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#cause the gold bar ones are inspired by Meryl
iconografi · 10 months
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Gold Bar Earrings and Flora Earrings by iconografi
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artificialqueens · 5 years
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How Far I'll Go Chapter Six (Ninex) - Mia Ugly, Meggie
A/N: We’re baaaaack! Hi hello how are you? LIFE is crazy. We’re so sorry it took so long to get this chapter to you guys, but honestly, Snatch Game was probably the hardest thing we’ve written. It’s hard to be funny. I’m going to be way nicer to queens who do badly on Snatch Game from here on out because it’s not easy, mama. Anyway. We hope you enjoy this SUPER MEGA SIZED CHAPTER (10.5k!) to make up for the super long hiatus. And hopefully we’ll be back with more very soon. Come visit us on our blogs: @mia-ugly and @artificialmeggie
Previously: The runway was purple, but Blair’s Scarlett O'Hara realness wasn’t enough to save a poor performance and she was sent packing. Brooke and Vanjie are (most definitely) probably still messing around, and Nina and Monet had a moment backstage when Nina narrowly avoided elimination. Or was it a moment? Oh, and Nina’s probably losing his mind.
To come: Katya, Snatch Game, a hotel bar date, and a musical number.
Nina wakes up and is still on Drag Race.
He might be having some kind of a nervous breakdown (and breaking into song periodically) but that’s showbiz, kid.
And now it’s time for the fucking Snatch Game.
Shower, shave, dress.
Prepare for another sloppy Branjie moment in the elevator (and thank God, Nina gets to avoid that for a change). Nina Bo’nina is riding down alone, and the two of them chat distractedly on their way to the conference room.
A few of the mentors are there, but no Monét and no Trixie.
Nina tries not to let that bother him as he nibbles his toast and drinks his coffee. He’s focused this morning, ready for whatever happens next. He’s been thinking about Snatch Game since the moment he got the All Stars call, is determined that this is going to be his challenge (of course, he might have had that thought about the last challenge too… No, nope, move the hell on, girl.)
Nina doesn’t see Brooke until they film the Werk Room entrance. The man looks exhausted. There are circles under his eyes that the makeup guy has done his best to cover, but it’s still obvious Brooke is not at his best. It makes Nina remember that - no matter how stupid the Canadian is being about Vanjie (and no matter what sort of history he has with Nina’s equally stupid heart), Nina still loves him. Will probably always love him in some kind of way.
“No coffee this morning?” he asks quietly as they’re waiting to get mic’d.
“Not enough.” Brooke pulls down his hideous knitted beanie (where the hell does he keep getting those? A P.A. should - frankly - take them away.)
“Have a late night?” Nina doesn’t really want to know, but if Brooke needs to talk about it -
“Oh no. No. Just - thinking.” He rolls his neck. “Like - we know what’s coming up, right? And last season - it wasn’t my best look.”
Nina barks out a an embarrassingly loud laugh. “No kidding.”
“You didn’t have to find it that funny.”
“It’s pretty funny.”
“You’re a dick, you know that? No matter how sweet Monét thinks you are.”
This makes Nina stop laughing. “Sorry - what?”
“He was just going on about you when he was watching Asia film our scene last episode. Like - ‘try this, Nina does this, blah blah.’”
Nina doesn’t know what to think about that. It makes him feel a bit warm and light-headed, but absolutely incapable of responding.
“Clearly you’ve got her fooled. I know what you’re really like.”
“Haha, yeah.” Nina’s voice is weak and he hopes to God Brooke doesn’t immediately clock his blush. Luckily, Vanjie chooses that moment to start flirting with the sound guy, and Brooke’s attention is suddenly elsewhere. Yes, yes, that’s good. Nina will have to keep Vanjie close by at all times, just in case he needs to distract Brooke.
They all romp into the Werk Room together, Shea and Asia working their few seconds in the doorway for all it’s worth (“pose for me, pose for me, POSE”). They talk a bit about Blair going home, but before they can say much about it there’s the sound of a video message, and the television flickers to life.
“Ladies,” Ru’s face comes onto the screen. “I picked you queens for All Stars because you represent the best of the best. But on second thought… I think I’d like to see some other queens in your place. Sorry, not sorry.”
The video ends.
“What the hell does that mean?” Shea asks.
“Nah, nah.” Vanjie is shaking his head in denial. “We don’t need no more hos up in here. We got too many of y’all already.”
“Hello, hello, hello!” The door opens and Ru comes into the Werk Room, followed by the mentors. Nina tries to smile and look as excited to see Ru as he’s always supposed to be, but - he can’t help being worried about whatever the hell twist is coming up. (Monét winks at him as he comes in, so that’s something. Nina will keep that one brief moment like a diamond in his pocket.)
“Ladies, for this week’s maxi challenge, it’s time for another All Star Edition of Snatch Game!”
Most of the queens around Nina are delighted - except Brooke. Nina can see him smiling, but it’s fragile and fake, and his arms are folded very tightly around himself, legs crossed at the thigh even though he’s standing; a clear indication he’s stressing.
“This time, however, to celebrate my recent single ‘Queens Everywhere’— available now on iTunes—we’re going to do things a little bit differently. I know you’re all amazing queens, but for this Snatch Game, I’d like to see if you have any other queens inside you.” Ru raises a suggestive eyebrow. “Not to give Miss Vanjie an unfair advantage.”
Vanjie’s jaw drops even as he laughs, mutters “shade” through his perfect teeth.
“For this Snatch Game, I’m asking you to channel one of your sisters. We’ve had a lot of iconic queens on this series, so you’ll have plenty of personalities to choose from. And luckily you’ve got some experts here for inspiration. Hashtag Snatch Game All Stars. Gentleman, start your engines. And may the best All Star… win!”
“The fuck?” Vanjie whispers to Nina as soon as Ru leaves. “Bitch, I had a damn plan. I brought the little gold trophies and everything. Watched all the fucking movies. Now I got to be one of y’all’s tired asses? That ain’t fair.”
“Trophies, like - you mean Oscars?”
“Sure, whatever.”
Nina has to admit that he’s kinda thrilled about this twist. He’d been telling anyone who will listen who he was going to be for the Snatch Game if he ever got another chance. He’d had a couple back-ups, of course (they’d all been told to bring a former queen, so honestly, they should have seen this coming from a mile away), but this really couldn’t have gone better for him.
He feels bad for some of the other queens though, especially Vanessa (the bitch was prepped to do Meryl Streep - Brooke’s idea, and a fucking hilarious one. He’d kill to see it).
“X-Queens assemble,” Monét calls over at him, and Nina pats Vanjie on the shoulder, goes off to sit with Monét and Asia.
Monét looks good. Real good. He’s in some loud patterned sweatshirt that has tiny slices of pizza all over it, and another pair of thick-rimmed glasses (white, or maybe baby pink?), and he’s smiling at Nina like - no, nope. Move along.
“It’s actually the Avengers that assemble,” Asia tells Monét, who rolls his eyes at her.
“Girl, you can’t be a bigger nerd than me. I won’t accept it.”
“Yeah, ‘cause knowing about the Avengers is real obscure, serious fan-only shit.”
“The shade, Miss Asia! Nina West, are you going to defend your mentor?”
Nina holds his hands up. “You’re the fearless leader, you got this.”
“The pair of you.” Monét shakes his head. “All right, what you got for Snatch Game?”
“I’ma be Brown Cow Stun-ning, yes, honey.” Asia pops her tongue after a pretty admirable impression of Monique Heart.
“And Miss Nina West?” Monét is looking at him with an eyebrow raised. Nina wonders if he’s heard the interviews, if he already knows.
“Miss Vaaaanjie,” Nina says, “Bitch, you know I don’t play games. Don’t play Monopology, Uno, Twistah, Tag, Marbles -”
“Jesus Christ, stop it.” Monét is covering his face with his hands, while Asia is cackling. “Does she know?”
“Not yet.”
“She will live. Okay, okay, I ain’t worried about either of you. Take me straight to the finale, win me that serious mentor coin.”
They run through a couple ideas for jokes, focusing more on Asia (who struggled last time and still has a bit of anxiety flaring behind her contacts). There’s a break for lunch, but it’s weirdly quiet, subdued. Snatch Game is an opportunity to stand out, to prove you deserve to be there. It’s also an opportunity to crash and burn in front of Ru, the judges, and later on - the world. So there’s that.
After lunch everyone starts putting on their paint, fixing their wigs. The cameras zoom in to get some Werk Room chatter about who is playing who, and of course they’re all dying for Vanessa’s reaction (as soon as he sees Nina pull out his pink-petalled Barbie-head dress from its garment bag, the pussycat’s out of the Prada bag).
“Noooo, bitch,” Vanjie shouts across the room, but he’s smiling. “Oh, I’mma have to whup your ass if that’s what I think it is.”
“Deuces!” Nina shouts back at him, throwing up the sign as well, while Brooke covers his face.
“That ain’t right, it ain’t right. Thought we was friends, sis.” Vanjie is laughing about it, though; Nina knows they’re cool.
“Who are you playing, Miss Shea Coulée?” Asia calls over to her sister, who is fussing with a nasty looking green wig.
“Paaaarty…” Shea drags out the word, working that vocal fry for all she’s worth. “I’m going to be Adore Delano, darling.”
Nina Bo’nina Brown thinks this is the funniest thing she’s ever heard, can’t speak for laughing so hard. Shea seems entertained by it at first, but her smile starts to tighten a little after the laughter continues a bit too long.
“What’s so funny?”
