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#shinya kougami
immloveanime · 2 months
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Psycho-Pass Providence
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ppdaily · 5 months
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PSYCHO-PASS サイコパス PROVIDENCE
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lovedbythelaw · 11 months
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It has come to my attention that we do not yet have a Barbie & Ken mugshot meme for our darling duo
Anticipate me watching both the Barbie movie and PPP this summer!
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smokingasters · 6 months
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The new sample image dropped, wake up PP fans!
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blaaart · 11 months
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mx-sinisters · 1 year
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character tarot; major arcana
justice ✸ shinya kougami
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mariagalleriax · 8 months
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I'd love a Psycho Pass OVA where it's just the couples being domestic. I want to see Irie and Mao go on a lil enforcer date. Karanamori and Yayoi enjoying life. Ignatov being a simp for Maiko. Akane and Kogami figuring what the hell they got going on.
Maybe a little something for the singles too. Ginoza possibly going on a date. Sugo going out with me. Shimotsuki suffering alone in her office. Tenma and Hinakawa playing scrabble.
Maybe a crack episode with the antagonists too. I'd kill for more Azusawa and Obata moments too. Togane repelling women for an episode. Makishima going on a mildly insufferable rant.
Arata just does parkour for 25 minutes.
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monica2080 · 1 year
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PSYCHO PASS PROVIDENCE
Kougami Shinya
In a few strokes the chief animator Nakamura outlines an incomparable smile.
SOURCE:https://twitter.com/satoruxnakamura/status/1658059315301982208?s=20
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salfetkina · 22 days
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This was a very brief dosage of Shinkane fan service. After all these years I'm still in love with this pair...
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psychosimp17 · 5 months
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The Psycho-Pass musings that are infiltrating my thoughts today:
I am steadfast in my refusal to lose hope in Kogami and Akane ending up together - even though I think it's much more likely for one of them to die *cough* AKANE *cough* than end up with a HEA bc of the dystopian hell they inhabit. (Come at me, the realist in me loves a good debate. 😜)
Think I found more proof to support the never-ending Shinkane/Koaka argument, but need someone from the Japanese side of the Fandom to help me out here: in one of the final scenes of the first movie, Kogami calls Akane 'a remarkable woman' - how does this translate in its original language? Bc honestly, he could have picked SO. MANY. WORDS. other than 'woman' there if his view of her hadn't changed by that time (ie: girl, kid, individual, detective, human, etc).
I've logged this little tidbit away to utilize in my next fanfic (sequel to the current one based on Providence), but did anyone else find it strange in S3 Episode 8 that Homura basically told Kei that he needed to get out of that abandoned building without being seen by the then occupied Ko and Gino? Why would that be important to him if they had no idea who he was at the time? Maybe we're missing something that will be addressed with S4...? Like was it MoFA who had info on him already or something more specific to Kogami or the Pathfinders??? (Pwease halp! The possibilities are driving me crazy!)
Can't wait to read your input, fellow Psychos! 😘
((Posted with my current fave Shinkane pic bc THIS SHIP WILL NEVER SINK. k, thanks, byeeeee!))
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kouginoa · 6 months
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oh!
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like where do i begin. i dont because this is too much for me i love these three i love those two im SICK
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immloveanime · 5 months
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Psycho-Pass Providence
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ppdaily · 5 months
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PSYCHO-PASS サイコパス PROVIDENCE
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lovedbythelaw · 9 months
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Psycho Pass Providence — The Re-introduction of Kougami Shinya
Still working on a general review on Psycho Pass: Providence and also a Shinkane/KouAka post. But I had so many thoughts on Kougami after watching the movie twice that I had to document them while they were still fresh. This is a follow-up to a post I made about Kougami prior to watching PPP: some of my impressions did change while others stayed the same. It’s a lot so keep reading if you’re interested in what I thought about Kougami’s character in Providence. WARNING: Spoilers!!!
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I’ll begin with the scene in Dejima where Kougami and Saiga are drinking together. There’s one particular line that I felt could’ve been made smoother: Saiga says “the girl is neither a saint nor a bodhisattva, screw around too much and you’ll end up getting enforced. Apologize while you still have the chance Kougami. Take it from an old timer like me.” and he raises his glass with a smile. I watched both the subbed and the dubbed version and the line is very similar across both. I can’t help but think that line could’ve been improved slightly. Maybe it flows more naturally in Japanese so I can’t speak on that matter. But if I had the liberty of tweaking it even just a little, it would go as follows: “the girl in neither a saint nor a bodhisattva, screw around too much and you’ll end up losing her forever.”
