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#i'm so goddamn soft for this mannnnn
gojonanami · 4 months
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SWEET NOTHING - SATORU GOJO
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✴︎ summary: satoru always comes running home to your sweet nothings -- except maybe this time. ✴︎ cw: spoilers for jjk 236, discussions of death, fluff, angst, implications of delulu twitter theories of survival ✴︎ wc: 1,175 ✴︎ song: sweet nothing by taylor swift
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Satoru didn’t know when it happened.
But he had started running home to you far before the two of you shared one. 
Was it when Suguru left? Was it even before that? Or was he just always by your side at night, sneaking into your dorm room to sleep beside you. He’d tangle your limbs together so escape wouldn’t be easy for you, his face buried in the crook of your neck as you slept all too easy with him. Your soft pants and snores was the metronome that put him to sleep, the weight of your body was the only warmth he needed, and your quiet hums in the morning after he finally stirred was the thing that made him want to wake in the first place. 
“Morning,” you’d mumble, your voice all too thick with sleep, as you tried to pry yourself from exhaustion’s embrace, and he was too eager to help you with that — with sweet kisses and splayed fingers under your shirt. 
“It’s always a good morning baby,” he’d jokingly chide you, as he would kiss your neck, as you always made sure to say the phrase without the ‘good,’ if only to elicit his kisses (though he’d give them to you anyway), “cause I get to wake up with you,” 
Satoru didn’t kiss you for a long time — he couldn’t — he knew it was foolish to date anyone seriously — after everything ended in disaster with Suguru, he knew the burden of being the strongest was only his to bear — no one else’s. And besides, loving someone as Satoru Gojo was as good as taping a target to their chest, and he’d never do that to you — no matter how much he wanted to. 
But what could he do when you were the one to kiss him? Kissed him one night after the two of you shared a meal — barely a meal, scrambled eggs and bread — and he had cracked some stupid joke about Nanami that made you snort. And then you tried to shove him, but he caught your wrist, and you were close — too close because he could practically count the number of eyelashes on your eyelids. And right when sense was setting back in, and he was going to turn away, you kissed him. 
And he couldn’t turn away after that. He never could — you had pulled him into your orbit and now you were never gonna let him go. 
Not that he ever wanted you to. 
He’d come running to you, even after running away, because he couldn’t stay away. Because it was you. 
And it didn’t truly hit him, until he had come home this time, to the home you both had shared, and heard you in the kitchen, the faint sounds of clinking utensils and your humming. He removed his shoes, lips curling into a easy smile, as he stepped inside, opting to surprise you instead of announcing he was home. 
He whispered the words instead, “I’m home,” walking to find you just where he thought you would be. He leans against the doorframe, watching you hum along to whatever song was stuck in your head, as you prepared his favorites cake — only stopping when his arms wrapped around your middle, a small gasp on your lips that turns into a wide grin. 
“Toru—“ and his lips find yours, as they always did, and he could taste the sugar on your lips, but nothing was ever sweeter than you, “welcome home, baby,” 
And he gets the goofiest grin, as he sweeps you off your feet, making you yelp and laugh, a sound that vanished all the exhaustion of the world from his shoulders. From the industry disruptors, soul deconstructors to the voices that implore he should be doing more — only always taking more, and more, and more. But as he kisses your neck, the soft skin against his lips, only with you he could admit, he’s all too soft for it. And he could find more, more to life than the life that was stolen from him because of his abilities, the youth that he lost far too long ago, and the line he had drawn between him and the rest of the world. Because he wasn’t the strongest when he was with you — he was just Satoru Gojo.  
He buried his head in the nape of your neck, your arms curled around him, holding him impossibly closer, his breath tickling your skin, “I’m home now,” he whispers against you, eyes sinking shut. 
He spent his best moments in the company of your sweet nothings — your feet thrown over his as the two of you ate dinner on the couch, swiping food from your fork and stealing kisses between bites; the walks you took in the cool evenings, cicadas singing their symphony as the sun blazed against the sky in its final moments, where his six eyes would narrow to a pin, and all he would see was you; and the moments he spent beside you in bed, your touch, your presence, your being — the only thing he ever wanted to perceive with his entire being. 
Home was not a place, but it was you. And he had remarked that to you when you both were discussing the possibility of moving in the future and he had shrugged off giving suggestions. 
“Come on, Toru, there must be somewhere you’d want to live,” and his lips only curled, as he stared you — beautiful pout and all — and he knew his answer. 
“Home is anywhere you are, baby,” he leaned over and kissed your neck, “so pick anywhere in the world and I’d follow you in a heartbeat,” his hand guides your hand to his chest, “because it’s yours,” 
And now, it seemed like the end was coming. He had to leave home, and he couldn’t go home to your sweet nothings — he thought as he stared ahead at the sky. Death was painless — it was easy for the dead, they held the power over the living, of leaving before being left. But he had to leave his home behind, and he swore he could see your face, could hear your screams, your pleading, your cries. And it wasn’t only yours. His students. His friends. 
Was it enough to leave? He glanced at the departing flights in front of him, his smiling friends and the regrets that were lifting off his shoulders, and wondered was it time? 
And he saw your face again, two words on your lips, “come home,” 
And his lips curled into a smile, as his legs fell back, his fingers twitching, as they had done once before when he had fallen — fallen before the sorcerer killer. He would give it all up — his lower half topples over, closer, closer to his torso — give up all the power in the world to just be with you. And he swore away his six eyes in favor of two legs and one life—
He had to run home — home to your sweet nothings.  
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☆ a/n: so i was listening to sweet nothing by t. swift on repeat and got super emotional thinking about how this song fits gojo while scrolling about post-236 fan theories, so this is the result.
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greenlikethesea · 1 year
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what are some albums you really love? ones that feel foundational to you as a person? that feel like they’re an extension of yourself in a way or that spoke to you so deeply that they became instant favourites? this is my absolute favourite thing to ask people i love hearing the answers!!! <33
ahhhhh, a wonderful question! there are a few of these, and i fear that i will reveal myself as the most basic of the basic with this list.
Folie a Deux - Fall Out Boy -- this one has become something of a meme on my blog, because I am indeed the number one Folie a Deux defender, but it really is such a formative album for me. It was the first album cycle I was fully around for, including when they dropped what would later be lake effect kid on a really old fueled by ramen sampler that was curated by clinton sparks. i was sixteen when this album came out, and i went to the record release show in times square and was among the first people to hear several of these songs live.
Decemberunderground - AFI -- this is another one that's really special to me because it was the first afi album cycle i was truly present for! i was fourteen when this album came out, and i got to see a special secret show (actually at the same theater i saw the FOB record release show in...go figure) after being among the first people to hear a studio cut for the first time. a girl i would later end up dating was also at that show at the same time, and now we have matching afi tattoos together.
Self Titled - Paramore -- such a formative album for my early twenties. i saw the writing the future tour. i went on two parahoy cruises. their music inspired me to start writing again, and i got into graduate school because of a short story i wrote based on a few songs from this album. though i love the direction they're going in with their new music so goddamn much, this particular place and time with their music is so so so special to me.
Ctrl - SZA -- mannnnn, this album was the only thing i listened to in 2018. got me through a lot of growing pains, a lot of struggles re: people i was in love with who did not feel the same way, of my struggle with my own identity as a tough person on the outside with a soft, gooey center. i find her latest to absolutely be fitting where i'm at right now, and i think SZA is just an artist who's always going to be writing about how i'm feeling, even though she's a Black cis woman and i'm a white transmasc person.
ask me stuff!!
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