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#since this is meant to be set post campaign when essek and caleb are a couple
our-epic-quest · 1 year
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I posted 2,066 times in 2022
That's 940 more posts than 2021!
109 posts created (5%)
1,957 posts reblogged (95%)
Blogs I reblogged the most:
@vethbrenatto
@rainbowcaleb
@taldorei-blanket
@the-rxven-king
@criticalrolo
I tagged 518 of my posts in 2022
#cr spoilers - 306 posts
#oeq live - 71 posts
#exu spoilers - 52 posts
#tlovm spoilers - 43 posts
#my art - 25 posts
#my characters - 18 posts
#m9 reunited - 17 posts
#learning to draw - 16 posts
#acofaf - 16 posts
#acofaf spoilers - 10 posts
Longest Tag: 130 characters
#when my ranger would get to the inn and promptly hand over her clothes to be washed even though they didn't have a laundry service
My Top Posts in 2022:
#5
Travis in Campaign 2: I don't know if I want to do a romance. It would be weird.
Travis in Campaign 3: hey, what's up baby? Feel free to come on over whenever you want. ;)
10 notes - Posted March 11, 2022
#4
I just want to say that I suspected that the Tree of Names was holding back the Betrayer Gods since we learned there was a Tree of Names. However, I was NOT prepared for Asmodeus to bust out of it like it was a pop out cake.
11 notes - Posted June 10, 2022
#3
essek widogast
I'm honestly not sure if this was meant or a request? But I love Shadowgast as much as the next critter so here's my go at it.
This is the first time I've tried drawing two people together, and only a the second or third time I've drawn a hand, but for all that I think it turned out okay even though their profiles are a little smooshed. And Caleb's coat really got away from me lol.
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11 notes - Posted July 28, 2022
#2
My new dice came in for my new dnd character! She's a homebrew sorta astral-based race and an Oath of Devotion paladin named Taazeni.
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The clear dice are liquid core from Urwizards, the blue ones are by Chessex but bought from Lindorm Dice, and I'm not sure where the other set came from because they were a gift.
15 notes - Posted September 14, 2022
My #1 post of 2022
Liam just casually sitting on another tragic backstory pretending he's just got a happy fun-time halfling then letting it all out in a chat with a Christmas elf.
18 notes - Posted March 18, 2022
Get your Tumblr 2022 Year in Review →
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drawsmaddy · 3 years
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[ID: A three panel comic of Essek Thelyss and Caleb Widogast from Critical Role. The first panel is Essek's alarmed face as "HI ESSEK!!!" is shouted, which is written in pink text. The second panel is Essek smiling as the pink text continues "It's Jester! We're all going to Rumblecusp next week! I've already messaged everyone else so you and Caleb have to come and teleport-" surrounded by sparkles. The final panel is a wider shot of Essek sat on a couch with Caleb's head on his shoulder. Caleb has a book in his hands and a leg over the arm of the couch. Essek responds to the message with "Hello, Jester. Caleb and I will come, of course, and we'll teleport everyone there" and Caleb says "Are you talking to Jester? Tell her to give Fjord a hug and that she should ask the people on teleportation duty first and not last because I-", Essek says over him "Caleb says to give Fjord a hug. We'll see you soon". Caleb says "Love you" and Essek replies "Love you too". End description.]
When Jester says it's time to go on holiday, it's time to go on holiday
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lynkhart · 3 years
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MAJOR spoilers for the C2 finale of Critical Role so read at your own risk of you haven’t caught up!
I have so many feelings regarding Caleb and Essek’s intertwining character arcs I needed to explore, so strap in folks, you’re in for a bit of a ride! (But seriously though, this is like 4000 words long, I basically wrote an essay 😂)
At the start of the campaign, Caleb Widogast was dripping in guilt and self loathing and refused to believe he could ever absolve himself of his sins. Essek Thelyss was a cold, aloof individual who betrayed his people for selfish goals, and their differing yet mirrored narratives have been an absolute delight to watch unfold.
