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squad-draw · 2 years

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SQUAD-DRAW'S SQUAD DRAWING (OC) CONTEST

I think it's been a few weeks since I mentioned doing this, but here we finally are! Nothing super special or fancy, I just wanted to do something fun with the blog and interact with y'all some more - and give people a chance to promote their original characters!

I also don't have much to offer by way of prizes other than glory, but I will draw free art of the winner's OCs (examples of my art below the cut)

In addition to picking my favorite drawings, I'm also going to choose random winners! So if you feel like you're not an experienced artist or don't have time to do a detailed piece, don't worry, you can still win!

This is also my first time doing something like this and I have no idea how many people are going to enter, so we're going to have to play it by ear a little.

HOW TO ENTER:

Pick any "Draw the squad" image from the blog and draw your OCs with it! Nothing catching your eye? Feel free to pick an image from elsewhere, too! I also have a pinterest board of ideas and fellow tumblr blog draw-the-squad-like-this has a lot, too!

Either reblog the original and add your drawing, or upload a new post and tag me! (be sure to include the image reference or a link to it)

Mention in the text or the tags that it's a contest entry!!

Make sure you're following this blog - I may make some updates to the prizes or deadlines in the coming weeks.

Please also reblog this post!

If you're picking something not on the blog, no NSFW or gore, please

Right now, I plan to reblog every entry (I'll use the tag #contest entry) so you'll know that I saw it and that you're good to go!

(If you don't want your entry reblogged for whatever reason, please make note of that in your post or tags! I'll send you a message to let you know I saw it instead.)

If I miss your entry somehow and don't reblog it, feel free to send me an ask or message!

Also, feel free to draw multiple entries! I'm going to put the limit at three for now. You'll only be able to win one prize slot, though.

THE LAST DAY TO ENTER WILL BE APRIL 22ND. I'll accept entries until 11:59 pm Pacific Time!

PRIZES

Right now I plan to randomly select 2 winners, and also pick my 2 favorite entries.

(This might change depending on how many people end up entering. I don't know if this will actually take off so maybe I'll just draw art for everyone who participates)

Each winner can choose between the following (I also might change these slightly or add other options):

A headshot with a plain background and an icon

A headshot with a detailed background

A full body with a plain background

ART EXAMPLES

You can check out more art on my other blog @auroraanorth, but here are some examples! I've mostly been drawing rough sketches the past few weeks, but for the contest prizes I would do more polished drawings.

(I'm also on toyhou.se)

I think that's everything! Feel free to let me know if you have any questions or suggestions :)

#draw the squad #draw the squad meme #art contest #art meme #drawing meme #artists on tumblr #squad draw

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crystxlclear · 4 years

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sudden desire

chapter three: so, maybe i’m not okay

part four of sudden desire

prologue / one / two / masterlist

in which two best friends won’t admit they’re in love so decide to have a baby together instead.

pairing: marcus pike x original female character

word count: 2.5k (short lil chapter today!)

warnings: mentions of illness? other than that, none that i can think of? maybe the tiniest smidge of angst if you squint

Coraline has always been close to her father. One of her very first memories involved her perched on his shoulders at a Fleetwood Mac gig. He'd managed to sneak Cora, her brother, Daniel, and her heavily pregnant mom side-stage — the perks of him managing the venue at the time, in between jobs — and he'd cried when he'd heard her singing along to his favourite band. The show was all she'd talked about for a solid two weeks. Sure, the memories were a little grainy and probably warped by a crackly VHS tape of her mother's that she used to watch almost every day, but they were memories she held onto it as tightly as she could.

It was her father who took her first (dreadful) headshots, and him who she'd turned to when her sister died, and him who'd persuaded her that leaving everything and everyone she knew and loved back in Michigan to settle down in California (and then, later, D.C.) was a good idea. She owes her dad a lot, which is why the phone call has been playing on her mind all day.

