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hermitologist · 5 years
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My 20 Favorite Records Of 2018
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Hi. I made a list of my favorite records of the year again. People seem to enjoy these things, and I definitely enjoy tearing my hair out trying to figure out what I liked best, so here we are again.
 This years list is chock full of heavy/sludgy bummer jams, post-rock epics, and super aggressive metal and hardcore, with a few poppier and more adventurous indie records scattered about. The honorable mentions list gets a bit more eclectic if you’re looking for stuff that sounds a little less like it was birthed from the loins of the late-90s/early-00s Hydrahead and Relapse discography.
As always, I welcome your suggestions for records and podcasts I might’ve missed the boat on, no matter the genre. There’s way too much good stuff out there to keep up with, so help me out.
Also: When my aging corpse is not being pissy about being used for something other than child-wrangling, eating, or sleeping, I try to run a few days a week and will listen to/briefly review a record on each run. Almost every record on this list has been a part of one of those posts, so if you’re interested in such a thing, please check out my Instagram. 
BONUS: I put together playlists of my favorite song from each of my top 20 records, so if you’re overwhelmed and don’t know where to start, just throw it on and see if anything grabs you.
Hermitology’s Favorite 20 Records of 2018 - Spotify Playlist
Hermitology’s Favorite 20 Records of 2018 - Apple Music Playlist
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20) Slugdge - Esoteric Malacology
This record is ridiculous in the best ways possible -- insane amounts of shredding, light-speed double bass and blast beats, and lyrics about slugs and other assorted beasts. It’s been ages since I went through my Swedish & Norwegian Metal phase, but this awakened those long-dormant receptors that used to hum when I listened to At The Gates, Opeth, Dimmu Borgir, Soilwork, et al.
Listen here.
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19) Ingrina - Etter Lys
Excellent French doomgaze/post-rock that sounds like it could very easily be the soundtrack to the apocalypse. Etter Lys has a familiar sound/vibe, but a refreshing energy and captivating sense of dark melody that really makes them stand out to me. Highly recommended for fans of This Will Destroy You, Rosetta, God Is An Astronaut, et al.
Listen here.
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18) Beach House - 7
This record was the perfect foil to all heavy stuff I listened to this year, and my go-to in-flight record of 2018. It’s a damn near perfect collection hazy, airy, dreamy, downtempo indie pop. I’d never been a huge Beach House fan, but 7 hooked me and pulled me in. Throw this your headphones on, press play, and melt into your chair or couch.
Listen here.
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17) Culture Abuse - Bay Dream
This record was not what I was expecting, but it ended up being exactly what I needed. (If that makes any sense.) Instead of a grimy, high-energy punk record, I got a fuzzy, bouncy, catchy-as-hell soundtrack to my entire summer. A perfect blend of The Ramones and peak-Weezer, with a vibe all its own.
Listen here.
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16) Deads - LLNN
Roughly forty minutes of insanely heavy and furious drop-tuned, down-tempo, doom-inspired crushers offset by eerie, cinematic synth parts. If you’re a fan of early-Cult of Luna and/or Isis, this record should be a new staple in your diet. There’s also enough atmosphere here to appeal to post-rock fans who might desire a little aggression boost.
Listen here.
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15) Heads. - Collider
Beautifully written sludgy rock that falls somewhere between the heaviness and spookiness of Young Widows and the heroin-soaked atmosphere and melody of Failure. For what it’s worth, I dig Collider more than either of the aforementioned bands’ most recent output. It’s a perfect marriage of influences, killer songwriting, an excellent recording, and a flat out fantastic record from front to back.
Listen here.
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14) mewithoutYou - [untitled]
I’ve been a mewithoutYou fan for ages and love everything they’ve done (so I’m a little biased), but this record is just on a completely different level as far as I’m concerned. It’s the peak of their creativity, songwriting, mood, dynamics, lyrics, production, etc. It’s got the atmosphere and moodiness of post-rock, the angular quirkiness of Fugazi, the energy of Refused (at times), and the all the character of a classic mwY record. It’s phenomenal, and doubly impressive because they made it 18 years deep into an already impressive career.
Listen here.
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13) Foxing - Nearer My God
I was familiar with Foxing before this record came out because they’d toured with many former tourmates, and while I appreciated what I’d heard from them, they never really clicked with me. And then I heard this record and it totally floored me. It’s incredibly ambitious without coming across as super scatterbrained or pretentious and it’s executed flawlessly (production included). This band should be massive, and I’m stunned that I’m not seeing this record on more year-end lists
Listen here.
