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starslooklikediamonds · 5 years

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Info On David Harbour’s Hellboy character.

From interviews, there us some random bits of info, directly from the creators & actors of the movie.

You can add to the info, if you got some. Let me know.

Do with it what you want.

“Even though he’s a demon, I have to consider him human. He’s half-human, but I have to consider him psychologically like a human.”

Harbour plans to really examine Hellboy's psyche, particularly his somewhat toxic masculinity. - "I think Hellboy has a certain psycho dynamic, where occasionally he has to prove that he's the lion, has to roar, and I think he struggles with his own masculinity. But I don't think he needs that as much as maybe those other movies. I have a bit of a different take on his capability or his slickness. I sort of think that for me he's a little less skilled at constructing that persona."

In our movie, he’s very much dealing with his own [demons] being ostracized from society. There’s kind of a Frankenstein element to it. There’s a lot more self-hatred. Although those [Del Toro] movies did explore a certain aspect of that, ours is just a lot darker in terms of a character piece, who he is. He’s a much more tortured guy who, in the end, has to do the right thing. He is destined to be the beast of the apocalypse and one of our goals is to justify the temptations of that destiny in terms of the creation of a world where, as a demon, he might be accepted. As a monster he might be accepted, [but] he doesn’t feel [that] in this world.

In our movie Hellboy’s younger. He’s rougher. He’s much more of a teenager. He’s really struggling with the idea of whether or not he’s a good person.

“My interpretation is a little more of that internal turmoil with his relationship to and his place in the world being a little more unstable. And it's maybe a little darker. He's still got this fun thing to him, but underneath it is this scared little boy who really doesn't understand human love and doesn't understand why he's beloved because of his destiny to bring the end of the world.”

“He’s a creature that was meant to bring about the end of the world, and he just sort of wants to be a good guy. He’s got that complexity to him. He’s also a monster who lives among human beings, so he’s in a sense fighting for human beings against his fellow monsters, and yet the humans hate him because they fear him and they think he’s weird looking and everything.”

“On Hopper & Hellboy - “He has a heart that’s really good and with a lot of this crusted-over stuff. What I’m dealing with in Hellboy is a lot different, bigger in a certain way. It’s very Shakespearean. It’s demons and witches and stuff like that. But it has a similar core to a dude who’s trapped in horrible circumstances who’s just trying to be a good guy.”

“David Harbour’s Hellboy is a little bit more dramatic. There’s a different edge, Mignola said. “[Ron Perlman] was very smooth as Hellboy, and there’s a whole different love interest vibe with Ron’s thing. Ron was almost playing this kind of old adolescent. And Harbour plays a grittier Hellboy, and a bit more explosive, emotionally. It’s hard to explain, but it is a very different take. The beauty is, both of them, in their own way, feel like Hellboy. It’s almost like they’re just tipped it in two different directions. There’s something much gnarlier about David’s Hellboy.”

“We met Perlman’s Hellboy at the onset of his career as a paranormal policeman, Harbour’s Hellboy has been around a lot longer, which speaks to why he’s a bit more world-weary and has a lot more attitude. The film is also adopting a key element of the comics where Hellboy is known to the public instead of the B.P.R.D. trying to cover up his existence.”

“In the del Toro films, Hellboy is kind of penned up, and kept secret, and that is not what we have here [in the upcoming film]. This is truer to the comic, in that Hellboy’s been out in the world. He’s not a top-secret, hidden away guy. He’s an out-there-in-the-world, functioning, working adult. So you’ve got that working stiff, been there, done that vibe with Harbour, that you just couldn’t have with Ron because it was played so differently,” Mignola explained, also adding, “[With Harbour’s Hellboy] there’s a little bit more angsty, find-your-place-in-the-world, a frustration with his role.”

“He's spawned into the universe by Nazi occultists to bring about the end of the world. And he is captured by Broom, who decides to raise him. So he's an orphan who was adopted. English isn't his first language, to say the least. He's destined to bring about the apocalypse and he, in his heart, just really wants to be a good guy. He idolizes people he grew up with in comic books, like Lobster Johnson, and he wants to be like a paranormal detective. So he's kind of a silly, sweet creature but also a demon. And he lives in a world where human beings don't accept him for who he is. So even when he winds up saving people, they still show up with pitchforks and torches to try to kill him. I think the biggest struggle for him is he's hunting down monsters, and yet he is one. So what is he doing, exactly? That's a big conflict in him.”

“And he deals with it in certain ways that certainly Hamlet doesn't. He's just very witty. He's got this dry, sort of put-upon humor, but underneath all of that is this desperate conundrum of like, "Where is this going to end? What's the end game for this?"

“He's an adult struggling with adult things. It's not like whether or not I should kill the bad guy by punching him. It's more like, Who's the bad guy?”

“He's the guy who the bad guy will give a huge monologue about — I'm destroying the universe — and Hellboy's like, "You talk pretty tough for a guy with no pants." He's always undercutting the situation and he has these one-liners. The script's really funny. One of the ways he deals with the world is to have this dry humor about it because it's so painful.”

