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Les dejo este video a los que dicen que La sociedad de la nieve es una copia de Viven
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wosoandstuff · 23 days
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After many months, we finally see content from the women's national team 🇻🇪
I hope they can be called up more often in these friendlies, last year, the federation made a terrible management after the Central American and Caribbean Games (where Venezuela won the 2nd place).
Anyway, it's good to see them again❤️
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geezerwench · 2 years
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Eddie and Dustin
by Paula Garcia a Teefury
It's already on a shirt!
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rma-furiaroja · 2 years
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Nahikari deciding to analyze the game when everyone is done with the whole season but somehow manages to pull Kaci and Paula into it :)
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cristinabcn · 1 month
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Festival de Jerez: Pinceladas
Jerez Festival: Pinceladas TERESA FERNANDEZ HERRERA. Periodista, Escritora. Directora Gral. Cultura Flamenca de LaAMdP. Prensa Especializada Muchos días. Muchos eventos. Poco tiempo para escribir una crónica larga de cada uno de ellos. Así que me atengo al certero refrán de “Una imagen vale más que mil palabras”. Aquí pondremos pocas palabras y muchas imágenes; los vimeos oficiales del…
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daikenkki · 11 months
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kwebtv · 2 years
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Bump  -  Stan  -  January 1, 2021  -  Present
Drama (10 episodes to date)
Running Time:  30 minutes
Stars:
Claudia Karvan as Angie Davis
Nathalie Morris as Olympia 'Oly' Davis-Chalmers
Carlos Sanson Jr as Santiago 'Santi' Hernandez
Angus Sampson as Dom Chalmers
Catalina Palma Godoy as Angel
Safia Arain as Reema
Paula Garcia as Rosa Hernandez
Ioane Saula as Vince Ingram
Peter Thurnwald as Lachie Koh
Ricardo Scheihing Vasquez as Matias Hernandez
Roman Delo as Zac Russo
Sarah Meacham as Madison
Claudia de Giusti as Bernadite Hernandez
Miguel Andrade as Alejandro
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adelantecomunicacao · 2 years
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Paula Garcia (São Paulo, SP, Brasil, 1975). # 4 (da série Corpo Ruído - Estudo para um soterramento). 2011. Performance. Still. Divulgação
A obra confronta as sensações de peso e leveza ao reunir objetos de uso cotidiano e resíduos metálicos com ímãs de neodímio. Paredes e teto são impregnados de força magnética; à medida que as peças e detritos se espalham, acontece uma espécie de soterramento invertido do espaço. A presença e a ação da artista tornam o trabalho um híbrido de performance e instalação residual, e invocam questões para além de uma leitura meramente formal. O trabalho faz parte da série Corpo ruído, desenvolvida pela artista desde 2007, e da qual fazem parte vídeos, videoinstalações e fotografias. A investigação visa a colocar em xeque a ideia do corpo como uma substância estável, figurável de forma clara e direta. Explorando as propriedades físico-químicas de imãs e metais, a artista apresenta o corpo humano como terreno de crise, instabilidade e transformação.
É artista e pesquisadora. Em sua atuação artística, enfoca as relações da performance com as mídias eletrônicas e digitais, notadamente a fotografia e o vídeo, indagando diferentes possibilidades de relações do sujeito com seu próprio corpo. Desde 2007, essas investigações tomam forma sob a série Corpo ruído. Estudou teatro na Escola Célia Helena, em São Paulo, Brasil, entre 1993 e 1995, e no Michael Howard Studio, em Nova York, em 1996; graduou-se em Artes Plásticas na Fundação Armando Álvares Penteado (FAAP), em 2005, e obteve mestrado em Artes Visuais pela Faculdade Santa Marcelina, em 2009. Entre as diversas exposições das quais participou estão A Curious Blindnees, The Wallach Art Gallery (Nova York, 2015); Terra Comunal/Marina Abramovic, Sesc São Paulo (2015), da qual foi também uma das curadoras; e The Artist is an Explorer, Beyeler Foundation (Basel, 2014). Atua também como artista e coordenadora de projetos do Marina Abramovic Institute, em Nova York, onde vive e trabalha.
