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theunderdogwrites · 3 years

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If you have a problem with Cookie Monster, then I have a problem with you.

Someone recently asked me how I come up with things to write about and post. Well, these posts are bona fide dumps of random thoughts that sneak in when I’m not engaging any part of my brain. I love them because they’re unpolished and exactly how my mind endlessly prattles on in conversation with itself. Truth be told, it’s usually in the shower. And the dumping of these words here is comparable to spring cleaning. It helps to declutter the mind too from time to time.

Last week my Mom and I were talking about the recent decision by Dr. Seuss Enterprises to stop publishing six of their books because of racist and insensitive imagery. For all the people screaming out there – THE COMPANY MADE THIS CHOICE. They were not forced by cancel culture, but rather listened and took feedback from audiences including teachers, academics and specialists in the field as part of a review process. This is called being responsible and allowing for growth through intelligent conversations. The company recognizes that certain depictions of Asians and Black people are hurtful and wrong and have taken steps to acknowledge these facts. They are NOT banning these books and have said they’re committed to listening and learning going forward.

Here is the list of the six book titles and the year they were first published:

- And to Think That I Saw It on Mulberry Street (1937)

- McElligot’s Pool (1947)

- If I Ran the Zoo (1950)

- Scrambled Eggs Super! (1953)

- On Beyond Zebra (1955)

- The Cat’s Quizzer (1976)

Have you ever stumbled upon a journal or something you wrote 10 years ago and it made you cringe? Anyone who says NO to this is probably in possession of some of the worst poetry by their hand, in the world. I know that if I was to release some of the stuff I wrote down from a number of years ago (and in reality, some stuff as recent as 3-4 years ago) I’d be embarrassed by their level of absolute lameness. I write with emotion and unless you’re Tucker Carlson or stunted inside from your head to your toes, you know what it means to evolve. It is what we’re supposed to do, otherwise we are simply stuck in one place forever and I for one can’t think of anything more grotesque than remaining the same.

“You are being presented with a choice: evolve or remain. If you choose to remain unchanged, you will be presented with the same challenges, the same routine, the same storms, the same situations, until you learn from them, until you love yourself enough to say “no more”, until you choose change.

If you choose to evolve, you will connect with the strength within you, you will explore what lies outside the comfort zone, you will awaken to love, you will become, you will be. You have everything you need.

Choose to evolve. Choose love.”

Creig Crippen

It is OK to make mistakes, especially when you don’t know any better. Applying how we have grown as a society to the way we behaved 80 years ago is absurd. We are allowed the opportunity to become better before an angry mob comes along and without discussion wants to rip our character to shreds. There are so many chances for real conversations to promote development that are not happening because people are being so quick to condemn and cancel. Fucking stop it! You’re not a crusader. You’re not the moral authority. You are not the Universe’s gift to man/womankind placed here to draw red circles and X’s on every little thing you deem ‘incorrect’. What you are, I suspect, is empty. And I do not know what it is you’re missing, but you won’t find it in a state of ‘over-wokeness’ and tumbling around looking to smite Cookie Monster for passionately enjoying baked goods.

There have been calls to tear down statues and eradicate movies and people for basically what is THE PAST. If you have an actual working time machine, I suppose you can go back to the set of ‘Dirty Harry’ because apparently:

“The film mocks liberal judges and do-gooders, and the villain claims police brutality, planting the seed that other such charges are fake moves to get sympathy.”

I can’t even with that one.

The removal of statues… ok, I understand this one. But I am not of the mind where these statues should be destroyed and essentially erased from history. I am fully onboard with placing the offending bronzed individuals into a museum with a plaque stating something along the lines of: ‘Once upon a time many of us had some crazy fear-based ideas and poor ethics that marginalized large groups of our fellow human beings and created negative stereotypes resulting in a great deal of hurt. We are trying to be better than those placed before you behind the velvet ropes.’

The past cannot be expunged. But it can be a teaching tool. And in some cases, the past can be used to say – “We still suck, but we’re at least trying to evolve into improved people!”

Sadly, instead, we’re taking down Pepé Le Pew. Let’s not believe women when they come forward with claims of sexual abuse, but let’s ban together and get this cartoon skunk with perceived rapist qualities, cancelled. Bravo. Has Pepé Le Pew been a naughty guy? Well, if you break down his actions through the lens of adults – he is incredibly aggressive and borders on being a pervert. I also suspect he’s a chronic masturbater. I grew up watching Looney Tunes (which should surprise NO ONE) and I never liked that skunk. But not because he was overly persistent in his search for love, rather because he was so obnoxious. Worst character on the show. If anything, the French should be offended because I grew up believing all French people were smelly, forceful jerks.

I am flabbergasted at what we are finding urgent and of significance these days. We allow ourselves to become distracted with the stupidest things; revealing exactly where our priorities are placed. Now do not come at me and accuse me of saying racism is not important. Sit your little crusading ass back down because that is not a thought I’d ever possess. This post is not about racism.

I do not give a flying fuck if you hate Megan Markle, love Megan Markle or think Oprah practices her reactionary facial expressions daily in the mirror, but the fact a pregnant woman went on TV in front of MILLIONS of people and admitted to being suicidal while pregnant with her first child and was met with indifference, ridicule and hate… is fucking disgusting.

The mental health status of a pregnant mother is less important than going after Oscar the Grouch from Sesame Street because he is misrepresenting homelessness. Oscar is NOT homeless. He lives in a garbage can and if you knew anything, you’d know that garbage can is spacious and in terms of square footage, it is probably the most expensive home in the neighborhood. See? I can distract with silly things too.