“Hellboy has a lot more issues. He's a little more lost, a little more confused and conflicted. I think that makes for a darker tone in terms of what he's willing to do.”

“Hellboy like he's such a beautiful weird creature, I mean I wanna say guy but he's like a half demon creature and I have a real kind of soft spot in my heart for what he goes through.”

“The whole idea that he's called Hellboy and that struggle with the father that you live in the shadow of this father and you are of this boy and then you want to become this man but the paradoxes of that are all over the movie. I mean one of the great things is like, there's an initial scene where Hellboy is shaving his horns and his dad comes and helps him, shave his horns, while he (Broom) tells him that he's special and that he loves you. You know and there's something about him shaving the uniqueness off of him (Hellboy) and yet calling him unique, that is very interesting to me and in a way he's right because at the end of the film, it's the villain who wants to grow his horns right but in the end of the film, maybe there's something special even beyond the genetics of the horns that is unique to him, that his father does see. But there's paradoxes of identity all through that and like the control that parents have on our identities.”

“Broom is a brit, he’s (Hellboy) raised by Broom, but he talks like a guy from New York. Part of that was that he traveled all over the world. He speaks Spanish, he speaks all these different languages. I talked to a language coach about this, and he was talking about how kids learn dialects from the people that they grow up with. They don’t learn dialects from their parents. So if you have a Spanish mother or something and you grow up in the United States, you speak like an American kid. So part of the thing for me in terms of finding his voice was that he idolized Lobster Johnson. In my mind, even the trench coat plays into this idea of this James Cagney sort of [thing]”

“In terms of being a demon, one of the things he wants to do is fit in. He wants to be like a private eye who goes and solves crimes, and he is the best B.P.R.D. agent. He’s the best paranormal detective the world has ever seen. He takes great pride in his job and he takes great pride in this persona, and that persona is a lot based on his favorite superhero, Lobster Johnson.”

“Lobster Johnson is a big deal to Hellboy. He dresses up like him for Halloween. So that factors into my psychological process.”

“Yeah, he’s terrifying! There’s that question of, why am I fighting this battle? Just because of some sense of justice, or some sense of good? It’s a really interesting question that sort of is at the core of him, that he struggles with.”

“We’re taking the time to deal with that, the fact that Hellboy is a killer. He’s, truly, a weapon. And I think we spent a little more time on that, as well.”

“One of the things I like about him is that he’s a really messy fighter. This is one of the things that I actually talked to Mike about. I talked about his belt that he wears, because he wears this belt that has these patches and I was like, “What’s in those fuckin’ things?” And he’s like, “Well, he’s a paranormal detective, right? So he’s got to show up and fight vampires and witches or whatever. So he’s got like garlic and silver bullets and all kinds of shit.” But he doesn’t really know what he’s doing. So he’ll throw a bunch of garlic on somebody and then he’ll be like, “That didn’t work!” And then he just goes in and eventually he knows that he’ll just have to knock somebody out.”

“In that way, I wanted him to be strong, but I didn’t want him to be a trained MMA guy. He doesn’t have a lot of training as a fighter. He’s just big and strong and scary and almost like a pub brawler. So one of the things about the fights that have been really fun is that he messes up a lot.”

“There's all this misfit stuff working around him.”

“David Harbour - “Hellboy is probably a virgin…”

“I was describing [what] was a creative process around the sexuality of a half-demon. …”

“I feel like genetically, when you’re half-demon, you respond to different things. And I think human beings are confusing to him. They behave confusingly to him in their ways of their hatred of him, and also their love of him. So to me the genetic predisposition of sexuality was very interesting, and how that sexuality plays out. … To me it was more just about the attraction to the supernatural, the genetic attraction to non-simple human female or male.”

“I mean, he is destined to be the beast of the apocalypse. And I think one of our goals is to justify the temptations of that destiny in terms of the creation of a world, where you know, as a demon, he might be accepted, and as a monster, he might be accepted, that he doesn't feel in this world. The other thing that we explore somewhat is -- I mean, one of the interesting things to me about the Guillermo del Toro movies was that he had like a love interest, right? And she was like a fire starter, and but I just think that Hellboy can't have a human being. He probably can't have sex with a human being because it would probably end disastrously, because of his demonic parts or whatever.”

“So I feel like what I wanted to explore was that loneliness, and you know, there's the temptations that you have to, if you do create a darker world as the beast of the apocalypse, you can have sex,” Harbour continued. "You can have a girlfriend. You can live your life. But to live in the human world and to protect humanity, you have to sacrifice some of your nature, and your actual nature, as opposed to this concept of destiny, just that your actual nature somewhat gets sacrificed.”

“David Harbour quoting lines of main character, from the movie Owning Mahowny - “What was the greatest joy, on a scale of 1-10, you felt gambling?” And he said, “10.” And they were like, “What is the greatest joy you ever felt doing anything other than gambling — sex, food, whatever?” And he was like, “2.” And he was like, “So you’ll have to live with it at 2 for the rest of your life.” And he was like, “I’m okay with that.” There’s something about that thematic that I find is somewhat different in terms of Hellboy’s struggle.”

