see "the moment the world finally catches up to [flint]" if/when he dies dueling teach. billy has a very simple idea of justice - he wants flint to die for the death and destruction he has caused, no matter how. that will make the world right, that the narrative will be balanced again.
but what billy doesn't know, and what makes me INSANE about this show is that the full quote from billy is is "I think part of the reason I've been able to stand by his [flint's] side is that I wanted to make sure I've got a good view of the moment the world finally catches up to him... and this story starts to make sense again." but to flint, what he has done is in service of his own justice. justice for the deaths of thomas and miranda and james mcgraw, for the theft of his home in london and again his home in nassau. but to billy, HIS narrative identifies flint as the villain. as the monster. for billy to get justice, flint must die. but it's SUCH a good line, because it also prompts the viewer to think - in OUR narrative, which follows flint and silver mostly, flint must succeed. we want him to beat teach and take the fleet back and overthrow the british empire. flint is shown to be a murderer but he is also shown to be deeply deeply human and we are set up to sympathize him. but it makes you consider what other voices we aren't hearing. who else has been hurt by flint's actions? what narratives have flint as the villain ? none of the characters in black sails are the heroes in every story - but to who are they the villains?
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b1lliesb1ues · 1 month
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📸 Art Kane, 1958
‘I have no idea how they decided to stand where they did, and with whom, but they did. Slowly they formed themselves into a big group … and I saw they couldn’t have got themselves into a better position’ – Art Kane
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gatutor · 1 year
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Penny Singleton-Dick Powel-Charles Winninger "Hard to get" 1938, de Ray Enright.
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adamwatchesmovies · 10 months
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Four Brothers (2005)
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While I didn't enjoy this film, that doesn't mean you won't. No matter what I say, the people involved in this project did it: they actually made a movie. That's something to be applauded. With that established...
Although the titular four brothers in this 2005 action film often come off as a quartet of *ssholes, the actors play off  each other well - enough for some audiences to like them. Their camaraderie and a couple of moments towards the end are unfortunately the only salvageable aspects of Four Brothers. All the subplots and red herrings make it feel like a season of a television series crammed into the running time of a single film - with all of the commercial breaks replaced by gratuitous action sequences.
After a robbery goes wrong and their mother is murdered inside a convenience store, her four adopted sons - Bobby (Mark Wahlberg), Angel (Tyrese Gibson), Jeremiah (André Benjamin) and Jack Mercer (Garrett Hedlund) notice some details about the investigation that don’t add up. The boys decide to take the matter in their own hands and embark upon a trail of violence.
There’s an unwritten contract between audiences and all good vigilante revenge films. You’ll forgive the protagonist (or protagonists) taking the law into their own hands because they’re fulfilling your fantasies. We've all been wronged and have all wished we could give the person who vexed us what they deserve. It's what we're waiting to see in a picture like this. Initially, you’ll be along for the ride director John Singleton sets but the brothers - particularly Bobby and Angel - take things too far. If you haven’t been turned off by their constant bickering and the avalanche of homosexual jokes, their wanton disregard for the safety of everyone around them and the cold-blooded murders they commit will. These "heroes" are nothing but glorified thugs. They're only "heroic" compared to the villains, who have their evil levels cranked to the max. To be fair, it is acknowledged by the film but script-wise, was there any reason for the two robbers who kill mommy Mercer (Fionnula Flanagan) to also be racists? Notice, by the way, that no one cares about the dead convenience store clerk. The little old white lady her murder? It sends the community into an uproar!
The story by David Elliot and Paul Lovett puts on a veneer of intelligence. There are so many red herrings and leads that turn out to be dead ends you’ll be constantly kept guessing. After the credits, you’ll realize much of what you saw didn’t mean anything at all. All of these subplots could’ve easily been eliminated. In fact, if they had, the story would’ve been much leaner and some of the more questionable story developments would’ve been avoided. Over and over, hothead Bobby either points a gun at someone in broad daylight or makes a huge scene and none of them are ever addressed afterwards. I know Detroit has a bad reputation but come on, this film isn’t set in the Wild West. The police officers we meet are simply the worst and the crown of stupidity easily goes to Terrence Howard’s character, Lt. Green. He sucks almost as bad as Mark Wahlberg when he tries to convince us he’s crying.