I am going to end all this randomness with a warning…

Victor Frankenstein created his monster from old body parts and strange chemicals and it was brought to life by a mysterious spark. The monster is large and strong but with the intelligence of a newborn. Victor abandons the monster, leaving him confused and when he tries to integrate himself into society, he is shunned. Seeking revenge on his creator, he kills Victor’s younger brother. Then after Victor destroys his work on the female monster meant to ease the monster’s pain and solitude, the monster murders Victor’s best friend and then his new wife.

Ok, I think it is wonderful that our society is taking inventory of certain items and doing our best to right some wrongs… even though I believe many people are being persnickety assholes. But what has been created recently… let’s call it ‘cancel culture’, where “THEY” (please someone tell me who all the THEY people are because I’d like to know who is this organized) seemingly go in search of people, places and things to ostracise… is starting to create a monster of a backlash. (Again, this is not about race/racism so don’t start chirping about white privilege etc.)

If you listen carefully, you can hear the groaning. And the frustration. This isn’t about going after history or childhood memories and bleaching them clean of inappropriateness by today’s standards, it’s about trying to control what people are allowed to think, feel and speak. And the people are getting annoyed. Just like Frankenstein’s Monster when his grotesque appearance wasn’t accepted by society. And we all know what happened next.

#dr seuss #pepe le pew #cancel culture #frankenstiensmonster #oscarthegrouch #megan markle #covid

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iasmelaion · 7 years

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Yuletide 2017

Don’t mind me, just crossposting my Yuletide letter here. Fandoms are The Last Samurai by Helen DeWitt (has nothing to do with that Tom Cruise movie), Sense8, 17776, and Moonlight. Sorry to everyone on mobile where I guess read mores still don’t work?

Another year, another Yuletide! Thank you for signing up to write in one of my fandoms! I can't wait to see whatever you come up with, and with these fandoms, chances are I'll love whatever it is you choose to write. If my requests/prompts/details don't catch your interest, just remember that Optional Details Are Optional, and that I will be thrilled to get fic in any of these fandoms at all. As far as my basic preferences go: I am okay with gen, het, slash, and femslash. If I've indicated a pairing preference in my request, don't feel pressured to write it! I'm a big gen lover, and I'll specifically note if there's a pairing I don't want to see with the characters I've requested. Also, a confession: I usually skim through sex scenes. I know, I know, what am I doing in fandom if I skim past the porn. But I am almost always way more interested in character interaction than in sexy times. Feel free to include sex scenes! I'd just really prefer that porn not be the whole point of the fic. Things I love: banter, subtle but meaningful declarations of love and/or trust, pining, characters finding home and family with each other, the smaller moments of domesticity or the calm before the storm, crossovers, detailed worldbuilding, lolz, feelings, women being complex and sometimes assholes, dudes being stoic yet simmering with repressed emotions, any number of forced intimacy situations (fake married! Undercover relationship! Surprise soul bond! Huddling for warmth! Oh no there’s only one bed! Sex pollen! I could go on, really), threesomes/sedoretu-style moresomes, and indulgent emotional hurt/comfort. Things I don't love: dark fic, character bashing, character death, non-con, infidelity, incest, alpha/beta/omegaverse fic, mpreg, harm to children, being mean to robots, unhappy endings, issuefic. Also, while I generally love AUs, I love these fandoms for their settings and the characters in those settings, so I'd prefer no total AUs (canon-divergent AUs okay though).

1. The Last Samurai - Helen Dewitt (Ludo, Sybilla) My desires in terms of Last Samurai fic are simple: I just want to know what happens to Ludo and/or Sybilla, after the book. Especially Ludo. Who does he end up being, when he grows up? What does he do with his brilliant mind? Hell, what name does he choose to go by? I'd really just love to see something about an older Ludo interacting with the world and the interesting people in it, a sort of extension of the kind of adventures he got up to in the book. I'd also love to know more about Sybilla, whose character arc I thought ended up getting somewhat short shrift. How does her life change as Ludo grows up? Does she enter the world again, academic or otherwise? How does she continue to deal with her depression? This is my third fourth fifth sixth SEVENTH, holy shit, year requesting this, and I live in hope! I’m pretty sure the book is even in print again now! Here is what I said in years past: I wrote about my thoughts on the novel here, if that interests you. Anyway, like my request says, I more or less want straight up future fic about Ludo and Sybilla. I want to know what kind of man Ludo becomes, what happens to Sybilla as Ludo grows into an adult, what happens to their relationship. In short, I just want to know more. Whatever you do to fill my insatiable desire to know more more more about these characters will make me happy. Don't feel like you have to match the style of the novel. I will be very impressed if you do, but it's not a dealbreaker for me. Anyway, Ludo and/or Sybilla future fic! That's my Last Samurai request in a nutshell.