“Nothing, nothing. Just - good luck, girl.”
“Who are you doing then?”
“Yeah,” Cracker interjects. “You were Jasmine Masters for your season’s Snatch Game right? The judges loved it.”
“Right. So why mess with perfection? I’m going to do Miss Jasmine Masters.”
A couple of the girls stop what they’re doing when she says this.
“You’re going to play the same queen?” Cracker repeats, a bit shocked.
“Yeah. I was sickening last time, I’ll be sickening this time.”
“Aren’t you worried that they’ll read you for not showing them what else you can do?”
“Nah. They’re gonna be laughing too hard.”
“Mmmm…” Vanjie makes a low, skeptical noise.
“Trust and believe, Vanjie,” Nina B. calls over to her. “Trust and believe.”
The cameras have to reset then to film Ru’s entrance into the Werk Room, and catch all the queens’ “surprised” reactions.
“Hello hello hello, kitty girls!”
Nina beams, claps his hands, that whole production. He’s feeling pretty good though - the energy is real. He’s actually excited for this challenge, ready to show Ru what he can do. (That’s how he felt last year too, then Silky went and yanked the win right out from under him. But no time to dwell on that now.)
“How are my All Stars? I thought I’d take a little look-see at what you were planning for us. And I brought along one of our extra special guest judges to help me out.”
From behind Ru, Katya Zamolodchikova comes in waving and smiling, teeth glowing white against her red lipstick.
“Oh my god! Get your own thing!” Trixie yells from across the room, and Katya does that ridiculous/adorable silent laugh that Nina has seen on “UNHhhh” too many times to count.
“Thanks for coming, Katya!” Ru says cheerfully.
“No problem, Ru. Thanks for unlocking the attic door!”
“Well, it was a special occasion. And I was feeling generous.”
They go from station to station, cameras following them around silently, and Nina fusses a bit with his dress while eavesdropping on their conversations with the other queens. There is a bit of concern for Brooke, who’s playing Detox (no big surprise there). How is Brooke going to make Detox funny seems to be the main issue. Nina has the same question. Brooke seems more confident than last season, though, so Ru and Katya wish him luck.
There’s some controversy over Nina Bo’nina playing Jasmine again, but the girl won’t be convinced to try something else. Nina listens to some of the critiques, ignores some of the others. He’s interested, but he also knows he needs to focus on his own performance, and not get in his head. He’s not as bad as Brooke at over-thinking things, but no one goes into goddamn musical theatre who isn’t at least a little bit destroyed (psychologically speaking. Okay, maybe also a bit romantically. It’s fine).
“Nina West!” Ru says close to Nina’s ear, and he almost jumps a foot in the air. (Girl, Katya is standing four feet away from you, be cool, be cool.)
“Hello, hello, hello Christine,” he says, immediately launching into his Vanjie impression. Both Ru and Katya laugh - and Katya’s smile up close is completely unfair, like a smile cut out of paper, perfect and sharp-edged.
(“I don’t know her!” Vanjie shouts from across the room.)
“So who are you going to be?” Katya asks, completely straight-faced, as soon as she and Ru have stopped laughing.
“I don’t know, still making up my mind,” Nina says, back in his normal voice.
“And the uh -” Ru gestures to the hideous floral Barbie dress, “gown?”
“Do you like it? One of my best gowns. What’s funny?”
Katya is wheeze-laughing. Katya is wheeze-laughing because of something Nina said! He stores that one next to the Monét gem from earlier; hopes to have enough for his own tiara in the unthinkable event that he doesn’t win.
“Now on Season 11’s Snatch Game, you were hilarious, you played -”
“Harvey Fierstein and Jo Anne Worley-”
“Yes! And really, it might have been one of the strongest performances in Snatch Game herstory.”
Nina smiles gratefully (only slightly furious that Ru’s saying this despite the fact that Nina didn’t win. He deserved to win).
“So how can you possibly outdo yourself this time?”
“I’m not trying to outdo myself, I’m trying to do something different. Like Katya, when you played Björk -”
“Yes, yes, back to me,” Katya says, nodding.
“Completely different from Suze Orman, but still so funny. That’s what I’m going to do. Just - mix it up.”
“All right, Nina, good luck. Can’t wait to see it,” Ru says, moving on.
It’s fine. It’ll be fine.
As soon as Ru and Katya leave the Werk Room it’s a mad dash to get dressed and made up and before Nina knows it, before he can light a bunch of candles on an altar and find whatever religion will bring him the most luck, they’re all being rounded up and led into the studio for the Snatch Game.
Okay.
Okay.
Brooke’s Detox look is iconic, the yellow and black striped bandage dress from the Season 5 premiere (probably borrowed from Detox herself) hugs his perfectly padded body, but he’s absolutely trembling as he walks beside Nina. Nina has to squeeze his shoulder, tell him it’ll be fine.
“It’s fun, Brooke. Just have fun with it,” he murmurs as he hits the bright studio lights, has to blink until his vision adjusts (the first thing he sees is Monét and Nina’s blinded by him).
Okay.
The mentors are sitting along the sidelines, ready to watch the show play out. Nina wasn’t expecting that, but it’s - fine. Monét smiles at him, and Nina’s going to use that smile as a good luck charm - a rabbit’s foot, a four leaf clover, whatever. It’s impossible not to feel lucky when someone who looks like Monét goddamn X Change smiles at you like that.
“Welcome to the first All Stars ‘Queens Everywhere’ Snatch Game!” Ru says after they’re all mic’d and seated, upbeat music playing behind him. “Let’s meet our contestants.”
Katya beams from where she’s sitting behind her glittery podium and microphone.
“It’s everyone’s favorite queen that we found digging in the dumpster outside - Katya!”
“And yet I’m still hungry!”
Katya smiles at Ru and then snaps her teeth at the other queens.
“And - just when you thought we’d finally seen the last of her - halleloo! It’s Shangela!”
Shangela raises one hand in the air, nodding seriously. “That’s right, I’m back again, bitches. And I ain’t even in a box this time, baby.”
“Ladies, are you ready to meet the queens?”
“Yaaaaaaaaaas,” they answer in tandem.
They reset so that Ru can film the introductions, and Nina’s heart starts rattling like bones in a bag. He’s buzzing with adrenaline and nerves, but he’s going to channel that into a goddamn win. That’s right, he tells his inner saboteur - you can fuck off. This challenge is mine.
“The heart of Season 10 - Monique Heart is here!” Ru starts with Asia, whose Monique look is extremely correct.
“Hello world! Hello America! Are you brown cow stunning?” She tosses Ru a ridiculous cow-patterned baseball cap. Ru briefly feigns excitement before throwing it over his shoulder in distaste.
“Burn that,” he murmurs to one of the camera crew. “Next up, we have the original party-queen - Adore Delano!”
Shea Coulee stretches her arms in the air before making a peace sign, growling “Party,” in a gravelly voice.
“How are you doing Adore?”
“I mean, I’m good, you know? Like. Excited to be back. Where am I again?”
Nina has to turn his mouth into his shoulder to stifle the laugh that bubbles to his throat immediately. He wasn’t sold on it when they were discussing it in the Werk Room, but Shea is killing it as Adore. Her voice, her delivery is hilarious. The makeup is flawless. Her perpetual open mouth is complete perfection. As always, Shea Coulee is slaying the competition. Nina’s stomach gives a nervous jolt, so he sucks in a deep breath and reminds himself to pay attention.
He realizes he’s missed Ivy’s introduction, but Katya is gagged at the illusion of, well - Her - that Ivy is turning today. A mid-length honey blonde wig barely brushes Ivy’s shoulders and her red bustier is covered in rhinestones (and, of course, the scythe and hammer.) The look is great. The accent, on the other hand… Nina sighs a little, but tries not to get comfortable, regardless of how terrible Ivy’s Russian accent is.
Vanjie is seated at the end of the top row, decked out in red lace, a large pair of dark sunglasses balanced precariously on her nose. There’s no denying the air about her: Miss Vanjie is living Miss Valentina’s French vanilla fantasy, and no one could doubt it.
Ru beams at him. “Valentina! How wonderful to see you again!”
Vanjie draws in a deep breath. “That’s right, Ru, it’s me - Valentina. I’m back, and this time, I just want you to know, I fully learned all the words to ‘Greedy.’”
“Excellent! You want to sing us a verse right now?”
“No,” Vanjie answers, extremely primly, and even in his gravelly voice, the delivery is enough to make Ru laugh.
“Maybe next time.”
“Probably not.”
Then Ru’s looking at Nina and - oh, god, why did he think coming back for All Stars was a good idea again?
“Miss Vaaaaaanjie is here!” Ru trills.
Nina sucks in a deep breath and - “What’s the grease, mama?”
Down the row, Brooke buries his face in his hands, but his shoulders bounce with laughter. Ru is giggling loudly. Even Katya and Shangela are agape at the spot-on impression like it’s the first time he’s done it, the first time they’ve heard it.
He lets himself relax a little.
“Three seasons in a row.” Ru consults his cue cards. “Girl, aren’t you tired of competing yet?”
“Mmhmm.” Nina shakes his head vehemently, the wig he pilfered from Vanjie weeks ago flying around his shoulders. (He really does owe Brooke one for that.) “Nah, girl, you know I’m still trying to get my own show. Like Vanjie of Love or some shit like that. You know, something where these triflin’ hos gotta pay me some damn attention.”