In the beginning Caleb truly hated himself. He shot down any attempt at a compliment, described himself as a ‘disgusting person’, outright rejected the idea that he was worthy of love, and never let the blame shift from him for what he’d done. When Beauregard and Veth/Nott pointed out that he was coerced and manipulated into killing his parents, he reacts in an incredibly visceral way, and I’ve seen several comments likening it to a victim of child abuse who was groomed into believing they were as responsible as their abuser, and I think that’s exactly how it was meant to be read. He doesn’t see himself as a victim, only a murderer, and punishes himself for it every day. We see this in the way he presents himself, dirty and unkempt because in his mind he doesn’t deserve to feel good about himself in any way. Other than Nott/Veth and Beau to a certain degree, he purposefully isolates himself from the rest of the group and it’s a long time until he feels relaxed enough in their company to drop his defences a little.
(Speaking from a purely meta point of view, Liam did an absolutely phenomenal job of showing this through body language and I’d love to see someone do a compilation video of it. He starts off very hunched and guarded, leaning his body away from the closest person to him and avoiding eye contact and physical touch; but by the end stands tall and sure of himself.)
Early on there were a few moments where he had the option to do some pretty dark shit, and I’m sure there’s a possible timeline where he gave into his desire for revenge and really lost his way, but I’m glad he stuck it out and worked through his trauma in the way he did. His PTSD and disassociation when casting with fire was tragic, but over time he was able to work through it thanks to the constant love and support of his friends who kept him from going off at the deep end.
Molly’s death was the catalyst for change in a lot of the party, and Caleb is no exception. On the verge of leaving the group prior to his death, the grief they shared, combined with their frantic attempt to rescue the other half of their party put things in perspective and gradually he learned how to be a person again, to care.
Altering time to save his family had been Caleb’s only goal in life, and so when Essek and by extension, dunamancy was introduced, you could see his eyes light up at the possibilities.
A huge turning point for him is aligned so closely with Essek’s redemption arc which feels quite apt I think. When Essek confesses to his crimes, Caleb delivers a beautifully iconic piece of dialogue where he acknowledges their similarities and how much he himself has changed as a person since meeting the Mighty Nein. (Source - CR wiki)
‘You listen to me. I know what you are talking about. I know. And the difference between you and I is thinner than a razor. I know what it means to have other people complicate your desires and wishes. And I was like you. Was. I know what a fool I have been for years. You didn't account for us. Good. That is life. Shit hits you sideways in life and no one is prepared. No one is ready. These people changed me. These people can change you. You were not born with venom in your veins. You learned it. You learned it. You have a rare opportunity here, Thelyss. One chance to save yourself, and we are offering it.’
This is not the same Caleb we met back in the Nestled Nook inn way back in the first episode. While not yet fulfilled or entirely convinced of his own worth, he knows he’s on the right path. That alone is progress enough, but that he uses his own experiences to help another escape those same chains of guilt says such a lot for his development. When he tells Essek that his ‘venom’ was learned, he’s also talking about himself and his own history of being manipulated and gaslit, with the implication being that it can be un-learned just as efficiently.
Caleb Widogast is selfish no more, or at the very least, doesn’t let his goals undermine anyone else’s anymore. Contrary to what he himself might still think, he is in no way a bad person. He loves fiercely and cannot abide seeing those he cares about in pain.
Early game Essek is what Caleb could have been if he’d rejected his friends and focused solely on his own selfish goal to undo his mistakes. Both are impassive at first and see the Mighty Nein as means to an end...until they get to know them and then their fate is sealed. The Power of Friendship wins once again!
At the beginning Caleb said he wanted to ‘bend reality to my will’ (sic) and in the end he does just that, though not in the way he originally intended. Destroying the T-Dock, and by extension the one thing he’d been building towards from the start, the chance to go back and change time, for me personally was the absolute peak of his journey. I rewatched the scene where Caleb revealed the truth about his parents death today, and it was really jarring to see just how far he’d come since then. It made me oddly proud actually.
I always felt like his plan to save his parents was the one thing holding him back from truly accepting their deaths, which is why the final scene of him in the cemetery with the letters for them hit so hard. He never truly gave up hope that they’d be reunited, but ultimately he realised he was merely postponing the inevitable and never allowing himself to live his own life. While time travel shenanigans would have been incredibly interesting to explore in game, choosing to let the past lie and not go back for them finally allows him to grieve and move on, and perhaps most importantly of all, to forgive himself at last.
I know some people were annoyed by Caleb’s decision in the finale to spend the rest of his life teaching rather than continuing to adventure, but I see it as the natural conclusion to his whole arc and his own personal victory.
