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#listen i know someone will be like i want to go like goodsir or fitzjames but no i remember they existed but this poll isn't for it
lieutenantmongoose · 1 year
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Verse Info: Muttongoose (title tba) 
bc i’m too lazy and discombobulated to fic it rn bc it’s a whole slow burn and i’m not patient like that rn, anyway
*Always Sunny Meme/Sets up Dominos* 
(spoilers ahead on the off chance i ever write this and you don’t want to know who takes a tuunbaq to the face or whatever)
It’s jopson, Jopson gets a tuunbaq to the face he’s okay he’s fine it’s a sacrifice that had to happen just hear me out i did the math it was necessary okay listen:
it starts out during Crozier’s Withdrawals. He’s almost through it but we’ve not had the Laudanum talk(tm) yet
Everyone thinks Tuunbaq is dead and the people said Thank U Mr Icemaster Blanky We Love U
Dr Macca is like Aight My Little Penguin Have U Considered,,,,,,Taking A Goddamn Break,,,,,,,and Jopson’s like Ew Why Would I Do Something So Horrible and Dr. Macca is like Lol U Don’t Understand Im Not Asking Im Telling,,,,Babygirl The Dark Circles Are Not Sexy Lmao Take A Nap :) and Jopson is like Ugh Fine Five Minutes and goes the hell outside
Due to a silly situation involving Irving and Little, Jopsauce is out on the ice when Tuunbaq, as one does, shows up 
Thing is when Tuunbaq shows up u only really gotta be faster than like one person and it is Irving’s lucky damn day
Jopson’s actually okay until he decides the most appropriate solution to being nose to nose with the world’s angriest coca cola mascot is to stab it in the face 
Tuunbaq is like U Go For The Face????? Bet
*Man of Constant Sorrow Plays On Xylophone* 
Due to the wonders of medical inaccuracy and some Fitzjames Heroism Jops is actually A-Okay after this
i mean he’s only got one functioning eye and his hearing is janked up for a few weeks but other than that it’s all good and i mean the fact that Crozier has to just about personally threaten to shoot him before he’ll accept any Agonies Mitigation Drugs isn’t ideal but it’s fine he’s fine he’s good it’s all fine
Crozier’s like Aight Jipjop You And I Are In Danger Of Becoming Morbid Let’s Go To Carnivale And Have A Good Time For Once
Nobody Has A Good Time At Carnivale 
Show mostly progresses as normal up until Terror Camp
At which point Tuunbaq to the Face Becomes Relevant bc i mean Crozier DOES still promote our boy to Lieutenant Status and does still give him a gun i mean why wouldn’t you but there’s an Incident and Crozier is like Listen Babygirl I Trust U With My Life And Everyone Else’s But We’re Gonna Let Someone Else Guard Sickfreak McStabbyface 
Which frees Jop up to have a lil run in with Mr Collins and be like 👀
Naturally Jopson is like Oh No oh Absolutely Not We’re Not Playing This Come On Mr Collins I Think You Had Better Let Doctor Goodsir Have A Look At You
Collins is copping hugs left and right he’s very giggly he’s high as a kite he’s like I Haven’t Slept In Two Weeks Lol 
Jopson’s like Dr Goodsir,,,,,,,,,,#Help
Goodsir is like Oh Dear,,,,,,,,,,Alright,,,,,I Gotchu,,,,,There There Mr Collins
Jop and Goodsir team up to help Mr Collins and it’s all very A Lot   
Bc Collins and Jop are both with Goodsir during the #Execution, when Tuunbaq shows up it obviously does not get Collins and also have you ever tried to kidnap a doctor when he’s got a flustered mongoose and a drugged squishmallow in his tent??? It’s not happening bub you might as well give up now
so the mutineers gtfo and Goodsir is still with Team Terror and now he has a new B Plot to be part of while the series progresses otherwise as normal
And the series does progress otherwise as normal except Collins is coming off the drugs and has both Jopson and Goodsir being like Here’s Some Will To Live and Collins Is Catching Feelings So Fast 
My Jop is still Aroace but he’s like Listen Being Needed Is My Drug And I’ve Been Having Withdrawals Of My Own So I AM Going To Be Weirdly Intense About This You Don’t Understand I Would Open My Veins For Captain Crozier He Wouldn’t Even Have To Ask When I Say I Would Do Literally Anything To Help You Sleep I Am So Serious I Am 8000% So Serious Rn What Do You Need Is It Me 
Goodsir and Collins are like Uh,,,,You- You Good Bro? Jop is like Hey Is That A Bird
At some point Tuunbaq shows up again because it’s sick of waiting on this damn ship to sail too and Collins is like Okay I Can Be Weirdly Intense About This Too and Jopson is like Oh. Oh.
and then Goodsir is like, yknow when he walks in on what appears to be the aftermath of a category 80 hurricane,,,,, I’m Super Quiet About It But If You Want To See Weirdly Intense I Mean,,,,, 
*coughs* they reach an Understanding
So naturally when Crozier gets kidnapped and Little is like Well UwU Everyone Says F That Let’s Go UwU Nothing To Be Done I Suppose UwU these three are like Oh Word? Are You Sure About That
yeah 
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charlesdesvoeux · 2 months
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terror rewatch time!!! i'll be using this post to comment on ep. 2 "gore" block the tag terrorwatch2 if you'd like :-)
(instead of clogging up you guys' dash I'll just post all my little notes here under the cut):
i didn't remember goodsir saying that MacDonald brought an inuk man back to Aberdeen and no one can remember his name. god. what a sharp point about colonialism- plundering and dehumanization and in the end you don't even have your fucking name.
that scene between crozier and franklin OOF. it's clear that there was indeed a friendship there and some degree of respect but it's also 1) two fundamentally incompatible natures 2) franklin did crozier very dirty.
"looks like the [slur] have left it alone" "maybe it spooks them" godddd the arrogance. you guys are about to get the spook of your fucking life.
GODDDD the jirv/hickey/gibson scene. the way hickey clocks jirv immediately; he's been watching him. a man this fervent, whose external behavior betrays no sign of sinning, must have things in his mind which he wishes to atone for. "that's a man afraid of chaos. he's not gonna invite more if he can help it". also "there are worse things than being lashed" hickey I see you...... I see you.
fitzjames coming with "how a man attains his post in the expedition is less important than how he spends it"... he's trying to convince himself as much as franklin.
loved the scene with crozier and blanky. like francis is not completely dour; he's capable of humor, of smiling, but then again he's with someone who similarly to him has no pretenses, doesn't put on airs. and of course their situation is very dire; it's really not him who is too pessimistic, it's franklin who's inordinately optimistic.
the second piece in the rube golberg machine of doom falls: the killing of Silna's father.
crozier appears and hickey is like. immediately cuntstrucked. 🎶 his pussy tastes like pepsi cola 🎶
HICKEY DOESNT KNOW THE TOASTS CHANGE WITH THE DAYS OF THE WEEK HE DOESNT KNOW WEDNESDAY IS ALWAYS "TO OURSELVES" SO HE CRUCIALLY MISINTERPRETS CROZIER'S TOAST I LIVEEEEEE
the way jirv darts his eyes between hickey and crozier when he comes in...
the way stanley and franklin are almost disgusted, so it seems, at the prospect of treating an inuk man wounded by their own men. continuing on the thread of how they dehumanize the inuit. "his people are not our concern". of course. you come into their land, you shoot one of their own- and yet. they are none of your concern. i can see that.
godddd the scene with crozier and silna. he still has more basic human compassion than franklin but that's a low low standard and there are pragmatic reasons for him to be nice to silna- he wants to know if they have information that would be helpful to them. so he says "I want to help" and while on some level that is the truth, there is also his self-interest and as silna rightfully points out- if you want to help you should get the fuck out of here. and she DOES IN FACT HELP THEM- "if you don't leave now you're going to disappear"- but of course they refuse to listen. and then, of course, she was right.
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seacollectsrivers · 3 years
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the terror 1: go for broke
sorry this is v long also i mention black sails at least three times i think 
oh worm not just horror but SUPERNATURAL horror
your one's last words is very "the way is shut" off of lotr
kinda dig that it starts off four years after the main story like a detective thing!
I know this is the uniform of the time but ppl in the cold not covering their ears is such a pet peeve skdjjd
james fitzjames! I know who he is! man so cool they named him twice
I dig james fitzjames' cool cloak actually
my man's Irish??? hell yeah
THERES A DOG?!?
what rank is the dog convo killing me aaaah
mmmm this officers vs crew dinner scene, all I can think about is Billy's all men get the same food ksjdbhd I miss pirates
listen ive seen the gifsets. im sure james fitzjames is a lovely man. but this dinner scene is not doing him many favours in my eyes
ngl I would revel in the mood crozier has created here go off irish king
Whomst is sir Ross so whats the story there
OH we've got coughing blood oh no!! Sickness!!
the boy lives!
oh id say the boy will die, actually. would you listen to the doctor sir John or whatever.
I like your one who wanted to save the man who fell he seems nice
o fuck its racist play time!
o fuck it sure is racist. jesus.
where they friends so. is there bad blood. did he die. whomst is sir Ross!!
