#except for his vicious verse but i still need to figure out his ability | Explore Tumblr Posts and Blogs

thewolfisawake · 3 years

Text

Since I’m in this brainrot alone, of course I’m just gonna end up thinking of a Hypmic AU with muses and their friends because I’m trash like that. Anyway, to avoid spamming my discord with the ideas, I’m just writing it on here. So a couple muses and those from @arcxnumvitae and @shxtteredillusions.

Starting with Kesil just because he honestly doesn’t fit with the rest. His actually came first as I thought of him with his friends from a different platform. He would be rolling with his delinquent/probably doing some illegal shit friends. Their style is more like MTC with the rough and tumble, down and dirty sort of thing. His MC name is actually Shinigami because I gotta stick with his ‘thing’ no matter the AU! I do not know what his mic nor speakers would end up like. I think most of his themes are related to him as a killer as he in this verse likely only learned and became good with a hypmic just because it’s the only weapon he could have. I mean...he probably could sneak one regardless but since most weapons were phased to mics, he probably learned. His rap ability would probably be something like Death Reversal, basically he could deny himself or his comrades of being knocked out as it fits with his actual ability of death force manipulation. Of all the guys I think he’s most like, it’s probably Rio as I don’t feel he’s overly expressive. Not because of lack of feeling but just that cool under pressure sore of thing

Anyway onto the Bastion Kids because they’re my faves to mess with

Ofc Lucien’s the easiest to think of this crap for. I do not have a MC name because unlike the creators, I have shame. But probably something wolf related. I feel his mic would be pretty old so look like a carbon microphone (because I think I’m funny) and be pretty simple. Don’t know what his speakers would be like. I think his themes are actually rather mundane when outside of battle. But in battle, cutthroat bastard. He’s like absolute annihilation of his enemy, his words are like the maw of a beast, he’d rip you to shreds. His ability is Cornered Counter, basically as his energy dwindles, his attacks get more powerful. Basically you gotta be decisive with him because the longer he lasts, the more dangerous he is. So obviously his is most like Samatoki’s as it fits his aggressive tone and no back down attitude.

I have a feeling he probably pissed off the Party of Words and thus if they had the chance to deal with him, they would’ve. Maybe he and his fam had differing views as to how to take this change in the world. I feel like he preferred the old ways but had to adapt to using a hypnosis mic in order to survive. And survive he did.

Katarina’s was somewhat easier to do because she’s very clear in her presentation. I debate if she’d just straight up use her name or if it’d be something like Prima (either by itself or being Prima Donna), something denoting her regality. Her mic is likely a stand one fashioned like crystalline ice. Her speakers kind of hard to describe other than like a metallic feminine figure that kind of looks like a warlord, armed to the teeth with swords. Her themes are of betterment of the state of her surroundings, how she’ll change it with her own hands and utmost confidence of herself. Her rap ability I am still working on since while the idea currently works with her actual ability...what it ends up doing runs counter to her personality. It’d be called Dazzle and would basically redirect an opponent’s attack to someone else. However the issue is Kat can’t choose who it goes to. Since there’s not much I can draw from with the ladies of hypmic, I would go with CL for her sound although I found Chanmina while searching and thought this hits me for Kat. But if I had to choose a character, it’d be Ichijiku.

I actually think her mother might’ve been a good soldier for the Party of Words but then she kinda sorta ended up falling in love with the enemy. Whoops. Except like the Party of Words didn’t know she did (supposedly). And so she left and went to be with Kat’s dad, who was a resistance member but wasn’t able to use a mic. So Kat is like the kid that was like...y’know we could live in peace if we’re not super oppressive. I feel like Petra taught her how to rap as it’s the only viable weapon for Kat so that’s what she uses.

Crowe’s is a pain because he’s a pain. I don’t have a MC name either maybe Shadow? Too basic? I dunno. His mic either a headset or futuristic kind of shades he wears. I’m sure everyone finds it odd. His speakers look more like cameras and briefcases with like a dicey looking umbrella. It’s huge frickin’ homage to spy stuff y’all. And you’ll figure out the function of them when he turns his speakers on you. Electric volt briefcases, umbrella gun, that kinda stuff. His themes are pretty pessimistic, the secrets of others, the ability to get his hands dirty and what those dirty hands can and can’t do. His rap ability I feel would be based on his gorgon blood so likely named such (Gorgon) or Eyebite and would work where he paralyzes an opponent from taking their turn. Who I draw most for him is actually Jakurai although obviously his voice is no where as deep.

If there had to be a traitor, it’s probably Crowe. He isn’t particularly happy about it but at the same time, it’s not like he’s brave enough to deal with his overlords. Not when he knows the things they COULD do. Or maybe he’s doing spy stuff on Chuuoku and is in a continuously perilous position but can’t or won’t talk to anyone about it. Basically he still has his paranoia but for a different reason.

Hmmm Taylor’s giving me a lot of problems because I just can’t pin down a lot for her. I don’t have a name for her nor any idea what she’d go with. Maybe something food based? The only ones coming to mind are Red Velvet and Matcha. Her mic? I think she’d use a hand held mic. Kind of like the ones you do karaoke on in terms of shape. Her speakers? * confused noises * Her themes mmm....I think hers are rather upbeat although not without bite! Her rap ability still eludes me. If I’m thinking of sound, I would put it as something like Calliope although again her words are lighter than hers.

I feel like Taylor’s family ended up with her parents not surviving the war and thus was left with Rhett to try to keep his siblings from being separated from him. She didn’t view a need to learn how to rap--after all a lot of the population doesn’t seem to--but her mind was changed after being kidnapped for ransom and subjected to the effects of a hypnosis mic. She ended up saved by then then ragtag kids and wanted to learn so that she was never in that position again.

Hooo boy, Emil has that instinctual attention to tone shift going mad. Oh god. I do not have a MC name for him either. I feel Prince would be far too on the nose. So something else. I think he’d have a stand mic, I think his would be like I think it’s a certain kind of ribbon mic? Like this? Makes me think of like old school announcers that fits with his lively personality. I feel like his speakers would be more like ice fragments that feels like they should be falling but don’t. His themes are like half light-hearted and inviting, about having a good time with others. But the other times it’s about masks and charades. He is the kind that has that tone drop and you can tell it’s another ‘presence’ to Emil. One that is vicious and will have you sinking. His rap ability is Frostbite, which would essentially have any battle of his become a race against time. His ability starts sapping the energy of his opponent and of course if they drop...it’s game over for them. His sound when light-hearted is more like Hifumi in like vocal tone but with Ramuda’s flow. Yet I feel like the perfect sound for his is Gentaro’s verse in Stella (Emil, I hope you know you are the biggest pain in terms of style) in terms of like how he sounds in alternating between cutting and light.

I feel like his mom had stayed in the Chuuoku under the Party of Words but had seen Emil’s dad while outside of the ward. And then she fell pregnant and was in love with Emil when he was born despite him being a son than daughter. And when faced with either handing Emil over to his dad or leaving Chuuoku, she chose the latter. This was her baby. Emil had grown up with both but his mom passed away...his father suspecting it to be Chuuoku’s doing, moved away far from the ward. However Emil grew curious of the hypnosis mic that his mother had used when she was alive and so he ran off near Chuuoku, where he met a...unkind mentor (basically his grandma in normal verse stuff) that did teach him but did affect his candor.

Cipriana I have also am having some trouble thinking things of. I do not have a MC name but I think it’d be cool if she chose one that’s like...reclaiming and being proud of her ‘runt’ status. Also am not sure about her mic. I think she’d have a handheld one though. As her mic, maybe they’re in the shape of spools with like threads all around and at least one connecting her her mic. Her themes I feel would be a bit like that somber hope? Like it sounds a little sad but it’s ultimately about a better day eventually. Which contrasts to how she is in a battle as I imagine she is very loud in presence since this is more or less a fight and she isn’t getting knocked down again (her mindset of chasing down Lucien absolutely frightens and intrigues me). I just thought of her ability being like By a Thread, where she essentially she cannot be ringed out and can be a little harder to knock out. Her set up kind of makes like a net or wrap around her to keep her from falling (also makes her look like a doll in some aspects, oooh callback). I think of her sound very much like Nemu.

