Immortal Beloved - Chapter Eleven.
Previous chapters - Prologue One Two Three Four Five Six Seven Eight Nine Ten
Tag list - In the comments
Words - 3,414
Warnings - 18+ only. Adult themes + vampire content throughout. Minors DNI!
With her love sleeping soundly, Bryn began to feel restless in the hour she had left before the dawn broke, pulling on her long, deep blue silk nightgown and matching floral robe, exiting the bedroom. Touring the corridors of Arrow House as she made her way to the stairs, she smiled to see the traces of herself there within the home. Her flourishing friendship with her soon-to-be sister-in-law meant that Grace consulted her at every turn where furnishing the property with art and antiquities was concerned.
The softly spoken Irish beauty had excellent taste, Bryn only needing to advise her here and there over certain pieces, all of which she had received a very nice little discount for purchasing. The Johan Baptist Reiter painting that hung to the left as she descended the bottom of the staircase looked particularly lovely in its placement. Just like Bryn herself, Grace had a fondness for Biedermeier.
Sensing a presence in the sitting room, she gravitated in that direction, pushing the slightly ajar door open to see Tommy sitting by the fire, a cigarette in one hand and a whiskey in the other.
“Tired our John out, have you?”
She laughed softly through her nose, Tommy rising from his seat, gesturing to the whiskey bottle.
“Please,” she spoke, sitting down. “And yes, for now.”
“I didn’t mean to be coarse, but the sound travels well in this house,” he commented, pouring the whiskey into a tumbler and passing it to her.
“The high ceilings often bode well for good acoustics. I apologise if my wailing awoke you. Your brother is nothing short of a very gifted lover.”
Tommy shook his head, returning to his seat. “Wasn’t that.” A shadow crept across his features, one he did well to hide from any other person. Bryn was a different matter entirely, though.
“The German guns still haunt you.”
Her assertion earned her a fixed stare, his cool eyes softening a touch as he slowly brought the cigarette to his lips, the tobacco embers crackling. “Didn’t think I was that obvious.”
“You aren’t,” she smiled, “but nothing gets past me. I know the look of a man haunted by his past, by the horrors that still dance a cruel waltz within his mind at everything he saw and should not have had to.” She paused, trailing the rim of the glass with her fingernail. “I tire of witnessing the harm that befalls young men, sent off to fight in the wars concocted by those who never leave their seats of power to fight alongside them. I never sent anyone into a battle that I did not join them in myself, too.”
“John mentioned that you were quite the tactician back in your human days. A warlord, I believe he coined it.”
She nodded, sipping her drink. “Correct, yes.”
“Then it puzzles me why, with that kind of experience, you have fled your enemies for so very long,” he spoke. “Surely your brilliance dictates you could thwart them all, especially taking your strength into consideration.”
A prickle of annoyance skipped over her chest, but Bryn remained calm. “You should know better than anyone, Tommy, that strength is found in numbers where war is concerned. My kind has been hunted to near eradication within England. I have no allies left, and I shall die before I bring my children into this. I am, however, currently in a phase of contemplation. Something happened tonight, something that meant I intend to put down roots in Birmingham. I can hide no longer, so therefore I must begin to strike back against those who have hunted me.”
He cocked his head, watching how the diamonds upon her finger glittered in the firelight, smiling softly. “It fits, then? He was having a right old panic over whether it would.” Watching a small frown settle between her eyebrows as her mouth twisted into a curious smile, he elaborated. “I got dragged to the Jewellery Quarter to help him pick it. Never seen our John in that much of a bloody flap over anything.”
His words touched her, Bryn imagining her sweet love losing his cool over which ring to choose. “Now that I am to be married, you see why I no longer wish to flit from place to place, to keep them guessing with guards upon the doors of my various residences across the globe. In order to do that, though, I must begin in making strikes against them.”
His next question was only natural, Tommy leaning forward in his seat. “And how do you propose to do that?”
Bryn smirked, mirroring his lean. “Setting the kind of trap they shan’t be able to refuse falling into, Tommy.”
It took many more moving pieces in the first phase to begin dismantling the Rasmusen’s infrastructure than just Bryn herself, five large vans en route to her London residence the day after Boxing Day. Predictably, they had a tail, which was exactly what John wanted as he sat in the passenger seat, Johnny Dogs driving.