I like this sweet boy with the whiskers :)
oh no here comes the horror aspect
oh NO sweet boy had a whole speech about how you see loved ones and angels when you die and sick boy is seeing THIS???
sweet boy looks wholly shook
sweet boy's name is GOODSIR i love it
jesus fuck theyre gonna send a man down. he seems very sensible at least but I think he's dead prob
I've played too much subnautica to not be scared of the underwater here
oh noooo oh thats horrifying but also just sad :(
a MONKEY???
only person I trust rn is crozier he's sensible abt this and not scared to speak up go off. also bc he's irish lmao
his stance on the arctic actually reminds me of gates’ monologue on the sea. the context, situation, and basically everything is not the same at all, but it’s still giving me the same vibe.
the overwinter thing does seem buckwild but what do I know
GENUINELY like the Arctic is no joke james fitzjames!!!!! Brits At It Again!!! i trust two men and it’s my irish king and sweetboy goodsir!!
wow I liked the lad but thats a lot of work just to put someone in the ground.
ok mr hickey. I see u. the two finger salute was funny tho.
oooh no sweet boy goodsir remembering the ring :( aw babes :(
six days huh. almost a week huh. should've overwintered maybe huh.
god listen i know it's the Arctic it's not the winter of my childhood but. I miss snow and snow related activities skjdhdkd. it just looks like finnmark!!!
this staring at each other across ships giving me gates betraying flint vibes sldjhdj
overall not as scary as i anticipated, but i was also very ready and braced for a horror aspect. assume that’s gonna kick up later. 
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amisssunbeam · 4 years
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A Little Response to Rhavewellyarnbag's latest Review of The Terror's "Horrible from Supper" (the italics are me)
Being another look at The Terror, episode 01x07, “Horrible From Supper”. But first, the characters in The Terror to whom I own an apology for the things I said last night when I was drunk, in ascending order of how vile it was: Francis. Yes, what I said was true, but I should not have said it. Goodsir, on general principle, because he is a nice man, and doesn’t deserve to have the likes of me talking about him that way. Author’s note: Only daily do I apologize to Harry Goodsir (fictional) for the things I say about him, and to Harry Goodsir (nonfictional) for the things I say about a fictionalized version of him. I like to think that the former would forgive me, but I think that the latter might not. I painted him from the few photos made of him; he has a delightfully reproachful look. Resting bitch face, even.
In the 1845 photos, his eyebrows come together in a way which could be interpreted as judgmental.  But, when we think of the trials of sitting for a daguerreotype at that time (not nearly as jolly and pain-free as depicted in “The Ladder” –forgetting about the subsequent Tuunbaq attack) Goodsir’s reproachful look might merely result from the tedium of having his picture taken (or that fatal tooth was beginning to hurt). Tozer. Though, again, I meant it, and, like, look, I defy you tell me that he doesn’t look absolutely stunning when he’s afraid for his life in “Terror Camp Clear”. 
“The Terror” certainly broadens the parameters of handsome-ness.  Tozer, while listening to Morfin singing “The Silver Swan”, is more attractive than, than, than the Moon!  Or the Pyramids!  He’s supernatural.
The ship before it weighs anchor, before it, in some fundamental way, becomes a ship. Not yet having fulfilled its function, it is more like a theatrical set. The notion of limbo is a fitting one: the men descending the ladder, coming from the bright, noisy world above, could be entering the afterlife.
Who’s the cat who does the words about utter existentialism?  Rod Serling, was that his name?  Did everyone see his episode of “The Twilight Zone” about the toys in the Salvation Army barrel?  Yikes.
Nothing is working as it should, logic is suspended, and the topsy-turvy world of the carnival will become real.
The movie “Topsy-Turvy” is a great favorite of la famille Sunbeam.  Even so, there are useful parallels between that film and “The Terror”: class clashes, pretense and pageantry, and mainly ripping away the fine lace mask of the Victorian era.  The attitude of the servants in both shows is strikingly craven.
“Any tips, sir, for a first-timer?”
In the super-heated world of fandom, “any tips for a first-timer” sounds like the sort of pick-up line EC would use on the true Cornelius.
Poor Morfin.
Morfin is “The Terror’s” equivalent of the Victorian Little Nell.  Headaches, bad teeth, song-forgetter, probably a once-in-a-lifetime sodomite but nevertheless flogged for it.  When he and Tozer go out on that exploratory mission, he falls flat down and Tozer says something like “Don’t volunteer if you don’t have the bottom for it.”  (More heat for the fandom).  And he gets to be the first to see the severed heads. (Who thought Tozer and Morfin would make a good team for this task? Did they draw names?)  “Gently with that one, please.” It’s a little bit insensitive of Goodsir to express concern for his luggage before he does, Morfin, after Morfin’s just collapsed from pain, only looking like the living dead. That trunk, though, is Jacko’s tomb.
Harvey, your theory about Goodsir’s, ah, class-related selfishness is confirmed here.
“Are these our choices, Cornelius, or are they being made for us?” Gibson seems to falter, which is interesting. His idea to separate from the larger group doesn’t seem to be his own, which suggests that Hickey understood that it couldn’t be seen to have come from him. Gibson looks like death warmed over, but Hickey is just as perky as ever.
Gibson seems to get on-and-off injections of great intelligence, but his death-warmed-over look is consistent through the series.
 Hickey is also under-dressed, not even wearing a hat.
This is perhaps a very English-major thing to say, but there is a suggestion of a climate change (or a massive change in consciousness) occurring after Carnivale, as if the trauma of the fire left living dead who can no longer feel the cold, or, having felt so much fire, the survivors have had the idea of cold burnt out of them.
He does sometimes dress more appropriately, as in “A Mercy” when he was helping Hartnell transport supplies for the carnival. Suggesting that, in this scene, Hickey means to maximize his attractions. The obvious beneficiary is Gibson, but I think Hickey sees some value in displaying himself for Tozer, the one Hickey is really after, and has been since at least “Punished As A Boy”.
A sexy thought; how much nudity the men would crave.  When Hickey is flogged, he is completely exposed to the men present, and I think the sexuality of his having his pants pulled down really hits the sailors hard.  Francis alone looks like he’s going to climb out of his skin with the ferocity of his feelings (I won’t say desire, but that’s what I mean). Was it you, Harvey, or someone else who discussed how strong the thirst for touch must be among the Franklin Expedition?  I imagine the thirst to see bodies is just as powerful.
Then, I was immediately resurrected by the peek at Collins’ suspenders. He is... built like a cement outdoor commode. There is a lot of Collins to love.
The suspenders become iconic.  Collins is one very alluring sailor, even in his bulky sea-diving outfit with that great furry head sticking out.  Yet his sexuality seems neutered, compared to the other significant sailors  (Still, if Hollywood decided to make a chubby “Wuthering Heights”, Collins would make the perfect pudgy Heathcliff.) Author’s note: I don’t think Francis thinks very much of Goodsir, and the feeling is mutual. Goodsir has to obey Francis, but it’s duty without devotion, without deference, Goodsir having seen very little that would indicate to him that Francis has reformed himself. Francis may have stopped drinking, but he’s up to his old tricks, dismissive unless he wants something, ingratiating when he does. This is the way that Francis behaved toward Hickey, which gives an interesting contrast between Goodsir and Hickey: once Goodsir understands Francis’ motives, he’s no longer taken in; Hickey must understand that Francis was only drunk and trying to get into Hickey’s pants, but Hickey continues to try to make Francis like him.
Francis might resent Goodsir’s place in society, so settled and unique, while Francis himself has to maneuver around Sir John and James and all the rest.  But Hickey he can control.  (In a way, it’s a shame that Irving, the stupid old king of coitus interruptus, has to bust in again.  It would be in vain, and yet interesting, to consider what might have happened if that seduction had been consummated.  Think of the bickering harem Crozier could assemble: Hickey and Jopson and Gibson and then Irving, etc etc. (But this speculation, that a captain would handpick a seraglio of sailors,  is ruined by the knowledge that, despite all the porn stories and movies, there is no one a teacher would want less to seduce than her students.)
James has to move his little pick ax from one hand to the other to reach out to Francis, suggesting that, emotion aside, he made a conscious decision (his bones not yet reduced to broken glass) to grab Francis’ jacket, right over his heart, no less, and jostle Francis in a friendly manner.
This moment is comparable, to those who might be interested, to Star Trek: The Original Series’s “Amok Time” when Spock grabs Kirk by the arms. Quite the pensee could be written comparing Kirk-Crozier (the fair-haired captains) and Spock-Fitzjames, the haughty eyebrow-waggling second.  The latter’s reserve is melted, melted utterly by his realization of how much he loves his Captain. 
Author’s note: I am into Edward, but conditionally: I like him in that coat that makes him look substantial. Matthew McNulty is lovely, but he’s far thinner than I thought he was, which came as a bit of a shock.
His shortness is also quite astonishing. I can’t imagine Levesconte being involved.
Levesconte is too busy lying on his little officer’s cot, reminiscing about the time he said “benjo” and everybody cheered.
“There was a fourth man.”
I know you are referring to the raid on Silna in “Punished as a Boy”, but these words put one in mind of T.S. Eliot’s notes to the “Fire Sermon” in his “Wasteland”: “it was related that the party of [Anarctic] explorers, at the extremity of their strength, had the constant delusion that there was one more member than could actually be counted”.  Ah, the hypnotic potency of the top of the world.
Did Edward just grab Irving’s knee? Judging by Irving’s expression, yes, I think he did. I think he leaves his hand there for the rest of the meeting. Actually, no, he does not, but he appears to again bring it down to the general vicinity of Irving’s lower body.
I have run this scene over again and again and again (like the Zapruder film), and I think Edward does make an aggressively intimate gesture: “left and to the back, left and to the back.”  Irving does not seem displeased.
Hickey begins to assume what he imagines as Tuunbaq’s character. Having already, it’s implied, eaten part of Heather’s brain . . .
It is more probable that Hickey was just tapping at Heather’s brain, mainly because a brain IS not like a pudding; a pudding can be nibbled on without anyone noticing.  But if someone nicks a part of a cathedral, which is a self-contained entity, it would be noticed by, at least, Nurse Tozer.  Still Hickey might have tasted the cerebrospinal fluid, just for the Hickey of it.
When first aboard Terror, Hickey appears to be sizing up his new environment, but he also looks relieved, hopeful. It’s implied that he had a lucky escape from England, which had gotten too hot for him, but I think that he really believed that he was making a fresh start. Taking another man’s name was practical, perhaps a necessary evil, but I think that E.C. just didn’t want to be E.C. anymore.