I do not know how she runs in this story except maybe that she was normal and just simply ended up in the whirlwind of hypnosis mics. Although sitting here now, I’m thinking if Arsenio had a mic and had used it against her--since it’s basically inflicting psychic damage--on her even though she didn’t have one (which is illegal btw). And Vini had it with his shit and used his own and having the same mindset as in her original verse, she actually took one of their mics and used her words against Vinicio, still causing their original rift...just worse. A lot of the same plotting from there maybe? Eventually she meets the rest of the kids.

Aspis has been rather hit or miss. I am still thinking on his MC name but Yaksha has been in there. I am thinking of his mic to be handheld and I can’t think of anything particular for its design. I think of his speakers looking like demon masks with the speaker part within the mouth. It’s kinda intense looking especially since you know he’s so sweet. Gotta keep his contrasting aesthetic somewhere. His themes are usually about mundane things as well. Musings about those of his past and present. I feel he’s the least biting towards others in battles? Like a lot of battles are attacking something about your opponent or about one’s own ability. I think Aspis would rely less on tearing someone down. Not saying he can’t but I feel like it’s gonna be a bloodbath if he does. His rap ability would be called Katashiro, where he links to another person (usually an opponent) where when he is injured, that damage is shared between him and the opponent. Which coupled with his odd endurance, could drop whoever he linked with before he falls. If I think of his sound, I think of Kuko’s flow but also Ichiro’s lyrical way.

I feel like Aspis gonna have all the crap things of being a war orphan for himself. Pretty self-reliant and not one to take help because he kinda doesn’t know how to. But I think music saves him, I think Daza might be a DJ who even if she didn’t have a mic, she got him understanding of flow and the like. And it was just a comfort for him. She probably helped him obtain a mic. And he was friends and the like with Yukina until she went with the Party of Words.

Aya’s is like Aspis’ hit or miss in terms of what I can think of. MC names are harrrrdddddd. I feel like her mic I alternate between it being the kind you see a cabaret singer use or a handheld. Maybe one of the first that does both??? I can’t think much in design other than ‘shimmery.’ Not like gaudy but like you watch her move or light hits just right and you see it shine...like her. Her speakers looks more like a theater. With like velvety curtain backdrop and everything. And her attacks look pretty until they hit you. I’m thinking like razor flower petals sort of thing. Her themes...mmm, I feel like overall it’s just ‘pop-y’ and light. It’s nothing like her battling. I feel she just sounds pleasant but then has some serious cutthroat bars. Despite this, I think of her rap ability being Renewal, being able to make others’ attacks stronger and cutting the damage they take. Super supportive skill which she probably took a while to figure out about. I actually found her sound while looking at other stuff. Which I think is Jeon Soyeon easily.

Also not quite sure where she would be in the story other than I think Meg would’ve procured her a mic for her protection. And I think she cultivated her rapping to have a rap ability. And I feel like Meg was worried about it and wanted Aya away from eyes that would witness it. Because although it has no offensive power for Aya herself (at least not that anyone’s made her come to that point), it is useful for like...a team or ally situation. So useful for the Party of Words and what Meg wants to avoid. But she can’t really stop Aya from doing what she wants with her mic.

#long post #oh god #so long #and there's still holes #{Hypmic AU}#probably gonna come up with snazzy name later #but for now it's done #;wishlist

3 notes · View notes

ybelovva · 4 years

Text

the basics;

NAME: Yelena Belova

ALIAS(ES): Black Widow, Pale Little Spider, Rooskaya, too many to count...

AGE: Twenty-four

BIRTHDAY & ZODIAC: August 31st, Virgo

MBTI: ISTJ Inspector

PREFERRED PRONOUNS: She/Her

FACECLAIM: Florence Pugh

tw:mentions of deviant behavior (not yelena)

a deeper look;

FAMILY: Unnamed mother, Olga (Aunt)

AFFILIATION: Russia, Black Widow Ops Program, Red Room

THREE FAVORITE THINGS: Her country, Her job, Vodka

THREE HATED THINGS: Failure, Being Lesser than Natasha, New Gotham

EDUCATION: Some high school, Graduate of the Red Room espionage unit

SKILLS: Master Martial Artist, Gymnast, Espionage, Adept with all kinds of weapons, Highly Intelligent (to a degree), Trained operative

WEAPONS: ElectroShock Bracelets (Widow’s Bite) and Various Guns

ABILITIES: N/A

the questionnaire;

question: WHAT IS SOMETHING YOUR CHARACTER LIKES ABOUT NEW GOTHAM? SOMETHING THEY DISLIKE? DO THEY MISS THE WAY THINGS WERE - OR DO THE LIKE HOW THE WORLD IS NOW?

There isn’t much Yelena likes about New Gotham, but she does like that crowded streets mean she can blend in and disappear, whenever she wants. Allows her to watch her back, while following another’s. Yelena dislikes everything else. New York city, the creatures, the smell ---- but she especially detests the crime rate in New Gotham city. Moscow wasn’t nearly as dirty as this. At least they had principles and real punishment, where she came from. Here? Criminals run rampant, cocky, it disgust her, especially now that some of them have wings and fangs. It surprised her, all these new types of people and creatures, but it isn’t the first time she’s fought something non-human. She’s just not used to it being normal, but she’s getting used to it. Yelena misses the way things were, before the collision. She wants to go back to her universe, and fufill her duties as the Black Widow. At least there, she was the only one.

question: WHERE WAS YOUR CHARACTER WHEN EVERYTHING CHANGED? ARE THEY SUSPICIOUS OF EVERYONE OR ARE THEY TRYING TO REMAIN UNDER THE RADAR? HAVE THEY REUNITED WITH THEIR FRIENDS OR ARE THEY LOST?

Yelena was in the middle of a mission. Well, more like a post lesson. When everything changed, she was on her way to her next mission when she was taken out of her universe and dropped into this one. Yelena is both suspicious of everyone and under the radar. She doesn’t know who or what brought her here, and why? New Gotham is constantly changing, and with it bring more people, and more questions. Under the radar, because she doesn’t want to bring any unnecessary attention to herself. Give them just enough to ease them in conversation, that’s it. They wouldn’t want to know who the real Yelena Belova was. Yelena doesn’t have friends. Period. She’s lost and on her own, but she has a plan. She plans to scout out the area and people, as many as she can, gather information and figure out how to get outta here: that is her mission. Her skin crawls, the longer she stays in this place, but meanwhile, she’s going to use her skill set to save herself.

question: ADDITIONAL INFORMATION: ANYTHING YOU WANT US TO KNOW? ANY HEADCANONS? Hi! I’m Sessho! And Yelena needs a lil bit of an explanation to the group. Since we don’t know how Yelena will be played in the upcoming Black Widow movie, I’m basing her more on her comic counterpart who’s a little more evil than ya think (I have already discussed this with one of the admins). So, following, is a bio I made for her ages ago based on her in the comics. I hope it makes sense and you all enjoy!

Yelena’s life before the Widow Program, was all but forgotten by the time she was fifteen. When Yelena was fifteen years old, she was recruited by the Red Room to be the next potential Black Widow. The same academy that the Soviet’s trained the first Black Widow, Natasha Romanoff. Once it’d become clear that their beloved Widow had defected, the Soviets knew they had a lot of work to do with Belova. And so that is where her story, begins.

She was originally spotted for her exceptional physical condition, high marks on her IQ tests, and her talent in gymnastics. The KGB meant for her to succeed her predecessor. Despite the program’s success, their perfect spy failed them. So, for years Yelena was trained under a strict regimen by the trainers of the program. During her training, Yelena scored incredibly high on her tests. But instead of being proud about it, she stated Romanoff had scored better, under the same tests. She hated to be lesser than a traitor who deserted her country.

