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#that said I wanted to get at least a vibe from Nora Pez and Bea
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Watching the rwrb trailer 100 times on repeat was not enough I need to eat it
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arse-crack-thistle · 3 years
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quality time
rwrb and the five love languages | part four
in which bea nearly crashes from the stress of party-planning (aroace rep)
Princess Beatrice buzzes around The Masquerade, double-checking place cards, straightening table settings, and pulling dried rose petals from the centerpieces. She rented the concert venue for the night to throw a modern Valentine’s gala to benefit Henry’s queer youth center in London. He and Alex are around here somewhere, probably hooking up in a broom cupboard and definitely not nitpicking every detail like Bea is. Her assistant follows her with a clipboard and updates her on the schedule: t-minus three hours until guests arrive and, in the meantime, she needs to give final approval, soundcheck with the band, and get dressed up. Jeans and a blazer, while royal casual, are not party-appropriate, and tonight needs to be perfect.
She usually hates royal events like galas, but this one is special. Not because it’s Valentine’s Day—Bea could not give two fucks about the holiday—but because ever since coming out as asexual around Christmas, she’s been looking for an opportunity to help other queer people, or at least give them a public figure they could point to and say, “See Mum and Dad, she’s like me.” Henry and Alex got their chance, and now this time, it’s hers.
The stage lights up with pink and red; it’s cheesy, but Bea digs it. The concert was the one thing she would not budge on with her royal event planner. Did she want to reach into wealthy pockets? Yes. Did she still want to have a good time? Hell yes. And the band she’s joining for one night only happens to be just as queer as the charity they’re supporting.
Permanent Record, local to London, tune their instruments on stage. Bea has met them dozens of times over the last month and vibed with them instantly. Margot, the too-cool lead singer always decked out in a leather jacket and Docs, is ace like her, and as much as Bea has wanted to get to know them, there’s been no time. Turns out, party-planning and party-executing steals the host away from all meaningful human connection. She’s only been able to keep up with Henry because he’s partly responsible for this event.
The pit, full of tables covered in pink and gold, finally looks perfect enough for Bea to hand-off any other minute fixes to the planner and finally have her soundcheck with the band. But then, a large crash comes from the back of the venue, and she hears a loud shriek coming from a familiar voice, the one that’s been shrill and disapproving for the last month. When Bea runs up, she sees hundreds of shattered champaign flutes and her planner on the floor, blood oozing from her hands.
This cannot be happening. The only reason Bea kept this woman around was to take most of the day-of duties off her plate. But she’s in the back of an ambulance now, and Henry is nowhere to be found. Bea’s stress levels go from tolerable to unbearable as she orders her assistant to track down replacement flutes. The staff are quick to fill her other requests: a couple of people start sweeping, someone runs off to find her co-host, another tells the band Bea’s soundcheck will be postponed, and a brave soul steps up as a temporary assistant and follows her around the back tables to check for broken glass. Bea knows she doesn’t have to be the one to do this, but it seems like the success of this event lies solely one her shoulders. If something goes wrongs, it’s her face—not Henry’s—in the papers the next day. Powder Princess Crashes and Burns at Gay Ball. Christ.
After an hour, everything is sorted. There’s no glass. The planner is getting stiches. Permanent Record has started their soundcheck and sound amazing. But even their chill indie tunes can’t calm the princess. She needs to get on stage, but her stylist specifically requested she have at least two hours to work his magic, which is not going to happen.
Bea tells her assistant to get her stylist and his team to the venue, because she won’t be able to leave, and warn him he’ll only have an hour at best. Henry and Alex have already taken off to get ready, and she has to remind herself to smack them later for abandoning her.
She tugs off her blazer, drapes it over a chair, and rolls up her sleeves. If she does get her hands on a guitar, she’ll explode. It’s all she can think of to stop her from raiding the bar at the back.
“Better late than never, eh, Princess?” Margot says as she huffs on stage.
One of the stagehands gives Bea her beautiful sleek, black Fender Stratocaster, and her anxiety reduces itself to a hum. Music can’t cure all, but it certainly keeps her from wrecking every good thing in her life.
“Let’s just play,” she says.
But it’s anything but perfect. Whatever chemistry she had with Permanent Record somehow jumped into the Thames between their last rehearsal and now because this is an absolute travesty and she’s only playing two songs with them tonight. She’s forgotten measures of one song and can’t find the chords fast enough in her solo of the other. Utter shit.
Why does she even fucking bother?
She always fucks everything up. Always. Why did she think she could put this on? Sure, she’s chaired these events before, but not ones she actually cares about, not ones she’s actually put her heart into. Christ, no wonder. She should’ve known it would turn out like this. She’s the anti-Midas; everything she touches turns to shit.
No kid will ever see her as a queer role model. She’s the girl they point to and say, “See Mum and Dad, what a waste.”
She needs a hit so fucking bad.