I admire the symmetry of Hickey throwing a Neptune-sized bag down by Hodgson, thus startling him far more than one think a tough lieutenant would be startled.
Author’s note: . . Silna doesn’t fall into Goodsir’s arms, because there’s no reason why she would; she might like him, but he’s merely the least untrustworthy of a group of untrustworthy men who, by the end of the series, have not just made her home almost uninhabitable, but killed her father and her friends. Her discovery of Goodsir's body, the state it’s left in, confirms it: if this is what the British do to each other, she was lucky to get away when she did.
Hear hear!
By the way, if one is in the mood, another pensee could also be written about the real daguerreotypes of the Franklin expedition.  I am particularly amused by Gore and Fairholme.  Gore hates Lady Jane and this stupid thing she’s making him do. just so Sir John can be further exalted.  Fairholme picks up the vibe and poses just like Gore, only he has to borrow the affable Fitzjames’ jacket.
I think we’ve all been there.
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kaserl · 4 years
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a general terror playlist, adapted from my even longer personal one! this is a mess of genres musically, but it is in chronological order! tracklist and associated scenes/lyrics below the cut (some songs fit completely, for others only the lyrics I listed are really relevant). thanks to @dedraconesilet for helping me place some of these and screaming with me about the terror! Restless- Cold War Kids (Discovery Service|now you’re wired and you’re tired/there is never a break/you only come alive at the thrill of the chase/no, we can’t help it/we’re always restless/we already know the ending) Ends of the Earth-Lord Huron (leaving Greenhithe|out there’s a land that time don’t command/wanna be the first to arrive//to the ends of the earth would you follow me?/there’s a world that was meant for our eyes to see//maybe I’m headin’ to die but I’m still gonna try/I guess I’m goin’ alone) Into the Wild- Lewis Watson (last sighting in Baffin Bay|and we take another step into the truly unknown/don’t know why but it’s somewhere that we have to go/and it’s dangerously wonderful/so come on, come on, come on, come on/step out into the wild) Boat Song- Woodkid (sailing through Peel Sound|can we keep our bearing straight/or will we be blown off course/are we instruments of fate?/do we really have a choice?) Jesus Christ- Brand New (“will I fly? up to God?”|and I will die all alone/and when I arrive I won’t know anyone/well, Jesus Christ, I’m not scared to die/I’m a little bit scared of what comes after) We Are- Peter Bradley Adams (parties set out to look for leads|we wait for our luck to change/and hope to come//we just watch the seasons change/and wait for the storm to break/and the land to come) North- Sleeping At Last (“the western team must be nearly home now”|we will call this place our home//let the years we’re here be kind, be kind/let our hearts, like doors, open wide, open wide) Make a Shadow- Meg Myers (“funny to think of this place as home, isn’t it?”|don’t tell me this is home) Waves- Dean Lewis (the reindeer|I watched my wild youth disappear in front of my eyes/moments of magic and wonder/it seems so hard to find/is it ever coming back again//take me back to the feeling when/everything was left to find) Can’t Stop Time- Goodnight Neverland (“we’ve seen worse than this, you and me”|you can’t stop time/we’re getting older so you close your eyes/regretting everything you left behind) Spirit Cold- Tall Heights (Crozier standing alone between Terror and Erebus|how do I wake my spirit cold?/we always say when our history’s told/if only we knew the things we know/there’s a question ages old) I Of the Storm- Of Monsters and Men (“there’s a spare captain on Erebus”|are you really going to need me/when I’m gone/I fear you won’t/I fear you don’t) Hate on Fire- Ben Hazelwood (Gibson ends things with Hickey|I won’t follow you down this road/yeah, we both know just where it goes) Heavy Hangs the Crown- Samantha Farrell (“I’ve never wanted anything as little as I want this now”|you don’t know a thing/about the trouble that I’m in/fall without a sound/heavy hangs the crown) Holocene- Bon Iver (“do you not feel what has happened?”|and at once I knew I was not magnificent/strayed above the highway aisle/(jagged vacance, thick with ice)/I could see for miles, miles, miles) The Breaking Light- Vienna Teng (Ross in the admiralty scene|let your lion heart cleave the waves/brother you will return//so listen to the darkness, listen to the patterns/listen to the breathing sea/listen to the colors, carry them inside you/they will bring you back to me) Storm Song- PHILDEL (Lady Jane organizing her own rescue|even though the landscape stretches like a hard day/even though the old man says I have a fool’s plan/oh, despite the distance, you will see my footprints/I will raise my flagpole, I will turn these tables ‘round/I’ll send a storm to capture your heart and bring you home) Metal & Dust- London Grammar (“Miss Cracroft, who rejected you?”|and so, you built a life on trust/though it starts, with love and lust/and when your house, begins to rust/oh, it’s just, metal and dust/we argue, we don’t fight) Lover/Soldier- Washington (“I have no intention of becoming a captain’s wife”|lover, you’re a soldier, you’re a long, long way from home/a long way from your mother, and you do it on our own/I don’t belong to you, and you don’t belong to me/I don’t think we need to, ‘cause it’s just so easy) That’s Okay- The Hush Sound (“with me you’ve never hesitated to be plain”|you are broken and callow/cautious and safe/you are boundless and beauty/with fright in your face/until someone loves you/I’ll keep you safe/but like them, I will give you away) I Am Not Yours- Z. Randall Stroope (Crozier pining over Sophia|I am not yours, not lost in you/although I long to be//you love me, and I find you still/a spirit beautiful and bright) Hide and Seek - Imogen Heap (“much to do on Terror is all, sir”|where are we? what the hell is going on?/the dust has only just begun to fall/crop circles in the carpet, sinking, feeling/spin me ‘round again and rub my eyes/this can’t be happening) The Hunger in Your Haunt- Crywolf (Hickey gives Gibson Young’s ring|where are all the things that you have toiled all your life for?/was it me you wanted when you said you/wanted something more than what you knew?) I’ll Be Good- Jaymes Young (Crozier decides to stop drinking|my past has tasted bitter for years now/so I wield an iron fist/grace is just weakness/or so I’ve been told/I’ve been cold, I’ve been merciless/but the blood on my hands scares me to death/maybe I’m waking up today) I Will Try-Deaf Havana (Crozier’s intervention|and I will try my best to find a smile/and I will close my eyes and say I’m not afraid/and it’s time that I was clear of all the negativity that I hold so dear/I lost my sight for far too long to take my mind off all my fears/but I found my way again) Look After You- The Fray (“you needn’t worry for a thing, sir”|I’ll look after you/it’s always have and never hold/you’ve begun to feel like home) Trout Heart Replica- Amanda Palmer (Goodsir feeding Jacko from the tins|and killing things is not so hard/it’s hurting that’s the hardest part/and when the wizard gets to me/I’m asking for a smaller heart/and if he tells me “no”/I’ll hold my breath until I hit the floor/eventually I know I’m doomed to get what I am asking for) Give Me A Sign-Breaking Benjamin (Crozier in withdrawal|I’ll keep you alive/if you show me the way/forever–and ever/the scars will remain/I’m falling apart/leave me here forever in the dark/God help me I’ve come undone/out of the light of the sun) Keep Breathing- Ingrid Michaelson (Crozier on the upswing|but all that I know is I’m breathing/all I can do is keep breathing/all we can do is keep breathing now) Organs- Of Monsters and Men (Silna trying to take her father’s place|I should not care but I don’t know how/so I take off my face/because it reminds me how it all went wrong/and I pull out my tongue/because it reminds me how it all went wrong) Bleachless- Elizabeth Grace (Goodsir looking at Jacko’s body|‘cause when your life’s on the table/then there’s not much left to hide/begging for contagion/these hospitals won’t save us/and when these toxins leave us/it’s sad when we’ll be bleachless/'cause all you have to say/is that it’s gonna get better/it’s gonna get better/but it never does) Comes and Goes (In Waves)- Greg Laswell (Crozier’s speech at Carnivale|this one’s for the lonely, the ones that seek and find/only to be let down time after time/this one’s for the torn down, the experts at the fall/come on friends, get up now, you’re not alone at all) Runaway- The National (Stanley’s suicide|there’s no saving anything/how we swallow the sun/but I won’t be no runaway/'cause I won’t run//we got another thing coming undone/and it’s taking us over/ we don’t bleed when we don’t fight) Forest Fire- Brighton (fire|I keep imagining those flames that did rise/and blackened up the sky/the light that showed you barefoot in the snow/and then the fire started building up inside/exploding blinding lights/now I’m the one left screaming through the night//I’m gonna carry your bones/I’m gonna carry them all/I’m gonna carry you home) Stay Alive- José González (the dawn after Carnivale|I will stay with you tonight/hold you close 'til the morning light/in the morning watch a new day rise/we’ll do whatever just to stay alive) We Are Broken- Paramore (“these men need names yet”|'cause we are broken/what must we do to restore/our innocence/and oh, the promise we adored/give us life again/'cause we just wanna be whole) The Ice Is Getting Thinner- Death Cab for Cutie (abandoning ship|we’re not the same, dear, as we used to be/the seasons have changed and so have we/there was little we could say, and even less that we could do/to stop the ice from getting thinner under me and you) Sleeping Sickness- City And Colour (“horrible from supper”|someone come and, someone come and save my life/maybe I’ll sleep when I am dead/but now it’s like the night is taking sides/with all the worries that occupy the back of my mind/could it be this misery will suffice?) Disarm- The Civil Wars (Hickey realizes something’s wrong with the tinned food|the killer in me is the killer in you/send this smile over to you) Follow You- Bring Me the Horizon (Crozier helping Fitzjames up the ice|my head is haunting me and my heart feels like a ghost/I need to feel something, cause I’m still so far from home//so you can drag me through Hell/if it meant I could hold your hand) People Help the People- Birdy (more hand-holding|people help the people/and if you’re homesick/give me your hand and I’ll hold it) Medicine- Daughter (Morfin’s death|pick it up, pick it all up/and start again/you’ve got a second chance/you could go home/escape it all/it’s just irrelevant/it’s just medicine) This Woman’s Work- Greg Laswell (Goodsir’s panic attack|I know you have a little life in you yet/I know you have a lot of strength left/I should be crying, but I just can’t let it show/I should be hoping but I can’t stop thinking) Calm My Soul- Paper Route (Irving’s death|I’ve seen too much this year/I long for it to pass/the type of memories/that turn our heart to glass//in dust my ribs were formed/and I’ll return again/calm my soul) Helplessness Blues- Fleet Foxes (“do you know how I was appointed to this expedition?”