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12) This Will Destroy You - New Others Part 1 & 2
Somehow TDWY managed drop two incredible full lengths a month apart, and I honestly cannot choose between the two (so I’m combining them into one). These LPs are arguably their best work as a band, the addition of Robi Gonzalez on drums has given their sound new energy, dynamics, and pocket, and there aren’t many bands in post-rock doing it as well as these dudes do. Incredibly impressive to be able to put out this much music all at once and have it be this consistent. 
Listen here.
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11) The Armed - Only Love
Somehow this record manages to be chaotic, energetic, beautiful, delicate, catchy-as-hell, abrasive, and atmospheric all at once. Sometimes it sounds like you accidentally have five different songs playing at the same time. Somehow modular synth-soaked punk/metal works. Clearly I cannot explain exactly what in the everliving hell is happening here, but I can tell you that it’s a wholly arresting record that blew my mind on first listen, and has gotten better with every listen since.  
Listen here.
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10) Hemwick - Junkie (EP)
Normally, I wouldn’t include an EP on this list, but this is one just too good to ignore. It’s 30 minutes of insane riffage and heaviness that sounds like it spawned from the same gene pool that produced Converge, Cult Leader, and Intronaut. It’s got the spazziness and brutality of the former, blended perfectly with the occasional post-rock/metal shift into the epic melody of the latter. Super excited to hear what comes next for these guys (hopefully an LP recorded with Scott Evans or Kurt Ballou?), because this is an incredibly promising “debut”. 
Listen here.
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9) Architects - Holy Hell
As a standalone record, Holy Hell slays. As a follow-up to losing a family/band member to cancer (guitarist, Tom Searle), it’s a fucking triumph. Somehow Architects managed to push through the grief and heartache, and pushed the boundaries of their musical creativity and emotive lyrics to create what is arguably their best record. Holy Hell is packed to the gills with with massive, arena-sized riffs and moshworthy breakdowns, sprinkled with just enough melody and dynamic to keep things fresh without losing its edge. An amazing accomplishment in the face of such adversity.
 Listen here.
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8) Slow Mass - On Watch
An outstanding fusion of mellow(er) post-hardcore, bummer jams, Unwound-inspired post-punk, and shimmery shoegazey goodness. “Suburban Yellow” (see playlist) is one of my favorite songs of the year, falling somewhere between the crushing gloominess of a Kowloon Walled City song, and the somber plod of a classic Pedro The Lion track. I tend to shy away from music with dual lead vocals (because I often prefer one of the voices to the point that I’d rather just hear it all the time), but Dave Collis and Mercedes Webb’s voices are so complimentary and perfectly balanced that they take these songs to another level. Bonus: I’d highly recommend watching their frigid Audiotree session. 
Listen here.
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7) Hot Snakes - Jericho Sirens
One of my favorite bands of all-time put out its first record in 14 years, and it was well worth the wait. It’s Hot Snakes doing what they do best --  ripping 30 minutes of high-energy post-punk jams fueled by the brilliantly weird guitar wizardry of John Reis, and propelled by the dual drummer attack of Mario Rubalcaba and Jason Kourkounis. I’m not entirely sure where I’d rank it in their discography, but having fresh Hot Snakes tracks makes the world a better place. 
Listen here.
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6) Cloud Nothings - Last Building Burning
What did we do to deserve two Cloud Nothings LPs in two years? I was a little worried about whether the band could churn out a record as fantastic as Life Without Sound (which landed at #7 on last year’s list), but they absolutely did. Last Building Burning builds on the catchiness and energy of LWS’s bummer jams, but adds a little extra grit, fury, and urgency. The result is a record that’s damn near peak Cloud Nothings. It’s got hooks for days, an energy that’ll make you want to bounce off the walls, and a nasty edge that brings to mind 80′s Wipers or early Hot Snakes jams.
Listen here.
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5) Cult Leader - A Patient Man
Cult Leader’s Lightless Walk was a Top 5 record for me in 2015, Gaza’s No Absolutes In Human Suffering was in my Top 5 in 2012, so it should be no surprise that they’ve cracked the Top 5 again. I’d be hard pressed to name another HEAVY band who has done it for me the way these guys have over the past six years. A Patient Man hits all the notes -- pure chaos, expansive and melancholic post-rock sections, and the most headbang-worthy breakdowns on the planet. It’d take a miracle to get this 43-year-old geriatric with a bad back to come out of mosh retirement, but the breakdown in “Aurum Reclusa” is seriously making me think about a comeback.