The Red Room was her home, the pale little spider trained under for a decade. They fed her, clothed her. They played their vicious mind games on her, brainwashed her. Taught her how to fight, how to bleed. How to kill, and how to blend as a spy. She’d all but forgotten her life, before. One particular trainer she came to view, as a father figure. Pyotr Vasilievich Starkovsky, a Lieutenant Colonel who taught Yelena hand-to-hand combat, weapon use, and knife work for over a decade. A trained hand in hand combatant, he was her main instructor. She’d become close to him, and Starkovsky too considered her like his daughter. Though Starkovsky became obsessed. Yelena never thought anything of it. She was starting to feel inferior and inadequate to her predecessor, but as much as wanted to defeat her, Yelena undoubtedly idolized her. Even if she wouldn’t admit it to herself.

While Starkovsky’s deviant behavior found a substitute in a brothel with a woman named Petra, a look-alike of Yelena. What happened next, Yelena doesn’t exactly know. Starkovsky was dead, killed by Petra. Belova was shattered by the news, and confused by the loss of her father figure. She’d been told Starkovsky had been stealing secrets from the Black Widow program, and Yelena decided to investigate, on her own. In the end, Yelena killed Petra, and proceeded to accept the role as the new Black Widow. Belova would go on to never know that the entire ordeal, and the brothel’s owner, and the other woman in the room, Nikki, was an exercise. And part of her graduation test.

Her time as the Black Widow was short, but not without making it’s bite on the various people who mattered. For years, she’d completed intelligence missions for the KGB under the moniker Black Widow. Though her efforts, and partially the name, were overshadowed by the scarlet Widow. The real Black Widow. Yelena worked in the dark. The only people who learned that there was a second Widow, were her targets, and others who kept tabs on her. But the world knew of the Black Widow as a superhero. Natasha Romanoff, the Avenger. Yelena watched the movements of Natasha and the rest of the Avengers, through the years. And she waited. Shadowed by her predecessor once more. Seeing her face on the screen, fueled her obsession and drive to beat her, and be the only Widow that still represented mother Russia.

Yelena and Natasha had crossed paths, at least once, before Yelena successfully killed her. Natasha had always been far more experienced than the younger Widow, superior, but Yelena turned Natasha’s “mind games” on her. Wishing to teach Yelena a lesson, Natasha and Nick Fury, created Operation: Validate. The operation had Belova captured and surgically altered to be Natasha Romanoff and vice verse. To be her duplicate, and Natasha became Yelena Belova. Belova mentally held it together and played along, believing this had to be a mission that’d gone wrong. In the end, Natasha explained to Yelena that she’d orchestrated the whole thing in order to tell her the truth. Yelena was just a pawn for the people who trained. An instrument in war, not some heroine for her country. And that espionage was not a game, but Yelena didn’t want to hear it, and she shot Natasha and killed her. Yelena escaped with her life before Fury and his operatives could get there, and their mission was deemed a failure.

After much convincing, Yelena used the doctors provided by the Red Room to reverse the effects of the surgery. Yelena looked like herself again, and now, in this new world, she was the one and only Black Widow. She achieved her greatest desire, to beat her predecessor, but Yelena felt no differently. Her passion disappeared after that, but she continued onto her next mission....

plots: So basically, plot-wise, Yelena’s universe is mostly comic based since the Black Widow movie hasn’t come out yet, and I’ve taken some liberties here and there with her bio. In her universe, she killed Nat, but after she feels lost, until she ends up in New Gotham. She’ll slowly become an Anti-Hero, here, in New Gotham, through interactions and plots and whatnot. That’s where I can blend in some of the MCU for her, because I’m also really excited about what they’ll do for Yelena in the MCU !!!

Connections! Honestly, I’ll take them all, no bias here, especially since I’d like to see her become somewhat of a hero. I wanna put Yelena through the ringer tho too, so come at me, bruh.

The only other thing I was gonna put here was, my laptop can’t make text smaller (it’s already small) so all my text will look regular-sized for tumblr posts. Sorry!

#synergy:charintro #tw:deviant behavior #/mentions of #/not by yelena

13 notes · View notes

lululawlawlu-writes · 5 years

Text

Softly Stained with Spring

Part 5: Memento

note: This fic was written for @lawlu-week!!

rating: T

tags: canon universe, fluff and angst, hanahaki possible trigger warning: mentions of death, dead bodies

_______

“You ever hunt beetles?” Luffy asks, his feet shwish-shwishing back and forth over Law’s thick, weighted blanket.

Law doesn’t begrudge Luffy for having followed him back to the Polar Tang, to his room, to make his bed his own for the night. Conveniently enough, it will make it easier for Law to scan his body for spores once he falls asleep. Law just wishes that he would sleep so he could get to it.

“No,” Law says simply, sitting on the corner of his bed. He runs his fingers through Luffy’s knotted hair, muses around the thought of disguising his scan as routine medical procedure, though now is neither the time nor place. He can’t give Luffy any undue anxiety, knowing how grim his situation may read.

“Don’t worry Torao, I’ll show you how to find the best ones.” Luffy’s smile curves wide across his face. Anxiety—what a strange thing to have to diagnose Luffy with. He just has no other plausible explanation for the mysterious pains that have been plaguing him even before he’d eaten the flowers.

“How do I know you won’t just give me bad advice to make sure I don’t find the biggest one?” It’s hard to resist the urge to engage in banter if Luffy will go along with it. Luffy inspires this kind of lighthearted feeling to slip into his words, his actions, his life.

“I wouldn’t do that.” Luffy’s smile flips into a slight pout.

“Sure,” Law teases, doing his best to subdue a smile. He catches himself still stroking Luffy’s hair, and it suddenly feels a little too soft, too intimate. He ruffles his hair instead, ends the physical contact there.

“No, you-“ Luffy’s words seize in his throat. His smile twists into a grimace he holds just long enough to tip Law off that something’s not right.

“You feeling alright?” Law jumps to ask, ignoring the topic of beetles.

Luffy hums in thought a minute before answering with “I’m okay.”

Law’s personal involvement may have his judgement clouded, but he feels that Luffy shouldn’t have needed to think about his answer. He can hear Luffy's shaky breath as he sits there tracing the hem of the blanket beneath his fingertips, suddenly so much less chatty. Law wants to say something to cut the awkward quiet, do something to make Luffy feel better.

“This blanket is heavy,” Luffy notes then, crawling under it.

“It’s supposed to be,” Law explains. “It‘s a weighted blanket,” he adds, leaving out the part where he confesses that it gives him a feeling of security, eases his own anxieties. It helps to keep away nightmares that would have him relive his past. Maybe it could help Luffy too.

Luffy squirms, turning this way and that until he finds a comfortable position. “It’s like it’s hugging my whole body,” he notes.

“It’s nice, isn’t it?” Law confirms, crawling in beside him. He wants to hold Luffy, comfort him with his own embrace. He inches closer to the possibility of more physical contact, no matter how nervous the prospect makes him.

“Hugs from you would feel nicer than the blanket,” Luffy presses.

“How about this then?” Law asks, slipping an arm around him.

“Yeah,” Luffy confirms, “all hugs from all sides. A kiss would be good too.”

Law’s already so close. The tips of their noses are nearly brushing. He can almost taste the sweetness on Luffy’s breath. He’s aching to kiss him back with the same kind of passion Luffy showed him earlier, but only if Luffy’s really alright now, his pain subsided. It would be so easy if Law could just quit overthinking enough to act.

“I’ll have to win another one tomorrow,” Luffy chuckles, and Law’s will to act falls away. The moment dismissed, there’s no way he can try to kiss him now.

His thumb smooths over Luffy’s shoulder. His eyes follow the curve of his face, count the few sparse freckles that dot his sun-kissed skin. Luffy just blinks at him slowly, tired eyes full of shared emotion still too fragile to put into words.

He should probably be thankful that Luffy assumes kisses are only part of their game. It buys him time to completely consider the implications of getting in too deep with an ally, but he doesn’t need it. Even though he’ll never admit it, Law’s already in over his head.