|what’s my name, what’s my station, oh, just tell me what I should do/I don’t need to be kind to the armies of night that would do such injustice to you/or bow down and be grateful and say “sure, take all that you see”/to the men who move only in dimly-lit halls and determine my future for me) Dance to Another Tune- First Aid Kit (“I’m a fake, brother”|will you look at me?/take a good look at me and tell me who/it is that I am//everything is tiresome, everything grows old/with each secret revealed, there’s another to be told) We Don’t Eat- James Vincent McMorrow (“my father was a ridiculous man”|me, I was holding all of my secrets soft and hid/pages were folded, then there was nothing at all/so if in the future I might need myself a savior/I’ll remember what was written on that wall/that we don’t eat until your father’s at the table) Surrender the Night- My Chemical Romance (I didn’t know any of that|you surrender your heart/I surrender every dream/every weapon you’ve got/every secret that I keep) See Through- Pentatonix (“I’ve never said it out loud before now”|all of me uncharted/begs to be explored//I am see through, baby/and I don’t wanna hide/for the very first time) Unclear- Kodaline (“I always felt I deserved more”|when the future’s so unsure/when the future’s so unclear/so you swallow your heart and you swallow your pride/you gotta be tough if you wanna survive/they’ll chew you up and they’ll eat you alive/you shouldn’t give up on the dreams in your mind) Neptune- Sleeping At Last (“are we brothers, Francis?”|a strong wind at my back/so I lift up the only sail that I have/this tired white flag//I’m only honest when it rains/an open book with a torn out page/and my ink’s run out/I want to love you but I don’t know how) Brothers on a Hotel Bed- Death Cab for Cutie (Fitzjames looking at his bullet wounds|you may tire of me as our December sun is setting because I’m not who I used to be/no longer easy on the eyes but these wrinkles masterfully disguise/the youthful boy below who turned your way and saw/something he was not looking for: both a beginning and an end/but now he lives inside someone he does not recognize/when he catches his reflection on accident) human-Christina Perri (“worst kind of sorry”|I’m only human/and I crash and I break down/your words in my head, knives in my heart/you build me up and then I fall apart) Paint Me Black- Ben Hazelwood (“every man lies”|changing, rearranging/under your call, we all fall/just know that I won’t follow you further/I’m taking over, I’m now the leader) I’ll Follow You- Shinedown (“more than God loves them”|the first step is the one you believe in/the second one might be profound/I’ll follow you down through the eye of the storm/don’t worry I’ll keep you warm) All Fall Down- OneRepublic (walking out|yeah God love your soul and your aching bones/take a breath, take a step, meet me down below/everyone’s the same/our fingers to our toes/we just can’t get it right/but we’re on the road) Stay Gold- First Aid Kit (walking out|what if to love and be loved’s not enough?/what if I fall and can’t bear to get up?/oh, I wish, for once, we could stay gold) Soldier On- The Temper Trap (walking out|all that is gold is rusting/no one will know/when seasons cease to change and:/how far we’ve gone/how far we’re going/it’s the here and the now/and the love for the sound/of the moments that keep us moving) Chin Up- Copeland (Fitzjames collapses|back to where we started/losing who we were/everybody knows that/you’d break your neck to keep your chin up) Old Wounds- PVRIS (“there is time”|they say don’t open old wounds/but this is still brand new/and I’ve got nothing left to lose besides you/and I’ve already lost you once) Landfill- Daughter (Hickey killing Gibson|leave me in the rain/wait until my clothes cling to my frame/wipe away your tear stains/thought you said you didn’t feel pain/well this is torturous electricity/between both of us and this is/dangerous, 'cause I want you so much/but I hate your guts) Save Yourself- Birdy (“my body… use it”|heaven knows, heaven knows/there’s no way to save us/look at what we have become/empty hearts that spare no one/save yourself my darling/just be gone by morning) You’re Not Alone- Saosin (“God wants you to live”|you’re not alone/there is more to this, I know/you can make it out/you will live to tell) The Way It Ends- Landon Pigg (“help me out of it”|this is the way it ends/don’t tell me it’s meaningless//you held me and taught me how/I think I am ready now/if this is the way it ends/this is the way it’s meant to be) Goner- Twenty One Pilots (eye contact|I’m a goner, somebody catch my breath/I wanna be known by you) Carry You Home- James Blunt (Fitzjames dies|as strong as you were, tender you go/I’m watching you breathing for the last time/a song for your heart, but when it is quiet/I know what it means and I’ll carry you home) Corpse Roads- Keaton Henson [not on spotify] (“we both know what’s coming for me”|and don’t lie, don’t lie/don’t lie, I know we’re fixing to die/and I’ll be like this 'til the long sleeper cry/and I won’t give in, we’ll be dead in the eyes/and I’ll see the dark things that you all try to hide/and I won’t be the damnedest bit fucking surprised The Light Behind Your Eyes- My Chemical Romance (“at least love me enough to admit it”|never let them take the light behind your eyes/I’ll fail and lose this fight/never fade in the dark/just remember you will always burn as bright//when I’m here, no longer/you must be stronger) No Sound But the Wind- Editors (Peglar collapses|if I say shut your eyes/if I say look away/bury your face in my shoulder/think of a birthday/the things you put in your head/they will stay here forever/our blood is cold/and we’re alone, love/but I’m alone with you) Be Still- The Killers (“give me forty minutes”|be still/close your eyes/soon enough you’ll be on your own/steady and straight/and if they drag you through the mud/it doesn’t change what’s in your blood/(over rock, over chain, over trap, over plain)/when they knock you down/don’t break character) Cemetery- Say Anything (Hickey eating Gibson|you’re in my body/that’s where I think about you) White Foxes- Susanne Sundfør (“I’m hungry and I want to live”|hunger, hunger, is the purest sin/it is an empty church in a crowded bin) Sword and the Pen- Regina Spektor (“I love the C”|for those who still can recall/the desperate colors of fall/the sweet caresses of May/only in poems remain/no one recites them these days/for the shame/so what if nothing is safe/so what if no one is saved/no matter how sweet/no matter how brave/what if each to his own lonely grave/I don’t want to live without you) One Last Time- Jaymes Young (Bridgens holding Peglar’s hand|could I feel your skin on mine/before I have to say goodbye/could I breathe, please, one last time/you’re in my lungs before I curl up/and die) Fires- Allman Brown (Bridgens walks away to die|in a torch there’s a thousand years unknown/voices tell me a truth I nearly know/this will all soon be memory/I was made in the fires/of your care for me//and I will find you in the next life) Be Still- The Fray (“you can lie there, not feeling well, while I try and cheer you up”|be still and know that I’m with you/be still and know that I am here) Come Back When You Can- Barcelona (Sophia in the snow|come back when you can/let go, you’ll understand/you’ve done nothing at all to make me love you less/so come back when you can) Saturn- Sleeping At Last (“this place is beautiful to me even now”|with shortness of breath, I’ll explain the infinite/how rare and beautiful it truly is that we exist) If I Be Wrong- Wolf Larsen (Little and Le Vesconte go south|and what if I can’t, what if I can/what if I’m just an ordinary man/if there is a will, there is a way/I will escape for sure, I am David Blaine//and I have been wrong, I have been right/I have been both these things all in the same night) Tether- CHVRCHES (Jopson’s death|where’d you go, you were there by my side/keep believing it’s my turn to hide/in a place where we don’t have a prayer/there’s a tether that’s keeping me there) Two Evils- Bastille (“I didn’t have anywhere near an equal on this expedition, but you”|there are two ways to skin tonight/let’s see whose road gets there faster/this is a game, no wrongs, no right/only a winner and a loser/you and I, oh you and I/we’re not that different, you and I) Jupiter- Sleeping At Last (Goodsir’s suicide|I don’t know who I am, but now I know who I’m now//make my messes matter/make this chaos count/let every little fracture in me/shatter out loud) Bleeding Out- Imagine Dragons (Goodsir’s suicide|I’m bleeding out/so if the last thing that I do/is bring you down/I’ll bleed out for you/so I bare my skin/and I count my sins/and I close my eyes/and I take it in) Somebody to Die For- Hurts (“give me your gun, I’m the best shot here”|and I will let the devil know that/I was brave enough to die/and there’s no hell that he can show me/that’s deeper than my pride) The Keeper- Kina Grannis (Crozier muttering the names of his men|sand and stone, struggles to claim and own/(take my burden, I can’t bear the weight)/wars lost won, promises come undone/(I’ve been fighting, trying not to break)/nobody has to know//I will be your keeper) How’m I Supposed to Die- Civil Twilight (the last men falling|and the flesh that used to tingle/has turned a marble blue?/and you tell me that/we can never go back/what am I to say to that?//there’s only one thing left to do) Everything That Dies- Matthew and the Atlas (Crozier finding the last camps|you said everyone you know one day will surely die/but everything that dies in some way returns) Voices Off Camera- Rise Against (”close?”