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stranger-who-writes-fiction · 3 years

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Back at it again with my self-indulgent comic posts. This time! It’s Supergirl: Woman of Tomorrow #3, perhaps the most tonally-distinct entry yet, with shades of The Twilight Zone.

Spoilers!

So, as mentioned, this issue is the most deliberate in terms of both its pacing and its tone, IMO.

What is that tone, you ask?

To quote Alex Danvers, from “Midvale”: Hello, darkness.

THE STORY:

Kara and Ruthye are still looking for Krem Clues in the alien town of Maypole.

(Which is actually just Small Town, USA, complete with vintage 50s aesthetics.)

But the locals are clearly hiding something! So Kara and Ruthye continue to investigate, and they eventually discover what it was that the residents of Maypole were so keen to keep hidden.

Genocide, basically.

As I said, this issue struck me as very Twilight Zone; a genre story involving the build-up to a dark twist, all set against the backdrop of an idyllic small town. (Think, like, “The Monsters are Due on Maple Street” but instead of focusing on the Red Scare, it’s classism and racism.)

The wealthier blue aliens kicked all of the purple aliens out of town, and when space pirates showed up to pillage and plunder, the blue aliens made a deal with them: the lives of the purple aliens in exchange for their safety.

Which is where the episodic story connects to the larger mission; it was Krem who suggested the trade, and then joined up with the Brigands (space pirates) when he was freed by the blue aliens.

The issue ends with no tidy resolution to the terrible things Kara and Ruthye discovered, but they do have a lead on where to find Krem, now, as well as Barbond’s Brigands.

KARA-CTERIZATION:

Ironically, it’s here, in the darkest chapter yet, that we get the closest to what might be considered ‘classic’ Kara.

Which I think comes down to that aforementioned deliberate pace--this issue is a little slower, a little quieter. It gives the characters some room to breathe.

That’s not to say Crusty Kara is gone. Oh no. She is still very much Crusty. XD

But anyways. A list! Of Kara moments I loved!

I mentioned a few of these in a prior post when the preview pages came out: I like the moment where Kara blows down the guy’s house of cards, and I like that the action is echoed later in the issue when she grabs the mayor’s desk and tosses it aside. A nice visual representation of the escalation of Kara being, like. Done with these creeps. (Creeps is an understatement but you get the idea.)

Another one from the preview pages: Kara explains to Ruthye that her super hearing won’t necessarily help her detect a lie, especially if she’s dealing with an alien species she’s not familiar with.

It not only reveals her level of competence and understanding of her super powers, it also shows that, you know. She’s a thinker. She’s smart.

Amazing! Showing, rather than telling us, that Kara is smart! Without mentioning the science guild at all wow hey wow.

(Sorry, pointed criticism of the SG show fandom.)

Anyways.

I dig the PJs!

And Kara catching the bullet! Not only are the poses and character acting great, it’s also a neat bit of panel composition:

We start with Ruthye’s POV, and then move to the wide shot of the room. The panel where Kara actually catches the bullet is down and to the side of the wide shot panel--we move our eyes the way her body/arm would have to move to intercept the bullet. Physicality in static, 2D images!

Also, like. It’s a very tense moment, life-or-death, but. Ruthye’s wide-eyed surprise at the bullet in Kara’s hand? Kind of adorable.

I was pretty much prepared for the page of Kara shielding Ruthye from the gunfire to be the highlight--it was one of the first pages King shared and I was like, ‘yeah, YEAH.’ But, shockingly? The TRUE highlight of the issue?

Where do I BEGIN?!?!

EVERYTHING. About this moment. Is lovely.

From Kara holding Ruthye above the bench to explaining the concept of a piggyback ride, to telling her:

“I’m going to hold my hands here, and these hands can turn coal into diamonds, so they’re not going to let go. I’m going to keep you safe.”

HNNNNNNNNNNNG.

Ruthye’s narration--about how Kara had avoided flying as she was concerned it would freak Ruthye out--just adds a whole additional layer of YES, GOOD, YES, and her line on that splash page is great: “You see, all that time, she was worried about me.”

HNNNNNNNNNNNG. AGAIN.

To say nothing of the STELLAR ARTWORK.