“On Alice - “her and Hellboy they kinda give each other something that says ‘You’re not alone and we can do this.’’

“The great thing about Hellboy and Alice is that it's a love story, but they're not in love. It's a demon...I think Alice teaches him about love because of their connection, but it's very different from a classic romance story.”

“On Alice - “It’s an avuncular relationship. It’s funny because, in an earlier draft, there was the temptation to do that, and I was very adamant to the fact that Hellboy cannot have sex with human women. I don’t want that to ever be an issue, and I want it to be known for him, whereas there is this Blood Queen Witch in the movie, right? So there is a world that he can exist sexually in, but it is not in our human universe. Alice is, even though she has sort of a witchcraft thing to her, she is a human being. He would never.”

#hellboy #hellboy 2019 #david harbour #david harbour hellboy #alice monaghan #sasha lane #hellboy comics #hellboy fic ideas #hellboy fic

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cheesymovie · 5 years

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okay so I’m alone in my dorm @ uni and I’m bored as all hell & i’ve has a recent fascination w old movies??? & u reblog stuff about old movies all the time so I’m just wondering if u have any suggestions?? I wanna watch some good/fun ones but I have no idea how to find the ones that don’t suck!! always a sucker for the ones that have gay subtext but like. any suggestions at all would be so appreciated thank u queen

oooooh yes!!!!!!! you came to just the place! im just gonna list some of my faves, hang on cause this is gonna be a LONG one (im not sure what your cutoff for Old is so i just went with 1960)

silent:

wings: really well done visually, also features the first gay kiss in history (ofc the context is different, but it’s there!)

nosferatu: the legendary spongebob character’s origin story! the music is wonderful in this, it’s very Artsy, just one of the greatest horror movies ever (it’s a bit slow at times but most silent films are)

the cabinet of dr caligari: REALLY cool from an art perspective, the sets are incredible, i love german expressionism, another great one for when you’re in the mood to get Spooky

steamboat bill, jr: buster keaton is a legend for a reason, this is my personal favorite of his. theres also something very unique and charming about silent film slapstick that i just adore, and this is a wonderful showcase of it!

the gold rush: basically the same reasoning as above, but with charlie chaplin. also this movie has a lot of genuine emotion you dont often get from silent comedies!

sunrise: a song of two humans: a must-see for silent films, it has super intriguing visual effects that really give a dreamlike quality to it, as well as great acting for the limited medium

show people: a really sweet classic romance that also gives you a nice (if not totally accurate) taste of The Movie Biz @ the time

metropolis: one of the first sci fi movies ever. visually STUNNING like nothing ive ever seen, also a bit of a workers of the world unite moment

noir/drama/general Serious Stuff:

the big sleep: SEXY! the plot is hard to follow but it’s worth it for the characters and also just all i can say is. hot - it’s about a murder or two!

the maltese falcon: actually makes sense and like. Says Stuff abt humanity. gripping plot and nuanced characters -about a bird statue and the knights templar also human nature but also who could forget a murder or two!

sunset boulevard: absolutely enthralling characters, script, plot, performances, all of it! - it’s about a murder!

rebel without a cause: HUGE gay subtext with this one, one of the original Teen Movies

kiss me deadly: interesting!!!!! i was intrigued from start to finish w this one and you probably will be too

strangers on a train: one o those Psychological Thrillers, interesting n well acted - it’s about The Concept of Murder

north by northwest: super fast paced spy action movie that also #makes you think

murder, my sweet: another classic phillip marlowe story with that fast talkin detective dialogue i love so much - it’s about a murder! (my sweet)

double indemnity: the height of Cynicism in noir, not even any detectives in this just bad deeds and Tension -it’s about a murder or two!

key largo: just a hotel full of intriguing characters all At Odds with each other and the concept of heroism

random harvest: kinda cheesy amnesia plot but comes across well with good acting and dialogue

the lady vanishes: about a lady. who vanishes. funny at times and has that Classic hitchcock tension before he really landed on his final style

casablanca: “here’s lookin at you kid” “i think this is the beginning of a beautiful friendship” just. one of the most iconic movies of the whole Classic Era and for good reason!

to have and have not: basically casablanca BUT consider this- i love Them (them being humphrey bogart and lauren bacall)

comedy/romance/general Light Stuff:

the thin man series: one of my absolute all time favorites! it’s just a story about two rich people who only love each other and alcohol getting dragged into solving various mysteries. my favorite thing about this is how much you can tell they love each other, like they’ve been married for years and just banter back and forth in a way founded on mutual respect n adoration which is So refreshing to see in classic movies!

it happened one night: i ADORE this movie! it’s a classic road trip comedy with a ton of bizarre side characters and hijinks, and also basically Invented the rom com genre. they’re also genuinely in love in a very cute way! it’s just sweet and fun and one of my fav movies of all time

arsenic and old lace: a dark comedy about old lady serial killers, brothers who think theyre theodore roosevelt and frankenstein (respectively), and Love. it’s super bizarre but a real joy to watch!

