#evan caminiti

[jgthirlwell]

playlist 02.26.23

Diamanda Galas Broken Gargoyles (Intravenal Sounds) Soul Glo Diaspora Problems (Epitaph) Evan Caminiti Varispeed Hydra (Dust Editions) Jerry Goldsmith Morituri OST (Tsunami) Bohemian Flesh Bohemian Flesh (Ojet) Onsegen Ensemble Awalai / Duel / Fear / Realms (Pink Tank) Magma Kartehl (Seventh Records) Ennio Morricone Grazie Zia (Cam) Flummox Rephlummoxed (Needlejuice) Pure Adult II (FatCat) Mandy, Indiana EP (Fire Talk) John Zorn Bagatelles Vol 9-12 Box Set (Tzadik)

#Diamanda Galas #Soul Glo #Evan Caminiti #playlist #Jerry Goldsmith #Bohemian Flesh #Onsegen Ensemble #Magma #Ennio Morricone #Flummox #Pure Adult #Mandy Indiana #John Zorn

[pium]

MUNDO URBANO EPISODE 60 (26/08/2022) AIRED ON RADIO QUÂNTICA

THE BEGINNING:

01. Panagiotis Mina - Ιούνιος - Αδελφές Αγησιλάου, Κοιλάνι Τροόδους (pyrgatory studio) 02. Mort Garson - Music to Soothe the Savage Snake Plant (Sacred Bones Records) 03. Precipitation - II (Jungle Gym Records) 04. Precipitation - III (Jungle Gym Records) 05. Oleksandr Demianenko - Segment 7 (enmossed) 06. Ondness - Torres e Baldios II (Discrepant) 07. ΨΥΧΟΤΕΚ - Κοινοβιο Τελος (Phormix) 08. Rolande Garros - French Open (MMODEMM)

09. Rolande Garros - Wimbledon (MMODEMM) 10. Rolande Garros - Australian Open (MMODEMM) 11. Rolande Garros - Flushing Meadows (MMODEMM) 12. Dominic Voz - Right To The City I (Beacon Sound) 13. Dominic Voz - Right To The City II (Beacon Sound) 14. pinkcourtesyphone - but it felt / in other dreams (excerpt) (helen scarsdale) 15. Mareld - Pale Outlines (Janushoved) 16. Mareld - All That Was Green (Janushoved) 17. Isabel del Bosco - Visita Nocturna (Self Released) 18. Jake Muir and Evan Caminiti - Immured in Twilight (Dust Editions) 19. Radagast & KletTtermax - Wizard warp (Personal Uschi Records) 20. Peter Kris - False Tranquility (FLOPHOUSE) 21. Angelo Harmsworth - Aerosol (enmossed) 22. Light Asylum - Dark Allies (Pablo Bozzi edit) (Self Released) 23. Modeste - Thérèse (Nouvelle Gaze) 24. ΨΥΧΟΤΕΚ - Ειπες να 'μαστε Φιλοι (Phormix) 25. Radiant Futur - Forgiveness (Muscut) 26. Ian Wellman - Raven Calls Before Dusk (Room40) 27. Terror Cognitive Dissonance - Inverted Cross (S H I S H I) 28. Bbarb - 3 Cornered Leek  (Avon Terror Corps) 29. Iury Lech - Ukraïna (Wah Wah Records) 30. Panagiotis Mina - Αποδυτήρια (pyrgatory studio) 31. Morah - Sirines (Vanila) 32. Anatolian Weapons - Immersion (Tocca il futuro) 33. The Hydra - Lysergic Imminent (_phinery (catalogue) 34. YAI - Fata (Not Not Fun) 35. YAI - Mirage (Not Not Fun) 36. Angelo Harmsworth - The Impossibility Of Listening (enmossed) 37. Cucina Povera & Ben Vince - Muurahaiskeko (Ecstatic) 38. Dania - Fire Dash (Geographic North) THE END...

Listen: Here

#radio quantica #mundourbanoblog

[t2000000000]

#Bandcamp

[musicmakesyousmart]

Evan Caminiti - Toxic City Music

Dust Editions

2017

#Evan Caminiti #Toxic City Music #Dust Editions #ambient #dub

[postpunkindustrial]

Evan Caminiti - Varispeed Hydra 

https://dust-editions.bandcamp.com/

#evan caminiti #idm #experimental #minimal #ambient

[dustedmagazine]

Evan Caminiti — Varispeed Hydra (Dust Editions)

Evan Caminiti’s last album, Toxic City Music, incorporated New York’s ambient noises into its broody drones; listen close and you could hear the subway, traffic, machinery, the jolt of raised voices washed over with eerie, staticky hum. For this one, he performs similarly erosive alchemy with natural sounds, preserving bits of birdsong, cricket buzz, waterflow in arid futuristic soundscapes. The natural world sinks as you listen into chilly tides of electronic noise, just as it does in the world outside, disappearing into an industrially dominated, man-centered environment.