The call came at 3am. She'd only fallen asleep two hours earlier, after Loren had arrived to pick up Maisie an hour late, hair a mess and rushing to apologise. Marcus had left a little while later and she'd practically collapsed into bed a few minutes later. She'd been woken by the low humming of her phone vibrating against her bedside table as it shot light through her dimly lit bedroom. She'd groaned uncomfortably and reached for it, cheek wedged awkwardly between her pillows and the mattress and legs tangled wildly in the sheets (Scott had always said she wriggled a lot in her sleep, but she'd always assumed he was exaggerating, until she slept alone).

She'd scowled when she'd seen it was her dad; he knew her schedule, and she'd told him she was up early when they'd spoken earlier that day. He never rings her late and it takes a moment for the frustration of being woken early by her phone to bleed away into worry and concern.

"Hello?" She'd croaked our groggily. "Are you okay? Is mom okay?"

She'd been met with a chuckle. His voice was low and gruff when it came, unusually thick and strangled. "Hey, Corrie." There was shuffling on the other end, hushed voices floating in and out of focus, until the phone went silent enough to think that maybe he'd hung up and hadn't meant to disturb her at all.

She'd scowled but her phone assured her he was still on the line. "Dad?" She'd called out to him. The panic had begun to rise when it wasn't his voice that replied.

"Coraline," her mother's soft voice breathed out. It was like a sigh of relief. "Sorry to bother you." Her French accent tipped the corner of her words. It always got stronger when she was upset or worried or scared, and it was especially thick now.

"What's wrong?"

Another pause. "Your father is in the hospital."

"What?" She’s suddenly holy upright, fear turning her blood to ice.

"He's fine, don't worry." She'd assured her. "He’s had some problems with his breathing again. They're doing some tests."

She'd almost booked a flight back to Michigan, almost abandoned filming and ran back home to make sure her dad was okay. The last time he'd been in hospital, it had been touch and go, and they'd spent an entire day huddled at his bedside in fear, just in case he'd stopped breathing. It was touch and go, and she couldn't live with herself if the worst happened and she never got to say goodbye to the man she owed so much to. She'd been in the process of scanning over the next flights on her laptop when her dad had taken the phone back from her mom and practically demanded that she stay in D.C.

Eventually, she'd relented. He'd promised to update her and she'd told them she loved them both before hanging up. But the phone call had sent her entire day into a tailspin.

She’d tried to sleep the extra hour and a half before she had to haul herself to work but her mind was running too wild for that. Even despite the reassurances, worry was plaguing her thoughts and panic was forcing her eyes open. Everything was just too much.

The last time it had happened, she'd had Scott. It was back when things were good, and he'd held her as she'd finally fallen asleep, curled up against him in an uncomfortable hospital chair.

But, now, he’s gone. Now, then, she was stood on set alone, trying her best to bite back a yawn and the tears, with so much concealer hiding the dark circles under her eyes that she can feel it clinging desperately to her skin. And, of course, life had picked the day when they had the most action scenes to film to deprive her of sleep.

Her entire body ached. She isn't sure how she's still standing after the first hour of work, with her legs protesting with every movement. Two hours of sleep and the running and the jumping and the endless stunts had sapped every last scrap of energy from her bones. She'd carried on stoically for most of the morning but she's truly never been more grateful for a lunch hour before, when she finds herself curled up against the couch in her trailer, passing out even despite the panic still swelling in her chest. She'd been surprised when she hadn't cried — maybe she was just too exhausted and her body simply couldn't muster the tears — but she's grateful she manages to keep the tears in because she doesn't want to haul herself back to set with mascara tears on her cheeks.

She’s even more grateful when she makes it home after a day that feels like five rolled into one and the scattered couch cushions look far too inviting for her to ignore.

