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#pallu commissions
palluniskillas · 29 days
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COMISIONES DE EMERGENCIA!!!
Acepto transferencias de mercadopago y paypal!!
Qué puedo hacer:
-Estilo semi-realista.
-light gore (sangre).
-cosas no proship.
Que NO puedo hacer:
-mecha.
-gore ya de por más.
-proship.
-nsfw.
Me ayudaría mucho si reblogean este post o si lo comparten con alguien que esté interesado, muchas gracias y los quiero mucho <3<3.
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dfroza · 2 years
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to the pure One who we cannot yet see nor hear, yet we have His silent Heart (Spirit) here & now with us to dwell within our own
along with the inspired Scriptures
Today’s reading of the Scriptures from the New Testament is the 1st chapter of the book of First John:
We want to tell you about the One who was from the beginning. We have seen Him with our own eyes, heard Him with our own ears, and touched Him with our own hands. This One is the manifestation of the life-giving Voice, and He showed us real life, eternal life. We have seen it all, and we can’t keep what we witnessed quiet—we have to share it with you. We are inviting you to experience eternal life through the One who was with the Father and came down to us. What we saw and heard we pass on to you so that you, too, will be connected with us intimately and become family. Our family is united by our connection with the Father and His Son Jesus, the Anointed One; and we write all this because retelling this story fulfills our joy.
What we are telling you now is the very message we heard from Him: God is pure light, undimmed by darkness of any kind. If we say we have an intimate connection with the Father but we continue stumbling around in darkness, then we are lying because we do not live according to truth. If we walk step by step in the light, where the Father is, then we are ultimately connected to each other through the sacrifice of Jesus His Son. His blood purifies us from all our sins. If we go around bragging, “We have no sin,” then we are fooling ourselves and are strangers to the truth. But if we own up to our sins, God shows that He is faithful and just by forgiving us of our sins and purifying us from the pollution of all the bad things we have done. If we say, “We have not sinned,” then we depict God as a liar and show that we have not let His word find its way into our hearts.
The Letter of First John, Chapter 1 (The Voice)
Today’s paired chapter of the Testaments is the 26th chapter of the book of Numbers that numbers the people again:
After the deaths of so many Israelites from the plague, the Eternal commissioned another census through Moses and Eleazar (Priest Aaron’s son).
Eternal One: Add up exactly how many Israelites there are, those who are 20 years and older who are able to go to war. Identify them by their extended families.
So Moses and Priest Eleazar got everyone together in the Moabite flatlands next to the Jordan River, east of Jericho.
Moses and Eleazar: Add up the people 20 years old and older, just as the Eternal One commanded Moses.
The total number of the Israelites who had left Egypt were:
From Reuben (the eldest of Israel’s twelve sons)—the clans of Hanoch, Pallu, Hezron, and Carmi; the clans of Reuben number 43,730. Within this extended family, Pallu had Eliab, who had three sons—Nemuel, Dathan, and Abiram. Those last two are the same Dathan and Abiram, who (along with Korah) led that revolt against Moses and Aaron and the Eternal One. They are the ones who (along with Korah) were swallowed up by the earth when so many people died and 250 were burned to death, too, as a future warning to the people. (Korah’s sons were not killed in that episode, however.)
From Simeon—the clans of Nemuel, Jamin, Jachin, Zerah, and Shaul; the clans of Simeon number 22,200.
From Gad—the clans of Zephon, Haggi, Shuni, Ozni, Eri, Arod, and Areli; the clans of Gad number 40,500.
From Judah (remember that Judah also had Er and Onan, the sons who died in Canaan)—the clans of Shelah, Perez, and Zerah. Within this extended family, Perez had Hezron and Hamul; the clans of Judah number 76,500.
From Issachar—the clans of Tola, Puvah (they’re called Punites), Jashub, and Shimron; the clans of Issachar number 64,300.
From Zebulun—the clans of Sered, Elon, and Jahleel; the clans of Zebulun number 60,500.
From Joseph—the clans of Manasseh and Ephraim. Within this extended family, Manasseh had Machir, who generated his own clan and fathered Gilead, who also generated a clan. Gilead’s descendants also became clans—Iezer, Helek, Asriel, Shechem, Shemida, and Hepher. (Hepher is the one whose son, Zelophehad, didn’t himself have any sons. His daughters were Mahlah, Noah, Hoglah, Milcah, and Tirzah.) The clans of Manasseh number 52,700. Also within Joseph’s extended family, Ephraim had Shuthelah, Becher, and Tahan. From Shuthelah came the clan of Eranites. The clans of Ephraim number 32,500. So the total number from Joseph’s descendants, Manasseh plus Ephraim and counted by clans, was 85,200.
From Benjamin—the clans of Bela, Ashbel, Ahiram, Shephupham, and Hupham. Bela had two sons, Ard and Naaman, each of which became a clan; the clans of Benjamin number 45,600.
From Dan—the clans of Shuham; the clans of Dan number 64,400.
From Asher—the clans of Imnah, Ishvi, and Beriah. Beriah gave rise also to the clans of Heber and Malchiel. Asher’s daughter was Serah. The clans of Asher number 53,400.