In Barn Owl, Caminiti coaxed long, dopplering drones out of guitars; now he works primarily in synthethic sound. These tracks pulse and hiss and waver, whooshes expanding and contracting like lungs against a damp, murky hush. Like Burial, but without the faint, fading nostalgia of human voices, Caminiti works in a deep, quiet, disintegrating tones that blur as you listen. Other like-minded artists — Growing and Belong come to mind — incorporate more of the organic into their mixes. Caminiti’s work has a elegiac quality, wrapping bird calls in layers of static in the opening “Hand in Flame,” as if they are remembered, and not very well, rather than heard directly. “Holo Dove”’s reassuring wash of running water slips behind an uneasy veil of blips and crashes and rumbling sub-bass. You can hear a mourning dove, but just barely; a mechanistic clangor drowns it out.

Varispeed Hydra broods and lowers. It marshals an enveloping sense of gloom. And yet, even so, it can be very beautiful. The world slips away as we listen, the void moves into its place, and the letting go is its own kind of reward.  

Jennifer Kelly

#evan caminiti #varispeed hydra #dust editions #jennifer kelly #albumreview #dusted magazine #drone #electronics #barn owl #growing #belong #burial

[tomdork]

Varispeed Hydra by Evan Caminiti

#varispeed hydra #evan caminiti

[soundaslanguage]

Evan Caminiti - Varispeed Hydra (Dust Editions)

released April 3, 2020

RIYL: Pulse Emitter, Connor Hanwick/Dondadi, Ulla Straus

Evan Caminiti returns with Varispeed Hydra, the follow up to 2017’s Toxic City Music. Caminiti’s ambient experimental dub has a way of transporting you to different dimensions with his alien sounds. Broken down and then reassembled, the songs here explode and recoil. The album fights it’s way through a broken timeline while the listener tries to decipher it all. Like a lucid dream, Varispeed Hydra is a dizzying but enlightening experience.

https://dust-editions.bandcamp.com/album/varispeed-hydra

#evan caminiti #dust editions #dub #ambient #electronic #dondadi #experimental #connor hanwick #Ulla Straus #pulse emitter

[overcoding]

#I really think this album is magic and it helps me think #Evan Caminiti #music

[asociacionpospoetica]

Antonio Cisneros + Evan Caminiti

Toda la noche han viajado los pájaros desde la costa —he aquí la migración de primavera: las tribus y sus carros de combate sobre el pasto, los templos, los techos de los autos. Nadie los vio llegar a las murallas, nadie a las puertas —ciudadanos de sueño más pesado que jóvenes esposos— y ninguno asomó a la ventana, y aquellos que asomaron sólo vieron un cielo azul-marino sin grieta o hendidura entre su lomo —antes fue que el lechero o el borracho final— y sin embargo el aire era una torre de picos y pellejos enredados, como cuando dormí cerca del mar en la Semana Santa y el aire entre mi lecho y esas aguas fue un viejo gallinazo de las rocas holgándose en algún patillo muerto —y las gaviotas-hembra mordisqueando a las gaviotas-macho y un cormorán peludo rompiéndose en los muros de la casa.   Toda la noche viajaron desde el Sur. Puedo ver a mi esposa con el rostro muy limpio y ordenado mientras sueña con manadas de morsas picoteadas y abiertas en sus flancos por los pájaros. [Antonio Cisneros, "En el 62 las aves marinas hambrientas llegaron hasta el centro de Lima", Como un carbón prendido en la nieblaLom Ediciones, 2007].

#Antonio Cisneros #Evan Caminiti

[knightofleo]

Evan Caminiti | Acid Shadow I

#evan caminiti #acid shadow #acid shadow I #toxic city music #dark ambient #Bandcamp

[almostlookedhuman]

Evan Caminiti - Night of the Archon

#music #drone #ambient #evan caminity

[viljab]

#evan caminiti #possession #toxic city music #devotional #ambient #electronic #experimental #new york #noise #dust editions #Rashad Becker #Thrill Jockey #morr music #barn owl

[musicmakesyousmart]

Evan Caminiti - Meridian

Thrill Jockey

2015

#Evan Caminiti #Meridian #Thrill Jockey #ambient #drone

[dustedmagazine]

Bill Meyer: Year In Review 2017

Dusted’s writers bid 2016 farewell with a mixture of sadness and revulsion. We grieved the many great musicians who died, but the sense that the countries we live in were collectively embracing paths that might make us mourn the toppling of fundamental principals weighed even heavier. And 2017 has shown that our dismay was not misplaced. There’s no need to recount the shit show of USA politics here, except to say that it’s fucking embarrassing to know that a sizable portion of your country is swallowing scams so transparent that if your teenager pulled that crap on you, you’d ground them an extra week just for thinking you were that dumb. But while compassion, justice, and reality contact seem to have gone out the window, I’ve never found music more sustaining. So let’s talk about what gives a guy hope.  