Fonte: https://site.videobrasil.org.br/acervo/obras/obra/1350131
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ghenry · 7 months
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What do you think of GHMs more "Mainstream" titles such as LC, SoTD and NMH3 compared against their more underground works like Killer7, Silver Case and NMH1. I find the latter has a sense of mystique and weirdness that's missing from the former when the studio seemed pigeon-holed in a brand of "Sex, Violence and quirky"
I've been meaning to write about this here, so good question! I gave it a lot of thought after finding a JPN copy of Killer Is Dead and seeing this within the box;
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Here's a quote of Suda reflecting on the production of said game;
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Suda was not interested in eroticism when it came to his company's games. However, the more mainstream games GHM made (without his direction) were full of instances that were little more than eye candy. Sex appeal for the sake of it. And much of that was against Suda's will;
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Paula running around in a thong (and even tits out a couple times if you played the NA version) throughout Shadows of the Damned also reminds me of Tim Rogers recalling his time working at Grasshopper as a designer in the late 2000s. He sat in a lot of meetings with Suda talking to EA and mentioned a time Suda talked about a save function idea he thought of while reflecting on Travis always using a toilet to save in the NMH games.
An early idea was Garcia going to bed with a woman every time he had to save. This was likely when the game was still going to be open world-ish and Garcia was single. From how Tim Rogers talked about this, it was pretty much the only idea Suda had that EA actually showed interest in. Obviously this idea never panned out, instead saving being delegated to a little demon that poops to signify a saved game. Funny that it connects to NMH's toilet save function in that way.
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Something else worth bringing up would be the "gigolo missions" from Killer Is Dead. This also derived from a concept Suda had for Shadows of the Damned where Garcia was gonna take girls out on dates, bring flowers, and it'd actually be cute and romantic. At least, from how he described it.
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(These screenshots are from Feel the Magic, a DS game where you played mini-games as you tried to win the heart of a girl throughout the story)
This idea was repurposed for Killer Is Dead, but, according to Suda, the sexual aspects of it were conjured up by Hideyuki Shin, the game's director. Therefore, it devolved into x-ray glasses, staring at boobs, and giving gifts to a robot that repeated animations. A cannibalization of the original concept.
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Suda seemed afraid of Grasshopper's reputation being mutated into an identity he didn't consent to. Sex appeal is not something he really thinks about when it comes to making games. It's not his style;
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The only times Suda has shown sexuality in the games he directed is when it's discomforting or deeply disturbing, almost never for eye candy.
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I still appreciate games like Shadows of the Damned, Killer Is Dead, and Lollipop Chainsaw. As much as this era of GHM was railroaded to chasing some mainstream trends and trying too hard to be quirky, they still had unique aspects that help them stand out above other games of the same subgenre. But I can't help but notice a fissure between these games and the ones he actually directed. The nuance, mystery, and thought-provoking stories are most prominent when he's the one directing.
I'm not going to fault people for liking eroticism and such in video games. I've played plenty of horny games too, and there's obviously an appeal there. But anyone still expecting that from Suda is barking up the wrong tree. Looking at how he's been handling everything since 2018 makes it even sadder when you reflect how these publishers tried cramming Grasshopper Manufacture into this box they didn't want to be in.
One last thing I have to retort, though. I don't lump No More Heroes 3 with the quirky "mainstream" games the way you did in the question. Sure, NMH3 definitely went for a more mainstream marketing plan and the game got super silly at times, but it still has an interesting narrative with a ton of nuance. Way more than any GHM game between 2010-2016. Hence my 4+ hour long analysis of the game;
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Many people even rejected this game outright because the eroticism and scantily-clad female cast was mostly absent. This was likely expectations they built after experiencing games like NMH2, SotD, LC, etc.
Speaking a bit more on the sense of eroticism, it's funny to think how that was admittedly present in NMH1, obnoxiously expanded upon in NMH2, and then mostly done away with in NMH3. Going as far as turning Naomi--and her balloon tits--into a goddamn tree!
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However, I don't believe Suda turned Naomi into a tree for the sole purpose of removing her sex appeal. I believe this just further accentuates how that aspect is not something he's interested in or finds important for the game itself. He likely didn't even think of it that way, but instead "Hey, she should be a tree now."
And then there's Kimmy, whose death was not only a very harrowing moment in the game, it was also depicted in a sexual manner. Similar to Bad Girl's death in the original NMH. Note the motions and angles in her death scene.
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Like I said, this rather disturbing sense of sexuality is more Suda's vibe. And I'm happy to see he hasn't lost that edge, so many years later. Anyway, thanks for the question! I had a lot of fun writing out this answer.
