#it is 2023 and i am inhumans posting! good luck | Explore Tumblr Posts and Blogs

hit-song-showdown · 3 months

Text

My favorite songs of 2023

I am putting together my favorite songs released in 2023. I started off doing a project where I listened to as many new albums as I could (and recording my findings in a spreadsheet), but that project tapered off around June when my move + school year started. But even though I wasn't able to listen to every album that came out, I still came out of 2023 with some of my favorite musical projects of all time. Also as another disclaimer: I am not a professional music writer.

I am also limiting this list to 1 song per album/project.

1. Scaring the Hoes by JPEGMafia and Danny Brown. I wish I could go back and experience again what happened to my brain when I first heard this track so I could properly convey it with text. When I first saw this project was announced, I knew it would take over my life. When I heard this track before the album was released, I knew I would have to form some kind of religion around it. The reason why I'm limiting this list to one track per album is because Scaring the Hoes has 14 tracks so I wouldn't be able to fit them all (other songs I would have given the number 1 spot include Burfict!, Shut Yo Bitch Ass Up/Muddy Waters, God Loves You, and Kingdom Hearts Key). But the title track is the perfect introduction. It's less of a single and more of a thesis statement for the entire project. The production throughout this album is incredible, but STH hits different. The rhythmic, almost menacing handclaps (fun fact: those aren't handclaps--that's the sound my asscheeks make when this song comes on) and the horn sample which I can only describe as Blood Money era Tom Waitsian, it is by far my favorite beat of 2023. Combined with Danny and JPEG's charisma and the way they bounce back and forth, this song is a shot of adrenaline straight to the heart. Also I saw them live and that experience elevated a 10/10 to a 20/10 for me.

2. Prof. Aronnax' Descent into the Vast Oceans by Ahab. I started seriously listening to German nautical funeral doom metal band, Ahab around early 2022 so this was the first new release I got to experience. Even though I loved what I heard previously, nothing could have prepared me for this. The opening track is everything I want from a doom metal song. It starts out with a frantic onslaught of screaming and inhuman growls before mellowing out into a serene instrumental before the mournful vocals kick in. It really feels like the initial shock of your body slamming into the water, then having to slowly drift among the waves as your muscles give out and you're taken deeper into the depths. That's what I like about doom metal: it's music to decay to. This track (and by extension this album) hooked me from a story-telling perspective right away, which shouldn't be a surprise as it was based on Jules Verne's Twenty Thousand Leagues Under the Sea. The story presented in this album intrigued me so much that I had to read the book for myself. Then I read it again. Then I read two different translations. Now I'm working on a visual novel adaptation. I know metrics for album rankings are subjective, so I'm willing to give an album an extra bump if it gets me to read a 19th century novel at least five times in less than two months and learn Python coding. (Other tracks I would have included: the album is at its strongest as a single listening experience, but I especially enjoyed Mobilis in Mobili and Ægri Somnia).

3. What A Man by Debby Friday. This is a track off of Nigerian-Canadian electronic musician Debby Friday's first album Good Luck and holy shit, what a debut. This is such a well-formed project I can't believe it. I was already enjoying the album throughout the first few tracks. It brought me back to listening to 2000s club music and thinking "wow I wish I got invited to parties." But then I got to What A Man and the world screeched to a halt. I think I was posting on my main blog at the time, so anyone unfortunate enough to follow me had a chance to see my incoherent screeching in real time. This track is incredible. Debby's warm and sultry voice, the spacey production, THE ELECTRIC GUITAR? The first time the guitar kicks in, that's just a teaser for what ended up being one of my favorite music moments of the year. The electric guitar feels like an oncoming storm and Debby is standing strong before it, taking on the wind and rain as her voice becomes louder and almost yearning. Then the song builds with Debby yelling to the high heavens as the guitars wail around her before fading back down into the low bass and rhythmic breathing motif found throughout the album. This track is an experience, and the music video is gorgeous too (the picture I chose for the banner is from the video itself) and the fact that it has less than 20K views hurts me. (Other tracks I would have included: I Got It, So Hard To Tell, Let U Down)