He looked Trent Ikithon in the eyes, a man who he’d spent years wanting to kill and run from in equal measure, stripped him of his power and his voice (and ultimately his ability to harm anyone else) and finally spared his life so he had to live with the indignity of his defeat for the rest of his miserable existence. You couldn’t have asked for a more damning rejection of everything he’d been brainwashed into believing as a child. His dismissal of Trent’s position in the Assembly played into that as well. He never really wanted power for the sake of it; he had no desire for politics, he just wanted his family back, and while he didn’t get the one he started with, he made a new one for himself in the end.
As Caduceus once very wisely said:
‘Pain doesn’t make people; it's love that makes people. The pain is inconsequential; it's love that saves them.’
Caleb gets to break the cycle of abuse and teach a new generation of mages the way he should have been, with kindness and respect, and I’m pretty sure he’d have introduced a handsome drow as a guest lecturer from time to time. 😉
Speaking of...
Essek described himself as selfish and as a coward, forever putting his own wants and desires first, yet over the course of his journey with the Nein we see his priorities change drastically.
Having friends gives him people to care about, something he’s never had before, and it changes his outlook on life completely. For me, the first time we really see this is when he joins them for dinner in the Xorhaus and stops levitating. It’s a subtle thing, but meaningful. He explains that it had become an expectation of him, a quirk he’s known for, and so to feel comfortable enough around the Nein to drop that pretence is quite bold I think.
Much later, when he chooses to destroy the mini beacon they discover in Aeor in order to give everyone a long rest before the final confrontation with Lucian, he’s essentially giving up everything he betrayed his people for, just to keep his friends safe. The existence and context of that single artefact could have had an earthshattering impact on the Dynasty’s entire culture, forcing them to reevaluate their entire belief system and attitude to the Luxon, something he’d wanted from the start, something he helped start a war for, but he offered it up as a sacrifice without a second thought.
I’d say that’s a pretty big morality shift, and I’m super interested to see if Matt reveals if his alignment changed in the post campaign Q&A. I have a feeling he set him up as a potential BBEG but the party was like ‘no, you can’t have him, he’s ours now’ and that was the end of that. 😂
I think it says so much about the other characters too, that they befriended this person they barely knew, and when he was revealed to have done such terrible things, their first reaction was to give him comfort and an opportunity to atone. Jester held his hand while he confessed, and afterwards, while they didn’t immediately forgive him, they saw the good in him and wanted him to be better, which ultimately feels like what the entire campaign was about, leaving places (and people) better than they found them. It’s obvious that he’s never really had many friends before and has therefore never had the opportunity to be emotionally open with anyone, so seeing him gradually warm up to the Nein and allow himself to soften around them was really lovely to watch.
(Obviously, from a realistic moral perspective, he still fucked up big time. He’s still a godsdamned war criminal and really should have been put on trial for what he did, but I think from a narrative and personal point of view, his redemption arc was far more satisfying, so I’m glad it happened the way it did. (And not to derail but the rest of the gang have done some pretty horrific stuff as well, though perhaps not quite on the same scale)
He has a few moments towards the end that I absolutely love because they show that beneath the guilt and anguish, there’s an incredibly sweet and sensitive soul in there, just wanting acceptance. His dry jokes which often don’t quite hit, (the ‘I will punish the bakery’ line is such an under-appreciated one 😂) his simple joy at learning to garden in the Blooming Grove, and realising that he’d never been asked what his favourite food was before was actually kind of heartbreaking, because it highlighted how lonely his life must have been until that time. There was a moment pretty early on I think when he cast disguise on the party and Jester asked if he could cast it again to change the look of her outfit a bit and while he seemed to find it amusing, he refused, not wanting to waste a spell on such a frivolous request. Cut to their time in Aeor where he burns a fly spell just so he and Caleb can flirtatiously swoop around each other for a couple of minutes, all the while trying to beat Lucian to the city.
His breakdown when Molly’s resurrection failed really cemented to me how much he’d grown as a character. He never met Molly, his only knowledge of him was secondhand, through the eyes of his friends, but seeing it fail just broke him because he knew how much it hurt them to go through it all over again.
His comment to Caleb about not admitting defeat and wishing he could do more did get me wondering at the time if he was going to try and do something crazy, perhaps sacrificing himself via the Temporal Dock to make amends or somehow forcing another reroll, but I’m glad he didn’t. The conversation following that with Fjord was one of my favourites- he shows him acceptance and belief in his potential for the future, something he’s lacked for a long time, and when Caleb bluntly affirms afterwards that he is indeed an official member of the Mighty Nein, it’s the start of the rest of his life, and something he’s exceptionally grateful for.