And SPEAKING of that stellar artwork, Evely and Lopes continue to knock it out of the park. Each issue is distinct and beautifully crafted, a true joy to look at.

Before I jump into more of the art, a few final notes of character stuff in general.

Ruthye is the one most affected by the experience in Maypole, as she can’t comprehend how a society of people that look so nice and gentle and peaceful could have been party to such a horrible act.

One of the big criticisms of the book thus far is that Supergirl is not the main character, and I guess I can agree with that observation. Typically, in Western media, the main character is the one who goes through the most change in the story.

And, yeah. That’s Ruthye.

As I was reading the end, where Ruthye sits on the curb and Kara hugs her, I was imagining how the scene would’ve played, had King stuck with the original idea for the series: Kara as the one learning to be tough/experiencing all of this for the first time, and while I think that could certainly work...

I continue to appreciate that King literally flipped the script; that Kara, especially in this issue, is like, ‘I’ve seen this, I know this,’ as opposed to being the one going through a loss of innocence.

*Marge Simpson voice* I just think it’s neat!

Because Kara’s been a teen in DC comics for so long--ever since she was reintroduced to the main DCU continuity, actually--so this is all brand new territory, here. Having an older Kara who’s SEEN SOME STUFF.

(Alsoooooo, since Bendis made the destruction of Krypton not just inaction and climate disaster, but rather, genocide, and the subtext of a Kryptonian diaspora text, the waitress’ derogatory comment regarding the the destruction of Kryton, as well as Kara picking up the bad vibes the entire time, suggests not just a broad commentary on discrimination in all its forms, but specifically allegorical anti-Semitism. The purple aliens being forced out of their homes and into substandard living conditions, then the blue aliens--their neighbors and once-fellow residents--essentially allowing the space pirates to kill them, making them literal scapegoats, Kara discovering the remains of the purple aliens, and Ruthye’s horror at the ‘banality of evil’...yes. A case could be made, I think.)

(Which would probably require a post unto itself and a lot more in-depth discussion, nuance, and cited sources.)

(Should mention that King has brought up that both he and Orlando--the other Supergirl writer he talked to--are Jewish, and for him personally, that shaped his views on Kara’s origin story.)

I guess my point is that this issue is perhaps not as out-of-left-field as some might think, and just because there isn’t as obvious an arc for Kara, doesn’t mean there isn’t some sharp character work at play.

(I could be WAY OFF, of course, and I’m not suggesting it’s a clear 1:1 comparison. I’d actually really love to hear King talk about this issue in particular.)

Anyways.

Here’s the final page, which I think works, because as I mentioned before, there is no easy answer/quick wrap-up to the story of Maypole:

THE ART:

I mean. How many times can I just shout ‘ART! AAAARRRRRRRRRRRTTTT!’ before it gets old?

I dunno, but I guess we’re gonna FIND OUT.

There are some panels in this issue that I just. Like ‘em! From a purely artistic standpoint! Because they’re so good!

Like, I just really love the way Kara is drawn in that top panel. Her troubled, confused expression, the colors of the fading light, the HAIR.

Evely draws the best hair. I know I’ve said this before. I don’t care. I will continue to say it, because it continues to be true.

The issue I find myself running up against when I make these posts is that I really don’t want to post whole pages, as that’s generally frowned upon (re: pirating etc.) but with something like this, you just can’t appreciate it in panel-by-panel snippets.

(Guided View on digital reading platforms is a BANE and a POX I say!)

Anyways.

LOVE the implied movement of the cape settling as Kara speeds in and stops.

And, obviously, Kara flicking the bullet away is just. A+.

And the EYES, man. LOPES’ COLORS ON THE EYES???!?! BEAUTIFUL.

Also, should note the lettering! The more rounded letters for the ‘WOOSH’ of Kara’s speed (and, earlier, the super breath) work nicely, and contrast with the angular, violent BLAMS of the gunshots.

And, I gotta say, the editor is doing a really great job of not cluttering up the artwork with all the caption boxes. Which is no small task.

(I assume the editor is placing them, as editors usually handle word balloon/caption box placement, but I suppose it could be Evely? Sometimes the artist handles it. Either way, whoever’s taking care of all the text, EXCELLENT WORK! BRAVO!)