|we either choose to follow or be left on our own/so we’re leaving here on a less-travelled road/as desperate cries grow louder, I know we’re getting close, getting close) Friends Are Dead- Dresses (Crozier walking away with Silna|I’m wandering saintless debris/'cause the saints they arose/heaven took them home/and now I am lonely/this is how it ends, all my friends are dead/I know that I fucked up, the life of a cultural/how can I pretend that everything’s alright/when no one can find me alone in this wasteland?) Lovely- Billie Eilish (“decide in the spring”|isn’t it lovely? all alone/heart made of glass, my mind of stone/tear me to pieces, skin to bone/hello, welcome home/walking out of time/looking for a better place) I Am Only One- We Are the Fallen (Silna leaves|I’m on my own here/and no one’s left to be the hero of/this fairy tale gone wrong/as night will fall, my heart will die alone/ever after never came/and I’m still waiting for my heart to beat again/and all the dreams I’ve laid to rest/are ghosts that keep me/after all that I’ve become/I am only one) Ghost Towns- Radical Face (Crozier in the Arctic|'cause all my life is wrapped up in today/no past or future here/if I find my name’s no good/I just fall out of line/but I miss you/but there’s no comin’ home/there’s no comin’ home/with a name like mine) Exile- Show of Hands (Crozier in the Arctic|I can dream before the break of day/that I’m back with you again/then the morning blows it all away/and leaves an echo of your name/still a thousand miles lie between us/where we’re waking up alone/and what if I could cross a thousand borders/there’s no going home) Until the End- Breaking Benjamin (Crozier chooses to stay|why give up, why give in?/it’s not enough, it never is/so I will go on until the end/we’ve become desolate/it’s not enough, it never is/but I will go on until the end) Hurt- Johnny Cash (“we are gone”|what have I become/my sweetest friend/everyone I know goes away/in the end/and you could have it all/my empire of dirt/I will let you down/I will make you hurt) Bring Me Home-Fahrenhaidt (Crozier walks away|will you find, will you find, will you find me alone?/when you’re far out over the water I’ll be there too/will you find, will you find, will you find me and bring me home?/are you lost/are you chasing hollow dreams/are you lost/was it worth forsaking me?) The Ocean- The Bravery (Crozier and Ross|I climbed up a mountain, and looked off the edge/at all of the lives that I never have led/there’s one where I stayed with you across the sea/I wonder do you still think of me/I carry your image always in my head/folded and yellowed and torn at the edge/and I’ve looked upon it for so many years/slowly I am losing your face) In the Wind- Lord Huron (Robert Goodsir aboard Felix|you’ve been gone for a long long time/you’ve been in the wind, you’ve been on my mind/you are the purest soul I’ve ever known in my life//when you left I was far too young/to know you’re worth more than the moon and the sun/you are still alive when I look to the sky in the night) Frozen Oceans- Shiny Toy Guns (those left behind|ten thousand miles apart/a frozen ocean joins our hearts/I can’t wait to meet you when/the frozen waves meet ocean floors/you’ll be standing on the shore/I can’t wait to meet you then) Come Home- OneRepublic (those left behind|come home, come home/'cause I’ve been waiting for you/for so long, so long) Fields of Gold- Celtic Woman (nostalgia|you’ll remember me when the west wind moves/among the fields of barely/you can tell the sun in his jealous sky/when we walked in fields of gold) Arctic- Sleeping At Last (the last shot of Crozier)
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zipegs · 4 years
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i’ve been toying around with the idea of posting a fic rec list for a while, and finally decided that if i do, it might be nice to focus on newer and/or underrated fics in the fandom! some of my absolute favorites are on this list, and i highly suggest checking them out (and leaving the lovely authors some comments and kudos!)
this got pretty long, but it’s organized alphabetically by ship name (including gen) and then by length inside each ship!
blanky/little
Trysails by saltstreets  /  2k, t
“I know I can’t do much,” Blanky said, “but you can always talk to me. If you’re so inclined.”
A (very late!) offering for Tender Tuesday, "a friend in need".
okay!!!!!! okay!!!!! hear me out on this one!! this fic is wonderful. i’m a sucker for fics dealing with edward’s suffering during the worst of crozier’s captaincy, and this one is so good. blanky is so wonderful in this; i feel like his tender, kind side frequently gets overlooked in favor of his bigger, bolder attributes, and this fic truly delivers on everything i’ve been missing! it’s really gentle and sweet and i urge you to give it a read!!!!
bridglar
in the low lamplight by stelleri  /  338, g
It’s endless freezing rain outside, but the house is comfortably warm.
short and sweet! a really lovely little slice-of-life modern au
state of grace by aes3plex  /  860, m
He doesn’t mean to see it. He never does.
bridglar may be the most featured pairing, but this is told from irving’s pov and also contains irving/little and references to hickey/gibson. really sad, conflicted little peek into irving’s mind (and some nice, soft bridglar as well!)
passer iagoensis by greenery  /  3k, g
Night falls on the Beagle and Henry Peglar has just finished reading his very first novel.
Set in 1832.
this piece is so good!! it has some really beautiful (sad) foreshadowing of the franklin expedition, and is just... so soft, with some wonderful romantic tension!! and it’s funny! darwin and fitzroy are wonderful in this, and i’m always here for fic that deals with peglar learning to read (which this does!!!).
cracroft/crozier
the beggar’s opera by pyotr  /  990, e
for all of his usual anger and surliness it was almost fun to fluster francis, to rile him where he could not retaliate. sophia had spent all her life under the thumb of some man or another; she loved francis in part because she always had the upper hand.
sophia is my queen and that’s all i’ll say about that. seriously though, this piece is just... *chef’s kiss*
fitzconte
A Cheetah Never Changes His Spots by onstraysod  /  1.2k, m
Being the particular friend of James Fitzjames has its drawbacks, as Henry Le Vesconte learns during the expedition's first carnivale. But it also has its advantages, as Henry learns once the carnivale is over.
Written for Day 1 (A Special Disguise) of the 12 Days of Carnivale.
on beechey island, fitzjames reveals clio’s cheetah to the men. or... something like it! this piece is really a blast; fitzjames is in rare form, francis is glaring form the sidelines, and le vesconte is an absolute champ. and the ending is wonderfully witty and racy!
fitzier
wake me up, wake me up my darling by norvegiae  /  1.4k, g  /  mcd
James Fitzjames feels like a new man.
The old James Fitzjames lies on the cot in front of him, cradled by the man he wishes he could have had more time with.
set during 1.09, this fic is a really poignant, heartwrenching piece in which james comes to terms with the reality of his death, and of his life, as he watches francis grieve. very sad, and wonderfully written!
what the stars give us by WetSammyWinchester  /  1.7k, t  /  implied death
"They may know space, James, but you know what it means to truly fly."
70s scifi (space program!!!) au. really great translation of the terror; the mood in this is so good!!! and the little flashbacks are fantastic. it’s pretty sad, but it hurts in a good way.
fitzrossier
Take Your Turn, Take A Ride by courfairyac  /  7.5k, e
Francis agrees to accompany his friend to a masquerade, and stumbles onto something quite unexpected.
In short: Festivities! Voyeurism! James in a dress!
listen... fitzrossier is my new weakness, and this is a really fun, hot, canon-universe (pre-expedition) au.
gen
salvation by scribomania  /  250, t
The Concordia brings them survival, but not salvation.
featuring hodgson and little, and jopson. for a survival au, this little piece hurts!!! it’s so short, but it packs a punch. really, really good.
but no one remembers yet by disastermovie  / 885, t
“From the mutilated state of many of the corpses and the contents of the kettles, it is evident that our wretched countrymen had been driven to the last resource—cannibalism—as a means of prolonging existence.”
—excerpt from Dr. John Rae’s report on the fate of the Franklin Expedition to the Secretary of the Admiralty (written from Repulse Bay on July 29, 1854)
sad little epilogue concerning sophia and lady jane dealing with their grief
the weary world rejoices by disastermovie  /  1.3k, t
Fitzjames goes to his first Christmas party after the survivors are rescued. It doesn't go well.
this!!!! fic!!! i can’t even do it justice, it’s just so good. the slow build of james’s panic, the caroling and gaiety as a backdrop... it’s just so painful in the best way. i’m incoherent; pls just read it,
la belle dame sans merci by drowninglovers  /  1.7k, g
Nobody is quite sure who the first one to start making her clothing is, but one day she scampers over the shoulders of the ABs as they line up for lunch wearing a tiny shirt to match her pants. It’s nothing special, no fancy detail, navy blue like most everything else they wear. Whoever made it must have cared a great deal, to make sure it fit her perfectly.
this is incredibly fun!!! just some good, wholesome fic about boys dressing up their favorite lady. 10000/10 would recommend.
Come Here, Fellow Servant by whipstitch  /  1.9k, t
The sea is dangerous, but so too is the open sky. And in that case, Cornelius determines, a friend is an unexpected boon.
okay, i made a rule that i wasn’t going to include wips on this rec list,  but i had to put this guy on here. it could be read as a stand-alone, actually, which is what i used to convince myself to include it. peglar realizes that hickey has no fucking idea what he’s doing, and tries to help him, kind, caring sweetheart that he is. this is a really, really nice little piece—i love everything about it.
lie alone by greenery  /  2k, g
He turns the page. And maybe this is it. Maybe writing a letter to young Tom Hartnell is reason enough to leave the berth.
really nice oneshot featuring two good boys (hodgson & hartnell) and their wholesome status as pen pals
the crooked kind by darrenjolras  /  2.3k, m  /  non-consensual voyeurism
“You and I, Jopson,” Hickey says, and Jopson startles at those words alone, turns an affronted gaze his way. Hickey bathes in the glacial blue of it. Like being thrown overboard. “You and I aren’t so different, you know.”