Luffy curls into him, tucking his head in the nook of his shoulder and Law wills time to slow, wishes he had that power. This time they’re sharing in private, however fleeting, is sacred and precious. It should be terrifying how much Luffy has warmed his way into his heart, but it feels natural, feels right. He can’t resist placing a soft kiss on his temple. He hopes Luffy will forgive him for bending the rules.

… … … … ...

The morning sun wakes Law before he realizes he’s fallen asleep. Thankful for the wakeup call that comes with having the sub surfaced, he wastes no time summoning a room. He shambles himself out from under Luffy, gets right to initiating a scan with his powers.

Scanning his body for spores isn’t as hard as anyone might expect. Law’s so well versed in anatomy, he could even construct a human from the marrow up if given the right ingredients. It’s so easy for him to locate foreign presences, signs of things that shouldn’t be. His ability is so great it’s almost shocking even to himself—almost as shocking as his evident ignorance.

His oversight could cost Luffy his life.

Law has been careless. He’s been stupid. He’s a doctor and he should know better. He should never have been dismissive about Luffy’s symptoms. The situation is now deadly serious and he’s to blame. The spores have already rooted themselves into the walls of Luffy’s lungs. They’re so well fused now that he’d have to cut out the majority of the organs themselves.

His quivering hand reaches for Kikoku, his mind racing to come up with options. He considers for a moment swapping Luffy’s lungs out for his own. Not simply changing whose body they are in, but actually transplanting them. He’s not sure it’s possible for him to even do such complicated procedure involving himself without passing out, but he can’t stand the thought of how much pain Luffy must be in. It’s his fault for acting like some lovesick youth around Luffy instead of a medical professional as he should have.

It will do Law no good to obsess over his mistake, but he’s finding it difficult to focus on anything else. He has to fix this. He’s going to fix this before it gets any worse. What he needs is more knowledge about the illness in order to cure it. He just hopes Luffy won’t be too disappointed if he heads out to the island first. He’s going to seek out the religious devotee they’d met before instead of hunting beetles anyway.

The forest is already awake and lively with birdsong and chirping insects by the time he reaches it. Morning dew soaks through his pant legs but he’s far too preoccupied with his thoughts to really care.

Law’s instincts had cautioned him not to trust Luffy when he said he was okay. He was not okay—not in the least. Law should have picked up on it before now. He should’ve taken into account that he was dealing with Luffy of all people—Luffy who hasn’t let being beaten, poisoned or stabbed hinder him. This is the Luffy who he’s had to put back together, who even after suffering vicious wounds, was still more concerned with his brother over his own pain. Law of all people should know well Luffy’s ability to bear pain—that Luffy’s own judgement may be skewed. He’s got to be suffering badly whether he fully recognizes it or not.

He’s too busy thinking of Luffy, he doesn’t consider what he’ll do when he reaches the clearing on the hill to find no one there except the stone gods. He has an impulse to vent his irritation by slicing them up, leaving them in ruins, but that won’t help him cure Luffy.

There aren’t any flowers offered to those gods yet this morning it seems, so he can’t even take a sample to study. He’ll have to find their source if he wants to take one. He hadn’t seen any of them growing along his way up even though he’d run into the odd religious woman on his way the first time. She’d had an armful of them then.

Law backtracks down the hill, through the trees, looking for subtle signs of a side trail. The birdsong trills overhead as if they’re laughing at his expense. It makes him think of how he’d been lied to, lead to believe that poison was the least of it. It irks him to consider how much of an idiot he’d been for not taking Luffy’s symptoms more seriously.

He uses his haki to sense for life around him, picking up only on the native creatures skittering about, wary of him. He can’t find any indication of a human presence, but off to his left there does seem to be a void—a strong force either repelling of any kind of life or blocking out his haki. Evidence of a trail is still lacking, so he follows his senses, brushing aside briars and undergrowth as he goes. The forest seems to be growing dimmer, dark clouds gathering over the canopy. Wind carries a chill through the air, picking up a faint, metallic scent. The closer he gets, the more the scent starts to sour his senses, turning sickeningly pungent as rotting flesh. The rain finding its way through the canopy does little to diminish the smell.

Red catches Law’s eyes through the trees. The vibrant display entices him in on fixation alone. The colour spills out from a small fenced-in area on the petals of crimson flowers. They drip red, dying the rainwater that pools in their centers. It trickles out over the petals, bleeding onto the ground.

A tiny stone structure—almost like a house of some sort sits opposite him on the property, flanked by two hooded stone figures much like the gods on the hill. The atmosphere feels so abstract, otherworldly. It’s as if the flowers have crept into the garden to choke out anything else that may have been growing there, and the residents have simply allowed it, or even encouraged it. The sight of it feels all the more foreboding in light of the ever-present stench.

A chill crawls its up Law’s skin from fingertip to the nape of his neck, making his hairs stand on end. He can sense death in this place. This place is heavy with it even if he can’t see it. His instincts prickle against him, warning him to be afraid. Law smirks—after the life he’s had it’ll take far worse to get him to run.

His fingers tighten around Kikoku, ready to call on her the moment there’s trouble. He cautiously crosses the fence into grounds, paying no mind to the flowers he’s trampling. He almost takes pleasure in it as a kind of petty revenge. His footsteps sink into the soil, unsettling. He’s no gardener but he’d imagine such loose ground would be too unstable, though he hasn’t uprooted any flowers.

His heels slip, uneasy against the slick foliage, sending him reeling forward. He can’t hope to find balance over the slippery foliage, tripping forward, catching himself on hands and knees.

Tinted rainwater splashes against his jeans, staining them bloody-red. The loose soil beneath his fingertips yields something solid, yellow-white. He feels with his fingertips to unearth it, feel the curve of it—unmistakably bone.

“Careful or you’ll unearth the bodies.” It’s the woman’s voice—the one from before, the religious devotee he’d wanted to meet. She’s lying among the flowers just out of his reach.

“Bodies?” Law questions.

“The ones buried here,” she offers as way of explanation. She sits up, long hair falling in her face, making her look near-ghoulish.

“Seems like an extreme thing to use for fertilizer,” Law says, rising to his feet. His fingers curl around Kikoku’s hilt.

“Don’t disrespect the dead or our customs,” she barks, standing to face him. “Especially when you’re the one trespassing in our cemetery. You damned pirates have no manners.”

“How about you tell me about those customs then?” Law proposes coldly. He won't confess neither his ignorance about not realizing this place is a cemetery, nor his oversights as a doctor. He’s short on time and needs information.

“You’re not interested in why we bury the unloved here,” she accuses. “By the way, how’s your friend?”

How dare she—the smug look on her face is all too telling. She gives as much of a shit about how Luffy’s doing as Law does about her people’s customs. She probably wants him dead. She probably wants to bury him here, to let the flowers that are growing in him to consume him. She likely thinks he’d deserve to rot in her cemetery for having defiled her gods or some such thing.

“Is he really resistant enough to the poison?” She asks stepping forward.

“You liar.” Law seethes, his hands shaking as he forms a room. “There’s not really any poison in those flowers, is there?”

“Well, legend has it this flower, the Lover’s Curse, is poisonous,” she says apathetic, turning to walk away from him, “and people really used to think so”.

The audacity of this woman, sparing no thought to how badly this plant is affecting Luffy—how he’s suffering because of her. Law strips the blame from Luffy for having eaten the flowers, from himself for having dismissed them as a threat. Instead he arms himself with it—the blame, the fear and the rage that stem from his oversight.

He affords himself no time to revel in his enemy’s fear. This woman likely wouldn’t give him the satisfaction anyway. She appears unsurprised, unbothered at being at his mercy, having her heart safely in her chest one second, and in Law’s hand the next.

He ought to crush it, make her feel the pain Luffy’s feeling tenfold. He ought to murder her nice and slow and merciless, but something’s not right, hasn’t been right. She looks back at him like she’s more curious what he’ll do than worried for her life. It’s because she’s really not concerned for her life in the slightest. The heart in his grasp, it’s still. It’s cold. It’s dead.