Listen here.
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4) Low - Double Negative
I don’t think I’ve had a record screw with my brain as hard as Double Negative did since I heard Kid A for the first time. It’s a spooky, brain-liquifying journey through sonic textures and ambience, arranged and mixed in a manner that is absolutely enthralling (and a bit unnerving and “wtf are my headphones broken?”at times). If you’re gearing up for a first listen, I’d highly recommend clearing an hour on your schedule, throwing on a good pair of headphones, and letting this have its way with you. If you’ve already heard it, you should listen to it again. It gets better and weirder and more captivating every time. It’s a trip, and a great one at that. 
Listen here.
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3) Daughters - You Won’t Get What You Want
As a standalone record, this is groundbreaking. As a “comeback record” it’s a fucking triumph. Their S/T record (2010) is one of my favorite heavy/noise rock records of all-time, and somehow YWGWYW surpassed my lofty expectations for a follow-up. It’s a dizzying journey for sure. It’s moody as hell. It’s coherent. It’s adventurous without being overly weird. And it’s all of the best things about their previous work distilled into a perfect chunk of musical madness. The best records are the ones that make your brain matter spill out of your ears upon first listen, but it’s the all-time classics that do that and get better with every subsequent listen. Sure, it’s a record for “when the mood is right”, but when I’m in the mood, this hits all the notes for me. It’s a masterpiece. 
Listen here.
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2) Holy Fawn - Death Spells
This record came out of nowhere and absolutely knocked me on my ass. I’m not sure I’ve had a record do that to me since I first heard Cloudkicker in 2009 -- knew nothing of it, had zero idea what to expect and literally had goosebumps for a majority of my first listen. Tempe’s Holy Fawn have created a unique blend of dense, dynamic, and cathartic post-rock, doom, and shoegaze with airy vocals that remind me a bit of Jonsi from Sigur Ros. It’ll be a daunting task to follow up this masterpiece, but I’m incredibly excited to see and hear what the future holds for these guys.
Listen here.
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1) Pianos Become The Teeth - Wait For Love
This was one of my most anticipated records of the year, and it not only lived up to my lofty expectations, but exceeded them. “Bitter Red” was far and away my most played song of the year, and I must’ve listened to Wait For Love 50 times during the month of February alone. It’s no surprise that I found myself going back to it throughout the year, and in revisiting for this list, it gave me chills just like it did 10 months ago. These dudes are doing melancholic and cathartic post-hardcore better than just about anyone these days, and I cannot wait to hear what’s next for them.
Listen here.
HONORABLE MENTIONS
Roughly 80% of these records could/should have very easily landed on the Top 20 list (and probably would if I obsessed over this list any further and gave everything a super dedicated re-listen). They’re all absolutely worth checking out.
I know this list might be a little daunting, so I put together a Spotify Playlist of my favorite songs from each record, so you can just throw it on and see if anything grabs you. 
Thanks to my man Zack Hite for helping me out and putting together an Apple Music version of the playlist. 
Hermitology’s 2018 Honorable Mentions Spotify Playlist
Hermitology’s 2018 Honorable Mentions Apple Music Playlist
Baptists - Beacon of Faith
Birds In Row - We Already Lost The World
Boygenius - S/T EP
Candy - Good to Feel
Coastlands - The Further Still
Conjurer - Mire
Death Engine - Place Noire
Drug Church - Cheer
Emma Ruth Rundle - Dark Horses
Failure - In the Future Your Body Will Be ... 