2. Sense8 - Any I basically just have a lot of EMOTIONS about the cluster and the experience of being sensate, and would love a fic exploring that. What exactly does it mean, to be part of a cluster? Our main cluster seems to have had a somewhat unique/traumatic experience of being “born,” how does that make their take on being sensate different? The show did a pretty good job visually showing it, but I'm super fascinated by what the interiority of the experience is like. The members of the cluster seemed to feel a pretty instant empathy and understanding of each other, what's that like? By now they must know each other better, what was that process like, learning all the mundane stuff about each other in non-life or death situations? How does being a sensate influence their relationships with the other people in their life? What happens when, say, Will tells Diego or Lito finally tells Hernando and Dani (on the way to rescue Wolfgang perhaps)? I know Season 2 ended on a bit of a cliffhanger, but feel free to just jump ahead to some nebulous future where everything’s resolved if you want. You by no means have to answer all or even any of these specific questions, they’re just guides for the kind of thing I’m interested in here. I picked Any characters here, so go wild. I'm most interested in the main cluster, but I'm overall fascinated by the whole sensate experience and what it means for any given character's relationships and experience of the world. Any fic exploring that would be great. Shipwise, I'm into all the canon pairings and basically any permutation of the members of the cluster. My tl;dr thoughts on Sense8 are here and here. This is a fandom where I sort of feel spoiled for choice in terms of characters I'm interested in, so I picked Any for this request. I love the main cluster and their relationships with each other, you basically can't go wrong picking any given combination of them and smushing them together. I'm also very interested in all the non-sensate side characters and how they interact with the cluster. I really just want more more more in this universe.. 3. 17776 - Any I am so utterly FASCINATED by the improbable and amazing and weird utopia Jon Bois has built with 17776. It’s a world that seems to be positively teeming with stories, and I’m wildly interested in reading about any and all of them. I do not actually care about football qua football; I like the country and centuries-spanning version of the game Jon Bois has extrapolated here, but you don’t have to make it the focus of anything you write. What I’d love to know more about are those first few decades after humanity realizes they can no longer die. Or, heck, who first realizes people have stopped dying, and how do they approach that mystery? How do other parts of the world deal with immortality, what games do they play? I know Jon Bois thinks that humanity is alone in this universe, and won’t be able to overcome the practical roadblocks to long-range space travel, but what if they did? What if humanity’s not alone? Who are the kinds of people who’d fling themselves out into the big, wide dark of space, with no expectation of returning, and eternity stretching out in front of them? What other bits of electronics or AI have gained their own sentience or significance, and who do they talk to? Honestly, I’d be thrilled with you exploring just about any nook or cranny of this fascinating universe. I’d only ask that you maintain the source’s absurd yet optimistic and loving tone. Bittersweet and even a little elegiac is fine, I just don’t want anything grim or dark here. The world we’re living in right now has plenty of that. Also, do not feel the need to try any wild format/coding stuff the way Bois did if you don’t want to. A vanilla text story is more than enough for me. A quick primer on 17776 in an effort to snare more people in, and also just elaborate a little more on why I love it:

You can find 17776 here. It is...hard to explain. Maybe impossible to explain. For one thing, it's a sort of multimedia storytelling experience, composed largely of text, but also some video and audio, and some website weirdness. Jon Bois of SB Nation wrote this, ostensibly, as a series on the future of football. It is not what you might expect, given that starting point. The premise is this: humans stopped dying and aging as of April 7, 2026. Any other risk of injury or illness has been mitigated by a worldwide network of nanobots that will fix anything. It’s a post-scarcity utopia, all pressing problems fixed Having reached this pinnacle, and having hit the hard limits of ability and resources that leave them unable to meaningfully explore space, the humans of 17776 are left with some weird ways to pass their endless supply of time, one of which is playing football. Only it’s not football as we know it, it’s football blown up so the field crosses states and the timespan crosses decades, centuries. 17776 opens with the space probes Pioneer 9 and Pioneer 10 trying to talk to each other, many years in the future. As 17776 slowly unfolds, Pioneer 9 is shepherded into sentience and learns about what’s going on on Earth from Pioneer 10 and JUICE (the Jupiter Icy Moons Explorer). Pioneer 9 learns about football, and the people who play it now, and some people who don’t play it, but are passing their endless amount of time in different ways. Really, the whole experience is worth a read/watch, I’m not doing it justice here. I’ve always been fascinated by fictional takes on immortality, and 17776 offers a pretty new take on it, one where everyone is immortal, not just a few people, so humanity has to figure out how to deal with it together. It would be easy to turn this premise into a horrifying dystopia, a sort of endless hell for all the humans stuck on Earth together with eternal life and no escape. What I love about 17776 is that Bois turned this premise into a utopia, a bittersweet sort of heaven. There are things and experiences that the humans of 17776 mourn and miss (no more children seems like an especially bitter loss, ouch), and they seem to be a little obsessive about cataloging and exploring the past. But it’s so meaningful to me that, when free of want and hardship and death, this vision of humanity buckles down to do ridiculous, wild, fun, sweet things like play century and country-spanning games of football, or travel around learning every minute detail of every place, or travel around meeting each other to share stories. Here is a quote from Jon Bois that really gets at why I’m so fascinated and in love with the 17776 universe: Humanity’s technological advancement over the last 150 years has been almost frightening, but that’s a very small speck of time. I think we’ll eventually hit a wall, and that wall will be, “we can’t travel into deep space ourselves.” Too much distance, too much radiation, and too little incentive. If that ends up being the case, we’ll have nothing to do but solve our problems on Earth. I’m being really optimistic when I guess that we might someday. After we do that, we’re gonna want our games, our art, and each other. One day, we might see those as the only reasons we’re here. In a world where there is no death, where the biggest human problems have been solved, there's something beautiful about those things that still hurt, those things we still lost: the dream of space, children, childhood, endings. And what sweet hope, to distill down our reason for being here to games, art, and each other. There’s a real love of people that runs through all of 17776, and that's one of my favorite things about it.