“Oh look, now mister Surgeon of Death has stolen my heart,” she speaks, patronizing. “You want to keep it as a memento to remember the time you let your ally die?” she asks.

“I could still-”

“Cut me to pieces? You’d better not. That would ruin your chances of me helping you save him,” she states with a frown, her eyebrows drawn together.

“What do you want in return?” He asks cautiously, unsure if he’ll play to her wishes, short as he is on time. She’s going to trying to manipulate him, but he’s not guaranteed help elsewhere. The locals who had been friendly when they first arrived had later leveled heavy stigmatization at Luffy for being afflicted. Their hospitality turned to whispered pity. Nobody had offered help.

“Your heart,” she says. “You trade your heart for my help to save his life.”

“Why should I trust you?” He doesn’t think he should agree to the deal, but Luffy’s suffering is getting worse. He’s dying. “You’ve already lied to me once. About the poison.”

“Nobody else on this island knows as much as I do about the Lover’s Curse,” she speaks, snatching her heart back. “Everyone else wants to stay as far away from ‘the curse’ as possible. They don’t even come here to visit the unloved dead.”

Law isn’t wholly convinced, but he has to act quickly. Luffy might not last much longer. His illness is already beyond something Law can handle alone whether his pride wants to let him outright admit it or not.

“Make your decision now,” the woman demands.

_______

Sorry but updates will happen when the happen since my brain keeps trying to abort itself... err I mean the chronic migraines have been more troublesome than usual lately. So pls be patient and thanks for reading~~

#lawlu #lulaw #lawlu fanfic #lawlu fanfiction

31 notes · View notes

tyrantisterror · 5 years

Text

TT Rambles: Building a Kaiju Cast

As far as I’m concerned, the kaiju renaissance is in full swing - not just because of movies like Godzilla: King of the Monsters and Pacific Rim, but because of all the original novels, webcomics, etc. that the kaiju fandom is publishing. It’s beautiful to see all these new kaijuverses blossoming.

and I want to see more of them

It takes me back to that brief, shining period in the early 2000′s where there were DOZENS of thriving kaijuverses on Deviantart, all with weird and wonderful takes on giant monsters that oozed with style and creativity. God that was a good time and

I want to see more

So, as a person with a semi-successful kaiju-verse of my own, I’ve been thinking about how I could encourage people to make more kaiju beyond, like, just making my own and hoping it resonates and inspires people like the kaiju-verses that I see inspire me. And then my teacher brain got to thinking - one of the best ways to help people create is to give them structure to build off of. So that’s what I’m going to do.

Friends, enclosed here are some written instructions on how to build a fun and dynamic kaiju cast. You don’t have to follow these rules to the letter, mind you, but if you don’t know where to start, this might help.

Step 1: Pick Your Flavor

There are more ways to make a kaiju story than you may realize, as the genre is deceptively diverse despite its obscurity. However, for the sake of simplicity, I’m going to try to reduce it to two main categories:

Hero Monster(s) saves the world from evil monsters

Hero humans attempt to save the world from evil monsters

This is a crucial fact to figure out before you make your kaiju cast, because the differences between these two variants will inform how you structure your monsters. In the first approach, the monsters not only need personality and motivations, but character arcs, and benefit from being as distinct from each other as possible. In the second, the monsters generally have to be a bit simpler and less, well, person-y, so we don’t feel as bad when they’re cut down by the heroes. They also tend to be more uniform in appearance, origin, and personality, to make the division between humanity and monster more clear cut. The first approach will generally result in a “humanity needs to be more open minded and compassionate to those we deem as other” sort of message, while the latter will generally show how humanity needs to pull together in the face of catastrophic threats. On the surface these two story routes may seem very similar, but the differences between them are important ones.

Step 2: The Main Kaiju

In addition to OC kaijuverses, another big trend in the glory days of the DA kaiju fandom was revamping/redesigning the cast of the Godzilla franchise. There were dozens of different takes on it, and a friend of mine noted a peculiar but important lesson that could be learned from each of them: if you looked at how each artist redesigned Godzilla himself, you could basically predict how the rest of the monsters would look. This is because Godzilla is the crux of his universe - all the other monsters are designed to play off of him, and thus any change made to Godzilla will be reflected in the rest of the cast.

You can see this in other stories as well - Batman’s cast is built around his gothic horror/detective fiction roots, Spider-Man’s around his teen drama/sci-fi genre mashup, etc. As a general rule, stories are tailored to their protagonist, and in kaiju fiction, the protagonist is generally one of the giant monsters. Therefore, figuring out your main monster is important, as they will ultimately shape the entire story.

Now, when I say “protagonist,” I mean this in the “main/most prominent character” sense, rather than the “hero” sense. Your main kaiju may be a bad guy - they may be the villain of the story, the face and root of its conflict. Alternatively, they may live up the hero label in every sense of the word - one of the coolest things about the Kaiju genre is that it sports a LOT of heroes that are also non-human characters.

If you are going for the second variation of the kaiju genre - that is, the “Humans destroy evil monsters” story - your main kaiju still matters, even though it likely isn’t a prominent enough character to really qualify for protagonist status. In shows like Evangelion and Ultraman, or movies like Pacific Rim, there are still essentially “main” kaiju - that is, kaiju who define the style and approach that monsters in the series will take. Often they’re the first monster the heroes encounter - Knifehead from Pacific Rim, for example, establishes early on the aesthetic and rough personality of the giant monsters featured in the movie. Other times they show up later in the story to make a big impact - Red King and Gomora in Ultraman both showcase the creativity of the show’s designs while having unique personalities and power sets that really leave an impact on the viewer.

When creating your main kaiju, consider the following questions:

- What if your monster’s main motivation? Is it looking for something? If so, what? Is it seeking revenge? If so, why? Is it defending its territory? Is it investigating civilization? Is it searching for food? Company? The greatest kaiju characters have clear and defined motivations to bring them into the plot, just like all good characters do. What is your monster’s drive?

- How tough is your monster? Kaiju generally get into a lot of violent conflicts, so determining how much punishment your monster can both withstand and dole out is important.

- What are your monsters’ vulnerabilities? This includes both physical weaknesses and psychological ones. Are they weakened by the cold? Incapable of flight? Slow moving? Quick to anger? Stupid?

- What strengths/powers does your monster have? Can it heal fast? Is it smart? Does it have unique weapons? Is it creative?

- What quirks does your kaiju have? Is it gluttonous? Cocky? Graceful? Clumsy? Does it beat its chest or dance in triumph? Does it cackle maniacally while wreaking havoc?

- What is your monster’s relationship to humanity? Does it hate humans? View them as food? Feel indifferent to them? Is curious about them? Cares for them? How does humanity feel about it in turn? Does this relationship change over the course of the story?

- What is your monster’s attitude towards other monsters? Is it hostile towards them? Friendly? Indifferent? Does its attitude vary depending on the monster? Is its attitude mostly consistent with a few exceptions? Does it have friends? Enemies?

- How did your monster come to be? Is it an atomic mutant? A mythic beast? A space alien? A prehistoric creature from a forgotten age? We’ll dive into the archetypes associated with these origins later, but keep the question in mind.

Part 3: Other Kaiju Roles

Once your main kaiju is figured out, you can start building the cast proper in reaction to it. There are LOTS of ways you can do this, but I’m going to focus on a few common roles supporting kaiju have to play:

- The Arch Enemy: the King Ghidorah to your kaiju’s Godzilla, the Gyaos to its Gamera, the arch enemy is exactly what it sounds like: your main kaiju’s recurring nemesis, a big bastard of a monster that your main kaiju absolutely hates. You don’t have to limit yourself to one of these, of course - most main kaiju in fiction have a LOT of enemies, since monster battles are one of the main draws of a kaiju story. At the same time, most kaiju stories also tend to have one kaiju that is more wicked than most, whose grudge with the main kaiju is more vicious than normal. Creating an arch enemy for your main kaiju is a good way to give your story structure - every protagonist needs a primary antagonist to struggle against.