“It’s a good job they weren’t convinced over the serving girl’s statement that Brynhild wasn’t there?” he stated, negotiating the bends that led them down over the main route into the capital.
John sniffed, taking a swig of whiskey from his hip flask. “I said to Pol she likely weren’t the only one they sent to spy our movements, and yeah, Dogs. I’m glad of it.” Looking in the wing mirror, the car that followed them appeared as a deep maroon dot in the distance, John lifting his chin as he swallowed hard. He just hoped that a few of the men within were notable within the family, for their strike to have the desired effect.
Once they had arrived at 14 Holland Park Road, John jumped out and headed to the front door, Bryn’s neatly pencilled list withing his grasp of the items they were to take from the property and transport back to Birmingham. He nodded at the two men under the employment of Alfie Solomons upon the door, pushing in the key into the lock and opening it up.
“Right, lads,” he began, standing outside of the large sitting room as he perused the list. “All the paintings from the ground, first and second floors, the baby grand, every vase and ornament and leave the rest. Get the packing cases in and hop to it.”
He had personally been tasked with bringing a few items of her clothing and all of her jewellery, Bryn not wanting anyone but her future husband rifling through her personal items, heading up to her bedroom to begin collecting those very belongings.
“Nice bed,” he muttered upon entrance, looking over as he strode to the wardrobe, “shame I won’t get to bounce her around on it for a few hours.” Once the designer pieces she’d listed had been pulled out, her furs as well, he went to the safe and removed all of her jewels, placing each into the heavy hessian sack he carried, picking up the clothing and exiting swiftly. Not before leaving a few items around before he did.
The house was emptied of everything she’d requested within two hours, the team heading back up to Birmingham minus their tail, who stayed parked up at the end of the road.
“Ay, what aren’t we following ‘em, Pat?”
Watching the vans driven by the Peaky Blinders pass them by, Patrick Rasmussen turned to Stanley, nodding back at the house. “Guards are still on the doors, lad. Since they only came back this morning, it means she’s still in there. I think it’s safe to assume she’s on the move, though, what with the contents of her house being cleared out by the Peaky lads. Go down to the phone box and call in with me dad, get him to have one team follow the van, but most of the lads to come down here and wait. We strike on her tonight, as soon as they step away from the door.”
Patrick thought he was being clever, but sadly for him, Brynhild Leifsdottir was much cleverer than he’d ever be able to anticipate...
“Ahh, look now. Pulled over for a break, they have,” spoke Matthew Rasmussen, the very man tasked with following the vans heading back to Birmingham, having been sat awaiting word from Edward on when to move. “Reet, lads. Ready yourselves. Not that we’ll need to, like. We’ve got ‘em well outnumbered.”
His grin of triumph fixed itself firmly, getting to strike a coup against the Peaky Blinders and partially disarm of her allies the vampire menace who had evaded his family for so long in one fell swoop, Matthew noticing there only to be eight men standing around smoking and chatting by the five vans pulled over at the side of the road.
Between his car and the other that followed, ten Rasmussen family members and associates strode out, guns ready, the scent of success bolstering them with every step.
“Can I help you lads?” John asked, flicking his cigarette away.
“Aye, lad. You can stand still and get shot,” Matthew chirped, aiming the gun in his hand towards his head.
“Are we getting shot today, John?” Johnny Dogs asked casually with a sniff. “Didn’t think it was a shooting day today, I didn’t?”
“Nah, Dogs. We ain’t getting shot today, mush.” John’s grin broadened, Matthew shaking his head, about to deliver his final words before the man before him spoke again. “Brynhild sends her regards.”
Perhaps if his brother Patrick was paying greater attention, he would have noticed that one the five vans in the convoy was not filled with the antiquities belonging to the vampire. Tragically for Matthew, nobody noticed until it was too late that it was instead filled with eight Peaky Blinders who stepped out with machine guns, rapidly opening fire.
“Back home by teatime then, John boy?” Arthur spoke casually, once the hail of bullets had ceased. Lowering the machine gun in his grasp, he walked to Matthew’s corpse, snorting deeply before spitting onto his face. “Fucking cunt.”
“Ar, brother. Let’s get off.”