It's an uncomfortable sleep and she wakes with the beginnings of a headache thrumming through her skull and a stiffness in her spine that she can't seem to straighten out. She's not sure how long she's managed to sleep — barely half an hour, she assumes — because she's woken by a soft knock on the door instead of the alarm she'd set on her phone. It wakes her with a jolt and she can't help but groan at the aching protests her limbs give when she stands. She shuffles across the apartment to the door and Marcus is stood there, smiling, his suit jacket and tie draped across his arm.

She's half dressed too - only he looks a damn sight better than she does, because his hair isn't dishevelled and messy and his shirt isn't twisted half way around his torso. She shouldn't have slept in her clothes but at least she had the hindsight to take off the stiff jeans. Except, now, she’s startlingly aware she’s standing before Marcus in nothing but her underwear and an unforgivably tight tank top.

"Good evening, Sunshine." He grins, that smile that makes her think that maybe he should be the one she called 'Sunshine'. "I brought you coffee." An odd offering at nine on a Wednesday evening but she’d been complaining, via text, about the lack of quality caffeine all day. Marcus offers her a polystyrene takeout cup as he steps inside.

"Lifesaver," she mumbles as she grabs it by the flimsy top and shuffles towards the kitchen to pour it into her unused Death Cab for Cutie mug — the mug her brother bought her three birthdays ago — and sips on the coffee. It's far too hot but she doesn't care; she needs the caffeine just to keep her eyes open. She grabs the blanket that she’s been sleeping under and wraps it around her waist, hyper-aware that she’s still wandering around in her underwear. She’s almost too tired to care.

"Are you okay?" It’s almost like he can tell. Though, she’s sure it probably has something to do with the dark bags beneath her eyes. She’s sure it probably looks like she’s been punched square in the face.

She shrugs. "I'll be fine. 'm just tired," She hums. Coraline slumps back against the couch cushions, pulls a thick blanket back over her body and lets her eyes flutter shut again. She groans and pinches the bridge of her nose.

"Bad night sleep?" There’s bags and piles of fresh laundry piled on the chair he usually sits on, a product of Coraline’s half-hearted attempt at productivity. Instead, he resigns and sits down beside her at the opposite end of the couch, lifting her legs absentmindedly to rest in his lap, sipping on his own drink, and smiling at her sympathetically as she stifles a yawn against the back of her hand.

Her eyes drag towards him when she opens them again. They rest on his face, studying everything from the softness of his brow and the curve of his prominent nose, to the scattering of facial hair that dances across his jaw, small patches of grey poking through at the edges. She’s glad he kept it after whatever undercover work he’d been assigned to before they’d even met. "If I tell you it was the worst night sleep I'd ever had, in my entire life, would that make me sound dramatic?"

"You? Dramatic?" Marcus scoffs and a smirk tugs at the corner of his lips. His free hand rests on her leg; he draws patterns against her skin but she’s not even sure he realises he’s doing it. "Never."

“Shut up.” Coraline glares at him but smiles, regardless. "Well, I think I'm allowed a pass today."

His face falls at her words. "What happened?"

She sighs and takes a hand through her hair. "My dad-" She eyes him as he watches her intently, brown eyes soft and comforting. "-he's ill again."

Cora had told him about her dad's illness, about how she worried he'd wind up back there again, in the hospital, that things would be worse this time. He'd listened to her like what he was saying was the most important thing in the world and she'd almost cried when he'd held her in a hug a little longer than usual. It was that night that she’d tried to ask him about his past; she wasn’t sure if he was trying to avoid telling her because he didn’t trust her or because it held things he didn’t want to relive. She half-hoped it was the latter, but she hated to think that he might be bottling things up, things he didn’t want her to know or didn’t feel comfortable sharing.

She wishes he’d tell her things. She’ll understand, no matter what it was. She’ll listen, like he does to her, for as long as he needs, as long as he wants.