From Naphtali—the clans of Jahzeel, Guni, Jezer, and Shillem; the clans of Naphtali number 45,400.
The grand total of Israelites organized was 601,730.
The Eternal One spoke to Moses.
Eternal One: The land shall be divided up following the number of ancestral families—twelve. If one clan has a lot of people in it, then it should receive a large amount of land; if the clan is small, then assign it a smaller plot. Every extended family will be allotted land in proportion to its size, and that particular land will be considered its inheritance. Nevertheless, the assignments will be based on lots, and the assigned land will be inherited only within the clan. Among the large and small clans, property will be divided by lots.
So the Levites were listed according to their clans of Gershon, Kohath, and Merari. The clans of Levi include Libnites, Hebronites, Mahlites, Mushites, and Korahites. For the record, when Levi was still in Egypt, he had a daughter, Jochebed. She married Amram, the son of Kohath. Jochebed bore Aaron, Moses, and their sister Miriam. Aaron fathered Nadab, Abihu, Eleazar, and Ithamar. Nadab and Abihu died when they presumed to offer a strange fire to the Eternal One. The total number of Levite men, one month and older, was 23,000. They were not counted along with the rest of the people of Israel since they did not have a land inheritance.
These are the people and their numbers that Moses and his nephew, Eleazar the priest, organized into armies when they stood on the plains of Moab, just across the Jordan River, east of Jericho. Not a single one of the people organized this time by Moses and Priest Aaron were among those so many years ago, when they added up the Israelites in the Sinai Wilderness. The Eternal One had declared that the previous generation had to die in the wilderness. No one was remaining from that generation except for Caleb (Jephunneh’s son) and Joshua (Nun’s son).
The Book of Numbers, Chapter 26 (The Voice)
A link to my personal reading of the Scriptures for Wednesday, july 6 of 2022 with a paired chapter from each Testament of the Bible along with Today’s Proverbs and Psalms
A post by John Parsons about True illumination:
Yeshua taught that we discover the truth about spiritual reality by way of revelation from heaven, not by way of human reasoning. He said that we can come to know God only through Him: "No one has ever seen God; the only God (μονογενὴς θεὸς), who is at the Father's side, he has made him known" (John 1:18).
For example, when a religious leader named Nicodemus visited Yeshua to inquire who he was, Yeshua redirected the inquiry by asking what sort of man he was instead (John 3). Nicodemus was impressed with the reports of miracles ascribed to Yeshua and supposed that he was some sort of teacher sent from God. Yeshua, however, abruptly told him that unless he was “born from above” he would be unable to see the truth of the kingdom (John 3:3). He explained that no one can see the hidden kingdom of God apart from a spiritual "rebirth," that is, a new mode of being that enables the person to enter another realm of existence altogether. Such transformation comes by means of the agency of God's Spirit, that is, by an encounter with God that imparts heavenly life (רוח) to the soul.... Once that happens, the person is able to receive the truth of heavenly things.
Nicodemus objected to the idea of being “born again.” "How can a man be born when he is old? He cannot enter his mother's womb and be born a second time, can he?" Perhaps he was suggesting that spiritual rebirth would be as impossible as physical rebirth. People are just too set in their ways to change... Yeshua reminded him of the distinction between the realm of the natural (“born of water”) and the realm of the spirit (“born of the Spirit”): “That which is born of the flesh is flesh, and that which is born of the Spirit is spirit. Do not marvel that I said to you, 'You must be born again.' The wind (ruach) blows wherever it will, and you hear the sound it makes, but do not know where it comes from and where it is going. So it is with everyone who is born of the Spirit." When Nicodemus still expressed uncertainty about all this by asking “How can these things be?” Yeshua chided him for his shortsightedness: “If you don’t believe when I explain in earthly terms, how will you believe if I tell you about heavenly things?” As a respected teacher of Torah, Nicodemus should have known the prophetic teaching of “rebirth” from the Scriptures, such as Ezekiel 36:25-28, Jeremiah 31:33; and indeed he had a responsibility to know this truth. Moreover the general theme of Scripture concerned the coming of Messiah, the Son of Man, who would undo the curse that befell humanity through Adam’s transgression, and this meant a new beginning...
To help Nicodemus see, Yeshua reminded him of the episode recorded in the Torah when the people became discouraged about the journey in the desert. At one stop they could not find water and they began to say that the LORD had abandoned them to die there (see Num. 21:4-9). God then sent "fiery serpents" (הַנְּחָשִׁים הַשְּׂרָפִים) that bit the people and many began dying. When the people cried out in distress, God instructed Moses to make a semblance of a fiery serpent and to lift it up on a stake, so that everyone who was bitten could look upon it and live. Yeshua then made the connection for Nicodemus: "Just as Moses lifted up the serpent in the desert, so the Son of Man must be lifted up: so that whoever believes in Him would not perish but have eternal life" (John 3:14-15).