Okay I think that’s everything.

Ah, nope, wait.

MISC.

Just a funny observation, more than anything else: Superman: Red and Blue dropped this week, and King had a story in there, “The Special” (which was very good, btw.) Both Lois and the waitress swear a lot so I’m beginning to think that this is just how King writes dialogue for any adult character who isn’t Clark. XD

This is absolutely a personal preference but when Kara was like, “And my name IS Supergirl,” I was like nooooo. I know King is trying to simplify all of the conflicting origin stories and lore but I LIKE KARA DANVERS, SIR. XD

It’s almost assuredly a cash-grab/an attempt for DC to get all the money it can out of a book they don’t have much confidence in, but I like the cardstock covers! Very classy, much Strange Adventures.

(OH my gosh, can you imagine that issue 1 cover with spot gloss???? Basically the only way you could possibly improve on it.)

Okay NOW I’m done. For real. XD NEXT TIME: Kara and Ruthye go after Krem and the Brigands!

#supergirl: woman of tomorrow #long post #dc comics #supergirl: woman of tomorrow spoilers #kara zor el #comic thoughts #comic opinions #just occurred to me I should be crediting the creative team in these things #I think thus far I've included every title page?#still #will try to be better about that going forward

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brynwrites · 5 years

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Last week I posted about @byjillianmaria’s new book, The Songbird’s Refrain.

Click the link or read below!

Last Tuesday was the book birthday of Jillian Maria’s debut, the stunning supernatural suspense The Songbird’s Refrain!

I had the privilege of reading this story while it was still in its earlier beta stages, and it’s been a joy to watch it grow from a not-so-shitty rough draft to an absolute piece of art.

So if you’re looking for an awesome, creepy YA with some good old fashion gal pals growing magical life-stealing feathers, you’re in for a treat!

PURCHASE THE SONGBIRD’S REFRAIN

ADD THE SONGBIRD’S REFRAIN ON GOODREADS

ABOUT THE BOOK

When a mysterious show arrives in town, seventeen-year-old Elizabeth Brighton is both intrigued and unsettled. But none of the acts capture her attention quite like the blue-eyed woman. Locked in a birdcage and covered in feathers, the anguish in her voice sounds just a little too real to be an act—because it isn’t. The show’s owner, a sadistic witch known only as the Mistress, is holding her captive.

And she’s chosen Elizabeth as her next victim.

After watching the blue-eyed woman die, Elizabeth is placed under the same curse. She clings to what little hope she can find in the words of a fortune teller and in her own strange dreams. The more she learns, the more she suspects that the Mistress isn’t as invulnerable as she appears. But time is against her, and every feather that sprouts brings her closer to meeting the blue-eyed woman’s fate. Can Elizabeth unlock the secret to flying free, or will the Mistress’s curse kill her and cage its next victim?

MY PERSONAL REVIEW

This book is a blast, with a hint of creepy, a dose of suspense, and a nice dollop of fluffy wlw.

Despite nearly the entire story taking place in the same basic location, the plot never feels slow or aimless. The mystery is engaging, constantly pulling the reader forward with new hints. The MC goes through a wonderful character arc and is very easy to root for, the villain is just as easy to love to hate, and all the side characters have interesting personalities and impact the plot. The prose is generally simplistic, with some minor disruptions like repeated words, but holds great, impactful lines as well.

Overall, a wonderful fall read, with a heavy focus on healthy relationships, believing in one’s self, and choosing love.

INTERVIEW WITH THE AUTHOR

Jillian was awesome enough to answer a few questions for me…

Where did you first get the idea or inspiration for this novel?

The earliest version of this novel was actually a fanfiction! But it’s changed a lot since then–the entire bird/feather motif didn’t exist, there were a lot more characters who didn’t really contribute anything, the love stories were less fleshed out. I think the biggest changes happened from around the 70% mark onward, but everything’s changed a little bit.

Where and when do you typically write? Do you have any pre-writing exercises or habits that help you get into the mood?

I tend to write after dinner, but lately I’ve been sneaking in more writing on my lunch break, too. I don’t really have any habits or exercises, but I do tend to schedule my day in advance, so I always know exactly when I’m writing. Generally I dedicate the 7:30-8:30 block to writing, although sometimes it gets moved around. And on weekends, I’ll schedule more writing time.