it’s a wonderful life: makes me sob every single time and leaves ya with that fuzzy warm feeling inside (recommended for christmas/winter viewing)

duck soup: i mean it’s the most iconic marx brothers movie, what more can i say!

bringing up baby: just a real wacky romp where it’s the lady and the tiger, with a whole lot of silly comedy

my man godfrey: makes fun of rich people n has a big loud ensemble cast (also romance)

the shop around the corner: they fall in love through letters but hate each other in real life! :0! bonus points for jimmy stewart’s voice

abbott and costello meet frankenstein: the title says it all. completely joyfully stupid movies like these are a big reason why i love old movies!

roman holiday: audrey hepburn’s debut movie. really sweet, has an ending that makes me cry

death takes a holiday: super interesting experimental concept not seen often in this era - Death literally takes a holiday and has to deal w life n love n all that

sabrina: a very nice and well acted little romance/cinderalla story w sprinkle of comedy

the philadelphia story: another Classique rom com with a love triangle n some nice fast-paced witty dialogue

musicals:

singin in the rain: one of the first classic movies i ever remember loving. every second of it is just. ah chef kiss

guys and dolls: very fun!!! just emblematic of good ol showtunesy musicals as a whole

top hat: fred astaire and ginger rogers!! need i say more?

on the town: really fun music n choreography, generally engaging to watch

cabin in the sky: an all black cast with a ton of great songs n talent!

the great ziegfeld: a really lovely period piece about 20s live shows with stunning costumes/choreography

gentlemen prefer blondes: it’s classic baby!

meet me in st louis: very sweet very fun lots to love

an american in paris: kinda ran out of juice near the end here and realized Musicals is the Same. anyways watch it gene kelly is charming and can click his heels together

horror/sci fi

dracula: sexy. iconic. what more do you need

frankenstein: really has a Heart unlike a lot of these, also Iconic

bride of frankenstein: made me cry! see above but like, More

just realized im listing all the universal monster movies, so just, watch Any of those for a good and cheesy classic horror time

the day the earth stood still: a real cold war era movie about aliens and morality

plan 9 from outer space: a HILARIOUS so-bad-it’s-good old sci fi movie, highly recommend

them!: giant radiation ants babey! really good effects for the time n well done suspense

honorable mention: this is past the cut off date but watch santa claus conquers the martians oh my gosh it’s the epitome of old b list sci fi and it never fails to send me n pals into a regular Laugh Riot

#dont feel obligated to read all this #also! i dont feel entirely qualified to speak on gay subtext n didnt wanna come across wrong so it's pretty limited in here #bc a lot of them are like. Problematic coded villains and stuff of that nature #ok i realize this is much more than you asked for but you cant just hit me w an ask abt my hyperfixations n expect anything less #ok fiona #movin pictures

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thirstygirlclub · 5 years

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Why Do British People Not Like Donald Trump

Original Source Here - Found this on FB and thought I would share it here. It’s honestly nothing but the truth

Someone asked "Why do some British people not like Donald Trump?"

Nate White, an articulate and witty writer from England, wrote this magnificent response:

"A few things spring to mind.

Trump lacks certain qualities which the British traditionally esteem.

For instance, he has no class, no charm, no coolness, no credibility, no compassion, no wit, no warmth, no wisdom, no subtlety, no sensitivity, no self-awareness, no humility, no honour and no grace - all qualities, funnily enough, with which his predecessor Mr. Obama was generously blessed.

So for us, the stark contrast does rather throw Trump’s limitations into embarrassingly sharp relief.

Plus, we like a laugh. And while Trump may be laughable, he has never once said anything wry, witty or even faintly amusing - not once, ever.

I don’t say that rhetorically, I mean it quite literally: not once, not ever. And that fact is particularly disturbing to the British sensibility - for us, to lack humour is almost inhuman.

But with Trump, it’s a fact. He doesn’t even seem to understand what a joke is - his idea of a joke is a crass comment, an illiterate insult, a casual act of cruelty.

Trump is a troll. And like all trolls, he is never funny and he never laughs; he only crows or jeers.

And scarily, he doesn’t just talk in crude, witless insults - he actually thinks in them. His mind is a simple bot-like algorithm of petty prejudices and knee-jerk nastiness.

There is never any under-layer of irony, complexity, nuance or depth. It’s all surface.

Some Americans might see this as refreshingly upfront.

Well, we don’t. We see it as having no inner world, no soul.

And in Britain we traditionally side with David, not Goliath. All our heroes are plucky underdogs: Robin Hood, Dick Whittington, Oliver Twist.

Trump is neither plucky, nor an underdog. He is the exact opposite of that.

He’s not even a spoiled rich-boy, or a greedy fat-cat.

He’s more a fat white slug. A Jabba the Hutt of privilege.

And worse, he is that most unforgivable of all things to the British: a bully.

That is, except when he is among bullies; then he suddenly transforms into a snivelling sidekick instead.

There are unspoken rules to this stuff - the Queensberry rules of basic decency - and he breaks them all. He punches downwards - which a gentleman should, would, could never do - and every blow he aims is below the belt. He particularly likes to kick the vulnerable or voiceless - and he kicks them when they are down.