The episode in the desert provides a vivid picture of deliverance for all who have likewise come under divine judgment. The lifted up serpent was a sign of righteous judgment; the people were entirely unable to rescue themselves, and the venom was lethal and without antidote. Only God could save them, and God's way of healing was to have the people look at the impaled serpent to receive life. Only God's power could kill the power of death's hold over them... When Yeshua told Nicodemus that he likewise would be "lifted up," he used the same word used elsewhere to refer to crucifixion (ὑψόω). "Looking at" God's provision for deliverance at the cross is the means of salvation -- that is, the greatest blessing of all: healing from our separation from God, deliverance from the judgment for sin, and the promise of eternal life. Again, all this comes by faith: "looking at" God's remedy means accepting it as being offered for your sake. You are set free from condemnation, you receive newness of life, and you are able to live before God in honesty and confidence of his love for you...
"Unless you are born again, you cannot see the kingdom of God." You are blind until God opens your eyes. When Yeshua gave sight to a man born blind, the Pharisees concluded that he could not be a true prophet of God because he healed someone on the Sabbath day (John 9). In response Yeshua said, "For judgment I came into this world, that those who do not see may see, and those who 'see' may become blind." When the Pharisees heard this they asked, "Are we blind then?" and Yeshua replied: "If you were blind, you would not be guilty of sin, but now because you claim that you can see, your guilt remains." Likewise the Apostle Paul was made blind in order to see; he had to lose the blindness of his seeing in order to behold the truth of God's kingdom (Acts 9). As long as Paul thought he could see he remained blind, but as soon as he realized he was blind, he began to be able to see...
The difference between believers and unbelievers does not turn on the problem of sin and the condition of spiritual death - for both are in the same helpless state before God - but rather with the different responses they have turned toward "the light," that is, the revelation of God manifest in Yeshua. Those who love evil hate the light and turn away from its disclosure, whereas those who "do truth" love the light so that their deeds are revealed as God's power at work within their hearts (John 3:19-21; Eph. 5:13). There is an "exclusive disjunction" in the realm of the spirit: either you will love what is evil and hate the light, or you will love the light and hate what is evil. "No one can serve two masters, for either he will hate the one and love the other, or he will be devoted to the one and despise the other" (Matt. 6:24).
In the end there will be found two types of people: those who love the truth and those who love the lie. These are the children of light (בְּנֵי הָאוֹר) and the children of darkness (בְּנֵי הַחשֶׁךְ), respectively. Followers of Yeshua the Messiah are told to “walk as children of light” / ὡς τέκνα φωτὸς περιπατεῖτε (Eph. 5:8). The children of light are called to be am kadosh - a holy people - separate from the evil engendered by the fallen world and its forces, just as the very first creative expression of God was the separation of light from darkness (Gen. 1:3-4). The children of light "hate evil and love the good," and conversely, the children of darkness "hate the good and love evil" (Psalm 34:21, Prov. 8:13, Amos 5:15, John 3:20-21). Regarding the heavenly Zion to come, it is written: “nothing ritually unclean will ever enter into it, nor anyone who does what is detestable or practices falsehood (lit. “makes a lie”), but only those whose names are written in the Lamb's book of life” (Rev. 21:27).
The essential question is whether you are willing to believe in the light of God's love, or not... What sort of person are you, after all? Yeshua is the light of the world, and those who follow him will not walk in darkness, but will have the light of life (John 8:12). So, do you have ohr ha-chayim (אוֹר הַחַיִּים), "the light of Life," shining within your heart? The light beckons: "wake up, open your eyes, and believe" the good news: darkness and despair will not prevail; your mourning will find comfort, your grief its solace. Your heart's deepest longing shines brightly, even now, if you will but believe... Now may you find courage and remember what is written: "The LORD is my light and my salvation (i.e., my Yeshua); whom shall I fear? The LORD is the refuge of my life; of whom shall I be afraid?" Amen. [Hebrew for Christians]
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7.5.22 • Facebook
Today’s message (Days of Praise) from the Institute for Creation Research
July 6, 2022
Not So, Lord
“But Peter said, Not so, Lord; for I have never eaten any thing that is common or unclean.” (Acts 10:14)
This response of Peter to the Lord’s command is a self-contradiction. How could He be Peter’s Lord if Peter felt free to disobey His command?
The doctrine and practice of the Lordship of Christ have always been difficult and controversial. Many Christians who’ve called Him their Savior and Lord nevertheless often feel free to question or disregard His Word. There may be legitimate discussion concerning interpretation of the Word, but there is never justification for questioning its authority, regardless of the pretenses of modern intellectuals or the pressures of public opinion. As the Lord Jesus Christ rebukingly asked, “Why call ye me, Lord, Lord, and do not the things which I say?” (Luke 6:46).
There was an earlier occasion when Peter revealed this same inconsistency. When Christ told of His imminent crucifixion, Peter “began to rebuke him, saying, Be it far from thee, Lord: this shall not be unto thee” (Matthew 16:22). The Lord, therefore, had to rebuke Peter. It was not Peter’s prerogative, nor is it ours, to question the Word of the Lord, even when we don’t yet understand it.
That kind of attitude can, under certain circumstances, have deadly and eternal consequences. Jesus warned those who would profess His Lordship without its reality: “Many will say to me in that day, Lord, Lord....And then will I profess unto them, I never knew you: depart from me, ye that work iniquity” (Matthew 7:22-23).