It’s almost comical how different they are in that sense. Marcus is reserved, closed off, but in way that doesn’t suit him. It’s like whatever exists there, whatever memories lingered, had been withered by sadness, by something or someone, until there’s a barrier guarding his secrets and story that he hasn’t meant to build. She sees the softness in his eyes when she tells him her stories or shares her fears, like his heart is aching to spill the details of his past. Like he can’t let it out. It works for his job — undercover work, secrets, classified information — but somehow it doesn’t suit the smile and the softness of his words as he illuminates Coraline’s darkness.

Coraline, on the other hand, finds her words spilling from her chest before she can even hold them back. She’s not sure if it’s just him — the reassuring smiles, the soft brush of a hand, the gentle voice — but they pour from her at an almost embarrassing speed, like a waterfall of words cascading at regrettable speed. She’s not even entirely sure that she won’t spill her secrets to the next stranger in the street who offers her a smile. But that works for her job; people prying, picking her apart like vultures, scavengers of information found tucked away out of reach. It’s the worst part of the job description, to expect someone to know every detail of your private life, but she often thinks she’s open enough to sate them, until they leave her alone at last.

On paper, they make no sense. Jobs, the polar opposite, necessary privacy mixed with relentless publicity. Open and closed doors. But Coraline thinks, perhaps, that’s why they work. It balances them both out.

Marcus reaches over and catches her hand in his. There's barely any space between them because of the way they’re sat, with her feet prodding at his knees. "I'm sorry, Cora," he whispers, his thumb running over her knuckles softly.

After a shaky smile, gazes locked for maybe a little too long, Coraline stands up and smooths out her shirt. As much as she appreciates it, and appreciates him, she doesn't want to cry. Not today. "It'll be okay." She scrapes her thumb under her eyes, brushing away the black smudges that she's sure have formed underneath her eyes, and finishes the last of her coffee. "Everything will be okay."

Cora isn't entirely sure she believes that.

#marcus pike x reader #marcus pike x oc #marcus pike x original character #marcus pike #pedro pascal x reader

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bearpillowmonster · 3 years

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Horizon Zero Dawn Review

The game that critics have been raving about for years and I just haven't played. I heard a lot of people say "this needs a movie" but they say that about any game that dares to be a little bit cinematic because I personally disagree.

That first part is rough, the story seems so in your face, predictable and bland but I think the problem is that it didn't know how to put in its exposition. I think it naturally builds up as it goes on, getting bigger and broader, it's just those first experiences that can be a slog because you're pretty much learning what style you're going to play in.

I got more or less everything I expected, crafting, a skill tree, various weapons. What I didn't expect though are dialogue options. You can choose normally up to four paths, an intelligent one, a compassionate one, and a straightforward one. You don't have to worry about the stress of trying to reach a specific ending because there's really only one, the only thing that affects it is the amount of people that are in it. So does that make the choices irrelevant? Yes and no because there are different dialogue options and like I said, which means that you can get certain characters to like you more given the option you choose but not in the same way that relationship points work and I definitely felt the draw to do that whenever I came across my first side-quest.

Side-quests are interesting, I love tracking things in games, though it's rare that you actually get the chance to do it and here you have a good amount of opportunities. Is that all though? Far from it. I actually found myself searching for side-quests because the first two were so satisfying. It really only began to show its hand a bit more after those quests. As I mentioned, there are a lot more RPG elements than I first imagined but it starts to send you on scavenger hunts, especially that Dreamwillow one, that one I actually laughed out loud at every time I was turned away. It also starts to gatekeep to where it recommends that you be a certain level which is...odd? I mean at face value it looks like you could rock basically any combat situation that isn't context sensitive. Leveling up gives you abilities but they're more like Deus Ex on that front, where it's just for preference and upgrading, not necessarily strength. The only thing you improve on offense wise basically boils down to having the right materials or units to buy weapons then a matter of finding modifications. Other than that, leveling up seems to just increase your health. It really just depends on the quest too because I'll play one above my level and be fine then play another that's actually under my level and feel stuck.