It all leads to that final moment in Aeor with Caleb, when, presented with the opportunity to alter time and undo everything, he chooses to accept his decisions and carry the weight of his sins for the rest of his long life. That’s...huge.
He’s essentially choosing to live the rest of his existence as a fugitive, forever on the run, with no guaranteed peace or safety. He chooses to spend his life making up for his deeds, rather than looking for an easy way out.
I think that may have had a big impact on why Caleb ultimately made the same decision, as if Essek had been up for altering his timeline I think he’d have struggled to resist it himself. The conversation they had earlier in Aeor about their priorities and resisting temptation really comes to mind as well.
Now, to the relationship.
It was subtle, and not as ‘in your face’ obvious as the other characters, but I’ve been watching and hoping for a long time and I must say, it feels good to be vindicated.
(And if you have any doubt, both Matt and Liam confirmed on Twitter that their post finale relationship was 100% romantic)
I’d been hoping that Shadowgast would be a canon endgame relationship for a while, so the finale, and the aforementioned T-Dock scene in particular had me quite literally shaking with emotion as I watched live. Here you have two men, both damaged and guilt-stricken in their own ways, who find in each other a kindred spirit and a path to redemption.
They’re both very guarded and closed off people, but Essek in particular has a definite shift in the last arc of the campaign especially when it came to his interactions with Caleb. At the start he was quite aloof and stoic, though charming, and they had an instant connection through their shared love of the arcane, (anyone who couldn’t see them making heart eyes at each other when Essek was describing the different types of magic he could teach Caleb was clearly blind) but by the end he was incredibly open to showing his vulnerabilities and that takes a lot, especially for someone whose primary focus was to stay in control of every aspect of his life. The ‘Caleb, I’m scared’ moment during the Trent fight in particular made my heart ache.
No, we didn’t get a dramatic declaration of love or a cinematic mid-battle kiss, but I’d argue that their relationship was just as, if not more intimate than any of the other main characters were. They understood each other in a way the others didn’t, their shared guilt, feelings of inadequacy and their obsession with magic forged a deep connection from the get-go. Neither of them are big fans of PDA I think, though Caleb is tactile as hell (forehead touches and kisses, oh man, I’m so weak for those 😩👌) and some of their most iconic moments have them putting themselves in harm’s way to protect the other. Essek shaking off his forced guilt trip immediately after the now infamous forehead touch in ep140 was beautifully poetic, as was using his fortune’s favour to pull Caleb out of the rubble moments before. Caleb trying to include him in his Sphere of Invulnerability in the finale and Essek staying close to him the whole fight despite being obviously terrified of Trent was the icing on the cake. It’s clear that they care for each other a great deal; whether by the finale they’d consider it love is up for debate, but we know that’s eventually where it ended up and honestly, I love that. I deeply appreciated the fact Matt and Liam both emphasised that they took their time with their relationship, letting each other heal in their own way before they took the next step. All too often in media, and real life too sadly, a romantic relationship is seen as some kind of quick fix, and that a lover will somehow complete you or make all your problems vanish. They knew this wasn’t the case here, and that made it all the better.
While I would have *loved* to have seen them together as a couple right to the very end, the change in their relationship felt right, if bittersweet. I doubt they ever stopped loving each other, and if anything, choosing to shift to a deep and lifelong friendship over a romance that would cause them both so much pain is one of the kindest things you could do for someone you love. After all, friendship isn’t a downgrade, just another way of experiencing that same love, and it wasn’t as though they broke up and never saw each other again, it was pretty strongly implied that they remained a major feature in each other’s lives, they just changed their label slightly. Caleb would hate to have forced Essek to watch him wither away, and although his eventual passing would hurt Essek regardless, incompatible lifespans being what they are, having a period of time to adjust to it, to give them a buffer between the inevitable heartbreak was actually really sweet.
Their romance was no accident, they knew going in that it had a time limit, that it wasn’t going to be forever for one of them, and the fact they did it anyway says so much. They began their adventure wholeheartedly believing that they were both, in their own way incapable of love, only to later find it with each other. Whether their relationship lasted for a couple of years or multiple decades is irrelevant, what matters is that while it did they had a happy and fulfilled life together.