Based on that Hickey/Jopson scene. You know the one.
the terror bingo fill: court martial
not totally gen, but also not really hickey/jopson? twisted, but very much in character; hickey is his delightful self in this, and his verbal sparring with jopson is very well done and quite fun to read!
gibson/hickey
Touch Her Not Scornfully by skazka  /  2k, e
Stolen moments down below.
this fic is just... really fucking good!!! it’s a fantastic look at the very early days of gibson & hickey’s relationship, and an intriguing little venture into billy’s head.
goodsir/mcdonald
And That is How it Starts by Intrepid_Inkweaver  /  1.2k, g
It starts with a handshake and a warm smile at their introduction at Greenhithe.
a really sweet, lovely canon-divergent piece. written in 2nd person pov. these two are just such a good, wholesome pairing and this fic really does them justice!!
hartving
let loss reveal it by disastermovie  /  1.6k, t  /  mcd
Tom could never quite see himself taking a wife.
this shit fucking hurts!!!!!!! it’s a beautiful glimpse at irving & hartnell’s relationship, told through hartnell’s introspection, and is written really, really well. also did i mention that it fucking hurts???
Lookout Blues by ClockworkCourier  /  2.1k, g
John and Tom Hartnell talk about the future while they wait on a new shipment.
hello??? 1920s au??????? the world-building is so tangible in this, even in such a relatively short piece. it’s a really lovely little conversation between the brothers, and i absolutely loved their little discussion of irving.
we’ll tak’ a cup o’ kindness yet by drowninglovers  /  6.3k, g
If this is to be the last time they interact (and it likely will), Tom wants it to be memorable.
survival au survival au!! tartnell runs into irving at john’s grave, and convinces him to stay with his family until new year’s. it’s kind of bittersweet, with some really great flashbacks (and discussions of said scenes!), and oh man is it soft!! just! really beautiful and tender, and the ending is just so cute!!!!!
hodgson/hickey
the chaos moves by itself by bluebacchus  /  1.3k, e  /  violence, mcd
Hodgson's mind cracks and the heavens flow in.
(Written for Day 7 of Halloween TerrorFest: A disquieting metamorphosis and posted separately because I don't want to taint my main post with borderline vore)
fair warning... this fic is fucked up, but in the best possible way! the religious imagery!!!! the philosophy!!!! just!! god.
hodgson/little
Allegro, B Flat Major by whalersandsailors  /  5.3k, g
George is freshly moved from his childhood home, ready to tackle the school year and his newfound independence all at once.
Too bad he's lonely, miserable, and homesick.
He turns to music when adulthood becomes unbearable, and when someone knocks at his door and leaves an anonymous note, George discovers another music lover not too far away.
have i mentioned i love george hodgson? because i love george hodgson. this fic is a beautiful modern au featuring our own georgie playing his way through his feelings (literally). the buildup to the reveal of george’s secret admirer is wonderful, and had me rooting for them from the start! really sweet, stunning fic for a pairing i’d never considered before!
joplittle
get out of the wind by Cicadaemon  /  1.6k, e
Edward Little is smitten with a certain bartender.
modern au. really lovely, wholesome, and happy; just what these boys deserve!
The Thylacine by Gigi_Sinclair  / 1.7k, t 
"Thylacines. That's what Sophia called them, all those years ago in Van Diemen's Land. Dogs with tiger stripes, cats with pouches. They stretch their jaws at him, as Francis struggles to sit. The movement makes his head spin. He pushes the discomfort aside. He has no time to entertain it; he must escape."
also features cracroft/crozier. this is a really clever, funny piece set during francis’s withdrawal; poor francis is a bit muddled in the throes of his fever, and gets caught up in a memory from van diemen’s land. i absolutely loved little and jopson’s reactions in this, and especially jopson and crozier’s conversation the next morning.
Prelude in D Major by scribomania  /  2.7k, t
Hodgson is very fond of the musical apparatus in Terror's great cabin; Edward is not.
For the Terror Bingo square "denial".
i’m a big big lover of terror lieutenant nonsense, and this fic absolutely delivers! just absolutely delightful.
When the Lights Go On Again by Gigi_Sinclair  /  4.1k, t
"Edward Little's ancestors were Naval officers, almost to a man. Nevertheless, from a young age, Edward's eyes turned to the sky rather than the sea.
He longed to fly, as high and as frequently as possible. In the Royal Air Force, he got his wish. He was happy there, thriving, rising in the ranks apace and doing what he always wanted to do. Then came the first of September, 1939."
wwii au. edward is a squadron leader in the royal air force, and jopson is a corporal working for group captain crozier. i’m weak for wwi and wwii aus to begin with, and this one is done beautifully. while it doesn’t hand-wave the trauma and heartbreak of war, it doesn’t hit you over the head with it either, and the result is a really soft, bittersweet, hopeful piece.
lozer
a lily for my love by whalersandsailors  /  3.7k, m
Solomon never thought that soul-signs were real, and the stories he heard about them made soulmates sound more like a prison sentence than any fairy tale romance. It is not until he finds a soul-sign on the skin of a very dear friend that he realizes their importance, as well as their undoing.
this piece is!!! beautiful!!! very poignant, and really had me feeling for solomon. i love what’s been done with the soulmark conceit—it’s not just a simple “we have soulmarks, we’re soulmates!!!’ au (which i’ll admit to enjoying too), but a really thoughtful take on the trope. the slow way tozer puzzles everything out is wonderful, and i love the glimpses we get into several of his friendships & relationships. 
morfin/weekes
to help you remember by whalersandsailors  /  1.2k, g
An anniversary, during which Weekes presents Morfin with a gift, and Morfin struggles to remember why.
do you ever just get clotheslined by a pairing you’d never even considered before? because that’s what this fic did to me
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starbuck · 4 years
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Terror Notes: “Go For Broke”
well… I guess I’m really doing this! Some proper, bullet-pointed notes for each episode of The Terror, starting with ep 1: Go For Broke!
I wrote these out last night (and edited them this morning to make them readable - you’re welcome!) so I hope that y’all enjoy my thoughts and assorted nonsense! I tried to save my comments for points I actually wanted to make because I feel like they bring something to the table but I still ended up writing A Lot lol
I love that Crozier couldn’t even be bothered to be present in welcoming Sir John and Fitzjames onto Terror, making Little and Hodgson do it by themselves. One could argue that he had important captain-y things to be doing at that time or something but I’m not 100% sure that wasn’t the case. 
idk if it’s just the angle, but I paused the episode just as the shot of the officer’s mess is coming in from above and Hodgson’s hands make me so uncomfortable. They look so bone-y and weird. (Just what you came here for, I know. Hand commentary.)
Cannot tell you how uncomfortable it is, after many rewatches, to listen to Fitzjames recounting in a casual, lighthearted manner 1) shooting people 2) people catching fire (and burning to death), and 3) their burning flesh smelling “like roast duck” (so, like something edible) and it’s even more uncomfortable to have the closeup be on Hodgson’s face as he laughs at the ‘roast duck’ comparison.
On a lighter note: I love that Fitzjames felt the need to remind everyone what size cherries are by illustrating it with his fingers. In case they forgot, I guess? As someone who occasionally speaks unnecessarily with my hands, big mood tbh.
I LOVE it when Fitzjames gives Little that affirmative tap on the arm after he compares Fitzjames’s injury to Lord Nelson’s. My friend Eli and I refer to it as The Fitzjames Arm Tap. I would like a Fitzjames Arm Tap, pretty please.
God, Sir John loudly setting his hands on the table to try to dispel the tension from the ‘birdshit island’ debacle as he attempts to change the subject is so funny. I’m gonna stop just pointing out things I find funny soon, I swear, but I just cannot handle this scene.
Between Hodgson looking horrifically embarrassed by Crozier’s outburst at Fitzjames and Little looking nervous when Crozier shoots him a look as Sir John says that there’s no reason to be concerned about the ice, it really does seem that they were having to ‘manage’ him even back in ep 1 when his alcoholism wasn’t completely out of hand.
Personal sidenote about this: My Pop-pop is often rude to workers in stores and restaurants (he doesn’t drink thank goodness but he has Alzheimer’s coming on which has worsened his temper) so I very much understand the feeling of being on-edge that an outburst is going to occur and trying to deal with the fallout when it does. Just going by my own experience, I can imagine Little apologizing to Fitzjames for Crozier’s rudeness as soon as they were out of Crozier’s earshot (not that anything Little could say would heal the deep psychological wound that Crozier created but hey, it’s something).
The way that Sir John brushes aside Dr. MacDonald’s and Crozier’s concerns about moving Young when he’s in such bad shape never fails to upset me but also ~foreshadowing for hauling the ill on boats oooohhh~
I said I was done pointing out random things that amuse me but the speed and agility with which Des Voeux pops out of the hatch and onto the deck after Orren falls into the water is just so funny. I could watch that two second clip on repeat all day. Might gif it so I actually can.
Is this a good time to point out that there’s also a scene in Moby-Dick where someone falls from high up on a mast and drowns? It’s in a chapter all about bad omens experienced by the crew of the Pequod and The Terror definitely has some similar vibes going on with the sun dogs displayed in the establishing shot of Erebus in that scene and David Young, a “warning of things to come,” on his way over.
The second(?) time I watched the part where Young tells Stanley that he didn’t think anything of getting headaches since he’s always gotten them, I had this thought pass through my head that was like “oh god, I had chronic migraines for years so I’d never have known if I had lead poisoning either!” but then I realized that this probably was not a relevant concern I should have.
Not sure I have any deep commentary on this but as Gore informs Sir John and Fitzjames about the blocked propeller, he’s standing in the same spot, in the same room as Goodsir will stand next episode to tell them about his death.