Peter learned this lesson and was soon able to confess unreservedly concerning Christ that “he is Lord of all” (Acts 10:36). We who “believe on the Lord Jesus Christ” for salvation (Acts 16:31) certainly should seek to believe and obey His Word in all things. HMM
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by-inky · 3 years
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Genshin Amira :Dc
...the way I made this only so she could headpat Razor
unbelievable
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bio guys!! because I enjoy making bios for everyone
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* please check note at the end of the post
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Full name Amira Farooq
Sex Female
Birthday October 22nd
Constellation Serpens
Nation Sumeru
Affiliation Farooq Mansion
Sumeru Academia (formerly)
Special Dish Chicken Curry
Honey Walnut Baklava
Titles Nee-san
Princess of Hot Sands
Merchant from the Dunes
Golden Messenger
PROFILE
Introduction
“As the eldest daughter of the most known family in Sumeru, Amira is responsible and well-spoken. Popular alongside her peers for her graceful smile and productive messenger skills, she’s gained herself a name all across the seven Teyvat nations at a quite young age.”
Personality
“The warm girl from the hot side of Teyvat, seems to have a talent to spot the best deals.”
Amira is the eldest daughter from the Farooq family, known in all Sumeru for its dedication for commerce in and outside the region. She is quite smart and thrives for meeting new people and places.
Caring and kind, Amira doesn’t discriminate wether stranger or not: always treats people with gentleness. Despite being understanding, she’s quite sharp, as she notices very quickly when someone tries to trick her. She reads people very easily, and socializes with facility.
She can be seen in all Teyvat due to her delivery and messenger commissions, but holds Mondstadt deep in heart, so she spends there as much time as possible.
She’s known through all the continent for her quick and efficient object and message delivery. This makes her having to go through all the seven nations to do her work, and is contacted by many people thanks to her excellent reputation. However, this also has made her get into quite some fights and sieges, and for those she occasionally considers quitting.
Appearance
Amira has dark skin, slightly slanted green eyes, and wavy, almost curly brown hair. She has white nail polish.
She wears cream trousers with openings at its sides, a black silk shirt, orange fabric over her right shoulder that covers her back and front, a red pallu, a silk sleeve on her right arm, and black and golden shoes. She wears many golden accessories. Her vision is embedded on a golden bracelet, that is covered by the pallu.
ATTACKING STYLE
Her attacking style is very similar to Beidou’s. Please look at Beidou’s claymore moves to get an idea.
Amira’s fighting style would be a bit faster and lighter than hers. She also would move smoother.
At every weapon swing there’s a bit of sand thrown. When having to do the “spin” move that, out of all the claymore users, is Diluc’s and Beidou’s style, she invokes a small sand tornado since swings contain more concentrated power than normal attacks.
RELATIONSHIPS
(Picked some characters, otherwise the post would be rlly long)
- Razor
“He really is a sweetheart. It has been a bit difficult getting to know him at first, but I really enjoy his company... I hope he enjoys mine too, haha!”
- Diluc
“...hm, Diluc? He really is a nice person! Please don’t get intimidated by his looks, he is very kind after some time!”
- Chongyun
“He works very hard, and I’m so proud of him for this! Sometimes we get to see each other, and we hang out for some time before returning to our duties... he’s very nice to be around!”
- Bennett
“..ahh, I feel very sorry for him... he doesn’t deserve at all the bad luck he has... He’s a very cheerful boy, I know he will go places!”
- Beidou
“Ah, we’re good friends! I love spending time with her! Uh, sometimes we drink too much though... but it’s still very fun!!”
- Xiao
“Oh, I don’t actually know him very well... it looks like he doesn’t really like people, so I respect his preferences. I’ve talked to him just a couple times, when delivering objects around Liyue.”
- Zhongli
“Joined him to drink tea a couple times. I had my own tea leaves with me, and showed him how to make it! He actually liked it, and I bring him more kinds of tea from my place! I’m happy he enjoys it.”
- Kaeya
“He’s a reliable friend! When I go to Mondstadt, we manage to encounter once or twice... oh, that reminds me I have to catch up with him!”
TRIVIA
• Enjoys sweet food.
• Seen often around the Dawn Winery in Mondstadt and the Wangshu Inn in Liyue.
• Has a slit tongue.
• Usually calls kids and young people “habibi”.
• Right before fighting, quickly wraps the pallu around her shoulders and neck so it doesn’t get damaged, wet or dirty.
• Quite powerful as DPS, can serve as healer as well.
• She has 5 other siblings, all younger than her.
• She’s from the arid part of Sumeru.
• Goes “ara ara~” too😩
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* I am well aware that Sumeru isn’t out yet, and it looks like it won’t for a long time. For that reason, this bio can be up to changes in case a storyline that would fit better comes out.
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liskis-blog · 6 years
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The pallu or daman as the upper end of the saree was called,Wholesale Sarees Online may have been invented and used from then on to cover the head or as a veil, for this was required by the Muslim society in an empire ruled over by Muslim dynasties. The modern way of draping a saree with a distinct pallu and border, with or without an all over design, with one end pulled across the front to fall over the shoulder to either hang at the back or to go over the head to the other shoulder, appeared first in the paintings of the post-Moghul period. Thus, it may well be said that the saree, the garment most identified with India today, is a quaint mingling of influences from Greece, Persia and several other Central Asian countries.