If you can look past the other flaws, what’ll probably do you in are the action scenes. It’s not an issue of shaky camera or of unconvincing pyrotechnics. The problem is that there’s too much of everything. The film’s final body count is outrageous. The destruction we see is comparable to a small war, not a personal vendetta gone too far. The need to escalate things leads the plot into tired clichés. The before-last scene is good but it’s followed by a truly awful moment. You can practically set your watch to it.
Four Brothers comes from the same vein as The Boondocks Saints but by being “better”, it's actually worse. Bad performances, overlong action scenes, a needlessly complex plot, perplexing decisions from the director… what makes this movie no good? Take your pick. (Full-screen version on DVD, April 13, 2020)
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raynbowclown · 1 year
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Blondie Plays Cupid
Blondie Plays Cupid (1940) starring Penny Singleton, Arthur Lake In Blondie Plays Cupid, the Bumsteads are off to visit relatives in the country when Blondie runs into Charlie and Millie, an eloping couple needing her help. (more…) “”
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View On WordPress
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taylor swift lyrics x colors x textiles in art – blue
Tim McGraw – Taylor Swift // Portrait of Marie-Joseph Peyre – Marie-Suzanne Giroust 💙 Tim McGraw – Taylor Swift // Lady in the Boudoir – Gustav Holweg-Glantschnigg 💙 A Place in This World – Taylor Swift // Portrait of Prince William Henry, Duke of Gloucester – Jean-Étienne Liotard 💙 Dear John – Speak Now // Young Woman in a Blue Dress – Jacopo Negretti 💙 State of Grace – Red // Portrait of Mrs. Matthew Tilghman and her Daughter – John Hesselius 💙 Red – Red // An Unknown Man – Joseph Highmore 💙 All Too Well – Red // Portrait of a Man with a Quilted Sleeve – Titian 💙 Everything Has Changed – Red // Portrait of the Marquis de Saint-Paul – Jean-Baptiste Greuze 💙 Starlight – Red // Mrs. Richard Brown – John Hesselius 💙 Run – Red // Judith with the Head of Holofernes – Felice Ficherelli 💙 This Love – 1989 // Fair Rosamund – John William Waterhouse 💙 Delicate – Reputation // Miss Elizabeth Ingram – Joshua Reynolds 💙 Gorgeous – Reputation // Marguerite Hessein, Lady of Rambouillet de la Sablière – workshop of Henri and Charles Beaubrun 💙 Dancing with Our Hands Tied – Reputation // George Albert, Prince of East Frisia – Johann Conrad Eichler
Cruel Summer – Lover // Peter August Friedrich von Koskull – Michael Ludwig Claus 💙 Lover – Lover // Lady Oxenden – Joseph Wright of Derby 💙 Miss Americana & the Heartbreak Prince – Lover // Portrait of Ivan Ivanovich Betskoi – Alexander Roslin 💙 Paper Rings – Lover // Young Woman in a Blue Dress – Jacopo Negretti 💙 London Boy – Lover // Queen Henrietta Maria with Sir Jeffrey Hudson – Anthony van Dyck 💙 Afterglow – Lover // Portrait of Prince Dmitry Mikhailovich Golitsyn – Fyodor Rokotov 💙 Christmas Tree Farm – Christmas Tree Farm // Portrait of Mary Ruthven, Lady van Dyck – Anthony van Dyck 💙 invisible string – folklore // Two Altar Wings with the Visitation of Mary – unknown artist 💙 invisible string – folklore // Portrait of Madame de Pompadour – François Boucher 💙 peace – folklore // Fair Rosamund – John William Waterhouse 💙 hoax – folklore // Portrait of Charles le Normant du Coudray – Jean-Baptiste Perronneau 💙 coney island – evermore // Portrait of the Marquis de Saint-Paul – Jean-Baptiste Greuze 💙 Carolina – Carolina // Mrs. Daniel Sargent – John Singleton Copley 💙 Bejeweled – Midnights // Elsa Elisabeth Brahe – David Klöcker Ehrenstrahl 💙 The Great War – Midnights // Portrait of Françoise Marie de Bourbon – attributed to François de Troy 💙 Hits Different – Midnights // Mrs. Benjamin Pickman – John Singleton Copley
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sasami-san · 6 months
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comtessezouboff · 4 months
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Paintings from Buckingham Palace: part I
A retexture by La Comtesse Zouboff — Original Mesh by @thejim07
100 followers gift!