With one team eradicated, the second sat patiently in their vehicles upon Holland Park Road, waiting for any signs of life within the property. At just gone five-thirty in the evening, a rapidly zooming Bryn opened the French windows at the rear of her house, looking around to see the items her love had left out in preparation before taking a tour of the home.
“I shall miss you, beautiful house,” she hummed, her fingertips trailing over each piece of furniture as she passed it by. “It is a most worthy trade, though.”
Entering her bedroom, she held a hand to her chest at the sight of a single red rose laid upon the bed, a note accompanying.
Hurry back when you’re done, sweetheart. I have plans, and they all involve burying my tongue and then my cock inside you until you’re screaming x
Romantic, yet filthy. That was her John to an absolute tee. Taking the note, she tucked it into the pocket of her smart, black trouser suit, pushing the rose into the long braid in her hair before moving downstairs and opening the front door.
“Evening, chaps,” she spoke warmly, giving them both a little wedge of notes each. “Go and enjoy yourselves. As explained to Mr Solomons I shall no longer be requiring his guard services, but please do inform him there shall be a very nice cheque to follow in the post as a personal token of my appreciation.”
The taller of the two nodded, lifting his hat to her. “A pleasure, Ms Leifsdottir. Thank you, ma’am.”
Bryn made sure she stood at the front door for long enough to be noticed while waving them away in their car, closing it behind her and heading to the sitting room in wait. They arrived in two units, as she suspected they would, the first storming the front door and the second the rear, twenty Rasmussen men filling the space.
“Finally,” Patrick grinned, the men surrounding her, “we’re fucking got you cornered at last. Stan, get her in chains.”
“Oh, no, no, my dear,” she hummed, shaking her head.
“No?” he laughed, Stan moving towards her. “We’ve got you surrounded, pet. One move and its curtains for you, it is.”
“My associates say differently, as do the trip wires you’re all about to stumble upon.”
Patrick and his men halted immediately, indeed seeing wires all boxing the area in which the vampire stood, Bryn flicking her hands. Sparks of ignition lit the very shortened fuses upon the strategically placed sticks of dynamite, her fangs glistening as she grinned. “Now, what is that my soon to be husband says, hmm? Ah yes. By order of the Peaky Blinders,” she laughed, delivering her final words with a wave. “Fuck you.”
She was gone out of the open French windows within a blink, her entire house exploding into inferno the next, Bryn hovering high above in the air to watch the fireball engulf her former home, and the twenty Rasmussen’s within it. The reflection of the flames twinkled in her eyes, Bryn feeling a piece of herself return.
“Splendid.” With that, she left London, racing through the night air rapidly, returned to Birmingham in just under fifteen minutes. She was so swift, in fact, she even beat John home, her beloved arriving not long after her, giving his coat and cap to a waiting Arthur and removing his boots before calling through the house.
“Where’s me bab?”
“Bedroom, darling,” she replied. He took the stairs two at a time, turning right to enter the bedroom, not seeing her anywhere in sight. His mouth upturned to feel her arms slide around him from behind, delicate fingers unknotting his tie as she laid kisses to his cheek.
“How’d it go?”
“With a very big bang,” she purred, tongue swiping a lick upon his cheek.
He turned, clasping her nakedness to him, laying lustful kisses upon her neck while his fingers went to her wavy, freshly undone hair. “Just like the rest of your night, then.” The scent of her lightly perfumed skin pulled at him like a heady intoxicant, his clothes all shed by the time they reached the bed, lying back and taking her with him.
His hands moved in slow tour down her back, grasping the rounded cheeks of her bum, making her squeal when he laid a hard slap to each. “Get up here,” he rasped, winking as he grasped her hips. “You know exactly where I want ya.”
Taking to her knees, she shuffled up the bed, levelling herself with his head. He pushed his elbows against her thighs, bringing her down until her sex met the long, firm swipe of his tongue. His breath misted hot against her cool folds, her skin soon warming to the blazing warmth of his mouth with every lick he pushed against her, groaning as the sharp honey of her cunt began to bathe his tongue.
His fingers trailed over the ancient etchings upon her hips, pattering up to her breasts, evoking an earthy moan as he began to roll her nipples into peaks between his thumbs and forefingers. Heat streaked over her nerves like a hail of comets as his lips wrapped her clit in a firm suck, tongue gently rolling, her thighs twitching in response.