4. Bite Back by Algiers (ft. billy woods and Backxwash). Speaking of songs that build... This is the sixth track off of Algiers' album, Shook and by this point I was already feeling pretty good about the release. I was already prepared to put the opening track, Everybody Shatter on my top 20, but when Bite Back kicked in, something changed. Here's a recreation of my initial reaction: "this sounds pretty good, I like the way this intro...is that billy woods??") Just to be transparent: billy woods' involvement would have been enough to give this an automatic top slot for me, but it helps that his verse is fantastic. His flow is slower than the introductory verse, but that only makes his lyrics stand out more. From the opening lines "One hand wash the other, they both wash the face / Centrifugal force and inertia keep everything in its place / Slowly, spinning in space, speeding, lead foot on the brakes" I knew I was in for something special. One thing I really appreciate about this track is the production. billy woods has a very steady flow with an almost menacing quality to it depending on the subject matter of the lyrics, and the beat shifts during his verse to reflect that. It sounds like it could be a billy woods beat, but it doesn't sound like one of his beats was carelessly shoved into an Algiers song. It's like the beat ebbs and flows with the artists involved. The production gets gradually more intense as billy picks up more ferocity in his delivery. A detail I really like is when billy says "claws rattling, delicate as roaches' wings," the percussion on the backing track picks up an almost rattling quality, but it doesn't sound corny or too obvious. Then billy continues, the backing track picking up even more intensity until it feels like each noise is blasting at full power...and then the tension releases and settles down with Algiers frontman, Franklin James Fisher, delivering the second verse. His delivery contrasts wonderfully with billy woods' too, with his faster, almost whispered vocals allowing the track to pick up momentum again after the previous release of tension. This track knows when to breathe and it's fantastic. But it also knows when to take the air from your lungs as Fisher goes all out with the vocals in the hook and third verse, reinstating what an absolute powerhouse vocalist he is. And just when the track is at its peak ferocity, in comes Backxwash with the steel chair! If billy and Fisher were allowing the beat to gradually shift under their performances, Backxwash grabs the song by the throat and makes it do whatever she wants. Her verse then trades off into Fisher delivering the outro, operating at full power in his delivery. This song is so well-crafted and none of the artists feel out of place. (Other tracks I would have included: Everybody Shatter, A Good Man, Irreversible Damage)

5. Billions by Caroline Polachek. As of writing this, I haven't been keeping up with other people's year end lists, but I know this album is going to make everyone else's. So I feel a bit intimidated to talk about it, but I will try. The production on this album is so good my brain can't even comprehend how it was crafted. I've seen it described as "maximalist," but that doesn't fully capture how well this album knows when to pull back and let the tracks breathe. Billions is one of the more sparse tracks compared to some of the others, but that only makes each production decision stand out more. The second time Caroline says "give me the closure," you hear a little musical sting in the background (probably some kind of synth, but at first listen I thought it was an electric guitar) which didn't show up after the first time that lyric was sung. It's that attention to detail and letting the production build on itself that makes this project incredible. And it goes without saying that Caroline is an outstanding vocalist. She sounds like a siren. It's ridiculous. (Other tracks I would have included: Welcome to My Island, I Believe, Hopedrunk Everasking)

6. The Black Seminole by Lil Yachty. Opening track off of Lil Yachty's psychedelic rock album, Let's Start Here, and what an opening track on a fantastic project. It should be clear by this point that I love songs that build, and holy shit does this song build. I first listened to this album while I was on a plane, and this track synced up with my takeoff. So while the plane was lifting off the ground and I was being pressed against my seat, Lil Yachty gave the final line before the electric guitars and the female vocalist kicked in, both wailing with equal ferocity. Top 10 music experiences of the year, but even going back to listen to that same track when I'm not on an airplane delivered the same euphoric experience. (Other tracks I would have included: Drive Me Crazy, Should I B, We Saw the Sun)

7. Xena by Skrillex and Nai Barghouti. I debated whether to put this song or Hydrate on the list, but Xena was the first track that made me fall in love with this album. With vocals by Palestinian singer, Nai Barghouti, Skrillex delivers an absolutely outstanding dubstep track. Like Billions, it's the kind of music production that makes me have to step back and fully appreciate the craft. The song is incredible at building intensity, but he also knows when to pull back to let the tension build again. And Barghouti isn't just a feature--she is the heartbeat of this song. Her voice melds with the production so well, but in a way that sounds like she's commanding it. My absolute favorite part of the song is when she starts singing in her lower register as the production turns to more naturalistic instruments. Sometimes I see electronic producers robbing their singers of their voices for the sake of cohesive production, but that isn't the case here. Nai Barghouti's voice is crisp, unique, and perfect. It's a fantastic melding of producer and vocalist that makes way more sense than it should. (Other tracks I would have included: Hydrate, Rumble, Ratata)