First of all, I would like to thank you all for this amazing year! It's been a pleasure meeting you all and I'm beyond thankful for your support.
Spread among 13 occupied and historic royal residences in the United Kingdom, the collection is owned by King Charles III and overseen by the Royal Collection Trust. The British monarch owns some of the collection in right of the Crown and some as a private individual. It is made up of over one million objects, including 7,000 paintings, over 150,000 works on paper, this including 30,000 watercolours and drawings, and about 450,000 photographs, as well as around 700,000 works of art, including tapestries, furniture, ceramics, textiles, carriages, weapons, armour, jewellery, clocks, musical instruments, tableware, plants, manuscripts, books, and sculptures.
Some of the buildings which house the collection, such as Hampton Court Palace, are open to the public and not lived in by the Royal Family, whilst others, such as Windsor Castle, Kensington Palace and the most remarkable of them, Buckingham Palace are both residences and open to the public.
About 3,000 objects are on loan to museums throughout the world, and many others are lent on a temporary basis to exhibitions.
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This first part includes the paintings displayed in the White Drawing Room, the Green Drawing Room, the Silk Tapestry Room, the Guard Chamber, the Grand Staircase, the State Dining Room, the Queen's Audience Room and the Blue Drawing Room,
This set contains 37 paintings and tapestries with the original frame swatches, fully recolourable. They are:
White Drawing Room (WDR):
Portrait of François Salignan de la Mothe-Fénelon, Archbishop of Cambrai (Joseph Vivien)
Portrait of a Lady (Sir Peter Lely)
Portrait of a Man in Armour with a red scarf (Anthony van Dyck)
Portrait of Alexandra of Denmark, Queen Consort of the United Kingdom and Empress of India (François Flameng)
Green Drawing Room (GDR):
Portrait of Prince James Stuart, Duke of Cambridge (John Michael Wright)
Portrait of Frederick Henry, Charles Louis and Elizabeth: Children of Frederick V and Elizabeth of Bohemia (unknown)
Portrait of Infanta Isabel Clara Eugenia of Autria and her Sister, Infanta Catalina Micaela of Austria (Alonso Sanchez Coello)
Portrait of Princess Louisa and Princess Caroline of the United Kingdom (Francis Cotes)
Portrait of Queen Charlotte with her Two Eldest Sons, Frederick, Later Duke of York and Prince George of Wales (Allan Ramsay)
Portrait of Richard Colley Wellesley, Marquess of Wellesley (Martin Archer Shee)
Portrait of the Three Youngest Daughters of George III, Princesses Mary, Amelia and Sophia (John Singleton Copley)
Silk Tapestry Room (STR):
Portrait of Caroline of Brunswick, Princess of Wales, Playing the Harp with Princess Charlotte (Sir Thomas Lawrence)
Portrait of Augusta, Duchess of Brunswick With her Son, Charles George Augustus (Angelica Kauffmann)
Guard Chamber (GC):
Les Portières des Dieux: Bacchus (Manufacture Royale des Gobelins)
