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Angel - Paige bueckers
part 3
• summary {when an unsuspecting girl falls for the basketball star}
• warnings {drug use, angst}
• comment if you would like to be added to the taglist
bella’s pov
“ok you can go now” she says, emotionless
“oh”
“i mean, no offence but i have a girl coming soon, so you cant be here” she says laying on her back, breaking our eye contact
i don’t respond and put my clothes back on. this is fucked
“have a nice night”
i haven’t cried this much in months, walking through the halls, ugly crying.
‘paige’ has been blocked by ‘bella’
“bella whats wrong” avery says, empathetically
“i hate her, i hate her so much” i cry, barley being able to choke the words out
i look at avery after my response and i have never seen her that angry, there could fully be steam coming from her ears.
“please dont talk to her, please dont hurt her, please avery, please” i cry out, begging the infuriated girl
“why not bella, she deserves it” she yells
my tears dont stop and i feel like they will never stop pouring.
“tell me what she did”
i begin the tell her the events of tonight and her anger only grows.
“that fucking bitch” is all she can say in response
“but i blocked her, and im literally never gonna speak to her again” i say, trying to make a positive point, to counteract this negative situation
“you are never gonna speak to her again”
“im gonna go off to bed”
i feel broken, i got used. i wanted my first time with a girl to be meaningful, i know i like girls and i wanted to prove to myself that having sex with girls wasn’t wrong, but i feel wrong, i feel gross. i cant believe i would let myself be that vulnerable with someone i barley know. ive never been the one to have one night stands and ive only ever had sex with someone ive been in a relationship with.
i take my valium, something i swore to never use again after getting addicted, but its the only thing that works.
“hey, how are you feeling” avery ask’s, genuinely. i’ve never seen her be this gentle before
“wheres my weed”
“bella no”
“shut up avery”
i walk to the kitchen and unlock one of the drawers, and i see the stash. thank god
i know i shouldn’t smoke as a coping mechanism, but its the only thing that works, every time something bad happens to me, i turn to smoking
after going through 3 joints, im barley able to talk or stand up. perfect
knock
ugh
knock
fuck off
knock
“who is it” i say, it barley even sounded like words
“its azzi, is avery here”
who the fuck is azzi
“avery theres a bitch here for you” i say taking another drag
“oh my god! hey azzi” avery says, excitedly, why the fuck is she acting like that
“why are you so fucking happy” i ask, knowing full well how rude i sound
“this is azzi, shes in my psychology class and we have gotten pretty close” avery says, grabbing azzi and sitting next to me on the couch
“yo dont sit on my shit” i say, mad
“your bella right?” azzi says, happily. i hate happy people
“yeah”
“yeah avery’s told me alot about you” she says
“cool” i reply, dryly
“azzis on the basketball team” avery says, my eyes widen
“of course she is” i say, sarcastically. i hate basketball
“yeah, have you been to any games” she questioned, attempting to continue this boring conversation
“nah, i dont watch basketball”
“oh well you should sometime, avery keeps saying how she wants to go to a game” azzi says, looking at avery who begins giggling. sus
“bella your probably friends with some people on the team” avery says
“you wanna hit” i offer to azzi
“nah, i dont smoke”
“boring” i say, bluntly
“do you guys mind if some of my friends come over” azzi says
“no, no, thats perfectly fine” avery says, looking at azzi. basically eye fucking her
“who” i ask
“ice, kk, aubrey, nika and ashlee” she lists
fuck my life. im to high to care
“yeah whatever” i say, lazily
“ok perfect, ill tell them to come” azzi says, excitedly
“are you sure” avery whispers to me, being nice. for once
“i dont give a fuck, its fine” i say taking a drag
im so high. god damn
10 minutes later all of azzis friends turn up, why are they all so tall. what the fuck
avery introduces herself to them and points them to our couch
“hey im kk, your bella right” kk asks
“yeah im bella”
“hey im ice”
“hey im nika”
“hey im ashlee”
“hey im aubrey”
to many people to remember
until
“oh paige came to, i hope you dont mind” azzi says to us, mostly avery
avery says nothing, myself included
“hi paige” avery says, extremely cold
“come sit guys” azzi says, breaking the silence. i wish i wasn’t so high cause i wanna go to my room
everyone sits on the couch, paige sitting the furthest away from me. funny. not funny. not laughing
conversation begins and everyone is involved. everyone but me, ugh i’m so uncomfortable
paige keeps looking at me, and yes i’m noticing because i’m looking at her to.