8. Babylon by Bus by billy woods and Kenny Segal. I already talked about billy woods, but he was a feature so this still counts. Everything I already said about billy woods' skills applies here as well, especially now that he has full control over the track. billy's flow sounds both effortless, and that he knows the perfect word to use for each line. And he uses interesting words. "Glistening waterbug on clean counter / Plague mask, gave the place a cursory glower / He ran away, I gave chase but gave up and sat on his gate for hours" I love this series of bars. He is a storyteller. And then, the beat pauses after billy's first verse, with low menacing notes, a clattering of naturalistic metallic percussion, and then the switch up??? Seriously the way the beat ramps up for SkrapKnel's verses takes the song to another level. The way the Curly Castro and PremRock pass the mic back and forth to each other is outstanding. This doesn't feel like a guest verse; this is a fully realized project. The shamelessness is even more apparent when billy takes the mic again for the final verse, but now with more ferocity in his delivery as if he's building off of the energy created by SkrapKnel. This song is masterful. "I take care of these words, Munchausen by proxy / Somehow beat the tox screen / God save the queen, but that train doesn't stop here anymore" (Other tracks I would have included: FaceTime, Year Zero, Soft Landing)

9. Drain You Empty by Cannibal Corpse. I listened to this album right around midterms and I needed it. But this was the song I kept coming back to. For one, it's fun. Obviously: it's Cannibal Corpse. But I love the way the song opens with a full minute of just blasting you before the drums, riffs, and screams really kick in. Good god the drumming on this album is so good. I absolutely love Corpsegrinder's delivery on this track. The way he shifts from bellowing growls to shrieks, the way he speeds up his delivery to match the pace of the drums, it's so good. I'm sorry I don't have a better analysis. It's fun. (Other tracks I would have included: Chaos Horrific, Overlords of Violence, Blood Blind)

10. Crossing Guard by Model/Actriz. This is a song that made me wish I went to gay clubs more. Yes, it's a killer dance song, but what draws me in is how chaotic the production is. It starts out slow and quiet, then bam! The production starts screeching at you in a glorious onslaught of noise, held together with a fantastic bassline. I love the vocalist too. He can be monotone and subtle, but he also knows how to raise his voice to match the ferocity of the production. I listened to this song countless times last year (often while crossing the street and trying not to get hit by cars), and the line "Like Germanotta, Stefani / Pull the weight from under me" will be stuck in my head forever. (Other tracks I would have included: Donkey Show, Amaranth)

#music #2023 music #jpegmafia #danny brown #ahab #ahab band #debby friday #algiers band #caroline polachek #lil yachty #skrillex #nai barghouti #billy woods #backxwash #kenny segal #cannibal corpse #model/actriz

24 notes · View notes

carnivalchimera · 9 months

Text

TRANSSEXUAL SPAWN OF A MILLION BEAST-FREAKS

I was featured in a local art gala! This is the first time I've ever printed one of my art pieces and it turned out beautifully. I wrote the attribute myself, and below is a closer picture of it along with a text version on this post. I think what I wrote speaks for the piece in ways I couldn't remake. Also what it looks like digitally!

[ATTRIBUTE TEXT:

TRANSSEXUAL SPAWN OF A MILLION BEAST-FREAKS

by Magpie Fenrir

Digital print 2023

My gender identity has been notoriously impossible to define in a "sensible" manner. It has been muddled with immense traumas for nearly my entire life, for me it's always felt mangled and soggy from being locked in a box of fog in hopes no one would see it. I was always afraid to let it out, I didn't want those I loved to look this horror in the eyes and turn to granite. I never saw this happen but I was told from a young age that it would kill and ravage my neighbors in blood, and I had no other option but to believe it. Looking back I have never felt fully human, I was treated like a puppy mill hound when a mistake was pinned to my back, and ignored at best when it was deemed true that I did something good. The movies, books, and shows I watched as a child were the only kind of escape I had. My boxed beast loved the things that acted and looked like it. The bared teeth of the Basilisk, the commanding size of a Luck Dragon, the sleight of hand only an expert fox archer could achieve. Wild rabbits and cats resorting to violent ends to simply survive in an unforgiving and indiscriminate world. It saw itself in the creatures who only thought about surviving until the next sunrise, something we've had to do all our life. Trauma can and will bite the flesh of your identity and its venom will spread to occupy the space you have tried to build. It is a repulsive idea to many people to even hear of someone who has been through any amount of horrific events, let alone decide to embrace such a thing as a part of their own sense of self. Reclaiming old terms that have hurt your predecessors can look selfish and sacrilegious to our modern families. But I see it as something awful and beautiful. To be called the straw monster that everyone hates feels like a lie to me if I commit to changing my inner self to be most appetizing and sanitary to those who wish for my death. I want to be the right kind of jester, one that dresses in filthy drag, speaks unceremoniously of current figures who have lost their way in the fight for the queers. I call myself a transsexual to honor the freaks, monsters, sinners, blasphemers, and heretics that came before me. I name myself an inhuman and abhorrent beast because I know even if I didn't the oppressors would still spit me back up if I looked "good enough" to be in their throats. I am a repulsive creature not because I hate myself but because I aspire to cause tidal waves by existing joyously alongside Bible thumpers and fascists who claim I am impossible to both live and able to love myself like this. I've torn through many slow, ugly, and painful metamorphoses to unlock that old box inside of me, I firmly believe it would be shameful and disrespectful of me to keep that terror invisible, when my fallen mothers, fathers, caretakers, and queers showcased theirs not very long ago.]