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ghostdollfaery-blog · 6 years
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The pallu or daman as the upper end of the saree was called,Wholesale Saree for Business may have been invented and used from then on to cover the head or as a veil, for this was required by the Muslim society in an empire ruled over by Muslim dynasties. The modern way of draping a saree with a distinct pallu and border, with or without an all over design, with one end pulled across the front to fall over the shoulder to either hang at the back or to go over the head to the other shoulder, appeared first in the paintings of the post-Moghul period. Thus, it may well be said that the saree, the garment most identified with India today, is a quaint mingling of influences from Greece, Persia and several other Central Asian countries.
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neovitae · 5 years
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Conseil municipal: recensement et urbanisme
Réuni le 14 octobre, le conseil municipal de Saint-Martin-la-Pallu a pris les décisions suivantes: > CLECT. Le rapport de la CLECT (Commission ... from Google Alert - "ressources humaines" -H/F https://ift.tt/346ma94
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0 notes
Text
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It is said that with all these rich influences, the wealthy, royal families of medieval India created a repertoire of clothing which was as classic as it was comfortable. They wore nothing but the finest of fabrics.Visit this site to get more infoThe queens and princesses who lived in marble palaces surrounded by sylvan gardens and lily-filled pools, commissioned the master weavers of the court to create such fine muslins and silks that a length of several metres could pass through a dainty, jewelled ring on the finger of a royal woman. This has been recorded in the chronicles of several visitors to the Moghul courts. Often, such fabrics were embellished with gold and silver wires and gems to create designs reminiscent of the splendour in which the women lived. Together, the princely women and their master weavers slowly became the progenitors of the world famous textile arts of India so frequently portrayed in art and praised in the annals of trade around the world.
All through Indian literature, women were described as resplendently beautiful when wearing fabrics of extraordinary beauty woven out of silk, Wholesale Bazaarcotton and other natural fibres. Soon, each weave and garment began to acquire specific names. Fabrics were specially woven for auspicious and religious ceremonies and these too acquired generic names such as Pitambar. Many of the plays and poems written by the court writers of this age described how shimmering and fine the garments worn by the higher classes were. In fact, historic records say that these silks and muslins were so highly prized all over the world that they were sold in faraway countries including those around the Mediterranean Sea. Several names were given to these fabrics depending upon their origin or texture. For example, Kausheya was a silk made from the finest cocoons. Chinnavastra was a fabric akin to Chinese silk. Tasara or today's Tassarsilk, was made by using a particular kind of shuttle.
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fmdapril-blog · 6 years
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The pallu or daman as the upper end of the saree was called, may have been invented and used from then on to cover the head or as a veil,Wholesale Sarees Online for this was required by the Muslim society in an empire ruled over by Muslim dynasties. The modern way of draping a saree with a distinct pallu and border, with or without an all over design, with one end pulled across the front to fall over the shoulder to either hang at the back or to go over the head to the other shoulder, appeared first in the paintings of the post-Moghul period. Thus, it may well be said that the saree, the garment most identified with India today, is a quaint mingling of influences from Greece, Persia and several other Central Asian countries.
It is said that with all these rich influences, the wealthy, royal families of medieval India created a repertoire of clothing which was as classic as it was comfortable. They wore nothing but the finest of fabrics.Visit this site to get more infoThe queens and princesses who lived in marble palaces surrounded by sylvan gardens and lily-filled pools, commissioned the master weavers of the court to create such fine muslins and silks that a length of several metres could pass through a dainty, jewelled ring on the finger of a royal woman. This has been recorded in the chronicles of several visitors to the Moghul courts. Often, such fabrics were embellished with gold and silver wires and gems to create designs reminiscent of the splendour in which the women lived. Together, the princely women and their master weavers slowly became the progenitors of the world famous textile arts of India so frequently portrayed in art and praised in the annals of trade around the world.
All through Indian literature, women were described as resplendently beautiful when wearing fabrics of extraordinary beauty woven out of silk, Wholesale Bazaarcotton and other natural fibres. Soon, each weave and garment began to acquire specific names. Fabrics were specially woven for auspicious and religious ceremonies and these too acquired generic names such as Pitambar. Many of the plays and poems written by the court writers of this age described how shimmering and fine the garments worn by the higher classes were. In fact, historic records say that these silks and muslins were so highly prized all over the world that they were sold in faraway countries including those around the Mediterranean Sea. Several names were given to these fabrics depending upon their origin or texture. For example, Kausheya was a silk made from the finest cocoons. Chinnavastra was a fabric akin to Chinese silk. Tasara or today's Tassarsilk, was made by using a particular kind of shuttle.