- The Guardian of the Earth: a lot of main kaiju tend to be anti-heroes, often starting off as enemies of mankind before slowly becoming protectors of the earth. As a result, a lot of kaijuverses often include an explicitly good kaiju who exists in contrast to both the main kaiju AND the main kaiju’s enemies. If the Arch Enemy kaiju is often what the main kaiju could become if they don’t change their ways, the Guardian of the Earth is what the main kaiju usually works towards being. Or, in short: every Godzilla needs a Mothra to be the angel on their shoulder.

- The Damage Sponge: Sometimes there are kaiju who are famous not for their prodigious destructive power, but rather for their ability to endure ridiculous amounts of damage, even by kaiju standards. The damage sponge normally isn’t the main kaiju, since the main kaiju’s job is to establish a baseline, while the damage sponge is defined by being more durable than other monsters.

- The Runt: a smaller than usual kaiju, who often compensates by being faster and more clever than the usual kaiju.

- The Giant Among Giants: the kaiju that makes other kaiju feel small, generally used to escalate the plot by its sheer power.

- The Rival Turned Ally: since kaiju generally socialize by fighting, most kaiju friendships begin with an unsuccessful fight to the death. Often your main kaiju will have at least one friend who began as a bitter enemy.

- The Big Eater: In large kaiju casts where the kaiju have different motivations and morals, there will almost always be one kaiju whose ethos can be defined as “neutral hungry.” It’s not good, it’s not evil, it just wants to eat, and unfortunately everyone else looks like a viable meal.

- The Brute: while all kaiju are generally violent and tough, the Brute takes it to another level. Its violence will be more extreme, its bloodthirstiness beyond compare, and its raw strength will surpass most if not all of the other monsters on the cast list.

- The Clever Bastard: like the Brute, the Clever Bastard makes for a harder than normal fight. However, instead of relying on sheer strength, the Clever Bastard uses cunning to make the fight more vicious, being a devious schemer who thinks significantly more than the average monster. It may also have more than a few tricks to its biology to help it as well, and generally manages to throw the heroes off guard by doing things they wouldn’t expect.

- The Innocent: in a world full of violent monsters, this kaiju is a notable exception for its sweetness and (relative) vulnerability. It means no harm and often has few ways to defend itself, and as a result is generally imperiled by the more vicious and bloodthirsty giants in the setting. The main kaiju may actively try to protect it, though the harsh world of kaiju means its likelihood of survival is rather slim.

Part 4: Kaiju Archetypes

Ok, now that we’ve talked about the more substantive personality based stuff, let’s get onto some fun surface details. The origin and design of your kaiju are important in their own right, but work best when they are made in service of your kaiju’s personality and role in the story. A lot of people start with these archetypes first - “I’m gonna make a fire breathing reptile!” - and while this can result in a good monster design, it doesn’t necessarily translate into a memorable kaiju character. Tailoring the design and origin to your kaiju’s role and personality, on the other hand, is more likely to result in a character we remember, since the design is now more than a surface detail - it’s an extension of the character.

Archetype 1: The Fire Breathing Reptile - best exemplified by the big two, Godzilla and Gamera, almost every kaijuverse has at least one big reptilian monster, and that monster likewise almost always has the ability to breath fire. It calls back to the many European dragon myths, and is just a fun visual in general. This archetype is so prolific that many modern kaijuverses actually skip it because it’s considered cliche, but while it may be hard to make a fire breathing reptile kaiju standout, the trope is still a classic and one many people think of as synonymous with the genre.

Archetype 2: The Big Ape - similarly, King Kong has made giant apes a staple of the genre, to the point where they are almost as common as fire breathing reptiles are. King Kong vs. Godzilla in turn made it customary to pit these two archetypes against each other, and as a result every kaiju story that has both a fire breathing reptile and a big ape will almost always portray them as natural enemies. The Big Ape is one of the archetypes that is most likely to be presented as sympathetic/heroic, following the logic that more closely related to humanity a creature is, the more noble it must be.

Archetype 3: The Magnified Bug - since kaiju are in part defined by being way bigger than an animal has any right to be, one of the most extreme visuals you can bring to a kaiju design is to take something that is normally very small and make it HUGE, because this emphasizes just how exaggeratedly big the kaiju is. As a result, giant arthropods - insects, spiders, etc. - are very common in the genre, as they really sell the idea of kaiju being unnaturally enormous creatures. Magnified bugs are generally not treated as sympathetic kaiju for the same reason big apes usually are - if we treat “more human = more good” as true, then bugs, being distantly related to humanity, can’t be very good creatures. However, there is at least one prominent and notable exception to this rule, and to be honest it’s a rather shitty rule anyway.

Archetype 4: The Mechanical Doppelganger

Ever since Mechani-Kong stepped onto the silver screen, it has been a tradition for a main kaiju to have a robot or cyborg made in their image as part of their rogues gallery. Hell, even Gomora from Ultraman got one, and that’s a show where the monsters aren’t protagonists! Like the previous tropes, this is one that comes to mind when people think of the genre, as countless parodies (including an infamous episode of South Park) have shown.

Archetype 5: The Alien Invader - a monster from another planet, with all the strange biological quirks such an origin implies. In Monster Saves the World kaiju stories, the alien is usually brought in late in the tale to heighten the stakes by delivering a stranger threat than the usual kaiju. In Humanity Saves the World kaiju stories, however, most kaiju tend to be alien in origin, which is used to justify wiping them out since they are an invasive species by nature. Alien kaiju are rarely sympathetic or heroic.

Archetype 6: The Mutant - whether the result of atomic fallout, genetic engineering, pollution, or some other unnatural mistake, the mutant is a new lifeform whose monstrous form is the direct result of humanity breaking the natural order of things. A LOT of kaiju are mutants, as the kaiju genre began during the atomic age as a direct reaction to the discoveries of what radiation could do to living creatures (discoveries that ranged from “Wow these radioactive fruits are really big!” to “Oh god this radioactive man is full of tumors!”). When a mutant is in a kaiju story, it exists at least partially to point out how humanity is screwing up.

Archetype 7: The Prehistoric Monster - often (but not necessarily) going hand in hand with the fire breathing reptile, the prehistoric monster is a kaiju whose kind lived millions of years before humanity evolved, in a time when giants ruled the earth. It is only a monster now because the world moved on while it didn’t - small creatures took over while it slumbered in some hidden location. This trope is becoming less common now that science has marched on and we treat the giant fauna of prehistory less like monsters and more like, y’know, actual animals, but it’s still a fun one to play with even if it has little basis in actual science.

Archetype 8: The Sea Monster - the ocean is full of weird animal life, and creatures are able to get much larger underwater than they can on land. As a result, giant sea monsters are a trope as old as story-telling itself, and are particularly prominent in kaiju fiction. Sea monster kaiju have a tendency to be particularly huge and abstract as kaiju go - one of the perks of hailing from a relatively alien environment.

Archetype 9: The Mythic Monster - While the earliest kaiju stories lean more sci-fi than fantasy, the genre quickly stretched to take elements from both. As a result, it is just as common to see kaiju based on real life myths as it is to see ones that are atomic mutants or space aliens. In fact, some of the bigger names in the kaiju genre have even alternated between having sci-fi and mythic origins, being atomic mutants in one tale and guardian monsters of ancient kingdoms in the next.

Archetype 10: The Defense Robot - Often (but not always) overlapping with the Mechanical Doppelganger, this enormous mecha is humanity’s ultimate weapon in the struggle to survive a world filled with kaiju. The actually effectiveness of the defense robot varies from story to story, but they often have greater offensive capabilities than flesh and blood kaiju while at the same time being a lot less durable. The Defense Robot rarely gets out of a battle unscathed - though it just as often comes back with a new remodeled look to fight another day (and also sell more toys).