#chimeras art tag #digital art #art exhibition #trans pride #transsexual #queer artist

1 note · View note

ghostxraven · 3 years

Note

hi love im deep in ur art blog for reasons and im SO in love with the fact that ur ghoul has his OWN nickname tattooed on him in party's writing they are SO 🥺 was wondering if you wanted to talk a bit more abt ghouls tattoos??? theyre just SO gorgeous and intricately laid out

HI i LOVE u i am KISSING u i would love love love to talk about ghoul’s tattoos 🥺❤️

^ yeah ghoul & party have each other’s handwriting tattooed!! for party it’s one of the only tattoos they have & it’s right over their heart (im sure ive mentioned this fact before but idk if ive explicitly noted that it says ‘sunshine’) and ghoul didn’t have the space to put his right over his heart because poison’s kj symbol is there so his is on his upper arm (they ARE soooooooo 🥺 i love them)

ghoul’s tattoos are a healthy mix of sentimental ink and things he just thought were beautiful. when he met the rest of the four he didn’t have THAT many tattoos because 1. he was 14 2. he’d only been in the zones for a little under a year and a half at that point but the ones he DID have (aka his oldest tattoos) were his knuckle tattoos (‘freed’ and ‘fuck’ what can i say he was 13), the big raven on his upper shoulder and neck (he started believing in the witch very early compared to other cityborns but yeah that tattoo was both a way of symbolizing his devotion to the witch and a way of marking himself as a killjoy/shedding his past in the city in the way that he considered clearest), the fangs on his hand, two bats on his leg, the zombie bite on the other side of his neck (i could get a little more into this but BASICALLY ghoul being an ex-crow trainee + a cityborn + being the only surviving member of his first crew had a problem with feeling inhuman and a lot of survivor’s guilt and so he really. idk he connected a lot with zombies & frankenstein’s monster and ghosts & the like when he was a runner for dr. d post-his crew’s deaths. he got better about Seeing Himself as a Person especially once kobra + the other two showed up but the fascination remained) (also not tattoo-related but that’s when he chose his name. before that he’d been called ‘sandpup’ by his old crew & he never had a chance to tell them before they passed but he really loved that they used that as a name for him especially with how much he didn’t want to associate himself with the city) (ghoul had A Lot of issues but the difference there is that he worked thru them a lot earlier than the rest of the four) and “I FORGIVE U” on the back of his neck (in remembrance of said former crew).

umm along with that kind of fascination with the undead/feeling that kind of connection are the frankenstein stitches on his wrists (tho thats more of a common hc) and he has this pretty big tattoo of abstracted bones following his vertebrae down his throat and chest that he’s gotten expanded/fixed/touched up over the years. ik i do a lot of b&w doodles but i feel like i’ve been kind of inconsistent about coloring (most of his tattoos are color). pretty sure ive mostly drawn them in green (???) but in my head they’re like a faded light blue using natural skin tone as highlights.