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brckenloveers-blog · 6 years
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The pallu or daman as the upper end of the saree was called, may have been invented and used from then on to cover the head or as a veil, for this was required by the Muslim society in an empire ruled over by Muslim dynasties.Wholesale Saree for Business The modern way of draping a saree with a distinct pallu and border, with or without an all over design, with one end pulled across the front to fall over the shoulder to either hang at the back or to go over the head to the other shoulder, appeared first in the paintings of the post-Moghul period. Thus, it may well be said that the saree, the garment most identified with India today, is a quaint mingling of influences from Greece, Persia and several other Central Asian countries.
It is said that with all these rich influences, the wealthy, royal families of medieval India created a repertoire of clothing which was as classic as it was comfortable. They wore nothing but the finest of fabrics. Find More Collections HereThe queens and princesses who lived in marble palaces surrounded by sylvan gardens and lily-filled pools, commissioned the master weavers of the court to create such fine muslins and silks that a length of several metres could pass through a dainty, jewelled ring on the finger of a royal woman. This has been recorded in the chronicles of several visitors to the Moghul courts. Often, such fabrics were embellished with gold and silver wires and gems to create designs reminiscent of the splendour in which the women lived. Together, the princely women and their master weavers slowly became the progenitors of the world famous textile arts of India so frequently portrayed in art and praised in the annals of trade around the world.
All through Indian literature, Wholesale Bazaarwomen were described as resplendently beautiful when wearing fabrics of extraordinary beauty woven out of silk, cotton and other natural fibres. Soon, each weave and garment began to acquire specific names. Fabrics were specially woven for auspicious and religious ceremonies and these too acquired generic names such as Pitambar. Many of the plays and poems written by the court writers of this age described how shimmering and fine the garments worn by the higher classes were. In fact, historic records say that these silks and muslins were so highly prized all over the world that they were sold in faraway countries including those around the Mediterranean Sea. Several names were given to these fabrics depending upon their origin or texture. For example, Kausheya was a silk made from the finest cocoons. Chinnavastra was a fabric akin to Chinese silk. Tasara or today's Tassarsilk, was made by using a particular kind of shuttle.
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palluniskillas · 6 months
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dfroza · 4 years
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Today’s paired chapter of the Testaments with Matthew 3 is Numbers 26
where a census was taken in the wilderness:
[Numbers 26]
After the deaths of so many Israelites from the plague, the Eternal commissioned another census through Moses and Eleazar (Priest Aaron’s son).
Eternal One: Add up exactly how many Israelites there are, those who are 20 years and older who are able to go to war. Identify them by their extended families.
So Moses and Priest Eleazar got everyone together in the Moabite flatlands next to the Jordan River, east of Jericho.
Moses and Eleazar: Add up the people 20 years old and older, just as the Eternal One commanded Moses.
The total number of the Israelites who had left Egypt were:
From Reuben (the eldest of Israel’s twelve sons)—the clans of Hanoch, Pallu, Hezron, and Carmi; the clans of Reuben number 43,730. Within this extended family, Pallu had Eliab, who had three sons—Nemuel, Dathan, and Abiram. Those last two are the same Dathan and Abiram, who (along with Korah) led that revolt against Moses and Aaron and the Eternal One. They are the ones who (along with Korah) were swallowed up by the earth when so many people died and 250 were burned to death, too, as a future warning to the people. (Korah’s sons were not killed in that episode, however.)
From Simeon—the clans of Nemuel, Jamin, Jachin, Zerah, and Shaul; the clans of Simeon number 22,200.
From Gad—the clans of Zephon, Haggi, Shuni, Ozni, Eri, Arod, and Areli; the clans of Gad number 40,500.
From Judah (remember that Judah also had Er and Onan, the sons who died in Canaan)[a]—the clans of Shelah, Perez, and Zerah. Within this extended family, Perez had Hezron and Hamul; the clans of Judah number 76,500.
From Issachar—the clans of Tola, Puvah (they’re called Punites), Jashub, and Shimron; the clans of Issachar number 64,300.
From Zebulun—the clans of Sered, Elon, and Jahleel; the clans of Zebulun number 60,500.
From Joseph—the clans of Manasseh and Ephraim. Within this extended family, Manasseh had Machir, who generated his own clan and fathered Gilead, who also generated a clan. Gilead’s descendants also became clans—Iezer, Helek, Asriel, Shechem, Shemida, and Hepher. (Hepher is the one whose son, Zelophehad, didn’t himself have any sons. His daughters were Mahlah, Noah, Hoglah, Milcah, and Tirzah.) The clans of Manasseh number 52,700. Also within Joseph’s extended family, Ephraim had Shuthelah, Becher, and Tahan. From Shuthelah came the clan of Eranites. The clans of Ephraim number 32,500. So the total number from Joseph’s descendants, Manasseh plus Ephraim and counted by clans, was 85,200.
From Benjamin—the clans of Bela, Ashbel, Ahiram, Shephupham, and Hupham. Bela had two sons, Ard and Naaman, each of which became a clan; the clans of Benjamin number 45,600.
From Dan—the clans of Shuham; the clans of Dan number 64,400.
From Asher—the clans of Imnah, Ishvi, and Beriah. Beriah gave rise also to the clans of Heber and Malchiel. Asher’s daughter was Serah. The clans of Asher number 53,400.