The rich groan rumbling through his throat as she reached back to clasp his cock vibrated through her, Bryn pausing to lick her hand wet before curling it around his hardness again, a breathy sigh leaving her parted lips as he sank his tongue into the wet of her cunt. The pleasure surged through her, hips purling against his mouth, her hand working him to steel, all while crying out softly at the speed his tongue beat against her bud with.
He had her embers stoking to flames rapidly, the burn much too smouldering to withstand without him being inside her. The slick of her cunt grazed his abs as she moved down, and it sent a bolt through him, lightning that struck deep again as she speared herself upon his cock, leaning to circle his nipple with her tongue. Her walls flexed around him as the heat of his cock radiated through her, warming her walls as it dragged against them, her teeth closing in soft bite on his nipple, running a lick from his chest up to his mouth.
The momentum gathered rapidly, little shocks of burning pleasure skittering through them as their bodies moved together in perfect sync, Bryn leaving raspberry trails of lust upon the lily white of his chest with her nails. His muscles bounced beneath the clawed contact, the feeling sinking down to his bones as he watched her tits bounce, his hands moving to cup them before he reached for her neck, pulling her down to his level,
Moving to hold her in a grasp upon her hips, her wail sounded through the air as he fucked up into her hard, their tongues swirling, kisses all heat and sin, John making her shriek and giggle when he moved a hand to begin laying hard smacks upon the round of her bum.
“Fucking can’t wait for you to be my wife.” he groaned, kisses moving to her neck.
To be somebody’s wife again, she could scarcely believe it, to have finally found a man who loved her that much after crossing oceans of time alone.
Witnessing the wattage of her luminous smile was all the answer he needed, their mouths meeting again as he turned her onto her back, limbs locking around one another as sublime love and burning lust met in perfect alchemy.
Once they’d spent time thoroughly enjoying themselves, they lay idly stroking one another, Bryn’s nail trailing from freckle to freckle, mapping the constellation upon his shoulder. They were the stars, his body the endless sky she wished to sail through. Come January the first, it would be a month since he’d first met her and yet, it felt like a year. Already he struggled to remember a life without his beloved in it, and he never wanted that for either of them again.
“I’ve been thinking,” he began, Bryn reaching to the side of his head, miming winding a crank handle. “Oi, cheeky mare. Less of that.” Despite himself, he still laughed, his amused chuckles joining the tinkle of her giggles.
“So yeah, I’ve been thinking, right, about the future. After everything you’ve told me about your long life, it wouldn’t be fair for me to make you watch me grow old and eventually have to lose me an’ all. Once Katie is a bit older and won’t need me to be around for her quite so much, especially not in the daytime, I want you to make me vampire. I dunno, though, like will it cause issues, you being the one to do it?”
She understood the connotations clearly, since the bond between creator and offspring as just as deep, if not deeper than a human parent and child. There was an exception, though. “It shan’t, no. It is different if a vampire turns their lover or spouse. It is called Amantes Vinculum Sanguinis, which is Latin for the lover's blood bond.” Her eyes sparkled at him through the amber haze of the candle and firelight bathing the room in a warm glow, shaking her head softly. “You truly want this, to join me forever?”
He leaned to her, nuzzling her nose softly. “’Course I fucking do. Well, I dunno. I might get fed up of ya in five hundred years, but I doubt it.”
Her fist met the side of his neck in a playful punch. “I have never met anybody who has ever loved me that much before, to want to walk the darkness with me for all eternity.”
“Well, now you have,” he affirmed, linking his fingers through hers. “I reckon you probably have, though. You just ain’t ever wanted to let ‘em in, have ya?”
How well he knew her, understood her on an instinctual level. “I suppose this is fair reasoning, my darling. For you to propose this, though, goodness,” she began, reaching to stroke his face. “Nobody has ever meant more to me than you, John. I love you so completely and endlessly.”
The way he kissed her mirrored those words entirely.
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Ethel Cain Reckons With Love, Violence, and Religion in Debut Album ‘Preacher’s Daughter’
Photo: Helen Kirbo
Indie darling Ethel Cain has finally released her long-awaited debut album Preacher's Daughter. The evocative album sees Cain leave all of herself in the album's powerful choruses, focusing on her relationship with her mother, herself, and what it means to leave your home behind for good. On her journey, Cain grapples with love, violence, religion, and the way the three intersect.