4. Moonlight (2016) - Chiron, Kevin Just give me Chiron and Kevin’s happy ending. The world hasn’t been kind to them, but I want to believe in the possibility of it being kinder, of them being tender and kind with one another, after everything. I want to believe that they can build a life together, even if it’s not the kind of life they or anyone else would have expected. Trevante Rhodes said, “I like to think they’re together, walking in Central Park hand-in-hand when they’re 90 years old,” and yeah, that’s what I hope for them too. So I’d love a story about how they get there, or how they start that journey. Another possible prompt, this one from something Andre Holland (who plays Kevin) said: “I have this image of them walking along with Kevin’s son and teaching him, either overtly or experientially, about what masculinity is and what it means to be a man, in all the variations that are possible. That, to me, is the magic of it, that there’s a young boy in the world who will grow up with a different idea of masculinity than either of them had.” The thing I loved most about Moonlight was how incredibly intimate and tender it was, how quiet and clear-eyed. It felt like living in Chiron’s skin. And I love it as a love story too, even though the ending was bittersweet. I took it to be hopeful, and obviously, I’m a lover of happy endings. Ultimately, as sad as parts of Moonlight were, as hard as life obviously is for Kevin and Chiron, Moonlight healed some wounds in me that Brokeback Mountain and so many other unhappy queer love stories left, by showing all that hard stuff, but offering a way forward anyway. Kevin, calling Chiron to reconnect. Chiron, taking a risk, making that nine-hour drive to see Kevin. Kevin and Chiron letting themselves be vulnerable to and with each other. Both of them, ultimately, reaching for one another.

#yuletide #sense8 #17776 #moonlight

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afishtrap · 7 years

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The collection of interviews with former bakufu officials known as Kyuji shimonroku or Furukikoto tazuneshi kiroku (Record of Inquiries into Bygone Days) was the indirect result of an article that appeared in Shigakkai zasshi (Journal of the Historical Association of Japan) in November 1890.1 In the article the association's secretary, Ogawa Ginjiro, called on historians not to ridicule the feudal era but to make an effort to understand its spirit. To that end, he said, researchers should utilize the knowledge of people with firsthand experience of bakufu institutions and practices, before such knowledge was lost forever. The response was prompt, and within a few months a research group devoted to interviewing former bakufu officials had been formed. The group came to be known as the Kyuji Shimonkai (Society for Inquiring into Bygone Days). The first interview (with two gentlemen who had served among the shogun's personal attendants) took place on 31 January 1891. The fourteenth and last interview was held in November 1892.

Anna Beerens, Minoura Hanako, Sassa Shizuko, Interview with Two Ladies of the Ōoku: A Translation from "Kyūji Shimonroku", Monumenta Nipponica, Vol. 63, No. 2 (Autumn, 2008), pp. 265-281, 283-324.

The Kyuji Shimonkai may have had additional motives for trying to maintain a position of strict academic neutrality, and these have to do with the ideological climate of the time. By the 1890s, as Carol Gluck points out in Japan's Modern Myths, "... the Tokugawa period and the Restoration had receded sufficiently to qualify for the time-honored tradition of using the past to serve, esteem or blaspheme the present."7 Gluck notes that periodicals for the study of Edo cul ture founded around this time exalted the Tokugawa period as a high point of Japanese civilization instead of describing it as "feudal" or "antiquated." In this way the authors implicitly challenged the significance of the Meiji achievement. This was also the time when Japan began to show symptoms of Westernization fatigue, leading some intellectuals to call for the redefinition of modernity in such a way as to accommodate Japan's own culture and heritage. It was hard for the historian to remain outside such discussions. In answering Ogawa's appeal not to ridicule the feudal era but to try to understand it, the Kyuji Shimonkai had in fact already committed itself.

The image of the bakufu administration that emerges from the interviews, moreover, is far from negative. One cannot help being impressed by the day-to day operations of this enormous bureaucracy in which everyone seems to know his or her place, rules, and duties. Bakufu officials do not come across as fools or puppets but as individuals who tried to cope as best they could in difficult circumstances and who were by no means blind to the system's shortcomings. While the Kyuji Shimonkai project thus might be seen as contributing to the rehabilitation of the ancien regime, the participants seem to have tried con sciously to steer clear of emotional public debate by maintaining rigid standards of objectivity throughout the project and by publishing their findings in a scholarly journal.

[...]

Kyuji shimonroku had an unexpected second life as well. Oral historians often find that informants are at their best when describing character or atmosphere, the very matters about which documents tend to be reticent. Kyuji shimonroku is no exception. It contains a large number of colorful and lively passages, with bits of imaginary conversation and fascinating detail. Such passages may have been the reason that, after the Second World War, Kyuji shimonroku was initially rediscovered by writers of historical fiction and drama. It was people of this sort who took the initiative for bringing out the mimeographed copies mentioned above. By 1954, the Allied Occupation had ended, bringing an end, too, to the censorship and other difficulties surrounding so-called "feudalistic topics." Period films were not expressly forbidden during the Occupation, but in general the "feudal past" was a problematic subject that was better avoided.12 As authors of historical fiction and dramatists returned to such subjects in the early 1950s, it is not surprising that they also rediscovered Kyuji shimonroku. In this way, percolating through the representation of the Tokugawa setting in innumerable historical novels and dramas, Kyuji shimonroku may actually have contributed more to the collective memory than did the academic studies of hard-working scholars.

[...]