From Naphtali—the clans of Jahzeel, Guni, Jezer, and Shillem; the clans of Naphtali number 45,400.
The grand total of Israelites organized was 601,730.
The Eternal One spoke to Moses.
Eternal One: The land shall be divided up following the number of ancestral families—twelve. If one clan has a lot of people in it, then it should receive a large amount of land; if the clan is small, then assign it a smaller plot. Every extended family will be allotted land in proportion to its size, and that particular land will be considered its inheritance. Nevertheless, the assignments will be based on lots, and the assigned land will be inherited only within the clan. Among the large and small clans, property will be divided by lots.
So the Levites were listed according to their clans of Gershon, Kohath, and Merari. The clans of Levi include Libnites, Hebronites, Mahlites, Mushites, and Korahites. For the record, when Levi was still in Egypt, he had a daughter, Jochebed. She married Amram, the son of Kohath. Jochebed bore Aaron, Moses, and their sister Miriam. Aaron fathered Nadab, Abihu, Eleazar, and Ithamar. Nadab and Abihu died when they presumed to offer a strange fire to the Eternal One. The total number of Levite men, one month and older, was 23,000. They were not counted along with the rest of the people of Israel since they did not have a land inheritance.
These are the people and their numbers that Moses and his nephew, Eleazar the priest, organized into armies when they stood on the plains of Moab, just across the Jordan River, east of Jericho. Not a single one of the people organized this time by Moses and Priest Aaron were among those so many years ago, when they added up the Israelites in the Sinai Wilderness. The Eternal One had declared that the previous generation had to die in the wilderness. No one was remaining from that generation except for Caleb (Jephunneh’s son) and Joshua (Nun’s son).
The Book of Numbers, Chapter 26 (The Voice)
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forpeaceforme-blog · 6 years
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The pallu or daman as the upper end of the saree was called, may have been invented and used from then on to cover the head or as a veil, for this was required by the Muslim society in an empire ruled over by Muslim dynasties.Wholesale Saree for Business The modern way of draping a saree with a distinct pallu and border, with or without an all over design, with one end pulled across the front to fall over the shoulder to either hang at the back or to go over the head to the other shoulder, appeared first in the paintings of the post-Moghul period. Thus, it may well be said that the saree, the garment most identified with India today, is a quaint mingling of influences from Greece, Persia and several other Central Asian countries.
It is said that with all these rich influences, the wealthy, royal families of medieval India created a repertoire of clothing which was as classic as it was comfortable. They wore nothing but the finest of fabrics. Find More Collections HereThe queens and princesses who lived in marble palaces surrounded by sylvan gardens and lily-filled pools, commissioned the master weavers of the court to create such fine muslins and silks that a length of several metres could pass through a dainty, jewelled ring on the finger of a royal woman. This has been recorded in the chronicles of several visitors to the Moghul courts. Often, such fabrics were embellished with gold and silver wires and gems to create designs reminiscent of the splendour in which the women lived. Together, the princely women and their master weavers slowly became the progenitors of the world famous textile arts of India so frequently portrayed in art and praised in the annals of trade around the world.
All through Indian literature, Wholesale Bazaarwomen were described as resplendently beautiful when wearing fabrics of extraordinary beauty woven out of silk, cotton and other natural fibres. Soon, each weave and garment began to acquire specific names. Fabrics were specially woven for auspicious and religious ceremonies and these too acquired generic names such as Pitambar. Many of the plays and poems written by the court writers of this age described how shimmering and fine the garments worn by the higher classes were. In fact, historic records say that these silks and muslins were so highly prized all over the world that they were sold in faraway countries including those around the Mediterranean Sea. Several names were given to these fabrics depending upon their origin or texture. For example, Kausheya was a silk made from the finest cocoons. Chinnavastra was a fabric akin to Chinese silk. Tasara or today's Tassarsilk, was made by using a particular kind of shuttle.
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aestheticcast-blog · 6 years
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The pallu or daman as the upper end of the saree was called, may have been invented and used from then on to cover the head or as a veil,Cheap Sarees Wholesale for this was required by the Muslim society in an empire ruled over by Muslim dynasties. The modern way of draping a saree with a distinct pallu and border, with or without an all over design, with one end pulled across the front to fall over the shoulder to either hang at the back or to go over the head to the other shoulder, appeared first in the paintings of the post-Moghul period. Thus, it may well be said that the saree, the garment most identified with India today, is a quaint mingling of influences from Greece, Persia and several other Central Asian countries.
It is said that with all these rich influences, Click here to view all Wholesale Suppliersthe wealthy, royal families of medieval India created a repertoire of clothing which was as classic as it was comfortable. They wore nothing but the finest of fabrics. The queens and princesses who lived in marble palaces surrounded by sylvan gardens and lily-filled pools, commissioned the master weavers of the court to create such fine muslins and silks that a length of several metres could pass through a dainty, jewelled ring on the finger of a royal woman. This has been recorded in the chronicles of several visitors to the Moghul courts. Often, such fabrics were embellished with gold and silver wires and gems to create designs reminiscent of the splendour in which the women lived. Together, the princely women and their master weavers slowly became the progenitors of the world famous textile arts of India so frequently portrayed in art and praised in the annals of trade around the world.
