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raurquiz · 9 months

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#remembering #davidwarner #actor #ambassador #johntalbot #startrek #thefinalfrontier #klingon #chancellor #gorkon #theundiscoveredcountry #gulmaldred #thenextgeneration #chainofcommand #tron #titanic #twinpeaks #theomen #PennyDreadful #MaryPoppinsReturns #startrek56 @TrekCore

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insanebookwormandwriter · 2 years

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A Flair for Drama

William Shakespeare’s play, Henry VI, Part 1, is a play that centers on King Henry V’s death, where the title of warrior is passed onto Talbot. Talbot’s name is feared among those in France, but the French are still unwilling to end the war. Many characters are mentioned throughout the play, each having their own small story and time in the spotlight. After Talbot, we have John Talbot, his son.…

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#epearlman #Essays #henryvi #henryvipart1 #johntalbot #pearlman #shakespeare #talbot #william #williamshakespeare

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unclemcphee-blog · 2 years

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Mason Proffit - "Two Hangmen".. (from "Come & Gone", 2000)

https://blog.naver.com/megandfear/222696707540

1969년 결성 일리노이 Champaign 출신 Contry / Folk 밴드 Mason Proffit의 1974년 앨범 "Come & Gone"의 2000년 리마스터 버전.

#Champaign #CountryRock #FolkRock #TerryTalbot #JohnTalbot #MasonProffit #RockParadiso #LayRockShooter #맥피삼촌추천100만곡 #맥피삼촌신발창고검색 #RockParadiso유튜브구독 #각종포탈에서맥피삼촌검색

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bromsgrove · 3 years

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#GraftonLane #UKTrees #GraftonManor #JohnTalbot #Spring #April2021 #Bromsgrove #BromsgroveTodayArchive

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hobobuzz · 7 years

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New #hoboken tweet. RT @NWSJacksonville: ⚠️ Take Cover! Tornado Warning continues for Nahunta GA, Hoboken GA, Hickox GA until 8:45 AM EST https://t.co/ZnqI12pD5P

#Hoboken #Twitter

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foodsic1 · 7 years

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#nowplaying #JohnTalbot #Fin #electro #house #disco #electronic #electronica #foodsicElectronic http://ift.tt/2jWocT9

#IFTTT #Instagram

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p21gallery · 3 years

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Tall Walls Wall Us

Watch an excerpt from Tall Walls Wall Us (2021) – one of the new moving image works in Pam Skelton's solo exhibition We Refuse to be Scapegoats in advance of the in-person private view on 23 June 2021 at P21 Gallery.

This excerpt features a rare recording of Louis MacNeice's own reading of Prayer Before Birth (1944). Nearly 80 years after its publication this poem by the Irish poet Louis MacNeice (1907–1963) is still recited at protests and demonstrations by peace activists and human rights supporters.

We asked Pam Skelton how she had discovered the recording of this evocative poem.

‘I discovered Prayer Before Birth in 2008 while undertaking an artist's research into the archives of the Society for Co-operation in Russian and Soviet Studies (SCRSS) in London. During one of my research visits, I came across an old vinyl record titled ‘Some Recent English Poems.’ It was produced in 1946 by the SCRSS as a gift from British poets to their Soviet counterparts featuring author's readings by John Lehmann, Edith Sitwell and Louis MacNeice. As part of my residency at the SCRSS archives, I arranged for the digitisation of the record. MacNeice's is only one of the powerful voices of artsts and activists I have included in my new moving image works We Refuse to be Scapegoats at P21 Gallery.' Pam Skelton

Watch this 2 min excerpt from Tall Walls Wall Us (2021) here: https://www.pamskelton.org/prayer-before-birth/ as part of the exhibition resources curated by Pam Skelton and Iliyana Nedkova.

Find out more here: https://p21.gallery/current-exhibitions/we-refuse-to-be-scapegoats

📸 Screenshot from Tall Walls Wall Us (2021) by Pam Skelton

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famwire-blog · 12 years

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John Talbot - Estiu

#johntalbot

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p21gallery · 3 years

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We Refuse To Be Scapegoats

We are pleased to share an excerpt of Michael Rothberg‘s influential book Multidirectional Memory: Remembering the Holocaust in the of Age of Decolonisation (Stanford University Press, 2009) – one of the catalysts for Pam Skelton's new moving image works to be presented to the public for the first time as part of our forthcoming exhibition We Refuse to be Scapegoats at P21 Gallery from 24 June – 10 July 2021.

Download Michael Rothberg‘s book excerpt as part of We Refuse to be Scapegoats extensive exhibition resources, compiled by the artist Pam Skelton and exhibition curator Iliyana Nedkova, here: https://www.pamskelton.org/multidirectional-memory-remembering-the-holocaust-in-the-of-age-of-decolonisation/

Join us for the We Refuse to be Scapegoats exhibition private view in person at the gallery on 23 June 2020. Free and open all but registration here is essential: https://www.eventbrite.co.uk/e/private-view-we-refuse-to-be-scapegoats-tickets-157969508051

Find out more about the exhibition here': https://p21.gallery/current-exhibitions/we-refuse-to-be-scapegoats

Screenshot from Where We Live (2021) – one of Pam Skelton's moving image works featured in We Refuse to be Scapegoats exhibition at P21 Gallery

#letscreate #HereForCulture #exhibition #WeRefuseToBeScapegoats #artist #pamskelton #curator #iliyananedkova #curatorialintern #mathildejourdan #supporter #johntalbot #britishart #videoart #artistmovingimage #contemporaryart #britishartist #palestine #nakba #holocaust #freepalestine #freeSheikhJarrah #freegaza #p21gallery #MiddleEast #london #peace #MichaelRothberg #multididirectionalmemory #decolonialisation

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p21gallery · 3 years

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We Refuse To Be Scapegoats

The spoken word is a powerful component in Pam Skelton's new moving image works, which could be viewed (and listened to) as an immersive installation at P21 Gallery 24 June –10 July 2021 as part of her solo exhibition We Refuse to be Scapegoats.