Who was your favorite side character to write in The Songbird’s Refrain?

It’s really hard to pick a favorite! They were all super fun in their own way. Maybe Violet, though. She probably had the easiest voice out all of them to write, and required very little editing. Just deleting an f-word here and there when she decided she needed to use three in one sentence.

If you had to set The Songbird’s Refrain in a popular alternate universe (like the world of Harry Potter, Lord of the Rings, the Hunger Games, etc), which would you choose and how would your characters fit in there?

Oh, gosh, what a great question! I definitely know my character’s Hogwarts Houses, so… let’s go with that. Elizabeth is a tiny shy hufflepuff with a crush on the cute Ravenclaw girl who is always reading romance novels and doting on her cat, but doesn’t get the courage to talk to her until a mysterious threat arrives, wearing a dark mark and a red dress… I don’t know, something like that!

What’s something (or multiple somethings) you wish you’d known about writing before you’d started The Songbird’s Refrain?

You’re going to wind up changing lots of things during the drafting process, so don’t worry so much about sentence structure until you’re relatively certain you’re going to keep that chapter the way that it is! Seriously, I could have saved so much time..

Do you have a new project you’re working on now that The Songbird’s Refrain is approaching publication?

There is, but I’m not sure if I’m going to publish it under the Jillian Maria name, so I’m keeping it a secret 😉 But my next big Jillian Maria project is going to be another f/f YA novel about two girls hunting treasure in a small town forest! Technically this is a second draft, but I’m changing some pretty major plot elements and it’s got me really excited. I’ve got it outlined and about one-and-a-half chapters properly drafted right now, and am hoping it’ll be ready for its first round of beta readers after that!

What are you most proud of in regards to The Songbird’s Refrain, whether that be a skill you picked up while writing it or a scene you didn’t think you could conquer, etc?

I think that the themes of the book are really solid. I’m really proud of how everything sort of ties together in the end, because that’s something I really admire in other writers but always have a hard time replicating. It took several drafts, but I think it got there! Also, Chapter 28 always makes me cry. I think that’s a pretty big accomplishment.

While The Songbird’s Refrain is an amazing book, there’s always more to be learned as a writer! Is there something you’re working on improving in your writing right now?

Pacing is always a struggle of mine, so that’s something I think I’ll be working on indefinitely, from now until the end of time. I’d also like to make my writing process a little shorter–it took many, many drafts to get The Songbird’s Refrain to where it is now, and I’d like to improve as a writer so that I can get more polished drafts on the first or second try.

Can we get a picture of you and your writing buddy Sadie? 🙂

Of course! As you can see, she is very helpful.

Jillian Maria enjoys tea, pretty dresses, and ripping out pieces of herself to put in her novels. She writes the books she wants to read, prominently featuring women who are like her in some way or another. A great lover of horror, thriller and mystery novels, most of her stories have some of her own fears lurking in the margins. When she isn’t willing imaginary people into existence, she’s pursuing a career in public relations and content marketing. A Michigan native, Jillian spends what little free time she has hanging out with her friends, reading too much, singing along to musical numbers, and doting on her cat.

You can find her on goodreads and her website.

#the songbird's refrain #new books #ya fantasy #Book Recommendations #author interview #book review

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sevi007 · 5 years

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Okay, a bit more eloquently this time around, because Sevi’s head has stopped spinning mostly and now I can write this out –

Into the Spider-verse, guys. Look I went into this movie thinking: “Okay girl, you don’t understand, like, anything about Spider-Man, but you heard the plot is good, the music is awesome, and the animation is completely off this planet, so this is gonna be good anyway.”

And I was right. And also completely wrong.

Because it was not good, it was out of this freaking universe (yes, the pun is horrible, bear with me, head is still spinning a bit).

This movie was pure enjoyment and amazingness and feels from the very start to finish, highlighted with on-point music and topped off with animation that left me gaping and going “What the F*CK” more than once. I was so extremely hooked on this, I didn’t even see it coming!