So the fact that a significant minority - perhaps a third - of Americans look at what he does, listen to what he says, and then think 'Yeah, he seems like my kind of guy’ is a matter of some confusion and no little distress to British people, given that: * Americans are supposed to be nicer than us, and mostly are. * You don't need a particularly keen eye for detail to spot a few flaws in the man.

This last point is what especially confuses and dismays British people, and many other people too; his faults seem pretty bloody hard to miss.

After all, it’s impossible to read a single tweet, or hear him speak a sentence or two, without staring deep into the abyss. He turns being artless into an art form; he is a Picasso of pettiness; a Shakespeare of shit. His faults are fractal: even his flaws have flaws, and so on ad infinitum.

God knows there have always been stupid people in the world, and plenty of nasty people too. But rarely has stupidity been so nasty, or nastiness so stupid.

He makes Nixon look trustworthy and George W look smart.

In fact, if Frankenstein decided to make a monster assembled entirely from human flaws - he would make a Trump.

And a remorseful Doctor Frankenstein would clutch out big clumpfuls of hair and scream in anguish:

'My God… what… have… I… created?

If being a twat was a TV show, Trump would be the boxed set."

#donald trump #can i please pretend brexit isnt happening?#to be honest #his name didn't do him any favours either #funny #american politics

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81scorp · 3 years

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Lacking certain qualities

Here`s a little gem I found in the commentaries to a youtube v video; Someone asked "Why do some British people not like Donald Trump?"

Nate White, an articulate and witty writer from England, wrote this magnificent response: "A few things spring to mind. Trump lacks certain qualities which the British traditionally esteem. For instance, he has no class, no charm, no coolness, no credibility, no compassion, no wit, no warmth, no wisdom, no subtlety, no sensitivity, no self-awareness, no humility, no honour and no grace - all qualities, funnily enough, with which his predecessor Mr. Obama was generously blessed. So for us, the stark contrast does rather throw Trump’s limitations into embarrassingly sharp relief.Plus, we like a laugh. And while Trump may be laughable, he has never once said anything wry, witty or even faintly amusing - not once, ever. I don’t say that rhetorically, I mean it quite literally: not once, not ever. And that fact is particularly disturbing to the British sensibility - for us, to lack humour is almost inhuman. But with Trump, it’s a fact. He doesn’t even seem to understand what a joke is - his idea of a joke is a crass comment, an illiterate insult, a casual act of cruelty. Trump is a troll. And like all trolls, he is never funny and he never laughs; he only crows or jeers. And scarily, he doesn’t just talk in crude, witless insults - he actually thinks in them. His mind is a simple bot-like algorithm of petty prejudices and knee-jerk nastiness. There is never any under-layer of irony, complexity, nuance or depth. It’s all surface. Some Americans might see this as refreshingly upfront. Well, we don’t.

We see it as having no inner world, no soul. And in Britain we traditionally side with David, not Goliath.

All our heroes are plucky underdogs: Robin Hood, Dick Whittington, Oliver Twist.

Trump is neither plucky, nor an underdog. He is the exact opposite of that. He’s not even a spoiled rich-boy, or a greedy fat-cat. He’s more a fat white slug. A Jabba the Hutt of privilege. And worse, he is that most unforgivable of all things to the British: a bully.That is, except when he is among bullies; then he suddenly transforms into a snivelling sidekick instead. There are unspoken rules to this stuff - the Queensberry rules of basic decency - and he breaks them all. He punches downwards - which a gentleman should, would, could never do - and every blow he aims is below the belt. He particularly likes to kick the vulnerable or voiceless - and he kicks them when they are down. So the fact that a significant minority - perhaps a third - of Americans look at what he does, listen to what he says, and then think 'Yeah, he seems like my kind of guy’ is a matter of some confusion and no little distress to British people, given that:* Americans are supposed to be nicer than us, and mostly are.* You don't need a particularly keen eye for detail to spot a few flaws in the man. This last point is what especially confuses and dismays British people, and many other people too; his faults seem pretty bloody hard to miss. After all, it’s impossible to read a single tweet, or hear him speak a sentence or two, without staring deep into the abyss.

He turns being artless into an art form; he is a Picasso of pettiness; a Shakespeare of shit. His faults are fractal: even his flaws have flaws, and so on ad infinitum. God knows there have always been stupid people in the world, and plenty of nasty people too. But rarely has stupidity been so nasty, or nastiness so stupid.

He makes Nixon look trustworthy and George W look smart. In fact, if Frankenstein decided to make a monster assembled entirely from human flaws - he would make a Trump.

And a remorseful Doctor Frankenstein would clutch out big clumpfuls of hair and scream in anguish:'My God… what… have… I… created?

If being a twat was a TV show, Trump would be the boxed set."