his more sentimental tattoos…let me see if i can outline them here. this might not be exhaustive but i will do my best to list what ive figured out at least thus far:

the two little bats on his right thigh are for his grandmother and little sister. his sister (juliet adele fujikawa, b. april 2009 d. december 2014) was killed in a car crash shortly before he left the city, and likewise, his grandmother (charlotte fujikawa [藤川千尋] b. june 1936 d. december 2014) was “moved to retirement housing” at about the same time. that was pretty much the last straw & ghoul left battery city within the week

there’s his crewmates’ symbols on his chest (in order from his right to left: kobra, jet, party) (gotten when their crew had been together for a while. dating this one is based on a couple things: 1. ghoul had been with them for long enough that he felt secure 2. poison and ghoul were friends by this point, or else he wouldn’t have included their symbol and 3. poison’s is over his heart so you can read into that as you will)

text from the graffiti bible on his right calf, as protection for his crew & as a reminder of one of his former friends who was a droid that believed very strongly in destroya’s return

his raygun on his chest (he was pretty proud of the design! this was when he was ~15 or 16) that he had poison’s added to post-sing post-engagement pre-commitment ceremony (so. september 2023) (yes i have my handwritten timeline + my own drawings + my fics out in front of me rn cross-referencing sldkdksksbx!)

one of the girl’s childhood drawings (one she drew of him & her & the stuffed animal he made for her when she was a baby all having a tea party together) from when she’s about 5 or so on his right hip (december 2022 or so)

shooting stars on his upper right shoulder, partially because they’re pretty and blend well with his other tattoos and partially because they’re a reminder of a lot of things, including but not limited to his first night out in the zones seeing the stars for the first time, stories his grandma used to tell him, and right when he’d first joined the fab four and him & kobra sat on the roof during a meteor shower

besides the other one i already mentioned ^ he has more of poison’s handwriting on his left inner forearm — this is also one ive mentioned before but once they’ve been in a relationship for a while they get into the habit of leaving little love notes around for each other! there’s nothing particularly special specifically about the one he got tattooed, besides the fact that it reminded him of poison and they love each other. the text in full (which i don’t think ive ever put anywhere, though im pretty sure ive put fragments of it in fics and art) is as follows:

Good Morning baby <3! I needed new paints, went on a run. Kobra has the Girl @ the Crash Track, Jet’s at the station. call me when you wake up! I love you, be back soon. XO Party <3

he also has the anniversaries of when they started dating and their commitment ceremony (03•03•21 and 10•26•23 respectively) on the inside of his right wrist ^ !

he’s got a snake wrapping around his left leg that kobra picked out and a hand of cards with the ace of spades face up that jet picked out (and these ofc are because they remind him of his crewmates!!)

he has the phoenix witch tattooed on his ribs, left side, styled vaguely after catholic saints (since that imagery can still be found in the inner zones & especially where ‘joys who still practice that religion gather!)

there’s a version of the eye from the mailbox on his right shoulder, and this one is also a sort of symbol of protection/good luck, to show devotion to the witch and to help protect himself and his crew

the constellation libra on his left forearm! this one was done a little while after he started running transmissions and supplies for dr. d! he liked the connection that astrology — whether he believed in the practice or not is up for debate — gave people to the stars, and the feeling that he had a place in the universe, predestined or not

after charlie is born, he gets a portrait of her (~age 4) with her name and birthday underneath done on his left thigh! (~2036)

and on his lower back, he has a fairly simple tattoo of two crows on a wire with their beaks pressed together (aughhhhhh romance) that he gets done as an anniversary surprise for their 10-year (so. 2033)!

his non-sentimental tattoos are largely based off of images from books, either from dr. d’s collection when he was working as a runner for him or from cherri’s after he joined up with the fab four, or else they’re naturally occurring in the zones!! this includes but is not limited to: california golden poppies on the back of his left shoulder, strawberries around his left bicep (he doesn’t ever have a strawberry until he’s like 35, this one is absolutely based off of a particularly pretty illustration), a thundercloud with lightning on his left elbow, a moon on his right inner bicep, a ring of thorns around his right forearm right under the elbow, a dagger on his inner left calf, and a sun, small bat, cross, rose, ribbon (with the word ‘faith’ in script), and wing on his right forearm and hand, all picked from flash sheets

so yeah! that’s about everything i have to say about ghoul’s tattoos atm but ty ty ty sm for letting me ramble abt them i think about his tattoos so much 😔❤️

#danger days #fun ghoul #ttlotfk #killjoys california #headcanons #killjoys #funpoison #hcs #pi's personal #jordan tag ⚠️#query on top #i LOVE U SM !!!!! 💕❤️💕❤️💕❤️#sorry you got an essay & also that it took me all day to get this out i have SO many thoughts #& i really hope i didn’t miss anything but i MIGHT have because tumblr deleted half of what i typed when i tried to save a draft SO.

28 notes · View notes