Fiddlehead - Springtime and Blind
Hammock - Universalis
IDLES - Joy As An Act Of Resistance
Jay Jayle - No Trail & Other Unholy Paths
Jesus Piece - Only Self
KEN Mode - Loved
Man Mountain - Infinity Mirror
Mogwai - KIN
Nate Smith - Pocket Change
OHHMS - Exist
Ólafur Aarnalds - re:member
Polyphia - New Levels, New Devils
Portrayal of Guilt - Let Pain Be Your Guide
Prefuse 73 - Sacrifices
Rolo Tomassi - Time Will Die … 
Sectioned - Annihilated
Slow Crush - Aurora
Snail Mail - Lush
SUMAC - Love In Shadow
Svalbard - It’s Hard To Have Hope
Taken - With Regards To (EP)
The Story So Far - Proper Dose
Tides of Man - Every Nothing
Vein - Errorzone
Yashira - Shrine
PODCAST QUEUE
The Deadcast (humor, sports, politics)
Chapo Trap House (politics, humor)
Hang Up & Listen (sports, culture, nerdy)
Effectively Wild (baseball)
The Frotcast (movies, humor)
The Trap Set (drums, psychology)
The Gist (current events, politics)
Song Exploder (songwriting, production)
The Modern Drummer Podcast (drums)
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rileybreck · 7 years
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A BRIEF PROGRAMMING NOTE
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Sorry it’s been so quiet here. Things have been a bit hectic, but the primary reason for my absence has been that I somehow lost control of hermitology.tumblr.com, and I was trying to find a way to get it back. Long story short -- it’s impossible --  so now I’m back with a new tumblr URL, and hoping to get back to posting on a semi-regular basis.
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And now, after this morning shenanigans (and a HUGE DOSE of Motivation™ , thank you Testosterone Train, it was all for a good cause), IT’S TIME TO GO BACK TO WRITING!
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(sorry, I know that lately I talk a lot about this, but you all have no idea how happy I am in having found the courage to share about this. For years I have written alone, in the secluded corner of my hidden burrow - am a buffoon with a degree in Hermitology - because I was terrified of sharing anything with anyone. And to be able to finally do it, to be able to share what I write - however good or bad it might be - just gives me such a sense of freedom, such a happiness, I feel like a bird that has finally learnt how to spread her wings and fly! so, you might have to bear with me, and hopefully not get bored by it!)
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--Nemo
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cardtorius · 5 years
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Me by this time next year. #hermit #hermitology #hermitlifeisonlylife #atleastigotdatwolftho https://www.instagram.com/p/Bqzni_Tl2EBMnkKNCa-oe2H3uVuAz_I27BnGqI0/?utm_source=ig_tumblr_share&igshid=2kvfmmb2z2lg
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monofade · 10 years
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So...
my countdown says its only 8 days...8 days...are you freaking kidding me? It flies by and it still hasn't quite hit me that i will be leaving the country for the first time since entering it. crazy but so freaking exciting except for i am being quite calm and mellow. a friend of my brother's said to me, its cause you work and you're so used to your routine of going to work, come home, sleep...repeat. of course that made me feel quite small and that my life seems quite mundane. woe is me for having a somewhat good job and stable life... the itch to be free of a 9-5 with bills bills to pay is really enticing and maybe after this big trip - i'll grow up and make a life-altering change and fulfill that dream of hermit-dom. a hermit-procrastinator can only dream.
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chadmitchell · 10 years
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Random Start : Belle & Sebastian - If You Find Yourself Caught In Love
I have decided (if I remember) to copy Riley and do a random start song of the day.
Belle & Sebastian reminds me of 2005 and being on my first real tour.  I was too shy to really hang out and ended up on the bus alot with Matt Smith and Baltimore's Patrick Martin drinking cheap beers, playing NHL 05 and listening to Belle & Sebastian.  Still a  great band and a great memory.
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productivenothings · 11 years
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Riles Bleckensplidge. One of my favorite drummers who I have listened to for more than ten years. Follow Hermitology.
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scrapeandscatter · 12 years
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Random Start So just like some friends and I did 6 years ago, once again I'm stealing something from Thrice and making it worse.  I'm really into Riley's Random Start and enjoy listening to and reading his posts connected with it and since he borrowed it himself... why the fuck not?  Read the explanation here, and I can't imagine why you'd be following a music blog like this without already following Riley, but in case you're not start doing so at www.hermitologist.tumblr.com
So onto the video above or to the side or however tumblr will format it...
Grandaddy - "Guide Down Denied"  I don't actually know this song, I'd guess this might be the 2nd time in my life I've heard it.  I just know I used to hear "The Crystal Lake" all the time and then (illegally perhaps?) procured as much Grandaddy as I could.  It also helped that I found out frontman Jason Lytle was once a sponsored amateur skateboarder.  I haven't found a song by them that I like as much as "The Crystal Lake" but maybe someday.  Well anyway like most Grandaddy songs it's a mellow really ethereal song with floating vocals, acoustic guitars, and spacey electronics.
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hermitologist · 6 years
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My 17 Favorite Records of 2017
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Hello, Internet. Yet another year has passed, and because I’ve made a habit of making year-end lists, this old man has gone and done it again.