Now I only played it on normal mode so something like "Ultra Hard" is bound to be more demanding but as far as actual side quest content, I feel like they have potential but just need tweaked, give me more stuff for major characters that affects their standing with me. Rather than having each quest be contained in its own story, have it affect you later in the game, let your actions be shown, give it rewards and consequences. There are some really great side-quests but there are also some crappy ones, it doesn't pass that threshold that most RPGs fall under or anything. However, I did find myself doing side-quests at my own free will and the ones that I didn't like or couldn't do at the time, I just skipped and focused on something else, I felt a lot more freedom with this game, like I didn't feel forced to grind or do a certain number of side-quests or really do anything. It encourages you to explore and play the way you want to play and I respect the heck out of that. Maybe it's different for other players though.

Perhaps my favorite actual side thing was the Cauldrons for those who actually played this, you'll know why. For those who didn't, just know that it's cool and let it be a surprise for when you go to one. You might expect these big set-pieces and bosses like Uncharted or GoW, but it's not really like that. I genuinely think that this is more video-gamey than it lets on which certainly takes up its runtime. One addition to side-quests that I would like to see is one where you don't know it's happening. For example, in this game, you'll come across random hunters who are attacking or being attacked by machines but rather than just going on about your day and them going on about their's, I want to fight off the machine and the person say "You saved my life, my name's Jara, I live in the town nearby and want to repay you." so you go there and there's trouble so it starts up a side-quest. Now don't get me wrong, there are PLENTY of instances of people getting attacked actually being a mission but most of the time someone in town will just tell you "I haven't seen this person in a while, can you go check on them for me?" It's the art of subtlety and also just doing a good deed and getting rewarded for it. It's a conscious choice and split decision rather than just another checkmark on your list to complete.

Now I won't bother listing the characters and rating them but there's a certain aspect that has me really enthused So, Aloy is an outcast and a lot of these side missions and scenarios reflect her, you'll see the way she can relate with other characters, making it almost poetic in a subliminal kind of way. Then they add this tribal and futuristic setting to it where Aloy acts as the medium, there are parts of the game where she questions the tribe because they cut themselves off from technology and just don't know any better and we as a viewer know that but having the main character view things in 'our' lens is pretty genius. To top that off, they give her enough personality to be her own character while giving us enough power to influence her so that we ourselves can REFLECT WITH HER. It's not her character that I'm impressed with, it's the layout of the story.

So, how is the main story? It's kind of like the Flood scenario in Halo if I'm being honest. I'm not going to spoil anything but it's passable, like I said, it's not like an Uncharted and it's not like a movie. The visuals just look good at times (I took all the pictures in this review myself and so much more!). I'd call it a futuristic/tribal mix between Shadow of the Tomb Raider and Skyrim but I see elements of a lot of things. (Also since it's post apoctalypic, you find items that we see in modern day, like how they call keys, "chimes"! They think they're windchimes because there are no more cars! I love that!)

It actually does a pretty good job at being an open world considering that there are tons of things to do on your routes as well as collect but it's not so much so that it seems unfeasible, as I said, I found myself doing a good chunk of the side stuff just because it was fun to do and I'm not even close to a completionist for any game. If you mess up, healing plants will still be there. As long as you save, enemy parts will still be there. A place can be cleared out and conquered so that enemies don't come back. The actual towns are peaceful so you can't get mangled by any bots outside of scripted instances.