In his periphery, Nina catches Brooke cut his eyes to him. He hopes this is okay. They haven’t really discussed the Branjie territory in regards to his jokes, but he kind of assumed it was fair game. Besides, he isn’t planning on directly hurting anyone’s feelings. He’ll keep it light, keep it fun. Besides, they’re the ones who marketed their portmanteau and gave the profits to charity. It’s practically public domain at this point.
“Next up we’ve got - oh my goodness, it’s Jasmine Masters!”
Nina Bo’nina gives Ru an extremely “over it” look. “Yeah, and I got something to say.”
“Now Jasmine - no tea, no shade, but haven’t you been on Snatch Game before?”
There’s a bit of an awkward pause before Nina Bo’nina waves him away.
“Bitch, I’ve got something more to say.”
Ru chuckles a bit, “I bet you do,” and moves on to Brooke.
“Another former All Star contestant, welcome Detox!”
Brooke looks sullen and concerned. He gives a little nod at Ru and the contestants.
“Detox, what’s the matter? You don’t look happy to be here.”
“Oh, am I not smiling?” Brooke asks through his extremely full, painted-on lips. “I can’t feel anything above my neck.” He shapes his mouth into a grotesque smile using his hands, and Ru almost doubles over. Okay, okay. Nina feels a little less worried about Brooke.
“And last but not least, we have - um, Aquaria! Hey girl!”
“Hi Ru!”
“Aquaria, is that the new way you’re spelling your name?” Cracker has written Acwareea on her name-card. A couple letters are backwards.
“Huh?” Cracker looks down at the name card. “Oh, I can’t spell my name. Actually, I can’t spell anything.”
“Okay then.”
“You know, some girls chose to read books, I chose to turn looks.”
“Yeah, you did! Now let’s get ready to play the Snatch Game!”
They break for a few adjustments on the cameras and microphones, and Nina tries not to hyperventilate, and then fuck - they’re rolling again.
“Here we go. The first question is for Katya. Katya, All Stars Season 1 paved the way, and brought back some of the most celebrated queens of all time to compete. This time, instead of competing in pairs, the queens are competing in BLANK.”
Be funny, be funny, be fucking funny. Nina tries to think like Vanjie and writes down an answer as soon as he’s got one, hoping it will be good enough.
“Okay, pens down. Katya?”
“I said competing in traction.”
“In - traction?”
“Yeah, you know, when all the bones in your body are broken and you’re in the hospital bed with your leg in the air.”
“That would certainly be a different kind of competition.”
“I’d watch it,” Katya says seriously, and Ru laughs.
“Let’s go to the Queens and see if we have any matches. Miss Valentina. What did you write down?”
Vanjie has put a lace mask on over the bottom of her face. She mumbles something indecipherable.
“What was that?” Ru asks. Vanjie mumbles something again.
“Valentina,” Ru says, clearly picking up on the joke. “Take that thing off your face.”
“I’d like to keep it on please.”
Ru shakes his head slowly, and at last Vanjie removes her mask.
“Now, Valentina. What did you write?”
Vanjie flips her card over, and Ru starts to wheeze with laughter. “That’s what I wrote down. I’d like to keep it on please.“
Vanjie’s Valentina voice is slipping, but she’s hella charming anyway, as always.
“I’m sorry, my dear, but that is not a match. Moving on to Aquaria - oh! You’ve got a new outfit.”
Miz Cracker was scrambling to put on a new wig and geometric headpiece made of iPhones while Ru was speaking to the contestants. She looks great, and she’s killing Aquaria’s affected head wobble.
“This season the queens are competing in BLANK.”
Cracker flips her card to reveal Aquaria’s instagram URL. “I wasn’t born when All Stars Season 1 aired, so I just wrote this.”
“Oh, okay - not a match.”
“I’m young,” Cracker insists, and Ru nods, patiently.
“We all were once. What did Miss Vaaaaanjie have to say?”
“I said we’d have to compete in swimsuits,” Nina says, flipping over his card.
“Swimsuits?”
“Yeah. Cause maybe then Michelle won’t read my ass for filth every damn week.”
Ru gapes at him, like he can’t believe he just came for Michelle in Snatch Game.
“Swimsuits be glamor when everybody else is doing them too, bitch!” Nina pops his tongue.
Ru laughs, high and clear, and then turns to the other Nina. “What about you, Jasmine? What do you have to say?”
Nina Bo’nina slaps her hands on the table and purses her lips. “We gonna be competing in making viral videos to get Justin Bieber’s attention, Ru.”
The room — pauses while Ru tries to save face with a polite chuckle. Nina West can practically hear the shade rattle sound effect that will inevitably be edited in at this exact moment.
Jasmine Masters probably wasn’t Nina Bo’nina’s best option (anyone could have told her that and, good god girl, they really tried). It’s not working. Nina doesn’t think any of it’s working.
Ru clears his throat, shakes his head. “I’m certain you could teach them a thing or two about that, but unfortunately, it’s not a match.”
Nina Bo’nina shrugs.
Ru shuffles his cue cards and moves on. “This next question is for Shangela. In All Stars Season 2, we changed things up by letting the queens choose who would be eliminated. This season, as well as eliminating each other, the queens will have to BLANK each other.”
There’s the scribbling of markers from the queens around Nina (who like to think he’s got this answer down blind.)
“Okay, pens down. Shangela? This season, the queens will also have to…”
“I knew what y’all were looking for, because y’all are nasty…” Shangela turns her card around. “But I’m a lady, so I said they’d have to ‘tuck’ each other.”
“Tuck each other!”
“Sometimes a girl needs a helping hand, mama.”
“Ain’t that the truth. Let’s see if we have any matches! Katya, what did you say?”
Ivy looks a bit startled to be called on first, but she beams with her red lips, flips her card over. “I said eat each other. To consume each other’s power and fill the gaping void that lives -” She pats her chest. “Right here.”
Katya (the real Katya) shrieks, but Ru shakes his head.
“I’m sorry, that’s not a match.”
“Da,” Ivy says solemnly, in her terrible Russian accent. “Da. It never is match. Like me and Trixie. Match but… No match.”
And, okay, Nina might imagine it, but it seems like the studio goes eerily quiet as everyone waits for Trixie’s reaction. She’s smiling, but it looks forced. Katya clears her throat but laughs, which seems to dispel the weird tension that formed.
Ru, oblivious to the entire thing, moves on. “Miss Vaaaanjie, what did you say?”
Nina sighs and flips his card, feeling pretty pleased with himself. “I said date each other. You know, I still be lookin’ for that Notebook shit.”
“Oh yeah, we know. No more Post-Its, right?”
“No more Post-Its, never again. I ain’t got the time, Mary!” He glances over at Brooke, raises his eyebrows seductively. “Hey, how you doin’?” Behind him, the real Vanjie mumbles something under his breath.
“I’m sorry, my dear, that’s not a match.”
“Bitch, it might be!” Nina says, still looking at Brooke, and Ru bends over laughing, stomping his foot into the ground. It’s adrenaline, it’s power, it’s like Nina knows this challenge is his.
“You ain’t even know!” he continues, channeling angry Vanessa as much as possible. “Just ‘cause one tall blonde bitch did me wrong don’t mean they all will. Shit.” Nina crosses his arms over his chest, leans back in his chair, sees Brooke duck his head and blink rapidly a few times.
That might have been too much. He just got caught in the moment and… Fuck. Dial it back a little, but stay focused.
“Moving on to Aquaria,” Ru says. Aquaria, this season the queens will have to BLANK each other.”
“I said ‘copy each other,” Cracker says tightly, in Aquaria’s low voice. “And it’s too bad Miz Cracker isn’t here. Maybe then she would have won something.”
“Oho!” Ru laughs, a bit scandalized. “Not a match, my dear.”
Cracker shrugs and throws the card over her shoulder. “Someone save that so I can call and ask Cracker if she wants more of my sloppy seconds.”
“Adore Delanoooo!” Ru trills the last syllable as he turns to Shea, who tosses the long green waves over her shoulder.
She flashes Ru one of Adore’s signature winking, mouth-open, tongue-out smiles with a peace sign.
“What did you write down, darling?”
“I said ‘party with each other,’” Shea drawls in Adore’s affected tone, adding more fry than is entirely necessary, but it gets the point across. She’s goofy and perfect.
“Party with each other,” Ru repeats.
“Yeah! I mean, you guys all look super cool. I’d hang out with you, smoke a blunt, eat some pizza. You know, party!”
Ru tsks. “Sounds like a great Tuesday night, but unfortunately not a match.” He turns to face the contestants, where Katya is sitting with her hands folded primly on her stack of cards. “Back to Katya! In All Stars Season 3, BenDeLaCreme shocked the judges by sending herself home. This season, Michelle Visage will shock everyone by BLANKING herself.”
Katya takes a minute to ponder, pressing her index finger to her lips then writes something on her card. Nina and the other queens follow suit, and when their time is up, Katya is smiling ferociously.
“Let’s see what our contestant put down. Katya?” Ru faces her. “Michelle Visage will shock everyone by doing what?”
Katya clears her throat. “I could have gone the obvious route, you know.”
“Obviously,” Ru says.
“Instead, I said, ‘sacrificing herself.’”
“Sacrificing herself?”
“With fire. To the Gods, honey.”
“Okay… Any particular God?”
“…Satan.”
“Of course. Let’s go to our queens. Detox, this season Michelle Visage will shock everyone by…”
Brooke flips his card over. “I said motorboating herself. I mean, if anyone could do it -”
“I don’t know how shocking that would be… but either way, I’m sorry, not a match. Vanessa Vanjie Mateo! What did you say, my dear?”