I listened to a veritable buttload of music this year on my morning runs, which I decided to post about on Instagram most days in a concerted effort to keep myself accountable bore every last one of my followers to death. I think it’s working.
What follows, is my list of favorites. Not “best”. “Favorite”. *My* favorite. So, spare me the “Your list sucks. WTF. I can’t believe “A Vest For Jerome” by Turd Circus isn’t on there!” comments. I’m sorry we don’t have the exact same taste in music. :)
As usual, I feel like the top 5 or 6 here are pretty carved in stone, but the last 12 and some of the honorable mentions could totally be flip-flopped depending on which side of the bed I woke up on. I actually fiddled with a few spots five minutes before posting this, which is either a testament to that or Exhibit 4,923 in my undiagnosed OCD case.
Anyways ... TL;DR. Here’s what I was into this year. I hope you find something you enjoy.
IMPORTANT: Please let me know what I might missed out on (as I’m sure there’s a ton of it), and share some of your favorites in the comments below. Thanks!
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17) Japandroids - Near To The Wild Heart Of Life
This didn’t quite grab me the way Celebration Rock did, but it’s got a good number of super infectious earworms that got stuck in my brain at the top of the year. 
Listen here.
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16) Sorority Noise - You’re Not As ____ You Think
Excellent “emo”with that feels like it could very easily fit into Brand New’s discography (and I mean that in a very complimentary way). Highly recommended if you’re looking for something to fill that void. 
Listen here. 
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15) Queens of the Stone Age - Villains
This took a little while for this record to sink its teeth into me, but once it did, it didn’t let go. The arrangements are so nuanced that I’ve found little bits of ear candy each time I’ve listened to it, and while the mix is not my favorite, the songs are so brilliantly catchy and drumming so monstrous, I’m hooked. And Jon Theodore is the best drummer on Earth. That’s not debatable either. It’s fact.
Listen here.
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14) David Bazan - Care
It’s no secret that I’m a sucker for anything and everything Bazan. His lyrics and the timbre of his voice cut to my core, and the songs on Care are no exception -- even when they’re delivered over minimalist electronica (which is not my favorite vehicle by any stretch). Another Bazan masterpiece.
Listen here.
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13) Glassjaw - Material Control
This record is perfect in that it is exactly what it needs to be. It’s Glassjaw doing what they do best -- intense, vibey, groovy, heavy post-hardcore that is a logical follow-up to Worship & Tribute, while flexing and pushing enough to make it feel fresh. A tremendous return to form, and a record that was well worth the wait.
Listen here.
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12) Julien Baker - Turn Out The Lights 
Sprained Ankle blew me away and knocked me on my ass, and somehow, some way, Baker has leveled up and topped that. The stripped-down “artist + guitar” intimacy is still there, but the heavy moments hit even harder because of the additional orchestration on this record. Such a promising future for her.
Listen here.
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11) The Life & Times - S/T
Another excellent record from some of one of Kansas City’s best bands. There are few who do airy, melancholic, spacey, dynamic rock better than these guys. And Chris Metcalf is one of the best drummers on the planet right now -- so pockety, tasteful, and effortless. Highly recommended if you dig Failure, Shiner, Hum, Antenna-era Cave In, et al. 
Listen here.
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10) METZ - Strange Peace
This beast is 36 minutes of noisy, nasty, heavy post-punk with stellar guitar and bass tones, and badass drumming that sounds like the best parts of Nirvana and Young Widows had a perfect lovechild. I dare you to listen to this record and not have an overwhelming urge to play it as loud as you possibly can and headbang until your eyes fall out of your skull.
Listen here.
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9) CHON - Homey
I really enjoyed this when it came out, but it wasn’t until we spent five weeks on tour with them and got to see them shred a handful of these songs on a nightly basis that it really grabbed ahold of me. This record is stellar. Sure there are a ton of notes, but they’re all tasteful, never bogged down in painfully long prog opuses, and there’s so much feel here ... which is so rare in the new world of insanely chopped, gridded and sampled prog. The splashes of hip-hop and glitchy Prefuse 73 style electronica are a killer addition to the mix as well. This is the feel good record of the year for me.
Listen here.
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8) Kendrick Lamar - DAMN.