And I don’t mean to necessarily press for him losing her as a love interest, but even just a trusted friend or at least a colleague who always had his best interest in mind.
Ultimately, not exploring the more emotional (and by extension—the romantic) aspects of Kougami’s character was a missed opportunity for Providence in my opinion. He’s the second main character in this installment and we got very little inward reflection from him this time around. The last 15 or so minutes of the film is what really impressed me with respect to his character. Seeing him exit the isolation facility, looking back, and then looking ahead, declaring “I swear, I’ll come back for you,”  with such ardor reminded me that he’s still a hero in this story, however unconventional he may be.
It was clear that Akane and Kougami’s relationship had to change in this installment. After 6 long years, they are both different people now and cannot go back to the same relationship dynamics as in Season 1. More on that in a different post. Consequently, the portrayal of these individual characters had to evolve in order to match this change. Initially, when I watched the promotional clips, I was put off by his bluntness—especially towards Akane. But there were instances where we saw the caring Kougami seep through. He smiles once in the film. And this is when Saiga tells him: “I don’t work with the PSB, I work with Akane Tsunemori.”  I don’t know if he smiles because he still finds it funny that Saiga is cooperating with the government or if he smiles at the mention of Akane’s name or even some matter of pride at how much Akane is respected by Professor Saiga. Either way, it was nice to see this moment.
The other less noticeable moments from Kougami were two times when he showed what I can interpret as a combination of grief and frustration. From my observations, his eyes were animated to have this glistening/“quivering” motion, similar to this gif, minus the actual tears — there were no tears in Kougami’s case:
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It’s very subtle but please let me know if anyone else also noticed this. The first time his eyes did this was when after Saiga died and he called Shion to consult Saiga’s psychological profile of Tonami along wirh Akira’s poem. Shion mentions how horrible it was — what happened to the professor. Kougami pauses and adds “Yeah”  but the tone is almost as if he had to force it out of himself. I couldn’t help but feel like he was holding it together for the investigation, but deep down was grieving the loss of his dear professor. After all, he told Akane to keep it bottled up until the end of the case. The second time I saw this effect of his eyes was while he was reading Akane’s letter in his isolation cell. He gets to the part where she writes about being glad to have seen him again and that he helped her find the answer. He calls her a bakayaro, and his hands grab the letter so fiercely that it kind-of crumples while he throws his whole body into a defeated hunch — since he’s stuck in his cell and can’t even do anything to stop her.
I had read some early accounts by Japanese viewers that he was crying while reading her letter: this effect in the eyes may have been what was mistaken as crying.
Although it was nice to see Kougami go through these moments in PPP, I can’t help but feel like there could have been more. However, Providence is a very dense film and I’ll give it the benefit of the doubt that with all the action sequences, Akane’s iconic scenes, and the supporting cast all getting their own memorable segments, Kougami’s development just wasn’t a priority. If Shiotani, Fukami, and Ubukata intend to make an SAD spin-off as they’ve expressed in interviews, I would hope that they explore possible romantic or other intimate human feelings on Kougami’s part — similar to how he learned to be a father figure to Tenzing. In fact, I would argue that after Providence, it’s likely that they’ve backed themselves into a corner with regards to Kougami’s interpersonal relationships. The tension between Kougami and Akane was essentially the secondary conflict of the film and it ended with some resolution midway but also a shift in Kougami’s disposition once he read Akane’s letter, realizing the impact he had on her life. If there’s further content on Kougami as a person, we almost certainly need to at least confront his relationship with Akane and even Ginoza (was somewhat addressed on the boat scene and we see them on good terms in Season 3/PPFI). The other route is just watching a 007-Misson Impossible Kougami getting into knife fights and performing crazy stunts, but I think the PP fandom in general agrees that this option would be dull and a waste of a character who had such an artful inception. Now I know that PP wants to go for a more shōnen look and are cautious of depicting romance between the main characters. It was pretty obvious with Arata being introduced as the new main character and the fact that Yuki Kaji was brought on board to voice him (he’s done fantastic work on many popular shōnen characters including Eren Jaeger). But, showing how love could affect Kougami and how him giving love could present new angles of his character would undoubtedly be exciting to see. We know he wants to protect people. We know that he’s decided to work outside of the law in order to do that. He’s made peace with his revenge and he’s learned that he wants to protect people without any reserve or obligation. Saiga warned him about potentially becoming a killing machine like Tonami if he keeps letting people use him as a hunting dog, and he agreed that he doesn’t want that. I expect that he could follow the same thought process as Ginoza did in SS Case 1 where he ultimately just wants to help people with his detective work, without much care for who’s judged to be good or evil. On this note, it would be beneficial for Kougami to understand his heart a bit more. Maybe visit his mother too? Maybe actually value his own life instead of running into a fight like he has nothing to lose? He’d already prepared Akane for his death way back between S1 and S2. Would he fight differently if Akane were expecting him to come back home alive?