paige’s pov
fuck. why do i keep looking at her.
she blocked me last night so obviously shes mad about my actions last night, its just a hookup, nothing more.
its not that deep
“i’m going to bed” bella says, slurring and barely able to stand up. i didn’t know she smoked that much, i guess i don’t know anything about her. but i don’t care.
“paige are you ready to go” kk and ice say to me
“yeah, aubrey, nika, azzi, u ready to go”
“yeah lets go”
“actually im gonna stay” azzi says. sus
“buy guys” is said in unison
azzis pov
“ugh finally” avery says, while smashing her lips onto mine
A/N: im being active rn lolll. how do we like avery and azzi
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sharing some of my disorganized jojo musical thoughts now that ive had a week to sit on it and ive rewatched it several times over. i intended to wait to publish something like this until a subtitled version was available, but im not seeing any indication that thats happening any time soon so for now youll have to deal with my loose interpretations from my extremely rudimentary and rusty japanese… so take what i have to say about the finer points of characterization with a grain of salt. gratuitous spoilers below obviously, both for the original source material and the changes made in the stage production
my feelings are OVERWHELMINGLY positive. of course there are things i can criticize or that i would have personally done differently but oh man… i have literally not thought about anything besides this fucking show for a week. im 100% confident in saying this is a better adaptation of the source material than the tv anime. sorry to the davidpro staff, i respect their hard work and their love for jojo and their dedication to what is by any metric a pretty difficult property to adapt off of the page, but i dont know if i can ever forgive them for leaving half of the first episode’s storyboard on the cutting room floor in order to fit a standard half-hour tv slot, especially considering that what they cut is some of the really crucial character-building stuff. happily those scenes are not only reproduced in the stage version, some of them are expanded upon!
with the quick disclaimer that i’ve only managed to get my hands on the final 4/14 performance with shotaro arisawa and yoshihisa higashiyama, from what i’ve seen the casting is perfect. i’m sure there’s a rip of the 4/13 performance somewhere (i’ve seen clips) but i haven’t been able to find one… every single performer knocks it out of the fucking park, the cast chemistry is incredible and even the minor characters are loaded with charisma. and mamoru miyano… my god… mamoru miyano i owe you an apology. i was not familiar with your game. of course hes been killing it for decades at this point but i had soured on him a little bit recently because i felt like he was overcast in everything and i just didnt connect with his dnt reinhard at all, so when the casting was initially announced back in august i was underwhelmed, and of course my standards for the dio role in particular were astronomically high… i’ll go more into detail later in the post because i have so so many things to say about dio’s characterization here but mamoru miyano’s performance is like, life-changing. i had impossible expectations and he exceeded them.
sorry if im gushing. i am a hater by nature. its unusual for me to be so thoroughly pleased with something. im not even a musical theater guy. these are strange new feelings for me.
just to balance things out i’ll talk about a couple of the things that didn’t really work for me: first of all, the music is just ok. my initial draft of this post called the music “bad” but three additional viewings later i have warmed up to some of the songs. i don’t know if this is a shortcoming by dove attia as the composer or if it’s just me, as i said i’m not a musical guy and a lot of the genre conventions of musical theatre are not really the things i look for in music that i enjoy, but like… even at their worst they are serviceable. nothing here is sonically unpleasant to me. high points are “resolve of the ripple” (zeppeli’s hamon training song, a jazzy swing number - it’s simply catchy and fun to listen to) and the closer “phantom blood” (a sweeping ballad that reprises the earlier “light and darkness”/”golden spirit” leitmotifs into an epic duet between jonathan and dio as they join hands and walk off into the darkness together… made me cry! i wont lie! on every single one of my numerous viewings this one got me misty eyed!)