Nina flips over his card. “I said cloning herself.”
“Cloning herself?”
“Mmm-hmm. Need two of her to manage your ass.”
Ru laughs, and Nina thanks every God he knows the name of. The burn landed!
“And now she got that done, she’s gonna clone me some Canadian bacon.”
“Is that right?”
“Hell yeah it is.” Nina does not look at Brooke or Vanjie. “But only the good parts, baby. Trim all the fat; I’m a growing girl, need more protein in my diet.”
“Bitch, you couldn’t handle that much protein,” Vanjie-as-Valentina cuts in, and Ru fans himself.
“A controversial question! Let’s go to Monique Heart, see what she said. Michelle Visage will shock everyone by…”
“I said believing in herself.” Asia-as-Monique-turns her face to the camera. “Like I believe in myself, America. And that’s why I’d like to take this moment to announce my run for office.”
“Which office is that?”
“Whichever.” Asia’s got Monique’s flighty passion down perfectly. “One of the big ones, you know. And thank you, America, for your trust. I won’t let you down.”
Ru reads the last question of the night. “In All Stars Season 4, history was made when we celebrated the first Drag Race double crowning. This season, we’ll be making history with a double BLANK.”
Shangela is already shaking her head knowingly. There’s a scrabble of writing from the queens.
“Ladies, pens down. Shangela?”
“I’m giving the people what they want, Ru. I ain’t proud. I had to say a double fisting.”
“Did you really have to say it though?”
“Actually, mama, I did. The PAs have my children.”
“Ha! All right ladies, let’s see if we have any matches. Adore Delano. This season we’ll be making history with the first double BLANK.”
Shea holds up her card proudly. “I said the first double… elimination.”
Ru is quiet for a moment. “That’s actually been done before.”
“It has?”
“A couple of times, actually.”
“Oh.” Shea is unfazed. “Well. I don’t watch the show.”
Ru wheeze laughs, and so does Nina.
“I mean, I don’t know who any of you people are.”
“Sorry, Adore. Not a match.”
Shea shrugs, flashes a peace sign.
“What about you Katya?” Ru moves over to Ivy.
“Well, I thought about what Trixie and I like to do behind the scenes of ‘UNHhhh’ and I just had to put - fisting!” She flips her card.
“It’s a match!” Ru exclaims.
Everyone is laughing, but Nina can’t help check out the subjects of Ivy’s joke. The real Katya Zamo is smiling but - her teeth look clenched. And over with the mentors, Trixie Mattel is not smiling at all. She’s staring at her hands in her lap, systematically picking at the baby pink polish that adorns her fingernails. Hopefully none of the cameras pick up on that.
“I’ll see you later tonight!” Ivy continues, pointing at Trixie. There’s a halfway amused smile on Trixie’s face right away, but Nina feels like he was punched in the stomach. Something’s going on between the two of them, clearly. It hurts to watch - not like watching Vanjie and Brooke hurts (that’s more like watching two attractive bricks smash together). But Trixie and Katya - there’s so much history there. So much darkness. And God knows enough people have been convinced they’re in love -
“Monique Heart, what did you put down? This season we’ll be making history with the first double BLANK.”
“I said the first double crowning, dahling.”
“I’m sorry Monique, we already did that as well.”
“I know y’all did it, but I feel like it didn’t really count because my ass wasn’t wearing one of those crowns. It should have been me, and that’s a fact, America. And facts are - what? Facts.”
Ru laughs for a moment before turning to Nina. “What about Miss Vaaaanjie?”
“I said the first double wedding. And before y’all even ask: I do.” Nina glances over at Brooke, hoping he isn’t hitting this note a bit too hard.
“You do? Who’s the other happy couple?”
Ivy interrupts before Nina can answer. “Trixie! I’ve been meaning to ask you!”
“Oh honey,” Trixie calls out, looking flushed and uncomfortable. “I know I said I’d give more to charity this year, honey, but my generosity has limits.”
Behind her podium, Katya’s face is absolutely expressionless.
“Well, queens, we’re out of time,” Ru announces. “Which means the winner is… Xanax! Talk to your pharmacist. See you next time on the Snatch Game!”
Nina throws ‘deuces’ at the cameras as they get some closing B-roll, keeping up his Vanjie-persona until the very end. As soon as the director yells “cut!” Nina lets out the breath he’s been holding for the past two hours. God, it went by fast, but now he’s feeling every second of it. His muscles ache like he ran a marathon this morning and then tried kick-boxing for the first time.
“Nice work, ladies,” P.A.’s are congratulating them as they leave the set, but Nina barely hears a word. He de-drags, does some of the talking head interviews he loves so much (has to look shady about Nina B.’s performance, and worried about Brooke. Nina doesn’t put on an act or anything - he is kinda worried about Brooke. Brooke did ‘okay’ - better than Celine for sure - but didn’t stand out the way some of the other queens did. And if Brooke goes home tomorrow night - fuck. Nina doesn’t quite know how he feels about that).
Brooke was also kind of weird as they took off their paint in the Werk Room. Nina thought at first that he was in his head about the Snatch Game, but now he’s starting to wonder if his answers as Vanjie might have fucked Brooke up a bit. He hasn’t had a chance to address it, but he’s going to have to tomorrow, just to make sure they’re cool. He thinks it will be okay. He’s pretty sure. Basically. Almost positive.
Nina might be working through some latent confidence issues as he pushes himself for four miles on the elliptical later that night in the hotel (work through the pain, he reminds himself), but it’s fine really. Nothing to see here. Move along.
His legs ache and his face drips sweat, but he feels—good, actually. Solid about his performance. (He did last year, too, but he’s trying not to think about that.)
Dolly is singing about ways to make a living in his ears. He’s not assuming - but he is preparing. Just in case. If he has to lipsync for his legacy, he wants to be ready. Wants to win this one more than any other challenge, and call him crazy, but he feels like there’s a real chance. He can’t pinpoint why exactly, but there’s some kind of feeling settling down into his bones, making him think that maybe maybe maybe—
Underneath that, something uncomfortable has wormed its way into his psyche. It has almost nothing to do with the actual competition. It’s stupid and predictable and oh-so-not what he should be concerned with while on the set of All Stars for Christ’s sake. But he is and he’s here and he’s feeling things, and Nina taught himself a long time ago that feeling things fully for a while and then letting them go is far more beneficial to his mental health than taking the Brooke route and bottling everything up and burying it under vodka cranberries and couch cushions.
So sure. Okay. He’s feeling some kind of way about this thing that he saw that he wasn’t even supposed to see and isn’t even any of his business, but that’s just Nina’s luck for you. So that’s what he focuses on (or tries not to) as he turns up the resistance and pushes through the last of his workout.
He’d risked a glance back at Monét right before the PAs had shoved them off the soundstage. He’s in the business of gem collecting now, savoring those moments, polishing them up for later use, and maybe he wanted a ruby tinted the exact shade of Monét’s lipstick as they’d smiled across the room at each other.
Instead, he’d seen Monét reaching out to Shangela, crimson lips puckered, arms outstretched, ready for the kiss Nina couldn’t make himself watch.
Maybe they had kissed, Nina didn’t know; he’d made himself turn away before he could inflict any more psychological damage on himself. (He’s choosing healthier options now, remember.)
Of course they hadn’t had a moment after the last runway. Why would he think that? When Monét could have anyone he wants, and Nina is practically an amorphous blob. Like. He knows drag queens are all touchy-cuddly most of the time, and he knows that there’s probably nothing going on between Monét and pretty, perfect, halleloo-ing Shangela. But there could be, right? And goddamn, that would actually make sense. As opposed to whatever madness was going on in Nina’s head last night.
He adds even more resistance to the elliptical - just for “fun.” Or maybe spite. And yeah, okay, one night of really solid work in the hotel gym isn’t going to turn him into Naomi Smalls with legs up to his asshole or anything, but it’s a start. And the sooner Nina can convince himself that he isn’t doing this for Monét (or anyone other than himself because he likes exercise, damn it), the better.
He’s a grown-ass adult. He recognizes delusion when he sees it in the mirror every morning. It’s time to face facts—he and Monét had one (wondrously) sensual, albeit (incredibly) drunken night months ago. Monét had left the ball in Nina’s court. Nina was too chickenshit to do anything about it. Now they’re tentative friends (Monét is his mentor after all), Nina might be going crazy (this whole bursting-into-song-but-not-really thing has gone too far), and it’s all just so messy.
Nina wipes his face, stretches, and heads out of the hotel gym. He probably looks like a sweaty disaster (okay, there’s no ‘probably’ about it) and he’s waiting for the elevator down to the floor with his room, when the doors “ding” open and he’s face to face with Monét.
Could be worse. Could be Branjie again.
“Get in loser, we’re going drinking!” Monét says, with a wide smile on his face.
He’s so fucking charming that Nina momentarily forgets that he himself is a hot damn mess. Literally, like hot. Dripping with sweat.
“Um.” He gets into the elevator anyway because - he’s gotta go somewhere. “Are we?”
“If you want.” Monét gets strangely shy as soon as the elevator doors close. Or maybe that’s just in Nina’s mind. “Was the Mean Girls reference too much? I feel like maybe it’s played out.”
Nina laughs out loud, awkwardness momentarily forgotten. Monét never seems anything but confident and composed, and that one moment of doubt is - surprisingly endearing.
Not that confident, composed Monét isn’t completely endearing as well. Like. It’s all good. It all works a little too well for Nina. Everything about Monét is working a little too well for Nina lately.