Hope you enjoyed reading my thoughts on Kougami’s character. Still love our chaotic spikey-haired gun-slinging emo cowboy. And I’m looking forward to what the creators might do with his character next.
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smokingasters · 6 months
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PP Novels Resources (for my fellow deranged fans)
As a deranged PP fan, who was starving for dopamine I discovered some novel sources for the characters we all love! All novels/summary is in Russian (can be easily translated to English through Google Translation of the website. Use a VPN if the sites do not load)
If ya'll love the OG cast (Season 1), this is for you! I'm merely linking to the websites for your reading pleasure. I will try to link the ones that are complete, more under the cut.
*All due thanks to the dedicated translators who keep the fandom going* Psycho-Pass Zero
(Tumblr: Novel Translation *pending but I recommend reading this before the radio drama for plot coherence*) (Live Journal: Radio Drama Translation *complete*)
Content warning: Plastination case + Makishima is enough warning Timeline: Prequel to the Psycho-Pass S1 Kogami and Sasayama's bromance/outlines the gruesome murders in the Specimen case/follows the story of Touma Kozaburo and his obsession with Touko. Baby Kogami is so precious. Mitsuru Sasayama is the man, the legend. *sobs* Masaoka's whiskey persists + Ginoza the worrier.
Psycho-Pass Asylum: About A Girl (Live Journal: Detailed Summary *complete*) (Suggested Supplement: Yayoi/Shion Tidbits from PP Novel + Aoyanagi and Kozuki disaster)
Content warning: brutality against women, !pregnancy, !cultism, !infanticide. I'm not kidding when I mean it's brutal. Timeline: Post S1 with some flashbacks. Yayoi and Shion's relationship is the main focus. They investigate a case where pregnant minors are being sacrificed by a cult. Entirely from Yayoi's perspective, has many details about her past and how she and Shion feel about Division 1. I would encourage you to read this if you want a feminine/female perspective of the PP verse. Underlying themes of creativity, sex, romance, and hope + vital issues with the Sybil System. I added the supplement because it covers a bit more about Yayoi and Shion + explores the canon romantic relationships, I believe it is a good study of how PP handles canon relationships.
Psycho-Pass Asylum: Restaurant de Campagne Kagari Shuusei
(Live Journal: Detailed Summary *complete*)
Content warning: None, really. This one is quite wholesome as PP can be except for Sybil's shenanigans. Timeline: Prequel to S1 (Flashback) Kagari and Div 1 + 2 investigate a series of gastronomic malfunctions in Sybil's food preparation system caused by a criminal called 'Harlequin'. It involves a "natural food" supply company called Gusto and a restaurant owner. The novel explores Kagari's interest in cuisines and the impact of food in the PP world. Kagari's perspective is quite refreshing and light, compared to the complexity in other novels.
Psycho-Pass Asylum: Separation Ginoza Nobuchika (Live Journal: Detailed Summary *complete*)
Content warning: animal!cruelty, child!abuse, dogs. This one is a tearjerker. Timeline: Prequel to S1 + post S1 Inspector Ginoza, Kogami, and Sasayama investigate a case of rehabilitated animals/pets that are increasing the stress levels of Okutama, a remote place in the mountains. These pets were reintroduced and have gone feral. A doctor named Miyake was responsible for the reintroduction. Ginoza's calm yet poetic and wistful perspective is quite grounding. There's a sense of loss through this story, the theme of separation, and dogs being man's best friends. Any puns that made you think of Kogami are valid.
Psycho-Pass Asylum: Mungungwha Choe-Gu-Sung
(Live Journal: Detailed Summary *partial translation*)
Content warning: !torture, !mutilation, !castration, graphic, mentions of NK-orea. It's quite disturbing and angsty. MAJOR tearjerker. Timeline: Pre-S1 + follows the plot of S1. This follows the story of Choe-Gu Sung, Makishma's accomplice, and his entry and activities in Japan. Explores family life with his younger sister Suseon and his friend Guynthae. It covers a major portion of his backstory in N-K and his eventual friendship with Makishima. If you felt nothing for this guy in S1, believe me, you will be sobbing through this one. He deserved a better ending ftw.
That's all. If I find anything else, I'll add it in another post. Enjoy delving into the world of Psycho-Pass in-depth, and don't forget the words said by a certain Enforcer:
When it's all over, you can cry as much as you like.
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the-chikyuu-times · 11 months
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