Where do I start? I can’t do this chronologically, I think, just… it’s amazing from the first second on. I will just try to list up what I especially noticed and liked, because if I try to say everything I liked, I will just retell the entire movie, so I’m going for main topics and put it all under this neat thingy -

The characters are so freaking amazing. hat starts right up with the introduction of the characters, say, for example: Peter Parker and Miles – not only is it smooth and a nice overview, it’s also setting contrasts between the two, and very fitting for both of them (one getting a more “ordinary” introduction compared to the comic-book-hero introduction). Going over their design – gosh, the designs, people, I was not expecting to look at either Prowler or Doc Ock and be like “Oh wow, okay, those guys look cool”.

Then there’s how each character is unique, and that completely. The movie underlines how the Spider-People might have their similarities (the comic book introduction and the “let’s do this one more time”), but it also emphasizes how they are all different. Because what else? The movie is trying to teach us that everyone can wear the mask. So they feature how special and unique every last character is. That goes for the Spider-People – even both Peter Parkers – as well as Miles, who still needed to learn what makes him unique, and even the side characters or the villains. (I will have to point out the villains separately in a moment).

And each of them – aside from a few sidekicks – are fleshed out so well, in so little lines. You feel for them. You’re interested in them. You relate to them. And that with so many characters, wandering over the screen so quickly! Masterful work right there.

The villains we gotta get out of the way here, because I was so flashed by that. You have, like, three main villains? For me, it felt like three – Kingpin, Doc Ock, and the Prowler. And each of them fulfills such a completely different villain trope, and that all in one movie!

Kingpin with the tragic backstory and actually morally white goals reached with completely wrong methods.

Doc Ock with the “crazy” scientist role who has no regards to humanity (she was fully aware what would happen to both Peter B. Parker and Kingpin’s family if they were transported into a different universe, and she didn’t give a damn).

And Prowler with little to no tragic backstory, who seems so cold and detached, until he isn’t – and makes a good choice in the last moment. (Redemption arc villain with tragic end, maybe? In any case, completely different from the first two)

The story was just, so amazing. I’m not too familiar with Spider-Man so I couldn’t tell if it was orientating itself by any storyline that has been there before, in the comics, but I seriously loved every twist of it. Because twists there were, a lot of them. Killing the already “perfect” Spider-Man right at the start of the movie? Having the protagonist not suddenly learning from his – reluctant – teacher, but unlocking the potential that has always been there? Only to mention a few. Completely amazing. I was on the edge of my seat the entire time, because I had no idea where it would go next. And that’s not even emphasizing the sheer feels or the slapstick moments, which were all amazing in their own right.

Something I absolutely adored was that basically – literally? – no scene, no matter how seemingly small and insignificant, was there for a reason. Miles sticking to Gwen’s hair lead to her pointing out he needed to “relax”, which was later revealed to be the key to the sticking-ability and its release. Miles joking about a cape is later picked up again, and it’s used to show how Peter has come to appreciate the boy. Miles sticking to a train with the unconscious Peter in two is used again in the final fight, when he uses a train to escape Kingpin. And so on, and on. Every little detail is there for a reason, be it to reference Spider-Man and his appearance in other media, or because it’s important for the story later on.

The music – I’m not even sure what’s better, the songs they chose (“Sunflower” and “What’s up danger” and “Scared of the Dark” are gonna stick in my head, you just know it) or the score. There was never a moment when the music felt out of place, or didn’t make my feels even stronger, or didn’t get me hyped up. Highlighting and emphasizing what was happening on screen, instead of simply filling the silence or even distracting. So well done.

The animation. Guys. Guys, if anyone told me they used the multiverse to throw together the best of the best of animation tech for this one movie, then I wouldn’t even argue with it. I didn’t even know stuff like this was possible. These “switches” between, more like, mixes of almost-realistic style to clearly comic-book style? The Spider-People having all these different kind of animations all by itself, and all of them being on the same screen without making it look weird? Just, wow. Wow, and another wow, and I have to stop now else I never stop on that. This was, like, an entire love song (movie) to the art of animation, all by itself, and it was so fun to watch!

Honestly, I loved every second and aspect of this movie. And I mean, honestly - They put so much work and love into this one, and it was so clear, too. How could I not love it, then? =D

#long post #into the spider verse #spider-man: into the spider-verse #sevi is rambling

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