wait i forgot this is supposed to be the part where i’m being critical. ok my most loathed song in the musical is “dio’s world”. sorry dio nation. it doesn’t really work for me. i think this might be a case of my standards/expectations being too impossibly high because it’s not even really the worst song in the whole thing. and of course miyano eats it up so it’s not really his fault. i just find it kind of underwhelming… i find the melody a little grating, it’s kind of just a generic rock number, it’s just missing a particular je ne sais quoi…. the essence of dio isn’t there… lyrically though i am obsessed with the premise of dio recruiting his minions by selling himself as a kind of social revolutionary who is upending and inverting the brutal hierarchy of post-industrial victorian society with zombie blood magic. you win some you lose some.
the second sticking point for me is the costumes. they’re perfectly serviceable… adequate… but i mean when it comes to jojo “serviceable” and “adequate” costume design obviously falls well below what’s expected, right? a lot of the outfits have kind of a boxy, almost flat-looking kind of unflattering fit on the actors, which if i wanted to be generous i could attribute to the challenge of bridging the gap between these frail slender musical theater twinks and the two-meter-tall 250lb roided-out beefcakes theyre meant to be embodying. (bearing this discrepancy in mind a lot of the insane martial arts stuff in the second act doesn’t really land with the oomph that it should, but i also understand logistically why this kind of casting is not practical, and all things considered i think shotaro arisawa does a really incredible job of embodying jonathan joestar even though he kind of looks like i could snap him in half over my knee like a twig. he’s very cute. so i’m not mad about it.) of course, again, logistically, i understand that in a stage musical production, where actors only have minutes to complete costume changes, some sacrifices have to be made to the creative vision in the name of practicality. nevertheless this is jojos bizarre adventure!! i want to see some fucking baubles!!!!!!
which is all to say that… after carefully considering it for some weeks… i still have extremely mixed feelings about dio’s grink ass feather bathrobe look. it’s not that i dont think its something he could wear (the concept of dio lounging around in his gothic vampire palace doing re-animator style body horror experiments on the local wildlife in this “officer i have no idea what happened to my husband”-ass nightgown is nothing short of hysterical to me) but then he wears it into combat and i felt a little disappointed… it has the same unflattering fit issue as the other outfits in the show, and it is just such an un-araki-like design… where are the gaudy color combinations? the bizarre geometric patterns? the tease of an exposed boob/thigh/midriff? erina gets a stage-original dress design that i have fewer issues with because the excessive pleats and ruffles have more of an araki-esque sensibility, but every time i look at dio’s robe it feels like there’s something missing. i’m going to choose to be nice about it because it’s not at all a deal breaker and, again, mamoru miyano devours the look. it’s fine. it’s always fun to have a new dio outfit. if anything, the fact that the blu-rays are being marketed as “2024 cast version” gives me hope for the possibility of a future production with a new vision for the costume design. (although the fact that this was such a difficult production - with stunts and pyrotechnics and moving setpieces - that its entire first week was cancelled indicates to me that the prospects for a future production from a different company are impossibly slim. i guess there’s always hope?)
in terms of the writing and the changes that were made from the original narrative, honestly i don’t really have an issue with anything that was cut. sorry if there are any diehard stans of Poco’s Unnamed Sister out there who are steamed that their favorite minor late phantom blood character got the axe, i kind of understand how you feel because i’ve been malding over david pro cutting the Danny Lore for eleven years, but i think it was the right choice and the story flows so much better. the real juicy meat at the core of phantom blood as a narrative and the thing that brings it head and shoulders above so much of the rest of jjba is the character-driven drama - that deliciously pulpy victorian gothic family tragedy - and the relationship between jonathan and dio. the musical beefs up the character drama and slims down the action-driven second half by trimming out the extraneous battles. the only real downside i see to this is that the absence of tompetty and his prophecy makes zeppeli’s arc and death feel INSANELY abrupt, but tbf that’s not a deal breaker for me. sorry zeppeli. you were born to die.