Shit, the elevator is moving, decision-making time is limited.
“I kinda look like - this?” Nina waves a hand at his damp self.
“Fine as hell, girl,” Monét says with a grin, “and no pressure, obviously. Though if I’m drinking alone at the hotel bar, it’s going to look a little sad. And, look, I can make sad work for me, that’s not a problem. But after the day I’ve had -”
“Oh, the day you’ve had. Yeah, I forgot how stressful it must have been. Competing on a reality show and all that.”
“Fuck off. Uh oh, we’re passing your floor -”
“How do you know which floor is mine?”
Monét blinks at him, briefly speechless, mouth agape. (It makes something spark like a firework in Nina’s chest, shoot colours across the night sky.) The moment passes and then Monét doesn’t even have the decency to look embarrassed, just smiles like a gorgeous monster as he taps his temple. “That’s classified mentor information.”
“Yeah?”
“Hell yeah. You don’t want to know about my top-secret dossier.”
“No, I - don’t.”
“You sure you don’t?” Monét winks at him, and the elevator dings as it reaches the ground floor. “Ah, shit, missed your stop. Better come do shots with me.”
“I mean, I could just press the button again.” Nina doesn’t know why he’s resisting, he wants to get tipsy with Monét more than he wants to do most things (aside from win All Stars and run for office someday maybe).
“Nah, girl, this elevator only goes down. One-way elevator. Sorry, should have told you.”
“Guess I’m out of options.”
“Guess so.”
They look at each other. Nina remembers the man that asked him up to his room the night of the finale. Nina remembers the taste of his mouth, the way Monét kept kissing him, like he couldn’t get enough. Nina -
- is clearly exhausted. And still delusional. But fuck it.
They go to the hotel bar (isn’t this how all the bad stories start?) and Monét buys them both a tequila sunrise and tells Nina way more than he should about Trixie Mattel.
“So her man and her are split. She’s feeling some kind of way about it.”
“Of course she is. Haven’t they been together for, like, ever?”
“Something like that. Fuck.” Monét drains his drink, motions for another round. “We’ve been talking about it, but I’m not - you know. I love her, she’s incredible, but - I’m not - her best friend.”
“You’re not Katya,” Nina says quietly, and Monét scrubs his hands over his face.
“Yeah. That.”
“So why isn’t she talking to Katya, then? You guys have your phones; Katya’s here now, for Christ’s sake.”
Monét shrugs. “Beats me.”
“Are they -” Nina doesn’t have any right to this information, but - he figures that Monét wants to talk about it. “Potentially… do you think -”
“Who the fuck knows? Honestly, when I said I’d come back to do this show, I did not think it would be like being in high school again. Like who is crushing on who, who is hooking up, it -” He darts a look over at Nina and then snaps his mouth shut. “I mean.”
Nina looks away. Finishes his second drink a bit too quickly. “You want another?”
“Okay,” Monét answers before Nina can even finish the sentence.
The bartender is particularly attentive, gets another round in front of them right away. He’s got a lot of smiles for them both, says, “This round’s on me, I’m a huge fan,” as he walks off to help another customer, and Nina - can’t help it, he’s a masochist - raises an eyebrow at Monét.
“Think you’ve got an admirer.”
“Yeah?” Monét rolls his eyes. “More like you do.”
“Should we turn this into an awful romantic comedy where we make a bet about who he likes more?”
Monét laughs like he’s shocked at himself. “Girl! Okay, but what happens at the end? Who wins?”
“Well, if we’re following the formula, we probably both realize that real love was right in front of - you know, I don’t know. You, you win.” Fuck fuck fuck, what the hell is Nina even saying? He watched too many Hallmark movies last Christmas. “That voice, that ass, right?” He tries to make it into a joke, even with Monét’s eyes all honeyed and serious on his face.
Monét purses those perfect lips, presses them into a semi-smile. “Just… didn’t want to assume nothing.”
They talk for another couple drinks, and it’s - shit, it’s easy. It’s never this easy with someone Nina likes. He knows he can be funny, knows he can bring out the charm (with the right amount of alcohol in his system) but usually if there are feelings involved it all goes to hell. Nina gets weird and in his head and laughs too loudly and spills his drink everywhere.
But with Monét - it shouldn’t be like this. It shouldn’t be this easy, especially with all the longing covering up the background like terrible flowered wallpaper. It shouldn’t be this easy for Nina to stop over-thinking things and just exist in the presence of this gorgeous person.
But it is. It is easy. That’s the worst part of it all.
Monét is laughing and grabbing for his arm (just like finale night in the other hotel bar) and there’s heat in Nina’s cheeks that isn’t just from the alcohol, and Monét’s lips are glistening and wet as he pulls the straw between them and sips every last bit of the cocktail into his mouth.
Nina swallows thickly, leans into the sound of Monét’s deep rumbling laugh, reaches for his knee when he starts to slip off the hotel barstool.
How many drinks are they in now? Four? Five? More? The room is spinning.
Nina is laughing. Light, airy. Not giggling exactly but laughing and his cheeks are burning and Monét is looking at him through narrowed eyes.
“Be careful, Nina West,” Monét says, and his voice is low and dangerous. “Be careful lookin’ at people like that. They might get… ideas.”
Nina’s breath hitches in his throat and he swallows hard. “Ideas?”
“I might get ideas.” Monét smiles crookedly; his eyes are half-closed and sleepy as he rests his chin on his hand and leans against the bar. “You never texted me.”
Nina’s so glad he’s drunk. So glad he missed his floor, even if it has led to this. Because this conversation, this thing has hung between them for the entirety of filming and it hasn’t been uncomfortable exactly (because they’re adults, thank you very much), but it hasn’t been wonderful either. And Nina more than anything wants to rewind back to May, go to lunch, talk about anything and everything and nothing with Monét until they fall back into hotel sheets and kiss and kiss and kiss until—
“Why didn’t you ever text me?”
Nina clears his throat. “I was… I… I wanted to.”
“But?” Monét’s eyes are wide and pleading now. Still glassy with the alcohol, but inquisitive, bright, waiting to see how Nina is going to explain himself.
Nina is too, to be honest.
So he shakes his head. “I don’t know. Honestly. I don’t have a good reason. I wanted to. I should have.”
Monét ducks his head, takes the paper straw from his drink and twirls it between his middle and ring finger. It sends tiny droplets of tequila sunrise all over the wooden bartop.
“I thought about that night a lot, Nina West,” Monét says quietly, wiping at the droplets with a damp beverage napkin. “I don’t do that. That’s not like me.”
“Me either,” Nina says.
Nina knows that if they were sober this would be a very different conversation. There would definitely be more emotions, there might even be some yelling (although that doesn’t really seem like Monét’s thing and he’s never been one to raise his voice, so maybe not). Either way, they aren’t sober, and now they’re the sleepy kind of drunk and exhausted, so they just sit there at the bar staring at each other, not sure what to say next.
“Why’d you pick me?” Nina finally asks. “For the competition? Because of… that night?”
Monét shrugs and pulls his credit card out of the back pocket of his jeans. “Just wanted to win, girl. That’s it.”
“Shit, I don’t have—”
Monét waves him off. “I got it. Consider it after-hours mentoring.”
Nina thanks him repeatedly as they stand (clumsily) and make their way out of the hotel bar (stumblingly) and back to the elevator. When the doors shut behind them, Nina has a brief flash of all the things that two consenting adults can get up to in an elevator (some of which he has seen in recent days). But no. No. They had their chance, right? The ship has sailed.
Nina’s room is a few floors beneath the mentors’ (apparently), so he steps off before Monét.
“Can you find your way back to your room?” Monét asks, and Nina wishes he could says ‘no. No, I’m going to get completely lost, no, I’ll fall down every two steps if I don’t have you holding me up. No, I need you to linger in my doorway, I need to panic about whether I should try to kiss you goodnight, I need to think about inviting you in.
(I wouldn’t. Of course I wouldn’t. So - unprofessional. But - it’d be nice to think about.)’
“Yeah.” He smiles. “I’ll manage.”
Monét grins. Nina likes to think there’s a bit of disappointment around the edges of it, but he’s also a couple drinks in, and wears the rosiest of glasses at the best of times.
“Thanks for the company and conversation, Nina West.”
Nina nods. Doesn’t touch him, doesn’t look over his shoulder at Monét as he leaves the elevator.
But he doesn’t go back to his room either.
He wanders the hotel. Presses the down button and gets on a different elevator a few minutes later.
Nina’s going to regret this tomorrow when he’s exhausted, but he just can’t imagine shutting himself in his dark little room and lying down right now. He’s vibrating, on edge. It’s a bad idea, because there’s nothing more depressing than a silent hotel after midnight - something about the lateness of the hour makes all the shine come off. Nina’s feet lead him down one hallway and down another, and he doesn’t realize he’s heading to their usual breakfast-conference room until he hears… music?
Yes, there’s definitely music coming out of there, the casual strumming of a stringed instrument that doesn’t have anywhere to go. Someone might be humming too, it’s hard to tell from a distance.
Nina follows the sound.
The door is open, just a bit, and all the lights are on. Sitting alone in the room is Trixie Mattel, bent in concentration over her autoharp.
Out of drag, she looks smaller, more vulnerable. It’s clear just how young she is. She’s picking at a tune, murmuring something under her breath. Nina suddenly feels a warm breeze against his skin, and the melody that Trixie’s playing becomes clearer, a delicate bluegrass riff that would be at home on Nina’s old Emmylou Harris or Linda Ronstadt records.