All through Indian literature, women were described as resplendently beautiful when wearing fabrics of extraordinary beauty woven out of silk,Wholesale Bazaar cotton and other natural fibres. Soon, each weave and garment began to acquire specific names. Fabrics were specially woven for auspicious and religious ceremonies and these too acquired generic names such as Pitambar. Many of the plays and poems written by the court writers of this age described how shimmering and fine the garments worn by the higher classes were. In fact, historic records say that these silks and muslins were so highly prized all over the world that they were sold in faraway countries including those around the Mediterranean Sea. Several names were given to these fabrics depending upon their origin or texture. For example, Kausheya was a silk made from the finest cocoons. Chinnavastra was a fabric akin to Chinese silk. Tasara or today's Tassarsilk, was made by using a particular kind of shuttle.
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galaxyonyx4-blog · 6 years
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The pallu or daman as the upper end of the saree was called, may have been invented and used from then on to cover the head or as a veil,Cheap Sarees Wholesale for this was required by the Muslim society in an empire ruled over by Muslim dynasties. The modern way of draping a saree with a distinct pallu and border, with or without an all over design, with one end pulled across the front to fall over the shoulder to either hang at the back or to go over the head to the other shoulder, appeared first in the paintings of the post-Moghul period. Thus, it may well be said that the saree, the garment most identified with India today, is a quaint mingling of influences from Greece, Persia and several other Central Asian countries.
It is said that with all these rich influences, Click here to view all Wholesale Suppliersthe wealthy, royal families of medieval India created a repertoire of clothing which was as classic as it was comfortable. They wore nothing but the finest of fabrics. The queens and princesses who lived in marble palaces surrounded by sylvan gardens and lily-filled pools, commissioned the master weavers of the court to create such fine muslins and silks that a length of several metres could pass through a dainty, jewelled ring on the finger of a royal woman. This has been recorded in the chronicles of several visitors to the Moghul courts. Often, such fabrics were embellished with gold and silver wires and gems to create designs reminiscent of the splendour in which the women lived. Together, the princely women and their master weavers slowly became the progenitors of the world famous textile arts of India so frequently portrayed in art and praised in the annals of trade around the world.
All through Indian literature, women were described as resplendently beautiful when wearing fabrics of extraordinary beauty woven out of silk,Wholesale Bazaar cotton and other natural fibres. Soon, each weave and garment began to acquire specific names. Fabrics were specially woven for auspicious and religious ceremonies and these too acquired generic names such as Pitambar. Many of the plays and poems written by the court writers of this age described how shimmering and fine the garments worn by the higher classes were. In fact, historic records say that these silks and muslins were so highly prized all over the world that they were sold in faraway countries including those around the Mediterranean Sea. Several names were given to these fabrics depending upon their origin or texture. For example, Kausheya was a silk made from the finest cocoons. Chinnavastra was a fabric akin to Chinese silk. Tasara or today's Tassarsilk, was made by using a particular kind of shuttle.
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kbhat-blog · 6 years
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The pallu or daman as the upper end of the saree was called, may have been invented and used from then on to cover the head or as a veil,Cheap Sarees Wholesale for this was required by the Muslim society in an empire ruled over by Muslim dynasties. The modern way of draping a saree with a distinct pallu and border, with or without an all over design, with one end pulled across the front to fall over the shoulder to either hang at the back or to go over the head to the other shoulder, appeared first in the paintings of the post-Moghul period. Thus, it may well be said that the saree, the garment most identified with India today, is a quaint mingling of influences from Greece, Persia and several other Central Asian countries.
It is said that with all these rich influences, Click here to view all Wholesale Suppliersthe wealthy, royal families of medieval India created a repertoire of clothing which was as classic as it was comfortable. They wore nothing but the finest of fabrics. The queens and princesses who lived in marble palaces surrounded by sylvan gardens and lily-filled pools, commissioned the master weavers of the court to create such fine muslins and silks that a length of several metres could pass through a dainty, jewelled ring on the finger of a royal woman. This has been recorded in the chronicles of several visitors to the Moghul courts. Often, such fabrics were embellished with gold and silver wires and gems to create designs reminiscent of the splendour in which the women lived. Together, the princely women and their master weavers slowly became the progenitors of the world famous textile arts of India so frequently portrayed in art and praised in the annals of trade around the world.
All through Indian literature, women were described as resplendently beautiful when wearing fabrics of extraordinary beauty woven out of silk,Wholesale Bazaar cotton and other natural fibres. Soon, each weave and garment began to acquire specific names. Fabrics were specially woven for auspicious and religious ceremonies and these too acquired generic names such as Pitambar. Many of the plays and poems written by the court writers of this age described how shimmering and fine the garments worn by the higher classes were. In fact, historic records say that these silks and muslins were so highly prized all over the world that they were sold in faraway countries including those around the Mediterranean Sea. Several names were given to these fabrics depending upon their origin or texture. For example, Kausheya was a silk made from the finest cocoons. Chinnavastra was a fabric akin to Chinese silk. Tasara or today's Tassarsilk, was made by using a particular kind of shuttle.
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