Les Portières des Dieux: Venus (Manufacture Royale des Gobelins)
Les Portières des Dieux (Manufacture Royale des Gobelins)
Grand Staircarse (GS):
Portrait of Adelaide of Saxe-Meiningen, Queen Consort of Great Britain (Martin Archer Shee)
Portrait of Augustus, Duke of Sussex (Sir David Wilkie)
Portrait of Edward, Duke of Kent (George Dawe)
Portrait of King George III of Great Britain (Sir William Beechey)
Portrait of King William IV of Great Britain when Duke of Clarence (Sir Thomas Lawrence)
Portrait of Leopold I, King of the Belgians (William Corden the Younger)
Portrait of Prince George of Cumberland, Later King George V of Hanover When a Boy (Sir Thomas Lawrence)
Portrait of Princess Charlotte Augusta of Wales (George Dawe)
Portrait of Queen Charlotte at Frogmore House (Sir William Beechey)
Portrait of Victoria of Saxe-Coburg-Saafeld, Duchess of Kent (Sir George Hayter)
State Dining Room (SDR):
Portrait of Charlotte of Mecklenburg-Strelitz, Queen Consort of the United Kingdom in Coronation Robes (Allan Ramsay)
Portrait of King George III of the United Kingdom in Coronation Robes (Allan Ramsay)
Portrait of Augusta of Saxe-Gotha, Princess of Wales (Jean-Baptiste Van Loo)
Portrait of Caroline of Ansbach when Princess of Wales (Sir Godfrey Kneller)
Portrait of Frederick, Princes of Wales (Jean-Baptiste Van Loo)
Portrait of King George II of Great Britain (John Shackleton)
Portrait of King George IV of the United Kingdom in Garther Robes (Sir Thomas Lawrence)
Queen's Audience Room (QAR):
Portrait of Anne, Duchess of Cumberland and Strathearn (née Anne Luttrel) in Peeress Robes (Sir Thomas Gainsborough)
Portrait of Prince Henry, Duke of Cumberland and Strathearn in Peer Robes (Sir Thomas Gainsborough)
London: The Thames from Somerset House Terrace towards the City (Giovanni Antonio Canal "Canaletto")
View of Piazza San Marco Looking East Towards the Basilica and the Campanile (Giovanni Antonio Canal "Canaletto")
Blue Drawing Room (BDR)
Portrait of King George V in Coronation Robes (Sir Samuel Luke Fildes)
Portrait of Queen Mary of Teck in Coronation Robes (Sir William Samuel Henry Llewellyn)
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Found under decor > paintings for:
500§ (WDR: 1,2 & 3)
1850§ (GDR: 1)
1960§ (GDR: 2 & 3 |QAR 3 & 4)
3040§ (STR, 1 |GC: 1 & 2|SDR: 1 & 2)
3050§ (GC:1 |GS: all 10|WDR: 4 |SDR: 3,4,5 & 6)
3560§ (QAR: 1 & 2|STR: 2)
3900§ (SDR: 7| BDR: 1 & 2|GDR: 4,5,6 & 7)
Retextured from:
"Saint Mary Magdalene" (WDR: 1,2 & 3) found here .
"The virgin of the Rosary" (GDR: 1) found here .
"The Four Cardinal Virtues" (GDR: 2&3|QAR 3 & 4) found here.
"Mariana of Austria in Prayer" (STR, 1, GC: 1 & 2|SDR: 1 & 2) found here.
"Portrait of Philip IV with a lion at his feet" (GC:1 |GS: all 10|WDR: 4 |SDR: 3,4,5 & 6) found here
"Length Portrait of Mrs.D" (QAR: 1 & 2|STR: 2) found here
"Portrait of Maria Theresa of Austria and her Son, le Grand Dauphin" (SDR: 7| BDR: 1 & 2|GDR: 4,5,6 & 7) found here
(you can just search for "Buckingham Palace" using the catalog search mod to find the entire set much easier!)