Along with the warm breeze comes a gust of dandelion seeds, floating through the hallway like tiny wisps of cotton. Nina feels like he’s alone with Trixie in the middle of a waving wheat field, sun-baked and desolate. He can smell the cracked soil beneath his feet, hear the sound of crickets chirping in time with Trixie’s brittle melody.
Oh no. That thing is happening again.
Trixie starts to sing:
“You’re the brightest star in any room.
I’m never lonelier than when I’m with you.
I miss something that’s never happened.
I miss a place I’ve never been to.”
Her voice is quiet at first, but it grows louder.
“There are some bridges that you cannot cross
Say it again ‘til I convince myself
But all this certainty it feels like loss.
I wouldn’t risk this much for no one else.”
Trixie gets to her feet, starts walking through the wheatfield as she sings the chorus.
“And there’s a wide field between us
How you traveled all those miles without me I don’t understand
I’m always on the edge of falling
And you could pull me over just by reaching out your hand
If you’d only take that chance.”
She keeps plucking at the harp, and Nina feels words welling up inside him, ready to spill from his mouth (when he starts singing, he’s thinking of Monét. Because of course he is.)
“This sort of thing, it don’t come easy
I never know just what to do or say
It feels impossible, believe me
That you would ever look at me that way.”
He thinks of Monét’s lips on Shangela’s after the Snatch Game. He thinks of Monét’s eyes on him at the bar. (“Be careful lookin’ at people like that, Nina West.”)
“There are some bridges that you cannot cross
I built up walls around this paper heart
But when I see you I forget it
All of the reasons we should be apart.”
Trixie harmonizes along with Nina as he sings the chorus.
“And there’s a wide field between us
How I traveled all these miles, baby, I don’t understand
I’m always on the edge of falling
And you could pull me over by just reaching out your hand
But could I ever take that chance?”
Nina sings the last line one more time, feeling the weight of his hopeless longing rising like a tide inside his chest. “If you’d only take that chance…”
“Nina?”
“Um.”
Trixie is sitting in the conference room, staring at him. She’s holding her autoharp but there’s no flowing wheatfields or whatever. Somehow Nina ended up in the doorway, just standing there. Fuck’s sake. Is he dissociating? Musically??? This is unbearable.
“How long have you been there?” Trixie asks, confused.
“Um, just got - here, so -” Nina’s face is probably turning bright red, and he’s hoping against that he hasn’t just been shouting song lyrics blankly at a terrified Trixie Mattel for the past few minutes. “Are you okay?”
Trixie winces. Then she nods.
“Yeah, of course. Just - yes. Couldn’t sleep. Figuring some - stuff out. You?”
“Just - you know. Having an emotional spiral.”
“Oh honey…” Trixie’s smiling but her voice is soft and sad. “My first perm was an emotional spiral, honey.”
Nina laughs in a brittle way, because 1) Trixie’s hilarious and 2) it’s obvious she’s trying to make him feel better.
“Do you want to talk about it?”
“Not right now,” Trixie sighs, shakes her head. “But thanks.”
Nina leaves her to it. After - whatever that just was - he feels ready to crash at long last. He’s still a bit buzzed from the tequila, but his nervous energy has banked, and he heads back to his room. He’s ready to sleep, ready to deal with tomorrow when it gets here.
So of course, there’s someone waiting for him outside his room.
“Nina West.” Maya the P.A. gives him a slow, broad smile the moment he comes into view. “Found your way back, hey? Great. We need to talk.”
Interlude: Trixie
Conversation with:
swamp thing
i cunt believe i agreed to this
Fuck autocorrect CANT
It knows what you REALLY MEANT
It knew i was texting you and assumed
I’ll take it
You’ll take anything
I ain’t proud mama
I’m hunnnnnngry
For serious though, things okay there?
For serious serious
4 C-ri-us
GROSS
That’s gonna be my dj name
Please welcome to the stage
Why do I talk to you
Why do i even know you
Yes things are find its just weird
Being back on set
And like also runnign a business and
planning a tour and all of it. At least
they let us keep our phones
Must be hard being successful
I’m crying for you
I didn’t know you could still produce tears
I squeeze em out
Like milking a cow
Just need the right suction
Stop talking to me
What can you say that you won’t get sued for
I want drama
Who’s fisting who
Ha monet wishes she was fisting someone
Shes like middle school crushing on a queen here
Its kinda cute and sad
If love isn’t pathetic i don’t want it
And there’s last seasons whole thing
#branjie
sell those hats
That is not about hats
I saw them at a show in LA last summer
They’re fucked up in love, mama
IN LOVE???
Who even are you
I’m a person who has eyes
that can see things
Are they not together? They’re togther right?
NOPE
Are you fucking kidding
I don’t believe it
Since when are you this romantic
I’m not romantic
I have no romance in my bones
It’s just OBVIOUS
Well not to them
SO
Ahhhh the gays
When will we figure our shit out
Realize what’s right in front of us
You gone?
Yeah sorry
Going to pass out
Don’t die or anything
Whiel i’m gone
Aren’t you sweet
Conversation with:
sure thing
Doing anything fun tonight?
Or just missing me
Babe?
Ok sorry filming again
Call you on break
Do not let me do this again
I don’t care what they offer me
(id o care what they offer me)
Breaks over talk to you after?
How was your day?
Call me if you want
I’m done for the night
Just getting white girl wasted alone
In my hotel room
At the mini bar yes i’m that famous now
I’m gonna crash call me if you get this
Love u
Conversation with:
swamp thing
I dreamt that i was in a bsatroom
At mcdonalds that one you puked in
After the show in philadelphia
Do you remember? Probably not
And you were there and fucking
Gordon ramsay was there (!!!)
And he wad hitting on you
And i wasd so pissed off
And thrn this lady came in and was like
‘You can’t be in here, this is for ronald only” And i fully shot her with a GUN
WHAT DOES THAT MEAN TRACY
I just woke up and feel like a monster
She was just doing her job
Ronald mcdonald needs his private shitter
And i just killed her
I killed a living dream person
Thank you for sharing this with me
I feel so close to you right now
Yeah i don’t confess dream murder
to just ayone
But WHAT DOES IT MEAN???
Latent Ronald mcdonald fetish
Clearly
I’m not a doctor or anythng
But i’m sorry you’re dying
Yep yep makes sense
I always knew it would end like this
fuck/marry/kill
me/gordan ramsay/ronald mcD
(you wanna know what the D stands for)
No i want to sleep
For 3 more hours
But i’m on reality tv again
You should havw stopped me
Maybe this dream was a warning!
I’m supposed to save you
From endng up on Chopped
What did you dream about?
U have to tell me even if it’s sexy
That’s the law
Another teeth falling out one
Mama you know that’s my kink
Conversation with:
sure thing
Good morning sexy thing
I’m so tiiiiiired
Don’t make me get up yet
Hey are u alive?
Yes
Yay u r alive!
I called u yesterday night
And at lunch
U ok?
Did u get my messages?
yes
Ok
Can i call you?
I miss your voice
I cant talk right now
Sorry
Ok
I’ll call you tonight
After filming?
Sure
Love u gorgeous
Hey just called left a message
Give me a shout later
I miss you
Brian
Have you seen the pics
from the MTV Movie Awards?
Ummm ok
No i’ll look them up
Ok
Fuck my lashes are so uneven
U breaking up with me over lashes
Lol
U and kat are pretty cuddly
Haha
are u being serious
Ur joking
Are u ok? Can i call u?
I’m out right now
Call you when i get home
Ok
But we’ve talked about this before right
U know we’re friends
Me and Kat
We’re just friends
U know this
Yeah i have lots of friends
And we don’t hold hands and kiss eachother
All the fucking time
So we’re fdoing this over text?
Is that what we’re doing
No i’ll call u later
Call me ok? I love u
U cannot be jealous of katya
She’s my Business Partner
And it’s DRAG
We touch each otehr all the time
We all do
Gotta go call u later
Conversation with:
swamp thing
Can we talk?
Not if ur busy
Let me just stop blowing this senator
And kick the clowns out
And get thes handcuffs off
No i’m not worth it
Keep these good things goin
It was winding down anyway
Gettin awkward
I have yoga tomorrow
Whats up pussycat
This is gonna sound really weird
Have you seen the pics of us
from the movie awwrds
Probably blocked them out
why????
am i like a troll
No more than usual
David texted me about them
And he’s all pissed off??
Because of us holding hands
Like so so stupid right
WHAT???!
Thats crazy!
Im so sorry
This isn’t the handmaids tale
He can calm his tits
(sorry, not to attack him just) Has he seen our shows??
What did you tell him
To fucking call me!!!