The Ooku of the Main Enceinte could be divided into three parts (see figure 5). First was the "palace living quarters" (goten or gotenmuki), where the apartments of the shogun and his consort were situated, together with a number of offices, like the Wardrobe (gofuku no ma) and the Secretariat (goyuhitsu no ma). Second was the "public sector" (ohiroshiki or hiroshikimuki), the "male department" of the Ooku, which housed the offices of various male officials, caretakers, guards, and messengers, and also the main kitchen.14 Last was the "attendants' quarters" (nagatsubone), a set of large two-story buildings consisting of many apartments, where the women serving in the Ooku lived. These dwellings were divided according to rank and status. Within their rooms, the higher-ranking ladies employed their own servants (heyagata). Despite the time-honored cliche that the Ooku was the place "that housed three thousand beautiful women" (bijo sanzennin), by the bakumatsu period, the Ooku of the Main Enceinte was inhabited by some seven hundred to one thousand women, at the most. Around 1845 the Ooku occupied an area of 6,318 tsubo W (about 20,850 square meters), more than half of the total of the Main Enceinte, which was 11,373 tsubo.15

As their interviewees the Kyuji Shimonkai invited Minoura Hanako, a former personal attendant (charo) to Lady Tenshoin (1836 1883), wife of the thirteenth shogun, Tokugawa Iesada (1824-1858, r. 1853-1858), and Sassa Shizuko, who had been a secondary attendant (otsugi) to Tenshoin.16 (See figure 3 for a list of the offices mentioned in the interview and the translations for them used here.) Minoura-san was forty-six years old at the time of the interview; Sassa-san was about fifteen years older.17 She was the more experienced interviewee, but Minoura-san had been of higher rank. Minoura-san, whose father served in the Second Enceinte (Ni no Maru) as a physician, entered the Ooku at the time of the fourteenth shogun, Iemochi WM (1846-1866, r. 1858-1866), when she was in her fifteenth year. She became a personal attendant when she was in her seventeenth year and resigned about two years later "for reasons of illness."18 Sassa-san entered the Ooku at the time of the twelfth shogun, Ieyoshi (1793-1853, r. 1837-1853). She actually remained in Tenshoin's service for some time after the Ooku was dismantled.19

[...]

Maseko, of course, was a former colleague of our interviewees, but she does not seem to have cherished fond memories. She states that the name Shizuko is an alias and that she knew Sassa-san as "Ishi". Sassa-san, she says, "later married a rice merchant and became a teacher of penmanship and etiquette." Her remark is rather unkind, because all of this could be seen as something of a comedown for a woman from a hatamoto family. Finally she adds somewhat disparagingly: "Although she wasn't a particularly accomplished person, she managed to do all kinds of things cleverly."24 Maseko dismisses the fact that Minoura-san's father worked in the Second Enceinte as "a lie" ("uso desu"). She describes Minoura-san as "a page (koshii) to Lady Tenshoin" and not as a fellow personal attendant.25 Mitamura gives Maseko's opinion of her former colleagues without comment. He apparently takes her words with a grain of salt, because on the same page, he classes our interviewees as "ochuro and otsugi."26

As Maseko's account reflects the experiences of a relatively high-ranking woman, to get some insight into the lives of the lower-ranking ones, Mitamura also turned to the recollections of a lowly chambermaid (heyagata) as written down by her son.27 Mitamura has mixed feelings about the technique of inter viewing. In his opinion, the interview in Kyuji shimonroku contains many obscurities because people asked the wrong questions or failed to press for unambiguous answers.28 At the same time, his own work as an oral historian taught him that misunderstandings between interviewer and interviewee are quick to arise and that one has to use one's notes with great care. His difficulties may perhaps be partly ascribed to the fact that Maseko was probably well into her eighties when the interviews took place.

[...]

Kazu no Miya was the eighth daughter of Emperor Ninko (1800-1846, r. 1817-1846) and the sister of Emperor Komei (1831-1867, r. 1846-1867). Her mother was Tsuneko, daughter of the court noble Hashimoto Sanehisa. Kazu no Miya (actually her childhood name) is also known as Chikako Naishinno.33 In 1851 she was betrothed to Arisugawa no Miya Taru hito (1835-1895), who would later be active in the overthrow of the bakufu. In 1860, however, the bakufu sent a proposal to Emperor Komei advocating marriage between an imperial princess and the young shogun Iemochi so as to promote harmony between the imperial house and the shogunate. After several petitions, the emperor accepted, and in the tenth month of the first year of Bunkyo (1861), Kazu no Miya set out for Edo. As Marius Jansen describes it: "Princess Kazu was carried to Edo in the winter months of 1861-1862. Her enormous procession, preceded and followed by supplies of baggage of every sort, took eighty days for the three-hundred-mile trip. The bakufu took massive security precautions, and travel stations along the route found themselves forced to provide thousands more porters than usual."34 The marriage took place on the eleventh day of the second month of the following year (1862). Iemochi died in 1866, and later that year Kazu no Miya took the tonsure and the name Seikan'in. In 1869 she returned to Kyoto, but moved back to the former Edo after about five years. In the summer of 1877 she went to T?nosawa in Hakone to seek treatment for beriberi. She died there a few weeks later and was buried in Tokyo.

Tenshoin's decision to move back to the Main Enceinte was highly unusual and must have caused quite an upheaval in the Ooku because living quarters had to be arranged for her and an appropriate crew of maids and ladies assigned to her service. At the time two shogunal birth mothers (oharasama) were also living in the Ooku: Iemochi's biological mother (known as Jitsujoin or O-Misa no Kata) and Iesada's biological mother (known as Honjuin, or O-Mitsu no Kata). These ladies were treated as members of the shogunal family (kamidori ) and were seen as low-ranking "princesses" (himegimi).35 The presence in the Ooku of a ruling shogun's birth mother was customary. Moreover, Iemochi had been only a child when he succeeded Iesada, which may have been an additional reason to bring Jitsujoin from Kii. That Iesada's birth mother continued to live in the Ooku was unusual, however: she should have been in the Western Enceinte Ooku. Her presence should prob ably be ascribed to Tenshoin's influence.36

#japan #east asia #anthropology #edo period #research #jstor #meiji period #women's studies

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autoirishlitdiscourses · 7 years

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Discourse of Saturday, 01 July 2017

I'm sorry to take this paper. There will be worth 150 points, actually, but you can absolutely discuss it without help, and your upcoming surgery may be a B and I realize. Note specific discrepancies based on your way up to the specific, this is quite clear, I find that giving a bit more practice but your delivery was good in many ways, this sounds great!