I know some folk wanted Caleb to use the transmogrification spell on himself so he could live on with Essek as another elf, or make him human instead, but that would have been way out of character for both I think. If they could have backwards engineered one of the rejuvenation stations in Aeor and used it to extend Caleb’s life by a hundred years or so, so he’d have a similar lifespan to Veth, now, I could have seen him possibly doing that, so he could spend more time with his best friend too, but nothing further I think. He longed to be reunited with his parents too much to postpone death unnaturally like that.
That both Caleb and Essek ultimately chose to live with their mistakes and make peace with themselves was incredibly cathartic, and I couldn’t imagine it playing out any better.
The fact Matt has explicitly stated Essek is Demi too means so much to me personally because the latter is a label I’ve been identifying with a lot recently, and it’s so rare for aspec relationships to get any representation! It has honestly given me a lot to think about over the last few days, and I really appreciate it.
To conclude, here’s a bit of shameless self promotion. I wrote this after watching the finale and honestly feel like it sums up my feelings on the nature of their relationship pretty well.
‘A casual hand on a shoulder, a waist, a wrist; a gentle kiss placed on a forehead is common between them now, an intimacy born of trust and mutual affection. Over time it grows, like a fire born of seasoned timber; gradual and steady, no spluttering kindling that flares and sparks, but a slow burn, one which lasts.
Their love is embroidered into every aspect of their lives together. Acts of service, of comfort, of understanding.
Sometimes a kiss leads to more than a kiss, sometimes it doesn’t. Either way they are content.‘
So yeah, I love these two wizard boys so very much and I couldn’t be happier with the conclusion of their stories. ❤️
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aeoranexpat · 3 years
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Short Reigns: Grief in Critical Role Campaign 2, Episode 141
There are three stories about grief in the Critical Role finale. (There are other losses, other closed chapters, but Fjord's story, Jester's story, Beau's story, Caduceus' story...they're not about grief, no matter what losses or endings they have to contend with, so I'm not discussing those here).
Yasha's story is about grief- two griefs, one she shares with the rest of the Mighty Nein, and one that's her own. One is an old scar that she's been feeling phantom pains from for the course of the campaign: Zuala (the woman she loved, the woman she defied her tribe to love, the woman who died because she loved her). Yasha spent the campaign learning to accept that Zuala had found her rest, that it would not be right to pull her back from that. She allows herself to love someone new.
Kingsley's story is about grief- but not his own. His story is about the grief of strangers, touched by the story of a man he never met. A man he claims as a brother, retroactively. A man he tries to learn about. A man whose body he stole. Stole is perhaps the wrong word- Kingsley did not steal the body any more than Molly, or Lucien (the second time)- which is to say, they're all thieves, here. He tries his best to honor Molly's memory- not out of respect for him, but out of respect for the people who gave him life trying to bring their friend back.
No, the grief in Kingsley's story comes from Yasha- who thought, for a day, that she had her friend back. It comes from Jester, who regretted her absence at Molly's death and who thought that finally she had saved him to make up for it. It comes from Beau, who remodeled her entire life around a half-baked statement of principles Molly once made, casually and irreverently, one that he barely meant- but which she took to heart. There is so much grief here that cannot be processed, because- well.
Molly was in there. They knew that he was in there. They felt it, they heard it, they saw it- in Lucien's tics, flinches, and pauses, they saw it in the limited vocabulary of post-resurrection...Kingsley...and then that hope was taken away from them. Where Yasha's story of grief is the more realistic, the story of grief about Molly is no less resonant and affecting.
The first of these is a tragic, painful arc. but a warm and joyful ending. The second of these is messy, fitful, with twists and turns where there seems to be a moment of hope, only for it to be snatched away- with the promise of recovery, acceptance, and the beauty of something new and unexpected.
But there is a third story about grief at the core of this campaign's final episode, and it's the one that has left me feeling cold. I have- always admired Liam's approach to Caleb's story in its consistency, so perhaps I shouldn't have been unpleasantly surprised when it ended this way, but until the Nein journeyed into the depths of Aeor, I had- hope. My heart has been sinking since they arrived in the Astral Plane, though.