And he hasn’t
And i’m on this stupid set and can’t just go
See him and convince him how crazy he is
I’m so sorry
Do you want me to call him
I’ll call him
Tell me what to say
No don’t
Don’t worry
Its fine
I’ll talk to him
Conversation with:
swamp thing
Hey are you awake
If youre awake call me
david and I are done
over the phone
FUN
sorry you’re clearly asleep
I’m just a little drunk
brian
he said some things
that ive been thinking about
maybe call me tomorrow if u can
guess ill see you soon anyway
dont die while im gone
miss u
31 notes · View notes
spotlightsaga · 7 years
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Kevin Cage of Spotlight Saga presents... A Rewind Review of the final episode of Quarry on Cinemax whose cancellation was just announced yesterday. As you'll see in the language of this article, I personally hold the show in high regard, even including it the Top 5 #BestOf2016 series we ran. Cinemax, who is owned by HBO claims they are revamping the network that is just now gaining a good wave of steam and building a respectable library. The Knick was also a groundbreaking series that recently received the axe from the same network, yet Strike Back that last ran in 2015 is already getting a reboot. What say you, Cinemax? We are incredibly disappointed by your decision to cancel this incredibly thought provoking Crime Drama set in a very real to life 1972 Memphis. Michael D Fuller, executive producer and co-creator of the show (along with (Graham Gordy) is a huge inspiration for me and for 'Spotlight Saga', inspiring me to include a more honest approach to political standpoints, something at the time I was very afraid to use in my writing. The following article was written shorty after the end of Quarry's Legendary 8-Episode run. Going forward, as much as I am frustrated with Cinemax, I think it's important to focus on the positives here and follow & support both Fuller & Gordy in any future projects or endeavors they may have. Thank you, Fuller. Thank you, Gordy. You have earned more than a few lifetime fans. Kevin Cage of Spotlight Saga reviews... Quarry (S01E08) Nuoc Cha Da Mon Airdate: October 28, 2016 (Cinemax) Ratings: Premium Cable/Streaming - Nielsen is Guessing! Score: 10/10 (An Extremely Rare Perfect Score) **************SPOILERS BELOW*************** *Poltical Views do NOT represent Spotlight Saga* Well, I asked for it... Basically begged for it, I even considered taking a day off work to just sit at home and watch it. Now, I've finally watched it, and I feel...changed. 'The Vietnam Scene' let's us peak into the PTSD origins and Mac's time at war, as well as providing a provocative theory on just what we might have been doing over there in the first place... Losing lives on both sides, our veterans returning home to a chorus of boos, met with thick walls of human disdain, and stop signs in every direction they turned. Single Camera, long take shots can be risky. Just look at Daredevil, a show that successfully used them in S1, then overused the same hallmark shots in S2. They simply cannot be your whole show, because one continuous 'sequence shot', particularly those that surround an upsetting action or disturbing sequence linger with the viewer, like the shots themselves linger on the situation at hand. In this case, a raid in Vietnam 🇻🇳 on a village with mainly fisherman, women, and children... Innocent lives lost in a war that in the end meant nothing but death, heartache, and terror. Of course that asshole of a captain commended Mac (Logan Marshall Green) and praised him to The Broker (Peter Mullan) at the end, 'He's a good soldier.' Yup, cuz he does what he's told without hesitation... Like firing the first shot without thinking, snowballing a cascade of death and chaos, topping off the whole experience by throwing a grenade into a covered pit that contained a toddler... A toddler who we are shown blown right out of the pit into fucking pieces. That's one thing that Quarry never does, shies away from violence, from the money shot... And it never feels exploitative, it just feels like that's the reality, a reality that the viewers should not be protected from. And so it goes... The Broker is no vigilante, tho he does give the people that he employs the benefit of small 'in-between' jobs that make them feel like they are doing good in the world. It's a game of chess, and he is Bobby Fischer in his prime, and a patriarch of the 70's... A king of a dirty unferbelly ruled by the almighty dollar and poppy fields as far as the eye can see. The day I wanted to take off work, just so happened to have three or four people at the bar discussing Vietnam. Of course, right? I immediately throw Quarry in the mix and of course, none of them had heard of it... Unsurprising, considering how hard it is just to obtain Cinemax, thank god for Amazon Video now! We discussed the length at which protesters treated the returning war veterans; Picketing, spitting, throwing objects, screaming and shoving homemade signs in their face... As if the soldiers ever had a choice in the matter. You enlist, You're drafted, you're trapped, you're owned, and just like Mac... If you are a good soldier you do what you're told like a goddamn robot, a machine without empathy, and then when you return home you have nothing. PTSD? In '72? Here's a pamphlet. 'Be glad the man has his legs and his arms,' the man at the VA tells Joni (#JodiBalfour) when she desperately seeks help for a man she cannot save herself. So there you have the people in control of our government, sending our brothers, sisters, fathers, and mothers over to fight a pointless war. Then you have the rich men, the patriarchs, who are able to come through and buy a slice of the action... A poppy field... A goldmine just waiting to make the rich man richer. And then you have protesters, mainly uninformed Regular Joes who only see the picture that's painted before them, like the SJW's today that picket and march through our major cities furthering the divide they claim they are trying to stop. Oh yes, that's the truth of the matter, a truth that blind rage and ignorance stop people from seeing. There is something inherently terrifying about the parallels of Vietnam 🇻🇳 to the wars and thousands deployed in countries like Iraq 🇮🇶 Iran 🇮🇷 Afghanistan 🇦🇫 Pakistan 🇵🇰 Kuwait 🇰🇼 Bahrain 🇧🇭 Saudi Arabia 🇸🇦 Syria 🇸🇾 Yemen 🇾🇪 And I could go on and on and on, places we have no business being, places that our country backwardly depends on for oil, or countries that have militias and terrorist organizations just sitting on oil fields holding them captive to prevent the chaos countries like ours and others have caused attempting to police the world and secure access to natural resources, while they themselves use the guns we have directly armed them with to oppress their people and then line the pockets of people like Hillary Clinton's with hundreds of thousands of dollars. No, I am no sympathizer, both sides make me sick. The whole thing makes me sick. Mostly, the human race makes me sick. A long time ago while living in San Francisco, I realized that the most beautiful and pure people are mostly at the bottom sleeping in the street or struggling at a minimum wage job, while the ugliest and ruthless people are at the top inviting a lucky few up to share in a night of debauchery, caressing their insecurities with thoughts of becoming their protégés or possible arm candy while their young and their beauty is still intact. Just last week, less than a month to go in his final term, Obama abolished the 'Wet Foot, Dry Foot' policy, a policy that helped save thousands of Cuban 🇨🇺 lives and helped build the great city of Miami that I call home... This done in the spirit to 'normalize relations with our one-time foe.' While abolishing this policy *COULD* indeed do just that, hidden behind that very controversial and well known policy; Another policy, The Cuban Medical Professional Parole Program, was also nixed. That lesser known policy allowed the opportunity for Cuban Medical Professionals to come to the US through other countries to earn residency, citizenship, and jobs. A sneaky move, one disguised as a way to strengthen the relations between The USA 🇺🇸 & Cuba 🇨🇺. Just one of many examples that not everything in the painting is portrayed as it should be or relaid to the public highlighting the big picture as a whole. This is a man who promised us CHANGE, but the majority of these promises of change were broken. Under the Obama Administration more Whistleblowers were jailed under the Espionage Act of 1917, imprisoned, or forced to seek asylum, like Snowden in Russia 🇷🇺 and of course famous Wikileaks founder, Julian Assange, who is literally living in an Ecuadorian 🇪🇨 Embassy in London 🇬🇧. Then today Obama grants clemency to Transgender Whistleblower Chelsea Manning, shortening her 35 year sentence to end 3 decades early in May of this year, 2017. Why, Obama? A PR move to distract from other last minute changes and to surge an approval rating on the way out? Something to think about, especially when he was so adamant about putting those that expose our government's truths, lies, and nasty cover-ups behind bars or strand them in foreign countries that don't exactly provide the same freedoms. Meanwhile last year was the first year that I was forced to pay taxes, and not just because I'm penalized for seeking affordable medical treatment for cash, and not pumping money into the Insurance Industry, the failure of Obamacare. All of this happening, and a rich white New York female actress named Lena Dunham tells the world that she's never had an abortion, but she wishes she had. WHY?! Meryl Streep uses an acceptance speech to rile up SJW's. And to add insult to injury, she says an art form and sport older than her 50x over, MMA and Combat Arts are not really arts. WHY?! God bless some of Meryl Streep's performances, they are truly cinematic gold, but that doesn't automatically make her the High Queen of all Art, deciding what earns that prestigious label and what does not. I try and promise myself that I will not get political in my reviews, but honestly when I write emotional parallels I seem to get the most responses. And because of great television series like 'Quarry' that most definitely gets my stamp for my list of #BestOf2016 TV Series), they inspire me to put my ideas out there, my life stories, my origins, my secrets, my heartaches, my tales of happiness and tragedy... Because of series like 'Quarry' I am more honest with you than I am with anyone else in my life. It's scary to put these very personal, private, and passionate views and experiences out there. Like I said, the one rule I try to set for myself is try to keep politics (or at least pick and choose my crusades and battles) out of it, and to treat those with opposing opinions with respect and class... But here we have a moving, haunting portrait of political injustice, and it's inspiring. It's hard to stay quiet when there is so much injustice surrounding us, so much ignorance. I have literally seen people I love with all my heart throw away meaningful, lifelong friendships over this sham of an election on both sides. I am not a conservative. I am not a liberal. I am a man who is happy with very little... I have a slice of paradise in a city where I am very much the minority. I'm happy living life one day at a time, living a quiet life and practicing different forms of artistic expression, over the years learning that my gift is worth a bit of money, but still getting the hang of making it the center of my universe. I'm no hired hitman, but I've abused this body with serving, bartending, and even go-go dancing... At one point I was literally working day shifts serving tables in Miami, getting off at 4 or 5pm, then driving to Ft Lauderdale, dancing without my clothes at night until the early morning, trying to catch a few low-paying DJ gigs in between. Like Mac, we all have our demons, demons that many of us will never quite shake. We can defeat them, learn to live as harmoniously as possible with them, or let them destroy us slowly. Quarry is a vivid and honest tale of political injustice, racial divides, struggling human beings just trying to survive in a world where the odds are stacked up against them, a tale of broken men and women, the moments that make us feel alive, the moments that haunt us, a tale of a human being struggling with their sexual identity in a brutally violent and unaccepting world, one that is engraved and hardwired into them, broken egos, and a tale of how people can easily be turned into puppets with the almighty dollar and a simple plant growing from God's green earth. I found it very fitting that before the last sequence of scenes Mac goes to cast his presidential vote. Unfortunately it always comes down to the lesser of two evils... Republicans or Democrats, but both are evil and wicked in their own individual ways. To #VoteLibertarian or Green is unheard of (though this idea is changing and becoming more of a reality now, thank god) and for many years I considered the act 'throwing away' my vote, but with the candidates becoming increasingly hard to differentiate the pros and cons... Maybe it's time that everyone starts voting Libertarian, Green, some sort of other growing Independent Party... Or like Mac, just write in the late, great Otis Redding. My Step-Father has taken to the practice, and he's right... If you can't beat em', don't join 'em, vote for somebody else, ANYONE. Ive been told this is a problem in all countries, so on a worldwide scale I'm not sure if even Hillary Clinton vs Donald Trump was even the hardest decision a voter has had to face... We had it easy, The Philippines 🇵🇭 had to settle for Rodrigo Duterte, a MADMAN who encouraged the people of his country to hunt down and murder people suffering from the disease of addiction. Somethings gotta give, the division I see in our world today frightens me, but most of all it saddens me. For now, here in the US, what's done is done. We must allow things to play out as if the world 🌎 was our television series. Stop the division. Stop the hate, on BOTH sides... And let's take things as I have learned to live, one day at a time. Being unified if things go wrong will be a lot better than being a nation torn apart. Maybe the future will surprise you, maybe it won't... Just hold on to your empathy and everything will be alright. It's the only thing we have left. We have to do better.