#british #wit #english #britain #lacking qualities

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isaidnotostatusquo · 7 years

Link

******** VERY IMPORTANT - PLEASE READ ************

So ... I think this is the first original post I’ve written in four whole years of having this Tumblr, but I legitimately can’t think of a better reason to break my internet silence! For those of you who have been living under a rock/have an actual life outside of social media, the Tin Can Brothers (Corey Lubowich, Joey Richter and Brian Rosenthal) are currently in the midst of Kickstarting their latest project: a 10 episode webseries/podcast called ‘The Wayward Guide for the Untrained Eye’! This project is sure to be incredible and you can find out more specific details by following the link below!!

The Tin Can Brothers are the same guys behind the smash-hit musical: ‘Spies Are Forever’, which has amassed hundreds of thousands of views on YouTube (if you haven’t seen it yet, it’s pretty dang good, and you can watch it here: https://www.youtube.com/watch?v=vd3aJl930YE&list=PLlF0gFzOX4tD1KJ5ZEnvhD55Qhnz-K0X2)!

This year, they also released their first ever short film, ‘Flopstoppers’ (again, you can watch it for free here: https://www.youtube.com/watch?v=lipp_4fco3w).

On top of Kickstarter campaigning, they’re currently uploading weekly episodes of their hilarious one-act play, ‘The Solve-It Squad Returns’. You can watch the first six scenes here: https://www.youtube.com/watch?v=dEA0hNs0M98&list=PLlF0gFzOX4tDiqbhfmx5036ZFKD6LAoQN and/or you can purchase the show in its entirety (along with Behind the Scenes content) here: https://www.tincanbros.com/stage-productions!

Marketing aside, these guys are wholeheartedly committed to producing consistent, quality content that their fans can access easily and cheaply. Their work is witty, original and extremely engaging! Additionally, their projects always include badass female characters with distinctive personalities and independent motivations, who are allowed to be vulnerable AS WELL AS strong; just like real human beings! As a long-term fan of the TCB, I’m 100% positive that ‘Wayward Guide’ will live up to these standards!

However, at the rate that the Kickstarter is moving, ‘Wayward Guide’ is NOT currently projected to be fully funded by its final day (24/09). If it doesn’t reach its $100,000 goal, it ain’t happening! No cards will be charged, no rewards will be given out, and it’ll be like the whole concept never existed! But YOU can change that! By donating just $1 (approx 70p for my fellow Brits), you’ll be helping this project come to life! If you donate $5 (approx £3.80) you’ll not only play a key part in the creation of ‘Wayward Guide’ but you’ll also receive exclusive updates on its progress, right up until its release; all for the price of a Starbucks! There are additional rewards available at increasing price tiers, so the more you donate, the more you will receive! At the moment, the Kickstarter needs to be making around $4000 per day in order to reach its goal! It’s a lot of money, but I’m confident we can do it! As Tescos say - Every little helps!

And if this hasn’t got you convinced, here’s a list of the people who we currently know to be involved in the project, and some things you may know them from! (Additional cast members are constantly being announced as various Kickstarter goals are met, so this list is by no means definitive):

- Benji Dell is Director of Photography!

If you’ve watched ‘Flopstoppers’ or the ‘Spies Are Forever’ Kickstarter video, he was also DP for both of those! His work is BEAUTIFUL and based on what I’ve seen of him in the ‘Flopstoppers’ BTS featurette, he seems like a really chill guy!

- Chuck Criss is Composing!

He’s in the band ‘Computer Games’, along with his brother, Darren, who you mayyyy have heard of before! He’s also in indie rock band ‘Freelance Whales’. His musical style is EXTREMELY cool, and if you watch the Kickstarter vid for this project, you can hear some of his tunes first-hand!

- Corey, Brian and Joey!

In addition to writing and producing ‘Wayward Guide’, the Tin Can Brothers are taking an even more active role! Corey is also going to be directing the project, whilst Brian and Joey will both be acting in it!

- Mary Kate Wiles!

You may know her as Tatiana from the TCB’s previous project, ‘Spies are Forever’, or from her prolific work with fellow internet comedy group, ‘Shipwrecked Comedy’! (’Kissing in the Rain’, ‘Poe Party’ and the upcoming ‘Case of the Gilded Lily’) She also appeared as Lydia Bennet in Pemberley Digital’s Emmy Award winning webseries ‘The Lizzie Bennet Diaries’, and has enjoyed starring roles in the short film ‘I Ship It’, and in the webseries ‘Muzzled the Musical’ amongst many others! (Basically she’s done almost everything there is to do and I’d be here all day listing her credentials!) She also has a YouTube channel: https://www.youtube.com/channel/UCcw3_LYw-SuTdOaWjEJSvHQ, which you should definitely check out because she’s great and posts weekly! She’ll be taking a lead role in this project as podcast host, Artemis Schue-Horyn, and I for one, can’t wait!

- Steve Zaragoza!

Steve was an original member of the popular YouTube channels,‘SourceFed’ and ‘SourceFedNerd’, which have amassed over 2 million subscribers in total! He’s also starred as Iggy DeLacey in Pemberley Digital’s ‘Frankenstein, M.D’ and has recently appeared in some Disney Channel and Disney XD shows. He’s a new addition to the TCB universe, and is sure to be wonderful!