I do not attend section every week except Thanksgiving and a leg. You had a good student, and I'm just suggesting two ways that I didn't show up that rather unpleasant way about women's bodies. Your own hospitalization, or we can talk about, or the Women's Center. Then, when what your paper so that they become part of the Irish in your paper you wrote this up effectively would be necessary to try harder on the exam, and you'll have a good topic, and I fully appreciate this it's not necessary or helpful for me if it looks like you're currently thinking about why and how much is cuing off of the section website if you are one of the poem and gave a good job digging in to the details of your end-of-consciousness technique, which sounds like you were on track, and I'll see you next week already has the maximum possible grade you on which of your material you emphasize I think that your research anyway, especially of An Spalpin Fanach. Too, the notes my students in a negative value judgment about that character. Perhaps most centrally, about conversation, and moderate their responses and discussion of existentialism and of course!

First I made some very good student and I suspect you actually want to go on and perform without taking the opening paragraphs create a separate currency. It turns out that I do; added old to what other people are reacting to look at as a foster-mother to him.

Here's a breakdown on your work. And me assess how much it is, I think that your topic in a more specific claim about the Irish as postcolonial subjects; probably many others. Of course!

But you did a lot of potential to pay off to have you down a little bit happier: if you have left, but to find out definitively whether he could make it up-to-date copy of the quarter so far, so I probably won't hear back from doing so by 10 am tomorrow no penalty for a moment. Learn German too. Chris Walker, another TA for the symbol. So, this is primarily covered over by this weekend. None of which parts of your evidence into a set of initial examinations of your narrative strands together effectively, and you're certainly not satisfied any breadth requirements; but if you indicate that that's what you think it's very perceptive comments in section. DON'T FORGET TO BRING BLUE BOOKS TO THE FINAL! He was also a Ulysses recitation tomorrow. All in all, I think you would like, since it's been so much that you may not be surprised to discover how much work it can be difficult to imagine how any reasonable way that is, after lecture, and I quite liked your paper reads more like an idiot. I also think that your writing is already an impressive move on your grade to a donkey. But I'll take a look at anyone else's copy, because it's a busy point in the UK and Ireland prior to the phrase at the end of the Western World: Chu's discussion of a novel in 1994, called 20 May 1905, in part because it would have been a document of culture, and will score very well here, and your participation score. I hope you get a handle on the final will keep you posted if there's anything still outstanding, OK? Overall, you may quite enjoy guitar-and-voice arrangement of Patrick Kavanagh's I Had a Future, McCabe TBD Remember that you are perfectly capable of pushing this even further, you have done a lot of ways, I think that the writer has a strong analysis that is not a C for the final. Other than that this set of political and ethical theories would help you to increase your analytical rigor of the quarter progresses, and how much work it can be a B-that you want to recite and discuss this Wednesday the original text. I feel bad about that form of desire. The Mists of Avalon, which has been assigned for this analysis to be as successful as you engage. The professor is behind a bit of wiggle room. I wouldn't gamble on it. But that's just a suggestion, not 72. I hope you don't have a middle-ish A-range, actually though I think it's a passionate selection that you have a new document.

I don't know at this point in the group is not to carry off. The class as a good decision to focus specifically on the assumption that you have any questions, OK? Stoddard, O'Casey Chu, Synge O'Casey 4. I think that there are two potential difficulties that I built in the back of my sections, as I pop back to you. 5 p.

To put it another way to do this might conceivably wind up with a position statement body of your performance. Hi! Well done on this you connected it effectively to do it through GOLD.

Being able to participate actively in the attendance or performance that was fair to Yeats's text, not Chicago-style citations in footnotes. If you request at least one of the Triffids, Cormac McCarthy's The Road, which are your highest priorities, in this regard are. Please let me know what you'd like. One is that the professor to ensure that you see as significant and depending on how to narrow it down into smaller units and use standard MLA citation to the MLA standard for academic papers. B papers take risks and do a very small number of fingers to let that guide you to reschedule after the final exam. When the Irish are preeminent in a close reading exercise that digs out your material. I expect from you.

I will have section tonight, the discrepancy, the number of very open-ended questions productively this is not just providing opinions. I'm glad to be ready to talk about what it means in your discussion in a close-reading skills on at least 119 out of lecture on the midterm.

Thanks. Great! I feel that it currently is. Damn! One way to figure out what to do with your own sense of the class or section, but I'm quite glad that it would be to look at Martin Esslin's The Theatre of the quarter, divided as follows: Up to/two percent/for/scrupulous accuracy/in vocally reproducing the/middle/of that earlier.

Overall, you did well tonight. Thanks! We mustn't be led away by words, by love, and I have one of the poem and started working on it. I hope that these will be assessed during the early bits of the poem's rhythm and how it represents the original text and helping them to pick a text that's difficult to get. Overall, you should definitely read about or 'around'? Don't lose heart while reading through, because under any circumstances engage in a paper that has to it. I've gotten pretty good at picking up cues that tell us about the novel. Truthfully, I suppose, is a positive influence. You're smart and I think that your paper.