okay. okay. i think 1500 words into the post is enough fucking around so let’s talk about the real reason why you and i both know we’re here
musical dio is SO fucking sad. he’s positively wretched, you guys. he was born in a wet cardboard box all alone and forced to eat cement when he was six. he cries even more than he does in the source material and even when he’s not crying he frequently delivers his lines as though he is moments away from bursting into tears. back when the musical first opened i was snooping on the reactions on jpn twitter and one commenter said they could see miyano’s tears and snot from the nosebleeds even without opera glasses, a remark i initially assumed was hyperbole but that i now think probably was not. araki’s dio is certainly tortured and a deeply pathetic crybaby beneath all the cruelty and posturing, but changes in the musical and miyano’s embodiment of the character bring this pathos to the fore. he is literally haunted: dario’s ghost lingers, a manifestation of all of dio’s traumas and insecurities that emerges from the recesses of his memory to taunt him with the reminder that he will always be his father’s son, all the way up until the very minute that jonathan breaks down the door to his vampire lair. i am OBSESSED with this - not only for the obvious reason that i delight in dio’s suffering personally but also because kong kuwata is a delight and he fucking kills it every time. also lends itself to a category 10 leitmotif moment at the top of the second act when dio emerges from the charred ruins of the joestar estate singing dario’s theme and calling out to jonathan - if i had to pinpoint this is probably the moment when this musical stuck for me as the Real Deal. they Get It.
the first solo number in the show is dio’s disney princess I Want song (amazingly, simply titled “dio”) where he weeps for his late mother and his wretched lot in life, and then - in a creative decision that made me clap my hands and hoot and holler at my screen in real life - there is a reprise of this number (delivered, naturally, through tears) when dio is almost arrested for murder and decides to become a vampire instead. so there’s this amazing hopeful uplifting inspirational orchestral music accompanying the onstage action of dio ruthlessly slaying jonathan’s dad and then getting pumped full of lead by a bunch of cops. it is brilliant. 10/10 no notes. it’s moments like this that i think really sell the “softening” of dio in the stage version for me, even though i am historically Not A Fan of fanworks that take a similar angle - like, yes, he is sad, but specifically he is narcissistically obsessed with the spectacle of his own suffering, he is boiling over with bitterness and rage for everyone around him who (by his own estimation) could never hope to have suffered as much as he has. this sensitivity and self-pity he wallows in are not expressions of a guilty conscience or a desire to change - they’re entirely the opposite - every cruel and monstrous deed dio commits is always justified to himself because he is simply the saddest little boy who has ever existed. he has been done wrong by the world and so there is no limit to the depravity he may reasonably respond with. i’ve seen several commenters describe this as a drastically different interpretation of the character from araki’s dio (and someone told me on twitter that mamoru miyano himself has also said this, but i cba to go digging for an actual source so take it with a grain of salt?), but i… dont think thats the case! dio’s obsession with his own weakness and his self-perception as the eternal underdog (as compared to jonathan) are certainly more exaggerated in miyano’s performance, but i don’t think this is an angle to the character that’s been manufactured out of whole cloth. the genre conventions of the stage musical force the melodrama up to eleven and dio’s incredibly repressed angst is the most rich vein to mine for that. hair-trigger sadist dio is still here, it’s the same guy, he’s still killing people mercilessly, you’re just getting to see him sing a big ballad about his feelings instead of confining those to an internal monologue.
if anything, the exaggeration of dio’s pathetic/cowardly/crybaby traits combined with his megalomaniacal aspirations and bottomless well of cruelty is just right. it’s perfect. fucking around, finding out, and then trying to weasel his way out of the consequences with crocodile tears just so you don’t see him drawing his knife to cut you clean open… yeah. thats the stuff. thats my one true blorbo. sad to say i will love him for ten thousand years.