- Dylan Saunders!

You’re sure to know Dylan from his work with Team StarKid! He’s appeared in the ‘Very Potter’ trilogy, ‘Starship’, ‘Holy Musical B@man’ and, most recently, ‘Twisted’! I think we can all agree that he has one of the best voices on the planet, and he’s also one of the most laid-back and friendly guys I’ve ever had the privilege to meet! I’m so excited to see him working with these guys again!

- Joanna Sotomura!

Another Pemberley Digital star, Joanna appeared as the title character, Emma Woodhouse, in the series ‘Emma Approved’! She’s also a new addition to the TCB world, and I can’t wait to see more of her!

- Jon Cozart!

Yep, that’s right - ‘Paint’ himself is going to be involved in this project! Jon is probably best known as the creator of ‘Harry Potter in 99 Seconds’, a.k.a one of my FAVOURITE videos of all time! He’s amazing and extremely creative and you should definitely subscribe to his YouTube channel here: https://www.youtube.com/user/Paint

- Nick Lang!

One of the founding faces of Team StarKid, Nick has been involved in some way in pretty much every creation of theirs to date! Also, he once taught my Dad a magic trick, which my Dad has never managed to accurately recreate. Further proof that Nick is the best!

- Clayton Snyder!

You’ll probably remember Clayton from his wonderfully intense portrayal of Fyodor Dostoyevsky in Shipwrecked Comedy’s ‘Poe Party’ (as members of Shipwrecked have said, he was basically in his own movie). Also, he’s Ethan Craft from ‘Lizzie McGuire’ so that’s pretty dang cool!

- Sinead Persaud!

A founding member of Shipwrecked Comedy, Sinead has co-written, produced and starred in every single one of their projects to date! Last year, she appeared as sassy ghost, Lenore, in ‘Poe Party’, which was a perfect role for her! In this, she’ll be appearing as a ‘Macabre Mortician/Taxidermist’, which is an EVEN MORE PERFECT role for her!

- Titus Makin Jr!

Titus has done a looottttttt of TV work over the years, (like seriously, so much!) but you’ll probably remember him best as David the Warbler from ‘Glee’! He’s also got a budding music career going, so he’s very talented! Another TCB newbie!

- Tara Perry!

Perhaps you’ll remember Tara from when she coughed a lot and was reallllly into trees on Shipwrecked Comedy’s ‘Poe Party’. If not, she also played boss lady, Vivian DeMarco, in the Tin Can Brothers’ short film ‘Flopstoppers’! I’m also pretty sure that I saw her once in an art gallery in Glasgow, but was 100% too scared to approach her, so who knows?

- Gabe Greenspan!

If you’ve been keeping up with the Tin Can Brothers recently, then you’ll for sure know Gabe from their most recent show, ‘The Solve-It Squad Returns’! He plays a complete a*sehole called Keith, but somehow manages to still make him loveable! Also, he’ll be appearing in Shipwrecked Comedy’s upcoming ‘The Case of the Gilded Lily’, so keep your eye out for that!

- Ashley Clements!

Ashley is probably best known for her titular role as Lizzie Bennet in Pemberley Digital’s, ‘The Lizzie Bennet Diaries’. Other webseries she’s appeared in include ‘Poe Party’ and ‘Muzzled the Musical’ (as a well-dressed villain both times)! Most recently, you might have seen her in the Tin Can Brothers’ ‘The Solve-It Squad Returns’ where she acted opposite Gabe Greenspan. She’ll be doing that again and it’s sure to be hilarious!

- Corey Dorris

You’ll probably best remember Corey as Big Tallywacker in ‘MAMD’, Yaxley in ‘AVPS’, Kingsley Shacklebolt in ‘AVPSY’ and the Grandpa in ‘The Trail to Oregon’! When I saw the show in New York, his character was called ‘Ol’ Man River’, which is, in my opinion, the BEST NAME HE COULD EVER HAVE HAD! He’s also Juilliard trained which is prettttyyy cool!

- Sean Persaud

Another founding member of Shipwrecked Comedy, Sean has also co-written, produced and starred in each of their projects, along with his sister, Sinead. He played the titular role of Edgar Allan Poe in ‘Poe Party’ last year, where he exhibited his uncanny ability for deadpan hilarity! He’ll be playing a ‘Desperate Pastor’ in this project and I can’t wait!

PLEASE, PLEASE, PLEASE SPREAD THE WORD AND DONATE IF YOU CAN SO THAT THIS PROJECT CAN HAPPEN!!!

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brendancorris · 7 years

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My Top 10 Universal Horror Movies

My final top horror list for the year, here’s my top 10 (sort of) Universal Monsters list. This is exclusively just the Universal horror films from the silent era to the 50s. I won’t be including later ones like Jaws or anything, just the original Monsters collection, or this list would be too big and messy.

#10...