The record opens with "Family Tree (Intro)," a vintage recording of a Southern preacher, whose identity is a topic of conjecture among fans, evangelizing the significance of the mother as an icon. The monologue sets the stage for the 13-track epic, set in 1991 and detailing the protagonist's troubled relationship with religion, her former lover, her father (the titular preacher, a beloved community member even a decade after his death), and her eventual kidnapping and murder. The record then transitions to "American Teenager," Cain's third and final single for this album cycle. The track is a solidarity anthem reminiscent of classic arena rock with spiraling guitar cries and blood-pumping drums straight out of the '80s.
"A House In Nebraska" is a slow, resonant ballad with cinematic, overwhelming imagery. Cain thinks of her ex-lover, Willoughby Tucker, who left town before the events of the record. She reflects on the good times they shared and longs for him to come home. She visits the abandoned house they would spend time in and imagine as their own, somewhere far away from their hometown of Shady Grove, Alabama. The crashing piano chords, echoing toms, and choir of guitars penetrate the atmosphere as Cain relays the story of herself and a mysterious partner's short lives and the horrors they endure. The pain seeps through Cain's vocal tone and is just as compelling as the narrative's bombastic instrumentation. The final minute of the nearly eight-minute ballad is where the guitar solo starts, swaying powerfully with sharpness and rhythmic capacity reminiscent of timeworn rock stars.
"Western Nights" offers sonic commentary on the tumultuous relationship with the anonymous partner, with the singer committing to stand by them through anything, no matter the desperation and fear she feels and how little she has left to give to a counterpart so unstable. "Family Tree" embodies a slow-burning intensity as Cain reveals the deadly agency her persona wields, sowing strife within a complicated family network marked by violence on all fronts. "Hard Times" expands on that familial strife, with Cain admitting to fearing how desperately she wants to emulate the fatherly powers in her life who brought her harm. "Thoroughfare" is a refreshing country-inspired epic. The track switches it up by replacing the intensity of electric guitars with sweeping vocals, reverberating drums, acoustic guitars, and harmonica later in the song, creating a sonic collage that only becomes more intoxicating to listen to when the tambourine and scat-led jam session closes the nine-minute song out.
"Gibson Girl," which is a reference to Charles Dana Gibson and the women he famously drew, examines sexuality and how patriarchal systems can lead to self-worth issues. She sings, "You wanna fuck me right now / You wanna see me on my knees / You wanna rip these clothes off / And hurt me." The song balances an sultry and haunting atmosphere, sharing how Cain has now arrived in California with Isaiah, a character she met and became attracted to in the previous track. He begins to pimp her out in the back of strip clubs and feed her drugs regularly, resulting in her losing sense of reality.
On "Ptolemaea," the record's heaviest track, Cain begins to hallucinate and confronts the darkness she feels surrounding her. After the thrashing and gut-punching climax, the record breaks into two distinct, back-to-back instrumental compositions. "August Underground" is a doom-ambient track featuring humming, low-register guitars, and alluring vocalizations. "Televangelism" features pearlescent piano melodies, echoing as if they're being played in a chasmal church and soundtracking Cain's ascension into Heaven. Unfortunately, the experience is interrupted as the sound of a tape hissing grows and overtakes the song, casting a shade of artificiality on the otherwise celestial composition.
The album's second-to-last track, "Sun Bleaches Flies," is another power ballad where Cain laments her detachment from faith and community. She contemplates how she will fight the demons that have stained her existence and how she will rescue herself from the pain of the past and present. Cain ultimately makes peace with her death and reflects on her life, family, and the man she never stopped loving, Willoughby. The journey finally ends on an unbearable sad note with "Strangers." After being murdered and cannibalized by Isaiah, Cain says her final goodbye to her mother from beyond the grave. She sings, "When my mother sees me on the side / Of a milk carton in Winn-Dixie's dairy aisle / She'll cry and wait up for me." Over splendid guitar riffs and moody cymbal crashes, she asks listeners, "Am I making you feel sick?"
Preacher's Daughter is a laborious achievement, demonstrating Cain's innovation and mastery for bringing contrasting elements of ambient, slowcore, classic rock, sexuality, violence, and religion into one epic package. The record is musically inventive and emotionally shuddering, producing a crater-deep impact that commands your attention.
Listen to Preacher’s Daughter below:
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