Which is why she has to get out of here ASAP. Before she does anything she’ll regret. She won’t slip again, and she won’t be the reason this gala fails. Henry can handle it without her.
So when Margot calls for a five-minute break, Bea excuses herself and hands off her guitar. On her way out the door, she tells the stagehand to find her assistant and tell her to have Henry take over. The hard part is over thanks to the planner actually being brilliant at her job, even if she and Bea would never get along.
No doubt, cameras are already lined up outside, so she hides in one of the green rooms and locks the door behind her. If she just takes a deep breath and calms down, she can bring herself back from the edge.
Five things she can see: The 1975, Arctic Monkeys, Oasis, Solange, and Fiona Apple’s signatures on the artist wall.
Four things she can feel: the worn leather on a crusty couch, the chipped-paint walls, her toes in her shoes, and her fingers through her light brown hair.
Three things she can hear: the ticking from the clock, the click of her heels as she paces, and a knock at the door.
Two things she can smell: decades-old musk from artists past—no doubt coming from the couch—and her light perfume on her wrist.
One thing she can taste: a hint of coffee from earlier.
She breathes in and out, and the knock on the door continues.
“Bea, are you in there? Could you let me in?” Margot. Essentially a stranger. She supposes it’s better than facing a disappointed Henry, so she opens the door and promptly relocks it as soon as they’re inside.
“Christ, this place is legendary, isn’t it? Everyone’s played here—is that Bob Dylan? Fucking nuts,” Margot says, pointing to the wall.
“I’ve seen loads of people here. Always wanted to play here myself,” Bea tells them. She traces Lizzo’s signature. That was a fun night; Nora and June flew out for a girls’ night, which was ultimately crashed by Pez.
“Me too, and the rest of band as well, I suppose.” Margot looks at Bea and smiles. They’re brown eyes crinkle in the corner, and it reminds her of Alex. “And now we get to, eh, Princess? Couldn’t’ve gotten here without you. The whole world knows Permanent Record now.”
“You could’ve done it without me,” she says. “You will tonight anyway.”
“Hey.” They reach for Bea’s hand. “Everyone has some hiccups before a big gig. It’ll be grand, but only if you’re there. This is your night as much as it is ours or the youth center’s. You have no idea how important it is for your lot to shine a light on causes people shy away from.”
That makes Bea smile. For so long she wanted to hide from her position. She wanted freedom to do whatever she pleased, but now she understands the power she has, even if people still see her as “The Powder Princess.” No matter what she wears, millions of fashion influencers share links to her clothes. If she walks into a restaurant, their yearly profits skyrocket. When she told the world she was ace, thousands of people messaged her and said the same. One of them was Margot, telling her about their undiscovered band from South London.
She tells Margot how that was one of the first times she really felt like herself. Completely at peace with who she is. How that peace got away from her and turned this gala into a near-panic-attack-inducing event, she doesn’t know.
“Have you let on how stressed you’ve been to anyone?” Margot asks. The two sit together on the couch after Margot bravely plopped themself down on the dirty, old thing.
“Hadn’t the time,” she says. Truthfully, Bea doesn’t think she’s had a genuine conversation with anyone since the gala’s conception.
Margot throws their hands in the air. “Well, there you go then! You’ve got to take the time! To take care of yourself. To hang out with your mates. Just to have some goddamn fun, Bea! Come on! You think I’d be a functioning human if I didn’t let loose with my mates every now and then? This—” They gesture to their body, covered in tattoos and tattered black clothing. “Doesn’t happen on its own.”
Bea laughs. It’s been so long since she’s laughed from anything other than stress. “Right, so how does this all happen then?” She swirls her hand in Margot’s direction.
As they chat, Bea relaxes. They talk about their families and uni and music and coming out. Bea tells Margot about the time she and the gang went to the karaoke bar where Henry got wasted and sang Queen horrifically. Margot tells her about the time in year twelve when they got dared to try out for the school play and ended up playing an old man in the most unbelievable bald cap.
Eventually, the two of them pull out their phones and play a few games of Among Us until Bea’s desperate assistant finds her and pleads for her to get ready though the door. They only have an hour before guests arrive.
“You all right?” Margot asks. “Want to go out there and try again?”
Funny how it doesn’t seem so scary anymore. How it only took a short break, a nice chat, and a little pink astronaut to put Bea at ease. She smiles. The notes come back to her fingertips.
check out the rest of my rwrb and the five love languages series: part one, part two, part three, and part five. (links to come as they’re released)
listen, my permanent headcanon is aroace bea and you will never convince me otherwise and i will never write her as anything else bc i love her so much!! (that being said, if you ship her with anyone, i totally understand). also, i reference a fic of mine i wrote for winterfest so if you want to check out my version of bea’s coming out, you can do that here! and finally, i know this wasn’t a romantic fic for romance week but like i said in part one, valentine’s day is different for everyone. <3
rwrb romance week | @rwrb-fests
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