The third in the Frankenstein series, I don’t feel it’s as good as its two prequels, but a damn good film all around. While hardcore fans of the Monster may be let down by how little he appears in the movie, I feel the real star of the show is Ygor, played by Bela Lugosi. It’s an interesting turn for the series, but still perfectly captures that classic Universal atmosphere. I feel this is the last great Frankenstein film in the Universal library, ironically also being the last one with Karloff behind the Monster.

#9...

I know many people would probably rank The Mummy higher than this on their personal top 10 Universal lists, and it IS a great movie, but I’ve always felt it was a bit weaker than the other greats in the Universal series. Karloff is amazing as the resurrected haunting mummy, Imhotep, and the film is far smarter and better acted than the other unrelated Mummy “sequels” that followed (not to mention all remakes). I have a few problems with the movie, like the rehash of many of Dracula’s elements (some argue it’s the exact same story), the lack of much spooky scenery and settings, and they kill a dog. Come on. Why do movie directors always have to kill the dog?

#8...

My personal favorite film adaptation of the classic romance tragedy, Lon Cheney IS the Phantom. His look and mannerisms (all makeup done by Cheney himself) were the perfect defining version of the character, and all later iterations always felt a bit flat in comparison. This one doesn’t seem to be as widely renowned as all the post-Dracula films, as silent movies rarely get enough love, but it truly is one of the greats, and in my opinion, the first Universal film to kick off their style of gothic horror.

#7...

This one is not only important in that it practically set up an entire genre, but is also just a really great film. The most famous character is likely the mute, drunken butler played by Boris Karloff, but the whole cast is really good. The mood and visuals of the film make it perfect for a stormy, spooky night.

#6...

Lugosi and Karloff together in one film, the Black Cat, which is really not at all related to the Poe story beyond the title, is actually a surprisingly damn good film despite the little buzz about it these days. We see Lugosi in a heroic role, which was not common at that point (or ever, really) and he actually plays a really likable guy, despite being really bizarre at times. The acting from Lugosi and Karloff is some of their best, and there are a lot of really interesting and ambitious effects and scene transitions for its time. I won’t spoil the whole film, but I will say that the ending is the only thing in the movie I don’t really care for. It ends on a crappy, throw-away joke after some really heavy events just occurred, which to me weakens the mood and, considering what the main protagonists just witnessed/did, makes them seem pretty inconsiderate and messed up.

#5...

A direct sequel to the 1931 classic, Dracula’s Daughter, Countess Zaleska, is an extremely interesting vampire for her time since she is reluctant to give into her curse. She’s sympathetic and dreams of a release from her vampirism, much in contrast to the monstrous pride of her father. Not only do we want to see her get better and succeed, but her gradual failure to fight her urges make for a very unique and complex vampire film for its time.

#4...

Though this is sort of the odd man out in the Universal series, as we don’t see any old European castles, mansions or laboratories, this film is still a ton of fun and a worthy member of the Universal Monsters Collection. After decades of magical monsters terrorizing the screen, the 50s gave birth to more monsters of science. And when it comes to sci fi horror films of the 50s, few are better than “Black Lagoon”. Some may find the Gillman suit a bit too silly and tacky looking today, but if you enjoy the slight campiness, this movie is a great time. It’s sequel, Revenge of the Creature, however, I probably feel is the worst Universal horror film I’ve ever seen. Not TERRIBLE, but not NEARLY as good as its prequel.

#3...

The Invisible Man is a smart and cheeky flick. Not as horror based as many of the other Universal classics, but still enough so to fit right in. The acting is great, the special effects are mind-boggling for their time, and the movie can actually be damn funny, especially with how surprisingly not weirded out the people are by Griffin’s invisibility. The only two complaints I have is that I would have rather had there been no explanation that the drug is responsible for his madness, and think it would have been more powerful and interesting if his madness was the result of his living in terror and paranoia, as well as realizing the freedom of his new form. Also, I hate that loud old woman. She’s so freaking annoying. I guess James Whale found her really funny, because she plays the exact same kind of loud annoying comic relief role in Bride of Frankenstein.

#2...

Often considered possibly the best Universal Monster film, Bride of Frankenstein is definitely one of the greats. While it is probably the best written, acted, and directed of the Frankenstein series, I do personally think it is not AS enjoyable as the first one. That being said, though, it is extremely well made, and surprisingly smart, emotional, and even witty for a 1930s horror film. It clearly has more to say than your average classic horror flick, but still delivers all the eerie atmosphere and sets you expect from Universal.

#1...

And for my #1 space, I couldn’t decide. These are the generic standard for Universal Monsters. They’re the three everybody thinks of first. But I genuinely just love these three the most. I used to say The Wolfman was probably a bit higher for me than the other two simply because I LOVE those foggy woodland sets, but Dracula and Frankenstein are so damn good, it’s impossible for me to choose. If I had to pick one as my favorite, it might be Dracula. It just perfectly embodies everything I identify the Universal collection by. All three of these movies excel in that perfect gothic style of visuals and setting and just have great simple yet absolute classic monster stories. Not to mention, the actors playing the monsters are perfect. It doesn’t feel like Halloween season any year if I don’t watch these three.

#Brendan Corris #BrendanCorris #universal monsters #top 10

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