There really isn’t another rapper who holds a candle to Kendrick at the moment, and this might be the best work of his career. I haven’t had a hip-hop record hit me like this in at least a decade. I was hooked from the second the beat dropped in DNA., got roped in even more by the slow jam LOVE., and HUMBLE. sealed the deal. What a beast.
Listen here.
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7) Cloud Nothings - Life Without Sound
This record rules, but I’m not sure I can put my finger on exactly why I like it so much. It’s got tiny elements of so many bands I love or used to love without being overly referential. It’s got a melancholic vibe but never lacks energy. And it is packed with really, really well written and catchy songs without full-blown pop circus. You know you’re listening to a great record when you’re playing a deep cut and uncontrollably blurt, “Fuck, this song is good.” 
Listen here.
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6) Converge - The Dusk In Us
Nobody does it better than these dudes, and it’s been that way for the better part of two decades. The Dusk In Us is yet another record a discography full of bar-setting hardcore/metal/noise records that elevate the ceiling of the genre and make everyone else sound/look bland in comparison. This one slides right into the #3 or #4 spot in that storied discography. So great.
Listen here.
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5) Manchester Orchestra - A Black Mile To The Surface
This is one of those rare records that blows you away on first listen, and gets better with each subsequent listen. The former happens when the songs --stripped to their bones -- are stellar, and the latter happens when the arrangements and mix are somehow even more stellar. ABMTTS checks the shit outta both of those boxes and then some. Aaaand it was made with multiple producers, but doesn’t sound disjointed in the slightest, which seems damn near impossible. It’s the perfect Manchester Orchestra record ... “The Gold” was stuck pleasantly in my head for a majority of the year.  
Listen here.
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4) Pile - A Hairshirt Of Purpose
Disclaimer: I am a late adopter of the majesty of Pile, but I am happy to announce that I am hopelessly hooked on their soulful, noisy, schizophrenic, (occasionally) dreamy, fusion of post-punk, blues, and all sorts of other good things. My entry point was Dripping, but A Hairshirt ... cemented my love for this band. It’s weird, it’s beautiful, it’s energetic, it’s heavy, it’s ethereal, and the musicianship is frustratingly good. If you know, you know ... if you don’t, just trust me. Spin it with an open mind and meet one of your new favorite bands.
Listen here.
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3) Propagandhi - Victory Lap
I grew up on Epitaph and Fat Wreck Chords punk rock in the 90s, and these guys (and gal) are legitimately the only band of that era that continue to excite and inspire me. I look forward to every release, and they manage to deliver every. single. time. It’s not a nostalgia thing with Propagandhi. Chris Hannah’s lyrics, melodies, and guitar playing continue to push the boundaries of what can be done in that genre. You might expect a group of 40-year-old punks to decline or at least plateau, but they’re still on an upward trajectory and it’s  inspiring as hell. Bonus points if you’re a parent and can listen to “Adventures In Zoochosis” without tearing up. Victory Lap is outstanding -- one of their three best records without question. 
Listen here.
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2) Cloakroom - Time Well
If you’ve been following me here, on Twitter, or Instagram, it’s no secret that I’ve got a massive soft spot in my heart for bummer jams -- especially bummer jams of the heavy variety. Time Well is a damn near perfect in those regards. It’s shoegazey without being tired or overly jangly, mildly doomy without being mind-numbingly boring, and fuzzy without sounding like it was recorded inside a sleeping bag. I’m pretty sure I listened to this record more than anything else this year, and after probably a hundred spins, it hasn’t lost any of its luster. It’s outstanding (and it’s got some damn tasty drumming on it too).
Listen here.  
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1) Elder - Reflections Of A Floating World
My buddy Scott Evans (Kowloon Walled City vocalist/guitarist, Antisleep recording engineer/producer, multi-talented human, generally outstanding dude, recommender of many amazing bands) turned me on to these guys earlier this year by sharing 2015′s Lore with me. That record f-ing floored me. Riffs for days. Heaviness. Prog vibes. Stoner rock goodness. Dynamics. Space. Sabbath-y vocals. It checked all of the boxes. Needless to say, I couldn’t wait to hear Reflections Of A Floating World. 
ROAFW dropped in June, and it’s even better than I could have imagined. I’d wager that there are more sick riffs on this record than your favorite band has in their entire discography. I dare you to listen to this and not get a twitch to start a play air guitar. Also: How the shit do you write 15-minute songs that don’t bore people into catatonia? This is how. Just like this. Parts never drag, parts never feel like they’re just filler, and there isn’t a wasted moment in 64 minutes of music. That’s a remarkable feat in and of itself. This is a goddamn timeless record, and there’s no doubt I’ll have it in heavy rotation for the rest of my life.