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maksylmyheart · 7 years
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Three years after winning Olympic gold in Sochi, Meryl Davis and Charlie White ruled out returning to competition for the PyeongChang Olympics. Their storybook career, however, continues.
The skaters, born nine months apart at the same Michigan hospital, have enjoyed a charmed 20-year partnership. They grew up a few miles from each other. Their heights and personalities were a good fit. They shared the same fierce work ethic.
Now, they're both ready to close a chapter, not due to injury or age but because they love where they are, personally and professionally. And as usual, they're in perfect step.
"I think we felt for a while this was the right decision to make, but there was always this pull in the backs of our minds, knowing there were new things we could potentially bring to competitive ice," Davis said.
"The biggest (factor) was if we didn't feel we were 100 percent prepared to give everything we had, which is what we did leading up to 2014," White said. "We know that's the only way we would be satisfied with our approach to anything, but specifically in skating, we have a baseline we are used to. If we don't feel we could get back to that level mentally, it's not the right thing to do."
The following are excerpts from a conversation held with the skaters at Rockefeller Plaza on Wednesday, Feb. 23.
Icenetwork: Are you simply enjoying yourselves too much to return?
Charlie White: The main thing in ice dance is you can't make any mistakes. If you want to get the highest score you can, if you want to have a chance to win, you have to commit yourself to understanding that you have to do whatever it takes to not make any mistakes. The mental focus -- day in, day out -- to commit to that is tremendous.
Meryl Davis: Something so defining for our success on the ice was always making the right decision. Whether it was our training, our mental preparation, our philosophy, our outlook, maintaining the schedule that's right for an elite athlete -- we always made a decision that would ultimately lead to the success we had. Being open and available to explore new adventures without an agenda is a feeling we didn't have before. We're relishing the opportunity to feel that for the first time in our lives.
Icenetwork: You've watched this season's competitions. The bar is high. Do you think you're still capable of competing with the best?
White: One hundred percent. If anything, I feel we've improved. Our skating has improved, but even more so our maturity, our ability to relate to one another and to the audience. All of our show skating and all of the other great things we've been able to do off the ice, we've continued to grow as people, and that's a quality I think would be recognized in competition. So it's definitely not a question of if we can do it, and I think that's a nice thing to be able say.
Icenetwork: Tessa Virtue and Scott Moir of Canada were your training partners and biggest rivals. They're making a spectacular return after two seasons away. Is watching them bittersweet?
White: Emotions are at play, for sure. There's a moment of reflection that is sort of forced upon you when someone you've traveled the same road with for so long makes a life-altering decision the way they did last year. There were some real divergent moments and some flashpoints that caused our journeys to go down separate paths. We're able to respect their decision and what they continue to bring to the sport while maintaining the confidence and comfort of taking our own path.
Davis: We've been competing against them since we were 12 or 13, so seeing them return made me take a step back and think how I feel about it. You can see they are 100 percent dedicated and loving where they are in life, and the beauty of it is Charlie and I are too, on the other side of things.
Icenetwork: Charlie, you're doing quite a bit of ice dance commentary, and while you offer mostly positive feedback, you also give some constructive criticism.
White: When I first started, I thought, "I'm going to call it as it is. If it's not as good as it should be, I'm going to say it." But the second you start evaluating, you see the passion in the skaters' faces and movements. I love to highlight that aspect. Maybe a team isn't technically as strong, but I look at the commitment, the heartfelt emotion and even the struggle that comes with trying things a little out of range -- that's OK. [My commentary] is something skaters can listen to and enjoy without feelings being hurt.
At the same time, if I'm only positive, the audience may be like, "Why is there any discrepancy in scores?" With Tessa and Scott, for example, when you see their free dance, you can compare it to their short dance: where are the strengths, what are they bringing out in the free as compared to the short. There are ways to stay positive and also critique.
Icenetwork: Gabriella Papadakis and Guillaume Cizeron of France have had so much success winning the last two world titles that some observers think other teams are beginning to imitate them.
White: I think that kind of just happens, right? For so long the approach to programs was dominated by the Marina [Zoueva] and Igor [Shpilband] style, not so much the tempo or speed or type of music but the connecting steps, the way the technical elements played with the program. With Tanith [Belbin] and Ben [Agosto], and then Tessa and Scott and us, even though we have different styles, there was a core similarity there. [The French] were a breath of fresh air, and I know I appreciated it when they came in with a different style completely, a different way (of) connecting steps. [The imitation] will self-correct as people realize where their strength is. I'm looking forward to that as they find their way to find programs for the Olympic season.
Davis: I think the Marina and Igor style, the effort that went into the difficulty of movement and the choreography was more visible, which makes for a more dramatic and maybe dynamic style of skating. The French, especially the first year they came out, I felt as though the course of their four-minute, 10-second free dance was --
White: A cloud passing along the sky.
Icenetwork: The Canadians and French finished one-two at the Grand Prix Final and head into the 2017 World Championships as favorites. How would you handicap them?
White: From a technical standpoint, Tessa and Scott's foundation of skating is the highest of all the teams. Their ability to go in and out of movements, where you can't see the end of one movement and beginning of the next, is unparalleled. So much of that comes from experience and confidence and base talent.
The French are similar, but it hasn't matured in the same way because it hasn't been formed in the crucible of maybe the most difficult competition. [Papadakis and Cizeron] are dancers who happen to come together on the ice, and Tessa and Scott are more traditional ice dancers.
Icenetwork: The U.S. Stars on Ice tour opens in Ft. Myers, Florida, on April 13. You do so much performing -- you just got back from Art of Ice in Switzerland -- how do you keep things fresh?
Davis: I had sort of an epiphany this year. We've been doing shows now for three years relatively nonstop, and we love it; we feel like we've been growing on the ice in every way, really. I've been looking around at what makes a successful skater in that atmosphere. In our (most recent) tour in Japan, we performed with some legends, including Katia Gordeeva skating with David Pelletier, and Yuka Sato was there. I try to watch them and take a look at their approach and figure out what it is that makes them so special on the ice.
Also, getting a chance to have a couple of conversations with Scott Hamilton, I feel I have a newfound appreciation for the impact, the beauty you can bring to people's lives with shows like Stars on Ice. That was a lot of the decision not to return to competition. For us, it's exciting to push the envelope and be the best we can be for people who come to watch.
Icenetwork: I imagine not returning to competition fits in well with your personal lives.
White: Life with Tanith is great. I'm incredibly lucky. That feeling hasn't died down at all. We're coming up on two years in April being married, and we're together almost eight years. To be able to be an active participant in family gatherings, having even more energy to devote to my relationship with Tanith, has been really special. The forecast is also great.
Davis: I bought a house in Birmingham (Michigan), where I live with Fedor [Andreev] (former Canadian bronze medalist and Zoueva's son). It's great. We are both on the road a lot. He works for Boston Consulting Group, a top-tier consulting group, with large corporations, so depending what case he is on, his job description changes.
Icenetwork: Lots of things are happening in your old training center, Arctic Edge in Canton.
Davis: We skate there when we are home; we're on the road 80, 85 percent of the time. When we get there, it's fun to see the Shibutanis, Patrick [Chan], sometimes Nathan [Chen], and Haven [Denney] and Brandon [Frazier]. Now Gracie [Gold] is there, too. It's exciting to go and watch and be inspired by the dedication you can feel from these young athletes.
White: Mostly, we practice on our own. We did just finish a program with Marina, and every now and then she'll be, "Hey, that doesn't look good," which we appreciate. It's a great energy at that place.
Icenetwork: Do you still have your parking spot?
Davis: Oh, yeah. Sometimes we go and people are parked there randomly, because they don't expect us. We'll go inside and say, "Hey, you're in our spot!"
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