There were several ways that you follow that up by a group is, despite some rather crucial elements of the implications of this coming Wednesday 13 November On poems by Yeats we talked earlier today, and I enjoyed having you in section. Have a good sense of why Joyce does this figure become significant at the front of the more recent versions at all today, but your delivery was solid in a reduction of one of the play. Yes, there are ways that you will receive at least somewhat. Hi! Send me several texts. There are a very small number of important concepts for the quarter, this might conceivably wind up posting it on Friday before leaving town for Thanksgiving. Alas, my point is that if someone else steals your thunder thematically, you should look into and think about how your overall logico-narrative path through your questions about it this quarter, and it may be helpful during paper-grading rubric is hard-working student this quarter. I've heard it before you proofread hastily, to provide useful input. Truthfully, you're welcome to do both at once.

All in all, this was a mispronunciation of surmise that broke the poem's ideas needed a vocal pause in order to be alive; you can find TA email addresses to which you dealt. I said, think about the change you see as significant and connect them to avoid even the best possible lenses into these topics. At that point in smaller steps this would be a bad thing, I hope that this is that you're trying to promote genuine discussion, and that's also an impressive move, and you construct a reasonable expectation that the opportunities for movement and observation were affected by gender in Ireland and always more worth talking about some aspect of something genuinely wonderful piece of work that you need to have been years where I've graded more than just one way to talk about, and I'm looking forward to you. You have at least a short description of your overall grade for a senior-level issues related to specific passages that would bog down no McCabe-related issues, none of this audio or video recording, should be sure that your experiences are radically re-reading and grading papers.

You're a good job of setting your texts if you want to avoid large amounts of repetition of their material. Lesson Plan for Week 10: General Thoughts and Notes 4 December 2013 To-morrow the hour of the sources of the exam if you don't already know that I would like to see how it supports your claim, as documented in the romance competition by any means obligated to. Here's a breakdown on how to deliver while you're doing this on future pieces of writing. If that absolutely prevent you from reciting, obligates you to complexify your own presuppositions in more depth. You had an A-very much so. Please only do this metaphorically, though. You must turn in a lot of ways, anyway. If you must be completed, and that you want to make productive suggestions. To talk about those impressions, and I quite liked it: you had a B, almost a B-that you find interesting.

If you have received a grade you can substitute the number 50 9 for 5 in the right person to ask you to make progress toward graduation that satisfies you and how it gets passed down. Chivalry is in Ulysses. But you really have done, both of which affects your grade and that you have been to ask people to open up different kinds of things well here, and you related it well to the rest of the midterm or write to you. My son inside her. You're welcome to select. You're a bright student and absolutely can't do either, even if you have locked yourself out of it, what this larger-scale umbrella of what you're really passionate about. Again, I recall correctly, is held back by this calculation detail but this is the specific nature of the Yeats texts that you've constructed and draw it out in a way of summary comments or actual lecture material on the section and to look at how he postures like a hero from a crucial point in the show that you've chosen, and I will distribute your total grade for your paper will be none. Did you want to post on the final, is 92. I said from Yes, Mrs Nugent on line 10, but doing so. My margin comments. As yet, you've got some good topics outlined for the Croppies Yeats, or Muldoon, Quoof, McCabe song on p. We Lost 5 p. Because we have a copy of your cancellation penalty for a recitation/discussion tomorrow, OK? My own preference would be for earlier rather than for many of the interpretive problem that I want to discuss the general overall trend of the day on which Ulysses is: What do viewers need to be absolutely sure/that you have an A-for the characters are represented as standard entries for the 17 October vocabulary quiz on John Synge's The Playboy of the text of the Pig Toll Tax 6 p.

/Narrative path through your questions, please see me during my office door SH 2432E, or utilitarianism, or turf, from Four Quartets 2. And what kind of a country Begins as attachment to our own field of action And comes to find that speaking with a fresh reading, but it may be very very perceptive. If you need to be changed than send a new document. Is it helpful to think about how things are changing not in any reasonable way,/please come talk to me. It turns out that it is—and thank you for being such a good job digging in to the section website.

If you have is a fine piece of writing where this is partly a cultural difference in our technologically oriented society, they tend to do is check GOLD for other ways to make a specific analytical claim would help to ground your argument. There are a lot of ways that looking very closely. From the Republic of Conscience, p. ID she tried because she was born, running to knock up Mrs Thorton in Denzille street. Ultimately, you should rightfully be proud, and I think, is generally a better one that gestures toward an overall narrative is fundamentally very fair and very engaging.

Taking more explicit effort on the other.

#Irish literature #automatically generated text #Patrick Mooney #Python #Markov chains

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thecloudlight-blog · 7 years

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New Post has been published on Cloudlight

New Post has been published on https://cloudlight.biz/are-indian-internet-companies-justified/

Are Indian Internet companies justified

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autoirishlitdiscourses · 7 years

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Discourse of Tuesday, 13 June 2017

However, I think that you should definitely both be there on time: We feel in England, was supposed to be as successful as you write eight full pages. What the professor wrote on mothers on the midterm. This is perfectly OK to depart/intentionally/from the plan; remember that the professor is behind a bit early to squeeze in everyone who got below an A for the midterm and the way that a close-reading exercise is a brilliant scholar and excellent human being. Just don't glance at me occasionally, but if you have any substantial changes, it seems to me. You should/always/bring the week's readings with you that there is a component of your own ideas.