The graphics are pretty good but I can see some error here and there, nothing necessarily game breaking but the animations and AI are definitely janky at times. It's pretty obvious from the get-go but I'll do my best to specify and give constructive criticism on what I found wrong with certain aspects of the game. Rost is slow, like slower than walking speed but that's not to speak for all NPCs, some run, some you don't need to follow, it was really just him. I've had NPCs who fight but miss every single time on simple enemies (that might not be a bug, that might just be a funny bit that someone decided to add in). Sabretooths have jumped through walls (granted the walls were kinda broken but I'm not sure if those big boys can fit when they can barely find the entrance) I found myself jumping to a ledge or on a rope but not land it and just drop (it really boils down to loosening the hit box for that). Which to add on to that, I would like more places to climb and jump to in general (other than stupid mountains). I felt like there wasn't really enough that I could climb and the places that I could, could've been a bit more obvious that I could, maybe even make it viewable with your focus if you don't want it to be visually outstanding. There's a day and night cycle and while I like that, I found some of the contrast to be annoying because I could be staring a ladder right in the face and not even know it sometimes because it would be so dark. I'm not going to complain too much about it because I didn't turn my brightness up, I just left it at default and I would assume the PS5 version fixes some of those little things.

Now, this one is kind of a gray area: Hiking up mountains. Skyrim, Fallout, and Death Stranding went too far and gave little to no barriers. They had you looking for sweet spots that weren't there in order to cheese your way through an area either on or off a beaten path. But I would compare this to something like GTA where it's not as bad and does have its limits but might need tightened up some more because I can certainly get to places that lead to nowhere.

I've made headshots that don't make contact or damage while using precision. Part of that problem was that they could be high up in a tower (which have spikes sticking out) and I would hit ABOVE the logs, to make a headshot but since it was in that vicinity, it registered that as the spikes' hitbox so it wouldn't cause any damage and just alert the enemy (same if I was in the tower, looking down). Input lag where I hit up button on the D-Pad to regain health and I have to keep pressing it. If I had to guess, you have to meet the requirements of not taking damage, staying still, etc in order for it to actually work but it doesn't really have a reason to do that and it doesn't "tell" you that those are the requirements (as far as I know).

During the final boss, one of the enemies hit me into a rock wall, trapping me inside of it and the boss was already half health so I really didn't want to have to restart (I also didn't know how far back the checkpoint was) so I kept shooting stuff and eventually the boss destroyed the wall, allowing me to get out (timed section, by the way). There have been a few times where a tree or leaf or something is obstructing a cutscene and sometimes there will be a mech in the background screaming over the NPC talking, which I'm sure is due to the cutscenes being real-time which is still pretty impressive. Now are these errors all the time? No, not at all, I'm just pointing out that some times these things happened and that I felt it needed ironed out but I wouldn't call this half baked or an unfinished product or anything, it's nowhere near that level. I get that there are so many NPCs that it's hard to account for them all with facial animations but whenever they're talking, it seems pretty static and sometimes the lips don't line up. There's this one guy who says that he got lost in a sandstorm but he's standing in snow. Again, little nitpicks in an otherwise great game.

Now, I got this game for free as a Playstation promotion but that doesn't necessarily mean it'll be great, I played a little bit of that Ratchet & Clank reboot that was offered and I wasn't impressed, I quit after the first few worlds and was glad I didn't buy it at launch, (despite being a classic PS2 R&C fan) but we're not here to review that. I also played Abzu and loved it but it was short so it was definitely worth a play but maybe not 60$ (I actually think it's 20$ at this point though). With this game, it's the whole complete edition with DLC and everything, it has the length, so it really just boils down to "Would I have spent money on it otherwise?"

I think I would've if I knew more about it because I think it just got better and better after that first part of the game. It's marketed a bit differently than what I ended up getting but I found myself pouring hours into this game and loving it for one reason or another. I actually bought Shadow of the Colossus along with it (which is considered a cult classic) but I liked Horizon so much better, definitely worth its full price in my opinion. (So your promotion worked on me Sony, congrats) It has its problems but the potential is there and I feel like a sequel would probably iron out a lot of my troubles with it, so it's definitely a franchise worth investing into.

If you're interested in what I thought of the DLC alone (if you didn't get the Ultimate edition and are wondering if the extra content is worth it) I have a separate post that goes into that here.

#hzd #horizon zero dawn #review #game #4/5

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