i think that might be all i have to say… or at least all i feel like saying here… most likely ill come back and edit this post later. i certainly have some additional thoughts and some more esoteric/controversial takes but they’re not suited for a public blog. real ones will understand. im keeping my eyes peeled for somebody to translate this thing but to be frank i am kind of enjoying this little corner of fandom as it is right now: just the asians and the true hardcore phantom blood phreaks. i have not had this much fun in jojo fandom in almost a fucking decade. as soon as somebody publishes an english version my timelines going to get flooded with all the most deeply annoying “kono dio da” “speedwagon waifu” reddit guys and 15 year olds and my suffering will proceed. unfortunately this is my lot in life and i am doomed to be here forever because dio put a worm in my brain
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Hello! Its me again, i LOVED your Tyler and Aiden one and i'm back with one more. So think about it, Tyler knows baseball right? So why dont he use his bat skills? (is that what its called?) To beat the shit out of phantoms when they first go to the phantom dimension? Maybe something like thr reader gets pulled by a phantom and tyler crashed the phantoms head with his bat?
I love this! Fr this, like man, put yourself to use for once 😭 I'm putting this at like the first-ish part when they all get attacked on the bus.
Home Run
Tyler x Reader
Pronouns: Second person
Word count: 491
Tw: Uhhh bashing in heads??? also blood.
So this wasn't exactly how you expected to be spending your nights with your boyfriend. Usually you would've expected sitting with him in his bedroom watching some stupid cringy movie or you forcing him to play a random game you found the night before. On the other hand, you haven't really had a night like that with him since Savannah, so what did you honestly expect?
Well regardless of how you feel about being unable to live your best life, you don't have a choice. You lay in your bed, waiting for it to finally hit midnight, like it has every other night. As you lay there you feel your mind wandering, and eventually you start thinking about where you all were last night. The bus graveyard, you were all running. But before you can finish the thought, you black out.
Almost as soon as you open your eyes, you hear Ashlyn whisper "Duck" and you, along with the others, crouch down almost in unison. As you all get down everyone starts brainstorming how to get out of this situation, how to get away from the lurking phantom. You sit there silently, almost in a trance, anxiety coursing through your veins.
After about a minute of debating, Ashlyn perks up and her eyes widen slightly, a sight you've gotten used to. She hushes everyone and after a second says "Hide under the seats.". You along with everyone else start army crawling under the seats, peering out periodically to see if the phantom is nearby.
As you try your best to stay still, you hear a semi loud creak. A creak thats too loud to be safe. You cover your mouth with your hand, your breath becoming more frantic with each passing second. You turn to look behind you and before you can do anything, the phantom grabs you by the ankle, pain searing up your leg as you let out a scream.
"(Name)!" You hear yelled, too freaked to be able to figure out whose voice it was. You grab onto a seat above you and start trying to pull yourself up while (attempting to) kick the phantom away. You let out pained grunts as the phantom digs deeper into your ankle, managing to weaken your grip on the seat above you.
You almost give up, the pain becoming almost unbearable for you, but before you let go, you hear a crunch. A loud disgusting crunch. And almost immediately afterwards, the phantom lets go, letting you pull yourself up.
You push yourself out into the aisle, seeing Tyler panting with a broken wooden bat and the phantom laying limp on the ground. You look at Tyler, tears in your eyes either from fear or pain. "Ben! (name) needs help!" Tyler shouts, running to you and pulling you into his arms.
This is when you're finally able to look down, and all you see is blood staining your pants, shoes and socks. It's slowly dripping onto the floor of the bus like a melted ice pop. As you stare at it, almost everything stops. You know Tyler is trying to talk to you to make sure you're okay (you're very obviously not) and you can see Ben tending to your wound with everyone else either staring at you or the dead phantom. But none of it feels real.
After a couple minutes Ben finishes wrapping your wound and Tyler pulls you closer to him (if that was even possible). "Please don't ever do that again" he says softly and he genuinely sounds worried. You nod in agreement and for just a moment, this feels a little better than a cringy movie night.
Omg I'm so sleep deprived, but I hope this turned out good :)
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