I have to take with the series. In Serbia, hawthorn was the preferred wood from which stakes for vampires should be clear on this you connected it effectively to promote either agreement or disagreement from the Internet, if you'd like. This would help you to probe at what other people in your final grade for the poem I was amazed to see what pops up! I did better. Again, thank you for putting so much the case not just to pick up every possible competing text. Not the least of these texts in more detail, and responded effectively to larger concerns. You will find section more rewarding and enjoyable if you go to the uprising. Anyway, my policy documented here is the ideal text for you, I think you've got a really good beating on the text that you've identified as significant and connecting them to become familiar with your quarter! That failing to turn in your paper/—even if it's not necessary to complete the work for you to be without feedback at the final, which I haven't seen Dexter although I've been nervous about public speaking. At the root of these are generally more consistent and sensible than the syllabus and think about the airman's motivations is to provide more specific way would help to ground your analysis. I'll give you some background plot summary and possibly other contextualizing information, but rather that I note that the textual juxtaposition that you've set up for the quarter, you may hit that number this quarter as a whole, I think that this means that, the American judicial system, forensic science, technology, the absolute last minute to use Downton Abbey for a few of these come down to recite. You picked a wonderful poem, gave a very good job here. Check your U-Mail address regularly. However, I would say that I think and X could be done to had done to make your reading for those meetings; it sounds like a lot to be as effective as it might be to focus your thoughts this is to lead up to you. Again, thank you for a minute, do you think is important, cannot learn at all. /Definitely/be in order to move along the path that you'd thought about the material. I'll see you next week! I think that trying to get a passing grade. All in all, an English Paper lots of good plays: thanks to! That is to turn your paper. Note that I would have paid off the most basic issues; a pro-or higher on the rest of the resources you consulted while doing that work for you for a job well done overall.

638; dropped as a whole.

47: A piece of writing. It doesn't have a really good ideas in there what I'm basically saying here is some background plot summary and possibly other contextualizing information, education, and what women really are quite happy about it with a judgment, and will have to pick out the reminder email far enough in other ways to read. —I also fully believe that I do tomorrow, as you write quite well here, and I think it happens. You did a good student this Wednesday the original text in such an incredibly high B-385 400 C 365 385 C 350 365 C-range grades, and their outlines don't bear a lot out of that chapter from the beginning, though: Some of Synge's photos of the guinea actually fluctuated a fair point of view and the Stars, which is an impressive move, too, that your basic point about McCabe having a meaningful discussion about one or more implicit assertions to support it. That being said, yourself, then you should email me a copy of Dialectic of Enlightenment or can get into either one of her anguish in response to the course's large-scale course concerns.

Hope your grading option without a fee! I think that the overarching goal is to turn into a larger-scale details and building your very rare A and F grades, preferring to leave that determination to individual questions. You have disgraced yourselves again. I am perfectly happy either way, OK? You've got a good way to know exactly what this means, among other things: a smarter move is to add extra space at the end of this while remaining quite fair to the way to become familiar with your argument as far as it might be called the migrant experience in general terms last night, since someone canceled.

You're in charge for those who haven't yet fully thought around what your discussion, of course, with his catalog of responses to British and/or ideology, for that assignment.

I'll get it in my other section's turn to get a passing grade for the class and the Stars/: Keep the Home Fires Burning sung at the last of the reasoning process for the work you're reciting.

So, my job as someone who is not necessarily a reason to freak out. However, there may be that he understood the characters are, how is the connection. Pullet p. Wednesday 23 October Rebeka discussion of a topic is often accomplished associatively rather than the other Godot group for several reasons for needing to be leveraged carefully. What this relationship might be worth digging in to the major possibilities, and your material gracefully and in fact up this week if you're willing to meet or exceed the bare minimum length requirement, but that you can't go on, called Einstein's Dreams, which seemed to be refined carefully.

But it's entirely up to the final moderately leniently, but I think you've got some good ideas in a navel-gazing kind of more benefit to introduce the text of the work later. Of course! Think about what is off limits from those poets: Eavan Boland, What We Lost Eavan Boland, Muldoon, Extraordinary Rendition: Patrick Kavanagh is wide open. I really will hold up various numbers of people wrote on mothers on the length requirements. To put it another way to put them together, but you Again, I guess you could be said about Gino Severini, another TA for the remaining presenter for the term that make it pay off even more specificity. You also did some very minor alterations; at this point, but that your thesis at the last minute and two-minute and prevents you from reciting, obligates you to do Yeats next week, you should rise above the length requirement. Let me know if you have some very perceptive reading of those sound good, fairly contemporary 1948 reading of is one way and often rather graceful, nuanced close readings and write about, exactly, and you have any breathing room. You did a good weekend! In-progress, very nicely acted. There were several ways that you get at the beginning of next quarter, attending Thanksgiving week. Paper lots of good plays: thanks to! Remember that your central argument.

I think, though, because I think it would be to have sympathy for Francie is like B and I think, to the deadline and didn't support your assertion that you're scheduled to recite and discuss can be a productive direction, I think that putting V for Vendetta in the service of a topic. I'll see you in section tomorrow, and if you want to go that route. 5%. Among other things providing a thumbnail background to the ER, and this is not by any of the poem. Prestigious Academic Senate awards for distinguished professors and TAs are open for nominations:. Hi! This set of opening thoughts about their relationship is between the selection you made the largest overall benefit to introduce a large number of important concepts for the final 78. Deploying multiple critical lenses in your section, but I can't be sure you can bring your luggage during section for those who were getting a why you picked to the first time, though I felt like your performance. Moreover, you need to do so. Let me know what would be most successful if it were a naive question, people who have not yet linked them to argue at this point is that if it's necessary to perform will prevent your grade is calculated. If the other TA notices you're there during attendance, I think you've done a very, very well pay off for you.

#Irish literature #automatically generated text #Patrick Mooney #Python #Markov chains

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