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Les dejo este video a los que dicen que La sociedad de la nieve es una copia de Viven
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dororoxpenana · 7 months
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María's timeline 💚❤️✨️ (Part 2/3) @encanto-extended-edition
Week 1: Introductions
Baby: María Rosita Garcia was a healthy baby girl born to parents Paula and Andres Garcia who felt beyond bless upon receiving their daughter. She was a pretty quiet baby and easy to manage, always curious about her surroundings and taking everything in.
Age 6: Once she learned how to speak she talked *constantly.* Always asking questions about what her parents and grandmother were making and loved helping out in the kitchen. Her favorite thing to do was eat the fresh roscónes made by her grandmother and always begged to learn how to make them. A year or so later her parents trusted her enough to begin teaching baking (she was a lil chaotic when small so they worried about her being in the kitchen) but she proved them wrong as she learned patience and respect towards the ingredients, recipes and utensils placed before her. Despite burning many things at first, and pouting many times, it did not deter her desire to continue learning and wanting to improve.
Age 16: Her first major bump in her life when she meets Ramón Lopez, a swine of a person who made a vile and negative impact on her. She became a little quiet and meek for a while as she struggled to love herself. As she got older, she slowly began to break out of her shell once more as she shifted her focus on herself as an indivudal and improving her baking skills. However in doing so, she lacked social interaction skills and became much more introverted like her parents.
Age 23: Now back to the bubbly version of herself, María helps her parents create a small bakery in the Encanto. She has much determination and passion for baking at this time and even has a small journal accumulated with all her baking ideas/recipes she created. She is very ambitious with her recipes and loves experimenting as much as she could. During her time at the bakery she made a few acquaintances, one of them being Agustín who she felt comfortable around. Later she encounters the triplets upclose for the first time and engages in becoming their friend, especially gaining interest in Bruno. She was excited to be his friend but her heart made her yearn for more, and they end up dating after a year of knowing each other. During this time María also goes through another traumatic experience involving her family bakery/home is destroyed by a fire cause by drunks. Despite barely making out alive, she is still haunted by the memories and has nightmares. She does not like talking to anyone about then though.
Age 35: Being married into the family since 28, she noticed up close how everyone was being treated by Alma, especially her husband. She struggled speaking up about her treatment feeling it wasn't her place to do so, but in return she watched helplessly as her husband began to distance himself more from the family and her. It was an endless battle of hating herself for not being stronger and failing her husband by not helping him. She tried multiple times to talk him, and once she managed to do so it was the night before Mirabel's gift ceremony. Once Bruno disappeared, María was devastated and became a drastically differrnt person. She couldn't focus on her craft, couldn't sleep or eat well, and was much more reserved and quiet than usual. She even contemplated moving out of the Encanto to be with her parents in the city until she found an old note from Bruno telling her he was alright, it was the main thing that persuaded her to stay, hoping she might find him still.
Age 48: Upon discovering Bruno's whereabouts three years into his disappearance she is beyond upset about his rash decisions. She is conflicted by his profuse begging to keep his location a secret, once again arguing with herself over what she should do but his look of desperation makes her begrudgingly agree. In doing so she officially moves back to her own home, unable to face the family knowing where Bruno was and feeling immense guilt. During this time, María becomes even more reserved and lonely. She misses the warmth of her family but she also disliked how it wasn't completed. She meets Mirabel when she comes looking for answers about her estranged tío and while she couldn't tell her much, she instead is the one to inform her to find the vision. Feeling desperate for something, anything to be done and also having faith in her. She knew she wouldn't do anything to hurt the magic, but she also knew she was going against what she promised towards her husband.
Age 50: A year after being reunited with the family María is as happy as can be. On top of thriving once more alongside her husband, she also relishes in motherhood. She's always wanted to be a mother and felt her time had passed so she happily welcomed her two boys. However, life had a surprise in store for her when she ended up pregnant a few months later. María works with complete ease during her pregnancy. The adults worried for her older age, but she had very few incidents and gave birth to a healthy baby boy. She still manages to also bake whenever she can while nursing as she mastered the ability to multitask. She happily teaches her sons baking and doesn't pressure either of them about taking over the business and just offers it as an idea for them to think over once older.
Age 75: María thinks fondly every day over everything that had happened and feels content with where she ended up. She continues to bake despite slower than before but still enjoys making others smile with her goods. Her sons help out whenever they can in the kitchen along with her husband. When she isn't baking she'll sit along her porch sewing up some aprons patterns and basking in the sun as she continues living the rest of her days in peace alongside her husband and boys.