Caleb's story is about grief- two griefs, one that he shares with the rest of the Mighty Nein, which I have already described, but the other...the other has always been central to his character. His first grief, his oldest, is a wound that festered: his parents, his country, his teacher, his schoolmates. Caleb burned his life down, first by killing his parents, then by abandoning the path that would have set him on. He is filled with regrets, complicated spiky feelings that it takes him a long time to come to grips with, but we see him achieve something like closure. He accepts that no matter how hard he might have tried to change the past, to fix his mistake without hurting anyone else, he could not have guaranteed that. He does not have the right to abandon his new life for a chance at reclaiming his old one, not at the expense of the world.
But why? Because it is too ambitious? Caleb has achieved great things- that's hardly what he's worried about. It's about the costs of ambition. The Somnovum decided on behalf of their city what they were willing risk for a chance to live, and they gambled wrong. Yussa decided to gamble his life for a chance at knowledge (twice), and he gambled wrong. Essek decided to gamble peace and stability for a chance at finally understanding the true nature of his religion, and he gambled wrong. Caleb learned a lesson, from this and other things (the blood spilled, with Fjord, for example; Isharnai). He learned that when you're playing with high stakes, sometimes you shouldn't play.
So what makes it different, to save two people versus brokering peace? When you're playing at that scale, aren't you risking everything? Wouldn't it be better not to play? The problem isn't ambition, or power, or stakes- it's not scale. The problem is selfishness. The problem, according to Caleb, is not that he might be risking so many good things, the problem is that all it would fix would be his feelings. Two lives, in exchange for unforseeable costs.
Caleb had a plan. He would hide them away somewhere. Minimal changes to the timeline. What could it harm? Two lives saved, with no cost. It would be worth it, if he could do it. But he would not be willing to risk the consequences. Caleb has learned that striving too much, when instead you could be content, is the wrong decision. And we see that in his ending. Caleb lives a quiet life. He does not choose power.
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onebadlich · 3 years
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Y'all I LOVED the campaign 2 ending of Critical Role, with the caveat that I was a little uncertain about what exactly Matt and Liam were going for with their final conversation, so I genuinely appreciated the post-episode Twitter clarification.
I loved the way Taliesin played Molly/Kingsley. Kingsley IS Molly, just with amnesia. Kingsley acted just like Molly and cheerfully stealing a ship from Fjord to turn pirate is extremely on brand. I think bringing Molly back would have brought some very complicated emotions that frankly don't fit with the catharsis of a good ending. Instead he's the same happy-go-lucky asshole they met at the circus and he gets to stay that way. Molly with his memories would not have fit in with the current Nein as well as Kingsley does, and I think just bringing him back would have taken away from a lot of the earlier narrative that focused on how to survive the grief of losing Molly in the first place. Kingsley was perfect and I continue to think Taliesin is a spectacular actor and storyteller, even if his Irish accent is abysmal.
Everything about that battle with Trent was *chef's kiss*. It was a genuinely tense fight with them being unable to even touch him, and then the collar ended up being a Chekov's gun??? You can't have a Chekov's gun in an unscripted improv show and yet somehow these assholes pulled it off and I was jumping out my seat pumping my first when Beau/Veth pulled off that maneuve to get the collar around Icky-thon's neck. Plus Essek - who was visibly terrified of Trent despite having been relatively in control during the Lucien fight - pulling off that Hold Person felt poetic in a way that was utterly delightful. And then the dice refusing to allow Caduceus's Empathize command to work was so appropriate (but what a powerful move from everyone's favorite firbolg).
Speaking of Essek, I like Shadowgast as a ship, but I wasn't as invested in it as some folks. I was happy to have it confirmed as canon, even if the in-game conversation felt like it had mixed signals (7 hours is a very long time to be playing; I don't blame them for the in-game ambiguity, especially between two characters who are not great at talking about emotions). That being said, the way Essek says "Caleb Widogast" is sexy as hell.
Yasha and Beau get a happily ever after and Yasha finally brings flowers to Zualla. Fjord and Jester get high romance and adventures on the high seas. And Veth's ending actually meant a lot to me as a parent who gave up a life of adventuring to be more present for my kid. It's rare to see that represented as anything other than sad or a prologue to them deciding they need to get back to adventuring after all. To have Veth say firmly that she wants to be with her young kid rather then go adventuring - in a show that is literally all about adventure - actually made me really happy. Especially since Sam had made it clear that was what she was going to do regardless of whether the campaign had continued for the other characters.
Matt's set up for campaign 3 was perfect. Breaking Cougnoza broke some of the chains around the Chained Oblivion. I cannot wait to see the heroes of campaign three deal with the ramifications of an unchained Tharizdun.
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