Listen here.
HONORABLE MENTIONS
The Effects - Eyes To The Light
Brutus - Burst
Nate Smith - KINFOLK: Postcards From The Edge
Employed To Serve - Warmth of A Dying Sun
God Mother - Vilseledd
Slowdive - Sugar For The Pill
Hundredth - RARE
Mutoid Man - War Moans
Grizzly Bear - Painted Ruins
Quicksand - Interiors
Death From Above - Outrage! Is Now
Power Trip - Nightmare Logic
Health - DISCO3
Vince Staples - Big Fish Theory
All Them Witches - Sleeping Through The War
Code Orange - Forever
Blis - No One Likes You
Bjork - Utopia
Less Art - Strangled Light ;)
MY FAVORITE RECORD OF 2015 THAT I DIDN’T HEAR UNTIL 2017
Town Portal - The Occident
MY FAVORITE RECORD OF 2004 THAT I DIDN’T HEAR UNTIL 2017
The Stella Link - Mystic Jaguar... Attack!!!
CURRENT PODCAST QUEUE
Chapo Trap House (Grey Wolf Feed)
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cognoscentus · 12 years
Video
Radiohead vs. Dave Brubeck: "Five Step Overdub Mashup"
Throw some jazz on that bitch!
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icylungs-blog · 13 years
Audio
Thrice - Vheissu (2005) - "The Earth Will Shake"
     You cannot tell me this song isn't amazing. This album holds a special place for me and will always be one of my absolute favorites. 
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lecoda-blog · 13 years
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NOT-SO-RANDOM START
THRICE- ANTHOLOGY
"If we hold to our hope then I know we can weather the storm...come what may"
This song resonates so deeply with me lately, and possibly is the single reason I'm getting through this PhD program just working at cafes and in lab with the album on repeat. The lyrics to this parallel so well with Dustin's recent lyrics about love, and what it means to truly stick by someone and get through tough shit. It's hopeful, beautiful, and realistic. He captures it so well when he says, "I've still got badges to earn, so keep siftin my soul cuz I'm starting to learn...to love you that way." Things take time, relationships with people take patience. Well, said DK. <3
So I saw my all time favorite band for hmm maybe the 15th time? But this time, it was a completely different experience in more ways than one.
For one, I am a So Cal native, affecting my appreciation of this band in an immensely personal way. Obviously, if you know me, you know that from 2005-2011, I lived in the Bay, and though it was awesome seeing them in SF a bunch, and enjoying amazing venues like the Regency Ballroom and being able to share it with an amazing friend who truly 'got' the same music I did, the so cal Thrice shows were just different. Obviously nostalgic in that I have been going to them since I was a little high school girl, but also just the area. I imagine that, even though I felt like the Bay was my second home, nothing was as comforting as being in the vicinity of your family and closest friends. I imagine that the way I just feel at home at so cal Thrice shows, must be how they feel when they get to play a few nights of their tour in LA or OC to their actual friends, family, and core fans..
Anyways, I did have a point to all of this. I saw a most familiar band to me in an unfamiliar place (just moving to Dallas about 5 weeks ago), making the experience such a different scene. Above that, there was so much newness involved. New songs from Major/Minor I haden't heard live, not having ANY idea what the setlist might be, seeing a different crowd of Thrice fans, and sharing the experience with my new boy who came all the way the fuck from Canada to see me. Crazy awesome night. So happy they played a bunch of new stuff, including my current favs (I know it'll be switching around) Words in the Water and Anthology, as well as a throwback with Pheonix Ignition and To Awake and Avenge.. (which always brings me back to high school and makes me go fucking crazy).
The highlight (if I can even really value one moment over the other), though would definitely be chillin with Dustin under a freeway, though I always walk away thinking I didn't say the right things, realizing that this band will never truly understand what they mean to me. Another plus was Riley's Angel's shirt (the bf was being a jealous dork abt my Riley boasting), meeting Teppei outside the bus, and having to teach an undergraduate class this morning with a well-earned hoarse voice and a hangover. Thank you Thrice.
Also, like a HUGE jackass I told Dustin that "you guys" make my life complete. Really Johnna? But, its funny because it's entirely true, and there are no other words to say it. Now back to one-way-repeated ANOVA and paired T-tests. sweet.
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