How did Pam Skelton create the soundscape of We Refuse to be Scapegoats? We found the answer in an extract from a forthcoming interview of Pam Skelton with exhibition contributor Dr Caterina Albano, an academic and author of Memory, Forgetting and the Moving Image (Palgrave MacMillan, 2016) 'I approached an old friend – musician and composer Wayne Brown. In fact, Wayne composed Memory Rooms, the soundscape that accompanied my solo exhibition Groundplans (1989) at Ikon Gallery, Birmingham. Working with Wayne on We Refuse to be Scapegoats has made a huge difference. The sound is much more layered now and more specifically integrated within the multiple voices that inhabit the video works. He has created dramatic interludes that I think resonate throughout the project, emphasising the operatic relationship between voice and arranged music and uniting the words and ideas of those who have contributed so profoundly to peace and human rights struggles.' PAM SKELTON

Find out more Wayne Brown and We Refuse to be Scapegoats here: https://p21.gallery/current-exhibitions/we-refuse-to-be-scapegoats

📸 Screenshot detail from We Refuse to be Scapegoats (2021) by Pam Skelton

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p21gallery · 3 years

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We Refuse To Be Scapegoats

Poetry is one of the catalysts of Pam Skleton's artistic action research leading to her solo exhibition We Refuse to be Scapegoats at P21Gallery.

In advance of the in-person private view on 23 June 2021 at the gallery, we would recommend a deep reading analysis of Rashid Hussein’s poem Love and the Ghetto (1963) by Honaida Ghanim. It is from Ghanim's text WhenYaffa Met ( J)Yaffa about the intersections between the Holocaust and the Nakba. Download WhenYaffa Met ( J)Yaffa as part of the exhibition resources curated by Pam Skelton and Iliyana Nedkova here: https://www.pamskelton.org/when-yaffa-met-jyaffa/ Find out more about We Refuse to be Scapegoats here: https://p21.gallery/current-exhibitions/we-refuse-to-be-scapegoats

📸 Yaffa central bus station 1946, 2 year before the Nakba. ‘The empty land’ Palestine. Image via Abier AlKhateeb @abierkhatib #letscreate #HereForCulture #exhibition #WeRefuseToBeScapegoats #artist #pamskelton #curator #iliyananedkova #curatorialintern #mathildejourdan #supporter #johntalbot #britishart #videoart #artistmovingimage #contemporaryart #britishartist #palestine #nakba #holocaust #freepalestine #freeSheikhJarrah #freegaza #p21gallery #MiddleEast #london #peace #WarsawGhetto #MultidirectionalMemory #LouisMacNeice #TallWallsWallUs #PrayerBeforeBirth #poetryactivism #RashidHussein #HonaidaGhanim

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p21gallery · 3 years

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We Refuse To Be Scapegoats

We Refuse to be Scapegoats

We asked Pam Skelton what has inspired the title of her solo exhibition coming soon at P21 Gallery 24 June - 10 July 2021. In the artist's own words:

“During a demonstration in London in 2019, I heard the Palestinian youth activist Ahed Tamimi defiantly proclaim that she refused to be a victim, that she had reached the point of no longer being scared to speak out. Fear is the weapon that silences us. The fact is that we still live in an era of camps, detention centres and ghettos echoing what Louis McNeice declared in his 1944 anti-war poem Prayer Before Birth ‘tall walls wall us. These are only some of the powerful words and voices of activists and artists alike I have included in my new moving image works featured in We Refuse to be Scapegoats.” – Pam Skelton

Be the first to see We Refuse to be Scapegoats in person at the private view at the gallery on 23 June 2021 18:00-20:00. Free and open all but advance registration is essential: https://www.eventbrite.co.uk/e/private-view-we-refuse-to-be-scapegoats-tickets-157969508051

Find out more about the exhibition here: https://p21.gallery/current-exhibitions/we-refuse-to-be-scapegoats

📸 Screenshot from Tall Walls Wall Us (2021) by Pam Skelton

#letscreate #HereForCulture #exhibition #WeRefuseToBeScapegoats #artist #pamskelton #curator #iliyananedkova #curatorialintern #mathildejourdan #supporter #johntalbot #britishart #videoart #artistmovingimage #contemporaryart #britishartist #palestine #nakba #holocaust #freepalestine #freeSheikhJarrah #freegaza #p21gallery #MiddleEast #london #peace #WarsawGhetto #MultidirectionalMemory #LouisMcNeice #TallWallsWallUs #AhedTamimi @pamskelton2 @iliyana.nedkova @p21gallery @john.talbot7 @aceagrams @dcmsarts @ukhmtreasury

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