Also regarding this scene, I love how Gore waits for Fitzjames to give him the go-ahead to leave before actually going. I know that Fitzjames is his superior officer too but, since Sir John already dismissed him, it seems like waiting for Fitzjames’s approval isn’t really necessary, yet a nice thing to do. Perhaps this is a legitimate formality, but something similar happens later in this episode in the command meeting when Crozier asks Gore how many sun dogs he’s seen; he looks to Fitzjames and waits for his nod before answering Crozier. He doesn’t look to Sir John, he looks to Fitzjames. I know that we know essentially nothing about Gore but like.. underrated ship???? Just saying…
Ten nights ago, I was unable to get to sleep for at least an hour because I started thinking about David Young’s saying “I want to go to my grave as I am” and, of course, that ultimately doesn’t happen for him but also, this, like all things about him, is a “warning of things to come.” I’m pretty sure that no one else was properly buried until, arguably, Fitzjames and ironically, that was explicitly not what he wanted done with his body (and, since his grave was later looted by Hickey, similar to the way that Young’s autopsy ultimately achieved nothing, it didn’t really matter anyway).
I know that this happened exactly ten days ago because I forced myself to wake up and write it down in my notes app, lest I forget, which only prolonged my sleeplessness. I suffer for my analysis. 
Ah yesssss Tozer’s lesbian haircut. We love it! Why does my hair not look like that when I take a hat off? I’d like to file a complaint.
Was just thinking the other day about how Hartnell being the one to notice that there was something up with the ice in ep 1 is followed up on with Blanky complimenting Hartnell’s ability to read the ice to Crozier in ep 7. I wonder if Blanky ever gave him like. ice-reading lessons after becoming aware of his interest and natural talent at it in ep 1? That makes me happy to think about.
The two people who we’re shown awoken by Young’s screaming are Sgt. Bryant and Morfin and like. Do I even have to explain why that’s an Oof?
The way that Goodsir hesitates before knocking on Stanley’s door and Stanley irritatedly closing his book before answering the knock in an exasperated voice would be comedic in any other context. If I’m being honest, it still makes me laugh. As does Stanley’s “As if that weren’t plain.”
I’ve pointed this out before but mmmmm... that shot of Stanley in profile with the open candle flame in the background… the foreshadowing in this ep is thicker than the smoke at… Oh alright, I’ll stop. 
God, the autopsy/dive scene…. Collins being lowered down and entering the water paralleled with Goodsir’s initial cutting into Young’s corpse, the breaking up of the ice paralleled with the cutting of the bone-saw. But most significant to me is the parallel of what is seen/not seen and the long-term effect that this has. Collins sees Orren’s corpse (and then presumably never tells anyone about it), reinforcing his guilt over Orren’s death, the beginning of his mental health decline. Goodsir doesn’t see the cause of Young’s death in his autopsy and this not knowing about the lead poisoning until it’s too late to do anything about it is the cause of many of Goodsir’s later problems as well. And, to finish it all off, both the autopsy and Collins’ dive were ultimately for nothing (considering a spinning propeller is useless when your ships are frozen in). 
Crozier and Blanky’s simultaneous face journeys as Sir John rambles on about how there’s nothing to worry about and they’ll find the passage any day now are truly legendary.
I wrote some pretty extensive tags on this already but man… Crozier’s comment about how not all of Sir John’s men returned from one of his previous arctic expeditions is just so nasty and awful. Like, yes, Sir John is wrong to undersell the danger they’re in and Crozier is advocating for the correct position here, but that was completely uncalled for and horrible to say, particularly in a command meeting, in front of so many people. And Sir John looks legitimately upset by it too. He gets over it quickly, at least on the outside, but I still feel really bad for him (and I NEVER feel bad for Sir John so this is weird for me).
“But of course we will not be abandoning Erebus, or Terror…” Let’s check back in six episodes and see how that’s going! 
Crozier slamming his fist on the table to prove he’s not being melodramatic reminds me of this one post (that I sadly can’t find rn) about Jesus Christ Superstar that’s like “‘CUT OUT THE DRAMATICS’ Judas hollered dramatically.” It’s such an Overall Mood.
I don’t have a developed commentary on this at the moment but it’s an interesting reverse-parallel that Sir John had no concern for Young’s well-being when he was alive, ignoring Crozier’s concerns about moving him from ship-to-ship when he was in such poor health, yet now that he’s dead, Sir John is the one to recommend that Young be buried which Crozier is surprised by, and seems to feel is unnecessary.
There’s been so much amazing commentary already made about Young’s burial scene so I’ll skip it except to say that Hickey’s irritated sigh when he hears footsteps coming towards the grave is SO funny. That’s exactly how I feel when I know that someone is about to tell me something that will annoy me.
Goodsir was really getting into the emotion of Sir John’s “eulogy”/motivational speech before he remembered the promise he made about Young’s ring. Also, what triggered his memory was Sir John saying “We shall earn our loved one’s cheers and embraces,” so no doubt a reminder of the traumatic “Your loved ones will be there in Heaven to welcome you! :)” “I never knew my mother or father” exchange (or maybe just a reminder of the fact that he was supposed to get Young’s ring to his sister but just let me scrape a little humor out of this. God knows I need it).
The shot of Bryant praying in his hammock the night before they get completely frozen-in is honestly deeply upsetting to me. Especially considering he’s a marine so he Did Not Ask To Be Here, yet there he’ll die.
According to Melville, ship’s compasses occasionally spun round-and-round when a ship was caught in a severe storm and this was an incredibly upsetting thing to behold because of how disorienting it was. So, considering that, Fitzjames keeps his composure pretty well but he clearly has some reservations about how things are going and Sir John has no comforting-sounding remark about ‘Magnetic North’ to offer him now.
The bit where Sir John “sees” Crozier, on Terror, turn away from him with a half-smirk on his face is interesting because there’s no way he could have possibly seen Crozier’s expression at that distance and I’m doubtful that he’d even have been able to make out the identity of anyone he might have been able to see on Terror’s deck. So really, it speaks mostly to Sir John’s mental state; his seeing their getting frozen in as a loss against Crozier and imagining that Crozier would see it as a victory for himself.
Ugh the final shot is making me think about @catilinas’s post comparing a shot of the two ships stuck in to the shot of the ink drops from ep 3 and I am LOSING IT but I was losing it anyway because it’s 2AM now and my entire body feels like gelatin. 
THANK YOU AND GOODNIGHT! 
SEE YOU NEXT TIME!
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cawsaurus · 4 years
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Adventures in watching The Terror when you’re legitimately face-blind
Re-rewatching Horrible from Supper
Aw, watch Young alive and well, talking with THartnell in the flashback scene
The first time I watched this episode I could tell there was something wrong with (Real) Hickey's face/hair, but assumed that my face-blindness was playing tricks on me and dismissed it.
Ah, yes, the crew filling the boats with *checks notes* cutlery and furniture. Fitzjames notes this, and perhaps inspired by the resource waste that was the Carnival, is against it.
Manson is hopeful that the Little’s party might have dinner ready for them, but is dismissed by a very pessimistic Gibson. THartnell disapproves of this and glares at Gibson, but continues working.
This is the first time I successfully recognized Armitage!!!! He's talking with a Robert Golding (???) who I've literally never noticed before.
Tozer knows well that when you're being pursued by a bear you don't need to outrun the bear, but the person next to you. And he hopes that the person next to him happens to be Hickey. He doesn't seem to think much of him at this point, and yet a few moments later he agrees to join him.
Gibson is also skeptical about the Inuit helping them.
Morfin is looking like shit. Collins rushes to help him carry Goodsir's stuff... which allows him to hear Goodsir as he tells Bridgens about possible treatments for Morfin's illness. Coca wine, huh?
Hickey still can't lie worth shit, but is VERY good at leveraging people's moments of vulnerability. Here he has Gibson be the one to suggest they leave the others behind. Also present: Manson, Tozer, Armitage, Golding. And thus the core group of the mutineers is established.
Gibson mentions there are 40 men in their party, the other 50 were sent with Little to set up an outpost. So there’s just 90 people left? It should be 105.
Tozer suggests they wait until they're on land to leave, so the rest of the group will help them haul the supplies through the ice
Hickey already aiming for rank here
I see 7 men being left behind in the ship
They leave the ship on April 22 1948
Compare Ross the elder riding atop a boat during his march vs Crozier hauling with his crew
Blanky compliments THartnell's eye for reading the ice. In a different world where THartnell lived, would he have become an ice master?
Hickey watches Hodgson consideringly. What does Hickey see? Is this related to Crozier complimenting THartnell?
Shipping aside, I don't think Collins and Goodsir where close before this point because: 
COLLINS (When told to open up): I've tried, sir. GOODSIR: Well, you haven't tried with me.
Some excellent active listening from Goodsir. Can recognize some techniques. However he's overwhelmed by Collins explanation. He wasn’t ready for it.
The way Crozier puts Goodsir under his wing ("We share a burden, you and I, keeping this (the secret of the tins)") reminds me of how how he praises THartnell. I get the feeling Crozier is very conscious of how important it is to build relationships with the crew. If only he had had more time I think he could have prevented the mutiny
I like to think that Hickey is gleeful that someone is agreeing with him at last that the dog is being treated better than them. This is probably the point where he gets the idea to eat Neptune. The discord server confirms the men having lunch with him are Armitage and Pilkington.
Hickey catches Goodsir dragging Silna out of the line for food.
Morfin and Tozer are the ones to find out the rescue mission failed. Fitzjames confirms that they only made it 18 miles before dying. I see at least 5 corpses.
Crozier wanted to go with Fitzjames over the ice wall before the others in case there were any other unpleasant discoveries at the other side e.g. Little's party not making it
Crozier asks Little indirectly if he saw the rescue party. He's not going to tell him?
Right away Tozer wants to arm more men. He suggests Armitage, Crispe, Manson, Seeley, Coombs, and lastly Hickey. If you add Gibson, Golding and Pilkington to that  list, that's 10 people total that are on the mutineer’s side. Hodgson will later reluctantly join them (11 people)
Crozier is suspicious.
There are only 8 marines left.
CROZIER (pointedly, to Tozer): It's going to be difficult to surprise us on such level ground, hm?
Crozier memorized where everyone was from to be able to use it at key moments. Here he uses it to try and convince Morfin to stay alive.
