so im doing a preliminary translation course french-dutch in january which if i do it well enough i can do the real course starting september, and you dont need any official recognition of your level in either language they just say you have to master your working language (ie dutch here) well and that your passive knowledge of your source language has to be good, around at least b2
and, okay, ive been told i do set too high standards, but like, that feels,,,,,cheating isnt exactly the word but like. if i couldnt make the sentence, then how could i ever hope to translate it well into another language you know what i mean?
im glad, because my chances are way better to get my passive french to b2 than my active french before january, im probably already there, but like, im still gonna try to get my active french there too right?
like it just feels so.....precarious. to only have b2 and to dare to try and put a sentence into your own language? if i couldnt have made the sentence, then i would never think i can write it as correctly as possible in another language. honestly.
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Thinking about the Non-Euclidean Hilt and its blight chance, it just seems so odd to me. I'm also kinda just thinking it lore-wise more than anything.
Why blight? Why not bleed? It's the only trinket other than Miller's Pipe that actively inflicts blight, and not just increase skill chance. I thought maybe "euclidean" might've given some hint but all it really means is that the hilt is not geometrically in a 2D space...which I assume is everything, no?
Name notwithstanding, the blight oh the blight, just why blight? Easy answer is that the shards themselves might be the ones that are poisoning the blade itself (and tbf Occam's Razor), since the entire Farmstead theme and more than half of it's abilities come from Husks blighting you.. but I just feel like thematically bleed fits the Crusader far more than blight does.
Aaaahhh it's probably just the shards
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Prior to sending the ask I was just guessing what matrophobia meant based on the root words but I looked it up after and went ohhhh and then you confirmed that extra dimension to it and I went OHHHHH
I think that gets to the heart of what I've been thinking about, that bittersweetness, because despite his best efforts... of course he could never end up anything like Yoko, but he still ended up with an abusive "household." Because in addition to Masato ending up how he did, he has to see those same situations play out, feel that same tension in the air between Jo and Ichi, over and over for almost a decade straight.
Like, in a way, he's forced to put himself in Toshio's shoes when that happens. He can't really get through to Jo, in the same way Toshio can't get through to Yoko, but he can try to step in before lasting damage is done, and he can try to make it bearable for his son. You know. Have a nice talk. Treat him to Peking duck. I'm SO normal about the (drawn-out) parallels of those scenes
So then with Jo... he kind of does become his father, even if he never wanted to (no one wants to), both through his ruinous neglect of Masato at birth and through how he comes to look at discipline and corporal punishment. I'm sure it's not lost on him in Masato's case (owww), but with Ichi, it's not like he has any reason to see him as his son... But How Far Can That Take You.
Because it's like, at the start, he was openly beating Ichi in front of Arakawa and not letting up much when Arakawa intervened. But then you have The Yubitsume Scene and Arakawa walking in on All That and... he looks sorry. Sorry for being caught, probably, but sorry nonetheless. Like... what changed between then and now... have you two had a Heartfelt Conversation... do you know where Arakawa got that scar... are you unable to change your "nature" even then...
Side note bro your SHOE is the size of his TORSO I promise you do not need to kick him with all the strength you've got like what the hell is this 😭😭😭
BUT ALL THAT ASIDE thank you so much for delving into the symbolism! Wonderful read. I don't really have an eye for symbolism, so that makes it all the more enjoyable to revisit the comic and everything with what you've gone into. I think a lot of your experiences resonate with mine, so conversely I'm not sure what others would take away from it, BUT I think there's enough there that's so insightful and evocative that it's effective without personal experience. I don't think there's anything I could add, so. Yeah. For once I am happy to sit back and take it all in... On that note, definitely looking forward to your next comic!
AUUUGH YEAAAH YEAHEYA HYEAH THAT EXACTLY OUUUGH OWIEE OWW.....
that's literally it though. like no extra notes. except The Obligatory Few i dont think it was an accident that arakawa is set up as the beginning of the game's 'protagonist' and planting that 'troubled family' taste first thing in our mind. i remember how i felt when i first saw arakawa walk in on jo and ichi and then arakawa taking ichi out for dinner i was just like🧍♂️Girl No The Cycle.... It's Continuing...... //screams// LIKE UGH IT WAS SO GOOD BUT ALSO OWWW STOPPP and then on the REPLAY it just hurts more cause with the added context to jo's character its like Oh No...... You're Your Father's Son....
and youre right: jo doesn't have an implicit reason to see how he treats ichi is wrong, hence he similarly doesnt have any reason to stop- not unless arakawa intervenes of course (and i will stand outside my window thinking of the possibility arakawa ever did try to have A Conversation with jo... arms folded behind my back and all like Man™️....)
oh but yeah, absolutely no problem ! im lowkey of an egotist so i do like to talk bout the stuff i make. More In Depth (though thats obvious considering the fuckin essays in the tags i always leave ☠️☠️) gerjlgaELKjg. so i was happy to explain ♪(´▽`) !! what i like about symbolism is that it can be intentional or not, and the fun is always finding it just by chance. i cant explain it properly, but i just think its a neat 'seasoning' of sorts to drawings (❁´◡`❁)
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