Archetype 11: The Human Kaiju - most common in Humanity Saves the World from Kaiju stories, the human kaiju is, well, a human who becomes a kaiju. Sometimes it’s a temporary transformation, other times it’s permanent. Human kaiju are almost always the main characters of their given story, as the story potential of a human who can take the fight to the monsters is VAST.

Archetype 12: The Blob - our final archetype will be the blob, because sometimes you just want a big ol’ heap of goo in your story.

Conclusion

To reiterate, none of these things should be considered “requirements” for a kaiju story. Think of this as a set of guidelines rather than strict rules to follow. Many of the best kaiju stories have thought outside these archetypes, roles, and character questions, so you should by no means feel constricted to follow these ideas to the letter. However, if you want to start on your kaijuverse but don’t know where to begin, please consider this as a starting point. If you work with this approach, I think you’ll be on your way to making a fun cast of giant monsters in no time!

#TT Rambles #kaiju

72 notes · View notes

objectivesubjectivity · 6 years

Photo

I love a good cover song but due to the strict guidelines I created for this project, most of my collection of cover albums won’t be seeing the light of day as they tend to be compilations rather than traditional albums. This is a great disservice to the masterful arrangements found on “Folkways: A Vision Shared - A Tribute to Woodie Guthrie and Leadbelly,” and “The Duran Duran Tribute Album,” but it also saves me from listening to “Rock Music: A Tribute to Weezer,” and basically all of the “Punk Goes [insert genre here],” disasterpieces.

But as luck would have it, this past week, I ended up listening to three cover albums, all very different in tone and style, and it got me thinking about what makes a good cover and, furthermore, what makes a good cover album.

The first was from the kings of the punk cover: Me First and the Gimme Gimmes. These arrangements are simplistic in nature (figure out the power chords and speed up the damn thing) but Me First, every now and then, has the ability to transcend the anarchic destruction or satirical rendering of the original track that plagues most attempts and present something that feels both reverent and original. The tempo and distortion can breathe new life into old tracks and on “Have A Ball,” songs like “One Tin Soldier” and “I Am An Island” are given this treatment. But 12 tracks are a lot, even for an album clocking in at under 30 minutes and most of the other tracks either fall victim to the punk cover curse or come off apathetic.

And then there’s “Version,” Mark Ronson’s Motown-ing of acts such as Radiohead, Britney Spears, and Ryan Adams. Like the punk cover, there is also a formula for this treatment: give it a funky beat, toss in some horns, and record it to tape. For much of the album, it works: “Stop Me,” “Apply Some Pressure,” and the magnificent “Valerie,” possess earnestness and heart, that while perhaps present in the original, are entirely novel in Ronson’s reimagining. But there is also a sheen of self-gratification present in these tracks. The majority of the songs stem from the mid-aughts and, sonically, are aged backwards: “now” doesn’t sound as good as “then.” If you only hear one or two tracks out of context this criticism is far less present than if you listen to the entirety of the album. While the punks might not care, Ronson wants the listener to know that he thinks he can do it better.

And then there’s “Hope,” which is a cover album of songs by the band who wrote those songs in the first place. Manchester Orchestra’s “Cope” is a barrage of straightforward, smart, aurally engaging rock and roll and “Hope,” is basically “Cope” acoustic. I used to salivate at acoustic renderings: the original “Punk Goes Acoustic,” is the one exception to the previously mentioned shit-shows of “Punk Goes...” albums. But as I grew older, I started to hear “stripped-down” as code for “I need some money.” So I approached “Hope” with great trepidation and for the most part, my initial concerns were validated. But then “Every Stone” stripped nearly everything away and brought forth a haunting beauty that is masked by the wall of sound in the original. And I became a little less cynical about why a band might want to take a stab at reimagining their compositions.

“Every Stone,” in many ways, presents the perfect reason to cover a song: the artist hears something imbedded in the original work that they want to bring to the surface. This is remarkably evident in Johnny Cash’s version of “Hurt,” or Jeff Buckley’s “Hallelujah,” or even The Ataris’ “Boys of Summer” (@ me bro). And while both Me First and Ronson have their examples, it’s hard to string together an entire album’s worth of material that reaches this level.

“The Duran Duran Tribute Album” does it but unfortunately it’s not a stop on this journey.

Here are some Spotify links to the tracks referenced:

One Tin Soldier I Am A Rock Stop Me Apply Some Pressure Valerie Every Stone (Cope Version) Every Stone (Hope Version)

What I listened to last week:

Top 100 contenders in bold.

Marianne Faithful - Vagabond Ways

Grizzly Bear - Veckatimest

Archers of Loaf - Vee Vee

The Hives - Veni Vidi Vicious

Mark Ronson - Version

Dillinger Four - Versus God

The Verve Pipe - The Verve Pipe

The Promise Ring - Very Emergency: A far cry from “Nothing Feels Good,” but Tracks 2-5 are fucking stellar.

Thrice - Vheissu

Panic! At The Disco - Vices & Virtues

Pinehurst Kids - Viewmaster

The Verve Pipe - Villains: Like most people, I bought this album because of “The Freshman.” But perhaps unlike most people, I’m really glad I did. “The Freshman,” may, in fact, be my least favorite track on the album.

Depeche Mode - Violator

Neko Case & Her Boyfriends - The Virginian

Onelinedrawing - Visitor

Pearl Jam - Vitalogy

Viva Death - Viva Death

Coldplay - Viva La Vida or Death and All of His Friends: This was a track or two away from landing a contender spot and, while remembered for its title track (or, rather, the first half of the title), it should be remembered for Violet Hill and Lovers in Japan/Reign in Love.

Matchbook Romance - Voices

Jay-Z - Vol. 2: Hard Knock Life: I don’t get it.

Slipknot - Vol. 3: The Subliminal Verses

Jay-Z - Vol. 3... Life and Times of S. Carter: I still don’t get it.

Gatsby’s American Dream - Volcano

Volcano, I’m Still Excited!! - Volcano, I’m Still Excited!!: This is Mark Duplass’s band (you know, the guy from The League and Creep) and they sound like Rivers Cuomo had a younger brother who also wanted desperately to be cool but in an entirely different way than Rivers. It’s absolutely worth your time.

cky - Volume 1

She & Him - Volume 1

She & Him - Volume 2

D’Angelo - Voodoo

Pearl Jam - Vs

Catch Up Albums (Albums I missed or purchased/acquired since beginning the quest):

2 Chainz - B.O.A.T.S. II#METIME

Rainer Maria - Catastrophe Keeps Up Together

Mercury Rev - Deserter’s Songs

The Dictators - Go Girl Crazy!

Me First & The Gimme Gimmes - Have A Ball

Manchester Orchestra - Hope

LCD Soundsystem - LCD Soundsystem

Propaghandi - Today’s Empires, Tomorrow’s Ashes

Albums listened to in total: 1,884

#covers #cover songs #the duran duran tribute album #folkways: a vision shared #me first and the gimme gimmes #have a ball #mark ronson #version #manchester orchestra #hope #Music Monday #music blog #music #collection #obsession #top 100 #lists #coabba

3 notes · View notes

tryaddump · 4 years

Text

TheKojiIsHere

1- KoR/TFO weapon Elias Alderaan isn't enough to wake him up When the Empire crumbles he's sorta just abandoned, maybe a shuffled around asset among surviving moffs and generals and the like before ending up in one of the groups' hands Feral but still trainable 2- Fully dark Elias At some point comes out of his stupor on his own, but is no less angry and vicious Ends up turning on his masters and takes over a cell or the empire for himself when the top two fall. Now hes the one cracking the whip, and he's even crueler to his subordinates as those who made him And he is always angry, like the kind of angry that shoots past flailing tantrums into eeerie seeming stillness, but you can't mistake it for calm when he casually snaps a neck or cuts someone in half for any minor inconvenience or failure

hackett. chinhands

TheKojiIsHere https://youtu.be/hL5zv4mN1xA Batman-Under the Red Hood Black Mask Montage