Morfin commits suicide by Tozer :(
Between the sledge party (~5?), the men left in the ships (7) and Morfin, the body count for this episode is now at 13. Later Hickey will stab 2 people, bringing it up to 15.
THartnell reaches out to comfort Goodsir, but Goodsir shrugs him off
By the way Goodsir is hyperventilating it looks like he's having a panic attack. Thank God Silna is there to comfort him.
Crozier asks THartnell to find out who else helped Hickey get Silna
After Jopson complains about Crozier shaving his job away:
CROZIER: I need to hold a command meeting this morning for Captain Fitzjames ande the lieutenants. I'll let you gather them. JOPSON (with the slightlest hint of sarcasm): Oh, thank you very much, sir.
Jopson is such a little shit, I love him so much.
While the other officers discuss the situation with the tin cans, Hodgson is send out with THartnell and Manson to bury Morfin. He peers down at the little mound under which Morfin lays.
And then he comes back and finds out they had a big talk without him and that Jopson was promoted. A steward! Promoted to lieutenant!
(#OfficePolitics)
And that... that's the moment of vulnerability Hickey exploits.
Hickey doesn't tell Hodgson what happened to Morfin. He asks him. He's most successful when he lets others talk.
Hickey says the food would be divided into "nearly a hundred portions", so there's less than 100 people alive at this point.
HODGSON: God, blind me.
He's so ridiculously Victorian.
Was there ever a more Hickey sentence than "Survival is a nasty piece of business, but we do what we have to do."
I like that Hickey recognizes he's more suited to be a powerful man's right hand man. He likes running things from the shadows.
Why does Hodgson send Hickey with Irving???
Hickey has to adapt here. By his expression I don't think he was planning on encountering those Inuit at that point (and how could he be?) I think he decided to kill the other two on the spot.
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myxcenterxstage · 5 years
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v: Sail On / The Terror AU random plotz, aus, and thing I wish happened in the TV show / Franklin’s Lost Expedition
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Under the cut because long post, contains spoilers, and there literally is the good, the angst, the ugly, and the beautiful ! XD  
Bonus: Some of these include random plot things discussed in IMs I just want to save for posterity :3
THE GOOD: 
1. Pris is like the biggest spirit lifter over the winter. When things get dreary she always knows how to lift their spirits with a little song and dance. (Never has she had enjoyed so many a dance partner lmao)
2. One particularly dull and boring winter after discovering how much of a theatre nerd Fitzjames is, she somehow manages to convince him to perform a few skits with her and a few other theatrically-inclined crew members.
3. Pris growing to follow Crozier like a puppy and fawn over Fitzjames like the secret admirer that she is... only to stand there scratching her head from seeing them argue and hardly get along. 
4. Crozier teaching Pris sailor’s slang. Fitzjames telling Pris for hours about his adventures and stories. Goodsir nerding over Arctic nature. PRIS HANGING OUT WITH THE CREW AND LEARNING STUFF OKAY?? <3
5. Pris’ excitement the first time she has the privilege of dining with the officers or being in an officer meeting. Fitzjames / other officers teaching Pris what it takes. Thanks to her Uncle’s knowledge passed down to her, she actually provides good insight during one of their important meetings, albeit from different experience and viewpoint.
6. Pris wearing a sailors cap and uniform jacket over her skirt and being so proud of it.
7. EVERYONE HAPPY AND LISTENING TO BLANKY’S STORIES??? OR JUST SAILOR STORIES IN GENERAL???
8. or how about an au where Hickey actually learns from his lessons and can actually HELP people instead of manipulating them???
9. EVERYONE ACTUALLY HAVING A GOOD TIME AT THE CARNIVAL AND STANLEY DOESN’T RUIN IT???
10. CAN GOODSIR AND SILNA ACTUALLY GET TOGETHER PLEASE?? AND HAVE A WEDDING??? AND THE CREW AND PRIS ARE ALL INVITED AND THEY CELEBRATE?? AND GOODSIR GETS TO PUBLISH HIS DICTIONARY??
11. OR BETTER YET HOW ABOUT SIR JOHN ACTUALLY HAS A CHANGE OF HEART AND / LISTENS/ TO CROZIER?? AND THEY ALL CAN CHILL IN THE WINTER IN SAFETY AND NOT IN THE PACK AND THEN DISCOVER THE NORTHWEST PASSAGE??
12. OR HOW ABOUT IF LIEUTENANT JOHN IRVING ACTUALLY TOLD THE INUIT FAMILY TO COME WITH HIM TO THE CAMP, WITNESSES HICKEY’S MURDER, HICKEY IS OUTNUMBERED AND ENDED, AND BECAUSE THE INUIT TRIBE IS ALIVE THEY ALL GET TO ENJOY THE SEAL MEAT TOGETHER BACK AT CAMP AND JOIN THE INUIT TRIBE TO SAFETY. AND A WHOLE NEW AU CAN BRANCH FROM HERE.
13. Stargazing and aurora borealis admiring!!
14. Everyone nerding out over books they’ve been reading and science??
15. Pris knitting sweaters for the officers / special crew members just because she’s sweet like that.
16. PRIS FINDING HER UNCLE’S BOOK AMONG THOSE 1000 BOOK LIBRARY!?!??
17. BASICALLY GIVE ME HAPPY AU WHERE EVERYONE LIVES AND THE CANS AREN’T POISONED WITH LEAD - IS THAT TOO MUCH TO ASK FOR?!!?
THE ANGST: 
1. Similar to this great thrilling scene Priscilla finds herself face to face with the Tuunbaq, and doesn’t run but stares death in the face... and just when she thinks it's her untimely end someone else shoots the Tuunbaq, diverting its attention to chase someone else... and Pris is grabbed by a fellow comrade (or the brave soul who just saved Pris’ life) and they run off to safety. It doesn’t have to occur on the island, this can occur on the ice/during the ship attach too.
2. Pris afterward the above incident hyperventilating in safety and describing its face.
3. Hickey staging something to make Pris take the fall for or make it LOOK like she did it.
4. Somehow someone discovers Pris’ engagement ring among her belongings or something happens (probably due to Hickey) that rumor has it she’s a 'stained’ woman and why else would she board a ship last minute?
5. Pris & Hickey don’t get along & the officers have to split them up from getting into a fight (also cuz Hickey looks too much like Edmund... the dude who caused her scandal in England)
6. After Crozier is captured by Hickey, LITTLE AND COMPANY ACTUALLY GO AND RESCUE HIM??? Pris will back him up if nothing else to weight the decision/vote.
7. Pris tending to peoples wound after angst... whether that be supporting Crozier when he’s going through his withdrawals, or dabbing Fitzjames’ forehead when his hairline starts bleeding... or other similar sweet but angsty moments.
8. OKAY BUT WHAT IF CROZIER DID LEAVE WITH THE 8 MEN AND RESIGNED AS CAPTAIN BEFORE SIR JOHN DIED????? Pris insists to go along too because she ain’t leaving her Captain. AND IN THEORY IF THE TUUNBAQ IS BUSY THEN ABOUT TO ATTACK SIR JOHN AND CO DOES THIS MEAN CROZIER’S PARTY COULD POSSIBLY GET A HEAD START AND NOT GET ATTACKED AND ACTUALLY GET HELP???
THE UGLY: 
1. Pris getting kidnapped by Hickey after escaping his hanging. And after Crozier is also captured they just hold this long stare across the camp. Just when Pris was beginning to lose all hope and on the verge of buckling under by being hostage to the psychopathic rat, Crozier’s presence pushes her to keep going. Ideally, with strength in numbers between her, John Dingle, Goodsir, and the other dude who I think was on their side, they try and make an escape before being attacked by the Tuunbaq but manage to FINALLY kill the thing.
2. The above blurb and possibly even the Edward Little rescue party plots might even tie in together. It can still result in angst and Hickey kidnapping Pris to try and threaten her at knifepoint to put Crozier / (Fitzjames) / follow crewmember in a double bing. Either Tuunbaq then shows up or something happens and as Pris is trying to run off she finally gets to throw a punch at Hickey she had so long been wanting to do. 
3. Pris developing so much feels for Fitzjames and dying a little inside each day for fear of it being unrequited but at least she’s happy to call such an extraordinary person her friend and share such great memories together. I’m not even going to go into the scenario of James’ death because that grieves me too much to even handle let alone Pris.
4. Pris is on the verge of hitting her breaking point after even more deaths since leaving the ship. Like it’s even a grief to Pris’ crewmember friends that the little Miss Sunshine has gone so quiet and pensive. And it takes the support of said crewmember friends who try to cheer her up this time.
5. The above angst of Pris being the one sick / recovering from some injury and either as side effect of the medicine or something she has a delusional outbreak where she’s calling out for her Uncle and when Crozier runs over to her, she keeps talking to him as if she was talking to her Uncle before passing out.
THE BEAUTIFUL: 
1. Crozier trying to protect Pris from her scandal when they all return home, and puts on his angry Irish Naval Captain face when Pris breaks up with Philbert once and for all (and finally ends that arranged marriage) and Crozier eventually socks Philbert in the jaw when he’s being difficult about it. And then Crozier and Pris run back off to sea. Crozier warns her about the scandal that would follow and Pris expresses she doesn’t care anymore what other snobs think of her and the sea is her home now. So they run off into the sunset on their next adventure. (shoutout to terrorcaptain because this is so beautiful I need to save this 5ever)
2. After crossing the Northwest Passage everyone gets to beach in Hawaii and party in Asia.
3. After RETURNING SUCCESSFULLY back to London, Pris has to face the music and face her scandal but similar to the story ‘La Fille Du Regiment’ ... Pris as the ‘Daughter of the Navy’ isn’t seen so scandalous anymore because she was a key contributor to the success of the Franklin Expedition and joins her new ‘Family’ of the HMS Erebus/HMS Terror for their next adventure!
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