Bill Orcutt

Bill Orcutt by Bill Orcutt

This year, like every year, I listened to a lot of solo guitar music. Bill Orcutt’s self-titled LP twisted all the lies out of the old American songbook and made it sing his song; Richard Osborn’s Endless kept up the tradition of transcendence; and newcomers Rob Noyes and Alexander delivered strong debut LPs. Elkhorn is a duo and not quite new, but their first full-length record, The Black River, nails that feeling of knowing that things have been lost but that can’t stop you.  

 Elkhorn

The Black River by Elkhorn

In 2017 I was privileged to hear many improvisers repeatedly, in different contexts and sometimes on different continents. It has felt like a privilege to hear them negotiate a balance between the articulation of personal concerns and group values, night after night, in ways that build things up. If Jim Baker, Steve Hunt, Mars Williams, Brian Sandstrom, Ikue Mori, Paal Nilssen-Love, Pascal Niggenkemper, John Butcher, Ståle Liavik Solberg, Anton Hatwich, Tony Buck, Dave Rempis, Andrew Clinkman, Macie Stewart, Steve Marquette, Phil Sudderberg, Ken Vandermark, Rafael Toral, Carol Genetti, Jaimie Branch, Joe McPhee, Tomeka Reid, John Edwards, Nick Mazzarella, Fred Lonberg-Holm, Tim Daisy, Jason Stein, Jason Roebke, Jason Adasiewicz, Paul Giallorenzo, Joshua Abrams, Hamid Drake, Michael Zerang and Chad Taylor (as well as the others I saw more than once, but am forgetting to name here) can do it, the rest of us can too.

 Butcher/Buck/Mori at Café Mir, Oslo  

p>It’s the end of the year, so lists are obligatory. Here are two that I compiled for other publications.

 The Wire top ten

1 Jaimie Branch, Fly or Die (International Anthem)

2 Bill Orcutt, Bill Orcutt (Palilalia)

3 Sarah Davachi, All My Circles Run (SOD)

4 Keiji Haino/John Butcher Haino, Light Never Bright Enough (Otoroku)

5 Evan Caminiti, Toxic City Music (Dust Editions)

6 Les Filles de Illighadad, Eghass Malan (Sahel Sounds)

7 Shelter, Shelter (Audiographic)

8 Anthony Pasquarosa, Abbandonato Da Dio Nazione (VDSQ/Thin Wrist)

9 Richard Osborn, Endless (Tompkins Square)

10 Anahita, Tourmaline (Three Four)

 2017 Magnet Magazine Jazz and Improvised Music top 10

1 Jaimie Branch, Fly or Die (International Anthem)

2 Bill Orcutt, Bill Orcutt (Palilalia)

3 Shelter, Shelter (Audiographic)

4 Keiji Haino/John Butcher Haino, Light Never Bright Enough (Otoroku)

5 Rempis Percussion Quartet, Cochonerie (Aerophonic)

6 Paal Nilssen-Love/Frode Gjerstad, Nearby Faraway (PNL)

7 Tomas Fujiwara, Triple Double (Firehouse 12)

8 Keith Rowe The Room Extended (Erstwhile Records)

9 Rob Mazurek, Rome (Clean Feed)

10 The Necks, Unfold (Ideologic Organ)

 Both were done too soon to acknowledge some great music I heard late in the year, so let’s just say that Olivia Block and Ulaan Passerine made records very much worth your time. But these lists convey this point; in 2017, sound felt truer than words.  Most of the music on these lists is instrumental, and of the records with singing, one bypasses linguistic meaning by being in a language I don’t know and a couple others obliterate it altogether. So how about it, 2018, what do you have to say for yourself?

#bill meyer #yearend 2017 #dusted magazine #bill orcutt #elkhorn #jaimie branch #sarah davachi #keijo hano #john butcher hano #evan caminiti #Les Filles de Illighadad #shelter #anthony pasquarosa #richard osborn #anahita #dave rempis #paal nilssen-love #frode gjerstad #tomas fujiwara #keith rowe #rob mazurek #the necks #olivia block #ulaan passerine

[tomdork]

Toxic City Music by Evan Caminiti

#toxic city music #evan caminiti