~ ♡ ~ ♡ ~ ♡ ~
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cristinabcn · 1 year
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COLOMBIA: AL NOBEL GARCÍA MÁRQUEZ TRIBUTO ESPECIAL DIA TRADICIONAL DEL PERIODISTA
COLOMBIA: SPECIAL TRIBUTE TO THE NOBELIZER GARCÍA MÁRQUEZ TRADITIONAL DAY OF THE JOURNALIST La invitación / The invitation Fabio Miguel Monroy Martínez. Coordinador Gral. del Evento. Consejero Global de DD.HH.II. y Rpte. Internacional en Colombia de La Agencia Mundial de Prensa. Director Ejecutivo Fundación S3IS.org,Coordinador en Colombia del Servicio Paz y Justicia en América Latina,…
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daikenkki · 11 months
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BLASEBALL SHIP BRACKET ROUND 1
64 ships enter, one ship leaves! who will reign supreme? how will your faves fare? it's a tlournament for the ages!
this is a seeded bracket generated from ships suggested in a google form. round 1 begins thursday, 03/30/23 and will run for one week. propaganda is encouraged - tag this blog and i'll share it!
ROUND 1 MATCHUPS:
Megan Ito/Parker MacMillan VS Leon Duncan/Andrew Trebek
Finn James/Kennedy Loser VS Hewitt Best/Yeong-Ho Garcia
Flattery McKinley/Niq Nyong'o VS Jessica Telephone/Betsy Trombone
Tillman Henderson/Declan Suzanne VS Don Mitchell/Percival Wheeler
Baldwin Breadwinner/Alyssa Harrell VS Axel Cardenas/Miguel Wheeler
Dominic Marijuana/Andrew Solis VS Eduardo Ingram/Leach Ingram
Pedro Davids/Valentine Games VS Anathema Elemefayo/Patty Fox/Hatfield Suzuki
Stevenson Heat/James Mora VS Baby Triumphant/Castillo Turner
Yosh Carpenter/Sebastian Woodman VS Cannonball Sports/Bees Taswell
Igneus Delacruz/Howell Franklin VS Mcdowell Mason/Sexton Wheerer
Allison Abbott/Kichiro Guerra VS Eugenia Garbage/Ziwa Mueller
Caleb Alvarado/Isaac Johnson VS Conner Haley/Sebastian Telephone
Brock Forbes/Adalberto Tosser VS Domino Bootleg/Theodore Honeywell
Lenny Marijuana/Chorby Short VS Moody Cookbook/Landry Violence
Margarito Nava/Nic Winkler VS Riley Firewall/Geraldine Frost
Inez Owens/Bees Taswell VS Paula Turnip/Hiroto Wilcox
Tyreek Olive/Landry Violence VS Fitzgerald Blackburn/Math Velazquez
Val Hitherto/Nerd Pacheco VS Ortiz Lopez/Pitching Machine
Luis Acevedo/Tot Clark VS Derrick Krueger/Sebastian Telephone
The San Francisco Lovers VS Gita Sparrow/Jayden Wright
Tillman Henderson/Mike Townsend VS Famous Owens/Mclaughlin Scorpler
Alaynabella Hollywood/Magi Ruiz VS Nerd Pacheco/Lars Taylor
Nagomi Mcdaniel/York Silk's Mom VS Qais Dogwalker/Grollis Zephyr
Jacob Haynes/Alaynabella Hollywood/Moses Mason VS Burke Gonzalez/Brock Watson/Joshua Watson
Jaylen Hotdogfingers/Jessica Telephone VS Juice Collins/Sutton Dreamy
Sandford Garner/Don Mitchell VS Famous Owens/Nerd Pacheco
Rivers Rosa/Lou Roseheart VS Jode Crutch/Rush Ito
Declan Suzanne/Edric Tosser/Baby Triumphant VS Lady Matsuyama/Bottles Šuljak
Cornelius Games/Richardson Games VS Mags Banananana/Eugenia Bickle
Workman Gloom & PolkaDot Patterson VS Shannon Chamberlain/Kennedy Loser
Caligula Lotus/Beck Whitney VS Steals Mondegreen/Silvaire Semiquaver
Summers Preston/Stephanie Winters VS Haruta Byrd/Bright Zimmerman
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