If you, like me, wish we spent more time talking about the women of the civil rights movement, here’s a really big moment that often goes unsung: the 1969 Charleston Hospital Strike.
Protesting discriminatory treatment, the unjust termination of 12 employees, and abysmal wages, more than 60 hospital workers, all Black, most women, went on strike for 2 months. The demonstrations they staged provoked a response of over 1,000 state troopers and members of the national guard. The movement was notably supported by Coretta Scott King, widow of Martin Luther King Jr., pictured above (front center).
The investigation of the hospital that followed found 37 instances of civil rights violation, and when the state was threatened with a $12 million cut in federal funds, they yielded, rehiring the 12 employees who had been fired and agreeing to a pay increase.
One of the participants in the demonstrations, Madeline Anderson, since inducted to the Black Filmmakers Hall of Fame, made a phenomenal 30 minute documentary called “I am Somebody”. If you can find it, watch it. I was able to find a DVD at my local public library. If you’re interested in reading what I had to say about the movie, you can read my letterboxd review here.
I've been studying film alot lately and I'm finally ready to start sharing my new art. Make sure you subscribe to my new channel to catch all the new art coming out!!
Today's Black History Month illustration is of Oscar Micheaux (1884-1951), the first major Black filmmaker and the most successful Black filmmaker of the first half of the 20th century.
He wrote, produced and directed 44 films between 1919 and 1948. His films featured contemporary Black life, complex characters, and he sought to counter the negative on-screen portrayal of Black people on screen.
In 1913, he released his first novel, The Conquest The Story of a Negro Pioneer, loosely based on his own life as a homesteader. It attracted attention from a film production company in LA, which wanted to adapt the book into a film. The deal fell through, and he decided to produce and shoot the film himself in Chicago.
Micheaux set up his own film and book publishing company, then released the film, “The Homesteader” in 1919. The silent film featured a Black man who entered a rocky marriage with a Black woman, played by actress Evelyn Preer, despite being in love with a white woman. It garnered praise from critics, and one of them called it a “historic breakthrough, a creditable, dignified achievement.”
Here’s a clip of Micheaux’s second film, “Within Our Gates” (1920), the earliest known surviving feature film directed by an African American. (Shout out to the Library of Congress website!) Within Our Gates was created in response to The Birth of a Nation and showed the reality of Dixie racism in 1920.
Micheaux wanted to offer audience a Black version of Hollywood movies, but because he operated under financial and technical restraints, his films were poorly lit and edited. He used non-professional actors and scenes were shot in one take, often filled with flubs.
Even though Black critics and audiences rejected his later films as racially ambivalent due to bourgeois ideologies, his films brought diverse images of Black life and social issues to the screen for the first time. His prolific career was truly groundbreaking, especially for the time he lived in.
I’ll be back on Monday with another illustration and story!
Ngozi Onwurah's White Men Are Cracking Up uses a murder mystery to explore the legacies of British colonialism and the exoticization of Black women [x]
White Men Are Cracking Up (1994) dir. Ngozi Onwurah
Hot off the box office success of “Candyman” and ahead of her upcoming Marvel Cinematic Universe debut with “The Marvels,” DaCosta will present her fresh take on the fabled story. “Hedda Gabler” has seen numerous adaptations on stage and screen, and in several languages, since its 1891 debut, including 1975’s “Hedda,” which earned Glenda Jackson a best actress nomination at the Academy Awards.
Produced by Gabrielle Nadig, who also produced DaCosta’s debut feature “Little Woods,” and Plan B, “Hedda Gabler” follows its titular character as she navigates a house she does not want, a marriage she feels trapped in and an ex-lover who has reappeared in her life.