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Drive
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@joojconverts @ts3history @ts3historicalccfinds @deniisu-sims @katsujiiccfinds @gifappels-stuff
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TODAY'S FROZEN MOMENT - Today marks the 65th Anniversary of this phenomenal photo - August 12th, 1958 - this now-famous photo was taken… later to be given the title "A Great Day in Harlem" when it was published in Esquire magazine. Art Kane, an art director for the magazine, was finally allowed to do a photo assignment... A jazz lover, Kane said he wanted to assemble the best in jazz for a shot, at 10 in the morning... Most people laughed at him...but...somehow he pulled this off; they showed up...as requested, to 17 East 126th Street...astonishing really... Subsequently, a documentary about the photo added to the magic... as did the allowance of the neighbors, the kids in the front and the folks in the windows… just so special… See below for a list of who's who... of the 57 musicians here, only 2 remain: Sonny Rollins and Benny Golson... but the shot, like all of the music, is eternal…
[01 – Hilton Jefferson, 02 – Benny Golson, 03 – Art Farmer, 04 – Wilbur Ware, 05 – Art Blakey, 06 – Chubby Jackson, 07 – Johnny Griffin, 08 – Dickie Wells, 09 – Buck Clayton, 10 – Taft Jordan, 11 – Zutty Singleton, 12 – Red Allen, 13 – Tyree Glenn, 14 – Miff Molo, 15 – Sonny Greer, 16 – Jay C. Higginbotham, 17 – Jimmy Jones, 18 – Charles Mingus, 19 – Jo Jones, 20 – Gene Krupa, 21 – Max Kaminsky, 22 – George Wettling, 23 – Bud Freeman, 24 – Pee Wee Russell, 25 – Ernie Wilkins, 26 – Buster Bailey, 27 – Osie Johnson, 28 – Gigi Gryce, 29 – Hank Jones, 30 – Eddie Locke, 31 – Horace Silver, 32 – Luckey Roberts, 33 – Maxine Sullivan, 34 – Jimmy Rushing, 35 – Joe Thomas, 36 – Scoville Browne, 37 – Stuff Smith, 38 – Bill Crump, 39 – Coleman Hawkins, 40 – Rudy Powell, 41 – Oscar Pettiford, 42 – Sahib Shihab, 43 – Marian McPartland, 44 – Sonny Rollins, 45 – Lawrence Brown, 46 – Mary Lou Williams, 47 – Emmett Berry, 48 – Thelonius Monk, 49 – Vic Dickenson, 50 – Milt Hinton, 51 – Lester Young, 52 – Rex Stewart, 53 – J.C. Heard, 54 – Gerry Mulligan, 55 – Roy Eldridge, 56 – Dizzy Gillespie, 57 – Count Basie.]
[Mary Elaine LeBey]
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nine-frames · 8 months
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"Shit just goes on and on, you know."
Boyz n the Hood, 1991.
Dir. & Writ. John Singleton | DOP Charles Mills
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Boyz In the Hood (1991)
Director: John Singleton
Cinematographer: Charles Mills
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blacksailspolls · 7 months
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🏴‍☠️ BLACK SAILS EPISODE BRACKET
ROUND 1, GROUP 2
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SUMMARY
II. (1.02) — After Captain Flint reveals Singleton as the thief in front of his crew, he has Gates convince Billy, who knows the truth about his captain, that this is for the good of the crew. Meanwhile, Silver and Max are forced to hide in the brothel when they put themselves in danger as Captain Vane and his partners, Jack Rackham and Anne Bonny, are determined to get a hold of the missing page in the hunt for the Spanish galleon, Urca de Lima. Also, Eleanor is given an ultimatum by Max and has to decide between wealth or love.
XXVIII. (3.10) — As Flint buries the treasure, he is questioned by Silver about his true reasons for the war against the British and the tactics for the upcoming battle on the island. On the day of the attack, the British and Hornigold manage to take the beach with superior firepower, forcing Flint and his men to retreat. Meanwhile, Rackham and Anne unite with Blackbeard's fleet, who seeks revenge for the death of Charles Vane. In Nassau, Eleanor is confronted by an anonymous message, which demands the remains of Charles Vane as well as the gibbet be removed from the market square. Rogers recovers and reassures Eleanor of his support in overcoming her enemies. Silver sends Dobbs to the beach to kill Hornigold. In a later battle, Hornigold shoots Dobbs. Hornigold is eventually killed by Flint. In Nassau, a pardoned pirate captain is murdered by Billy, as there was no reaction to the message with the black spot. With the help of Anne and Rackham, Blackbeard's fleet manages to force the British fleet to retreat. In Nassau, Billy uses the name "Long John Silver" to create a claim of responsibility for the murder.
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