From beginning to 2:06

Except the punch would have been a saber thrust through the face

darth porgeius ooookay that’s some unhinged darkness right there

hackett. kor elias would be a fucked version of his tryad dynamic with ben. the kor were brothers / dark side teachers for kylo. it was a frat cult fully dark elias is giving vader a run for it

TheKojiIsHere But also imagine like Full dark Elias scoops Ben before snoke can

hackett. ..... The Resistance is now The Attempt because fucking hell

TheKojiIsHere Couple immediate differences: Ben never becomes a KoR bc Elias wouldn't even send him therr He also doesn't become a Jedi Killer bc even dark Elias has certain boundaries snoke does not, and no more Jedi need to die pointlessly Ben, and I cannot stress this enough is so much more of a powerhouse/threat holy shit Bc he's been kinda raised by Elias, taught proper forms, and how to utilize his raw power more effectively He's a better dueliest, more disciplined, and more knowledgeable Also Elias isn't borderline torturing the kid I wouldn't say he's kind But he's a very different kind of cruel

hackett. Duuuude, now im picturing this kylo concept art https://images.app.goo.gl/2BE5WHechxB78f7L8

darth porgeius super spook

hackett. Im curious to explore the differences because the kor are such a huge influence. Kylo ren's face is based on their style. That mask is so tied to his identity.

TheKojiIsHere Elias also wouldn't have tolerated such adoration of Vader Fuck I imagined him finding the helmet in Ben's quarters And making Ben watch as he crushed it with The Force Brought it in on itself until it was just a small metal sphere

hackett. ...... I think i just felt ben die inside

TheKojiIsHere Elias: You do not celebrate his works. He cast aside himself for the sake of an old fool with delusions of grandeur, and stole the selves of his brothers. He is not worth your worship, and you have already surpassed him in so many ways. Do not let the the short sightedness of the past blind and rob you of the future's promise, Ben.

hackett. ......i

TheKojiIsHere

I'm sending this here bc I don't wanna interrupt what you're typing in tryad chat BUT PALPATINE NEVER GETS INTO HIS HEAD ELIAS HAS MADE SURE NOBODY EVER GETS INTO HIS MIND AGAIN AND MAKES HIM SOMETHING HE ISNT SO HE MAKES SURE BEN CAN DO THE SAME Dark Elias doesn't get Ben by twisting his mind into servitude He makes Ben a better offer than anyone else is

hackett. In other words, his crimes are truly his own

TheKojiIsHere Yeeeeeup

hackett. There's no headworm that has convinced of his path Whats elias like as a master in this au

TheKojiIsHere Harsh but fair. He beats the shit out of Ben regularly, but never pointlessly. He's ruthless because those Ben will face are so, but there is always a lesson to be learned Example: Ben learned mental defense bc Elias would day take time each day forcing his way into Ben's mind whole instructing how to stop him He kept doing it until Ben got it Until his mental defenses were like walls of beskar Dueling, they used shock batons so it wouldn't be lethal but it would hurt Every slip in his form would come with pain But Elias always made sure he knew that with the pain came knowledge, with knowledge, strength I got to stress this allies is not insane just angry Which means he is capable of moments that are not the black mask video I showed you To be honest and this au with Ben is probably as soft as this Elias gets And he definitely gives been praise when it's due. It's hard fault but when Ben gets a form right, or makes progress, he makes sure Ben know that it is not unnoticed Above all Else, he may be harsh but he will never be Vader He will never push been to a breaking point. He will never Rob Ben know who he is. He will only test him and have high standards for Passing

hackett. Ben would develop so differently. Less reckless, still calculative but more discerning before he strikes and when he strikes he's already plotted out his next moves

TheKojiIsHere Seriously, such a difference this'd make Hell, the galaxy would be wildly different There'd be a third power at play Though Elias isn't much interested in huge expansion or conquest. He basically takes a world with the force he has and refuses to let it go. This ofc makes him an enemy of the New Republic So his group (idk the name yet) is essentially dealing with defense more than offense, but people are sent out to destabilize TNR on a major level And when TFO pops up, they're competition Plus, Elias will sense Palpatines hand in things So where TNR is met with cold, apathetic disruption TFO is targeted with extreme prejudice OH MAN IMAGINE THAT'S HOW REY FITS IN! SHES SCOOPED BY TFO She's the Ren But yes Elias would have been a harsh but fair teacher/father. He also, as an interesting contrast to smoke, doesnt leave all the work to underlings Ben would see Elias fighting alongside him And his Vaapad variant works even better There's a lot more internal darkness to tap into and start the loop OH MAN I JUST THOUGHT OF A DUO MOVE THEY COULD HAVE USE EACH OTHER Rather than rely on the potentially waxing and waning emotions of another

hackett. Dark side circuit

TheKojiIsHere They link up an essentially become both generator and amplifier for each other And since both sides are aware of the transfer and letting it flow freely It's way more potent They'd be fucking unstoppable and terrifying sweet christmas TFO: sends a fleet with star destroyers and fighters aplenty towards Elias' planet Elias and Ben: link up and destroy them from the surface while the ships are still in orbit

hackett. That's messed, i dig it. They basically sound like an event horizon of power, once they link they just devour enemies with the force

TheKojiIsHere ^^^^

hackett. Like kylo ren in that resistance clip i sent is far as fuck away from his two underlings And he uses the force to make them aim at each other So thats him on his own Imagine with elias linked

TheKojiIsHere They could control the entire crew, on multiple ships Okay, so question Bc I feel like there is room for debate on this and I wonder where you stand Do you think each person like Has a set level of power in The Force that they are capable of from birth They may not be able to utilize all of it right away But there is a definitive, insurmountable cap Or do you think it's more of a soft cap that can be expanded with time and practice? Bc dif people def start off with varying levels of potency Re: the Skywalkers all being natural powerhouses But do you think that's it, or people can improve if they deign to try?

hackett. So i think its a little bit like that line from ratatouille. Anyone can use the force. Powerful force users can come from anywhere, be anyone. Even if its genetic for ben solo, doesnt mean thats how it happens for everyone. Like disney changed the canon that everyone is sensitive to the force but not everyone is force sensitive. It probably manifests in different ways. I think everyone can improve, heighten their awareness and control, but everyone has a cap. Not because theyre weak or pathetic or meagor, their strength is just elsewhere like all talents and abilities Which is why elias in any verse being able to compete with ren makes sense without it feeling like a "god mode"

TheKojiIsHere Another terrifying idea for dark verse They find the gauntlet Figure out how it's made then make their own With Empire assets Elias could have beaten TFO to Illum by decades

hackett. conduit dark siders with a pair of those gauntlets [8:14 PM]

TheKojiIsHere They turn the whole thing into a conduit over time The space weapon is them OH SHIT WHAT IF ILLUM IS THE PLANET ELIAS TOOK OVER Spent years turning it into a base/civilization

hackett. I WAS THINKING THAT like imagine just that planet becomes amp and battery pack

TheKojiIsHere And battle station/civilization And you know what? The people who live there live live well

hackett. i imagine, i don't see elias being the type to set himself to be hated by those under his indirect control but live under his influence

TheKojiIsHere Oh wow I must have pocket called you my b But yea he wouldn't be needlessly cruel

hackett. also not a fool, you don't make the people who surround you and know your home turf your enemy

TheKojiIsHere ^^^^^

hackett. leave them alone, ingratiate them at least a little bit. make their lives comfortable and protect them and they won't want a regime change

TheKojiIsHere His direct subordinates, however, he definitely rules through fear. He doesn't tolerate failure, and it's gratifying to be the punisher rather than the punished He offsets this by giving due praise to those who perform satisfactorily, and even more so exemplary

So there's a big dichotomy in treatment Ben, ofc, is judged most harshly but also performs most exceptionally In Elias' eyes

hackett. it's gonna interesting cause with snoke he gave benlo a direction and told him to find his own way there it's not the same with a dark elias, there's more expectations. more guidance. more discipline.

0 notes